#but it totally makes sense with her and her personality and amy adams killed it and nobody knows how to replicate apparently

[faelapis]

no more generic tongue-in-cheek fairytales where the girl wants to become a ceo instead of a princess im begging ur not enchanted ur never gonna be enchanted

#not su / #yes i saw that awful amazon cinderella trailer lol #i'm so tired of this narrative #chasing dreams and working hard is fine as morals but just... this version of it is so lazy and annoying #and the telltale sign is always that the protagonist has no personality other than wanting to be a girlboss #its so toothless and capitalist it doesnt do anything against gender roles or subvert expectations its just girlboss for the sake of it #meanwhile giselle is like one of the best disney princesses with an arc who doesnt start out wanting to be a dressmaker #but it totally makes sense with her and her personality and amy adams killed it and nobody knows how to replicate apparently #cuz everyone from belle in the live action remake to the new amazon cinderella just has generic girlboss personality and it sucks

[anunvalidcritic]

Justice League: Snyder Cut

(DISCLAIMER: MY OPINION IS MY OWN AND CAN BE DEEMED INVALID TO THOSE WHO DON’T CARE FOR IT.)

Oh, the time has come my friends! Now, I originally did a review on Batman V.S. Superman and I didn’t care for it, so I deleted it. But before I start, I would like y’all to read this statement made by @verified-villain-fxcker - You can click HERE to read it. As I stated in my repost, I couldn’t have said it better. May Autumn Snyder continue to rest in peace. Let’s get started!

It’s been so long since I’ve made a post I can’t even remember how I do this LOL.

CLARK is outta there to say the least...

WONDER WOMAN and LOIS look flabbergasted, as they should... BRUCE as well.

Talk about a shock-wave scream 

All jokes aside, the hate that LEX has towards SUPERMAN is just to much energy to be giving to another person..

THESE BITCHIES ARE READY

why are they letting a minority approach the fucking the cube?!?!

*insert travel montage scene here*

                      Part 1 - “Don’t count on it, Batman.”

BRUCE knows damn well he’s talking to AQUAMAN. Let’s move this shit along lol

“Oh Gotham? How’s that shit hole?” - AQUAMAN

Ik these bitchies aren’t singing rofl

I’d sniff anything wore by Jason Momoa too.

“Maybe a man who broods in a cave isn’t cut out to be a recruiter.” - ALFRED

TALK YO SHIT ALFRED!!!!

AMY ADAMS can literally take my heart, step on it, throw it in a river and I still wouldn’t be mad. 

Here comes the lovely WONDER WOMAN!

broooo her hands were moving like Donnie Yen in Ip Man!

Fucked that entire ceiling up

Ofc the one who tried to touch it would make the stupid statement. 

STEPPENWOLF is really wildin’ out

Don’t look back! I hate it when they look back!!

These are some strong as women!

                             PART 2 - “The Age of Heroes”

“It’s toxic, that’s good.” - STEPPENWOLF

I can only imagine that this is how toxic people think. 

this dude really just threw that lil demon fella like it was nothin’ lmao

You know you're working at a job for too long when you say this is the first time in a while that they're going home early smdh

Now that shit was pretty lit....

SILAS thinkin’ shit I better check on my son. 

“You know a lot about monsters, don’t you? Especially how to make them.” - CYBORG

If that isn’t teen angst, then I don’t know wtf is lmao

Seeing Gal in this tomb makes me want to re-watch Wonder Woman 1 all over again!

DARKSEID ol’ trifflin’ ass

plopped him down like he was dirty laundry

God bless Willem Dafoe, this man is a fuckin’ legend!

“This world is divided. They’re a primitive species. Unevolved and at war with one another. Too separate to be one.” - STEPPENWOLF

DeSaad kinda looks like Doctor Doom in the Fantasic Four reboot lmao

GREEN LATERNS!!!!!!!!!!!! OH SHIT!!!!!!!!

we really need a Green Lantern Corps moving...

ZEUS + ARES = A Dynamic Duo When They Aren’t Being Dicks To Each Other

You know I feel bad for man because all they did was bury that shit in the ground rofl

                  Part 3 - “Beloved Mother, Beloved Son”

BARRY + IRIS = Love at First Sight 

The burger can’t be that good like damn. 

Bro the detail on his fucking shoes and the glass!!

ROFL PLEASE TELL ME HE TOOK THE HOTDOG FOR HIS DOG!?!? 

damn did the car really need to explode...

lol BARRY must really need the job lol

... I would’ve just played dead after he threw me against that rock...

Man of Steel probably has one of the best soundtracks not just for a superhero movie but just in general

Americans love their football!

I have this love-hate relationship with CYBORG being in the JL and not with the TITANS you know since he’s a kid, but he’s a college student in this one. 

Thank God DIANA spoke with VICTOR instead of BRUCE because I honestly don’t think he would’ve gotten him on board.

Everyone can literally zigzag zoom across this planet at undeniable speed except for BATMAN lol

Come on, VIC, help the lady out.

You know honestly, BARRY has a pretty cool pad for someone who's trying to get by paying for a Criminal Justice Degree. 

“A very attractive Jewish boy. Who drinks milk, I don’t drink milk.” - BARRY

“Fuck the World.” - CYBORG

dang Ik DIANA has every right to grieve over STEVE, but damn that man has her whipped!

“You’re looking at the hottest thing on Earth. The exact same thing I said to my prom date. She dumped me anyway.” - RYAN CHOI

Why does MERA have an accent in this but not in AQUAMAN?? (ik the answer)

DAAAYYUUUMMMN MERA TURNED INTO A WHOLE BLOOD BENDER!

                               PART 4 - “Change Machine”

CYBORG just glided over silently

STEPPENWOLF + WONDER WOMAN = EPIC FIGHT SCENE

Seeing BARRY move like that to stop the debris and to ping DIANA’S sword really is amazing..

But he should not be screaming like that LOL

How do you not remember the planet that’s habitants almost killed you?? Because if that was me, I wouldn’t have forgotten that shit at all!

 Would've held a big ass grudge until I could go back. 

“I know we’re all thinking the same thing right now. Who’s gonna say it? I’m not gonna say it.” - BARRY

WOOOAAHHH J’ONN JONES?! (forgot about that)

 “There are six, not five. There is no us without him.” - BRUCE

Damn, no faith at all 

                         PART 5 - “ALL The King’s Horses”

ICONIC DIALOGUE

BARRY - “Wonder Woman. What do you think, man? You think she’d go for a younger guy?”

VICTOR - “She’s 5,000 years old, Barry. Every guy is a younger guy.”

I would’ve kept swippin’ that ID like a cashier at Wal-Mart swippin’ a debit card.

They're movin’ a little too slow for me. Ik they’ve never been on the ship before, but I would’ve been zoomin’ through that entire ship just to hurry and get the job done. 

NOT THE PREGNANCY TEST

Damn, they couldn’t have at least picked up the photo??

The foreshadowing was spectacular! It will always amaze me. 

I’m sure Allstate will cover that person’s car...

Just when LOIS was about to move on. 

CLARK grabbed DIANA like miss me with that Rafiki shit.

I would’ve come back to my senses too after looking at Amy Adams. 

AQUAMAN + THE FLASH = A CONUNDRUM

DR. SILAS takin’ one for the team

                              PART 6 - “Something Darker”

As crazy as radiation is, it’s quite an amazing spectacle.

I wish this Justice League movie could’ve held off until we got some other heroes such as the Green Lanterns, Hawkgirl, and many others. 

Our generation was truly blessed to have an incredible actor as SUPERMAN, and we are not putting him to use!

JONATHAN sounds like President Biden lol

Alright, team?! Break!

AQUAMAN is totally enjoying this fight. He rode that Parademon like a surfboard.

AQUAMAN + CYBORG + FLASH = *THE BOYS ARE BACK IN TOWN*

I swear every scene that WONDER WOMAN enters into does not fail to include the “Ancient Lamentation Music”. 

VICTOR hurry up and say “one” god damnnit!!

SUPERMAN COLD!!!!

Somebody needs to put this fight on WorldStar

BARRY = HE’S A RUNNA HE’S A TRACK STAHHHHARRR!!!

THAT WAS FUCKING IMMACULATE

The Unity  = The Three Bitchies

I bet DARKSEID will remember that shit now

                        EPILOGUE - “A Father Twice Over”

VICTOR = A Final Requiem

LOL VULKO and MERA look stressed tf out!

“Uh, I have too much to live for. And more important things to do.” - LEX

A cocky motherfucker LMAO

Alright, we’re back in this type of dream sequence. 

“Who have you ever loved?” - MERA

Uh, bitch his parents, Robin tf?!

Thank you, JOKER, for stating the facts for Ms. Fish-stick

 Oh shit, they let LOIS die, goddamn it!

HARLEY’S DEAD TOO?!?!?!

BRUCE LOOK SICK AF!!!

Well, the dream is over once again...

I just don’t see how people can live with all those fuckin’ windows. 

“Oh, and some have called me The Martian Manhunter.” - J’ONN

Alright...

________

Yes, the movie was long but what needed to be expressed was. As we already the Snyder Cut wasn’t supposed to be seen because a father simply wanted to grieve the death of his child. I’ll once again reiterate what @verified-villain-fxcker you don't have to like the film but at least give it the benefit of the doubt from its predecessor. For me, I did enjoy watching his version, but let’s be honest what he who shall not be named did was just fucked up. 

#RIP Autumn Snyder #Justice League snyder cut #zack snyder #cyborg #the flash #batman #aquaman #superman #Wonder Woman #hbo max #lois lane #amy adams #ray fisher #ezra miller #ben affleck #jason momoa #henry cavill #gal gadot #dcu #dc comics #jk simmons #Alfred Pennyworth #jeremy irons #lex luther #jesse eisenberg #jared leto #the joker #dc

[celticheartedfangirl]

My OUAT Rewatch -- S5E11 -- Swan Song

Link to Rewatch Review and Ranking archive

Me getting through this episode . . . . . . . 

So . . . . this is gonna be LOOOOOOOOOOOOOOOOONG.  I have time, I have opinions, and I’m not holding back.  Under the cut for length and just a heads up there WILL BE BELLE CRITICISM UNDER HERE.  When I get to that point I will strike out all of the Belle critical stuff like this.  It doesn’t mean I don’t MEAN IT -- I just want to give those who can’t handle Belle being dragged the opportunity to easily bypass that section.  

Are we ready?

Me AFTER I watched this episode, BTW . . . . . . 

So, honestly, as has been the case since this arc crap started, this is a rushed, sloppy, choppy, hacked up episode with a bunch of shit going on, it’s clearly a hot mess of shit, there are OBVIOUS deleted scenes we never saw and never WILL see, and I can totally understand why so many just flat out noped the fuck out of this show at this point.  Because it really is NOT enjoyable and frankly, even knowing what comes, it still makes me stabby.  

But I have to find a way of plodding through this here, so let’s do a point by point order of things, in no particular order:

1.  So Hook murdered his dad and left his little brother an orphan.  Whatta guy!  Honestly, here’s the thing -- all the anti-Rumple folk bitch about how many people he killed, and really I don’t think his body count is higher than Hook’s.  Rumple kills when he’s pissed off, and almost always in a heat of the moment thing (see: Milah, the dudes that used to bully him as a spinner, Tamara).  He doesn’t just go off killing to kill for thrills and funsies and murder trinkets.  Hook has admitted ON SCREEN to killing dozens -- and this was as a mortal with no dark curse whispering in his ear 24/7.  What’s HIS excuse?  

2.  OMG, Emma really just got completely destroyed at this point, didn’t she.  I found a VERY GOOD meta on the destruction of Emma Swan and why CS is such utter bullshit so I thought I’d share it here:

https://celticheartedfangirl.tumblr.com/post/134225913047/lana-ny-swanmills-cs-is-literally-so-terrible

3.  Slight fun side note -- DON’S Mess with OQ, yo!  

From the OFFICIAL Once Upon a Time Twitter!  Happy Endgins!  

Okay where was I . . . . this is what happens when I scroll through late 2015 me . . . ahem . . . 

4.  This would have been the perfect way to keep Zee the fuck off the show forever.  Just saying . . . . . . 

5.  Side note 2: some fun times with December 2015 me live blogging this shitfest . . . . . 

http://celticheartedfangirl.tumblr.com/post/134695062042/any-wagers-on-them-cutting-that-scene-of-belle

Yup . . . they cut it . . . shocking, right?

https://celticheartedfangirl.tumblr.com/post/134695563322/so-hold-up

https://celticheartedfangirl.tumblr.com/post/134694787487/that-was-literally-the-worst-writing-ive-seen

https://celticheartedfangirl.tumblr.com/post/134704968232/rumple-moving-the-darkness-didnt-even-make-sense

https://celticheartedfangirl.tumblr.com/post/135222506932/friendly-reminder-that-killian-was-a-dead-man

6.  Post-episode Adam Horowitz being an absolute DICK to fans on Twitter -- just follow our vision, FUCK your vision, you hack! (Bonus points for a hijacking of this post by some asshole CS fan):

https://celticheartedfangirl.tumblr.com/post/134802058737/rumplegasm-mybittersweetblasphemy

7.  The AMY MANSON saga:

https://celticheartedfangirl.tumblr.com/post/134756133022/amy-manson-deleted-her-retweets-of-ouat-negativity

There are also BTS somewhere of Merida marching Arthur out of Storybrooke that were filmed for this episode.  Remember . . . at the end of The Bear King, Merida promised she was coming for Arthur.  Did that ever happen?  Of course not.  HACKS.  Also Amy did PRESS for this episode and so it’s clear they never even TOLD HER that her scenes for this episode were CUT.  So there’s also that.  HACKS. 

8.  Check out the Lily Sparks review of this episode because it is EVERYTHING:

http://www.tv.com/news/once-upon-a-time-swan-song-review-headed-to-hell-in-a-handbasket-144942941967/

I want to point out specifically, on page 3, what she says about Rumple taking back the Dark One powers:

And then Emma heard all the Parseltongue and followed the sounds to the pawnshop and Rumple was like, "LOL okay you got me, I totally performed a quick spell that somehow cleaved apart the Excalibur and became the Dark One because eff everybody invested in my character. I essentially have a multiple-personality disorder and no one on the writing staff gave me the memo about not trying to convey a genuine struggle while I was playing Rumple these last three years." I'm sorry but this twist was so lazy it infuriated me. I can't believe that shit made it out of a first draft, let alone through studio and network notes.

Which, sadly . . . . . . brings me to Belle and Rumbelle.

9. Belle’s theme song:

Yeah, it’s not gonna get better from here . . . . 

So damn . . . . Belle really was kind of a bitch in this episode, huh?  I mean . . . . at the TIME I was happy for the hugs and kisses and sex but watching it again just . . . DAMN . . . . . 

Also, “For the first time ever you were selfless” GTFO of here!!!!!

For the first time EVER????  GTFO, what kind of shit writing is this???  How did Emilie even deliver that garbage fire of a line with a straight face, and how did Bobby even react to it without a lot of cursing?  Or maybe he did.  We do know that they wanted Rumbelle to bang on the bed in the shop and Bobby put his foot down on that one and they literally created a bedroom set for that 30 second scene because Bobby wasn’t gonna have them film the post-coital scene in the shop.  

So yay for Bobby?  

10.  I wrote this post regarding this episode IN DEFENSE OF RUMPLE -- still stand by every word (there is Belle dragging and I mean DRAGGING in this post -- you’ve been warned):

https://celticheartedfangirl.tumblr.com/post/177022910487/in-defense-of-rumpelstiltskin-in-s5e11

11.  In closing -- A SUMMARY:

https://celticheartedfangirl.tumblr.com/post/135191267572/summary-of-ouat-finale

Here have some fan art:

https://celticheartedfangirl.tumblr.com/post/135246399887/retrogrlfan-there-is-no-reason-for-this

https://celticheartedfangirl.tumblr.com/post/135223382862/retrogrlfan-more-pink-rumple

Points tally:

40 points to start

20 points for 2 Rumbelle hugs

20 points for 2 Rumbelle kisses

5 points for Swan Queen

20 points deducted for BOTH OOC Belle and Rumple nonsense

10 points deducted for Hook & Zelena

Full 25 deducted and I want to give bonus for the Rumbelle sex but . . . . this episode just doesn’t deserve it.  

Total points: 30

Moving on .  . . are we ready?

Follow #celtichearted OUAT ranking tag for more to come!

#celtichearted ouat ranking #swan song #anti hook #anti cs #anti ouat writers #ouat criticism #belle critical

[thequlturecritic]

QULTURE’S TOP 20 SERIES OF 2018

20.  BUSY TONIGHT

You guys! Good energy is, like, totally in right now. And it’s never going away. You may know her from Freaks and Geeks, but I know her from Cougar Town as CC’s fun-loving, super-supportive sidekick. When you watch Busy Phillips on her cheeky, positive-vibes only E! talk show, a sense of “we’re all in this together” and “being kind to one another” is definitely a recipe for demolishing disaster. Remember how major Chelsea’s career became because of what so many probably considered a silly little talk show… well. I’m not a fortune teller or anything, but I could totally see Ms. Phillips taking over the universe. I want to be one of her minions. Cheers to another leading lady of late night! 

19. THE VOICE

I’ve always been anti-reality competition shows when it comes to singing, only because I’m a total snob when it comes to what I subject my ears to. My musical tastes are versed and varied, but I still am pretty picky about who I let in to my drums, mostly because I need it to stimulate an eargasm and coincide with my life’s soundtrack. When American Idol launched, I definitely was enamored with Kelly Clarkson’s powerful vocals, but I still kept the close mind that an artist is discovered naturally, not “created” by producers with the backdrop and illusion that AMERICA gets to vote and pick the winner. Ah, who knows, maybe they do… I would just never take the time out to vote. HOWEVER. When I found out Kelly was going to be a judge on The Voice, which is a whole separate animal than Idol, I was shitting my pants with glee, because she really is such a goddamn force of fucking nature. Her spirit is overwhelmingly angelic and I simply love everything about watching her. Last season’s competition was magical, at least for me, perhaps because it was the first time I really got to experience the message and place the show has in the universe. It really is inspiring and lovely to see how much these artists themselves care for the teams they build and the individuals they want to see grow – regardless of whether or not it leads to fame. Alicia Keys and Kelly Clarkson’s dynamic was really something special that inspired me in so many ways.

18. COMEDIANS IN CARS GETTING COFFEE

I love nothing more than a loose format, sans makeup, realistic conversation between famous people. Talk shows rock and all, but there’s something to be said for two people we all know and (often) admire, getting together and doing something that, ya know, regular people do! Like… go out to breakfast. I was never a fan of the Seinfeld sitcom, mostly because when it was popular it was kinda over my head and nothing that interested me. I’d probably be more inclined to watch and enjoy it now because of how much Veep has made me adore Julia-Louis Dreyfus and now much Jerry Seinfeld’s Netflix series about him… getting coffee… with comedians… has made me adore his admiration for vintage cars, honesty in humanity and one of the most important things we all seem to forget sometimes – which is to LAUGH! We live in such politically charged times, and while I get how important it is to talk about the very things we were always brainwashed to believe were impolite to talk about, we also need to be able to make jokes and not be so sensitive about everything. Ya heard?

17. AMERICA’S NEXT TOP MODEL

Oh how I love me some Tyra, but it seems the future is all about Ashley Graham. Yet again – another fucking beautiful superhuman. I am really starting to hate that people even think of someone as “plus size”, but hey, it’s the world we live in. All I see when I look at her is someone with a whole lot of personality, gorgeous features and a personality that you’d be crazy to not gravitate toward. She is living proof that good vibes, energy and kindness (in the fashion industry?! How dare you!) go a long way. Tyra and Co. are doing such a bang-up job sending young women empowering messages about feeling safe in their own skin by infusing all shapes, sizes, colors and archetypes. This cycle was full of hilarious moments and was totally unpredictable. Despite her Trump-loving, Republican ways and complaining about being transformed into a “fire-crotch”, I was rooting for Liberty, Rio and Jeana to compete in the Top 3. That certainly evolved as the season went on, mainly because Jeana’s insecurities were getting the best of her (she had alopecia and they convinced her to be the alien-like, bald beauty – which she looked 10X better as vs. wearing wigs) and Rio had the most off-putting temper tantrum that had me and my bestie Carlee yelling at the the TV, “Who da fuck you think you talkin’ to?!” as if we were speaking for Tyra. Be humble, girls! Beauty ain’t just skin deep. At the end of the day, I loved seeing Kyla take the crown, because her activism, big heart and growth really was something special at the end of the day. Keep up the good work! I want 1000 more cycles.

16. SWEETBITTER

Starz’s adaptation of the best-selling novel by Stephanie Danler is short, but bittersweet. Ella Purnell is a breakout star, headlining the cast of unknowns who are all as equally as fantastic. I think that’s one of my favorite things about it (Caitlin Fitzgerald, in particular, who definitely has that thing) – how naturally gifted the entire cast is. Purnell stars as Tess, an All-American girl from bumfuck who makes her way to New York City to chase the dream, even if she has no idea what it is yet. Any of you who have worked in the service industry as a waiter or waitress will appreciate the authenticity of how intimidating, grueling and chaotic the industry can be… but how much fun it can be once your shift is over.

15. MANIAC

What is Netflix’s limited, vivid, disturbing, funny, emotional rollercoaster about? My brain is exploding from trying to analyze. Typically, in each episode, I get so lost in the perfection that is Emma Stone, I’m completely enthralled by how inspiring it is to watch one of our most exceptional young talents only seem to get better and better. It’s also always a pleasant surprise to see someone like Jonah Hill continue to prove himself as truly versatile. Remember when these two were just getting into stoner cinema and taking over the shelves at Blockbuster, during their Superbad days? Justin Theroux, plus. Sally Field, super-plus. Julia Garner (also of Ozark), a star on the rise! It might make you feel a little crazy while watching, but hey, we all go a little mad sometimes.

14. SHARP OBJECTS

Gillian Flynn’s book to big screen success with Gone Girl made a lot of us anxious to see what would be translated next. Following the trend of mini-series, binge-worthy greatness and big stars coming to the “small” screen, HBO announced Amy Adams would star in Sharp Objects, a dark, sultry murder mystery set in the swampy south that co-stars the amazing Patricia Clarkson – one of my absolute favorite actors. I’ll never forget when I “discovered” her, in Lisa Cholodenko’s High Art, one of my all-time faves. There’s a similar hypnotism with the limited series which also features a deliciously naked Chris Messina, and, of course, the direction of the man I’d say is pretty much cinematic perfection these days – Jean Marc Valee. If you have not yet seen Dallas Buyers Club, and another all-time favorite of mine, Wild, you are missing out. I’m assuming you have watched all of Big Little Lies once or twice, and can’t wait for season two next year. Neither can I. These are the people doing AWESOME awesome things in Hollywood.

13. AMERICAN HORROR STORY: APOCALYPSE

So, I’m always back and forth with AHS. I always love how visually stunning it is, but some seasons either lack substance or are literally just too fucking freaky for me to engage. I can not even set my eyes on Freak Show, thought Cults was too gory and scattered (although fresh off of the Trump presidency was a possible prediction of the future if we don’t all get our shit together) and definitely didn’t even give that Roanoke one a chance. The first two seasons rocked, and Gaga slayed in Hotel, but being that I love witches (Hocus Pocus, Witches of Eastwick) I have to say Coven is my favorite season. I love every Farmiga in life, Precious’ Gaborey Sidibe always makes me laugh and Emma Roberts is a rock star. How gorgeous?! She’s also such a little asshole in the best way. She’s someone I can picture punching me in the face, and I’d invite her to. Apocalypse is the best infusion of boy/girl magic and the ultimate comradery casting wise – as what could make for a perfect finale for the series ties all of Ryan Murphy’s brilliance together. That’s just my opinion – because I think a great series needs to know when to wrap it up, but these days everything is all about milking everything to the last drop, so… idk.

12. THE CONNERS

Roseanne returning was definitely the best of the best in reboot land, until her big mouth got her fired from ABC and launched The Conners, which features the entire cast minus a dead mother. I still respect her as an artist and will always love when TV wasn’t so linked to the Twitterverse, but these days I guess everyone really does have to be super careful about the shit they say – especially when we should know better that racism isn’t cool. It’s such an odd thing, because Roseanne was always so controversial, brave with their material, and was one of the first shows to have an out lesbian comedian/actress and character (the great Sandra Bernhard)… so… idk. That Sarah Gilbert though… she’s somethin’ special.

11. THE GOOD PLACE

Kristen Bell!!!!!!! That’s all. Ok, well, that’s not all… because Ted Danson is equally as amazing. Who wouldn’t love someone married to a dame like Mary Steenburgen?! I’ve been a fan of his since Three Men (and a Little Lady!). The diversity, quick wit, modern spin on the classic sitcom and concept behind this hit NBC series reminds us of why the network is always killing it when it comes to delivering quality, quantity and maintaining its colorful edge. I’m surprised I didn’t get into this show when it premiered, as season 4 approaches and the Globes, and surely the Emmy’s now are getting into recognizing genius when they see it. This show is filled with all the good feels! Maybe Heaven really is a place on Earth.

10. WILL & GRACE

When the reboot of W&G first returned to NBC, I was a bit underwhelmed by some of the writing. It seemed forced and a bit insecure – but it just took a few episodes for them to really get back in the swing of things and season 2 of the return is really on point. Debra Messing is better than ever (congrats on a Globe nomination!), as are Eric, Megan and Sean Hayes – who I’ve always greatly admired because of, what I like to consider his “big break” – the film, Billy’s Hollywood Screen Kiss. Growing up gay, Will and Grace was a trailblazing, extremely important and relevant show to so many of us because there wasn’t much of that on TV. But I’ll always remember that adorable indie of Sean’s. He should make more movies! I love him in Pieces of April too!

9. I LOVE YOU AMERICA: with SARAH SILVERMAN

Sarah has always been my absolute favorite comedian. Jesus is Magic is probably one of the most brilliant stand-up comedy feature films I’ve ever seen (are there many of those) combining music, comedy, political satire, sexually inappropriate and explicit linguistics… nothing is off limits. From jokes about AIDS, Martin Luther King Jr. and the Holocaust, to her dead grandmother’s rape to pussy jokes about child lesbians she’s related to. On her new Hulu series, Silverman takes a tour of the great country we live in, United States of A, talking to Trump supporters, men and women of all colors, shapes and sizes and makes an honest, unbiased, non-judgmental effort to deliver an intellectual perspective on all things current and heated in the minds of many. I love her condescending approach, ability to keep her cool, remain true to herself and do something important with her career. It’s a humbled and divine dose of reality that I think we all need, as at the end of the day she’s basically trying to unite us and get people to understand that despite our differences, respect and kindness can truly inspire change.

8. POSE

First of all – watch Paris is Burning, if you’ve never seen it.

I remember when I worked for the super cool East-coast indie video chain, TLA Video, it was one of the most popular rentals in our Gay and Lesbian section, as it should be. It’s a classic documentary that captures the heart, sole and strut of African American LGBTQ culture during the AIDS epidemic, when being a queen and going to the balls would begin to define what FIERCE meant for a generation. (Play: Azealia Banks, Fierce). It’s one of RuPaul’s favorite movies and certainly inspiration for Ryan Murphy’s vivid and heartfelt FX series starring Evan Peters, James Van Der Beek, Kate Mara and a wonderful assortment of newcomers including the fetch, fierce, versatile and gorgeous MJ Rodriguez, Dominique Jackson and (MY FAVE) Indya Moore.

7. CAMPING

Ever since 13 Going on 30, I’ve known Jennifer Garner was a unicorn. She has that innate ability to charm, impress and entertain us with charisma and natural comedic talent. When it comes to the American adaptation of the Brit series Camping, developed for HBO (in part with Girls’ master Lena Dunham), the team surely arranged the most perfect blend of talent for both behind and in front of the camera. Garner brings the most complicated and hilarious nuances to her character and proves she is more than capable of leading a most diverse and perfectly perfect blend of talent.

6. OZARK

Janet McTeer!! OMG! This woman is amazing and really the force that makes the sophomore season of the hit Netflix drug smuggling/money laundering/gangsta livin’ series all the more bombastic. Sure, Jason Bateman continues to be awesome in every way, but the women on the latest season (even the creepy old meth lady who wants a baby at 99) really slay and own the show, keeping us on the edges of our seats and beyond impressed with how hard anyone with a vagina is proving that they are taking over the world these days. As if we needed more reasons to be obsessed with Laura Linney – she takes her character to new heights, getting more screen time and really being thrust into a more evolved dynamic – sort of how Robin Wright does on House of Cards. As though the audience was more drawn to the female than the male lead the series was built around. But Janet McTeer?! Holy fuck, Janet McTeer. She’ll make your skin crawl and keep you up at night… binge-watching.

5. THE AFFAIR

Showtime’s scandalous, suspenseful and intricate portrait of love, marriage and infidelity has been one of my must-see series since its debut. The entire cast is pure magic, especially the four leads – Dominic West, Ruth Wilson, Maura Tierney and Joshua Jackson. I’m constantly lobbying for Tierney, who continues to blow my mind with everything from those perfect, pouty lips to the way she can make my heart melt with a single tear. Last season, the twists and turns were so unexpected – something so refreshing these days when it comes to storytelling – that none of us could’ve ever seen coming what we now have to go into season five knowing (and grieving with, in my case). This is one of of those shows that stands tall from start to finish, and continues to inspire the way character and perspective is conveyed, as well as how we process it ourselves as an audience. I’ve always been fascinated by the same story being told through different goggles – kind of like in The Rules of Attraction, or Go. I can’t wait to see how this show wraps up, as I am pretty certain we move into the final act, which in itself is always a great quality for a series to know when to wrap it up.

4. HERE & NOW

Alan Ball, oh how I love thee. In the evidence of his brilliance, my affection toward Ball’s beautiful writing and ability to conduct such a beautiful cinematic symphony began with Six Feet Under, as it did most. If ever there were a perfect start to finish series… Rare is the artistic bird who can take such a celebrated drama and weave the social and political issues into a horror series – which is what he did with the addictive True Blood, a show that I would find myself equally hypnotized and aroused by. Ball’s latest gem is yet again a celebration of why we love HBO, his observant mind and heart, and ability to recognize genius when he sees it, in regard to casting. The always wonderful Holly Hunter and Tim Robbins headline a cast of brave, beautiful talents – including the tiny miracle that is the birth-child of Kyra Sedgwick and Kevin Bacon, Sosie, who is one of my favorite actors/characters in this captivating new drama that celebrates all the feels of our current reality. It’s a mixed blend of understanding the human condition and how people of all walks relate to one another while truggling with matters of the heart and psychological warfare.

3. RUPAUL’S DRAG RACE

For ten seasons now, Queen of Drag, RuPaul Charles has been taking her dynasty and giving it a royal upgrade every season with eye-popping elements that consistently allow this groundbreaking competition series to be one of queer and pop culture’s most celebrated. From the guest judges (Season X premiered with a Farrah Moan-esque Christina Aguilera dolled up for all the queens to gag over, which they did – myself included) to Michelle Visage’s dazzling eyewear collection to the costumes to the casting and the challenges – which get more and more innovative – Rupaul’s Drag Race has become a small empire that has the promise to spinning into so many different types of series and assure celebrity drag careers are a thing of the future, now more than ever. I loved the queens this season, especially my future husband Kameron Michaels (beautiful inside and out, boy or girl) and the well-deserved winner Aquaria. This was the second season in a row for me (I haven’t seen a lot of the previous seasons) where Ru got it absolutely perfect. I’m also a huge fan of Vice’s The Trixie and Katya Show which you should get into as well!

2. THE MARVELOUS MRS. MAISEL

All of the hype surrounding the Golden Globe & Emmy winning Amazon Prime series starring the incomparable Rachel Brosnahan as Mrs. Maisel, is the type of perfection that isn’t all-talk. Everything you’ve heard about this hilarious gem of a binge-worthy comedy is true: the costumes, the production design, the brilliant performances, directing and top-notch writing is on trend with celebrating everything we love about women in the world right now, and the time capsule reminds us of how far everyone has come marching to the beat of optimism and fighting for equality. I’m so happy the great Alex Borstein has been honored and been receiving praise for her work, and rightfully so, as she steals scenes from the great Maisel herself in the latest season. It’s truly one of the best watches out there, so get into it!

1. SCHITT’S CREEK

What started out as a little Canadian sitcom from a then unknown Pop TV, has since become a pop culture phenomenon and one of the small screen’s most celebrated, quoted and adored comedies out there. In Season four, we continue to follow the Rose’s on their journey of personal growth, going from riches to rags in a small bumfuck town where they clearly stick out like a redneck tooth fairy for plenty of good reasons. We already knew Catherine O’Hara and Eugene Levy were totes brilliant, but every season I grow more and more enamored with how crazy talented Dan Levy & Annie Murphy are. Their nuances, the way the arcs of their characters have evolved… it’s like their learning from two comic legends and its working for them every step of the way. This is truly already an iconic, feel good show that is spreading such messages of love and beauty throughout society. Loves it!

#JUNIPER SAGE #STARBUCKS #MUSIC #LOVE #PEACE #BEAUTY #TBV #TV #GWYNETH #SCHITTS CREEK #MAISEL #HERE AND NOW #ALAN BALL #ELISABETH SHUE #INSTAGRAM #ANNIE MURPHY #DAN LEVY #ANGIE #BUSY TONIGHT #BUSY PHILLIPS #MADONNA #RUPAUL #DRAG RACE #binge watching #bingewatchnetflix #NETFLIX #JERRY SEINFELD #SARAH SILVERMAN #FORK #KRISTEN BELL

[chloes-yellow-cup]

Nowish - Part 2

Bechloe. Staubrey. Bellas Squared/Stechlobree.

A story in which I convinced myself by accident that this could work. Let me try and convince you too.

Nowish Master Post  - Everything on one page.

A Shared Lifetime  - All my fics

Recommended Mood Music on Spotify. Artistic license taken with song release years.

Note on the links: The ones about music lead to YouTube vids for fun. Rest are GIFs or links to whatever gift idea I have.

Some reflection and a flashback.

~C~

Saturday, March 11th, 2017

Chloe was up first the next morning and she eased gently out of bed to avoid waking Beca. She took a quick shower and pulled on her robe to go downstairs to start breakfast. As she tried to decide between making something or just cereal with some fruit, she replayed the end of the evening over in her mind while starting a pot of coffee.

It wasn’t really anything unusual; there had always been sexual innuendos and jokes between the four of them. But normally it was anyone but Beca making them. Aubrey was far more inclined to play along, mostly because she loved to fluster the living hell out of Beca. Which Chloe always found amusing because Beca was far dirtier than the rest of them knew, she was just uncomfortable letting it out in front of anyone but Chloe. Well, at least until now.

But last night… It had sounded like Beca had propositioned Stacie. In a quasi-serious way. And Chloe was extremely intrigued by that, especially since Beca knew it was a package deal, no matter who the words were actually spoken to.

Chloe settled on cereal and fruit, pulling out a bowl and a box of Special K. Setting them on the counter, she retrieved the milk from the fridge and grabbed a banana from the dish on the center island. She hummed idly as prepped her cereal and sliced the banana over it. Finally she added the milk and put it away.  Looking out the window she decided to eat by the pool because it was such a lovely morning. She poured herself a large mug of coffee and grabbed a spoon from the drawer before taking everything outside. Settling at one of unshaded tables they had set up, she took the first sip from her mug before starting on her cereal to the sound of birds in the trees around her.

Chloe had always been an open person. She had by no means been easy, despite her lack of boundaries when it came to the personal space of a certain brunette college freshman. She was always very careful with whom she was intimate and she thoroughly enjoyed her time with them. And while she’d never actually had sex with more than one person at a time, it wasn’t something she’d have turned her nose up at with the right people involved. So her first instinct was not jealousy at the thought that Beca may have been serious last night.

It wasn’t as if Chloe hadn’t briefly thought of it back when they had first moved to LA and Stacie had joked about sleeping together. Though ‘joke’ wasn’t really the right word, as if all parties had actually agreed, she was sure they’d have been in bed two minutes later. So of course Chloe had thought about it. It may also have circled her brain whenever she realized it was about time for one of Stacie’s quarterly nudges, and it may have gotten a bit more detailed as the four of them had become closer than she’d have thought possible prior to the move. But she’d never actually, really, sat down and thought about it before.

She knew that she and Beca were secure in their relationship after all they’d been through the last five years. Their time at Barden had created a very solid and deep foundation, despite their occasional rocky moments. The time in LA plus the almost full year as a married couple made for a sturdy and safe space.

While she also felt almost as close to Aubrey and Stacie, they would never be quite as important to her as Beca. But sitting in the morning sun in their might-as-well-be-shared back yards, she let herself consciously think of all of them in a bed together. Living with all of them at one time or another, she knew all too well what the other couple looked like naked, making it easy to envision when she opened that closed door in her mind. Still, the quickness of the wash of heat that prickled her skin took her a bit by surprise.  She quickly shut the door again, but not before half a dozen images pushed past and rolled around behind her eyes.

‘Alright, mission accomplished. I guess I know how I feel about the idea at a purely physical level.’

She forced herself to concentrate on her breathing until she was able to push the visuals away. For a minute she’d been afraid she’d have to jump in the pool to cool down. But, gradually, the peace of the morning helped her determination to look at it from a logical perspective. She finished her cereal and leaned back to sip her coffee, staring into the clear waters of their pool.

If she were willing to let anyone into their bed, it most definitely wouldn’t be some stranger. It couldn’t be anyone that Chloe and Beca didn’t trust implicitly. It also had to be someone that wouldn’t try to come between them – not that any of their friends and acquaintances would or a stranger could. ‘Bloe is real’ as Amy had said at their wedding.

And, to Chloe, it made sense to have it be another couple. Someone who would also be in it just for the fun and experience. Someone as devoted to their partner as much as Beca and Chloe were to each other. And, if that’s the ‘rule’ she was setting, that really did leave only Aubrey and Stacie.

Chloe smiled to herself, glad her friends had found each other, though it had been difficult for the longest time. Stacie was actually a year younger than the rest of the Bellas, having graduated from high school a year early. While Aubrey had been intrigued by the confident, yet gropey, girl in auditions, she’d shut down when she’d realized that Stacie was only 17. Chloe would bring up, every chance she got, that Stacie was obviously very smart and extremely mature for her age, more so than most of the freshmen on campus.

It was a conversation they’d had almost as much as the one they’d had every time Aubrey threatened to kick Beca out of the Bellas. Chloe had never been so happy to have someone’s birthday so soon after Christmas, because then Aubrey no longer had the ‘But she’s underage, Chloe!’ argument to use once January 9th rolled around. But, Aubrey’s own insecurities stacked with Stacie’s admittedly adamant desire to refer to her vagina as the Hunter and let ‘him’ roam free across campus. So Aubrey graduated and left without ever actually saying anything to Stacie about her feelings. Feelings that Stacie was not immune to, just not entirely prepared for.

Then they had reconnected at the retreat.

  After the rest of the girls had left the campfire, Chloe had promised Beca she’d be right in, but she needed to talk to Aubrey for a second. Once all the girls were out of sight, she’d turned back to Aubrey. “Sooooooooooooo…” Aubrey narrowed her eyes, waiting for the other shoe to drop. “Are you ever going to date someone seriously?”

Aubrey’s response was instant. “I date!”

“I said seriously.” Chloe held up her hand when Aubrey opened her mouth. “You literally ran away to hide in the woods so you don’t have to really date anyone serious because you can’t, or won’t, date Stacie.” She hated using a drunken confession to make her point, but she just wanted Aubrey to be happier than Chloe knew she was.

“You don’t play fair.” Aubrey stared into the fire, a faint blush covering her cheeks. “Ok. I don’t date.” She sighed. “And now… it’s too late.”

A voice out of the darkness made them both jump. “I wouldn’t say that.” Stacie walked back out of shadows. “Maybe it’s time we talk, yeah?”

Chloe reined in her natural desire to clap with joy and stood up. “I’ll just…” and she pointed toward the direction of the tent before she patted Aubrey on the shoulder and gave it a squeeze.

She didn’t know what they’d talked about for the longest time and it had killed Chloe to not share it with Beca, but it wasn’t her story to tell. And it wasn’t until Aubrey had come to visit them just before Worlds that Chloe found out they’d been texting. Often. She felt silly about it later, as while she’d noticed that Stacie was staying in and not going on her dates, she hadn’t put together what it meant. She found out later that Beca had also given Aubrey a kick while the rest of the Bellas were getting ready at Worlds.

Beca had found Aubrey staring after Stacie as the brunette helped everyone with their makeup. Beca had nudged her former captain and told her to go get the girl. “Emily just kissed Benji, you should totally just go lay one on her while she’s got her makeup handy to fix whatever you muss up.”

“I… I don’t know, Beca. What if being with me isn’t enough?” Aubrey was characteristically anxious and uncertain. Beca had told Chloe it had made her sad that Aubrey didn’t see herself the way the rest of them did.

Beca captured her gaze. “Posen. Get your head out of your ass. It’s not a hat.” She grinned cheekily when Aubrey actually growled at her, and then grew serious again. “Seriously, Bree. Don’t fuck this up. Make it real already. We need you both.”

When they’d run off the stage as World freaking Champions, Aubrey had been waiting. And ready. She’d swept Stacie into her arms and kissed her. The rest of the girls had gone crazy, their already loud cheers hitting decibels that would leave them a bit hoarse the next day.

  Chloe smiled to herself, the echoes of “Staubrey Lives” floating through her mind. So, yes – the two women living behind them were closer to her than anyone but her wife and she loved them both very much. They were literally the only people that she would accept if she and Beca decided to try this adventure. She just wasn’t fully certain how to broach the subject with her sometimes still prickly wife, but knew she’d have to find the right time.

“What are you smiling about?”

Chloe looked up as the voice interrupted her train of thought. “Morning, Bree.” She pushed the chair next to her a little bit with her foot, her robe riding high up her thigh, but still keeping things modest. “Nothing, just enjoying the morning.”

“Why don’t I believe you?” Aubrey settled into the chair with her own coffee.

“Maybe because it’s a lie.” But Chloe wasn’t ready to talk about this with anyone but Beca yet. “I was just remembering Worlds. And the events right after.” Her lips twisted in a teasing smile.

Aubrey smiled back. “I’m so glad you guys both kicked my ass into gear. Best decision of my life.”

“You mean, after joining the Bellas.” Chloe corrected. Aubrey nodded and raised her Bella mug slightly in agreement. “I forget, did you guys have any plans for the weekend?”

The two friends fell into easy conversation until their wives stumbled out groggily to join them, almost in sync, having woken up lonely in bed.

   ~B~

Saturday, August 5th, 2016

Ever since the ‘couple time’ rule had gone into effect, Stacie had casually, here and there, tried to work Aubrey up to the point where Aubrey, of all people, forgot to put up the equivalent of a sock on the door. Beca was almost positive it was more to see if Stacie could instead of just trying to ‘give Bloe a show’ as Cynthia Rose had once said.

The Bellas had all come to visit a few weeks before the Posen-Conrad wedding and had spread across both houses. They’d almost emptied the local liquor store by the time they left, but they had greatly enjoyed themselves and spent the days wandering between kitchens, pool and hot tub. Where they slept depended on how drunk they were at the end of the day and if they could walk from one house to the other without falling in the pool.

One night, Ashley had leaned over the edge of the pool chair and asked, “Ok, but how often do you guys walk in on each other because you never lock the door?”

“Oh, it gets locked when… that… happens.” Aubrey took another drink of her beer.

“Yeah, now.” Stacie replied. When Ashley twirled her finger for more information, she continued. “Aubrey almost walked in on Bloe getting wild in their living room a few weeks after we moved in.” The rest of the girls hooted, holding up their drinks in salute. Beca just bowed her head and waved her hand regally through the air. “So Bree declared the rule.”

Beca snorted. “Besides, if Stacie’s super determined, she’d just pick the lock.”

Stacie shrugged. “Eh.”

Flo asked, “But do you always remember?”

“Aubrey does.” Chloe looked over at her friend. “But, I admit, Beca and I may forget once or twice.”

“Chloe!” Aubrey looked scandalized.

“Sorry Bree, but sometimes things go a little fast and the next thing I know, I’m completely naked on the stairs.” Chloe shrugged helplessly.

“Oh my god.” Aubrey covered her eyes as laughter surrounded them. “Why would you try and put that in my head.”

“Well, shit. I can’t let Beca outsex me. That’s like a direct challenge to the Hunter.” Stacie looked over at Aubrey, considering. “I may have to step up my game.” And though Aubrey tried to look displeased, it’s not like the thought of more sex with her fiancé was ever going to be a bad thing.

“Yeah, sure, you just wanna give Bloe a show.” Cynthia Rose looked slyly at Stacie. “We heard about all them orgy jokes you make, girl.”

“Hey, in all fairness, they’re totally hot and Beca ordered The Expanse.” Stacie ignored Aubrey’s swatting hand. “What else am I supposed to think about?”

“What’s ‘The Expanse?’”  It took several tries before they heard what Lilly was asking.

“Oh, that’s what I call Beca’s GIANT fucking bed.” Stacie’s eyes widened dramatically as her arms stretched out their full length. “You’ve seen it. It’s fucking huge.”

Beca interrupted. “Hey, I didn’t get the biggest size they had... Just the second. It’s only 9 feet across and like, two and a halfish high.”

Chloe shook her head. “Don’t let her fool you, it wouldn’t fit in the bedroom or we’d totes have a 12 foot bed.”

Beca shrugged. “Got me there.”

“Damn it, now that’s going to show up in my mind when I least expect it.” Jessica shook her head. “Not that I’m really complaining.” When the others all stared at her, she got defensive. “What? It’s kinda hot! You can’t tell me it isn’t!”

Ashley nodded from beside her, smiling. “You’re not wrong.” She winked at Chloe who returned it. “They’re totally hot.”

Beca chimed in for the first time. “Can we talk about something other than my sex life?”

“Oh, so wait – now it’s actually part of your sex life? I thought you guys hadn’t done the dirty yet?” Amy made a show of widening her eyes. “Shawshank, I thought you told me everything!”

Beca stuttered out, “That’s not… we haven’t…”

Chloe’s teasing voice came from behind her. “Why, Beca. What does Amy mean she thought we hadn’t ‘yet’? What are you telling her that I don’t know?”

Beca blushed furiously. “I… that’s… no. I… I’m getting a beer.” She made her way to her kitchen instead of the cooler on the patio, smiling to herself at how much she missed these girls even when they made her crazy. 

#bechloe fanfiction #bechloe #staubrey #bellas squared #Pitch Perfect #wlw #beca mitchell #chloe beale #stechlobree #aubrey posen #stacie conrad #bechloe fluff #bechloe fanfic #anna kendrick #brittany snow #anna camp #alexis knapp #Nowish #A Shared Lifetime

[lifejustgotawkward]

365 Day Movie Challenge (2017) - #348: Blade Runner 2049 (2017) - dir. Denis Villeneuve

As the end credits rolled on Blade Runner 2049 last Sunday night at the Regal Union Square multiplex, I turned to my friend and asked her my usual question, “So, what did you think?” She groaned out, “that was really boring,” and the wave of relief I felt at her response was the perfect summation of my feelings.

How did Blade Runner 2049 disappoint me? Let me count the ways.

I watched Ridley Scott’s original Blade Runner (1982) back in September. I was impressed, though not bowled over, by the theatrical cut, but I still wanted to give the final cut a chance. When I got around to watching that “definitive” version, I found that I actually missed Harrison Ford’s gruff, noiresque narration from the earlier edit of the film, but overall my appreciation for Blade Runner had grown and the second viewing allowed me to focus less on the plot and to better appreciate both the acting and the technical aspects of the production.

My expectations for Blade Runner 2049 were fairly high. I was eager to see how Denis Villeneuve built on Scott’s (and, of course, writer Philip K. Dick’s) visions of dystopian Los Angeles by pushing the narrative thirty years further into the future from the first Blade Runner’s setting in 2019. Although I missed the chance to see this new installment in IMAX - hey, those tickets are expensive when you don’t have spare cash to throw around! - I knew I still had to take the time to watch the film on the big screen. No TV could possibly do justice to an epic sci-fi tale of the Blade Runner variety, at least not for an introductory experience.

Bear with me, now, when I say that Blade Runner 2049 was a massive letdown. Yes, Roger Deakins’ stunning cinematography is practically guaranteed to earn him an Oscar nomination. And yes, the art direction, production design and set decoration further supports Denis Villeneuve‘s strengths regarding compelling visuals. I would also be totally fine with Renée April getting an Oscar nomination for costume design since the coat that Officer K (Ryan Gosling) wears throughout the film is incredible. Unfortunately, for the third year in a row (after Sicario and Arrival) my hopes for Villeneuve’s work have been dashed. For three years running he has fallen short of his ambitious ideas, whether attempting to concentrate on an idealistic DEA agent (Emily Blunt in Sicario), a linguist simultaneously mourning the death of her daughter and trying to make contact with aliens (Amy Adams in Arrival) or a Replicant Blade Runner (Ryan Gosling in Blade Runner 2049) who unravels a mystery about a female Replicant who was able to bear a child. All of these protagonists should be worthy of my undivided attention. Instead, Gosling - like one of Nexus’s new edition of Replicants - is just another in a continuing line of failed leads.

Part of the issue is Ryan Gosling’s own fault. In interviews I find him absolutely delightful, a funny and self-deprecating guy with a nicely offbeat sense of humor; in movies he is unremittingly bland. Whether we’re talking about The Notebook or Crazy, Stupid, Love or The Big Short, he never seems to have any discernible personality on film. It makes sense, then, that he would be chosen to play an android in Blade Runner 2049. But what does it say that he didn’t even play Officer K well? Replicants can be portrayed with emotion, if you recall Rutger Hauer, Sean Young, Daryl Hannah, Brion James and Joanna Cassidy in the original Blade Runner. Each actor breathed life into their characters in unique styles. So why couldn’t Villeneuve and screenwriters Hampton Fancher and Michael Green find a way to inject some flavor into their film’s characters?

The posters for Blade Runner 2049 imply that Harrison Ford and Jared Leto play important roles in the film, but in actuality, Leto’s “antagonist,” Niander Wallace, barely has any screen time and Ford’s returning antihero, Rick Deckard, doesn’t show up until the last third of the film. I enjoyed every moment he was onscreen, spitting his dialogue out with the same jaded sarcasm he had in the first film, but I wish the character had had more time to develop in the film. Wallace bears an undistinguished aura of evil, but what was supposed to be so special about him? Given the spotlight often put on his sightless eyes during “creepy” closeups, was his blindness really intended to be read as part of what defined him as bad (in which case, uh, what is that saying about disabilities)?

Next we have to take a look at the women of Blade Runner 2049. There are six notable female characters: Joi (Ana de Armas), a hologram who is a product created by Niander Wallace and who functions solely as K’s live-in girlfriend; Luv (Sylvia Hoeks), a Replicant who acts as Niander Wallace’s right-hand woman; Lieutenant Joshi (Robin Wright), K’s supervisor on the police force; Mariette (Mackenzie Davis), a "pleasure model” Replicant; Dr. Ana Stelline (Carla Juri), who works for the Wallace corporation in a capacity that I shouldn’t spoil for those who have not seen the film; and Freysa (Hiam Abbass), who plays a role that I similarly should not divulge. Of these six, Joi and Ana Stelline are the most sympathetic characters, but regardless of how these women’s actions are meant to be interpreted, the designs of these ladies are problematic.

Joi is an immediately likeable character, but since she is a product (and one who does not initially have a corporeal form), she does not have autonomy. With the push of a button, K can turn her off any time he wants, which I’m sure is an option a lot of dudes wish they had available for their girlfriends. Joi exists only to serve K, telling him how wonderful he is when he gets home from a long work day and providing whatever eye candy he desires (she can shapeshift to alter her clothing, hair and makeup). Should I ignore the fact that Joi has zero character development and applaud Blade Runner 2049 anyway for highlighting the ickiness of a future society where Joi-models are prevalent (thus eliminating the need for actual human women)? Maybe, but the film doesn’t bother to make a statement about this element of social interaction, other than the fact that it exists.

K is finally able to experience physical contact with Joi when she “syncs” with Mariette, a prostitute, to combine their bodies for a sexual encounter with K, resulting in my favorite shot in the film: an unsettling image of Joi and Mariette’s four blurry hands wrapping around the back of K’s head and caressing his hair. While this interlude incorporates an interesting degree of romantic intrigue - to what extent do K, Joi and Mariette understand what love is? - there is something a little too weird in the film’s dependence on the Madonna and Whore tropes, suggesting an either/or dichotomy where the only time a woman can possess both attributes is when she finds another person (technically a Replicant) who can temporarily provide the missing skills.

Luv is probably the best-developed female character, although since she is Niander Wallace’s servant, it is impossible to say where her allegiance to him ends and her own taste for violent retribution begins. Luv seems to genuinely savor hurting people, but I suppose that attitude was programmed into her by Wallace, which somewhat minimizes the cool factor in her badass fight scenes. It’s kind of odd, though, that she manages to outshine the film’s other resident tough gal, Lt. Joshi (I didn’t think anyone could outdo Robin Wright in this department, especially after Wonder Woman). Villeneuve and his writers couldn’t settle on how best to represent Joshi, so the character fluctuates between a generically butch stereotype and a leering boss who drinks too much and flirts with K. Again, not that women have to be only one thing, but I like consistency in characters rather than mixed messages. I wonder how much of Blade Runner 2049′s muddled and archaic depictions of women are thanks to Hampton Fancher, who also co-wrote the original Blade Runner’s screenplay, which was full of troublesome approaches to womanhood, sexuality and sexual consent.

In the end, the difference between Blade Runner and Blade Runner 2049 is like the distinction between a human being and a Replicant. 2049 tries to live up to the originality of that which inspired it, but it lacks the soul of its predecessor. It really says something that the most heartfelt moments in Blade Runner 2049 are two references to Ridley Scott’s film: a pivotal scene in Wallace’s lair that conjures up the memory of Rachael (Sean Young) from the film, and a moment in the penultimate scene that reuses a key piece of music from Vangelis’s original Blade Runner score. I recognize that many viewers see Blade Runner 2049 as a masterpiece, and I have tried many times in the past week to understand why, but I’m hard-pressed to comprehend why I should have spent close to three hours sitting through such an unsatisfying project, other than being able to say I bravely weathered this particular storm.

P.S. (because I couldn’t figure out where else to write this): I don’t know how many viewers will know where I’m coming from, but for the cult classic freaks out there, let me propose this theory: Blade Runner 2049 is trying to be like Paul Morrissey’s notoriously wild horror-satire Flesh for Frankenstein (1973). Check it out: a really bizarre and wealthy man (Udo Kier/Jared Leto) and his devoted assistant (Arno Juerging/Sylvia Hoeks) endeavor to construct a set of superhumans (FfF) or humanoid robots (B42049), entities that will give birth to a new generation of superbeings that will take the place of their inferior progenitors and obediently do their master’s (Kier/Leto) bidding. In fact, there are two specific scenes that reminded me of Flesh for Frankenstein while watching Blade Runner 2049: when Niander Wallace kills the naked, infertile Replicant woman (ugh, what a terrible scene), it mirrors a moment in Flesh when Arno Juerging, the loyal assistant, tries to commence sex with Baron Frankenstein’s female zombie-monster by punching her in the stomach and fatally damaging her internal organs, resulting in a grotesque display of violence similar to what we see in Blade Runner 2049.

Secondly, when Luv battles K at the sea wall and she kisses him, she is mimicking an action that Niander Wallace carried out when he killed the Replicant woman; this is also reminiscent of Flesh for Frankenstein since the Arno Juerging character often does horrible, perverse things - like conflating his lust for the female zombie with a disturbingly compulsion for violence - because he is following his master’s patterns. Take all that analysis for what it’s worth, Blade Runner fans!

P.P.S. I am also convinced that Blade Runner 2049′s Las Vegas wasteland scene was either an homage to or a ripoff of Nastassja Kinski’s desert dream sequence from another of 1982′s finest cult offerings, Cat People. Even in the slightly faded YouTube upload of the clip, the orangeness cannot be overlooked.

#365 day movie challenge 2017 #blade runner 2049 #2017 #2010s #denis villeneuve #philip k. dick #roger deakins #ryan gosling #hampton fancher #michael green #ana de armas #sylvia hoeks #robin wright #mackenzie davis #carla juri #hiam abbass #jared leto #harrison ford #sean young #vangelis #flesh for frankenstein #andy warhol's frankenstein #paul morrissey #sci-fi #sci fi #science fiction #cat people #nastassja kinski #renée april #renee april

[rndyounghowze]

An Evening of Online Plays Right in our Living Room Directed by Missouri S&T Theatre

By: Ricky and Dana Young-Howze

St. Louis, Missouri

It was a cool and rainy evening when Dana and I followed the Zoom link and joined viewers across the country to see "An evening of Online Plays"

Produced by Missouri S&T Theatre. One of our dear friends Erin Lane had one of her pieces in the bill of four 10 minute plays to be presented that night and invited us to come watch. This night of online theater, produced by Taylor Gruenloh and presented by Missouri S&T theatre students was our first time reviewing a Zoom Production and definitely will not be our last.

This was directed by two students of Missouri S&T's directing program. When classes were cancelled for Victoria Hagni and Madeline Lechner their professor Taylor Gruenloh knew that unless they actually produced a finished project it wouldn't feel as if the two students weren't getting the most out of their independent study. So they quickly changed gears and commissioned ten minute plays from four playwrights from my graduate program Hollins University that would work perfectly in a Zoom format. This livestream is that final result.

It's worth mentioning what Dana and I are looking for when we review a production produced on an online platform streamed out of people's homes. We of course are looking at the level of acting and the production value of the plays but we are also looking at how this new medium of performance is taken advantage of and how the artists worked within those constraints. We are definitely as much beginners at reviewing this as the artists are performing in it. We also know that these students were ramping up and learning for something completely different than pioneering a new artform so we empathize. So now that we know we're both adjusting to a learning curve let's get down to the nitty gritty.

We've decided to talk about the plays grouped by the director not in the order that they were presented and since these were brand new plays written just for the production we're reviewing the plays too.

First we're looking at the plays directed by Madeline Lechner.

De-Equalized by Amy Lytle is a play about two students Katie (played by Natalie Arnold) and Jordan (played by Adam Bateman) who are working on a group project while they are separated on spring break.

I'll admit putting this play up as the first play we see was a very eerie experience. Not just because it was about two students talking about a group project over Zoom but also because this was Dana and my first primer into what a Zoom production is. Seeing the screen jump back and forth between the two actors like it was cutting back and forth like in a movie was bizarre but I was immediately intrigued by the possibilities.

I was very impressed with the actors trying their hardest to emote to somebody that is not physically in the room with them. I felt like Arnold did a better job at this than her acting partner. I can only imagine having to not only keep myself cheated open for the audience but also knowing that my acting partner is a small post card sized picture on a screen. Also knowing that your performance depends on the connectivity of your device and the tilt of your camera is probably as big of a rush as tightrope walking. But because of this feeling of risk some of their emotions seemed to go stagnant. I needed to feel like this energy could travel eight hundred miles.

This could have been an acting problem but I definitely feel like some of this sits on Lechner's shoulders as a director. If the energy isn't shaking the rafters you definitely need to find ways to ramp your actors up. But we also feel like the playscript didn't give them higher stakes to begin with. Not everyone reveals family secrets doing homework. Also Dana never believed she was going to walk out on him which really did kill the stakes.

As for the play Dana noticed there was a lot of exposition about scholarship and financial aid that anyone watching a college show would know. We would hope that in a further draft the playwright would trust her audience more. I loved the idea of students finding out something about a friend that they didn't know before but also wish that the action had started way earlier. The play spent so much time on exposition I feel like the play didn't start until the eight minute mark and then they only had two minutes left. In a future draft I really hope this is addressed.

Also directed by Lechner was Breathe by Erin Lane a play about Dory (played by Raelyn Twohy) and Michael (played by Michael Ellis) two parents having to coparent while being separated and trying to calm each other down while also trying to appear strong for the other.

I love that this play made use of ANY kind of action and it was a great refresher from Lechner's previous piece. I still would have asked for much more. Also Dana got the sense that this play was supposed to have a lot of chaos in it but in her words it was "the calmest chaos she's ever seen". I agree. Especially if this is a play about getting the results of a test be it Covid-19, AIDS, pregnancy, or even strep I think you would feel a TAD more tense than that. This harkens back to what I said before about Lechner and getting energy out of her performers. As a director I will tell her you have to do whatever it takes to get that energy out of your cast because if we as an audience don't feel it we're gone. This was a great first outing and if I'm sounding tough it's because I feel she does have potential to do well in the future. Just get that energy in!

As for the acting it seemed that while Dana and I believed the Dad instantly we felt something was "held back" from us. We don't know if that was an acting problem or a writing problem. I am leaning heavily towards acting because of the several "I forgot my line" pauses and constant repeats of cue lines we normally see in high school productions. I personally think it must have been hard to show so much emotion just using your eyes and not having a full stage to work with but if these pauses normally just slow down a stage show on Zoom they felt like an eternity.

This play utilized my very favorite kind of exposition where everything we needed to know about the action was fed to us through something that we already knew. We all know that kind of back and forth between a Mom and Dad as they suss out parenting. But then you have this through the lens of long distance. Someone can't be home and now they have to trust someone else to get it done. This is the coolest kind of love story for me. However due to dropped lines and pauses I totally lost the part where Dory is a nurse and that she's taking a Covid-19 test. Dana had to tell me based on her scrubs. I hope that a future production of this play has the faster pace and the higher stakes it deserved.

Also a quick note: I know that no one is really pioneering Zoom set design just yet but I feel that I have to mention the black curtain behind Ellis's back. Dana and I have a running joke where we wonder if there is a "different play behind the curtain" that's more interesting than the one we're seeing. This presented a literal version of that for us where we spent more time wondering what was behind that curtain than listening to what he was saying. Out of love for these actors and with mad respect for what they're doing even if the curtain is hiding dead bodies we kinda hope it isn't there in the future. You guys rock and deserve better than that.

Next we'll be talking about the plays directed by Victoria Hagni.

In Scaramouch and Pinochle by Mike Moran we meet Lizzie (played by Megan Baris) and Bella (played by Haley Jenkins) two sisters who were separated when they were little and adopted by families across the country. Now they're reconnecting.

I loved that this play involved some action that fills up the camera frame and that Hagni gave the actresses some business to do such as painting nails and looking for things. If you think of the screen as your proscenium arch then you start to realize that you can utilize all of that space to tell your story.

Dana loves the use of props and the chemistry between the two actresses even though there were some moments that seemed like they were talking more at the screens than to each other. As you guys know I'm a sucker for puppets so even a sock puppet wormed it's way into my heart.

As for the script I feel like the realization about the Mom’s death and other family drama wasn’t "earned". There was no build up to it so I don't know whether it really happened or if our character was just lying. Where the chemistry between the actresses seemed natural the tense moments in the play didn’t seem natural. Overall it was a very cute play and with a couple more revisions it would be perfect.

In Folies a Deux/Pas de deux by Kevin D. Ferguson we meet Amanda Toye as Woman and Luke Goekner as Man. They are a couple with an interesting history and reconnecting after a long time.

I absolutely ADORED the use of the whole kitchen and room as a playing space. Having her start "upstage" at the counter and then moving the camera around as she moved dropped us into the world of the play. This was the first time that I forgot I was watching a Zoom play and just started watching the show. If I have to give one criticism to Hagni at all it is that I would have loved to see this kind of blocking in her previous piece.

I really commend the actors for really knowing their lines, really getting this blocking down, and committing to it. I mean somebody made cupcakes for this show! That's commitment.

Dana feels like this one was the most theatrical because it would definitely work on a stage AND online. This was the play that she absolutely believed with all her heart. I was totally pulled in. This is one of those plays that just make you want to sit in front of a computer and write a play.

The hardest part I'm going to notice about directing and writing for this medium is that you're simultaneously directing a theatre production and producing a movie. The actors aren't just actors they become directors of photography. The only difference between these plays and a movie is that a movie would be recorded for later and edited by someone else. I'm predicting that the most successful Zoom productions will be the ones that blur these lines. Is this naturalistic theatre or an indie found footage film. Who knows and who cares? Actors are not just emoting as if they're in the smallest of black box theaters but also thinking in terms of setups and dynamic camera angles. This is going to be a hard skill to master and in thirty or so years we'll be reading textbooks about the people who started this trend thinking about how we were all just figuring it out.

Also I'm looking forward to the day when we literally don't have the big pink elephant of COVID-19 in the room with us. Right now anytime you see a play livestreamed we all kind of know why it's not being presented onstage. So effectively even if the play doesn't explicitly say so it inherently is about this pandemic I know it's going to be at least a few years before this isn't the case but I will welcome it with open arms.

You have one more opportunity to see this production tonight May 9th at 7 PM Central Time. For those of you teaching theatre right now it might be an excellent tool or opportunity to talk about this evolving theatre climate. Follow this link right here and enjoy the show!

[dawnofspeed]

so i went and saw ‘justice league’ with my li’l bro and bestie tonight.

spoilers ahead.

i want to preface my entire thing with saying that lately i’ve felt conflicted about joss wheedon’s work (and even unrelated with the deadpool 2 movie) because of joss’ whole ‘i’m a feminist but the reason i’ve been horrible to women is the patriarchy’ (and with deadpool 2 the whole... forcing a stunt person to do a stunt they weren’t ready for and got them killed).  But also as a filmmaker i know that there are tons of people who work on these films that have nothing to do with those things, so i’ve decided to keep them at the back of my mind and just focus on these slightly problematic films on their own merit. (no i won’t talk about dp2 in this. it’s just been on my mind bc i saw the new trailer and spoke to my bestie, another film graduate, about the issues with stuff tonight and yeah. soz.) ALSO PLEASE NOTE THAT THE FOLLOWING ARE OPINIONS. if you like something i don’t, that’s great. all the power to you. i am literally just writing thoughts and opinions and i only just finished a film degree so... y’know. not an expert.

moving on.

i loved a lot of this movie. as a whole it was a great ensemble piece. the cast was solid, the acting was solid, the script was solid. the plot worked well. i think it accomplished setting up the justice league, introducing us to characters and their backstories while driving the story forward. i also liked that it really seemed to know its source material and kept to the actual point- superhero movies shouldn’t be completely dark. they can be fun, they can be funny, they can be hopeful. whatever problems i have with joss wheedon as a person and the things he’s said and done, i think he can write and direct well. and he knows what he’s doing. the few women in the film he also balanced well. i didn’t feel like he was ‘buffy’ing any of them (something he sorta did with kitty pryde in his astonishing x-men, as much as i loved it. although that could also be because buffy was sorta based off kitty, joss’ fave x-men character). 

i enjoyed all most of the characters. the whole justice league was great (alfred included, c’mon, he’s totally a team member at this point). i do think that diana was different in this film than her wonder woman one, there was just a different tone but you can also kinda just explain that away as this is post-steve trevor, it’s been a while since the events of ww, and that’s just what it is now. towards the end of the movie it felt more tonally in sync with her in ww, so that may be it. also bats pushing diana to lead the team? i loved that.  i’ve never known much about victor but i found his story intriguing in this, he was fun, and my reservations about him being in the flash film are totally squashed now. i maintain that batfleck is my favourite of all batmen. this movie sealed it for me and i definitely enjoy his performance more than any that came before him. i mean. i enjoyed michael keaton but he was just never totally batman for me. clark was SO much better in this movie. he was light, and funny, and 100% the superman i actually love. i didn’t want him brought back to life and then afterwards?? i was like?? nah, you’re right, clark IS a good guy. how have i never seen this before? i just hated dceu superman before this film. arthur curry is cool. i have never been a massive aquaman fan. i didn’t hate atlantis. but i just... didn’t really care? then. they made him cool, and fun, and so much potential. i’m intrigued about his backstory. i wanna know more. i wanna unpack his personality. just. wow.  but the standout? barry all the way. i was a bit anxious about how they were going to do it. i love ezra, but we’ve seen so many iterations of barry at this point that i was just really worried about what aspects they’d keep and how they’d navigate his background and his powers. but they did an amazing job. they kept his sense of humour while also maintaining his kindness, his intelligence, his zest for life and i love how even when he’s terrified he goes out of his way to do the right thing. added to his ‘i assume he’s an attractive jewish guy’ when he’s talking about his security footage. i just. love him. i do think some of his qualities are wally west?? like??? but my brother kept insisting that in the early comics barry was very playful and jokey, not just puns and dad jokes, so i’m inclined to believe him.  also alfred was a+++ i love him. alfred forever. so that clears up most of the mains. plot? well i’m gonna be honest. i know... very little about darkseid and any of that stuff in the comics. i did think it was a great way to bring in both atlantians and amazons. and that cheeky green lantern reference at the beginning. and my brother swears he saw hercules but i only know marvel’s hercules so?? i??? dunno???? i also think it had high stakes, a ticking time frame, gave them the ability to bring superman back AND create a justice league. all while never trying to cram more than one actual plotline into a film. (like. a LOT of other dc movies.) i was happy with it. i never felt like it ran too long or i got bored or any of that so i’m. yeah. great.  also loved that no one was forced into a freakin’ love interest or hampered from saving the world or anything by romance. did think that clark waited way too long to meet up with them for the end battle. like. did he spend all that time making a new goddamn suit? what? got a hair cut? like. why did it take you so long? you’re SUPERMAN. lois told you ages ago to get moving and help out. did you spend all that time like chatting with your mum? also, sidenote: thank you trailers for not spoiling this film. i didn’t expect the superman rebirth. i went in just knowing the jl was gonna kick butt somewhere and we were gonna get introduced to them all. the marketing on this film was spot on, and i loved that surprise and being pulled through the whole movie trying to guess what the hell was gonna happen. double thumbs up. ok. i will go over the things i didn’t like. which were very few. but first i kinda wanna talk about a few other cast/character things. i’m gonna be honest. not a massive fan of amy adams as lois lane. besides the fact that to me she doesn’t look like lois lane, and doesn’t embody (TO ME) anything that lois does... she also (TO ME) doesn’t have any chemistry with henry cavill. i don’t feel a thing. sometimes i might be like awwwww, cute. but that’s more of the situation rather than any emotions i get off of them. but that’s kinda nitpicky here as she was already cast as that character and no one was going to change that for the justice league. i will admit i felt more for her in this film than any of the others, and i enjoyed her more than in the others. but she was still... not lois.  now... amber heard as mera. i will admit that amber looks like mera. and i enjoyed her limited performance and i’m sure she’ll do a great job in the aquaman film and i hold nothing against her. but. if arthur curry doesn’t need to look like comic arthur curry than. why does mera? we only had three women in the whole movie, really. two had limited parts. mera could have been a woc. she could have been not supermodel gorgeous as amber is. (i love amber i do but... who looks that goddamn gorgeous?) already the entire film felt like impossible standards of women. the amazons are varied in body shapes yes, but those costumes. then mera is AMBER. and gal is. gal. i just. there are so many races on earth. asian and hispanic women (and people) exist. not that the movie... shows that... at all.  in fact, between the dceu and the mcu there’s one hispanic character on the movie screen. and he isn’t even a superhero (yeah, the friend of antman’s. and no i’m not counting netflix. that’s not a movie screen. yes rosario dawson is awesome.) heck the cw only added a hispanic woman in the last year. before that cisco was pretty much on his lonesome. wait. that might not be right. i’m sure arrow had a guest star that moved to lot... meh. i don’t keep up anymore.  all i’m saying is... if mera had been cast woc then that would have continued right on through to aquaman too.  but i have nothing against both amber and amy. they’re doing their jobs and i wish them all the best and i will try and enjoy it as much as possible.  my few criticisms:

- ... not a big fan of the costume design. i was so confused about wonder woman’s until i remembered it was probably the one from bvs which i hated. i have no idea what was happening with superman’s. batman’s was fine. flash was fine. cyborg’s was fine. loved aquaman’s (and mera’s). the amazonians? what? why???? you could tell it was a male designer. every vital organ was pretty much on show and it was all sexy, just like how wonder woman’s skirt was shortened and the front was like almost a loincloth. just. no. 

- production design was ok? like there were very few standouts to me. batcave was pretty good, the flash cave, and anything with aquaman’s fishing village. pretty sure that was filmed in new zealand tho and those guys are on point with their pd. studying their stuff over there, man. pd orgasm tbh. ever since lord of the rings those guys are just amazing.

- camera work was great at times and then just weird in others. i think that had a lot to do with cgi demands, which i’ll get to in a minute. 

- the lighting? i mean yes, each scene requires different lighting depending on the place, time of day, people and props... but. there’s this one scene in the field with clark and lois and i was like. confused because it felt like they got first year film students to light it. it was off. and if they were trying to reproduce a field at sunset in a studio with green screen that might make sense but to me it didn’t feel like a gs scene. 

- which brings me to my next point. cgi and green screen. there felt like a lot of it in the movie. pretty sure the fight after clark is revived is green screen. the entire last battle has so much cgi that i felt like it was avengers on steroids. also kinda felt like i was watching a video game with like real people pasted in. and while i get WHY it was like that i also felt like. there could have been ways to do it differently. when i watch stranger things i know there’s cgi. but i never get that feeling, that i’m watching a video game. which is important. because i want to stay sunk into the film. not be thrown out and feel like a different medium has taken over. my challenge for jl2? keep me in the film. find a way to make the sfx stay real. possibly a nitpick but like i said, this is my opinion. so that’s it. that’s my long ass dissection and feels and thoughts. i am so looking forward to every solo movie and also being introduced to iris west and atlantis more. im me or d/cord if you wanna chat about anything or if we’re not pals you can send me a q via askbox.

#spoilers #justice league spoilers #jl spoilers #long post #nita blogs #ooc #not rp related #really #except for that i wanna rp as dawn in the dceu SO BAD NOW #hmu if you wanna plot dceu things with me k

[marshmallow-the-vampire-slayer]

MTVS Epic Rewatch #160

BTVS 6x10 Wrecked

Stray Thoughts

1) To me, “Wrecked” is “Dead Man’s Party”/”Empty Places” levels of uncomfortable to watch. It’s worse than a train wreck because you’re not morbidly compelled to watch in spite of yourself. I had to will myself to watch this, that’s how dreadful it was for me. Even more so because I find it hard to buy the parallels the writers were so eager to draw between Willow’s and Buffy’s predicament. Yes, Buffy and Willow are far removed from the characters we grew to love in the early seasons. Willow is hooked on magic, smug and reckless. Buffy is depressed, detached and apathetic. The difference is, Willow has found herself on a path she chose for herself (the writers suddenly deciding to equate magic with drugs does not negate the fact that Willow came to magic of her own volition and that the show had not treated magic as a drug prior to this season...), while Buffy is trying to deal with the wreckage of a situation that was thrust upon her without her consent (by none other than Willow...) Moreover, Willow’s abuse of magic and recklessness have tangible repercussions on those around her. It’s not even that her friends might suffer collateral damage, she had been actively using magic to manipulate and abuse them. Buffy’s “drug”, on the other hand, is Spike. While her relationship with him was definitely unhealthy, she wasn’t hurting anyone other than probably herself and Spike (although that’s not the reason why by the end of the episode she chose to stay away from him - sparing his feelings wasn’t her priority, she was trying to protect her friends ¿?) I think there’s a big difference between “My friends won’t like/will disapprove of what I’m doing with my life [the person I’m banging]” and “I am emotionally and physically hurting my friends with what I’m doing with my life [abusing magic]”

So, while I can understand why Buffy is reluctant to continue her affair with Spike (and tbh even as a Spuffy shipper I wish she would’ve drawn the line here), her sleeping with Spike is hardly equivalent to Willow’s abuse of magic in terms of the consequences for those around them. 

Okay, long introduction over. I just had to get that off my chest before it had been nagging at me since I finished the episode. 

2) 

BUFFY: When... When did the building fall down? SPIKE: I don't know. Must have been sometime between the first time and the, uh...

3) 

SPIKE: I just don't see why you have to run off so quick. Thought we could...

BUFFY: Not gonna happen. Last night was the end of this freak show.

SPIKE: Don't say that.

BUFFY: What did you think was gonna happen? What, we're gonna read the newspaper together, play footsie under the rubble?

Buffy wasn’t really tactful, but she was making a good point. 

4) Of course, even if she didn’t picture babies and a house in the suburbs with Spike, she does enjoy fooling around with him. And I get it, girl. It doesn’t last too long, though, because Spike being Spike he had to be all gross and...

SPIKE: I knew. I knew the only thing better than killing a slayer would be f... BUFFY: What?!

That sets her off, and she quickly dismisses his theory that she’s a vampire groupie by setting Angel apart from him and calling Spike “convenient”. 

And while that’s true, I don’t think it was only about “convenience”. If she only needed to have sex with someone, she could’ve tried and find someone else. Someone she wasn’t supposedly disgusted by. Or a dildo, which is far less problematic and occasionally far more efficient, lbr. And while Spike was convenient in the sense that A) he was there, and B) he was following her around like a puppy and declaring his love at every turn, Buffy wouldn’t have slept with him if she hadn’t been attracted/turned-on by him, you know?

5) OMG, Tara reverts to stuttering when Willow shows up with Amy, that’s how much it hurt her to think that Willow was already dating someone else. 

And then Willow tries to set her straight by explaining it was Amy the Rat but instead of making things better, she makes everything a million times worse because that’s how Tara knows she hasn’t quit doing magic. And if there was something more hurtful than Willow dating someone, it was Willow doing magic in spite of the fact that was the reason Tara had left her. I think Tara definitely feels like Willow cared more about magic than she did about her, you know?

6) 

DAWN: You should rest. You're beat from monster-wrestling all night.

7) I know I’ve called Willow lazy before, but in all fairness, I would totally use magic to try and shut the curtains while I’m curled up in bed. Except Willow was all drained out of magic because of the previous night. See? That’s what happens when you go on a magic-binge: there’s none left for the important stuff like shutting the curtains without leaving the warm of your bed.

8) I believe this theory 100%

XANDER: Anya has a theory. She thinks that Martha Stewart froze that guy. ANYA: Don't be ridiculous. Martha Stewart isn't a demon. She's a witch. XANDER: Please, she... Really? ANYA: Of course. Nobody could do that much decoupage without calling on the powers of darkness.

9) See 1) above. Buffy tries to defend Willow because she’s seeing herself reflected in Xander’s and Anya’s comments, but the difference is, Willow’s actions were hurting others (as well as herself.)

BUFFY: She's just... helping Amy through a transition. XANDER: And making herself a playmate to do magic with. Someone who won't monitor her like Tara. BUFFY: No, Willow's a grown-up. You know, maybe she doesn't need to be monitored. You know, she's going through something, but we're not her. I mean ... m-maybe she has reasons for acting this way. And, so what if she crossed a line? You know, we all do stuff. Stupid stuff. But, then we learn. And, and we learn, and, and we don't do it again. Okay, so, you know, who are we to get all judgey?

XANDER: Not judgey, Buff. Just, observey. ANYA: Yeah, all we're saying is, she's acting different. You know, she's not herself.

10) Considering Amy had been a rat for over three years, that means she had been visiting Rack while she was a teenager... which is super creepy for all sorts of reasons but especially the one below...

11) If you read the whole Rack scenes in terms of the magic=drugs metaphor, Amy and Willow were basically prostituting themselves for drugs/magic...

RACK: Amy said. Amy said I could help you. But did Amy say how you could help me?

WILLOW: No, I-I have some money, a-a bit-

RACK: Not money.

WILLOW: Well, I could help you with your computer, I'm really handy-

RACK: Just relax, I'm not gonna hurt you. You gotta give a little to get a little, right?

AMY: It's okay. It's over fast.

RACK: That's right. I'm just gonna take a little tour.

Yikes, show. Y I K E S.

12) This scene is Trainspotting levels of creepy/scary...

13) This is so sad...

14) I love the running joke about how slaying makes you hungry... and horny...

DAWN: I'll leave a note for Buffy on the refrigerator. That's the first place she goes after patrolling. She's such a pig after she kills things.

15) This show is usually so good when it comes to writing metaphors into the narrative. I mean, the metaphors are not exactly subtle (like Angel losing his soul and ditching Buffy after having sex with her...) but they aren’t heavy-handed either. Except for the magic=drugs metaphor. I usually pride myself in saying that BTVS is a show that doesn’t underestimate its viewers’ intelligence, but let’s be real, the writers must’ve thought we were a bunch of dimwits if they thought they had to go this far to hammer the metaphor into us. I mean...

16) Oh, Dawnie! There’s nothing wrong with a meat party in your mouth, as long as you are of age and consent to it ;)

WILLOW: So, the burger was good? You liked it? DAWN: Are you kidding? It was like a meat party in my mouth. Okay, now I'm just a kid, and even *I* know that came out wrong.

17) Willow starts asking Dawn questions about Tara, like if she was sad or if she had mentioned Willow in their conversation. (which was kind of shitty in itself - I mean, you shouldn’t bring a 15-year-old girl into your relationship drama, you know? even if said girl has shown approval of your relationship and wants you to get back together with your ex...) And in my mind I was like: “Oh, okay, so this must be when she makes the decision to go to Rack’s, because talking about Tara triggered her and she needed the palliative.” Like, I could almost understand why she needed the magic/drugs. But then Dawn notices they have been walking down the wrong path for a while, which means that Willow was set on visiting Rack - and dragging Dawn along - before bringing Tara up. So, uncool all around. 

18) 

DAWN: Well, what about the movie? It starts at nine.

WILLOW: We'll make it. I, I'll just be a minute. And it doesn't matter if we miss the trailers.

DAWN: I like the trailers.

So do I, Dawn :(

19) OH MY GOD, SHOW, WE GET IT! MAGIC = DRUGS!! 

20) I’m both Buffy and Spike, tbh.

BUFFY: Last night... was the most perverse... degrading experience of my life. SPIKE: Yeah. Me too.

21) Even as Buffy continues to claim she’s disgusted by Spike and herself for agreeing to have sex with him, she’s really not as adamant as she used to be when actual feelings - his or her own - were brought up in their conversations. Like, when he tells her that she knows he loves her, she doesn’t refute this statement as she would’ve done before (”you’re in love with pain” “you don’t know what feelings are”.) Moreover, when Spike argues that their night together made her feel something, she quietly tells him: “Not love” instead of dismissing the idea of feeling something for him altogether. 

22) So, the super witch runs into ther magic-created monster, and she can’t do shit to fend him off? It’s the meek 15-year-old girl who has to do it.

And like 5 seconds after being scared shittless, she’s playing Mario Kart with the car she hijacked and laughing it off, not paying attention to the girl sitting next to her who is rightfully terrified and screaming in fear?

See? This is what I mean when I say Willow thought she was almighty. She honestly believed she could do no wrong. Even in a situation in which has clearly fucked up, she still believes she’s going to get her way. And yes, I get she was highor whatever, but this still was Willow only heightened.

23) ugh this scene is so difficult to watch, but damn did she have it coming...

(the screenshot makes it look kind of hilarious, though, but it’s so uncomfortable to watch)

24) But then Willow breaks down and it’s hard not to feel for her because we can tell she’s truly sorry. And this is why I love Buffy so damn much...

In spite of what Willow had put Dawn through and in spite of her own anger at her friend, Buffy still understands that Willow needs her, and so she casts her own feelings aside and finds it in her to comfort and help her. This is why she’s a hero - her never-ending forgiveness and selflessness.

25) Okay, this is why I believe Willow didn’t need a trigger (Tara’s death) to go dark...

WILLOW: I don't know. The magic, I... I thought I had it under control, and then... I didn't. (...) But I mean... if you could be... you know, plain old Willow or super Willow, who would you be? (...)

BUFFY: Will, there's nothing wrong with you. You don't need magic to be special.

WILLOW: Don't I? I mean, Buffy, who was I? Just... some girl. Tara didn't even know that girl.

Tell me if this doesn’t have “supervillain origin story” written all over it. 

26) “It’s over.”

Easier said than done, isn’t it?

#Buffy the Vampire Slayer #BTVS #Buffy Summers #Willow Rosenberg #Joss Whedon #MTVSepicrewatch #BTVSrewatch2015 #Spike #Spuffy #mine #recap #Wrecked #btvsrecap

[nikkidoesntlike]

The Flight Attendant (2020)

No. of episodes watched: 5

Spoilers! With absolutely nothing better to do, I’ve experienced all that TV has to offer in 2020: the terrifying lows, the dizzying highs, the creamy middles. But for some inexplicable reason, it was this two-bit, not-even-basic-cable-but-streaming-service “comedy” that incensed me enough to stumble out of my screen-fatigued stupor and write some words about it. 

I accidentally read The Flight Attendant by Chris Bohjalian, not knowing it was soon to debut as a TV show, and quite enjoyed it; though not exactly fine literature, it’s the kind of “damaged woman gets herself into some shit” novel that I often pass the time with, a la The Girl on the Train or Sharp Objects (which happens to be a far superior HBO adaptation...but I digress). Cassie Bowden is the titular flight attendant, and she, in short, is a hot mess: a fun-loving alcoholic who uses her jet-setting occupation as an excuse to run away from her problems, only she can’t run away from her loneliness. After one such drunken night with flirtatious passenger Alex Sokolov, Cassie awakens to find herself in his bed (not unusual), except he’s totally dead (pretty unusual). Through an avalanche of increasingly poor decisions, Cassie has to sift through her blackouts to discover who killed Alex and why. 

If this sounds like your type of hard-boiled whodunit thriller, well...you’re not entirely wrong. Bohjalian’s writing definitely has enough twists and turns to keep the reader in suspense. But I was shocked to see The Flight Attendant turned into a light, kooky dramedy with a jazzy Archer-like credits sequence that ultimately fails to do its source material justice. TV Cassie (Kaley Cuoco) is a drunk, sure, but that can’t be her only defining quality. Book Casie has a lot of real trauma that fuels her addiction, and even though her childhood is alluded to (through the lens of many, MANY changes), TV Cassie doesn’t bring the same type of humanity that makes her character relatable, or at the very least, understandable. On the surface, Cassie is irresponsible because she likes to drink, and drinks because she’s irresponsible. Cuoco might not have the acting chops of Emily Blunt or Amy Adams, and she’s probably playing the material that best fits her talent--but as a result, her portrayal comes off as shrill, needy (god, so needy) and generally not an actual person that you want to have in your life. Book Cassie worked well as a protagonist because she could only blame herself for her bad choices; she doesn’t have a best friend to genuinely talk her off the ledge (hell, TV Cassie has two people claiming to be hers), and typically seeks solace in the company of local shelter cats. See? Relatable. 

I’m also confused about why the show deviates from the book so drastically that it probably barely qualifies as an adaptation. It starts with the small things (murder in Bangkok vs. Dubai) that get bigger (Miranda is no longer a cool, stealthy assassin but one who kinda sucks at her job) and eventually compound so much that it’s unrecognizable (Annie and Megan’s side quests to break bad, for example. Who cares?). I’m doing my best to be objective and not filter my knowledge of the book through this new format, and have the show stand on its own merits, but I’m really not seeing a lot to enjoy here. Gone is the sense of espionage and danger, replaced with Cassie and Alex’s ghost teaming up like mismatched buddy cops, and her having optical visions like That’s So Raven to magically pick clues from her hungover brain. 

Changes to the book would be fine if they resulted in tight, well-paced storytelling, but really The Flight Attendant is less compelling than the average episode of Law & Order. I love a good detective drama, and to my disappointment there are so many police work basics that are missing here (seriously, guys, consult Dick Wolf). The housekeeper in the Bangkok hotel saw Cassie, or at least saw a woman, in the room shortly before Alex’s body was discovered. Cassie made a call to the front desk. This is what we in the biz call “leads”. The FBI has photos of a “mystery woman” wearing a scarf, but Cassie left the hotel room without the scarf, and had to walk into a store to buy it--surely someone interacted with her? What connection would the scarfed woman have after the fact anyway? Nobody believes that Miranda followed Cassie on the train, when in reality, there are dozens of witnesses, some of which she even shoves out of the way. How hard would it be to collect statements? And what happened to Miranda after she pushed Sabrina out of the window? She didn’t disappear into thin air. Why didn’t Cassie wait for her to exit the apartment building? I’m willing to accept coincidences, suspension of disbeliefs, evil twins, anything like that, as long as it reflects real human behavior and doesn’t insult my intelligence as an armchair sleuth. 

As a series with 8 episodes, The Flight Attendant is passable, though an odd choice for the burgeoning HBO Max brand. It seems like the kind of fluffy padding needed to rack up the count of “originals” to drive subscriptions, void of the prestige or budget or talent of the OG HBO. I intend to finish all the episodes, not because I think it will stick the landing (ha) but because it’s innocuous enough to consume and eventually forget about. 

#tv #hbo max #the flight attendant #chris bohjalian #kaley cuoco #books

[hatnews3-blog]

Titans Season 1 Episode 3 Review: Origins

Will this show ever slow down?

Titans Season 1 Episode 3 switched up the dynamics thanks to Kory and Dick finally meeting up, and it resulted in the best episode of this DC Universe series to date. 

Now that they're united in their quest to save Rachel, it remains to be seen how long it will be before the truth comes out about Kory. 

There has to be a reason why she was adamant about finding the kid before the prophecy spelled a certain doom for the world. 

Was Kory's intention to kill Rachel, nurture the evil persona taking up residence in Rachel's body, or merely to find a way to save both Rachel and the world? 

Related: Titans Renewed for Season 2 at DC Universe!

Without knowing much about Kory's motives before having her mind wiped, it's difficult to rule her as a hero or a villain. 

My assumption is that she's playing on the side of good, but we need to find out the ins and outs of her thought process when she was of sound mind. 

The way Kory saved Rachel while cooking Papa Nuclear was one of the best scenes yet. She had absolutely no remorse. 

The dialog between both Kory and Rachel was electric as they embarked on their journey. The casting on this show is perfect. 

Kory: Chicken and waffles … on the house apparently. Rachel: Well I know one thing about you … total badass.

I figured everything was going to go south at the church, and it didn't help matters that the Sisters put Rachel under lock and key. 

They lured the child into a false sense of security by talking about how her mother wound up there, and quite frankly, they had everyone (including the viewers) fooled. 

Now that Rachel's gone into full dark mode, I dare say she's going to spend some time away from both Kory and Dick. 

Maybe this will give her time to get some scenes with Gar aka Beast Boy. He's the one character who has had far too little material thus far to better understand. 

Officer: Who the hell are you? Kory: Kory Anders, FBI. Officer: FBI in that outfit?

With the Nuclear family hot on her trail, things are going to get deadlier for Rachel. I don't doubt she'll be able to handle herself when the family catches up with her now that she knows she's that powerful. 

However, there's no telling what tricks the wicked family with the new father will have to dole out on Rachel and whoever is on the run with her. 

Now that we know Dr. Adamson and that he doesn't know much about Kory, there's a possibility that Kory knows all about his wicked plan for the youngster. 

Let's just say I wouldn't want to get on the bad side of Dr. Adamson. He was genuinely frightening as he weighed up whether to give the family the instant kill for failing their mission. 

Related: Titans Season 1 Episode 1 Review: Titans

The only thing they succeeded at was killing Amy. That was a gamechanger for me. Maybe I've watched too much TV, and I'm making assumptions, but I thought Dick and Amy were destined to be the partners who couldn't keep their relationship platonic. 

Who’s going to help you now, bitch?

Dark Rachel

In a sense, I'm glad I know that's not going to happen because there's nothing worse than a good show getting bogged down by relationship drama. 

Her death affected Dick, and that was to be expected. The family already wounded Dawn, possibly fatally, and with Rachel's kidnapping, it became personal very quickly. 

Did anyone else pick up on the way Hank acted at the hospital?

Despite his doubts about the way Robin was when he was fighting in the streets, it was almost like he didn't need to leave Dawn's side because he knew Robin could handle himself well enough to unleash holy hell on the villainous family. 

Kory: That’s technically true, dick. Dick: Gee, that’s a new one.

Taking this family down might be the thing that repairs Dick and Hank's friendship for good. I just hope that Dawn pulls through because it would be downright cruel to off one of the best characters this early. 

Dick will go to any lengths necessary to avenge Dawn. 

Dick's past is equally as exciting to watch as his present. Some shows struggle with flashbacks. In a lot of cases they slow down the action, but what we're learning here is relevant to the overall arc of the series. 

We're still none the wiser about why Dick hates Bruce Wayne, but we do know that Bruce persevered with Dick to help him channel his rage into something more productive. 

I did roll my eyes during the flashback with Bruce putting his hand on Dick's shoulder at the scene of the accident and offering to help him. 

Related: Enjoy UNLIMITED access to thousands of Movies and TV shows with Amazon Prime Video. WATCH ANYWHERE. CANCEL ANYTIME!

There was an immediate red flag because it just seemed creepy as hell. But then I remembered Bruce also lost his parents at a young age, so he likely thought he could help the kid out. 

I may be in the minority, but I would like for Bruce Wayne to be kept in the shadows to give the current crop of characters time to shine. 

"Origins" was another solid installment of this series. DC Universe has a hit on its hands, and I can't wait to find out where it goes from here. 

Other odds and ends:

Full disclosure: I would never accept candy from someone I didn't know, especially not someone who is working for the biggest villain around. 

Kory laying waste to the group of men in the diner was a highlight. I bet those men will never be able to go to a diner again. They'll be scarred for life. 

Kory is hilarious, but if she wants to lay low, she needs to stop lifting her hands first and thinking about it later. 

Okay, Titans Fanatics!

That's all I got for you!

What did you think of the latest installment?

Hit the comments below. 

New episodes of Titans are available Fridays on DC Universe.

Paul Dailly is the Associate Editor for TV Fanatic. Follow him on Twitter.

Source: https://www.tvfanatic.com/2018/10/titans-season-1-episode-3-review-origins/

[carry-on-my-wayward-meg]

GUYS.

Remember when I said 'Charlize Theron' was an exception?

Don't kill me.

(Please, my own self, don't kill me either.)

I got Charlize Theron confused with Sharon Stone.

IT ALL MAKES SENSE NOW.

I WOULD

NEVER

LIKE A PERSON WITH SUN IN LEO THAT MUCH.

Not even Amy Adams. She had her time.

Couple days ago I saw a thumbnail with her wearing some lite yet sensual Nude Dress and Red Make-Up and I felt truly, immediately and purely disgusted. (It was when I blamed it for having watched 'Y Tu Mama También' recently). If I really liked her, it would intensify.

OMG, that's WHY I thought she was TOTALLY THE BOMB.

IT WAS SHARON STONE.

WHICH IS A PISCES.

Which fits inside my Favourite Foursome.

!!!!!!!!

EXCEPTIONS DON'T EXIST.

Okay, they do, but not that “much”.

They're never better than the “tops” from the real favourites.

#Tag Later #Astrology #Written #Favourite Foursome