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#but i kinda miss hs1 era
actualhumansunshine · 2 years
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the thing is, i know exactly what harry means and it has been said on podcasts constantly for 3 years, but it seems like he literally heard someone talking about it in line at the coffee shop and thought he had the gist LMAO because all he would have had to say is "this is the type of film you really want to watch with a crowd in a theater" or "it's a popcorn movie" or "the type of movie you go with all your friends to and talk about after" and that's literally it. everyone would be like "ok" and move on. it wouldn't even be a pull quote. it takes... i'd say 30 minutes to understand film culture speak.
no see and this has been my personal question/hesitation/issue/whatever you want to call it with harry from the very beginning of his solo era. ever since that jeff bhasker interview around the time of hs1 where he talked about how harry had come in to the first meeting with him not with demos, but literally with songs from other artists and basically said 'i want to make songs like that,' it's felt very clear to me that he as a person, as an artist, as a persona, whatever doesn't really have a voice of his own?? it doesn't really seem like there's really any critical thought, engagement, examination, etc about the things he likes or WHY he likes them, it's just....he just knows he likes it and wants to do the same thing. but the problem with that, like we see in that interview, is that it ends up feeling like it's kinda missing the whole point yk?
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ssimay · 3 years
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okay imma sound selfish af but
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imbellarosa · 3 years
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For me, Lou's lyrics are pretty easy to interpet & I usually can get the message he is attempting to convey. Because he writes so candidly, you know? He really opens up and is so raw & real. That's not to say Haz isn't, I just feel like even in his songwriting, he hides his true sentiments behind embellished, overly elaborate, obscure metaphors. I feel most musicians use that space to finally let go & feel liberated to really right straight from the soul, y'know? Like Lou, he would never say the
+ things he does in songs out loud but he just lets himself go completely and it's beautiful. I think Haz is a phenomenal lyricist & I adore him to bits but I feel sad he is still so unwilling to be truly vulnerable & open with us y'know? I want to know Harry, I'm sick of Harry Styles™ the brand, the facade. The only song of Lou's that still stumps me is Miss You. I don't think you can just conclude anything based on one song but looking at HS1 too, sure it could be just fighting and drifting
+ apart and miscommunication (or lack thereof) & I feel like I was almost brainwashing into believing what people said over what my own intuition told me, everyone just drilling in: THEY NEVER BROKE UP, I felt like I was less of a supporter to think that, I felt guilty, like I let hl down almost. But as a cynic & a rationalist, it always niggled at me. I believe in the inevitable failure of 97% of relationships at that age. They just don't last. And I'm sure there's someone reading this who's
+ like, well fyi my parents were lab partners in high school and are still together with a bunch of kids. And that's great. Ah a walking paradox, being a romantic & a cynic. Anyway, the thing is, maybe they did, maybe not. Certainly, I lean towards it being very likely they did. Hardly any het 'relationships' at that age last. Now bring in two boys who are closeted and in love and in THE boyband of the era and undergone a series of absurd narratives and can't sit next to each other but are told
+ to make out with girls on NYE and hold their hands and strut about to a crowd of adoring fans as the actual person they're with is joyously playing football one minute and on the verge of breaking down the next because what if the fans like this fake relationship more, what if they like -her- more? I could go on & on, but you get the point. Thing is, maybe they did, maybe not. Does it really matter, in the bigger picture? They're together now and for once, I do have faith it'll last this time.
Also sidenote, I hope it's cool to come to your inbox and just go off tangents & rant & ramble. I mean it's kinda too late now lol 😂 but idk I swear I never intend ongoing off multiple tangents but it just inevitably happens?? Hope you can make some sense of my incoherent, mindless bs and at least find it somewhat entertaining. I like talking to you as well. You are the first person who is so open-minded & accepting of diff opinions & genuinely seems to want to hear what's on my mind.
okay well FIRST OF ALL, you are ALWAYS welcome to come rant to me goodness knows I would LOVE to hear from someone else who adores lyric analysis as much as I do! If you’re looking for anyone else to chat with, @louciernagas has some amazing analysis of her own and also adores song lyrics and might have a different take than mine! But here’s my take:
I think Harry processes stories differently than Louis, and I think it really really shows in their songwriting. For example, Harry had “raconteur” as his Twitter bio for a while, I’ve heard. ‘Raconteur’ is ‘storyteller’ in French, and my conclusion from that is that he likes to see himself as a storyteller. So he mostly writes abstract notions and large pictures and feelings and ideas that he’s felt over the years, and when he fills it in, he’s telling a story. It’s easier for him, I think, to process things if he can remove himself from it. If you look at the first draft lyrics for Lights Up that Tyler Johnson spilled the other month, they read, “lights can’t know their way out the dark running through your heart. Lights can’t help you know who you are. Do you know who you are?”. The final draft of this line reads “All the lights couldn’t put out the dark running through my heart. Lights up and they know who you are. Do you know who you are?”. I think it’s worth mentioning that the primary difference between the first version of this song and this one is the addition of a first-person pronoun in the final draft. 
Either way, this song would have been about him, and HIS self-discovery and HIS liberation, right? But the way that he chose to write it at first was without placing himself into the story. And like...I think he does that a lot. And then, of course, he does the reverse, too. He says “I” did this or “I” did that and it may not be him at all. I’ll tell you a funny trend I’ve noticed is that the songs that seem most personal to him are about someone else in broad strokes, or about himself in broad strokes. But I think it’s because it’s easier for him to tell true stories if he doesn’t have to say that they’re about him. 
For Louis, I would say it’s the reverse: he HAS to make his stories about himself because it’s the only way he CAN tell his stories. He’s learned to use his words as a weapon against everyone who thought he was too young, not good enough, not kind enough, too stupid, that he didn’t have enough star power, etc. He’s ALWAYS had to prove them wrong, and the only way he had was his music. So he SAID that they would go out and drink cheap wine until sunrise and that they lived in this *specific* apartment complex and that he would tell the truth if his partner wanted him too. He SAID that he’d like to go to the pub every sunday, if he could (and I think the music video for JLY even names the pub haha), that the reason he has done every single thing he has is for the other person. He HAD to say it, not for us, but for himself. HE had to tell the stories he needed to, and he did. And THAT is what makes his album - and all of his songs - so so special to me. They have that element of “fighting back” as well as of telling stories. 
I, personally, tell stories like Harry does. I like to talk about things I know or have experienced as if I’m coming at them from a different angle, because it’s easier on my heart that way, sometimes. Sometimes, the only way I have to say the truest things I know are to make someone else say them or to talk about them as if it were about another person. That’s kind of what fantasy is, in a way. It’s what storytelling is. But I *so* admire the autobiographical quality that Walls has to it, because I would be terrified. 
And as for ‘do I think they broke up?’ I’m very very much in the “who cares” camp - just like you! Maybe? Maybe they did in 2016 at some point. But like...as evidenced by the entire quarantine (and the last like..year and a half), they aren’t broken up NOW, and that’s what I’m gonna go on. And everything else doesn’t really matter, you know? The rest is confetti. 
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theproofinthisong · 4 years
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fine line review
oh my goooood i just finished listening to the album and i NEED to express my thoughts:
golden: didn’t know what to expect with this one but it’s?? so beautiful?? harry was so right saying it was a driving song it makes you want to go to california and watch the sunset from the car?? also the sun theme is so poetic and beautiful the way he uses it to talk about louis, his beloved?? the melody is quite simple but it’s so effective and these little da da da sounds the choir make in the background...heavenly. this part reminds me of another song but i can’t remember which one. what i love about this one is that it’s first time i’ve listened the lyrics seemed a quite sad (but riddled with hope still) and now the second time the meaning changed totally?? like it’s witchcraft how much the meaning can change once you look at the lyrics closely?? i know harry was talking about adore you when speaking about that feeling of bliss when you first meet the love of your life and fall completely but this is also what golden is about?? like being afraid but diving deep into it knowing this is right. i’m emo. in terms of vocals, it isn’t as BOOM as in other songs (in the sense that he’s not belting, using falsetto or a very low intonation that differs from his usual tone) but i love it!!! it’s very calm and peaceful and dreamy.
watermelon sugar: miss watermelon sugar is still as iconic as the first day she came out. it’s such a wonderful tune. my impressions on this song will never change and i will listen to it for another 30 times round without even hesitating. it just feels very summery and sensual and sexy without being too explicit (even though there is nothing wrong with being super explicit...see medicine). the chorus is just super catchy. the lyrics are so nice and i love the melody. very old pop and i’m a slut for this genre. also i know this has been HUGELY talked about before but i need to say it again. the way he’s saying belly!! the softness of the breathe me in/breathe me out parts!! the last watermelon sugar i don’t know why i’m obsessed it JUST SLAPS
adore you: oh darling. a treasure. 8 days ago, first time i’ve heard it, it took me by surprise because i wasn’t expecting that sound...but six seconds in and i was SOLD and already cherishing her with all of my heart. this song is JUST PERFECT. it’s probably the song that is the closest to 1D mixed with HS1 in terms of sound, like it’s super modern but at the same time has these very old school vibes i’m in LOVE WITH?? this is such a sweet joyful sappy song about his soulmate and i :’) also the rainbow paradise line i haven’t recovered from  bitches. i will never. this is such a certain and blatant declaration of love i wanna die!! i feel acknowledged as a romantic bitch who lives for this kind of grand gestures. thanks harry. also during some parts he sounds like old harry (i mean harry from 1d days) and then 2019 harry takes over and it makes me CRY
lights up: the first single and song from the era will always a soft soft in my heart. i listened to the track so many fucking times the words are tattooed onto my brain. this song was just so needed and so important. it’s so deep and means everything to me really. all of us wanted a song from him about identity and self discovery and lights up was the gift he gave us. never in my life i would have have dreamed of this song and it happened for real. i’m just so grateful. his voice in this is just so soft and delicate and so fitting for the song like it DEMANDS that tenderness and sweetness. also the choir gives me chills, like when they scream SHINE i just feel overwhelmed it’s!!! fuck!! i could write an essay about lights up because this song is just it. it makes you feel seen and understood and i just feel so lucky harry was able to share something as intimate as this.
cherry: lmaoooo. this one will be a skipper sorry. it’s far from being a bad piece because harry’s voice is always amazing but i can’t get over the voicemail. when the news came out i was just so appealed and angry but know i’m just cackling?? i’m french and what is this slander?? THE COUCOU AT THE BEGINNING IS RIDICULOUS!! and the ending sounds so rehearsed there is literally nothing naturel about it. thank god we hear harry’s laugh in it. I JUST KNOW it was added because there is no way he would have laughed irl at one of her jokes lol. lyrically you can see some parts were put there to make an allusion to the stunt (the accent & friends part, the gallery...) but others are just about louis?? like him being jealous of course it’s about the hubby. his voice is still beautiful but the melody doesn’t speak to me (and i would have telled you if it was the case) being objective, it’s the weakest one out of the album.
falling: OH MY FUCKING GOOOOD. i wanna say it’s my favorite song but i feel like it would diminish the love i have for the others but god...this song is breathtaking and out of this world. in terms of lyrics it’s the best HANDS DOWN. like period. fuck this song just BROKE ME. all that ache and heartbreak you get what he’s talking about when he said to zane lowe he hit rock bottom then. fucking hell. it just hurts knowing he hated himself that much like i can’t even fathom it. and his voice bloody hell?? i never heard him sing like that!!! it’s just so desperate and full of hurt and the high notes? please annihilate me. when i heard it i would at first sight i would be my favorite out of fine line. it was just so obvious. that kind of magic doesn’t happen a lot...like. i can’t pinpoint what part hurts me the most because the whole song is TORTURTING ME. when we’ll hear live i will be bawling for the rest of my life. i’m already am. my god it’s just so raw and honest no other artist can make me feel like that. you are experiencing the hurt with him it’s??? i have no words. and please this song makes no fucking sense if you don’t link to his relationship to louis like?? the i’m well aware i write too many songs about you?? hello??? i’m glad he doesn’t feel like that anymore because it hurts. it’s crazy how this song can pull you back to ancient memories and you just forget about the world. oh my god.
to be so lonely: i almost fell out of my chair (or bed, rather) because this song did not fit at all what i was expecting but it’s?? gold??? i was so sure it was going to be a full angsty ballad but it’s so catchy and it has those beatles vibe? like PLEASE. king of defying expectations. it’s so english. and it’s so smart because when the melody and rythm makes you think it’s gonna be corny (in the best sense of the word) but it’s kinda passive agressive? AND ALSO THE SWEARING. DON’T, STYLES. UR MY SON. i’m kidding. him hearing him say arrogant son of a bitch is THE PINNACLE of my life. also am i the only one that feels like if you change the beat a little and accelerate it on don’t call me baby ever again it would sound a bit like never enough? loved the throwback nonetheless. it isn’t a favorite yet but it’s already growing on me.
she: bloody fucking hell. first this song is timeless. it feels like it came straight (gay!!!) from the seventies. i had eagles vibes first listen but some said pink floyd and it’s SO TRUE. there are tons of rock influences in it but it’s so harry and manages to still be super unique?? just incredible. the writing of the song is the smartest out of HS2. it reminds me of woman (not in the way i was expecting...i had one supposition it was going to be about being envious of a woman while dumb people are tricked by the title) so much not in melody or lyrics at all but in the sense that it has a double (triple...and more) meanings. once again stupid hets think it’s about singing about the ideal girl when really it’s...on another plane of existence. like jesus. bitch i was right!!! it’s either a song on gender identity (harry singing about his feminine side that he was ashamed of for so long and tried to hide) or the closet and my god, the whole thing is just so clever.  A MASTERMIND. and the switch from the third person to the third KEATS you’ve been beaten. what a writer. it has thousands of interpretations this is just a trip. holy shit. the whole song carries so much guilt and repression and wishing be free of those feelings it’s?? i’m speechless. it’s so complex and intense. and fuck the guitar solo outro IS HISTORIC. in decades it will be praised as a masterpiece by all. i just know it. mitch you’re a genius. it gives just so much resonance and impact to the piece and it already had everything... i’m in heaven. or in hell. don’t know.
sunflower vol 6; cutest and weirdest song on earth and it’s A FAVE. it’s so colorful and nothing like he ever did before i’m living for it. it’s SAPPY AS FUCK and we stan sunflower in this house. also the part where he’s singing about wanting to kiss his lover kinda sounds like a lullaby and an alphabet song mixed together it’s ADORABLE!!! it’s such a being young and in love track i’m giggling!! it’s so precious!!! very poppy and gives you joy for days!! also super summery!! i wanna dance and twirl to it!! AND THE ENDING IS SO FUCKING LEGENDARY. BIG HIGH ON CRACK ENERGY. BITCH. it’s so uncanny like is he imitating a bird? calling someone?? trying to sound 5? i don’t know but it’s endearing. just so lovely.
canyon moon: another one i was expecting to be slow and it wasn’t. very country. thanks kacey for the input!! also him putting “jenny” in that sound is he trying to be adopted by dixie chicks and dolly parton? I LOVE that he’s trying new things with this track like country is such a hard genre to tackle and he nailed it. AND OH MY GOD THE LYRICS. it makes so emotional he’s literally creating a safe place for him and his darling?? could you be more in love?? this song belongs to the gays. san junipero without the angsty feelings. we deserved that. also he really mentioned the two weeks rule i’m weak. THIS IS INFURIATING.
treat people with kindness: the group part just sounds like a sitcom from the 80s. i’m dying. he really did that. and he named it like that :’) ALSO A GAY ANTHEM I CAN’T WAIT TO SCREAM THOSE LYRICS. big end of the days vibe. it’s just so healing and reassuring. it’s so empowering and i love the contrast between the very catchy happy bits (the high notes and the part where he kinda talks at the end reminded so much of mika which is a huge compliment as far as i’m concerned!!!) and that part where he’s singing very slow and soft you can see it’s very personal with him gaining confidence thanks to us during hslot <3 i’m dying this is such an exceptional gesture to like dedicate this to your fans? it’s so universal while being about his own journey (just like home..i’m sobbing) and that is like the mark of great music. also the instrumental is godsent.
fine line: i can see why it’s his favorite and why it is ending the album and giving it its name. i said falling was my fave but honestly fine line might be it too? the only difference is that i didn’t fall in love instantly, it takes time to escalate (it’s very similar to sott in that sense) beginning softly and almost whispered (also the high tone?? i almost didn’t recognized harry but at the same time it’s just 100% percent him but HE NEVER SANG in THAT TONE i’m!!! my jaw is dropping all the way to mars) like you can see it BUILDING to something superior and never made before... it’s a moment, it’s an experience, it just suspends time. like when music can do that for you...it’s infinite stuck in a few minutes. the two last minutes are purely angelic and the most beautiful thing i’ve ever heard. it has very few lines and words but the one there are so meaningful. when the song ended i just stayed a bit in silence without moving i could not believed what i just witnessed. and the album ending with we’ll be alright...it’s so fucking special. and that word doesn’t even give it justice.
fucK. this album is just...i’m trying to find words but how can you. when you make an album as ambitious and as outstanding as HS1 it’s hard to go back to the studio and find a way to equate it (i’m not saying top it because both can’t even be compared...) but he somehow did it?? i had no doubt but holy shit it’s unreal. it’s crazy because fine line is so different from the first one while being as rock and pop but there is a level of maturity and vulnerability that feels just so? different?? i can’t seem to find the right expression but i’m am purely in awe. i dk how harry finds a way to exceed my expectations every time like... it’s?? i’m sorry i’m just so moved and... it just means everything. 
two years and a half after and the feeling is the same. an album changing me and my life at first listen and 48 minutes that felt like a lifetime and a second at the same time.
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harryfeatgaga · 6 years
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I went to this years tour and I look back at it and it was so great every show I went to was amazing and days like today i wish I could do it all over again same set list same shows same everything but then I start thinking abt HS2 and I kinda start freaking out cause even tho we don’t kno what it’s gonna be like it’s gonna be just as great as this year and it’s so exciting to think abt going to new shows and not knowing what’s gonna happen u kno? I can’t wait until this new era begins !!!!
I KNOWWWWW ME TOO like the HS1 toys is iconic and I’ll always love it and miss it but I can’t wait till next tour
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