at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Friendlocke Violet Gijinkas (Part 2/7)
PART 2 BAYBEE WAHOOO!! Three more gijinka designs comin right up!
I plan on posting them in order by groups of three, so there’s gonna be seven parts in total, all of which I’ll be linking here when done vvv
(Part One) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)
!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) This also contains a small amount of blood on one of the images!!
@saltydkart-reblogs
And that’s pretty much it, designs under the cut!
JOE:
The reason Joe dislikes most bird pokemon such as fletchling is because they're always stealing and pecking at the olives he... or well more specifically his company grows.
Speaking of which, they own a large plot of land which is used specifically to grow olive trees, which of course are used to make the olive oil he sells. What? Did you think that the olives come from Joe themselves? Of course not silly, welcome to capitalism.
That being said, Joe DOES know how to garden. When they first started their olive oil company they had to grow their own olive trees. Nowadays, in their spare time, they'll sometimes be found tending to the olive trees in their company's garden.
His crown is personally tailored for Joe and Joe ONLY. Crafted with the shiniest gold and the richest olives, all fit for a king! Somehow it never falls of his head. (Fun fact: the points are made to look like olive oil bottles)
Joe needs glasses but usually wears contacts when in public. Not that they look bad with glasses, it's just a personal choice.
Joe LOVES being involved in... well, anything! As long as it's not weird or sexual or illegal (that last one counts UNLESS it involves scamming others into buying his oil products), he is more than happy to invite himself into whatever is going on around him. What are you going to do? Stop him? Oh please!
HANNAH Ü:
At the start of her career, she would spend her days doing her own one-man (or.. well... woman) shows at subway stations, telling stories and entertaining other pokemon and people alike while they waited for the next train to arrive.
Her hat and cape are made entirely of salt! She is able to transform her cape and hat into different shapes and usually used this ability of hers to make stuff such as accessories, hats, and props that fit the role she's donning at the time.
Hannah LOVES collecting stickers and often wears them proudly on her body (in her poke form ofc ofc). However, she usually has to get someone else to stick them onto her bc of her lack of actual hands.
Some of her improv roles are inspired by the people she meets while others are inspired by pieces of media she's interested in at the moment.
Will ABSOLUTELY learn a new language if she needs to for a role. Duolingo speedrun world record
MYKYIE:
As stated previously, Mykyie used to be a circus performer before he quit to pursue his dreams. His most popular act involved him spinning plates on a stick while standing on a ball.
^^^ Because of this, he also has really, REALLY good balance.
Mykyie always keeps his Miku glowsticks on him, even when not attending any of her concerts.
"Anger Point" is basically an uncontrollable form of last resort whenever Mykyie is close to death but can still fight, it usually leads to him attacking whoever or whatever caused him great harm (In the instance of Lark, it was when he crit Mykyie and the ladder's health was extremely low.)
The Miku tattoo on Mykyie's arm was designed by Mykyie himself! However, it was drawn on him by an anonymous underground artist who went by many names to hide his true identity. The name that the artist went by at the time Mykyie got his tattoo was "Cl@ir33"
The cuffs and cape that he wears are... well, WERE, red. An unknown force seems to be slowly turning them into a shade of blue.
And that's all the HCs for now! Next Gijinka batch will consist of GrAce, Braidy, and Christene's
Also here's the posterless version of Joe's Gijinka bio before I go
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Another contusion, my funeral jag
Here's my resignation, I'll serve it in drag
You've got front row seats to the penitence ball
When I grow up, I want to be nothing at all
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im not sure if any other people who were raised vegetarian or vegan feel this but i feel like my friends who chose to eat that way on their own have entirely different approaches to it than me. like i can suggest to go get a certain fast food place and someone’s like. ?? they dont have any options?? but hanging out with cousins and friends and being taken to mcdonalds and learning how best to approximate a meal with just sides was a pretty crucial skill to learn as a kid so im not phased at all by there being no vegetarian main dish at a resteraunt. it’s just always, okay, how can i get what i need with just appitizers or sides or what probably would be fine if i just say to skip the bacon bits, yknow? i also dont ‘count’ cross contamination in the way that some people do. oh fast food places tend to fry everything in the same oil? the small businesses do too, but fast food is cheaper and more accesible. If i felt it was breaking my beliefs to eat things cooked on the same grill as meat.. i shouldnt eat out then. I don’t have control over what happens in the kitchen. If it was an allergen thing i would be more cautious, but im aware im in the minority here, sure i find it a little offputting but its not a dealbreaker. maybe ive learned the tricks after a while or maybe ive become apathetic but with time you tend to relax a lot of the rules and just focus on eating food thats good and gives what you need to get through the day yknow
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