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#but i don't love drama it loves me
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Sarahs ballgown in The Labyrinth in 4k
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coachbeards · 3 months
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"the bear isn't a comedy" okay so explain this comedy gold
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bellepark · 26 days
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KOI WO SURU NIDOME GA JOTO (2024) | 1.03
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royalarchivist · 4 months
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Richarlyson: This is a good ship that never came to fruition.
Mike: This ship is better than Hideduo. Shut your mouths.
[...]
Fit: Very cool artwork! DELUSIONAL, but very good artwork nonetheless.
Ramon: delulu
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Mike and Fit's VERY different reactions to Pacmanduo art (Pac & Etoiles) in the fanart museum.
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poorly-drawn-mdzs · 8 months
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Up High!
[First] Prev <–-> Next
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dollypopup · 22 days
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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beanghostprincess · 3 months
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I think constantly about Pudding and Sanji being obviously parallels of each other and how fucked up it is that Pudding had to live the life Sanji managed to escape but she constantly gets hate online as if she hadn't been literally manipulated by her mother through the whole fucking arc. But okay. Yes. God forbid women have any sort of trauma response and if they do they're not allowed to have a redemption arc because of course they're extremely evil for making your silly baby boy cry and they don't have a heart even though it's explicitly shown in screen that they do and they regret their past actions.
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itsallaboutbl · 13 days
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WayuJao - Two Worlds OST MV
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svtskneecaps · 4 months
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see everyone worried and fretted and panicked and yet quesadilla island looked at pepito and went
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#qsmp#qsmp pepito#this post is not about roier's parenting i PROMISE you don't need to defend your cubito#this is literally about pepito being bobbled between caretakers#bad etoiles foolish forever bagi pac and more that i just haven't seen#just. people who have shown an interest and desire to hang out with pepito and keep pepito safe#pepito went to find parents and look!! look!!!#listen. listen. to me the qsmp is about love. not mystery not roleplay not drama not plot.#the qsmp is at its ABSOLUTE best when it is People Talking To Each Other#purgatory was AMAZING for me as a bolas viewer bc if bolas was in the server THEY WERE IN A CALL they were CONSTANTLY talking and i THRIVED#people adopting each other into their fake families in the most middle school childlike wondrous form of love there is#when you like your friend so much they're your fake spouse. your fake child. your fake parent. your fake sibling.#eggs and parents that's LOVE tubbo and fred that's LOVE tazercraft and walter bob that's LOVE; cellbit and roier; phil and missa#baghera and bad and forever; bad and bagi; pierre and maxo; maxo and EVERYTHING his son his daughter his partner the theory bros#favela six that's LOVE LOOK AT THIS FUCKING SERVER EVEN ELENA WHO WE'VE KNOWN FOR AN HOUR IS ABOUT LOVE. HER PARTNER IS HER DRIVE.#jaiden's story is driven by LOVE the hole from the love of her son and chasing cucurucho's 'love' in return it's LOVE it's UNDERSTANDING#there's so much love and i'm biased to my povs but holy shit i will repeat it until y'all roll your eyes seeing me on the dash#like NOT THIS ANIME POWER OF FRIENDSHIP BULLSHIT AGAIN no i'm right u can't fight me#block game brainrot#shut up vic
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modmad · 28 days
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now I’m imagining RGB taking those buzz feed quizzes that’s are like “what kind of bread are you?” and him getting mad because he is NOT a bagel
RGB is 100% a bagel though
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keepthetension · 2 months
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this was made especially for those of us who cut ties with our shitty families, huh
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i cried so much this whole episode. i know that i can't be in that house and be who i am at the same time, but the guilt and shame never really go away. i love that this episode said, wholeheartedly: fuck what society says, you should be wherever allows you to be happiest
anyway! you always hear that family estrangement is rare in asian communities, but i did it! and you can do it, too! dump your shitty family! i believe in you~
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wanderlust-in-my-soul · 6 months
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You've got to take a rest, Khun Yai, because tomorrow is your engangement ceremony between you and Busabong.
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hollymacycomic · 5 months
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Holly & Macy and Everyone Else
Chapter 4: Page 37
Start at the Beginning | About the comic | Tip-jar 
🌘 Support the comic & read the next page now on Patreon! 🌘
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ellilyre · 17 days
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I'm a child of Dionysos but not in the way of "I party every night and I smoke weed and am in a drama club"
I'm a child of Dionysos bc I dance in the grocery store on the music in my head and when I get excited I speak too loud. I feel amused whenever strangers stare at me because I dress too fancy or laugh too loud. I genuinely enjoy the taste of alcohol, it makes me laugh and love even more, but I never drink too much bc I want to feel everything and to remember how everything felt. My emotions are too big and my mood swings from euphoric to heartbroken and vice versa multiple times a day, to the point I don't know how I actually am. Acting allows me to be all the persons I will never be and to scream emotions I'll never let myself express. I'm not sure of who I am, because I keep acting ; I adapt like an actor changes of tune depending on the producer behind the camera.
I am so afraid of the future bc when people ask me what I want to do later, all that comes to my mind is I want to be happy, I want to dance and to laugh and to eat good food. I want to meet and kiss people for a night and to dream of them for all the following nights.
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rosepompadour · 2 months
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When Carole Lombard tackled anything it was with all her heart and soul — and that's the way she fell for Clark Gable, in a way that could have been worked only by the miracle that makes hearts beat faster on Valentine's Day. Everyone who knew Carole loved her; everyone loved Gable, too — and when they loved each other it was a romance fit for the gods. - Hedda Hopper, "Three Loves That Thrilled the World" (Modern Screen, February 1949)
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clj-art-blog · 8 months
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"With the breeze to meet adventure" or "Charming moon couplу`s active weekend" or "When they have a free minute"
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