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#but i also think she is slowly changing

sysig · 2 months

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Skelefam

Unfortunately, as much as I love this mod - I mean, it’s beautiful! Just look at it! - it does have a game-crashing bug D: For some reason skeletons can’t get jobs, it crashes the game lol, so as much as I’d love to have Gaster in the Science career, he is a stay-at-home parent! That’s fine, nannies suck in TS2 lol. There’s also only a few clothing options but I’m gonna try some poking around to at least expand upon what’s there already :D

I ended up using the stretchSkeleton cheat - hehe, skeleton - to make Papyrus a bit taller and Sans a bit smaller. It’s only really noticeable in their ankles, and their animations are a bit misaligned, but other than that it’s very cute! :D Sans is also chubby but it’s kinda hard to tell :0

Sans, stop breaking the fourth wall!

Look how little he is compared to his brother hehe

Also, and I did not edit or plan this - they naturally started falling into their relationship dynamics! Gaster and Sans have a much lower Short Term Relationship here than Gaster and Papyrus haha

Would that I could! I was still testing at this point and yup, it crashed. Sadge

Well even if I can’t get the jobs, I can still cheat-unlock the Career Awards! Scientist behaviour lol

Look at their delicate little haaands

Did you know that Gaster sucks? He does!

Oh what are skeletons not your type? Don’t be rude

Sans even rejected him when Gaster offered to dance together! I love them

Gaster’s POV - he was listening to Sans tell a joke and next in the queue Papyrus wanted to show off to him. So accurate haha

Papyrus’ POV, of course he’s friends with both of them, sweet boy

And Sans’, look at how much more he thinks of his brother over Gaster! What more could I ask for honestly

Only concerned with Gaster seeing lol, Papyrus is way closer! He doesn’t count haha

Racecar bed babyyyy

Retextured the outfit for Papyrus, so now they’re much easier to tell apart! :D

Crossover babies ♪ One of the Todds walked by and I just now realized I also gave them a red/blue twin aesthetic haha

And that’s all he’ll want and care about from now on :)

Hehe. He gets it!

Papyrus is bad at making friends! Sans there in the background passively ++ing with Todd lol, he’s a natural

#WPVG #WPTS2 #The Sims 2 #The Sims #UT #Handplates #Just a bit of silliness! There's only so much I can do with them until I get them some Slightly better clothes haha #You can see I didn't even bother making them a proper house in this lot lol #I also keep accidentally making just ''normal'' Sims in this town - this is meant to be a test town to see clothes and mods in action!#I have made a couple more skeletons dotted around town just to double-triple-quadruple check about getting jobs and yeahhh #One went so sideways that her house caught fire and she died so I had to reload - it was a whole thing lol #But other than the limited clothes and inability to hold down gainful employment - lol - skeletons seem to work just fine :)#Chubbiness on kids is like - barely different pft #There Is a difference but it's so subtle! I guess it's fine #I know there are ways to make specific outfits their own body shape mesh - I wonder if that would be easier or harder for skeletons haha #It's not like I'd be changing the body shape just the way the clothes settle around it #Though I think there is actually a ''physical'' body it's just invisible? It's very strange! I like it #ANYway lol #I did download a couple new coats to see if I could figure out how to reverse-engineer an outfit but so far no success haha #Gonna keep trying! Slowly but surely #Until then it's so fun to see how they all interact and act hehe <3 #Papyrus runs everywhere for example - I set his Active to full I think haha - Sans of course is lazy ♪#I could also have babybones or teen skeles - maybe at some point! The clothes...#So much customizable potential and then all the work that goes into it! Haha ♪

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mysteriouslybluepirate · 6 months

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Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

#I am absolutely screwing myself over spelling-wise by adding a poll but fuck it. That's what we do #Overall: Just because you can fit something into your story doesn't mean it needs to be shown on screen.#I wanted to add a section of all the scenes I'd cut/tighten to make my added scenes work but I don't think we're there yet as a fandom #I theorize that the reason they couldn't change the script and had to hack it up was due to them already having 10 episodes fully written #also I SWEAR I LIKE ZHENG- but the part of me that sees her as a hollow Ed 'narrative mirror' finds her a bit boring until episode 7 #I LOVED her ship and how she hated Stede. But that's just because I generally don't enjoy Stede when he's unquestioned #Stede on her ship was a pacified lamb slowly getting fattened for the slaughter. She would have turned on him SO EASILY. She almost did too #I semi-tolerated Ed/Stede's love story of not communicating and puppy love. Seeing it again but sped up didn't make me like it more #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #ofmd critical #?#yeah I'll tag that just to be safe #izzy hands #edward teach #ofmd s2 finale #ofmd season 2 spoilers #ofmd s2 meta #ofmd s2 analysis #trauma

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appalachianapologies · 8 months

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[random drabble to get you through the day]

“I was able to hack her stuff pretty easily.”

“That didn’t take long.”

Riley sends Mac a look. “I’m sorry, have we met? Riley Davis, hacker extraordinaire.”

Rolling his eyes, Mac replies, “You know what I mean. What’d you find?”

“The usual. For a double or triple or quadruple—or whatever type of agent she is—Nikki doesn’t encrypt her files as much as she should. I’ve already sent the juicy stuff to Patty.”

“Nice.” Giving a nod, Mac pulls a spare wheeled chair toward Riley’s desk and sits down. “What’re you doing now, then?”

“Oh, just having some fun.”

“Should I ask?”

“Probably not, but I’ll tell you anyway.”

With a poorly contained smile, Mac says, “Go for it.”

“After getting the goods out of her laptop, I hacked into her phone. Weakest wifi password in the history of ever, by the way.”

“Noted.”

“And she’s been listening to Spotify for the past three or so hours, so if I were to guess, she’s probably doing some other task while listening to music in the background.”

Mac gives another nod, still not exactly sure where this is going.

“So, like I said, I decided to have a little fun, and I wrote up some quick code this morning before you and Jack got here.”

“Code for what?”

“Basically,” Riley starts, “I made it so randomly in the middle of her songs, Spotify will pause itself.”

“Is that… it?”

“Yep.”

“Riley, what the fuck?”

Turning her head away from the monitor, she looks at Mac. “What, I can’t have some fun? When I wasn’t doing hacktivist stuff, this is basically all I’d do.”

A stuttered laugh escapes Mac before he can stop it. “I don’t think I’ve ever seen this side of you.”

“She’s been dormant for a while,” Riley confirms, “but I think it’s time I bring that part of me back.”

#i have no idea where this came from btw. it just kinda. happened.#i should absolutely 100% be working on homework but have this instead. and NOW i'll go work on homework #in which vi actually writes #macgyver #macgyver 2016 #angus macgyver #riley davis #drabbles #spy siblings #if anyone tags this with a ship i'm gonna fucking come for you and i don't mean that in a joking manner #anyway. bone apple tea #i just needed to write something before homework mode because i've been lowkey highkey anxious this morning for literally zero reason #and i think it's getting better. still frustrating though. literally no reason for this #me @ my brain: you are in a libRARY NOT A WARZONE CALM TF DOWN #anyway. spy siblings content my beloved <3 #i have many MANY riley thoughts about her not feeling like herself after prison because you know. prison.#and her slowly gaining confidence and being more like the person before prison (not that she can ever be that same person again because tha #t's not how people work and the inherent changing of a person throughout their lifetime is beautiful but you know what i mean #right?#also unrelated but why the FUCK is there a creepy pirate #i hate it

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aleksanderscult · 18 hours

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Do you hate Alina?

Nope. I've said it many times in the past that I hate the way Bardugo has written her (with no character development, just stagnant) and mostly I feel sorry for her. That's why I'm "anti Alina's waisted potential".

The only characters I hate from this story is Mal, Zoya, that rapist King and his bitch wife.

I know people that love Alina's character and I know people that hate her. I'm somewhere in the between. And I strongly believe that her canon character doesn't fit in this fictional universe.

I would very much like her to become darker. To keep her powers and slowly become ruthless with time and follow the same path with the Darkling. To become a merciless defendant of the Grisha and start her own campaign.

That or keep her powers, marry Nikolai and do the same as above (I always loved her dynamic with Nikolai as well).

(not keeping her powers is a scenario that I can neither stand nor accept as canon. It was straight bullshit from Bardugo's part to do that)

#sure she's funny but is she fit to be the MC? Nope #because I don't think a hero can also be called selfish #Bardugo could slowly change her character as do happens with every *normal* character out there #but who needs that when you can have her end up in the gutter 🤷#alina starkov #anti alina wasted potential #leigh bardugo #shadow and bone #grishaverse #nikolina #nikolai lantsov #the darkling #aleksander morozova #pro darkling

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ps-aeiou-vowels · 2 years

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Something that struck me.

In the new/hidden/joke ending, Lily can't go down the well because she’s thrown out all her materials.

"Does this mean this run was a success?"

"Nah, she still got dressed and left the house."

Lily will always make the choice to help before the player starts to control her.

Lily is dressed and ready when the player begins the game. There is no other option. There is no way to call for help, no way to leave unless she's tried at least every length of rope, failed the test at least 10 times..

No matter what images of the gruesome deaths (that the player leads her into) remain in the back of her mind, the choice she makes will always be the same. A choice the player doesn’t get to make: get up, get dressed, and try to help the person in the well.

#and disobey her father.#Lily's Well #this took forever bc i wanted it to really capture something ive been thinking about nonsto #been working on it slowly as i fixed my csp #been working on it #there is no option for you to -not- enter the well #also ive seen cleariceblue notice my fanart hhghf hi.#the use of video games as a medium is critical to the telling of this story because you are simply guiding lily through the cycles #she will never change #she will only be hurt over and over until she can reach out and break the cycle #the storytelling truly inspires me in a way i struggle to express bc there's also a personal aspect in there i.e. the abuse analogy #one day i hope to do indie game work in some capacity when i get a better hold of being ill #idk these tags are now endless but this is an incredible use of mechanics and it hurts real bad im dying squirtle #macabre when it needs to be #brutal when it needs to be #but always always kind #i want to trigger tag this but that will not work unless you know the game hhghf #anyways thank you cleariceblue like genuinely i think i needed to see and play this game like personally to feel certain things #i needed to feel #hoping i managed to capture some of that #fanart tag

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moongothic · 6 months

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oh my ... what you said about Oda using the "I want to be a man bc women are weak" trope made me think about Kuina.

I am bit upset we didnt encountered a strong swordwoman yet. I hope we will soon. Some people think Tashigi could be Kuina but that would really hurt me. She isnt near Zoro level at all. I dont want Kuina to be right.

This would be stupid.

But.

I think the best case scenario we could have, is if Zoro somehow encountered Ivankov before Mihawk, he could ask for HRT so that he could then go fight and defeat Mihawk "as a woman" and fulfill Kuina's dream for her and prove that a woman could be the strongest (and maybe get turned back into a man afterwards)

That's not how gender works of course, but Oda doesn't get it either, and I'm trying to picture the best case scenario Oda could actually give us

Because the only way Kuina's fears could be proven wrong is if both Mihawk and Zoro lost to a swordswoman at the end, and I do not think that is ever going to happen. Because the clash between Mihawk and Zoro has been like The Ultimate Goal of Zoro's whole story, so him losing to someone else would just feel bad

Like it'd be a lil dumb (from a queer POV (unless Zoro turned out to be a butch trans woman, which to be fair, valid, and I would enjoy the dudebros getting Fucking Angry About It lmao)), but like. Oda does have his issues with the gender essentialism and misogyny, and the way the chesspieces are arranged on the table right now, it's either that or Kuina's fears end up correct. And it definitely sucks

#Moon posting #Of course when thinking about Kuina's fear #Like emotionally I do think part of the point was that Kuina's gender did not have an impact on her skill despite her fears #Like yes she was afraid of being weaker because she was AFAB but just because she was afraid it didn't mean it was true #Or alternatively Oda wasn't making a statement about misogyny etc with that backstory and the ''women can't be strong'' was like for real #It's hard to fucking tell which it is #Especially because the series has changed so much over the years #IDK man #Time will tell #One Piece #Although hey remember what I said in the last post about trans people just wanting be seen as regular people etc #How it's the same person deep inside regardless of the gender presentation and they still deserve to be treated with respect #It would be interesting if Zoro was a non-dysphoric trans woman and it could help drive those ideas home #And it would force the fans to like. Respect people who've just come out/are starting transitioning #And not just the people who you've only known ''post-transition''#There was actually this video from the channel Berry For A Thought called ''Escalation and Mythology''#(''A One Piece Theory about Crocodile (also Crocomom)'')#And it went into detail about queer and trans rep in One Piece and how the representation has been slowly ''escalating''#From Kuina ''wanting to be a man'' to Bon-chan to Iva-chan to Okiku and Yamato #Suggesting trans man Crocodile could then be the ultimate stage of the escalation #But imagine if trans femme Zoro was actually the peak of the escalation #How am I slowly warming myself up to this idea #OP Meta

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