Okay friendies, I did it, I’m all caught up on the Eclipse. (Three Star Bar review, see you Monday or Tuesday, I owe you a cocktail and a can of something delish for getting bumped!)
DANG Y’ALL. LOOOOOTS TO PROCESS. #LONG POST!
I don’t think I can muster a complete review of episodes 10 and 11, per se, because there’s so much going on between these two, so apologies just for the random thought thread.
1) Episode 10 ate. What a GORGEOUS balance of romance, intimacy development, TRUST building, revelations. Like I said yesterday, the pacing through episode 10 was exquisite. Akk’s growth into himself, trusting himself to fall into Aye. That bedroom scene! And Kan! Kan being his sweet and ballsy self, growing literally in front of our eyes to be brave enough for the confession. So lovely.
2) Episode 10 also gave us so much more of the panic and anxiety development that is dogging Akk, and I appreciated the strong set-up that someone was “behind” Akk’s devolvement -- I think that was the right framework to move the plot forward.
3) One more point about episode 10 -- Teacher Waree talking about the minority disrupting the majority was excellently done to reveal that essentially what we’re talking about in this show is internalized homophobia. (All my credit for this revelation goes to this Tumblr post by @kittyann, which I read once I was brave enough to check the tag.) Waree and the students who call the protestors misfits, cannot stomach the different-ness of the demands, and of the protestors themselves. And, to the point of the post by @kittyann, of course, we’ve been seeing this repression this whole time vis à vis Akk and to a smaller extent, Kan.
Interesting that at this point, one begins to realize that Aye is at this school to break HIS friends, his lover, his people, his family from this curse. For Aye, it becomes not only about revealing the truth about his uncle -- it becomes about keeping his new chosen family from experiencing what his uncle experienced. LOVED THIS SETUP.
4) Moving to episode 11: Wat, you’re the real MVP.
Seriously, leaving Thua aside for a goddamn fucking second (W. T. Actual. F. Thua.), Wat, y’all came through! Number one, you covered for your homies, badass. Number two, you THEN like, kinda cutely blackmailed your homies for your art. I’m sure Warhol did the same thing. Number three, you THEN CREATED an INSIDE comedic JOKE ARC about Thai BL, which all of us viewers, I think, damn needed, because Thua and Chadok fuckin’ fucked us up so much! Wat -- LOVE YOU. WE NEEDED YOU, MAN.
5) Also leaving fuckin’ Thua aside for another goddamn second, I think the plot line about Chadok and Dika was rushed. (Speaking of that, Sani, you’re also an MVP, all with that Polaroid reveal. Love you and your cape blazers.) Chadok literally choosing Suppalo over Dika, Chadok getting Dika moved to Parot -- I think some stuff was glossed over. They get outed at school, okay, but I’m not quite sure I’m following why their relationship would have had to end. They could have still lived together in secret. If I missed something, please fill me in -- am I reading that plot line correctly? I could very well have missed something.
I am wondering, though, as I write this, if essentially, Chadok chose the school’s demand for internalized and externalized homophobia over being out with Dika -- but again, I’m not sure if that was clarified, considering Chadok’s previous voiceover had stated that their intention was to marry and live together in secret. So I’m just not sure why that would have changed, with Dika moving to another school. Maybe it was the trigger of the entire experience that sent Dika into his own depressive devolvement, leading to his suicide. I’m not sure, but for something as emotionally complicated as that, I’m not sure the plot gave enough room to that development.
6) So, Thua. I unfortunately think his own plot line was REALLY RUSHED, and I think he comes out looking like a whiny prick because of it (but I think it kinda resolves in the end, I’m just angry right now, ha). Wanting to know the truth is fine. Feeling defensive about the protestors and what they were going through -- I totally understand that. The protestors are young, out, and clearly did not deserve what all happened to them.
But I think framing the accusations against Akk, and trying to out him, without being able to then connect Namo into the evidence just didn’t make sense. And not admitting to the group that you, Thua, yourself also continued the curse! And literally actually continuing the curse to get people to ‘fess up.
I mean, it weirdly worked, but other than knowing about Chadok from his step-dad, I’m just not sure that the impetuses for why Thua would DEMAND these revelations made sense.
In other words, was Thua written as the right foil for the revelation of truth -- was his demand convincing to me? I’m not sure, especially considering how he had been written throughout the series. I get the plot needed a kick to get Chadok to talk, but the jump to Thua being the trigger was a big ass kick. I think the writing suffered here.
(I want to note that the amazing @respectthepetty has a post about the closeted bully trope, and the argument that Akk had his outing coming to him, because Akk as a prefect was/is a bully himself. I want to acknowledge that I need to sit with this post and give it time in my head, and hopefully I’ll be able to process it on Monday. But right now, I’m still angry at Thua, ha. And I’m still not comfortable with the outing. I’ll take the time to process all of this, though.)
Sigh. All of this is me just complaining a little bit. I think the jump then to the Thai BL comedic arc was really cute, but a bit too fast, considering that the Chadok/Thua storylines are actually really heavy, and we still have Akk and his pain to get through.
7) Akk. Wow. He is so beautifully written. God, a character that really takes us through every emotion he is going through, the pressure he’s under. Watching him makes me wish I was a teenager watching this show, and feeling that it is OKAY to know that dealing with the pressure of the WORLD on your shoulders is unreasonable, and that it’s OKAY for your friends and lovers to support you through seeing what reality actually is, or should be.
Generally speaking, except for Sani and the various parents, the adults are absolute failures to the kids in this show. The pressure the Suppalo grown-ups put on these kids to uphold adult values is insane -- and, from an Asian perspective, I can totally relate, ha. It’s how my family raised me. Be good for US -- be good for Suppalo, regardless of what it does to you.
And we see what it does to Akk.
8) And Aye -- what a foil! What a FOIL against that. He literally puts into WORDS his own PROTEST against what that pressure will do to Akk. He is literally putting his hands out against that pressure to keep it from touching Akk anymore.
His gaze at Akk during the award ceremony, the wordless support he gives to his lover -- Aye, you’re the best boyfriend in the world.
Aye really grows in this episode. He sees what the F is happening with Thua and calls that shit out. He comes to Akk in his defense. He confronts Chadok. He absorbs the revelation about Chadok and Dika. That is a LOT FOR A YOUNG ADULT TO TAKE.
And yet, he still stands by Akk and supports Akk in his moment of stress. Gorgeous. And written very convincingly. While we think that Aye is potentially unstable, in fact -- he becomes the model of stability, and the real holder of the real truth of this entire circle.
WHEW. I’ve only just started digging into the tag, I gotta take some time to read up on the thoughts of the episodes I really loved, namely eight, nine, and 10. Fantastic show. @the-nihongo-adventure, I need to send you flowers or something! Virtual hugs, friend! I also have high high hopes for episode 12!
29 notes
·
View notes
games (mostly text-based) about houses and places-- exploring them, haunting them, feeding them:
childhood homes (and why we hate them) - after a decade, you return home.
return - a text-based horror game about coming home.
singing from the far side of the hill - about a trans woman, homeless after a bad breakup, who rents a stranger's spare room. it's a decision she comes to regret.
anatomy - Explore a suburban house, collect cassette tapes, study the physiology of domestic architecture.
leave house - leave house
the open house - We at Northtree Real Estate (in partnership with Optix Dynamix Labs) are proud to present our new, state-of-the-art, open house simulator! Come and take a quick tour of 15615 Hollow Oak Lane, a familiar and comfortable showcase home in one of our premier developments!
what girls do in the dark - This little game is based off one of the greatest fears they had as a teenage girl: showing up late to a stranger's slumber party.
unbecoming - a sonically-textured interactive horror fiction exploring cycles of trauma and unspeakable forces of nature in a mythic rural American landscape.
13 laurel road - an interactive fiction game about the relationships we have with places and reconciling with trauma. You play as a young man named Noah who has been tasked with picking up some things from his cousin’s old house.
domvs - a gothic mystery game in which you rely on your environment to uncover the truth.
flesh, blood, & concrete - you find yourself in a vast, empty apartment complex.
i am still here - a short, unconventional ghost story and vignette reflecting on the end of a long lockdown.
vacant - Film a ghost-hunting show.
16K notes
·
View notes