#but i'm not sure if he falls under the 'genius' category | Explore Tumblr Posts and Blogs

playertwotails · 1 month

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Per the poll I put out I'm gonna ramble about how Tails displays his genius vs how Eggman does.

It's long so under the cut it goes

We'll start with Eggman. Now Eggman clearly has a complex. He's talked about being compared to Maria his whole life which has made him want a lot of attention. Which a valid feeling but then Eggman being Eggman takes it to the ^nth degree.

See he has to make sure EVERYONE knows how smart he is. He plasters his face over everything he makes, names everything after himself to some degree, and is loud bragging all the time about his latest greatest creation and everyone being inferior to him and his genius.

He's gonna make sure that people recognize him and what he's done no matter what.

With this mindset, all of his creations are only for the benefit of he, himself and no one else. Every invention he creates falls under 3 categories.

Expanding the Eggman Empire

Kill Sonic

Or both

Even when he has "allies" he very rarely gives them any of his inventions unless they directly benefit himself (hello start of the Zombot arc). His selfishness and self importance has him only making things that fuel his own desires and wants.

On the flip side of this though we have Tails.

Now Tails also has houses that look like him and has his own logo (and I'll get into that a little later). But in contrast to Eggman Tails doesn't brag much about his creations. He'll be proud of them and talk about them but never in a condescending manner.

(Side note: off the top of my head I think the only times we may have seen a slightly more condescending tone is a few times when he's talking to Sonic but it always came off as more of a "little sibling being a little shit" kinda tone)

Tails showing his friends his inventions is never in a "Look how much better than you I am cause I made this" kinda way. It's always felt more like a kid showing people their macaroni art cause they're proud they were able to make it. (which he is 8 so def fits lol)

And half the time his inventions are for the benefit of not only himself but all their friends, allies and just other people in general. He makes things to share and help improve what people already have to make their lives easier/safer. I mean look what he did to Sonic's plane. and their communication devices.

Now onto my next point: Quality over Quantity

So switching back to Eggman, he gets so focused on making these massive armies and sprawling cities/bases with his face plastered and designed into everywhere he's not gonna be able to do that by himself. So most of his creations are made in production lines not by his own hands.

Most of the time when we see Eggman he's not making something he's at a control panel directing things to be made. He's very hands off with the majority of his own creations with the exception of his more one of a kind creations like Metal Sonic.

Meanwhile we see Tails is always fiddling with things, taking them apart, and improving them, sometimes it's Eggman's own creations Tails messes with. Tails is typically shown to be very hands on. And yeah his house and inventions have his logo or face on them but their all one of a kind, hand crafted creations not massive bases that go on for miles (lol). So it feels more like a signature than an announcement like Eggman's does.

Now bringing this all together it comes down to the one person Tails is boastful to and constantly saying their not as smart as him --- Eggman.

Now, Eggman on multiple occasions has recognized how smart Tails is but we rarely if ever (off the top of my head) see Tails saying the same about Eggman.

Most of the time Tails is roasting him about shoddy craftsmanship and how Eggman's plans are dumb. One thing I've noticed too is we always see Tails hacking and messing with Eggmans tech but we've never really seen the reverse as far as I can recall.

Heck we've seen multiple time Tails taking apart Eggman's machines and talking about how weird and unorganized all his bots insides. We've seen Tails casually hack into Eggman's networks in the middle of fights.

Which brings us back to the quality over quantity thing. Because Eggman's armies and bases are mass produced mostly at this point so the craftsmanship quality goes down. Eggman is a genius for sure but even if his designs are great since he's not behind every robot creating them, his own genius suffers. He's too busy trying to make it big and loud that what's actually produced it of a lesser quality.

And then we have Tails who is one on one with all his creations and that makes them harder for Eggman to destroy cause Tails can personally check everything is up to snuff for all his inventions. (meanwhile too Tails rips Eggman's robots apart for extra screws probably)

I just think that it's very funny that while Eggman goes to great lengths to show the whole world he's smarter than everyone else, Tails just needs Eggman to know he's smarter then him.

#miles tails prower #tails the fox #sonic the hedgehog #dr eggman #this went more into craftsmanship then i meant for it to #but I feel like that still goes hand in hand with showing people how smart you are #can't really show it if a bunch of kids not done or even starting puberty yet are constantly destroying your stuff #“Look at my newest greatest creation!!!” - “it's a pile of scrap??” - “...the 8 year old must have gotten a hold of it”

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mowu-moment · 3 years

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i feel controversial & i care too much, so here's my des rocs complete tierlist

ranked list & reasoning (ish) under the cut

1. WAYNE: hoholy shit wayne. can hardly put into words how explosive this one is to me. the intro sets a Whole Mood before swiftly (& cleanly) smacking it down into an Absolute Banger and i don't use the term lightly. very hard not to scream along with it. only detriment is that wayne the person is kinda an ass in the mmc video but that's no qualm

2. POS: basically the same thing as wayne (oh both have great lyrics btw, this one more so), only gets points knocked for being 2 minutes long and having 30 seconds of that being intro & outro. go danny give us nothing

3. WHY WHY WHY: there's a theme among my top picks--they're all hard-hitting w/ killer guitar. the lyrics are absolute batshit in a good way, but the chorus is a lil flat & i feel like in general it just needed a touch more spice to score the top spot. or maybe it's just seniority & it'll have a coup a few months out idk

4. DEAD RINGER: similar killer guitar & lyrics but this one is Groovy as Hell. don't particularly like his singing in this one & it's too repetitive if i'm feeling grumpy but there's something so magic about after the bridge. top 10 songs to twirl a flag to

5. NOTHING PERSONAL: the minute long outro irks me & it's a little bit empty but plays into that well. groovy, great lyrics, the Sexiest Guitar Solo of the lot, the screaming's a minus but it does have an emotion there. not entirely sure what one but it's there.

6. LET ME LIVE / LET ME DIE: his first time being all over the goddamn place, history was made. amazing guitar, a little worse lyrics than 1-4 i'll admit, the intro Slays me both in a good and bad way. must be a joy to play live where he can just drag out that intro & bridge as long as feels right. at least i liked it in the digital concert like that. would actually kill me in a physical concert, imagine how much stomping gets going to that beat. bonus points for presumable cowbell

7. PIECES: for once not this high for the guitar & lyrics, they're both kinda basic. idk what's about this one but it just takes me to a separate dimension & i love it so much for that. really fills those earholes. also a bit of personal meaning, heard it for the first time on the day we moved into the house i'm currently split-custody-living in (is that tmi?) & the first music video of his i saw. man i love some spaghetti on the wall

8. SLO: basically the same as dead ringer, but knocked points for a kinda lame outro & the subject matter being a little less interesting to me. still lovely.

9. HANGING BY A THREAD: not my normal fare really & the way that the ends of the verses don't really fit in the pacing of them is bleh, but it's just so reminiscent of the songs my brother puts on whenever we hang out together that it just makes me all warm & fuzzy. it's also nicely put together which is something i'll have to start saying for. the later list.

10. SUICIDE ROMANTICS: this is where i start griping about head voice & higher pitches in general. don't like em so the pre-chorus is a lil annoying. also not my normal fare but it's tender & the ending is awe-striking. imo better live where he's loud on that last line before the final chorus. not enough to bump it up though. shoutouts to love and a smoking gun, i still am dying to hear that one

11. THE PAST HAS PASSED AWAY: my favorite lyrics out of the first 2 ep's. only thing wrong with it really is the bridge getting kinda repetitive. love that last chorus heehoo. same schpeel as the Banger Category

12. MMC: this one's lower than the rest of the Bangers for being pop punk which is something the radio has made me dislike, i guess. that trope with the guitar in the second half of the chorus just kills me so much. improves greatly during & after the bridge, love that lil ragtime piano. generally the same bit as before but i do love him doing something un-romance-related. yeah fuck the establishment!

13. THE DEVIL INSIDE: reminds me A Lot of the electronic-ish cassettes i've got from the early 90's but that's just me. this one will probably move up as i get more used to it, but only a little bit. the first part of the second verse makes me like. genuinely uncomfy? but the second part of it's fantastic. ending's ass though what happened to the instrumence. bonus points for using 'reverie' that's an SAT word (maybe). good singing but returning to the gripe at higher pitches, just a little bit though

14. THIS IS OUR LIFE: feels shockingly generic for a des rocs song tbh but there's nothing really wrong with that. adore the bridge. singing's alright. kinda miffed that he doesn't pronounce the 'f' in the second 'life' in the chorus, but it makes sense here. that sort of thing won't later so i'm bringing it up now. guitar's nothing spectacular but fits nicely into the song, probably one of the most cohesive of his (especially in recent history).

15. OUTTA MY MIND: really lives in the same space as slo and dead ringer do in my head (most likely the 'songs to twirl a flag to' zone), but this is by far the worst of the three for when i'm grumpy. just. Very repetitive. back to great lyrics here but it's kinda hard to pick them out (i've heard the song at least 100 times by now & i'm still missing a few lines). still groovin'

16. RUBY WITH THE SHARPEST LIES: what the fuck actually goes on in this song by the way? not the premise or whatever it's just. so all over the place. the verses are incredible but bringing in another vocalist just for one line kills me. bridge is really cool but that one part i don't remember where it is, the one that alternates basically nothing & an Electronic Piano Chord blaring at ya? ruins it. partially anyhow. also can someone tell the people on genius that it's 'carved it in my skin' not 'crawled down in my skin'

17. GIVE ME THE NIGHT: same repetitive issue as outta my mind but it's not groovy enough to save it, shame. feels like a trial run of all the wackshit stuff he's been doing recently, with the additional vocal bits at the end & the kinda weird lyrics. it still has a place in my heart don't get me wrong but it's just fallen in favor of stuff that Commits to banger or batshit (or actually pulls off both strongly, yyy). oh yeah nice guitar alright singing etc etc

18. USED TO THE DARKNESS: similar story to give me the night. i love it i do, but it's just lackluster nowadays. also remember that under-pronunciation thing i brought up in this is our life? this is where that comes back. rampant i tell you! that second verse he just doesn't finish the words & i hate it!

19. DON'T HURT ME: i honestly don't know why this one isn't in D. the chorus bit where he just cuts it short is irksome. the lyrics aren't anything special. i don't know what i like about it. but i can tell it does exactly what it set out to do if that makes sense. respect, respect. and using missile in an analogy, he's getting creative with the vocab

20. LIVING PROOF: kinda got a vendetta against this one i think? i don't know why i hate this one but i do. it's just kinda, blah. like the perfect sort of thing to nightcore up. sentiment's lovely & i do love the lyrics even if they aren't impressive but like. it bores me to an extent

21. TICK (LIVE): separating the version i heard in the digital concert just to give it some credit, this one was actually kinda nice. another one with a nice sentiment & what he was going for is great. no clue what the second part of the second verse has to do with any of this though. and it also begins our final group, the songs that just feel empty. like there's not nearly enough going on. this one's alright though i was just hoping the studio version would add some flair. you can see where that one is though.

22. IMAGINARY FRIENDS: also got a vendetta against pop. kinda hate the sentiment here (contrast!), the chorus just falls short of what the verses prime me for, head voice is rampant, and yet i still swing along to it. it's infectious props to him. love the outro though, monkey laugh and all.

23. MAYBE, I: another empty one, like it's a four-note progression what is that. love his singing in it, and the chorus parts do round it out, but like. eh? it doesn't even give me much to say.

24. BORN TO LOSE: another flop on the chorus! too smooth i say! and i absolutely Despise the pitch-shifting thing going on. not something i was expecting him to express so points there, lyrics are nothing fancy to my Literary Mind though. initially good singing but the chorus he's just sloppy over it. the instrumental is lovely but the vocals just throw it so hard into the bin which is a right shame. fuck that outro too i hate that gimmick

25. I KNOW: here's where the bad batshit comes in. singing is some of his worst imo, does the other-vocalist thing for that bridge, genre i'm not fond of, just a soup of Stuff I Don't Like. not one i'd kill someone over putting as #1 like i can see where it comes from but. mmmmmhhhh bad. cover does NOT help his case.

26. HVY MTL DRMR: empirically i should put this one higher. but the chorus flops so goddamn hard it deserves to be in the bottom of the barrel. the verses are lovely for what he was doing back then! but then just... nothing!

27. RABBIT HOLE: i was so excited for this name but it's just sad boi hours playlist curated by some corporation you hate. probably the most nothing of them all, genuinely where are the instruments. what happened. was this one just shoehorned in as the final track just to pump numbers up. and i swear he had some autotune or something which only makes his voice worse it's fantastic naturally. also that's not what a rabbit hole is! that's not the idiom! a rabbit hole is when you go on a wikipedia spiral from jennifer lopez to group theory! not when you just have a shitty night's sleep or whatever this is! i'm not just miffed i'm downright annoyed

28. TICK (STUDIO): what the fuck happened des. how did you release this. it sounds like a 3rd grader singing for the school talent show it's so out of rhythm. singing's honestly kinda bad & the instrumental has the same problems i talked about in the live version. the last chorus is fine, i guess, but no i don't forgive him for what he did to tick.

#des rocs #yeah i forgot tphpa on the first pass. it's always at least one #i guess i'm pessimistic on the new album? or i just don't like his new direction? idk i just finished it like. today.#wasn't expecting to be able to rank the songs of my Favorite Musician & be happy with it but here we are #tell me why i'm wrong in the notes <3

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