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#but it doesn't have a sequence
elvisqueso · 4 months
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"...What is it?" "The drums...they mean trouble. I shouldn't be here—" "I want to see you again—" "I can't—" "Please don' t leave—" "—I'm sorry." "..." "...I have to go now."
—Pocahontas (1995)
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hypostatic-oath · 5 months
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I've started playing Honkai Star Rail and I love how dramatically silly it lets me be. So far I have stolen mail, searched garbage cans, entered a closet to become one with the darkness, waxed on about how life is just a road to death to a terrified guy (somehow that seemed to make him less terrified), bowed in respect to a dumpster, investigated an inconspicuous lamp so many times it got mad at me, investigated a trash can so many times it insulted me, and felt bad for two different trash cans and several sandbags (I believe my Trailblazer is going insane from putting up with me). All this not counting with the countless dialogue options with NPCs around the world that allowed me to be incredibly dramatic (think almost Fischl style) for no reason (you can bet I took them). However, I cannot jump or climb, and fights are turn-based... we respect our opponents in Star Rail (and die. A lot).
What I conclude from this is that while the Traveler has a moral code (and some standards) when dealing with interpersonal interactions but isn't bound by physical restrictions or conventions (stairs? The Traveler does not understand that concept. Fair fights? Please, they don't have time for that), the Trailblazer is the exact opposite. The physical rules may hold them but their only ties to social rules or convention so far have been March and Dan Heng saying "hey, maybe don't fight the guards" and "hey, you can't just accept random jobs".
It also might be because the Traveler is a thousand year old entity that has been through A Lot (has learnt the power of friendship, but is too tired to take the long route) and is on a serious mission while the Trailblazer was quite literally Born Yesterday with the sole purpose of housing a massive problem inside their body (walks and fights like a Normal Person bc they're mimicking everyone else, but is absolutely unhinged) and is just having fun with tjeir newfound existence.
Either way I love both of them and they're basically cryptids but in different ways.
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sysig · 1 year
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A very normal scientist doing very normal gene splicing experiments (Patreon)
#Doodles#UT#Handplates#Gaster#Wobbledogs#Sometimes media flooding bleeds over into other interests at the same time and yes that is my only justification for this lol#I'm always most amused by the sequence of things lol - I'd already started in on Handplates again but then got very diverted by Wobbledogs#Which is especially weird to me because I was introduced to the game like half a year ago and it didn't really grab me#It's cute but eh it's fine - and then I watched a proper lightly edited playlist not like jumpcut-jumpcut-jumpcut#That can make for a very punchy one-off but it doesn't really reflect the gameplay loop#So actually getting to see it properly made the difference and I kinda Get It now and also kinda want to own the game lol#MeanWhile - Ghoster's been hanging out as my desktop buddy literally /while/ watching and I was getting new ideas on that front#They smushed together lol#Having him onscreen is just a good excuse to do a quick once-over style of study and follow some silly ideas haha#What would Gaster think of a progressive mutation type game ♪ Watching them grow watching them struggle to walk#Only uses the scold feature - or the worse option that he treats the dogs better than the skelebros noooo haha#Pretty much all of the creatures in Undertale are sentient to some degree aren't they :0 Wobbledogs are just dogs#They're not monsters but they're not humans but they're not exactly just dogs either - just little creachurs haha#It's fun to imagine him nurturing anyone or anything haha ♪ Goes from ''???'' to ''How can I help this reach their full potential''#Whatever ''potential'' means in his own context hehe#It's cute in its own way
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neversetyoufree · 7 months
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Something soothing to have with him, you say?
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ducktracy · 4 months
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proper reupload in the high quality this fantastic segment so deserves; eagle pig and duck bias notwithstanding, this will forever be my favorite variant of the fabled switcheroo (and a reminder that Daffy was first at his own game!) the committal on behalf of both characters--especially the sincerity of Daffy's feigned sincerity--really sets it apart
#that delivery of “don't you believe i'm a fish?” sounds so hurt and it's perfect#likewise i think there are few one-liners/toppers that make me laugh as much as 'i told ya i was a pig'#and that all knowing glance at the audience from Daffy doesn't feel obnoxiously smarmy or self aware#there's a friendly nonchalance to it. a very clear amusement and not in a way that undermines anything this segment is setting out to achie#again. my favorite buzzword: that sincerity! a sincere investment and amusement in watching Porky obliviously and endearingly make an ass#out of himself#and of course the cross dissolve and setup of the composition implying a story/sequence of events taking place within that time...#this short isn't my favorite P+D short--i still LOVE IT A TON but there are so many i revere--but i think it's one of the most definitive#if someone was looking to get a good understanding on their character dynamic this would be one of my immediate recommendations#i haven't had the bandwidth to spread my pig and duck gospel but please#watch Porky and Daffy cartoons#tangential but i've always loved the sound effect Treg Brown uses for Porky dropping the gun#good exaggeration/whimsy while also connoting Porky's stubbornness and that this stupid petty argument is enough for him to lose sight of#his motives and discard his murder weapon. all because of this joyously stupid argument. so i like the self awareness there with how obtuse#the sound effects are#because anyone who is not Porky Pig would have just shot him point blank#and that is everything i love about their dynamic and how Daffy's intoxicating charisma and ability to get people invested even affects the#very characters on screen#gee d'you think i ought to have said more about this scene#lt#duck soup to nuts#freleng#vid
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fisheito · 1 month
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Lemme show u my struggle just to make this edit . Struggle which could have been avoided by simply... counting.
One day, thinking: Eiden something something sun of the clan solar system WHAT IF I PUT THE CLAN MEMBERS AS PLANETS IN THEIR SEQUENTIAL ORDER OMG WHAT IF QUINCY LINES UP TO BE JUPITER IT'LL BE PERFECT LET'S DO THIS
So i got to this point and
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WAIT quincy doesnt line up with jupiter that's not right. Ok. What if i count aster and morvay
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ooo venus morv aha FRICK !!!QUINCY STILL DOESNT LINE UP WITH JUPITER BUt. No. This can work. Let's see where this goes
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Ah. My vision is complete .
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kusuokisser · 8 months
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oomf is slowly converting me to torisai.. like. yeah... youre right... they are total losers.... total losers in love.....yeah..
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time-is-restored · 7 months
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btw not to make everything about My Fucking Guy but i honestly think one of the things that seperates q!phil out from the other islanders is the approach he takes to dealing with the lack of agency + control all the islanders have over whatever the fuck the federation's doing.
it shows up most prominently whenever tubbo is excitedly telling him about the 'progress' he's made with cucurucho or various investigations (ie: trapping him into a corner with the 'do you have free will' questions), and phil always shoots it down w an immediate 'that doesn't mean anything. curucuho will say anything to mess with you. you can't take anything he says as true.'
and it's not that phil is... a paticularly pessimistic character? he's just EXTREMELY practical. like, he's yet to give up on anyone EVER finding ANY answers (he was the one who initially gave the federation that one week ultimatum w the cage for a cage stream), he just doesn't trust the idea that curucuho is ever going to voluntarily give them. they're uncontrollable + senseless - you might as well argue with the weather.
and like, if that's how he sees the one (1) and only point of contact the islanders HAD with the federation for months, it explains a lot abt his characters lifestyle! ofc he sits on the wall all day, talking to his kids, and keeping his head down. he believes that the federation wants nothing more than to drag the islanders into sick games + tasks just so they can fuck with their head (ie: curucuho revealing he was the one cellbit gathered all that information for). and while he can't totally PREVENT any of that from ever impacting him, he can make sure his kids are well fed, well protected, and as happy + comfortable as he can manage. this is objectively not a perfect situation, there is a guaranteed amount of suffering + fear that he can't mitigate, but he can at least account for it.
like, he REFUSES to engage. whenever curucho shows up, he treats them with total ambivalence. he's not going to get riled up by anything they do, he's not going to get super attached to the guy, he's just gonna laugh it off and irish goodbye it when things drag on. the ONLY time he's strayed from that general guiding principle has been since he's lost his eggs, and can no longer afford to let the federation's fuckery go: those are his fucking kids.
hence the completely unprecedented levels of outward rage and sadness and terror he shows throughout the birdcage streams - almost all directed directly to cucurucho. it's all a completely fair + proportional response to the horror the islanders are being subjected to, but it feels so different bc until now, q!phil has been so dedicated to not reacting, and not giving the federation any sign that they're actually getting to him.
#qsmp#q!phil#LIKE. does anyone else think this! i genuinely believe its like one of the major#traits of his character i feel like u can trace it through Everything.#the man lives with the constant knowledge that sometimes all it takes is a tempting ravine and a badly timed creeper to end a life#whether that life belongs to a stranger or someone you love more than anything else in the world#you COULD rage against that. you could scream and shout and tear your hair out and grieve for the futility of it all#but what does that change? the days march on. death waits either way#and that's not to say he's a laizesfair kind of guy. anyone who's seen him stress out abt chayanne's risk taking + freak out#whenever his kids don't have enough autofeed grist can see that he cares DEEPLY. which resolves into his very distinctive#defensive + protective playstyle. the goal is not to win the fight the goal is to *survive* the fight etc#but the only way that mindset doesn't spill out into unchecked paranoia + complete agoraphobia is with acceptance#'shit happens: the philza minecraft story'#i also think it even manifests in the nightmare sequence w his last words to chayanne? 'they didn't want us to live. we were never supposed#to survive' or whatever the exact wording was#he is FURIOUS and deeply hurt and sad abt the deaths he says so explicitly later#but at the time the first thing he reaches for is. exhausted acceptance. it wasn't their fault. it wasn't his fault. they did their best.#they could only do so much in the face of the federation's Overwhelming Hostility. y'know?#mine
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starfall-isle · 1 year
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Love and peace and getting along bestfriends trio
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deeply-embarrassing · 6 months
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dissecting shauna's trip in "purgatory" with her son in 2x06
okay so shauna's "hallucinations" with her son are devastating. the fact she'll never be sure whether she truly held him is already a lot, but 2x06 is even worse to rewatch if you believe in three theories**:
there's a purgatory, and what the person who's between life and death experiences depends on whether "it" wants them to survive
eating/drinking in purgatory condemns you
blood has value in the wilderness
just like with jackie, purgatory for shauna and her son is sweet and believable at first. everyone is there, everything is fine. purgatory is giving shauna everything she hoped for.
except it's not. because whenever shauna tries to feed her baby, it doesn't work. why? there were food/drinks available in jackie's and lottie's purgatories. whether shauna's body could realistically produce milk doesn't matter, as she does eventually manage to breastfeed him. and her son is hungry, he's so hungry he can't stop crying.
why isn't he eating? why isn't it working? maybe her son instinctively knows he shouldn't. maybe milk is not what he's hungry for, and she's offering the wrong thing. maybe she can't produce what he needs just yet.
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meanwhile the wilderness is starving, "it" needs to be fed. "it" picks the people shauna trusts the most, and portrays them as annoyed by the kid's cries (tai) or as already condemning him to death (natalie). a clever way to goad shauna into trying to feed him more insistently.
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frustrated none of it works, "it" starts to break the sweet illusion, creating more shocking situations appealing to shauna's fears. lottie taking her child away, becoming the child's mother. she'll feed him (physically and psychologically), unless shauna does it first.
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from that moment on, "it" makes tea available to shauna. "we need to feed": it's going to be her or the baby. the tea or the milk. however, ideally, "it" would rather have the baby: the tea is easy to miss in this scene, just sitting there, undiscussed. probably because shauna would be more useful to the wilderness.
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eventually, shauna sits with her son. for the first time, she tells him that she loves him, that she's sorry she used not to. as soon as she starts speaking to him, his "hunger-induced" crying stops.
(it might be another "physical hunger as the expression of psychological hunger, of longing for love and connection" yellowjackets moment. the baby hadn't been crying for milk, in this reality, but for love. and when hunger is psychological, you can only be fed by the people whom you're connected to. jackie was given tea by the group, after shauna brought her inside. lottie was given food by laura lee. love is "psychological food", and it's portrayed as literal food in these scenes.)
so, the only one who can feed the baby is someone who loves him. shauna explicitely does, now, and she asks him to drink for her. she says it's how they'll stay together. so he does. she kills him while trying to do the opposite.
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""natalie"" comes in just a few seconds later, bringing shauna tea. the kid kept refusing to drink, so it was time to make the mother truly notice the tea. but then "nat" realizes the baby is drinking: it's finally happening. it's a miracle.
"she" directly wants to "tell the others", which probably is code for informing the trapper/hunter. it echoes with "so glad you're joining us, we've been waiting for you" in jackie's purgatory, or "i think we need to get you out of here" in lottie's.
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shauna is so fcused on her son that she doesn't even acknowledge the tea. in every way, her son's death saves her life. loving him, feeding him, being awed by him, saves her life.
she asks for a bit more time alone with the baby, she has no way of knowing what she's truly asking for. the attention of "nat" has completely switched, though. "she" avoids looking at shauna and is focusing on the baby, a bit shocked, a bit hungry. and though "she" protests a little, eventually "she" accepts the request. it's not evil, just hungry?
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then, she wakes up next to an empty crib, the tea and the group's offerings. and the group is eating her baby: all of them, including ben, who didn't eat jackie. the baby's dead, and "it" is eating him in front of her.
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blood had been spilled in this world, all over the symbol, by eating the baby. and in real life, it's been spilled through the group's blood offerings and shauna's body. "it" isn't hungry anymore. shauna wakes up in real life.
-> we're not sure whether these death sequences are "real", if there truly are "wilderness entities" manipulating them towards life or death or if their minds are making it up depending on their own wishes/fears. but if it's real, then 2x06 shows us shauna being manipulated into killing her own child right in front of us. and just like her, we'll probably never know for sure if she truly held him. if it was all just hallucinations or something else, something both better and worse.
ps: severe placenta praevia kills both the baby and the mother during childbirth if you don't do a cesarian. from a medical point of view, shauna totally should have died. either the writers didn't look it up, either the wilderness heard them ♥
(**of course, said "purgatory" or "wilderness" don't have to be real things that exist within the show's universe. these death sequences can just be a way to explore further the themes of psychological hunger and consumption, though i personally find that hard to believe. why is food what kills them in these death sequences, offered by the people they love? perhaps the idea is that hunger means you're alive. you're not meant to have everything you want, complete comfort. only death will offer you that. didn't explore that much in this post, it's a super large theme, and there are parts of shauna's "hallucinations" which i struggle to explain without supernatural elements, such as the tea or ben also eating the baby.)
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i3utterflyeffect · 1 month
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i hate fight scenes i hate fight scenes i hate fight scenes why did i choose to write this <- knows it's necessary to keep up the pacing in the story and also a very important part in the original
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abirdie · 3 months
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Gael García Bernal in Rosewater (2014, dir. Jon Stewart)
(these gifs also feature Claire Foy, Haluk Bilginer and Kim Bodnia)
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caterpillarinacave · 1 month
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sometime's I sit and think about how interesting an AU where the curious cat was after Roman instead could be, but then I remember that Roman would just. not.
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nadiajustbe · 1 year
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Since I downloaded the English version of PG so now I can confidently throw moments without fear that it is just a translation error.
Just look at this magical self-absorbed idiot
The list of spirits stronger and weaker than Bartimaeus is literally at the beginning of the book.
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Him, literally a few chapters later:
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✨his best djinni ✨
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shredsandpatches · 2 months
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This duet is so heartbreaking (the fact that the vocal lines remain completely in parallel throughout is such a great effect, in harmony but forever separated) and I really love the way they staged it here, mirroring the blocking of the garden scene. It's like they're imagining they could start over and actually do things better and it's THE SADDEST. It's kind of ironic because I really, really do not like the way the earlier scenes between these two were played, but this production has the absolute best prison scene out of the ones I've watched.
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came out as nonbinary to my mom today. not actually feeling bad but only because it went unpleasantly only in the exact ways I expected.
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