Lackadaisy Enrichment
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Also, in response to the "testosterone making people angrier" myth, I've found that, personally, testosterone has given me the self-respect to recognize and call out when my boundaries are being overstepped in ways that I wouldn't have had the courage (or, frankly even liking of myself) to have done before. This is in addition to me working on my trauma responses, but testosterone was the spark that gave me the will to do this in the first place. When I see people sae that as anger and thus is a "bad thing," I wonder how much of that is just people being uncomfortable with us... having boundaries or enforcing them, and that the response to that overstepping is labeled as aggressive anger.
Frankly, I now actually respect myself enough to care when I am being mistreated. It seems that people sometimes take that as a personal failure on my end because I don't think I deserve mistreatment.
Caveat: Anger is a fine emotion, and it is a worthy thing to recognize and honour. I find that the accusation of trans men* and trans masc* people "being angry" on testosterone is a moot point simply because it is often a false accusation which uses anger as a punishment. My issue isn't that we're "angry," but that our perceived anger is used, often, as a transphobic bludgeon to punish those who either want to transition with testosterone or who currently are, and everything in-between.
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christopher paolini has written another 700-page tome and I have been slingshotted directly back to high-school-era inheritance brainrot. ....voilá, murtagh sketchpage.
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Thinking about a lot of things but mainly of how Terry Pratchett writes tiredness.
(Which means I’m mainly thinking of Sam Vimes. Which is normal.)
But he gets it so right.
The feeling behind your eyeballs. Stealing time from your future self with coffee, and, when the coffee doesn’t work anymore, going on sheer bloody mindedness because you cannot stop, you can’t. Not being sure when you last had real sleep. The strange state of mind you land in where you should absolutely not be tested because everything’s on a hair trigger, and things feel like they’re moving through treacle and your ability to make decisions feels shot to hell so you can only hope that you’re making the right choices.
Not Terry Pratchett’s words, if course, but I can’t get to my bookshelf at the moment, and, if I could, I’m not sure that I can read anymore.
I’m tired, is what I’m getting at.
And Terry Pratchett writes the whole spectrum of being human so brilliantly, but, damn, how he nails down being tired.
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I'm actually very worried about that questline we don't speak of in the Angle because LotRO is usually so good about faithfully adapting Tolkien's obscure lore that it would be reasonable for someone to play through it and assume that it is also a faithful adaptation of some obscure lore. I mean some people might be clued in by how horrible it is as a quest, but taken at face value it could easily just be a bad story about some perfectly reasonable lore.
I feel like it should have a disclaimer before you accept it, that it alleges things that are straight up false. And also is going to make you feel really gross to play through, but technically that's a different complaint.
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haha I love how at this point
everytime you say "i have been encouraged" my name is in there
lmfao me too
me in all my a/n’s now is just “thank you abuse for encouraging me, brainstorming with me/feeding me more ideas, & catching my typos and repetitions”
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Going to the judges education page on every breed club website desperately looking for anything useful
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anyway ugghh i need to learn to stay off of twitter now that the algorithm has picked up on exactly what it needs to show me to make me righteously upset (← gets wrapped up in long discourse responses to shitty unethical AI works and ongoing vtuber drama that are a little vindicating at first but make you feel like vile, hate-ridden garbage after a half hour of scrolling)
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back to the flat tomorrow and aiming to get straight into the library in the week before classes start. so naturally i am rewatching rise of the nutters and spinners and losers in order to properly olliereederise
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wreckers' fog...
[collaboration with @dxppercxdxver again]
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I was able to get my rx in yesterday but just the thought of doing my own injection made my hands shake again...
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holding on real tight to "if you don't want me / then you're not the one" this week ladies
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EIFFEL: Oh. Hi, uh... I'm sorry, but do I... do I know you?
MINKOWSKI: Yes, you... Hi. My name is Renée Minkowski. I'm the Commander of this space station.
EIFFEL: Minkowski. Pleasure. MINKOWSKI: Please, just... call me Renée.
After Eiffel loses his memories, Minkowski's first instinct is to answer his question directly, to say 'yes', to tell him that he does know her - or at least he should. 'Yes, you...' feels to me like the beginning of a sentence that would have expanded into how he knows her, perhaps into something of what they've meant to each other. But she cuts herself off.
Instead, she switches to a greeting, a reset, an acknowledgement that he is experiencing this situation as a first meeting even though she isn't. When she says "Hi" and tells him who she is, she's letting him off the hook to an extent, attempting to let go of the expectation that he will recognise her and remember anything of their shared history.
To try and answer 'do I know you?' properly there and then would take more time and energy than Minkowski has. It also would put some of the emotional burden on Eiffel; I don't think that it would really help in that particular moment, even though he needs to learn that information at some point.
What she wants to tell him is that he knows her, but a part of her recognises that simply telling him that he knows her in that moment wouldn't make it true. Instead, she takes the first step towards him properly knowing her again: she tells him her name, she tells him her position, she asks him to call her by her first name. She starts with the information about who she is; the fact that he used to know it can come later.
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I've been trying to put this into words for a while now and I think I might have something -- most of the time when people examine storytelling tropes, especially experts in a related field, especially historians and medical professionals, they are setting out to disprove the trope.
Even if they're not, once they find some evidence that the trope doesn't work in real life or isn't how it was done historically, they often expect that to be the end of the conversation. Historically, people did not go adventuring with two-handed greatswords strapped to their backs -- and therefore you should not have it happen in your fiction, and the conversation ends there. In real life, having a character get hit so hard on the head that they pass out for several hours would demand immediate medical intervention and likely cause permanent brain damage -- and therefore you should not have it happen in your fiction. End of discussion.
These people fail, I think, to understand the reason these tropes exist. It is not because people are just uneducated and think that's how things work. In fact, I would go out on a limb and say far more people are already aware of these things than these experts assume. The attraction of the trope doesn't come from the belief that it is accurate.
These tropes exist because it is widely agreed that they are cool, sexy, emotionally fulfilling, narratively convenient, or any number of other things that really have nothing to do with whether or not they are accurate to reality. I'm not quite sure what it is about most of these experts that makes them unable to understand that, or unwilling to play the game that the rest of us engage in, where we all quietly pretend that it does work because it's harmless and enjoyable.
Really the only people I've ever seen who understand that and try to work their own expertise on the subject into the tropes in a cohesive and satisfying way are Shadiversity on YouTube and blumineck on here. Both in the martial arts categories, which ties mostly into history -- I've yet to find a medical professional online who's willing to play the game.
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I kinda want to read The Little Prince out loud to somebody I know.
Oh no.
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