#but instead a lot of stories will just show kids in love then some reason separated then reunite and REALIZE they used to have crushes

[azullumi]

What would be the relationship with the children of Genshin men? (*´ω`*)

“the steambird’s latest: how to be a good father” ; genshin men

summary — fatherhood on him.

includes — alhaitham, ayato, baizhu, diluc, kaeya, kaveh, neuvillette, tartaglia, wriothesley, and zhongli

tags — fluff, domestic, diluc girl dad propaganda, not proofread, 1.9k ; headcanons

note — i seriously hope this is what you asked nonnieee, sorry if it’s wrong TT

WRIOTHESLEY, is a pillar of stability and calm in the turmoils and chaos of life—not just to his spouse but to his children also. Despite his duty often calling him to the deep and lonely sea and being (in some manner) bound to it, he always made a concerted effort to be present in the important moments of their lives. His work, much being tremendous, had taught him to be patient and understanding at all times—children can be quite a lot to deal with, despite how adorable they can be. Even though the concept of punishment whenever a wrongdoing has been done is there embedded in his mind, he never applies it to his own kids, opting to guide and teach them instead on what they shouldn’t and should do and why.

Wriothesley navigates the rough and intricate currents of fatherhood with precision and dedication, only wishing to be one that he wanted to have. It’s safe to say that despite his strictness from time to time (done only for their safety), he will be loved a lot by his own children.

ALHAITHAM, a stalwart, leading light. He would share his love of reading for them, most often in the form of reading bedtime stories in which he sometimes discovers that he had fallen asleep shortly after his kid(s) did when he wakes up in the morning by their side. He is not particularly strict nor is he lenient towards them, he’s a perfect balance of the two. He’s not the type to preach what is right and wrong but he will become their pillar for guidance on what they should and shouldn’t do. There was never an occasion wherein he had to scold or reprimand them even if they had done something small but would still make an average person angry. In lieu, he would ask them the reason behind their actions, never forcing the answer out of them, tell them a few words to show his understanding, and ask them to never do it again.

Alhaitham likes the mundane and peaceful life that he has, despite the chaos here and there brought by his children, but he likes it, and he wouldn’t have it any other way.

KAMISATO AYATO, while being duty bound as the head of the Kamisato Clan and the Yashiro Commissioner, he never ceases to be there for his family, especially his children. Whenever he’s off the burden of his responsibilities and has some time, he spends it on his family, doting on both of his spouse and children and making up for the lost moments. He cares for his children, tends to them, and looks after them at all times—whether it be him himself doing so or others, particularly in the shadows. If he cannot be there (in a literal way), then someone has to be, that’s just one way to ensure their safety and to prevent something happening to them (knowing the dangers around them). He has quite a lot of enemies, after all, who wouldn’t say that one wouldn’t target his own flesh and blood?

Due to that, the Yashiro Commissioner would come off as a worrywart towards his children, becoming protective and everything; Ayato only wants the best for them and the best is for them to be able to live their life freely and safely.

NEUVILLETTE, the Iudex of Fontaine is not one to be bad with children, in fact, he’s quite great with them. Perhaps it is because of his experience with the Melusines that he is able to have a good and understanding relationship with his children. He’s gentle towards them, patient, protective, and supportive in every way. He is a father that is devoted towards his children, a guiding presence and someone that they can depend on always. And although he is not particularly expressive, he’s not emotionless either. He is able to express his affection and care towards them without problems, whether it be through words or actions, buying them gifts and items that he thinks they will love and offering words of encouragement and support are just a few of the many ways.

Neuvillette often finds himself, while watching them, wishing that they would stay that way forever, as a child with no burdens of the world on their shoulders, and when he realizes that they are growing up (as anyone is bound to be), the rain will suddenly come and fall in Fontaine, lasting for hours.

ZHONGLI, is someone that his children would look up to and admire; there was once an occasion wherein his child tried to act like him, copying his words and dressing up similar to his style, which he found adorable that he entertains the idea of a mini-clone of him. He's wise and knowledgeable, always having something to say in terms of bedtime stories or simply just in conversations; his children become excited a lot when he sits on the side of their bed and begins to tell them stories of his own. He takes them out occasionally, even if it is just a walk around the harbor to look at shops or past time—oftentimes ending the day with watching the sunset before they go home. In addition, on festivals, he’s there participating in the event with his children and never taking his eyes off them.

In line with all that is said, Zhongli is the type to treat a pinky promise as some sort of unbreakable contract (the moment his child would hook their finger on his while saying the promise, it’s become a commitment for him in which he must accomplish).

TARTAGLIA, having been taking care of his siblings and looking after them, it’s evident that he won’t have a hard time dealing with children, especially when it’s one of his own. he just knows what to do in every moment with them—when they’re misbehaving, running around, crying, and everything. He’s very much loving towards his family, shown in the way that he always try to stay in touch with them by sending them letters whenever he’s away (sometimes with a gift) and occasionally surprising them. Tartaglia is very protective over his own children. I mean, no parent would want to see their own child being put in harm’s way or in dangerous situations so he does everything that he can to keep them safe, even if it means lying to them constantly—like how he avoids answering whenever he is asked about his work or make something up—and having the danger be put on his way instead.

Afraid that his obligations as a harbinger and loyal follower of the Tsaritsa would hinder his responsibilities as a father, Tartaglia tries to balance his time and doesn’t prioritize one over another.

KAVEH, quite a doting father, one could say that he’s overprotective towards his children with the fact that he’s all so vigilant and a little bit strict. Albeit he nags them often, but not in a harsh, shouting, throwing glasses and plates, violently screaming way of scolding or nagging but in a crouching on the floor so that they’re on the same level and speaking softly and slowly, never saying anything mean type (it’s not in his note to be rough and cruel towards anyone, especially to his own children). When they begin to cry, however, he would panic—and not just panic but panic panic. Suddenly, he’s blabbering apologies, wiping their tears, hugging them, and assuring them that everything’s okay and he’s not mad at them.

Kaveh provides them with everything that they want and need, would be supportive towards their dreams, does what he can to always be present in their life, everything. And all be it, as long as they come home, he’s perfectly content. He’s quite a selfless person and loving father, only wishing for his children to grow up in a warm home.

DILUC RAGNVINDR, (he has very girl dad energy; he would love it when he has a daughter) he’s the definition of a gentle father, the very embodiment of that word. He never fails to deal with the predicament that he’s having which involves his kids. He’s the type to play house with them, accepting his role as a bodyguard or sometimes, taking on the part as the pet; the type to sit on the floor and play tea party with them, drinking from a plastic cup that has nothing, and say that the tea tastes delicious. He would rather be the one to play such things with them than have others or no one do so even if it will make him look foolish. He spoils them a lot and I mean by a lot. He buys them a lot of things, mainly things that they show interest in or mentioned once that they would like to have—he’s the wealthiest gentleman in Mondstadt, money was never a problem for him. Albeit, the gifts were never enough to express his love for them and it never will be.

Diluc, the man that he is, would give them so much more even if it's himself that they must take.

KAEYA ALBERICH, isn’t exactly too strict towards his children. He lets them do what they want but in a way that they don’t feel like they’re being neglected or he doesn’t care about them. It’s just that he doesn’t wish for them to grow up on regrets and looking back on the memories that they could have had or done. If it makes them happy, then so be it (as long as it’s nothing dangerous or harmful). He occasionally takes his family out whenever he’s not being held by the throat by his responsibilities, taking them to many places away from the city—it could just be for a picnic, for stargazing, for anything just so that he can spend his time with his loved ones.

Kaeya would teach them a lot of things, ranging from small and sometimes foolish things such as how to beatbox to teaching them how to wield a sword if ever they show interest towards it, which would end up with him being seen as a mentor and teacher towards them. Leave it to him to teach them how to cartwheel, however, and he will have them learn and perfected it.

BAIZHU, is an extremely patient and caring father towards his children. Despite often being busy treating patients and having consultations, as well as his research, he still manages to find time to spend with them and finds ways to involve them in his day-to-day activities or tasks in the pharmacy. He brings them along with him to the pharmacy whenever he works but he doesn’t ask them to do anything. His child (or children) could just sit there as they watch him, play around, and take a nap—whenever this happens, however, he brings them to the back room where the bed is and lets them peacefully sleep there.

On one of those days wherein Baizhu could only do nothing but stay in and rest, his children are there to accompany him. Despite how much he insists that they can leave him on his own and they can play outside instead, they wouldn’t listen, preferring to help the herbalist and Qiqi bring him hot water and fruits to aid his recovery. And with them by his side, serene dreams come to his sleep and he feels a little bit better about everything.

© azullumi — do not plagiarize, copy, repost, nor translate any of my works.

#genshin impact #genshin imagines #genshin fluff #genshin impact fanfics #genshin impact headcanons #diluc headcanons #ayato headcanons #alhaitham headcanons #kaveh headcanons #kaeya headcanons #baizhu headcanons #zhongli headcanons #neuvillette headcanons #tartaglia headcanons #childe headcanons #wriothesley headcanons #genshin x reader #genshin impact x reader #azul.writes

[donquixotehomura]

Valentine's Day with One Piece Boys

Master List

W.C:3295    so uhhhhh my hand slipped oops... I took some assumptions here and I changed some things that are common about these characters in Fanfic writing, my brain couldn’t come up with a lot for Law I’m sorry about that, Crocodile and Doffy can be read as pre or post becoming Warlords, some might be OOC but IDK I wrote this in about a day lol (my eyes fingers and back hurt I need to correct my posture lol) sorry if I didn't write for your favorites, have fun and lemme know what you think I love feed back It took two and a half fucking hours to put the gifs in, cause the line thingy where you add stuff only showed at the very bottom so I had to keep editing and dragging shit around, I'm sure I'm doing something wrong, also I had to look up all the gifs here even tho I have tons cause for some reason "something goofed" .... end my suffering also I wrote this on word and then brought it here so if formatting gets weird that's why, even tho I spent hours on making sure everything is good shout out to my inspo who also encouraged me to write it @cinnbar-bun

 

Dracule Mihawk, Roronoa Zoro, Portgas D. Ace, Donquixote Doflamingo, Eustass "Captain" Kid, Charlotte Katakuri, Massacre Soldier Killer, Sir Crocodile, Trafalgar Law.

Dracule Mihawk:

Mihawk and Y/N prefer intimate celebrations for Valentine's Day. They often opt for a quiet evening together at their secluded castle, away from the hustle and bustle of the outside world. 

Despite their stoic exteriors, Mihawk and Y/N are surprisingly sentimental when it comes to expressing their feelings. They exchange handwritten letters on Valentine's Day, pouring their hearts out on paper in a way that words spoken aloud cannot convey. 

Instead of extravagant gestures, Mihawk and Y/N prefer to exchange gifts that hold sentimental value. Mihawk might gift Y/N a rare book on something she likes, while Y/N might give Mihawk a custom-made piece of simple jewelry like a small bracelet she personally crafted for him. 

On Valentine's Day, Mihawk surprises Y/N by offering to cook dinner together. Despite her lack of culinary skills, Y/N appreciates the bonding activity and enjoys spending quality time with him in the kitchen, even if it results in a few culinary mishaps. 

After dinner, Mihawk and Y/N venture out into the castle's courtyard to stargaze. They lie side by side on a blanket, Y/N pointing out constellations and sharing stories about their significance, reveling in the peaceful solitude of the night, Mihawk just listens to her with a small fond smile. 

Throughout the day, Mihawk and Y/N take time to reflect on their journey together, reminiscing about cherished memories and shared experiences that have strengthened their bond over the years. 

As a romantic gesture, Mihawk and Y/N share a midnight dance in the castle's grand ballroom. Lit only by candlelight, they move together in a graceful waltz, lost in the magic of the moment and the timeless beauty of their love.    Going To Sleep Cuddling: Mihawk and Y/N will go to sleep in the end of the day holding each other, Y/N would curl up into his arms, burying her face into his chest while he wraps his arms around her his hand going into her hair to play with the soft strands.  

As Valentine's Day draws to a close, Mihawk and Y/N exchange a few hushed words as they cuddle, reaffirming their commitment to each other and the promise of a future filled with love, laughter, and endless adventures together. 

Roronoa Zoro:

Despite his tough exterior, Zoro secretly spends weeks planning the perfect Valentine's Day surprise for Y/N. He meticulously selects a secluded spot on the island they're docked on, where they can enjoy each other's company away from the hustle and bustle of the crew. 

Y/N, appreciative of Zoro's efforts, prepares a special gift for him on Valentine's Day. Knowing his love for swords, she surprises him with a beautifully crafted sheath for one of his blades, personalized with intricate designs that reflect their shared journey together. 

Zoro and Y/N spend Valentine's Day evening taking a leisurely stroll along the shores of the island. With the sound of waves lapping against the shore and the moonlight casting a soft glow, they share quiet moments of intimacy, lost in each other's company. 

During their stroll, Zoro and Y/N encounter a group of wild creatures roaming the island. With their swords drawn, they effortlessly dispatch the beasts, their synchronized movements a testament to their unwavering bond as swordsmen and lovers. 

As the night progresses, Zoro and Y/N build a campfire on the beach, the crackling flames casting flickering shadows around them. They share stories of their past adventures and dreams for the future, their laughter mingling with the sound of the ocean. 

Under the starlit sky, Zoro finally opens up to Y/N, expressing his gratitude for her presence in his life. He admits that he's not good at expressing his feelings, but Y/N's unwavering support and love have changed him for the better. 

Moved by Zoro's vulnerability, Y/N wraps her arms around him, offering him comfort and reassurance. She assures him that their love is enough, and she wouldn't have their Valentine's Day any other way. 

As the night comes to an end, Zoro and Y/N make a promise to each other to continue facing life's challenges together, hand in hand. They vow to cherish every moment and celebrate their love not just on Valentine's Day, but every day. 

As they watch the sun rise on the horizon, Zoro leans in to press a gentle kiss to Y/N's lips, sealing their promise with a silent vow of devotion. In that moment, amidst the beauty of the dawn, they find solace in the certainty of their love for each other. 

As they return to the ship, hand in hand, Zoro and Y/N share a knowing smile, their hearts full of love and gratitude for each other. Though their Valentine's Day was unconventional and filled with unexpected adventures, it was a testament to the strength of their bond and the depth of their love. 

Portgas D. Ace:

Y/N wakes up early on Valentine's Day to prepare a special breakfast for Ace. She arranges heart-shaped pancakes and fruit on a tray, leaving a note with a playful message for him to wake up to.  Ace spends weeks leading up to Valentine's Day working on a handmade gift for Y/N. He creates a personalized necklace with a small pendant in the shape of a flame, symbolizing their fiery love and passion. 

Y/N organizes a scavenger hunt around the Moby Dick for Ace. Each clue leads him to a different part of the ship, where he discovers small gifts and love notes hidden by Y/N. 

Ace surprises Y/N with a romantic beach picnic at a secluded cove. They enjoy a delicious meal together as they watch the sunset, the sound of the waves providing a serene backdrop to their intimate celebration. 

As the night falls, Ace and Y/N gather with their friends for a bonfire on the beach. They roast marshmallows, share stories, and cuddle close under a blanket, basking in the warmth of their love and the crackling fire. 

Y/N sets up a telescope on the deck of the Moby Dick, and she and Ace spend the evening stargazing together. They point out constellations, make wishes on shooting stars, and share dreams for their future, Y/N certainly tries to find constellations that match Ace’s freckles.  Ace surprises Y/N with a makeshift dance floor on the deck of the ship. He puts on her favorite song, and they dance together under the moonlight, lost in each other's arms. 

Y/N leaves little love notes for Ace to find throughout the day. Each note expresses her affection and gratitude for having him in her life, reminding him of the depth of her love. 

Ace and Y/N spend the afternoon cooking a special Valentine's Day dinner together in the kitchen. They laugh, tease each other, and steal kisses amidst the preparation, enjoying the simple pleasure of being together. (Marco is on standby with a fire extinguisher) 

As the day comes to a close, Ace and Y/N exchange heartfelt declarations of love. They express their gratitude for each other, promising to cherish and support one another for all the days to come, both of them yelling it at the top of their lungs of the railing of the ship and the crew is so done with them lol 

Donquixote Doflamingo:

Doflamingo, despite his intimidating persona, secretly enjoys the sentimentality of Valentine's Day. He's known for surprising Y/N with extravagant gifts, ranging from rare treasures he's acquired during their travels to personalized items he's commissioned just for her. Y/N, in turn, cherishes each gift as a symbol of Doflamingo's affection, even if she's not one for material possessions.  On Valentine's Day, Doflamingo arranges a private, candlelit dinner on the deck of their ship or a secluded spot on the island they're currently exploring. He spares no expense in ensuring the evening is perfect, with gourmet cuisine prepared by their crew's skilled chefs. Y/N appreciates the effort he puts into creating these intimate moments and enjoys the opportunity to spend quality time together away from the chaos of pirate life. 

Instead of focusing solely on lavish gifts and grand gestures, Doflamingo and Y/N often reminisce about their shared adventures and memorable moments throughout the years. They spend Valentine's Day reflecting on the challenges they've overcome together, the laughter they've shared, the tears they’ve shed and the unbreakable bond that has formed between them. 

Despite their often intense and tumultuous journey as pirates, Doflamingo and Y/N also value quiet moments of affection. They may spend Valentine's Day simply enjoying each other's company, whether it's lounging on the deck, stargazing, or taking a leisurely stroll on the beach hand in hand. It's in these peaceful moments that they feel most connected. 

Doflamingo and Y/N have a deep understanding of each other, and Valentine's Day serves as a reminder of the unspoken bond they share. They may not always verbalize their feelings, but their actions speak volumes. Whether it's a knowing glance, a comforting touch, or a gentle smile exchanged between them, they both know that their love is unwavering.

Eustass "Captain" Kid:

Despite her tough exterior, Y/N secretly enjoys the romantic gestures she receives on Valentine's Day. Kid, though he may not admit it openly, takes great pleasure in surprising Y/N with small gifts and tokens of affection, leaving them anonymously for her to find.  Kid's idea of a Valentine's Day gift may not be traditional, but it's always heartfelt. He might present Y/N with a custom-made weapon, intricately designed and tailored to her unique fighting style, or a rare treasure he stumbled upon during their travels, symbolizing the adventures they've shared together. 

Y/N, with her artistic flair, expresses her love for Kid through her creations. She might spend weeks crafting a personalized piece of jewelry for him, incorporating elements of his Jolly Roger or symbols that hold significance to their relationship, showcasing her devotion in a tangible form. 

Amidst the chaos of their pirate life, Y/N and Kid cherish the quiet moments they steal away together on Valentine's Day. They might escape to a secluded spot-on deck, watching the stars and sharing stories, finding solace in each other's company amidst the vastness of the sea. 

For Y/N and Kid, Valentine's Day is not just about romantic gestures, but also about embarking on new adventures together. They might set sail to explore uncharted islands, face formidable foes, or discover hidden treasures, strengthening their bond through shared experiences and thrilling escapades. 

Despite their differences, Y/N and Kid's relationship is built on mutual respect and understanding. They may not always see eye to eye, but they know how to support and uplift each other, especially on Valentine's Day, when they take the time to appreciate the unique qualities that make their bond so special. 

Y/N and Kid's Valentine's Day celebrations may not be conventional, but they're uniquely theirs. They might indulge in a feast of their favorite foods, engage in friendly competitions and challenges, or simply enjoy each other's presence, knowing that their love transcends traditional expectations. 

As they spend Valentine's Day together, Y/N and Kid exchange promises for the future. They may vow to stand by each other through thick and thin, to continue exploring the world and facing its challenges together, and to cherish the love they share, knowing that their bond is unbreakable.

Charlotte Katakuri:

Despite their tough exteriors, Y/N and Katakuri secretly enjoy showering each other with romantic gestures on Valentine's Day. Y/N surprises Katakuri with handcrafted doughnuts with many flavours, each one meticulously made with love and care. In return, Katakuri presents Y/N with a beautifully crafted box of her favorite sweets, a testament to his thoughtfulness and affection. On Valentine's evening, Y/N and Katakuri escape the chaos of Totto Land for a private dinner date on a secluded beach. They indulge in a feast of their favorite dishes, sharing laughter and intimate conversation under the twinkling stars. As the night deepens, they dance together in the moonlight, their hearts beating in perfect harmony. 

In the days leading up to Valentine's Day, Y/N and Katakuri exchange heartfelt love letters, expressing their deepest emotions and gratitude for each other. Y/N's letters are filled with poetic prose and declarations of undying love, while Katakuri's letters are eloquent and sincere, revealing the depths of his affection for Y/N. 

As a special Valentine's Day surprise, Katakuri whisks Y/N away on a romantic getaway to a secluded island paradise. They spend their days exploring pristine beaches, indulging in couples' massages, and savoring gourmet meals prepared by a private chef. It's a blissful escape from their duties and responsibilities, allowing them to focus solely on each other. 

On Valentine's Day, Y/N and Katakuri reminisce about their favorite moments together, flipping through photo albums filled with snapshots of their adventures. They laugh at candid shots of themselves and smile fondly at pictures of special milestones they've shared. It's a heartwarming reminder of the bond they've built and the memories they've created together, a few of them are pictures taken by Y/N of Katakuri throughout the day, in some of them his scarf is hiding a smile or a blush a reason as to why she took the picture (yes she walks around with a Visual Den Den Mushi.. At least that’s what I think the picture taking ones are called)    Y/N has been joining Katakuri during his Meriendas for years now and same as rumors spread about him meditating and talking to gods of battle during them rumors spread about her as well (I read a fic about this before where Y/N was considered his oracle and it’s an amazing one I’m trying to find it again) what they don’t know is that these two are being very sappy idiots, cuddling sharing kisses and laughs and stealing each other's sweets, especially on this day, the others just think that they’re doing some sort of ritual about devotion to Gods of Battle only lol. 

As the night falls on Valentine's Day, Y/N and Katakuri retreat to a secluded hilltop, where they lay beneath a blanket of stars, hand in hand. They share stories of their hopes and dreams, tracing constellations with their fingers and basking in the quiet beauty of the   night sky. It's a moment of perfect serenity, a reminder of the infinite possibilities that lie ahead for their love.

Massacre Soldier Killer:

Despite their tough exteriors, Killer and Y/N secretly enjoy surprising each other with small romantic gestures on Valentine's Day. Y/N might leave a heartfelt note tucked into Killer's pocket, while Killer might craft a makeshift bouquet of flowers from materials he finds on their travels. Valentine's Day is a rare opportunity for Killer and Y/N to spend some quality time together away from the chaos of pirate life. They might steal away to a secluded spot on the ship or find a quiet beach where they can enjoy each other's company without interruptions. 

Killer and Y/N reminisce about their favorite moments together, cherishing the memories they've created during their time as partners in crime. They might exchange stories about their most memorable adventures or laugh about the mishaps they've encountered along the way. 

Despite their limited resources as pirates, Killer and Y/N find creative ways to exchange gifts on Valentine's Day. Y/N might fashion a piece of jewelry from shells she finds on the beach, while Killer might carve a wooden trinket with his expert craftsmanship. 

Killer surprises Y/N with a romantic candlelit dinner, showcasing his culinary skills with a delicious meal cooked from scratch. Y/N, in turn, appreciates the effort and thoughtfulness behind the gesture, and they enjoy a quiet evening together under the stars. While they may not always express their emotions openly, Killer and Y/N show their love and affection for each other in subtle ways. A gentle touch, a lingering glance, or a reassuring smile speaks volumes in the language of their relationship. 

Valentine's Day serves as a reminder of the unbreakable bond between Killer and Y/N. They reaffirm their commitment to each other, promising to stand by each other's side through thick and thin, no matter what challenges may come their way. 

As they bask in the warmth of each other's love on Valentine's Day, Killer and Y/N discuss their hopes and dreams for the future. They envision a life together filled with adventure, laughter, and unwavering support, knowing that as long as they have each other, anything is possible. 

Overall, Valentine's Day is a special occasion for Killer and Y/N to celebrate their love and appreciation for each other, strengthening the bond that binds them together as partners in both love and piracy.

Sir Crocodile:

Crocodile and Y/N aren't ones for grand gestures, so their Valentine's Day celebration tends to be understated. They prefer spending quality time together rather than getting caught up in the commercial aspects of the holiday.  Crocodile surprises Y/N by preparing a simple but delicious meal for them to share. Despite his gruff exterior, Crocodile has a surprisingly deft hand in the kitchen, and Y/N is touched by the effort he puts into making the evening special. 

Instead of extravagant gifts, Crocodile and Y/N exchange meaningful tokens of their affection. Y/N gives Crocodile a handmade leather-bound journal, knowing how much he values knowledge and planning. In return, Crocodile presents Y/N with a rare seashell he found during one of their adventures, a symbol of their shared experiences. 

After dinner, Crocodile and Y/N enjoy a quiet evening together, lounging on the deck of their ship and gazing up at the stars. They talk about their hopes and dreams for the future, reveling in the simplicity of each other's company. 

Despite their tough exteriors, Crocodile and Y/N share a passion for Planning and Conquest. They spend the evening poring over maps and planning their next expedition, excited about the possibilities that lie ahead.  While they may not be overly demonstrative, Crocodile and Y/N show their love for each other in small, subtle ways. A gentle touch, a knowing glance, or a shared smile speaks volumes about the depth of their bond.   As the night draws to a close, Crocodile and Y/N express their gratitude for each other, acknowledging the strength and support they provide in each other's lives. They may not say "I love you" in so many words, but their actions speak louder than any declaration of affection ever could.

Trafalgar Law:

Y/N is bubbling with excitement as Valentine's Day approaches, eager to celebrate the occasion with Law despite his usual reservations about the holiday. She takes the lead in planning the day, organizing a romantic dinner aboard the Polar Tang complete with candles, rose petals, and Law's favorite dishes. Law, although initially hesitant about the festivities, appreciates Y/N's enthusiasm and decides to go along with her plans, wanting to make her happy. He surprises Y/N with small but meaningful gifts throughout the day, such as a locket containing a picture of the two of them together or a handwritten note expressing his love and gratitude. Y/N showers Law with affection, peppering him with kisses and hugs as they spend quality time together, enjoying each other's company in the privacy of their quarters. They share stories and reminisce about their favorite memories together, laughing and smiling as they bask in the warmth of their love. Law surprises Y/N with a heartfelt gesture, such as letting her cuddle with him instead of working or giving her a massage to help her relax and unwind. They exchange promises of love and commitment, reaffirming their bond and promising to stand by each other through thick and thin. As the day comes to a close, Law and Y/N cuddle up together under a blanket, content in each other's arms and grateful for the love they share. 

#one piece #one piece fluff #one piece x reader #Dracule Mihawk #Roronoa Zoro #Portgas D. Ace #Donquixote Doflamingo #Eustass Kid #Charlotte Katakuri #Massacre Soldier Killer #Sir Crocodile #Trafalgar Law #dracule mihawk x reader #roronoa zoro x reader #portgas d. ace x reader #donquixote doflamingo x reader #eustass kid x reader #charlotte katakuri x reader #killer x reader #sir crocodile x reader #trafalgar law x reader

[graceshouldwrite]

The Most Powerful Hack to Make Your Readers Cry

You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc. 

All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this: 

THE CALLBACK! 

Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!

So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.

Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent. 

Got that? Alright, onto the examples of successful, tearjerking callbacks: 

1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.” 

Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on. 

Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”

Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans. 

2. Les Miserables (Victor Hugo); Jean Valjean’s death 

Context:  At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc. 

Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.

Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels. 

Now: Valjean describes Fantine to Cosette, who never knew her mother. 

Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...

3. Your Lie in April (anime); Kaori’s letter after she dies

Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol

Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about  jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.

Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind. 

4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.” 

Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again. 

Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.  

Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what. 

Why do callbacks work so well? 

If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage. 

Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development. 

This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever. 

Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is. 

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post. 

Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help 

Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing. 

Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day,

- grace <3

#writers on tumblr #writing tips #writing #booktok #writer #writeblr #novel #writerslife #writergram #wattpad #media analysis #wip #ya fantasy #plot holes #characters #writing ideas #writing a book #anime #your lie in april #percy jackson #arcane

[writersblg]

how the cod characters would react to their partner being a true crime junkie

The sun was starting to set when your partner came back from training. They closed the door behind them and made their way to the living room where you were already wrapped up in a blanket. The music suggested you were watching a normal mystery show but the wholesome scenario your partner thought they found themselves in quickly crumbled as the presenter said “after taking off the skin and hanging it to dry she chopped up the body”

Simon

Unfortunately, doesn’t enjoy it as much as you do. For obvious reasons.

He’d give you the nastiest side eye and will just retreat to another room to solve a crossword or something.

Finds these shows incredibly disrespectful and really doesn’t get why you’d watch this.

ALTHOUGH he knows you’ll cuddle up beside him in the night and hide behind his big muscles (I’m deceased) so that’s kinda cute but that only adds to him not knowing why you’d watch true crime in the first place.

Soap

Watches everything with you

Will be mad if you do it on your own even if he’s on a mission

Enjoys the stories of female killers the most (if it’s out of revenge he’d cheer for them)

CONTRA he’d talk all the time about the nitty gritty of murders (basically plays the UNO reverse to Keegan; you’ll be afraid of him)

Gaz

It took a lot of time or convincing to make this happen but he now watches these shows with you.

Rarely talks; “hope they rot in hell” is all you’d get out of him.

Holds you very nicely though and gets up during commercials to get you two snacks <3.

Tells you about the super weird things that happened in his hometown when he was a kid and expects you to be normal about it.

Price

Falls asleep during the first 10 minutes

There’s nothing he hasn’t seen and no matter how brutal these attacks on the shows were he finds them tame

He won’t spoil your watching experience though and lets you lean on him if you’re getting tired

He won’t do true crime marathons with you but might compromise on watching 6h of government conspiracies or something instead

Alex

The most interesting part to him is the reasoning for the killers and silently does psycho analysis’ of them

If he has heard about the case before he’d add some information the presenter hasn’t talked about

You two just vibe

He lays on you and occasionally raises his head at particularly interesting scenes

Very much a true crime enthusiast himself

Also very much no expression on his face as they describe the attacks

Farah

SIDE EYE

Watches with you but the way she judges you for watching this is crazy

Blames it on your culture

Farah: “I can fix them”

Valeria

Sometimes laughs out of nowhere when she’s watching with you 😭 (would honestly destroy my psyche)

Loves to hear when the police messed up so badly they could’ve prevented more deaths but failed to do so

Watches the most gruesome way to attack someone and goes like “Haha I did this once.��

Gives you self defense tips according to the cases

Alejandro

Gets so invested in it

Gives you all the crime statistics if the case happened in Mexico

Randomly dropped that he knew the killer personally more than once

Happily talks about it at work the next day

Rudy

Sometimes curses in Spanish because he gets too worked up over this

Cannot watch unsolved cases; will think about it all night

Looks the cases up on the internet while the show is still on

Just deepens his perspective of there being more bad people than good people in this world

Keegan

He’s actually scared of you if you watch this without any reactions

Reminds me of that one AITA story

Accidentally told his friends he’s scared of you (but with heart eyes)

He’d watch it with you but mostly watches your reaction from a safe distance (the other end of the couch)

If you chop something in the kitchen later he’d gently take the knife from you and do it himself; you think he’s being funny but it’s just self preservation

Will still cuddle with you <3 later that night

#simon ghost riley #simon riley #ghost #cod mw2 #cod mw3 #john soap mactavish #keegan p russ #keegan russ #ghost x reader #soap x reader #kyle gaz garrick #gaz x reader #john price #captain price #price x reader #keegan x reader #farrah Karim #valeria garza #valeria x reader #alejandro x reader #alejandro vargas #rodolfo rudy parra

[stealingyourbones]

Hi! So I was into DP years ago, then earlier this year got into Batfam fics, then saw my first DC x DP crossover and just 💥

So now I’m on a new obsession that has me reading every one of your prompts and any stories that come from it and I just had this one flood my brain:

Presumed Alien Danny

So for [insert reason here] Danny has to flea Amity and the living world to stay in the Zone. He’s injured, and therefore forced to use the Fenton Specter Speeder, and flies it into the portal. Only, whether due to a malfunction, Clockwork, or something else, instead of the Ghost Zone, the Speeder gets spat out of a portal in the DC universe.

So, on the other side, the Watchtower gives an alert that an unknown energy is spiking nearby, and then a spaceship/pod looking thing comes flying out of a flash of green. It’s spinning out of control, and headed for a desert on Earth. A team is dispatched, I’m thinking Superman (alien), Green Lantern (alien law enforcement) and Batman (obvious. Kid bait).

So they get there within moments of the crash, find the thing totaled, Superman hears a strange, humming/thrumming accompanied by groans, and he cracks what’s left of it open to see this green-eyed, white-haired kid with very bad injuries and green blood covering what looks like it could have been some kind of space suit. He grabs the kid, gets him out, and Lantern makes a shield that contains the massive explosion that leaves the ship/pod nothing but charred bits lying scattered across the sand.

They get the clearly alien child to the watchtower for medical help, and though they heal very quickly they still need a lot of stitches, mainly because the first set melted and they had to use ones designed for metas with corrosive abilities.

Then, a day or so later, still healing but not in danger, the kid wakes up, stares wide-eyed at the people around him, and exclaims something I a strange language.

Yeah, definitely alien.

Danny wakes up, sees a bunch of weird, costumed people all around him, and tries to ask what the heck is going on. They all stare in confusion. One guys, who’s glowing green but a different shade, had a ring that starts speaking in a different language.

So, I figure, in an alternate dimension, the English language developed differently, so Danny’s English and the DCU’s English aren’t the same. Hence more Misunderstandings.

Also, if Connor is in this, it’s not until after Danny’s been found. 😎

So Danny gets introduced via the Green Guys magic translating ring, finds out they think he’s an alien, thinks he’s still in his world, where the Anti-Ecto Acts are a thing, and goes with it. They introduce him to the younger hero’s his age, and once he’s better they set him up in their base to live, since obviously he can’t stay on the watchtower or blend in. A few weeks in is enough for Danny to get confused by all the differences and look into it, and realize he’s in a new dimension. But he’s already knee-deep in this, so he just doesn’t ever mention it, and just refers to his ‘home planet’ as Amity.

Meanwhile, the alien kid, Danny, seems to be adjusting well, if a bit confused by the strangest things at times. The planet he mentioned as home was listed by the Lantern Corps as one destroyed by a black hole a few days before Danny’s pod showed up, so they avoid asking about the clearly painful and traumatizing experience. Superman, upon learning about the boys skill set, takes him under his wing.

TLDR-

Through a series of misunderstandings and coincidences Danny is premised to be an alien child by the Justice League and taken in as Superman’s apprentice/son. He does not correct this assumption, either ever or until he is outed by something/one else.

homie I am in love with this idea. Presumed Alien Danny makes me so happy.

I will like to add: The not-quite-english that Danny is speaking is akin to old English.

#Presumed Alien Danny #danny phantom #dp x dc #dc comics #writing prompts #dpxdc #dp x dc prompt #bones replies #norasalina

[korizzybee]

Imagine being Jake Sully’s and Neytiri’s adopted daughter, child of someone who was an old friend of Jake’s:

Info: reader’s mom’s avatar had darkskin black features (Afro hair + dark eyes + dark blue skin) so reader also has those features, reader has an Jamaican accent, reader is Navi Avatar hybrid and has 5 fingers and eyebrows, reader is 13 years old

Boom your mom was 5 years old when she moved from Jamaica to North America, she and Jake became childhood friends (more like they became soul siblings)

The same day the RDA recruited Jake, they recruited your mother too

She also spends time observing the Navi and learning their ways with Jake, but Tsu’Tey was her teacher instead

As she lives there for months, she and Tsu’Tey fall in love and mate at the tree of spirits (JAKE N NEYTIRI DUUUUPE)

She and Neytiri actually became pregnant at the same time, literally shortly after they both mate with their men at the spirit trees

Your dad dies during the war yada yada yada, they win and skip boring stuff

For some reason when Neytiri has her baby, your mother is unable to give birth to you and she remains pregnant for 2 more years

The pregnancy drains her energy, making her look even skinnier and her skin color fade as her cheeks become hollow

When she finally gives birth and before she dies she whispers a name that’s a mixture between her’s and Tsu’Tey’s

Neytiri holds your small crying form silently shushing you while Jake cries over your mom’s dead body, she was like an older sister to him

Jake adopts you and when you’re old enough he starts teaching you about your human culture as it was a big part of your mother’s life and she loved her culture more than anything

This leads him to also explaining why you’re different from all the other Omaticaya, but he also explains it’s not a bad thing

You growing up with mixing your life with both your Navi and Jamaican cultures

You are the closest to Neteyam, he’s SOOOOO protective over you (you are his favorite shhhh don’t tell Lo’ak)

Since you’re a lot shorter than your older siblings, you often get carried by them

Jake teaching you so much about humans, pop culture references, music tastes n everything!!!! (Girl you literally take inspiration from his teachings and make your own clothing style out of Navi clothes)

Neytiri making you the most beautiful song cord ever about the love story of your mom and Tsu’Tey and your birth

You and Kiri bonding over both being adopted

You and Tuk are so goofy together, always making Neytiri laugh n shi

You two also bond over being the babies of the family

You and Lo’ak always playing tag in the forest

You immediately loved spider when you all first met him as little kids, (I mean, your mom was once human so you didn’t hate them at all)

ALWAYS wearing your mother’s Na’vi and human hair pieces and your father’s necklaces

Jake teaching you how to fight the human way because your mom was better than everyone in the RDA at that

Going to the Lab with Kiri to see videos of your moms together (they also grew to be close friends and would sometimes just make videos of them being stupid together)

Jake and Neytiri are the only ones allowed to do your hair (your mom taught them how to take care of Afro hair once), they make sure your hair is always healthy

You look so much like your mom but you get your smile, eye shape, and bodily markings from Tsu’Tey

When you can’t sleep, Jake would tell you his childhood memories about your mom

You’re a very spiritual child, always talking with a calm voice, you’re a little shy and always have a good opinion on everyone (girl while Neteyam finna future clan leader, you’re the future Tsahik)

Boom Quaritch bitch ass shows back up (YALL IM SORRY BUT HIS AVATAR IS SO FINEEEEE) and y’all have to flee

You have your own Ikran and she’s named after your mother (let’s just call her Irie)

Y’all make it to the lands of the Metkayina and Ronal starts hating on y’all for being different then she points out how your hair and looks over all are different from your family’s

Neytiri hissing at her as Neteyam and puts you behind him side eyeing Ronal, Jake defending your looks (W DAD)

Y’all get to live among the clan and lowkey….Rotxo he kind of crushing on you I mean not tryna be that one writer butttt uhhh you are the prettiest member of your family (behind Neytiri no one beats her)

You and Rotxo lowkey be flirting with your eyes, giving each other shy looks and blushing like middle schoolers

BUT ANYWAYS THAT’S IT FOR PART 1 IMA DO A PART 2 (this has been marinating in my drafts for months)

#korizzybee’s work #x black reader #avatar 2 x reader #avatar x reader #atwow #atwow x reader #roxto x reader #roxto avatar #jake sully x daughter reader #jake sully #neteyam imagine #neteyam #neytiri #kiri sully #tuktirey #loak sully #james cameron avatar

[sepublic]

            Given the underlying theme of “Kids shouldn’t be handling serious conflicts, it should be the adults”, it’s neat that the show manages to accomplish this ideal with Vee in Season 3. Her trauma is respected and Vee isn’t obligated by anyone to go on an adventure to save the day, she helps if she wants to and feels comfortable. Vee has to reassure the others that she’s willing to potentially confront Jacob, and later that night, when Belos attacks? Vee steps in to help, and… is immediately almost killed for it, until Amity saves her. And remains out of the fight until it’s resolved.

         So when it’s time for our heroes to head to the Boiling Isles and stop Belos, Vee decides Nope she’s not cut out for this, she’s no fighter; She wants to skip out, and is allowed to! It isn’t framed as some sort of moral responsibility that Vee is running from, it’s a legitimately dangerous burden involving the man who abused, hunted down, and almost murdered Vee; It’s a lot to ask of anyone, much less a child. Vee says she isn’t ready, and there’s no dilemma, it’s purely viewed as a decision she makes for her own sake, and the story doesn’t bother trying to interrogate her ‘morality’, doesn’t even consider Vee is being ‘selfish’, and of course Camila will encourage and support that!

         Sure, Vee does try to justify how she can still be of use keeping up appearances back home, but the first question is if Vee is comfortable, and then if there’s anything else she can help with. It’s also fulfilling how an adult, Vee’s own mother Camila, is the one to ask her about this, accept her answer, and show love and appreciation to Vee for what she chooses before leaving. Obviously kids are going to be fighting evil because of meta reasons, stories are driven by conflict and the messages they espouse are often an ideal they must struggle towards, but it’s nice to see that for Vee, a side character, she’s managed to win this for herself. After plenty of trauma and the harrowing experiences of Yesterday’s Lie, Vee’s just living her life in S3.

        Vee’s allowed to prioritize her comfort and pursue what she wants, instead of being held up to the ‘greater good’. I think that contributes to TOH’s juxtaposition of self-care being good actually, especially in opposition to the self-punishing Puritan ideology that insists people live in a default, guilty state of sin, and must constantly atone for that by devoting themselves to a higher purpose, often the collective. Philip refers to it as the ‘greater good’, but we also know it by another name, with just one O.

#the owl house #vee noceda #meta

[nattikay]

Jake is a Good Dad and I will Die On That Hill

Howdy Avatar fandom. Over the past six months or so I’ve seen a lot of criticism directed toward Jake Sully as a father, ranging from him simply being a little too strict at best, to outright neglectful and even abusive at worst. This, my friends, is some grade-A nonsense, and today we’re gonna talk about why. Strap in, lads, this is gonna be a long one. Let’s roll.

So before we get into breaking down the events of the main storyline, let’s address the idea that Jake was always the super-strict “military dad” throughout the kids’ lives: put simply, bullcrap.

Out of the film’s over-three-hour runtime, we get to see very little of the Sullies’ lives before the RDA’s return—only about six minutes’ worth. If Jake was meant to be this strict militaristic dictator during this time period, especially in a way that would significantly impact the kids’ character development and their relationships with him, this would be the time to show it, or at least hint at it. But instead of any of that, we really get quite the opposite. Jake laughs and plays with the kids:

Jokes around and cuddles:

Teaches Neteyam to fish:

He even says in his narration:

“Happiness is simple…whoever thought that a jarhead like me could’ve cracked the code?”

Guys, this is quite literally the best time of his life. This man absolutely adores his family with every fiber of his being, they are his whole world. Like, look at him! He has stars in his eyes!!

We have zero reason to suspect that Jake was overly harsh or strict in a way that would impede his relationship with his kids during this time. The Sullies appear to be a normal, healthy, close-knit family. 

It’s only when the RDA returns and reignites war that things change. 

I’ve seen some people claim that Jake’s personality changed it the second movie. I disagree—it was not his personality that changed, but rather his priorities. 

A1 Jake was a disabled marine vet who was offered his brother’s contract after said brother was unexpectedly murdered by some thug on the street…and part of the reason he agreed to take that contract was that there really wasn’t much else left for him back on Earth, so why not go? A1 Jake had just about nothing left to lose, and therefore could afford to be more reckless.

A2 Jake, however, is another story altogether. A2 Jake can’t just run around poking and prodding and taking risks like A1 Jake did because now he has a wife and four children who rely on him and who he loves more than anything else in the world. It’s not just himself he has to look out for anymore, it’s them. He now has everything to lose. He says as much himself:

Not to mention that he’s older now. Did you really expect the 37-year-old father of four who’s been leading the clan for 15 years and is suddenly thrust back into a brutal war to behave exactly the same as the 22-year-old fish-out-of-water ex-marine sent to fill in for his scientist brother out of the sheer convenience of sharing a genome? A2 Jake’s behavior is not a sudden 180 from his personality in A1, it’s a natural progression and reaction for his character given the changed circumstances. 

“A father protects. It’s what gives him meaning.”

This is essentially Jake’s thesis for the movie. This is his #1 priority, his purpose, the lens through which all his actions must be viewed in order to understand them, and it’s important to establish it upfront because it sets up everything else.

With that in mind, let’s take a look at the train raid sequence as its aftermath. Jake begrudgingly allows his now-teenage sons to participate in the war party—from a distance, as spotters. Neteyam seems content to fill this role, but Lo’ak, against orders, eagerly insists that they “have to get in there”, even goading his brother: 

Tailed by an exasperated Neteyam, Lo’ak grabs a weapon from Tarsem and lets out a half-hearted warcry:

...let’s be honest here, Lo’ak doesn’t really seem to be taking this raid anywhere near as seriously as he should be; he’s treating it more like a game—on which point, y’know what, let’s pause to talk about Lo’ak for a moment.

Because the primary purpose of this post is defending Jake, it may at times appear that I am being overly critical towards Lo’ak. This is not my intention—I love Lo’ak as much as I love the rest of the Sully family (which is a lot lol). I think the things he struggles with are reasonable and valid struggles to have considering his circumstances. However, that does not always mean that he is in the “right”. Jake and Lo’ak’s conflict through the movie is not as simple as “son right dad wrong” or vice-versa; rather, it stems from a generational/age gap in experience and priorities. 

In this case, for example, Lo’ak is treating the raid more like a cool action game than a real battle with real stakes. Which may not be much of a surprise—he’s 14! He’s young, he’s naive, he’s never experienced anything close to real war until the past year or so—he probably genuinely does not fully grasp the stakes of this situation just yet. And why should we expect him to, really? He’s never had to before.

Jake, on the other hand, knows the stakes all too well. This ain’t his first rodeo. He was a solider both on Earth (where he was injured severely enough to become paralyzed from the waist down) and then again on Pandora driving out the RDA in a battle that killed several of his friends and allies, including almost completely wiping out the entire Olangi clan. 

Jake understands the risks of war and doesn’t want his kids anywhere near it. We see this not only in the film where he only allows Neteyam and Lo’ak to participate in the raid “from a distance” and ultimately fleeing his own clan altogether once his kids are directly threatened, but also in the comics in which he consistently turns down Neteyam’s pleadings to participate in the war efforts. Unfortunately for him, his sons do happen to be coming of age at around this time and there’s only so much he can do to keep them out of it, so he tries to let them participate in relatively safe ways, like as spotters.

Lo’ak…doesn’t understand this. Not really. And that leads to him recklessly taking unnecessary risks—be it out of curiosity, to get in on the action, or even simply to prove himself. Which understandably scares the crap out of Jake.

When the raid is over, Jake desperately searches the rubble for his sons. He finds Lo’ak quickly and makes sure he’s alright:

…before taking off to search for Neteyam, who he also promptly checks over for injuries. 

which is something I’d like to point out here: although Jake sometimes gets gruff with his sons, he never leads with that. He always always always makes sure they’re ok first. That’s important. We’ll come back to it throughout the post.

Anyways, it’s only after making sure that Neteyam is ok that Jake’s initial bout of fear subsides and morphs into frustration and anger: what were you thinking?! And it’s a fair question. If the boys had followed orders, they wouldn’t have been at such risk in the first place. Once the party returns to High Camp, Jake addresses this point with them, reminding them that by disobeying direct orders they put themselves in very serious danger, and reiterating to Lo’ak in particular that his recklessness nearly got his brother killed and grounding him.

In other words, Jake’s response to his sons going against his orders was…a lecture and a grounding. That’s…a pretty reasonable parental reaction, actually. Sure, you could nitpick and say his tone was too harsh, but given the situation, I struggle to blame him…

…which leads into the next relevant scene: while Mo’at and Kiri tend to Neteyam’s scratches, Neytiri gently chides Jake for being too hard on the boys, concluding with the infamous line: “This is not a squad. It is a family.”

Now, what I find interesting about this scene is that neither party is really in the wrong here. Jake is doing his best to fill his role as a father by watching out for his kids’ physical safety—even if it means being a little strict. Likewise, Neytiri is filling her role as a mother by looking out for her kids’ emotional well-being. As she should!

That said, I think people who use this line as proof of Jake’s supposed parental failure are forgetting the context. While Neytiri’s line is true in general, when the boys sign up to participate in a war party, they kinda do become a “squad”. In that moment, in that context, they are a squad, they have to behave like one lest someone gets hurt if not killed. 

I also think they forget Jake’s reaction to Neytiri’s line:

Look closely. There are tears in his eyes. This dude was terrified of the possibility that he may have just lost one of his sons in the raid, and all his strictness stems from that. And Neytiri seems to recognize this as well, as she can’t seem to decide how to respond. She probably worries about the same thing, after all, even if she handles it differently. 

On that note, let’s look at the next time Lo’ak disobeys instructions: going to the old shack with Spider, Kiri, and Tuk, where they first encounter the recom unit. 

Something interesting about the aftermath of the recom rescue is that no one gets lectured this time actually. Remember what I said about how, no matter how upset he is, Jake always checks to make sure the kids are ok first and foremost? Sure enough, that’s what he does here:

Not only for his daughters, mind you, but also both his sons (we’ll address the daughter-favoritism claims later):

With the recoms now targeting the Sully family specifically, Jake, feeling out of other options, makes the difficult decision to flee and find refuge among the Metkayina clan. 

whoops, there’s that “protection” theme again

When their request for sanctuary is somewhat reluctantly accepted, Jake calls a family meeting and tells the kids this:

Remember how earlier we established how “a father protects” is essentially Jake’s thesis for this movie? Well, this is an offshoot of that: Jake believes that hiding amongst the Metkayina is currently the best was to keep his family safe; therefore, throughout the Sullies’ time with the clan, Jake’s primary goal is to lay low and get along with the clan so as not to tread on their hospitality and get kicked out (even if and when that means setting aside one’s own pride). This, then, is the lens through which Jake’s actions must be analyzed while his family is staying with the Metkayina.

The first time this becomes relevant is after Neteyam and Lo’ak’s little scrap defending Kiri from Aonung and his posse. Jake is clearly not thrilled about Kiri being bullied, but again, his top priority is keeping his family safe and right now this entails maintaining a good standing with the chief, which in turns means that his sons getting into brawls with Tonowari’s son is a very bad look. Which is why, after a moment of internal conflict, he asks Lo’ak to apologize to Aonung (he even tries to explain when Lo’ak protests:)

On that note, while remaining on good terms with the clan has to take precedence at this moment, Jake is clearly quietly proud of his boys for kicking butt, as we see from his exchange with Neteyam (though yes, it is unfortunate that Lo’ak didn’t get to see this bit).

…which brings us to one of the bigger moments that people point to when accusing Jake of being a bad father: the “you bring shame to this family” line. Now, I can understand why this line doesn’t sit right with viewers initially, especially since we have just seen firsthand the truth about what Lo’ak experienced over the past few hours. However, when you consider what’s going on from Jake’s perspective, the line is not quite as unreasonable as it first seems.

Let’s back up a bit to when Lo’ak first returns to the village after meeting Payakan. At first Jake is just relieved that his son is ok (remember: he always checks first)

In fact, once it’s clear that Lo’ak is ok, it seems Jake just wanted to let it go and head home…the real conflict didn’t begin until after Lo’ak lied to take the blame for Aonung.

Up until this moment, Jake only knew Aonung’s side of the story, that he’d taken Lo’ak outside the reef and he got stranded there (it’s unclear whether Aonung specifies that he abandoned him out there on purpose, the little punk, but I digress). But when Tonowari (rightfully) declares Aonung’s responsibility for the incident, Lo’ak speaks up to take the fall, claiming that the whole ordeal was all his idea, which Aonung had tried to talk him out of.

Lo’ak does not have a reputation for lying…but he does have a reputation for pulling reckless stunts that put himself and others in danger, so for better or for worse, Jake has literally zero reason not to believe this claim. 

In other words, for Jake, the situation has just gone from “my son got taken advantage of by the local bullies and put into a precarious situation but he’s home safe now” to “my son dragged a bunch of other kids to a dangerous location where he knows he’s not supposed to go despite the chef’s son trying to talk him out of it, endangering both his life and theirs, getting lost in the process, and thereby worrying and inconveniencing the entire clan on whose hospitality we rely by making them go out of their way to arrange a whole search party in the dead of night just to find him.”

…yeah, no wonder he was flippin’ ticked. No wonder he “didn’t want to hear it” when Lo’ak tries to explain that he was “only trying to make friends”. We as the audience know that’s true, of course, but as far as Jake knows in that moment, based on what Lo’ak himself claimed just moments ago, he was trying to “make friends” by…dragging them out to a dangerous location despite their protests thus jeopardizing both his and their lives as well as his family’s standing in the clan who can kick them out at any time. Yeah, I wouldn’t want to “hear it” either.

When you look at it from that perspective, “you brought shame to this family” doesn’t really seem quite as extreme, does it?

And yes, I feel for Lo’ak here, really, I do; he’s just been through a lot and yes based on the actual events that just occurred his father’s anger is the last thing the poor kid needs and I totally get why it would upset him…but at the same time, I can’t help feeling that he kinda brought this particular lecture on himself by voluntarily taking the blame for Aonung. Not really sure what he was expecting: that Jake would somehow read his mind and understand the way things actually went? That he would see through his lie and praise him for being so amiable towards Aonung by taking the fall perhaps similar to how Neteyam so often claims the blame for Lo’ak’s own reckless shenanigans despite how rude Aonung had been to him thus far? Or perhaps he just blurted out the blame claim as an olive branch of sorts to Aonung (genuinely trying to “make friends” in a way) without really thinking about the consequences of doing so. Who knows. But regardless of how Lo’ak did or didn’t think things would go, I think it’s a little unfair to blame Jake for his reaction. Based on his knowledge of the circumstances, which in turn were based on Lo’ak’s own account given only moments before (remember, Jake had zero reason to suspect he was lying), his reaction is actually pretty understandable.

Speaking of Lo’ak’s adventures with Payakan, the next time we see him clash with his father is when Tonowari lectures him for bonding with the outcast, and Lo’ak defends his new friend. Remember: Jake’s top priority is keeping his family safe which currently means not getting kicked out of the Metkayina. Lo’ak, regardless of whether or not he was in the right, was clearly upsetting Ronal and Tonowari in this exchange—Neytiri is actually the first to step in and warn her son:

…and when Lo’ak persists anyways, Jake has to step in in hopes of smoothing things over with the chief. 

It sucks that this upset Lo’ak, especially because we the audience know that Lo’ak is right about Payakan, but again, Jake is currently more concerned with not getting kicked out of the clan than with his son winning an argument about the validity of a tulkun’s outcast status.

.

...aaaand here comes the hardest part of this essay to write. Admittedly I wasn’t aware of this argument until recently, but now that I know it’s out there I feel obligated to address it here. Apparently some folks are out there claim that Jake did not display a sufficient amount of emotion at Neteyam’s death, and this somehow proves that he wasn’t as attached to his sons as he should have been. And all I have to say to that is: did we watch the same movie?? 

That man broke upon his son’s death. Did he wail and cry like Neytiri, no, but that doesn’t mean he wasn’t heartbroken—wailing and crying simply aren’t how his character responds to trauma. He’s a solider, he’s probably trained to delay any external breakdown at least until a given battle is over.

But you can still see it in his face. You can hear it in his voice which breaks and shudders when he realizes that Neteyam is dying and tries to give him a few last words of comfort, wanting so desperately to ease his pain to the best of his abilities. 

...yeah. This man is broken in this moment.

…but his job isn’t over yet. The battle is still raging. He still has three more kids who still need him. As much as he may want to, he cannot take the time to fully grieve in this moment.

…which brings us to the big one, the main line people point to when arguing that Jake is a bad father:

Now, let’s be honest: was this an awful thing to say? Yes, absolutely. Should Jake apologize to Lo’ak for it after the fact, if he hasn’t already? Definitely, one-hundred-percent. I’m not disputing that in the least.

however…

In this moment, Jake has just spent the past however-long locked in a vicious battle, and hardly minutes before watched his firstborn son bleed out in his arms. And now he learns that his daughters—one of whom is a pre-pubescent child with no chance of defending herself—are still caught on the “demon ship” with the recoms, who have just very clearly proven that they have absolutely no qualms with killing these kids. Quaritch taunting in his ear certainly is not helping. 

The only thing Jake could properly focus on in that moment was getting Kiri and Tuk off that boat. Repeat: he wants to get his kids OFF the demon ship, not risk bringing any of them back ON. On top of that, Lo’ak, as established very early on in the film (see: train raid), has a reputation for struggling to follow orders…even when not emotionally devastated by the death of his brother. 

All these things considered, is it really any wonder that Jake did not want Lo’ak coming along on this mission? He’s already lost one son, why in the ever-loving flip flap would he want to risk losing the other by intentionally bringing him back to the danger zone with no guarantee he’ll come out again, especially given his apparent propensity to ignore orders and throw himself into danger? 

Heck, the only reason he lets Spider come is that Spider knows where the girls are and, unlike Lo’ak, Spider doesn’t have that same reckless reputation. Spider, in that moment, appears to be able to compartmentalize the fresh trauma well enough to focus on the task at hand, and can be trusted to do as Jake asks. Lo’ak…can’t. So, Jake wants him to stay behind.

Did he express it horribly? Absolutely. But saying one stupid insensitive thing in a moment of numbness underlaid by grief, pain, and fear does not make him a horrible dad overall, and I think it’s a little unfair to say that it does.

On that note, I do not believe for one moment that Jake genuinely blames Lo’ak for Neteyam’s death. Now, Lo’ak may well view it that way and I’m sure it’ll come into play for his character arc in future movies, which can be a topic for another day, but as for Jake’s perspective, no. I don’t think he truly blames Lo’ak. Even if he couldn’t necessarily process it all right away, I think he knows that Lo’ak is going through as much heartbreak as the rest of the family…especially given that Jake himself has firsthand experience losing a brother. He just said something dumb in a moment of pain.

(On the topic of Lo’ak being unable to follow orders, less than five minutes after Jake, Neytiri, and Spider leave for the ship, Lo’ak…immediately disobeys the order to stay safe on the island and heads back out to the ship anyways. Obviously in the grand scheme of things it’s good that he was there to save Jake from drowning after the scuffle with Quaritch, but still, good gracious son. Way to spectacularly prove your dad’s point.) 

So now we come to the point where Lo’ak saves Jake’s life. After a mutual choke-out with Quaritch, Jake is left to drown until Lo’ak finds him and pulls him to the surface, at which point he gasps for air and chokes out Neteyam’s name. 

This can be interpreted in a few ways. It could be that Jake is so accustomed to Neteyam being the “responsible” one that he irrationally thought it was him coming to the rescue, momentarily forgetting he had died or somehow thinking maybe by some stroke of fate he pulled through after all—this seems to be Lo’ak’s assumption, given that he promptly corrects him.

Now, some may take Jake’s “oh, Lo’ak…” as a show of favoritism, or proof that Jake values his first son above his second. I don’t think this is the case though—I don’t think Jake’s apparent disappointment is about Lo’ak being there so much it’s about Neteyam not being there. In other words, it’s not a personal slight against or disappointment in Lo’ak, but rather a form of still-very-raw grief for Neteyam who, remember, only just died, like, an hour ago.

It could also be that Jake is still so distraught following Neteyam’s death that it’s consuming his thoughts…he was able to shove it down and compartmentalize long enough to fight the recoms and get Tuk and Kiri off the boat, but that compartmentalization broke down while he was literally drowning and it took him a minute to focus and put things back together (which he manages to do a moment later when Lo’ak tries to apologize for his brother’s death):

The most excruciating interpretation I’ve seen is Jake thinking he had drowned and is rejoining Neteyam in the afterlife. ouch. Though that is, of course, just speculation.

Regardless, at this point Jake has just about given up. He’s exhausted, he’s in agony, both physically and emotionally. He’s completely drained. He wants Lo’ak to live but is ready to give up on himself (“I can’t make it. You can.”). It’s only when Lo’ak insists: 

 ...that Jake realizes he still needs to press forward. Because his other kids still need him. His other son still needs him and he’s not willing to give up on him. So he takes a deep breath (literally), puts his trust in Lo’ak, and lets his son lead him through the flooded passageways out of the wreck. When they finally break the surface, we have this lovely moment:

This moment is a resolution to one of Lo’ak’s primary emotional conflicts throughout the movie: living in the shadow of his legendary war hero father and prodigious older brother, finally getting the recognition and affirmation he so craved from that father. Some might argue that in terms of “ideal” parenting that this kind of moment should have come sooner, or that Jake’s recognition of his son should never have been in doubt in the first place, and while there may be some truth to that, I struggle to really blame Jake for it for reasons I just spent the past 4000 words discussing. I think the fact that this moment happened at all shows that despite their clashes and struggles and miscommunications, Jake does and always has cared very deeply about Lo’ak; his lectures and frustrations come not out of malice or some personal distaste, but out of fear for his well-being.

We see Jake comforting Lo’ak again after the family returns to Neteyam’s body on the rocks.

 As I said before, I don’t think for even the briefest moment Jake genuinely blames Lo’ak for Neteyam’s death. I don’t think he would be comforting him like this if he did.

…which, I suppose, brings us to Neteyam’s funeral, and Jake and Neytiri visiting his spirit within Eywa. No parent should ever have to bury their child and good golly gracious this scene ripped my heart out but I digress. I don’t even really have a lot of commentary to add to these scenes…just…just this. It speaks for itself.

look me in the eye and tell me this man “doesn’t care about his sons”. I flipping DARE you.

.

Well, that concludes the debunking of scenes that supposedly make Jake a bad father. But before we go, let’s look just briefly at this scene of him being a good dad with Kiri. I didn’t mention this earlier because while I’ve seen a lot of complaints about Jake’s interactions with Neteyam and especially Lo’ak, few people have qualms with the way Jake treats Kiri and Tuk—in fact, many people claim that he shows favoritism to his daughters, going out of his way “baby” them and treat them more gently and lovingly than his sons. I disagree and hope the above has done a thorough job dispelling that notion: Kiri and Tuk don’t go around throwing themselves headlong into the same kind of danger that Neteyam and Lo’ak do. They aren’t begging to participate in battle, they aren’t disobeying orders that land them in mortal peril. 

In other words: Jake lectures his sons more than his daughters out of necessity, not nepotism. Remember: Jake’s #1 priority is protecting his family, keeping them all safe and alive. That means that when one of his kids pulls a stupid stunt that puts them in danger he feels the need to crack down on that in hopes of preventing it from happening again. Lo’ak is, quite frankly, prone to pulling those kind of stunts, so he gets lectured a lot. Kiri and Tuk do not typically pull such stunts, so they don’t get lectured. It’s as simple as that, really.

Buuuuuut now that we’ve cleared that up, let’s talk just briefly about Jake comforting Kiri.

Like with the scene of visiting Neteyam’s spirit, I don’t have much commentary to add to this scene—it’s a very sweet scene and it speaks for itself really. Jake is very gentle and doing his best to listen to Kiri, even if he is a little unsure about her claims. He doesn’t criticize or invalidate, he just tries to be there for her. What can I say, that’s a good dad right there ¯\_(ツ)_/¯  

One last little point before we wrap up for real: the fact that Lo’ak and Neteyam occasionally refer to Jake as “sir”. I was originally planning to address this earlier but it didn’t quite fit in with the flow of the discussion and I consider it such a minor point anyways, I figured I could save it for a side note—but seriously, it baffles me what a big deal people make of this. 

It would be one thing if “sir” was something that Jake strictly enforced, if it was the only thing he allowed the kids to address him as, if one of them called him “Dad” and he barked back, “no! it is sir!” But…literally none of that is the case. He never explicitly asks them to call him “sir”, and they call him “Dad” just as often if not more.

The kids referring to Jake as “sir” in tense moments is a simple show of respect, nothing more. I recall my own dad also wanting to be called “sir” when we were in trouble and it was never really an issue. And I suppose your milage may vary depending on where you live, but growing up in the southern US, “sir” and “ma’am” are just very common basic courtesy in many situations (not just familial). 

Sooooo….yeah, the idea that Neteyam and Lo’ak occasionally calling Jake sir is somehow proof of Jake being too strict or cold or whatever else is really making a mountain out of a molehill. It’s not that deep y’all.

…aaaand I suppose that’s it for this post. 

In conclusion: 

Look guys, Jake does not have to be your favorite character. You don’t even have to like him, or agree with everything that he says or does. He isn’t perfect (which, by the way, literally no one is). But if nothing else, I hope this behemoth of a post has at least helped you understand his character and why he acts and reacts the way that he does.

Jake Sully may not be a shining beacon of parental perfection from a psychological development perspective (and all things considered, expecting him to be such is, quite frankly, a little silly), but good golly gracious he is trying his absolute darnedest in incredibly difficult and precarious circumstances beyond his control i.e. the RDA coming back to quite literally take over. This man’s family means absolutely everything to him and I’m done sitting back and watching y’all slander him just because he didn’t react to x situation the way you think he should have.

thank you and good night

#avatar #avatar 2 #way of water #jake sully #lo'ak

[doshiart]

F1 AU // GALLAVICH

Ian Gallagher is a racing driver, a young star of the McLaren team. Mickey is just a car technician, who only recently joined the team as a trainee.

/long read backstory below/

Okay, I've thought about this a lot. So.. Shameless US but.. huh? living in UK?

First of all, because Formula 1 is more popular in Europe. Secondly, because I want to alter the story of Mickey's growing up. Make it a story about a little boy persevering towards his dreams. And how a simple childhood passion can grow into a potential job opportunity.

If briefly, below I talk about Mickey's developmental stages, along with his final emigration from Ukraine to the UK.

I'm not going into Ian's backstory here. But I'll mention this in more detail at the very end of the post, if you get to the end. Ha ha. Have fun reading!!

---------------

Mickey was six, just a little boy, when he first saw a F1 race on TV. And he was amazed by how quickly the cars could go and how quickly the mechanics performed at pit stops. (Are these even mechanics? Well, they turn the wheels, dad does the same thing in the garage and considers himself a mechanic).

When the next year he went to school in his first grade, then to all the teachers' questions or questionnaires with their “What do you want to be when you grow up?” he confidently answered as clearly as his childish language could, that he would definitely become a F1 mechanic. Even though he received only gentle smiles in reaction to his naivety of being a kid, the desire took root in his little head.

---

As he grew older, he continued to enjoy racing, watching every race weekend he could. And while he was a child this did not cause any particular problems. Mom encouraged him in his interests and every New Year gave him tiny branded cars of the teams he loved. But as he gets older, the more often he hears from dad that he is interested in some stupid things. And he didn't want to hear a word about racing at all. As soon as Mickey mentioned it even once, he was cut off mid-sentence.

These are not real cars.

Real mechanics work in a garage with real cars, not kids' toys for show.

Come down to earth. It’s all somewhere far away and you never even get to one of these races in your life.

---

Well, Mickey talks less about racing out loud anymore. Especially after mom's gone.

Tiny model cars disappeared into the closet's darkness.

His dad began to drag him into their garage more often so that he would get used to work and not wander around idle, lost in his stupid dreams. He had to skip live racing broadcasts as a result. It was sort of suicidal acts to turn this on in the garage on a small TV instead of some dumb music channel with hit songs. Mickey had learnt long ago to keep his mouth shut.

Just listen. Bring it. Grab it. Repair simple details. Don't go under the hood. Don't touch this, don't touch that. And especially don't break anything. Blah blah blah.

Jesus, are you even a man? Take your gentle hands away if you're not ready to get dirty.

---

Despite everything, Mickey still had a dream. One day, he hopes to watch a real-life race. Hear the noise of wheels flying over the track, the roar of engines, the screams of a supportive crowd. He prefers to never talk about his own desire to work as a car mechanic or engineer in F1.

---

Mickey was sixteen when he left after ninth grade for a vocational college to applied mechanics specialty.

Because, well, he had good reasons for leaving school two grades early. At the very least, he was already tired of going to school. He didn't even have any friends there. Yes, he communicated with classmates, but that's not it. It's forced. Just so as not to be an outcast and maintain the status of the Milkovich family by playing dirty tricks at school and bullying others. Did he like it? Absolutely not. These guys were idiots with stupid jokes and always picking on chicks.

They kept asking if he liked any of them and talking about how they looked all the time. Mickey never liked anyone. It wasn't that the girls were ugly, he just didn't find them attractive. But he pushed these thoughts away and ignored them. Left it somewhere near to the tiny race cars in the darkness.

Also, classmates called him into fights on regularly. Not that he was against kicking someone's dumb ass, but that he would prefer better reasons than just trying to prove whose class is above.

Another reason is that, in their family, working with their hands and having a real profession are more valued than going to higher education. Because this is a job for real men. Where will all these managers, lawyers, accountants, stupid psychologists be when their car breaks down? Mechanics will always have work and profit.

As well, Mickey is deeply curious about the workings of the engine and wants to fully understand its mechanisms. He will therefore be able to study this in practice with teachers, rather than with a psychotic bastard who screams at the slightest opportunity.

The only thing Mickey truly wanted to learn at school was English. Not because he loved it. This gave him at least some hope of "breaking abroad for the sake of a good life". Perhaps the main reason for his success was that he had a really great teacher who pushed and encouraged him. Sometimes he would stick around after class and stay just to talk with her. Mickey felt parental care, which he hasn't received lately.

“I believe that you can achieve a lot, Mikhailo. Just believe in yourself.” She told him and he believed her, hugging her a little longer so as not to show his wet eyes.

And well, after leaving school, these words sometimes came to mind during the saddest times, when he returned home after a long day of school combined with an exhausting shift in the family garage. Every time he spoke with his dad, he felt terribly devastated. The dream was literally slipping out from Mickey's hands. A pipe dream, is that what they say? Well, at least he'll try to do something.

---

Mickey was twenty when he graduated and by this time he was actively saving money, hiding it in different places. Also, he planned his escape from home, considered the best routes, and looked at what things he should take with him, confused about whether he would ever return home again.

As he approached his twenty-first birthday, he finally decided to do it. With only a spark of hope, he was ready to leave for nowhere. And okay, Mickey was a realist; he was aware that things might not work out at all and that he would have to return back eventually. But he'll do anything, though, to make sure that this doesn't happen, to avoid having to meet his dad's derisive gaze once more as his goal gets mocked.

After all, a dream is a dream, right? He also had skills and language abilities in his pocket. So he's really ready to do anything to attain even the tiniest success.

---

To get to UK, Mickey had to go through a long journey of transfers from bus to train, from train to plane. He's terribly tired, but here he is. He stands and watches as the new country greets him with heavy rain.

He first found it difficult to adjust to other people's smiling faces. There were a few times when he didn't feel at home because everyone was so friendly and lovely. And these people were incredibly talkative. He'll have to get used to this if he plans to stay here.

The first difficulties he encountered occurred at the department while filling out a form for migrants.

“Mik.. Mikai.. Mikaelo?”

“Mikhailo.” Mickey interrupted.

The employee's eyes stared blankly at him.

He sighed. “Ugh.. Mickey? Yeah, Mickey.”

“Okay, Mickey. Here you are.”

---

Mickey got a job as a mechanic for a small business fairly quickly thanks to his abilities. He was so easily and warmly accepted into the friendly team. Here he first felt respect while working. Mickey got assistance from the job department in extending his visa to stay in the country. His job also provided him with a tiny apartment, deducted from his paycheck.

After a while, feeling a little more self-assured, Mickey started saving money for qualifying courses that would help him in the future.

---

Mickey was almost twenty-four when he successfully obtained all the qualifications that were necessary for the job, as well as to be sure of himself and his knowledge. During this time two full racing seasons had passed. He attended only one race at Silverstone. This was his almost full year in the UK. His skin broke out in goosebumps when he saw the track in person. It wasn't quite what he expected. Mickey literally stood in one place and once in a while cars would drive by. On TV they show a larger overview, but still. He was excited. In this grand prix, a new young racer from the McLaren team took third place for the first time. His name seems to be Ian, and he likes to take risks on the track, driving the car while presenting a strong sense of confidence. And his hair perfectly matches with the team's car.

He missed the second race due to a qualifying exam. But he's not upset. Mickey is closer than ever to his dream. If everything works out, he'll see even more racing. If not, well, then he'll continue to work repairing regular cars. Perhaps he'll be able to attend grand prix events in other countries during his holidays?

But now it's the middle of the season and he's standing in the lobby of the McLaren Technology Center. He's trembling a little and his wild eyes are scanning everything in the immediate area.

Mickey can't believe the reality of what's happening. No he didn't become a mechanic. But.. it's still impressive. He was interviewed and tested to become a temporary vehicle technician for the team as an intern. He was told something about a possible career advancement and access to other things once he completed more qualifications, but he's not sure he heard everything correctly.

Later they tested him on team tests on the track. He's surprised that he was able to concentrate on his speed and did everything exactly as needed.

He actually became… exactly the one who changes the wheels and does minor repairs. He joined the technical team and will also work on pit stops during the races. And well, okay, if everything that's happening isn't a dream, he's really happy. Extremely happy. Of course, the longer he studied, the more he wanted to do engineering and development. But that's the tiny step, right? This is already more than anything he could have imagined. He saw the race in real life from the stands, and now he got the opportunity to see everything from the staff. He'll interact directly with the racing car. He might even hear how the team interacts with racers. Unbelievable.

Through the noise in his ears, Mickey hears someone standing beside him talking in a muffled voice.

“Hey! You're a new technician, right?”

The guy had already taken off his helmet when Mickey turned around. He softly smiles while stroking his fiery red hair.

Mickey stared at him. When he was brought to the track, he thought that some tester was sitting in the car, but not their young star.

“Yeah. Hope so…” He twitched his lip and scratched nose. “You're Ian, right?”

Of course this is Ian, what a stupid question. It's too embarrassing.

The redhead smile became even larger.

“Yeah…”

And just as he was about to add something else, one of the staff called Ian to go back and he hurriedly turned to Mickey and said quickly, “Oh, uh, see ya later then, gotta go.”

---------------

I'm glad I finally wrote and drew this. This idea has literally taken over my head so much that I don't have the energy to write Ian's backstory in the same way. Once again I am convinced that writing is hard work. And I want to say again about my love for writers. YOU ARE INCREDIBLE. For my brain, drawing is easier than writing. But it was fun!

!!!AND!!! THE MOST IMPORTANT THING! If someone suddenly wants to write a big multi-chap slowburn fic or little drabble or do anything, I'll be happy so much with absolutely anything!!

---------------

Let's talk about Ian now. I was actually going to write a backstory for him too. Maybe at least some minor notes, but I'm not quite sure how best to connect his bipolar with racing. Usually because racers drive go-karts from childhood, get into the junior league and generally build a racing career for years. Maybe he had a breakdown somewhere between seasons and it was quickly noticed?? I don’t know… And I think about how the team constantly checks him, which at times upsets him and forces him to prove to everyone that he is fine and able to drive the car.

Most likely, in this AU, Gallaghers are either rich, or Ian has a sponsor, if you know what I mean… From this fact, a whole lot can change in story. And the second thing seems more likely to me.

I was thinking about how Ian joined the McLaren team at the age of 21, and by the time he first met Mickey he was 22. He had been stable for a long time on medication.

So I'm also considering the possibility that somewhere between his 17-19 years he disappeared from the radar and came back when he found a sponsor who could pay for everything he needed and help him get into the F1 league. At first it was the weakest team, until his potential was noticed and he was offered to move to another team. This fact with the sponsor will probably put a lot of spokes in the wheels (ha).

Racer's body is undergoing an enormous physical strain, so they spend a lot of time in the gym. And Ian really enjoys working out with his team.

Another interesting fact: racers have a super-strong neck to be able to cope with gravitational forces during the race. Therefore, special attention is paid to neck in training. (It seems from the moment I found out this my little fixation began…)

---------------

I think there's a lot of pining here or something. They seem to be nearby, but due to different job responsibilities, at completely distinct levels. And I really want to read something like this with so slow burning.

So, I guess you can consider this as a big prompt for writing, if it inspires you.

Thanks for reading! <3

#gallavich fanart #gallavich prompt #if anyone else wants to write more about this #gallavich #f1 au #gallavich f1 au #mickey milkovich #ian gallagher #ian x mickey #my art #shameless us #shameless fanart #fanart #artists on tumblr #illustrations #art #digital art #clip studio art #gallavich au #gallavich fanfic

[sakivonobsidian]

Gilbert von Obsidian If you served your master ～Beast and Maid～ voiced story

☆ I don't usually translate so there will be probably lots of mistakes, sorry in advance ꒰ᐢ. .ᐢ꒱

☆ There might be some spoilers...not of his route per se, but more about how Gilbert acts so if you're waiting for his route release maybe it's better to avoid reading for now.

☆ + 18 story

☆ Characters, story and everything belongs to Cybird. If you play in JP server I encourage you to purchase the story, it's really worth it!!!! ૮꒰ ྀི >⸝⸝⸝< ྀི꒱ა

Enjoy!

There is one person who mustn't be defied in the country of Obsidian, where military and ore reign.

The calamity of the world, the trampling beast—only he possesses those evil titles, without exception.

Gilbert: A maid having such courage to defy her master, huh? What did you just say? Say it again.

The atmosphere in the room was so oppressive that breathing was difficult.

My master was smiling pleasantly but his blood-coloured eye showed no hint of amusement.

(My body is trembling even when we're supposedly lovers.)

Gilbert doesn't mind the difference in our status as maid and master and pays no attention to our forbidden love

That’s because he is the absolute ruler of this land.

He openly loves me without minding other's opinions but still he sometimes directs his killing intent towards me mercilessly.

Gilbert: Just this time I'll forgive this.

(...Don't run, Emma. Even against Gilbert, there are things I cannot yield.)

Clutching my so tight it hurts, I face Gilbert.

Emma: I won't return to my room.

Gilbert: Oh...you want to be punished that badly, huh? You're doing something right now that could get you killed, you know?

Gilbert presses the cane he was holding against my throat.

Gilbert: There's no mercy for a maid who doesn't obey her master's orders.

Emma: ...

“I might be killed for real”

With his hand pressing firmly against my throat, my heart screams of danger.

Yet, I refuse to retreat, and instead, I grasp Gilbert's cane.

Emma: I won't change my mind, even if I'm killed.

Gilbert: Why?

Emma: Because I truly love you.

Gilbert: Hmm... you're quite brave, aren't you? Isn't being a maid about obediently serving one's master?

Emma: No. It's about considering and acting in the master's best interest. If a maid simply obediently follows orders, then she's no different from a slave.

Gilbert: I see... maybe I've been too permissive.

Gilbert drops the cane and then grabs my neck with his cold hands. I never avert my gaze even when my throat is lightly pressed.

(Ah... it smells like blood.)

When I had that thought my face was blocked by a beautiful face who pressed his lips against mine.

Emma: ...

Gilbert: Just kidding.

The oppressive mood that filled the room vanished as if was an illusion and it became easier to breath.

Gilbert: Looks like I've been exposed. If you're that worried, shouldn't you hurry and bring the medicine box? And while yo do so, you could maybe tend me too.

Emma: Y-Yes!

(Finally, he acknowledged it.)

I hurriedly move away from Gilbert and pick up the medicine box that is always kept in the room.

The box is supervised by Gilbert's own physician and contains first aid supplies and treatment tools to treat both external and internal wounds.

(Gilbert usually hides illnesses and injuries skilfully.)

(But lately, I've become better at seeing through it.)

I don't know if it's whether Gilbert is unconsciously letting his guard down or if I've developed a deeper understanding towards my master.

However, since Gilbert doesn't take care of his own body, whether as a maid or a lover and even if it means risking my life, I couldn't turn a blind eye to it.

Gilbert: You seem pleased.

Gilbert chuckles in disbelief and sits on the bed.

Emma: There's no reason not to be happy. Since Gilbert, who always refuses to show weakness, has finally relented.

Gilbert: It's not like I mind being seen. However, if you see a wound you'll make a face like you want to cry, right? I like to see you cry, but it annoys me when the reason are the wounds inflicted by someone else.

Emma: ...Your range of jealousy is too wide.

Gilbert: That's just how much I love you.

Gilbert seemed to be in a good mood as he casually returns my previous words.

(...Maybe, despite everything, he didn't dislike it.)

I approach the bed and sit beside Gilbert who takes off his clothes so he can be treated more easily.

On his exposed left arm, there were painful traces of previous bleeding.

Emma: ...Did you get Walter-san to look at it?

Gilbert: Haha, no way.

Emma: Gilbert-sama...

Gilbert: The wound it's not that deep. It'll be fine if you just put some medicine on it.

Emma: If that's what you say...

(My master is always in a position where his life is targeted.)

(Injuries that would never thought of are probably common for Gilbert.)

I wipe away the blood, apply the medicine, and bandage it.

I can't avoid feeling the pain, even though it's Gilbert who's injured.

(...This is bad.)

Though I'm determined not to make a face like I'm about to cry, I involuntarily frown.

I lower my gaze as I can't hide or disguise it under a smile and Gilbert, who wears a shirt now, lifts my chin with his finger.

Gilbert: You'd be punished if you were just a maid, but you're also my lover. I'll make an exception for you... but in return, should I have you serve me?

A brief kiss changes Gilbert's behaviour completely.

He transforms into a seductive figure and pins me down onto the bed.

Gilbert: Come on, open your mouth. Or are you going to defy me again?

Emma: …No.

(If I have to cry, I'd rather drown in Gilbert's embrace.)

Emma: But I don't like this position.

Gilbert: Oh, defying me after all?

Emma: It's not that…! It's just that... it strains your arm, Gilbert-sama.

I manage to free myself and sit up. Gilbert, in turn, ends up rolling onto the sheets.

Gilbert: Alright then, let's do it like this.

Emma: ... ...

Gilbert: Maid, you know what you should do, right...?

(Truly, this man...)

Breathing deeply, I straddle Gilbert's body while trying to calm my racing heart that is now agitated by a different reason than before.

As I kiss his cold lips, his hand wraps around the back of my head.

Our tongues intertwine, and his cold lips, occasionally nibbling at me, grow warmer.

When I retaliate with a bite, Gilbert raises his knee and mercilessly rocks between my legs.

Emma: Ahn...!

Gilbert: ...Your know that for every bit of defiance you'll have to work harder to please me, right?

The pleasure forcibly dragged out overwhelms my body.

I can still say that I love this evil prince even when being faced with intimidation, threats and the attempt to drown me in pleasure.

Because the love that overflows from his red eye reflects his true feelings and they can't be hidden.

#ikemen prince #ikepri #ikepri gilbert #gilbert von obsidian #gilbert von obsidian spoilers #イケメン王子 #イケプリ #ギルベルトフォンオブシディアン

[tzilatza]

NATLA Review - spoilers

Woke up today still feeling annoyed after finished the Netflix ATLA remake last night, and I think I've figured out the core reason.

It's the fact that: If they had held truer to the original source material, we could have had a truly great show. I disagree with those calling it a complete disaster. The acting was good, great in some cases. The effects were very well done, the bending looked about as good as it can in a live action media. The scenery was lovely.

But what happened in the writer's room?! The way they just reveal all the back stories up front EVERY TIME is honestly insulting to the audience. It's like they're so terrified that smartphone culture has made the public so accustomed to instant gratification that they have no faith we will stick around and keep watching if they make us wait for anything.

They're also clearly terrified of complexity. One of my biggest gripes with this remake is Jet's story. They completely took out his plans to murder a whole town of innocents in order to get a few enemy soldiers. Now, Jet isn't my favorite character, but his story is so important. Because it is real. The world is full of people who have been so brought down by injustice that they lose their sense of right and wrong, and we need to see that on screen. If Jet is too complex for them, how will they handle Ba Sing Se in the second season.

This goes along the same lines as removing Sokka's sexist moments. They felt they had to do it to make him more 'likable.' Yet the writers themselves went full sexist on Katara's character. They've taken out so much of her spark, her righteous and justified anger, and they've done it because even in 2024, people expect women to be more passive to be palatable. Enough people have already commented on them removing Aang's choice to run away. Heaven forbid the main character not be an absolute paragon. Did y'all notice that they even made Hahn likable? Hahn?! What reason do you have for making Hahn likable Netflix?! His role in the narrative is to be an example of toxic masculinity that is clearly the bad choice compared to Sokka who has learned and grown out of his own.

Don't even get me started with what they're doing with the fire nation family, I'm not ready to tackle that. In general, I have no problem with Azula getting a little more backstory and humanizing, but why season 1? Throwing in all these extra scenes just sacrifices screen-time where they could've actually fleshed out the real season one plots instead of rushing through things at breakneck pace. (ex: Aang escaping Zuko's ship in about 2 minutes flat)

At the end of the day, the scenes I most enjoyed were those that held true to the original like the Blue Spirit sequences. They could've easily done more of this, held onto the important plot points and even more important character complexity, while maturing it for an adult audience. I'm not disagreeing with every change they made. Go ahead and take out the silly Nickelodeon gags, add cussing and more realistic violence to get your mainstream viewers. Go ahead. They could've easily made a darker more mature version of the show and still held onto all the old fans in my opinion. But claiming that you're making a 'more mature' version and then removing the complexity and subtlety because they didn't think viewers could handle it...

What makes me most sad is that there are a lot of people who will experience ATLA for the first time through this show. There are a lot of adults who are not willing to watch original ATLA because they refuse to acknowledge an animated series can be anything other than a kid's show. Those people will watch this and think it's the real deal, and that just makes me sad.

If you've read this far, a very sincere thank you for listening to my rant. If you're an OG fan who enjoyed it, I have no problem with you. It was a fun watch, I was just hoping for more. If you are a new viewer who has never seen ATLA before, I sincerely want to hear your opinions. Is it a great show to someone who isn't holding it against the context of the original? And do you plan to watch the original now?

#natla #natla spoilers #live action atla #live action avatar #netflix avatar #netflix avatar review #avatar the last airbender #atla

[zvtara-was-never-canon]

This person genuinely thinks that Aang would be a better character if he kidnapped a baby?? Or would be more interesting?? Honey, why would he do that. That's not him being boring, that's just him not committing an actual, terrible, crime. Alos it's his show, it's literally called 'Avatar the Last Airbender' of course he's going to get more episodes focusing on him, it's his show???

"Aang being a main character limits him to being a role model'' by brother in Christ, this a Nickelodeon show. Even Zuko is a bit of role model, in the sense of him being a way to teach kids "Just 'cause you're hurting doesn't mean it's okay to be a dick to others. Please apologize if you ever hurt someone."

Also Aang DOES make morally questionable, and downright incorrect, choices that the narrative address. Fleeing when the other airbenders want to send him away, hiding the map to Hakoda from Sokka and Katara, trying to learn firebending before he's ready and then vowing to NEVER use that bending again, trying to trigger the Avatar state, wanting revenge on the sandbenders, shutting off emotionally to not deal with his pain over losing Appa, refusing AND accepting to ignore his love for Katara to fully master the Avatar state, his innitial refusal to continue pretending he is dead to hide from his enemies, the Ember Island kiss, and even his refusal to kill Ozai (before the actual Deus Ex Machina happens).

Aang is challenged all the time. He grows all the time. He is allowed to be wrong all the time. Yall are just mad he was the protagonist instead of your favorite.

And while I agree Sokka didn't have much of an arc, I disagree about Toph never growing even if there were some issues with her storyline. She went from someone who was terrified of accepting help from others as that had always meant "lose all agency" her whole life, to someone that consistently relies on her friends. She went from uncooperative because "she carries her own weight" to being a team player that even offers her friends emotional support. She even makes the first step to reconciliate with her parents.

LOTS of characters had arcs (Iroh, Jet, Mai, Azula, and even King Kuei- that's how stories work. The reason some of these were handled better/given more or less screentime is because Bryke insisted on having only three seasons, even though the show clearly needed a fourth. It had nothing to do with "the problem of having a protagonist" - that's not a problem if you're a competent writer with enough time.

Also, if you see Katara in the FIRST DAMN EPISODE talking about how much she wants to learn waterbending AND how grateful she was to be allowed to be a kid again, yet you're suprised to see her become such a badass whose happy ending is helping end the war and thus be allowed to be a kid again because "she's just Aang's love interest", that says a lot more about YOU than about the show.

Avatar's writting has problems, yes, because no work of fiction is perfect because no writer is perfect. But the overwhelming majority of complaints from some fans come not from acknowledging those flaws, but from a complete inability to understand some REALLY basic storytelling stuff that the show handled with excellence.

That's what happens when you're too focused on what you want to see to actually look at the story playing out in front of you: you miss incredibly obvious things that the writers made as easy to follow as possible since the show is aimed at 7-year-olds.

#anti zutara

[beanghostprincess]

You know, One Piece is all fun and happyness untill you learn that the world and themes are actually some of the darkest and most depressing things that were ever put on paper. The biggest potrayal of this tho is the fact that many characters have different running gags and quirks that are actually products of their horrible past trauma and messed up life.

Luffy- Wants to befriends literally everybody because of his fear of being alone and picks fights with all the people he doesn't like because he wants to protect his friends.

Nami- Her greed and kleptomania were developed because her mom literally died because sge was poor and was never able to give her and Nojiko all they wanted/needed.

Usopp- Makes absurd lies about everything because as a kid he had to keep lying to keep his mother happy and when she died he kept on doing so to keep himself safe.

Sanji- Puts all women on a super high pedestal because growing up women like his mom and sister wrre the only good people in his life and men like his Judge and his brothers were fucking awful.

Brook and Robin- Super S tier dark humor to cope with S tier dark trauma.

In other words, One Piece is just a comedy passing drmatic anime, but I think we all already knew that.

Ah, yes, I love this topic so much.

But I wouldn't say One Piece is a "comedy passing dramatic anime". One Piece is both comedy and drama. The drama doesn't hide behind comedy at any moment. You don't have to actively look for it or read between the lines to understand the characters. I think Oda is an amazing writer because he manages to just tell us/show us about his characters in the clearest and most obvious of ways. He throws hints at us over the episodes to then explaining it to us very carefully how his characters are built. This is why I find so difficult to understand why people (mainly from the general audience or, y'know, dudebros) don't get the characters in the first watch/read. An example of a comedy passing dramatic show would probably be just any sort of satiric comedic show in which they don't actually address the drama but instead make jokes about it. Like It's Always Sunny in Philadelphia (God I love that sitcom).

I know what you mean, though. You're talking about the whole "making jokes/running gags about something when the reason behind them is actually way deeper". And I agree wholeheartedly.

Luffy has abandonment issues and that's why he keeps wanting to protect his friends and hates being alone, Nami sees money as safety and comfort because her mom died because they lacked money, Usopp's lies come from trying to make her mom happy because his dad left them, Sanji has an obsession with women because they're the only ones who never hurt him, Brook and Robin have no filter when it comes to dark humor because they've been alone for so long that the only way they have to cope is jokes and nobody gets them except them... And also:

We treat Zoro's relationship with Tashigi as comedic at some points but he has so much trauma regarding his best friend dying that he can't be close to someone who looks like her.

We make fun of and exaggerate Sabo's love for Luffy to the point of brocon/possessiveness because he literally spent most of his life having forgotten him and when he remembers his brothers, one of them dies, so of course he wants to look after the little one.

Boa's love for Luffy exists exclusively because she feels safe around him and it's the first man who has never seen her as a sexual object.

And a lot more of these but, basically, Oda is great at character building and writing because these are not things that you have to read between the lines. These are not exaggerations for the reader to understand what's going on with the characters. These are just trauma responses that constantly happen in real life. It's just a well-written story with awesome, realistic characters, and I absolutely love it.

#you're so right with this ask btw #thank you bc i wanted to talk about this for a really long time !!!! #one piece #nami #usopp #black leg sanji #monkey d. luffy #revolutionary sabo #roronoa zoro #boa hancock #soul king brook #nico robin

[just-some-trans-nobody]

December Christmas Monster stories

December 9.) Polly Nagas with human spouse and step kids

Warnings: Christmas sweater of a randeer killing a Christmas elf, fluff

Like always minors don't interact!

-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

The kids were so excited when you first explained Christmas to them. They had always hated the winter time having to be bundled up and in doors all the time but learning there was a holiday that meant they could get gifts they went slithering to their mother begging her if they could start doing Christmas as a family.

Talking about it with your partners you all agree it would be fun trying it and if it didn't work out then oh well. It could be a bonding moment with you and your step kids and your partners get to learn more about humans.

The kids had a lot of fun picking out decorations for the house and tree. Their dad helped put the decorations up where the two kids couldn't reach. Their mom watched with a smile as she hugged you, quietly whispering to you how much of a good idea this was.

Getting everyone Christmas themed aprons all five of you spent the day cooking cookies and other sweets

Everyone had stomach aches by the end of the night.

Your husband was a fan of the Christmas sweaters, he had a dad pun on it to which he laughed about any time some read it. Your wife had a red one with snowflakes on it, she liked it. Your step daughter had a reindeer impaling an elf on its horns, she was obsessed with it. While your step son had a Darth Vader sweater, he smiled so much when he got it. 

Of course y'all went and got photos taken to be framed with the sweaters on. You went out for hot chocolate after to warm everyone up and did a little window shopping to try and see what the kids would want for Christmas. 

As tradition you showed the kids home alone. You then had to explain to them after that no they can't put up traps all over the house like Kevin did and that no you and their parents aren't going away for the holiday's and the reason you were showing them this was to help train them ahead of time. 

Your wife told you not to show them that movie again.

You watched nightmare before Christmas instead after. You then had to explain that no they can't kidnap Santa and take over Christmas

You decided no more movies that night. 

Christmas day the kids were bouncing off the walls with excitement. They were too eager to even let you and your partners get some coffee going, they wanted to open gifts. So the five of you went to the living room. 

The kids loved everything they got, constantly thanking each person for the gift they got. They got the most gifts of course that's just how it goes with Christmas. What you weren't expecting was once all the gifts were open the kids handed you a badly wrapped gift. “They did it all themselves.” Your wife whispered to you. Carefully you pulled the wrapping paper away to reveal a handmade picture frame with a child's drawing in it. It was of the five of you drawn as well as a kid could do. The top of it said “I love my family” it brought tears to your eyes. Setting it down you gave both of them a hug. 

It's safe to say celebrating Christmas was going to happen every year after this. 

#monster #monster boyfriend #monster husband #monster wife #naga x gn reader #naga x female reader #naga x male reader #naga x reader #naga x human #naga parent #monster parent #monster partner #december christmas monster stories #monsters raising kids #monster slice of life #naga slice of life

[the-conversation-pod]

In Your Lavender: The Wedding Plan Episode

AND WE'RE BACK!

We originally planned to discuss Wedding Plan alongside a few other shows but abandoned that quickly when we realized we both had a lot to say about this show. Come join us as we discuss whether MAME has shown growth, what it means that the lavender marriage term has existed for over 130 years, the importance of lesbians in this story, and the fundamental nature of the closet.

If you've been missing how heated Ben gets, now's your chance!

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

01:16 - Intro 03:00 - Wedding Plan and MAME's Previous Crimes 15:18 - Realities of the Closet and Fandom Misunderstanding of the Show 29:23 - Things We Love About Wedding Plan and Final Ratings 37:26 - And Another Thing! The Wedding Plan Special

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes. When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

01:16 - Intro

NiNi

Welcome, welcome. [sighs] Go ahead.

Ben

Oh no, it's fine, you said welcome, I'm not going to do it this time. They won't get it for the Wedding Plan episode.

NiNi

[laughs] All right. Welcome, welcome to the—

Ben

I'm just kidding! And we're back!

[both laugh]

NiNi

Welcome! to the episode that was supposed to be a secret admirers episode, but instead is now the Wedding Plan episode, because everything else was a bit crap. We wanted to talk about this because we could not believe that this came fully formed from the head of MAME, of all the creatives. We were shocked, I think, but…the fandom was also kind of shocked, and we'll delve a little bit into how that played out when we get into the segment but, when I looked at the trailer I was like, ‘mm, okay, this could be cute.’ Did not expect to be…devastated, emotionally [laughs] at certain points.

Ben

I don't really think I watched the trailer properly. I went in a little bit hostile, because MAME’s got a whole thing for boundary crossing. And I was worried going in that this show was just going to be about some rich guy punking around his wedding planner, and then like, cheating on his wife. And that's not the show we got at all.

NiNi

Let’s dive into it so you can hear what we had to say!

03:00 - Wedding Plan and MAME’s previous crimes

NiNi

We are talking all things Wedding Plan. Now Ben, you and I had agreed sometime back that no matter what happened we were never going to talk about a MAME show on the podcast. And here we are [laughs] talking about a MAME show! And there's a really good reason for that. 

Let's start by talking about what Wedding Plan is about. Ben, do the honors.

Ben

Wedding Plan is a story about a wedding planner named Namnuea, who is the ace at his event planning company, and a fan of McDonald's, who very much sponsored this show. He is tasked with planning the wedding for a very attractive man and his soon-to-be wife. Complications ensue immediately, because their wedding is coming up in three months and these two have no idea what they want to do for their wedding, and only the groom is the one making the choices. 

We can tell very quickly that the groom, Sailom, is flirting with Namnuea; Namnuea is not stupid and picks up on this. The attraction between them is very mutual, but the complications around him being a client and a groom frustrate Namnuea. The reveals that eventually come out make this show to be way more than just a closet case trying to hit on his wedding planner.

NiNi

Reveal the reveals, because I feel like it's impossible to talk about this show in any meaningful way without knowing what the twist is.

Ben

Right! So Sailom and Yiwa, his bride, are in a lavender wedding. So for well over one hundred and forty years, we've had a term to describe queer people choosing to present themselves as heterosexually entwined for mutual benefit and safety. In this case, Sailom and Yiwa hail from fairly wealthy families that are extremely restrictive. The two of them recognized their own queerness at a very young age, and understood that they needed to hide that information. While on a trip in Europe the two of them recognized the queerness in each other when they both had a strong emotional reaction to seeing two women publicly kiss. And then became each other's best fucking friends for life, and decided to protect each other. Yiwa ends up developing a very meaningful romance with a woman named Marine, and she convinces Sailom to marry her so that they can both get out from under their families. They have a long-term plan to divorce. 

So when Sailom is flirting with Namnuea, Yiwa is 100% aware of it, and extremely supportive of it, because she doesn't want her friend, who she treats like a brother, to be lonely all the time.

NiNi

That basically sums it up in terms of the mechanics of the plot. But guys, the reason that we're here talking about a MAME show, is, this hit me right in the fucking throat, man. It was so real, in a way that I've never gotten from a MAME show. It felt like MAME almost apologizing to BL for some of the shit that she's done? It felt like MAME trying to gain some understanding and learn some shit, and show that she had learned some shit?

Ben

Just so that we get a bunch of stuff out on the table for listeners: what are some things that MAME has done that you think she should apologize for? [laughs]

NiNi

Ah, [laughs] where do I even begin? MAME work tends to lean very heavily into…traumatizing already traumatized people? I have mixed feelings about a lot of MAME’s work. There are sometimes I'm just like, oh fuck you. And then there's sometimes where they're like, I see where you're trying to go with this but you didn't have the skill. And then there are times I'm just like, ma’am, get the hell out. Something like this that I don't have any mixed feelings about, I just feel strongly positive about it…it's never happened to me before with her work, not ever. And it made me recalibrate in my head—a little bit, because it's still only one show—maybe where I should place MAME as a creative.

Ben

I have a list.

[both laugh]

NiNi

Go on ahead! Read!

Ben

Let's start with Love By Chance. There are four goddamn couples in Love By Chance. Only one couple is remotely stable! We really only talk about Ae and Pete, because we do not need to talk about the other three. MAME loves to question the line between crossing boundaries and romance. There’s Tin and Can, who were the focus of Love By Chance 2—

NiNi

Which I did not watch.

Ben

Then there's Kengkla and Techno, and Kengkla is paying Techno's brother for information on him to eventually date rape him—I mean, that happened in Love By Chance! Then there's Tum and Tar, who are brothers, and Tar was a victim of horrendous acts by a character from TharnType. Moving on to TharnType, a show that I will not watch, for multiple reasons, some of them fandom related that we are not going to get into in this podcast. But the idea that Tharn is going to teach Type that he's actually into men without his consent? Yikes. I don't care how it ends up resolving. The wall is real fucking high for me on that one.

Ben

Didn't they have a spinoff with the other guys from Don't Say No? I'm not talking about that. Then we get to Love in the Air, which I mostly enjoyed, but why do both of the ukes in that show have to get kidnapped in their final episodes? [laughs] Why? It's so unnecessary! Rain and Sky were straight up kidnapped as the final complication of their show. It's insane.

NiNi

I did not watch Love in the Air. So every time you say that I'm just like, ‘that's a thing that actually happened?’

Ben

So this is the difference with Wedding Plan. Wedding Plan is so straightforward. There is no major complication to Wedding Plan. Everything that happens in this show flows naturally from the base conceit that two people involved in a lavender wedding are dealing with some difficulties and frustrations as that approaches, and then make logical choices for their characters, in response to everything that's going on. 

And it kind of surprised me how much I ended up really loving this show. It's interesting for me that Yiwa and Marine’s relationship is the reason why the wedding is occurring. I've never really cared about heterosexual weddings in a lot of these shows and stories that I watch, but I feel so much about the way Lom and Yiwa care about each other and protect each other. Lom is agreeing to this sham wedding that's going to eventually lead to a bunch of complications in his life, because he's trying to protect his friend. 

Normally in a story like this, there'd be all this tension about the groom struggling with his sexual identity, and what he wants for himself, and the girl's going to get hurt along the way—‘he feels loyal to the girl, we can't just do her like that!’ In this show, Lom is withholding information about the specifics about his relationship with Yiwa from Namnuea because he's protecting her. The crux of the romantic drama of this show was about a gay man in the closet protecting a gay woman in the closet.

NiNi

Yiwa and Marine's relationship is the key to the whole story, but the relationship between Yiwa and Sailom is the core relationship. The fact that they're doing this for each other, the fact that they care about each other so deeply, the fact that they basically decided long ago that they were the people who mattered to each other…and then as people come into their lives who are maybe somebody they might be interested in building a life with, it becomes a decision for everybody as to whether this person gets let in. I would have loved to see how it went when Yiwa decided that she wanted to be with Marine. I understand that's not the point of this particular story, but I would have been fascinated to see how that played out. 

By the time we join the story Marine’s on the inside. She's 100% bought in. Marine has made the decision to be in the closet with Yiwa, which is sad in one way, but it's so freeing for them in another, because of what Sailom has done for them. They can be happy. And they are happy! They're happy and they're in love, and they're part of this family of the two of them and Sailom. It made me smile just watching them be with each other as a family unit. And then Lom meeting Nuea. When you're going to bring somebody into a secret like that, you have to be 100% sure. And not just you, everybody has to be on board with it. [laughs] It's not polyamorous, but it's—polyamoresque [laughs] I guess is the best way to describe it. Everybody has to be on board with what's happening. It's not just a question of ‘do I like this person?’ It's a question of ‘is this person a safe person?’ It's a question of ‘do the other people involved in this like this person?’ It's a question of ‘is this a person who I can share this secret with?’ but it's also, as it comes down to later in the story, a question of Lom knowing that he couldn't ask. He couldn't ask Nuea to be a part of the secret. He could just tell Nuea what was happening, and he could just hope and pray—and I don't even think that he dared to hope. And I think that's what the crying was about when Nuea decided that he was going to become part of the family? Lom broke down when Nuea said to him, ‘I'm going to help you keep your secret.’ Because he knew he couldn't ask it of him. And the fact that he freely offered it just brought Lom to tears.

15:18 - Realities of the closet and fandom misunderstanding the show

NiNi

This show is amazing. The show is emotionally sound, the show is beautiful, and I got so mad [laughs] watching this show get misunderstood. And if I was mad, Ben was incandescent. [laughs] 

Ben, you take the floor and tell ‘em why you mad, son.

Ben

I'm going to talk about the closet for a little bit. It felt like a lot of the people who are reacting to this show have not been in the closet. I was in the closet for 11 years. Your brain does not work in the same way on the inside, and I'm going to say frankly to anybody who thought Lom should have told Namnuea a lot sooner than he did? When you've been in the closet for 13 years, you do not tell someone you have a crush on, in two months of knowing them. Not when the stakes are as high as they are. The reason they're in the closet is because there will be severe and painful consequences for failing to maintain a heteronormative status quo. 

The big thing that separates Lom from Namnuea is, Namnuea is out. The truth about who Namnuea is cannot harm him. Namnuea develops feelings for Lom, and tells his boss. And she says, ‘there's nothing wrong with you having a crush on the guy, like he's hot. You know what the professional boundaries are though, do you need me to step in and take care of this for you?’ and Namnuea said no. When Namnuea fell for Lom, before they hooked up, he called his mom and said, ‘mom I think I fucked up.’ And she's like, ‘sometimes we fuck up baby boy, come home if you need me.’ And after he hooked up with Lom that's what he did! He went home, and he told his mom flat out: ‘the thing I told you about? Yeah I think I went too far.’ And she held him, and let him be a mess about it, because she understood that he already knew that he put himself in a really untenable situation, and she didn't pile on. They protected him. Namnuea can be honest about who he is, and whenever he tells the people who matter to him about something that happened, they close ranks around him and protect him. At the point at which Lom is trying to chase after Namnuea, every woman in his life pulled out their claws and was ready to slit that man's throat. They were all ready to throw hands with this man! 

But when you're in the closet, your brain doesn't work right. You are under constant surveillance to maintain the heteronormative veneer over your life. The show does not make this hypothetical. Their friends and family are snapping pictures of them in public, and questioning every relationship they have with someone other than Lom and Yiwa. Lom is sitting at the table with Marine—Yiwa stepped away for a work call, and someone’s snapping a photo like, ‘why is Lom on a date with this other girl? She's trying to steal Lom from your daughter.’ Or ‘I saw Yiwa hanging out with her best friend, are they gay? I took some pictures and now I'm telling your mom.’ When you look at the reason why these two are so vigilant about being in the closet, that's literally what they're experiencing! It's super heavy-handed in this show, but it is exactly the kind of shit that I lived through. Being in the closet because you know that there are consequences and there are dangers breeds hypervigilance. 

And I'm going to say it really plainly: all of the really negative takes I saw about Lom that were really unsympathetic to what this man went through? Made me, as a 30-something year old gay man who survived being closeted, really extremely uncomfortable. And I really need you to reckon with whatever you were going through that made you turn on a closeted gay man, and view him as the evil aggressor party in this particular relationship. Because goddamn! 

The reason why he chose Namnuea to be his wedding planner was because he had a crush on him! And when you're in the closet you need plausible deniability. Lom is toeing the line. He can hang out with Namnuea and flirt with him, because he's talking to his wedding planner. Nobody's going to question him being around a gay man, because he's his wedding planner! And that's what the homos do, is they plan events for the rest of us! Because they're very good at it. The reason why he's being an irritating client is because he wants Namnuea to talk to him more. If he's a good client, Namnuea’s not gonna talk to him! Because Namnuea’s professional, and busy. 

And Lom admits it. He says in episode…6 I believe, because I just rewatched again, that hiring Namnuea was just, in his mind, a little bit of fun before he got married. He would flirt with the guy that he had a crush on, even if it's a little fucked up to do that, and have a little fun before his wedding. He was not expecting to fall in love with Namnuea. But he's got a competency kink! And Namnuea is so good at his job. And he likes his job! He likes seeing people happy at the things that he planned for them, and he takes care of people. Lom loves these things in Namnuea. This even played out in their sex. He was happy that Namnuea was not a virgin. Very tasteful, sir.

NiNi

It being MAME, I will confess, that up until maybe somewhere around the beginning to middle of episode 4? I wasn't sure where they were going with this.

Ben

Let me tell you, I was waiting for her to do some convoluted bullshit as of episode 7. [laughs] They're like, ‘the bride’s run off!’ and I'm like, there's really only one way this should play out. Closeted people make plans. Yiwa is also not stupid. There’s this moment in episode 6—and this is again intentional, the editing on this show is actually really crisp. We get the really poignant scene on the bridge, where Lom talks about the knowing, and Namnuea’s like, ‘we need to fuck right now.’ And then, if you have access to iQiYi, they did! And then we get the scene where Namnuea agrees to be in the relationship, and all that that means. 

The very next scene is Yiwa’s mom showing up at Marine's apartment to accost her and slap her. Which is immediately followed by Yiwa running back to the condo, and the way she enters that apartment? She genuinely thought that Marine might have left her. For as happy as they seem, Yiwa never underestimates or undervalues the stress that she's putting Marine under. When she enters the room and Marine hasn't run away, but is just laying in bed, clearly spent from all of this? That's the moment that breaks Yiwa. And then we flash forward three weeks to the wedding, and she's run off with Marine and leaves a note. 

Lom knows her! He was not phased by this at all, when—after he's done putting on his jilted groom act, he's laughing. He's like, ‘I know what that cheeky girl did, I can't believe she did this without telling me. Look at this stupid note! I can read between the lines.’ [laughs] And then they call her, and she's like, ‘I knew you would understand my note. That's my boy, don't fuck this up! I'll take this on for you.’ Yiwa takes on the social pariah role here, of being the lesbian who ran away the day of the wedding, leaving Lom at the altar, ‘how dare she?’ 

The power here is that Yiwa doesn't give a fuck anymore. That's the whole thing about heteronormative shame: it only matters where you can exert that influence over people. Yiwa and Marine said, we cannot exist the way we want to, so we are leaving and going somewhere else. That is a choice a lot of us choose to make: to leave our home communities, to go build community with other people elsewhere. And then she gives Lom the ability to spin that, to soft launch his relationship with Nuea. Because they don't come out as a couple for like six months after that. They put on the act of Lom being a drunken mess for months—he's fine. He's just spraying alcohol on himself and then going to work with his hair unkempt.

NiNi

Episode 7’s so delightful. But anyway, continue.

Ben

And he's just hanging out with Nuea, and he just tells people, ‘yeah, we bonded over the wedding stuff because we had a lot of work to do really quickly for the wedding, and you know he felt sympathy for me afterwards. And he took care of me at a really difficult time, and I feel comfortable with him. I loved Yiwa, she was the only woman I was ever willing to marry.’ 

Not a lie! But also not the exact truth.

NiNi

I loved the big lie at the end, because it was basically Lom, Yiwa, and everybody in the situation putting two giant middle fingers up at their society, and the people around them. Aside from the people who, as you rightly said, would have protected them anyway. So all the women in Nuea’s life, and the people who he works with at the wedding planning company—basically the people who earned the right to know the truth know the truth. And everybody else gets two giant fucking middle fingers and the big lie.

Ben

It's a little bit like the ending with Bad Buddy, about them breaking up publicly but still being together? It's the same question: who is allowed to know? Something for you to think about, if you didn't get this show and you hated Lom and all this sort of stuff—ask yourself if the queer people in your life trust you. Would you be brought in? Would you be trusted with this information? Lom's mother realizes along the way what was going on the whole time, because she's not stupid. And she says quite plainly—because Lom has not properly come out to her yet, he's been hinting at it, he's like, I feel comfortable with him—and she says, ‘I'm still doing what I need to do to process this, but just promise me you won't leave.’ 

What she recognized is that she was playing a zero sum game that she could lose. That her son could make the same choice as Yiwa. She recognized that he and Yiwa were likely withholding important information about themselves, from their parents, for a really long time. And that can be really unsettling. It's something I went through in my family when I started coming out, that people were very put off by how I just…hid hugely important portions of my life from them, for most of my life. And she recognized that if she pushed too hard, she would get nothing.

NiNi

It really is the Bad Buddy conundrum, because this is where their parents are at the end, where they know, but if they're not willing to fully be on board? Then they don't get to fully know. And they don't get to be fully involved. Lom's mom knows, but until and unless she's willing to wholeheartedly accept Nuea there will always be now, at this point, a barrier between her and her son. All she can ask of him is that he doesn't leave. But beyond that, she doesn't get to ask anything of him, until and unless she is ready to fully accept every part of who he is. I can't believe that came from MAME's pen.

29:23 - Things we love about Wedding Plan and final ratings

Ben

Something else I really love—I really love the community around Nuea, particularly his family. I love when he goes back to Chiang Mai, and he sees that his little cousin is also out and proud now and has a hot boyfriend. And I love that Sun, Ryu’s boyfriend, is immediately engaged in in-law solidarity with Sailom. Nuea’s family hates him, and he's like, ‘valid.’ Like, ‘If you want to stay here, you got to work.’ ‘Okay.’ And he just works. Nuea's family is protecting Nuea from someone who they think doesn't respect him. Everything mean that they're doing to Sailom is because they are protecting Nuea, and it's really not that much, what they're asking. They're basically just giving him a difficult time, until Nuea decides what to do with him. But Sun is helping him the whole time, he's like, ‘this family's very difficult, I got you bro.’ And that pairs really well with the phone call that Nuea has with Yiwa and Marine, where Yiwa is like, ‘Lom and I do love each other. That is my ride or die: it's been me and him for a long time. I'm not going to pretend that he is not the most important man in my life, but he's not who I'm building my future with.’ 

And I love that for Yiwa and Sailom, it is love between them. The heteros just misread it. They don't have to fake an admiration for each other. I love that Marine talks to Nuea, and talks about the sincerity of their feelings, and how she's okay, at this point. Because she's the only person that Nuea can really accept any sort of perspective from, and I'm really glad that they had that moment and that was just them.

NiNi

I love that in that moment she doesn't try to convince him of anything. She just says, ‘I can't tell you what to do. This is a crazy situation: here's what I accepted about this, here's why I accepted it. These people are good people.’

Ben

Right! She says their love is sincere.

NiNi

‘Yeah, but whatever decision you make I completely get, because I made my choice. You're gonna have to make your own choice as well.’ She spoke to Nuea very candidly, and I truly appreciated that, and I think that Nuea definitely appreciated that too.

Ben

I love the reveal about Sailom's hands always being cold because he was nervous.

NiNi

Ehhhh [laughs] It was one of those romance things that I'm just like ‘eh!’ about, but it was adorable. It was.

Ben

I really like Pak in this role. A lot of the times when MAME writes her ukes, they tend to be a little bit on the demure side, and they usually need a stern counterbalancing presence for them? I really like that Nuea did not need that at all. I also liked how queer Namnuea felt. He very much feels like a gay boy.

NiNi

I love stories about love and family, and this is one of the ultimate love and family stories. For me, and I can't believe I'm saying this, when it comes to love and family, it's going maybe a half step behind Moonlight Chicken this year for me? I can't believe that just came out of my mouth about a MAME show. But that's really truly how I feel about it. For me, it was a 10.

Ben

I ended up giving this show a 9.5. It's one of the ones that's going to linger with me for a while, and I think a big part of it was just how much everyone else really hated the show. I think we went into this show with a lot of MAME blinders on—I knowingly went into the show hostile. I don't really like a lot of what MAME does. But, respectfully, watching a MAME show—the writer famous for writing romances about boundary crossing—and being mad that her characters are crossing boundaries? Is a little bit disingenuous of a place to write your criticism from. That's her shtick. 

Nuea crosses those boundaries too! Nuea had agency, and I really resent the way a lot of the takes damsel him and make him seem powerless. He's not! He is the one with all the power here. It's why Sailom is pouring everything he can into, every time he says ‘I like you, Nuea.’ Sailom is such a sap, and y'all really hated that man. And I really need y'all to reckon with that. Like if you listened to us and you hated Sailom, please, examine your life. [laughs]

NiNi

I have a smidge of sympathy up until episode 4, for anybody who struggled a little bit with Sailom. But only up until episode 4. Because somewhere to the beginning, middle of episode 4, it was very clear what they were driving towards? And then at the end of episode 4 when Sailom and Nuea hook up for the first time, I said to myself, ‘Okay. I see where this is going.’ And then when they get to Chiang Mai, and Sailom finally tells Nuea what happens, because Marine and Yiwa have given their okay, and Nuea said, ‘Duh. Clearly that's what's going on, I already knew that.’ Nuea wasn't fooled by Sailom.

Ben

No, Nuea basically guessed 90% of it accurately. The only thing he didn't really guess, was that they were both in on it. Let me say this as well while we're here: in terms of queer solidarity, Namnuea never once outed Yiwa when he caught her out with Marine. He did not mention that once. Not at all. He ain't tell none of his hoes. He ain’t tell none of his people. He caught those two out, was like ‘oh shit, is my gaydar broken?’ And then he didn't say shit about that. He didn't even hold that up in his whole thing with Sailom. And I respect the fuck out of that man for that, because that’s not his thing to say.

NiNi

The show is amazing.

Ben

It really is.

NiNi

It's, for me, an easy cruise into some type of VIIB Award at the end of the year.

Ben

It's gonna be a difficult year for us, when we're sorting out acknowledging the incredible work that's been done, but this is one of them.

NiNi

Delightful, emotional, deeply gratifying, deeply satisfying. Ben gave this a 9.5, I gave it a 10, let's call it a 9.75.

Ben

It can get a 10 from The Conversation.

NiNi

You heard it here first, folks: Ben says it can get a 10 from The Conversation. MAME gets a 10 from us, and nobody is more surprised than us—

Ben

It’s true.

NiNi

—that that is a thing that happened [laughs] on this show.

Ben

I feel so intense about this show. I get so mad about the discourse around Sailom. He's one of those characters, like, if you don't like him? I don't like you. Fuck off.

[both laugh]

NiNi

And that’s…a word!

37:26 - And another thing! The Wedding Plan special

Ben

And we're back! I have so much more to say, I am not through. [laughs]

NiNi

So before we get into Ben's ‘and another thing!...’ Let's talk a little bit about the Wedding Plan special, because there was a special episode, that cost $8.

Ben

[laughs] I paid $7 for my rental.

NiNi

However much it costs, it costs money. Which I'm slightly salty about because MAME had McDonald's money on this, she didn't need ours.

Ben

In her defense, she has done this on literally every show. Except for Love by Chance…and Don't Say No.

NiNi

McDonald's money. That's all I'm going to say.

Ben

And she cashed in! Good for her.

NiNi

[laughs] Anyway, so let's talk a little bit about the Wedding Plan special. Ben, tell the people what it was about.

Ben

The show's fucking called Wedding Plan. It was the fucking wedding, guys, let’s—we're not going to beat around the fucking bush on this one. It was the wedding for the gays! It was really beautiful. The basic premise is, the guys have been dating properly for what feels like a year, year and a half at this point. They're taking a trip to go back to see Namnuea's family. Before they leave, they have one final check-in with Lom's mom, where she meets Nuea properly as Lom's boyfriend. She doesn't take it very well, but Sailom does not give a shit. 

Meanwhile Sailom is working with Wiwa Square to organize a secret wedding for Namnuea. Hilariously, Im still does not like Sailom, and I thought that was an excellent character detail. So they go and travel back to the north, and Sailom has Nuea taking him around—I think they were in Chiang Mai?—to check out sites and locations while everyone else has moved to Namnuea's house to set up for this wedding that Namnuea doesn't know about. Lom proposes to him, they end up having the wedding the next day. It's this incredibly beautiful ceremony, it’s very traditional Thai, I believe. There's more I want to say about some of the stuff that happened at the wedding, but that's the basic premise: Lom organizes a wedding for Namnuea, and his friends plan it in secret. Which I actually think is lovely for a wedding planner, that he didn't have to plan his own wedding.

NiNi

That's the crux of it. You guys know, I am not the one the two or the three for these weddings. I believe in marriage. I believe in the importance of marriage. I am generally not a fan of the weddings. But, this one? It was beautiful, I do have to say. It was a beautiful wedding, everything around the wedding was beautiful. When I was talking about Wedding Plan in the main part of the show, I was talking about how much I love love and family. And that was what the wedding episode was about, it was love and family. Yiwa and Marine were there at the wedding, being Sailom's family, because while his mom is starting to come around to Nuea, she's still not there yet. So she doesn't get to be a part of this. So Yiwa and Marine are his family. They show up for him. They are hosting on his behalf. It's beautiful. It's just so beautiful.

Ben

I did not praise Pakpai enough in our recording; Pakpai’s reaction, as Nuea, to Yiwa appearing before him, for this wedding that he had just found out about? Is one of the most perfect expressions I’ve seen all year.

NiNi

Because he hasn't seen them since they left for England.

Ben

I am a gay boy who believes in community. And believes in gay people taking care of each other. And that means that I have worked in solidarity with lesbians. And it is such a beautiful thing for me, in this year of really good shows, to see two lesbians in a critical role in the lives of gay men. There's something so special about the unconditional, ride or die love between Yiwa and Lom, and how that extends to Marine and Nuea, and creates this very special little family unit. I cannot overstate how important it is to me that Nuea almost cried because he was overwhelmed with emotion getting to see Yiwa in front of him again, and for a wedding that he had just found out about. That was his first reaction: awe, and then he burst into tears because he loved her so much and had missed her for that long. That is so beautiful! 

As for the other things in the special…The ceremony itself is really beautiful. There's a lot of really great moments in there. There's this very special moment between Namnuea and Im, where she comes to pay respects, and he takes her hand, and he says ‘I love you’ in this way that conveys a very special history between the two of them? That sent me over the edge and I burst into tears right away. [laughs] I do not know what those two have been through together, but that ‘I love you’ was one of the most effective I love yous I have ever experienced in this genre, and it was not between romantic leads at all.

NiNi

We always go up for the non-romantic I love yous in BL. lt's the Jim and Li Ming thing all over again. Namnuea’s co-workers being there for him at his wedding, the way that they put it together for him, the way that Marine and Yiwa stepped in to be Lom's family, the way Nuea’s actual family stepped in as well. There's a gorgeous scene, after the actual wedding ceremony, where they do—I suppose this is another traditional part of a Thai wedding, which is a bedding?—where Nuea's parents are with them in the room, and talking to them about love and commitment and marriage, and that's the part that put me into tears.

Ben

It was really funny, because like we had not really seen any of the dads in the show. Moms were a big deal in the show. Nuea’s dad is just this sweet man! It was overwhelming for me, how just beautifully sweet this man was, and the way he was pouring love out to Sailom, because he's like, ‘I never thought Nuea would get to have this.’ Nuea, the wedding planner, who spends so much of his time trying to make sure other people's dreams come true? I was floored by his dad just being there: ‘I just wanted my son to be happy, and I'm so thankful that you were able to do that for him.’ And I was like, ‘I don't know who you are sir, but good job!’

NiNi

It was really really gorgeous, and just so many other things…also the stuff that's happening between Sailom and Nuea. The way that Sailom proposes, and the way that Nuea knew it was coming but he still got surprised by the way that it happened? That was gorgeous. And then again, after the wedding and after the bedding, when it's just the two of them in the room, and Nuea does the thing where he pays respect to his husband? And says that that's something that he always wanted to do? The way that these two take marriage so seriously, and especially the way that Nuea feels about it. Because like I said, Nuea is a wedding planner; he sees weddings every day. He sees these rituals and ceremonies and everything every day. And I can just imagine him sitting thinking to himself, ‘one day, one day, and this is something that I want to do with my husband, and this is something that I want to do with my husband’—I can just imagine that. And then meeting Sailom and falling in love with Sailom and actually getting to marry Sailom, and being able to do that, and the way that he is so emotional about that. Mmh! Got me right in the feels. 

The reason that I tend not to like weddings is because a lot of the time I find them so artificial, so stage managed and overproduced. I'm talking about this not just in terms of weddings in fiction, but weddings in real life. So, watching something so sincere, something so genuine, something so personal… t’s a production, yes, all weddings are, but it was real! Everything about it was so real, it was so emotional, it was so…[sigh] it was great. It was fantastic. I thoroughly enjoyed that. I cried more than once watching the special. It just added to the joy of discovering Wedding Plan and this whole little universe and these characters.

Ben

There was a lot of little stuff happening around that. Like, one of the things that I think MAME is actually pretty good at, is really caring about her supporting cast in a useful way? She's very good about understanding why that character is there. There's Yiwa and Marine getting to have a private moment, being a little bit sad that they didn't get to have this, a Thai wedding with the people who love them around them. And I like that they got to have, like a quiet bitter moment about that. And I like that they didn't put that on Lom and Nuea, it's not something that they need to be consoled about, it's just one of those things that hurts about being queer sometimes, and that's part of the choice they made. They did take on that hurt, to give the boys a chance to be together, but it still hurt, and I like that the show never forgot that. This show cared about its lesbians, they mattered to this story, they weren't there just to check off boxes to make sure that we covered all of our bases. They were still telling their story. 

I love Sun and Ryu listening at their goddamn bedroom, and then having to be chased off. Great comedy. But also I loved it, I loved that there were younger gays excited about gays slightly older than them getting to have their moment together. It was such a special execution of that. 

I genuinely like that the Wedding Plan special episode is treated as a special episode. I like where the show ends for itself. I like thinking about the wedding as a special epilogue for the story, and not necessarily as the actual finale of the story. I think it's better as epilogue content.

NiNi

I have to agree! So all in all, when it comes down to Wedding Plan, looking back at it now, I think we definitely stand by how we felt about it. I think that… I have, you know Ben has, gotten even more in love with it? And even more, I think, defensive and vocal about it, because it's good! It's just good. And I don't like people saying it's not! That's it for me.

Ben

This is the number 4 or 5 show of the year for me.

NiNi

Yeah, there you have it.

Ben

Currently it's behind—in no specific order because we're not at the VIIB Awards yet—Moonlight Chicken, My School President, La Pluie, and probably The Eighth Sense? It's that good! 

I am in this genre for queer cinephile reasons. I am here to connect with people for gay reasons. I'm not in this for, like, taboo, or to see cute boys kiss each other because it's titillating in and of itself. I exist as a queer person, it informs my decisions on the regular, and it was such a relief to see characters that were not incidentally gay, so that we can imagine two idols bumpin’ uglies. 

I really love Sailom and Namnuea so much. Sailom got updated to blorbo status so quickly. Every week I'll just send NiNi a gif of Sailom and be like, ‘they really hated this man!’

[both laugh]

NiNi

He's not even kidding, this literally happens.

Ben

[laughs] It’ll just, just be a great gif that somebody made of Sailom and I’ll be like, ‘they really hated this man!’ 

Something else I want to say quite plainly here, and I would like you, as listeners of the podcast to reckon with this—and I would really like to talk about this, so please talk to me on Tumblr about this: Part of why I think Wedding Plan did not hit for people, is that Namnuea doesn't look like a girl, and doesn't behave like a girl. He behaves like a kind of femme man, and he feels very gay, in a way that is distinctly masculine. Additionally, the show doesn't really conform to a seme-uke dynamic very well, because Namnuea does seme things—like I noticed in episode 2 that he does a kabedon on Sailom. And I know that bothered a lot of the people who are obsessed with loyalty to the tropes. Namnuea is so self-assured, and I don't necessarily think that that resonated for the people who are in this for BL reasons and for regular romance beats. And I wonder a lot if that was their big problem. 

I would really like to have a secondary conversation with the folks who listen to us about this particular dynamic, because I do think it's worth us unpacking why people—as much shit that gets talked about MAME—refused to engage with the show. This is legitimately one of the top queer narratives of the year. And we snubbed this show. I have watched people talk shit about MAME and her writing for five fucking years, and when she writes a whole show that is basically the byproduct of all of our feedback, we snubbed it! When MAME returns to her roots, I don't want to hear none of y’all who snubbed Wedding Plan saying a goddamn thing about her.

NiNi

I'm so mad at you for saying when MAME returns to her roots. Like this was clearly a fluke. 

Ben

She's gonna be like Jafar! She's going to be like, ‘let's see how snakelike I can be, bitches!’

NiNi

So you definitely are of the view that this is not a change for MAME, this is just a detour.

Ben

I don't know! I don't know, like I was not expecting Wedding Plan. This show has so much goddamn heart to it, and it was gay! In a real way!

NiNi

I think you need to start subscribing to my vibes-based scoring method.

Ben

What? Absolutely not! 

[both laugh] 

Nah, it's always about the recommends. Legitimately, it's a 10 recommend. Everyone needs to go fucking watch this show. This is essential viewing for this year. This show represents a fascinating growth point for MAME; because we've criticized her for five years and she made something that is one of the most wholesome gay things I have ever watched in the genre. And we snubbed it, and threw it away. 

To the cast of Wedding Plan: you all did a fantastic job, and I hope you all had a really fun time together. I want to thank every single one of you for the work you all did, because you all collectively created one of the most compelling community support systems I've ever seen in queer TV, truly. Especially to all of the women who are on that cast. BL women get messed around a lot, and don't often get to do a lot of great stuff, and every single one of you did a fantastic job.

NiNi

That is going to wrap us up on the Wedding Plan episode. We out! Say bye to the people, Ben.

Ben

Y’all better watch this fucking show. Peace.

[both laugh]

#podcast #lgbtq #wedding plan #wedding plan the series #thai bl #bl series #MAME #ben and nini's conversations #the conversation #on art #season 3 #fall #fall series

[ellestra]

Going in circles

There has been a lot of talk about how Gen V is about social media and stage parents but the underlying theme of this season is the cycle of violence that leads to abuse and revenge cycles. It's a positive feedback loop that makes .

Since Gen V is inspired by The Boys comic arc that was a parody of X-Men this is something that was, of course, always staple of X-Men comics/movies/shows. But X-Men stories in their core tend to be optimistic/aspirational. The Boys universe is much more cynical than that. In the end bad guys win or they at least spin their loses their way so they can hold on to power.

Marie, Jordan, Andre and Emma really believed in the ideas sold to them by the marketing team. But the humans they were trying to save were exactly the ones who never treated them to people. Ones who perpetuated the cycles f abuse - from the moment they were given Compound V to all the stages of deciding who is and isn't valuable. They aren't the ones who lead Vought when it all started but they do the same thing again and again because it's profitable. And when it comes to bite them they try to weasel their way out of any responsibility by appealing to the better nature of those who they abused. And so, so many real life abuses seem to use this to escape culpability. Using the "be better than those who wrong you" as the most cynical way to save their own asses.

It doesn't mean that the rest of the non-powered humans don't have a reason to blame supes. Both the Boys and Shetty are not wrong in the assessment that supes always will a leave a trail of blood behind them - both intentional and accidental. From powers manifesting in the disastrous way, through accidents while using them to abuses of power to avoid consequences and finally malice. Supes are human and do exactly the same things but their impact is so much greater and so is their body count. It's gets horrifying because she's not blaming Vought who created this whole problem. Instead she's uses Vought's own torture factory to try her hand at genocide. It's hard to really feel bad about Cardosa and Shetty's death when we just saw them killing some kids in even more horrible way.

Cate was betrayed by every human she trusted. And the worst was that even though Shetty loved her she still drugged her to dampen her powers (those blue pills reference even more clear after latest Matrix movie) and then used her to help with genocide of her own kind. So she gathers all other abused supes and they all go on a rampage because how you can ever trust any one of them if they even corrupt love like that. Being one of "the good ones" didn't really work out. And because this is the time where the ultimate power of Vought propaganda machine lies with a supe it's all swept under the rug by Homelander.

He's done appealing to mudnon-powered people . The one place X-Men doesn't really go in stories like that is the people who go against their own interests because the ideology allows them to feel superior to another group. And they think they'd be spared. It's the voting for Leopards Eating People's Faces Party all over again. Homelander knows now that there are humans who still will follow him (steeped in American exceptionalism and dreams of ubermensch as he is - BTW I don't think it's a coincidence that both Cate and Sam are the kind of Guardians of Godolkin Stormfront would approve of unlike original versions). He just needs supes who think the same as him instead of believing things like non-powered humans are human too. Someone who is not going to bulk at thing he wants to do.

And the boys would do anything to stop him. I'm pretty sure the virus is not out of the picture yet. Between Neumann container and Butcher finding the infected bodies there still might be attempt to use it. After all it's still in pre fully genocidal form. And Marie surviving Homelander's blast may have taught Neumann she might have enough time to pop Homelander's head - especially if he's a bit sick.

In this cycle people who try to stop it are also part of the problem. It too often leads to letting those in power stay in power so the injustices can carry on. Marie uses the system that was designed against her to stop the massacre and it hurts her too. Andre risks brain damage saving helicopter coming to rescue Vought Board. Jordan almost gets overwhelmed and mind controlled protecting them. And Vought will continue doing what they did to babies and any supe they deem faulty product. Believing the heroes will come and save them gets them locked in a doorless room.

We see how appealing to their opponents better nature doesn't work. Maverick cannot break mind control. Sam chose it over conscience. All Emma gets for trying is being made to feel small.

In the end all trying to be heroic got them is being labelled as traitor and scapegoated. And I don't think it's an accident that of this group only Emma is white (although it's nice that the only couple that survived this in neither includes white people nor is straight).

And so the cycle goes. Non-powered humans abuse supes and supes abuse those humans and each sides has a list of atrocities perpetrated on them they use to justify to atrocities they commit. While the people who caused and profit from it this stay in power.

This is even made even more relevant by real life events reminding us about the real, horrible human toll of such cycles hatred. The real excuses that are used to justify violence against innocents by feeding populations a revenge fantasy dressed as justice aren't all that different. And so isn't using it to keep power and gather more assets. But in stories we can hope good guys will eventually win. History teaches us that, in real life, it always ends with those having power behind them getting all the spoils. Everyone can count themselves lucky if they get a half-assed apology too late to count for anything.

#gen v #gen v spoilers #the boys #the boys universe #godolkin university #marie moreau #andre anderson #jordan li #emma meyer #cate dunlap #sam riordan #homelander #vought #gen v season 1 #god u