#but i'm hungry. i don't know what to do
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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when you’re off of work would you please elaborate on your hannibal service top agenda,,, please my family is starving
i don’t want anyone to starve so obviously I will extrapolate on the service top aspect of Hannibal Lecter o7!! I am going to get so carried away and I apologize in advance.
Alright going to start this off by saying I do think they’re vers but only in regards to each other, I think for canon relationships, Will has a tendency to allow himself to be directed while Hannibal loves to orchestrate. With each other, though, it grows increasingly and alluringly complicated. Arguments could be made and subsequently thrown out depending on what part of the show you’re watching and post fall is an entire free-for-all because you can’t tell me two grown men survive murder-suicide via cliff and then settle into the puritanical rigidity of who tops and who bottoms.
Okay that being said, honestly i could make the case that both of them lean more toward making sure whoever they’re with is getting the most out of the encounter (maybe for different reasons; the popular trope of Will’s empathy causing a sort of blissful feedback loop and in Hannibal’s case, it stands to reason the politeness overlaps with a challenging sort of hedonism, he’s in control and playful about it) but I think that specifically for Hannibal, Will’s reactions are what he’s constantly seeking and then hoarding. Like. Will responding to stimuli that Hannibal presents is basically the premise of the show and Hannibal very clearly gets off on that, maybe not anywhere explicitly but we see shots of his pupils dilating, his gaze always caught on Will, licking his lips, all in response to Will reacting to him. It’s very rare he’s outright hungry at the beginning of a conversation or interaction, he seems to maintain a sense of aloofness until Will snarks or baits or replies or even defers and then, it’s as though he’s desperate to see more. I'm not getting into the whole them eating meals together because I'll devolve very quickly but like. just keep in mind the way Hannibal watches Will eat, as though he savors Will instead of the meal he cooked. Right. Okay. He gets caught up in Will’s responses very quickly, enraptured and almost stupid about it and trying to immediately trigger more which!! Goes hand and hand with him doing very uh lets say unique acts of service (the malewife jokes are only half jokes); the breakfasts & dinners, the driving, the caretaking. Yes all that’s manipulative but to Hannibal, that doesn’t negate that it’s still getting him the responses he wants and that’s also maybe why he’s so quick to say they’re friends because he’s viewing it as a form of relationship building and quite frankly, that is the only way that man knows how to build relationships; he sets himself up as a crutch and then breaks your leg and unfortunately at that point, for Will, for Jack, for Abigail, for Bedelia, for Chiyoh, you are too grateful to be standing that you forget he’s the reason you can’t do it on your own. The others I mentioned learn either very quickly or very (in painful irony) rudely that he is only a crutch as long as he enjoys it, as long as he can benefit from holding you aloft.
However. In Will’s case, he tries to remove himself and finds that it’s him who can’t stand and he’s immediately resentful and desperate to take back that ability, leaving another gift, another act of service, for Will to prove that he can still provide it and detrimentally putting himself on the map for Jack and Mason in the process. He’s so eager to have Will’s response, he waits at his own fucking crime scene. Will gives him what he wants and he’s too overwhelmed to respond with any sort of power or immediate selfishness, he runs again. And then. Muskrat Farms and his surrender. I feel like I don’t even need to explain why that backs up my case here, that man is so so ready to rescue and then surrender all because Will’s involved; two things he’s never done in his entire life, they essentially reduce him to this almost pathetic thing and it doesn’t give him pause at all because again, they’re acts of service whether Will wants them at that point or not. Like Bedelia said it best, he’s obsessed, he wants every reaction, every word, every sigh and curse, he’s very single-minded about getting them and he doesn’t care who he has to hurt, himself or others, to get them. Now, combine all that and the cliff scene and tell me that man doesn’t spend every second they’re in a bed together completely and utterly focused on Will and Will alone.
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Hello!
I was wondering if you’ve seen Good Omens (2 seasons out on Amazon Prime) and if you would consider it BL? It has some similar aspects while other aspects are considerably different. Thoughts?
I started watching Season 1 but like Our Flag Means Death it's not really my thing. I don't watch much TV in English anymore unless I have to for work.
I do not consider it in any way BL. It has none of the tropes, origins, source material, country, archetypes, settings, characters, or yaoi heritage. There's nothing BL about it.
It's kinda gay, I guess?
ALL BL has a queer romantic arc, but not all content with a queer romantic arc is BL.
Also, Good O doesn't NEED to be associated with BL. It's not in it's marketing or DNA. It's not relevant to its fanbase or demographics. Why would they want to slap a BL moniker on it? Why would you? Why would anyone?
I mean there is crossover watchers (between BL and us) but that's about it. But that's because it's Gaimen (not because it's at all BL) and for some reason Gaimen is a big deal with lots of fans. (Don't @ me I can't STAND his stuff. It's like Stephen King. I'm never gonna get it. You do you massive fandoms, don't involve me, I don't like your content. I'm side eyeing Star Wars, Twilight, and Harry Potter too. Look I'm either too old or too young and that shit just sailed by me and I toddled along in a weird kid fog of trying to find queer shit as a total geek - which, as a few of you reading this know, took us olds to some very odd places in the days before the internet... bootlegged Ranma ½ anyone? Just me?)
See my feels on Heartstopper for more on this kind of discussion.
Also, I do think I'm coming down pretty firmly on the side of...
BL has to be Asian.
Something about the cultural and linguistic backbone means BL just doesn't seem to work if it comes from somewhere else.
I'm thinking also about the great 2020 Dialogue around Date Me, Bryson Keller - which is an English Language derivative(?) work of my favorite BL of all time, Seven Days.
And I really don't want to get into that kind of debate again.
All of which is to say:
Good Omens is not BL.
IMHO of course. But...
I'm right.
So there.
*** Added note from the comments chatting with @heretherebedork
The point of genre (or sub genre) is to manage our expectations. It's like the label on a TV dinner. We gotta know if we're getting Spaghetti or Pad Thai. That packaged meal could very well be a terrible execution of either, and they ARE both noodles, but I want my expectations met. And if I opened a container labeled Pad Thai and got spaghetti I'd be pretty darn pissed.
If someone sold me Good Omens by saying it was a BL? And I watched it thinking it was? I'd be mad at both them and it.
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i think i'm gonna try one of those weekly meal prep delivery services because genuinely at this point trying to plan meals every week and setting aside the time to grocery shop and prep and cook and all that shit is really getting to me and it's not lookin good here folks lol
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I'm in a law lecture, the lecturer is talking about British history because the lecture content is Civil Law System VS Common Law System
And I'm trying so hard not to laugh because all I can fucking think about is George Villiers
Like as a historical figure, I have opinions on the real-life George Villiers, and most of them are very negative
But mix that sentiment with the fact that Nick's playing him, and I can't fucking stop laughing
Oh God, M&G is gonna be a ride for me
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Hello! I apologize if this is a nosy question, but what is the silly feelings wheel app you were talking about in a previous post? My therapist and I have been working on identifying feelings but I still very much rely on a list of feeling words to have any idea what I’m feeling, so it could be a helpful resource. No worries if you don’t want to share, just thought I would ask :)
It's called How We Feel! I'm not sure if it's available on all devices yet, but it's on ios and the google play store for sure.
I've been using it for about a year. It's more of a chart than a wheel but people usually recognize the wheel better so that's what I call it. When you first start it has a 10-part tutorial about emotional acceptance and regulation, then it has suggestions for each category of emotion. You can access both at any time tho after those first 10 days.
It has a share option so you can have friends, which has been great for me cause it prompts me to check on friends and them to do the same for me. It allows you to just respond with a little emoji in like a "I'm here for you" little notification to your friend, or you can reach out to your friend on your own. Its really helped me cause I'm bad at reaching out when I need support so to me and I'm bad about taking on other's problems even when I can't handle it so being able to send a little emoji instead to make sure my friends know I'm there if they need me and them doing the same has been great
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new oc :D
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can i get a bit real? i've been trying to think about what i can do to make myself want to be an active participant in my life and it's terribly difficult knowing what i want, big picture and even just in the moment. i'm starting small: what can i do right now to want to be in my life? what do i want to do? how do i want to be spending my time? i really just don't know. coasting has gotten too easy. too comfortable and unnerving.
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hey what's some good snacks to get from the store when you're a guy who is so fucking hungry literally all the time
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nothing new i'm just super hungry now on top of everything else ):
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Todays episode of "my MIL thinks she knows better than us" was really fucking annoying and I hope they don't syndicate it
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PSA, don't talk about anything in your town hall that you don't want every employee and their families to know. Maybe avoid your town hall in general and move to a town where none of your relatives or anyone else you know works unless you want them to know your business.
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That week just before my period is wiiiiiilld I be out here daydreaming about riding a thick cock and sitting on a milf's face and such like woowwwww she really turns me into a demon huh
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@eglerieth replied to your post: Hello! I am here to ask about your Dior headcanons…
What’s your Galadriel headcanon?
Oh man, I didn’t see this!! Thank you for asking, i fully did not expect anyone to actually get far enough into the Dior post to see that let alone actually want to know. Sorry I’m two days late!
So! What we know about Galadriel in the Silmarillion:
She hated Fëanor but thought being a queen sounded pretty sweet/desired power
She’s named as one of the leaders of the Noldor across the Helcaraxë
Instead of founding her own kingdom (like she’d explicitly originally wanted) or moving in with her brother she got married and stayed in Doriath and learned a lot from Melian
Eventually Melian was like “hey so you should explain the weird ominous evil metaphysical cloud i can see hanging over the Noldor so i can explain about it to my husband bc he should really learn about whatever happened before it blows up in everybody’s faces” and Galadriel was like “yeah he probably should but i’m not telling”
At some point Galadriel asked Finrod why he wasn’t married yet
One time Melian casually foreshadowed Beren’s existence to Galadriel, who has no recorded response
That’s it. That’s literally all we know about what she was up to. She was super jazzed about the prospect of Ruling A Kingdom and then made friends with a queen and learned a bunch from her and… was still alive after the War of Wrath, and in between we have nothing.
We don’t know how she survived the Second Kinslaying, we can assume she made it to the Havens of Sirion but don’t know how she survived the Third Kinslaying let alone what she did/where she went after that… we don’t know what her reaction was to the death of her only remaining family member in Middle-earth, for which her cousins and the great-uncle in whose kingdom she lived were both partially responsible…
Like, that's weird, right? Galadriel is firmly established as someone bold and interested in being a ruler and stubborn as all get out, and then she… does nothing and everybody seems to forget she exists for several hundred years and some major political upheavals that should have personally affected her? It's not just me? That's really weird?
So, my Galadriel headcanon is that she’s inexplicably absent for most of the Quenta Silmarillion because she was deliberately erased/left out by the scribes writing things down because there was no way to acknowledge her presence in Doriath during and after Beren & Lúthien’s whole everything without getting into the messiest bit of Sindar-Noldor political tension that didn’t involve the Fëanorioni, because (again, headcanon) Galadriel Did Not Respond Well to her uncle getting her brother killed as a side effect of trying to get her cousin’s boyfriend killed and there was A Lot Of Tension for a while there (when you’ve got that kind of interpersonal tension between people who are both essentially Political Figures, i figure it’s probably going to turn into political tension unless they’re both trying very very hard to avoid that and potentially even then)
…and then after Thingol’s death a few years later, I think one of the primary contenders for Next Ruler of Doriath was Galadriel “Well I Came Here For A Kingdom In The First Place” Granddaughter-of-Olwë and also her husband is related to Thingol* and Lúthien’s clearly removed herself from contention so if the Sindar want a monarch who’s actually related to the last one they both qualify, it’s perfect and obviously Galadriel should be the next queen of Doriath (it is not obvious to everyone)
* on a side note, Celeborn is mentioned twice in the Quenta Silm: #1, Galadriel stays in Doriath because she’s marrying a “kinsman of Thingol,” while #2, shortly after Thingol’s death, Celeborn is referred to as a “prince of Doriath.” Not actual evidence, but it sure fits in nicely!
Like I said in the Dior post, I don’t think anything ever came to outright surface-level conflict; a civil war in Doriath is not getting left out of the Silmarillion. Tension between Galadriel and Thingol, though? and then between Galadriel and [various other contenders for the throne after Thingol, potentially including Dior himself when he arrived] that had everyone a little nervous? when she didn’t become queen and did (however begrudgingly) accept that Dior was the closest thing to a consensus pick and did survive the next several thousand years only to finally wind up as functional queen of most of the remaining Sindar despite eschewing the actual title? That I can see getting diplomatically left out of the histories, and explaining why she’s completely during the parts of the story where you’d think she’d be most involved.
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A Sweet Romance 🍫
I was going through one of my high school sketchbooks yesterday, and I found this cute little comic I made about chocolate. I thought it was so funny lmao
Clearly 17 yo me had her priorities sorted 🍫💍
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