Part uh, four? of "Clone Danny"
...taking a risk and @ing @minnesota-fats since they seemed pretty hyped about this au. So i figured they'd want to know when the next part came out.
So where did we leave off? Oh yes... Danny taking the stairs two at a time to book it away from Bruce Wayne before he realized that he and Danny shared the same face.
So safe to say after Danny calls Tucker and they both panic over Bruce's appearance, and he finds himself slinging on his black hoodie and stuffing his pockets with his mask and his jawbreaker gloves before scaling down his second-story window to book it over to Tucker's place.
(you never know when there might be a ghost attack)
It's of no surprise to him when Sam is already there when he arrives at Tucker's, and they all migrate to Tucker's room to come up with a plan of attack. Was Danny gonna tell Bruce Wayne that he was a clone? hell no! He decided to let the man live in ignorant bliss and he is sticking to that decision no matter what anyone says.
Besides, his parents can open that pandora's box, considering they created it.
So their plan of attack? Literally just "avoid Bruce Wayne like the plague until he leaves" which is... a bit difficult right now.
"you could stay at our place until he leaves?" Tucker says
"And what if he stays for a month?" Danny asks, overthinking as he's become prone to do. Ghosts are unpredictable after all. "I cant have a month-long sleepover at your place."
"You could wear a mask?" Sam suggests
and Danny makes a face, "What kid wears a face mask in their own house?"
"You could feign an illness."
...And so on and so forth. They discuss ideas for nearly an hour until Sam leaves and Danny needs to head out as well before his parents discover that he's gone. (he cant exactly tell them he snuck out his window)
(He crawls back through his window only to get the daylights scared out of him by Jazz, sitting on his bed and wanting to talk to him about Bruce Wayne being, apparently, in their living room. Danny kicks her out instead because he already talked about it with Sam and Tucker and doesn't want to talk about it again for tonight)
Skip to later that night when he gets woken up by his ghost sense triggering. He wakes up with a chill and mist breathing out of his mouth, tasting like what freshly fallen snow smells like and ozone. It makes his teeth chatter.
Danny doesn't bother checking the time, and grabs his mask from under his pillow and his knucklebuster gloves. he all but sleeps in his hoodie and padding so all he does left is his boots and vest and thermos.
(He grabs his bat on the way out, and keeps his mask in his pocket until he steps outside)
when he sneaks into the kitchen, halfway through pulling his hair into a ponytail, light draws his eyes and there, up at who-knows-o'clock, is Bruce Wayne on his laptop. In their living room. He looks up at the same time as Danny.
Danny makes direct eye contact with him. Again. But there's no door to slam in his face....and behind Bruce Wayne, standing ominously at the window outside, is fucking Skulker. of course it is.
"...Mister Wayne." He says after a considerable silence where he's not sure if he's staring at Skulker or at Bruce. Skulker just stands. Menacingly. Like he crawled straight out of a horror movie.
Danny's not sure if Wayne's seen him or not.
(Bruce has, indeed, seen him in the reflection of his laptop. And considered investigating the problem just before Danny appeared.)
"...Mister Fenton." Wayne says moments after, sounding pretty calm and uncurious about what he's doing up. "What are you doing up?"
…Nevermind.
"Go…ing on a midnight stroll?" Danny says, he's a terrible liar but people never seem to assume he's off kicking ghost butt.
"With a bat?"
(Note: this is the only time Danny curses the fact that the Fenton Creepstick is painted with glow-in-the-dark-ectoplasm-infused paint. It's saved his butt numerous times in both finding it and smashing it into ghosts' faces. But now its just a hindrance.)
"...We have a ghost problem." Danny says, feeling like he came straight out of a sitcom. "What are you doing up?" Skulker looks like he's getting impatient behind the anti-ghost glass. Danny promptly ignores him.
"Just doing some Wayne Industries work." Bruce says.
And Danny nods thoughtfully. "Cool. Cool... Bye." And he turns and books it out the door.
He just barely has enough time to make it to the street and put on his mask before Skulker damn near takes his head off with his usual proclamation of skinning him. Danny, pointedly, sarcastically signs back his retort until he can get further away from the house.
\\\\\
Part 1 Part 2 Part 3 Part 4 Part 4.5 (Dani interlude) Part 5 Part 6 Part 7 Part 7.5 (Dan Interlude) Part 8
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I’m already seeing male reactors get very verbally defensive about that scene in She-Hulk where Jennifer describes how, simply as a woman, she has more experience in suppressing rage than Banner because speaking out will get you labelled “hysterical”, “emotional”, “difficult”, “too much of a feminist”, the list goes on. And if you snap back at the wrong cat-caller, you can get murdered. So now mcu bros are rushing at the opportunity to cry out “this is just another ‘marvel throwing in another woke scene for woke’s sake’. But like...it isn’t untrue. Comic nerds are all for female superhero protagonists until she, god forbids, talks about the dynamics of what it’s like to live within the confines of patriarchy.
MCU fans are always clamoring for the social commentary to be more “subtle” and not so “in-your-face”, just so they can mindlessly enjoy a punchy fighty show and not have to confront any real-world intersections with racism, misogyny, xenophobia, transphobia, all the -isms and -phobias you can imagine. Additionally, even when the social criticisms are embedded into the story, the conflicts are routinely either overlooked or watered-down and discussed at the individual-level as if these are just isolated incidents and not reflective of larger phenomena. Dudebros forget that superhero comic media, from the very beginning, has always been political. A lot of the mainstream characters we know and love today were created in response to the anti-war and peace movements during the seventies in the United States (this is also not to say that there isn’t some definite war propaganda and Red Scare-inspired comics out there either).
Comics are teaching grounds for morality, human good, and bad, power, greed, corruption. Comics have been about the social commentary from the get-go. The idea that the government (and by extent society at large) is villainizing and surveilling a specific minority group who carry varying physical and genetic traits contrasting to that of the “ideal national subject” because of a perceived inherent aggression or difference based on their physical attributes *ahem ahem mutants*...where do you think they got that from?
I literally sat through a dude being like “IN MY EXPERIENCE AS A MAN, THAT IS NEVER THE CASE! IF A WOMAN GETS UPSET AND MAKES A SCENE IN PUBLIC, THE MAN ALWAYS LOOKS LIKE THE BAD GUY BECAUSE IT IS ASSUMED HE DID SOMETHING WRONG. MEN ARE THE ONES WHO CAN NEVER BE ANGRY.” (Obviously for Black men, my argument is different because when Black men express rage, they are viewed as a threat or turned into spectacle, but the person who made this rant was not a Black man, nor was he factoring race into his argument). As if masculinity and gratuitous violence have not become nearly synonymous. When male celebrities are accused of beating their partners, fans run to their defense to say “well she shouldn’t have provoked him.” When Will Smith slapped Chris Rock, the internet rooted for a televised boxing match between the actors/comedians. We all watched the Trump and Hillary debates right, where his belligerent behavior was coddled while she had to maintain composure?
We’ve collectively grown up watching male newscasters, talk show hosts, and reporters make jokes about angry women in sports, in the media or in news reports being on their periods, as a way to minimize the stressful and abusive circumstances, or people, women are subjected to. The world expects women to react to harassment with class and elegance; women’s anger, Black women especially, is never not mitigated. For male fans to come away from that scene wanting to eye roll is why the commentary is so “in-your-face” because a lot of y’all still don’t get it! Men are still finding ways to make women’s issues about them and the “loss” of their rights. In a world where Brock Turners are able to walk free, are you really trying to argue against this scene? Really? What else do you expect out of a series whose main character is AN ATTORNEY? Y’all are just not going to enjoy this series then, as per usual.
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