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sortasirius · 4 years

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what makes you think the writers want deancas? not trying to be an asshole, i'm just genuinely curious as to why you think that. i know berens' episodes are pretty heavy with subtext so i can see why you'd say that he wants it, but i'm not so sure about the rest of the writers/dabb. it seems like meghan isn't a huge fan either, given her "they twisted it so fast" tweet :/ of course she's a very new writer (think she's only writing one ep this season?) but still

OKAY this is a great question, welcome to my dissertation.

I’m going to address the end of your question first. Meghan is actually DeanCas positive, she has been for quite a long time. She actually, a few years back, posted a picture of her reading a literal book about Destiel and captioned it “writing reading” or something like that.

This whole thing just comes out of a boiling over of tensions because of how nasty fandom twitter can be. Like I said here, I think this has just gotten blown out of proportion, they shouldn’t have posted all this randomly disparaging stuff, but also like...can you blame them? The fandom is a lot, we always have been, and they’re probably also under a gag order not to talk about the finale, and are annoyed that people keep asking.

So nah, Meg is not anti Destiel.

To the first part!! So let’s take a look at the show runners since Cas has been around.

Seasons 4 and 5: Kripke

Seasons 6 and 7: Gamble

Seasons 8-11ish: Carver

Seasons 11ish-15: Dabb

So starting with Kripke. Okay, yes, I will be the first to admit that we have some pretty incredible Destiel moments in these seasons, but it’s less directly written into the plot and much more from Misha and Jensen’s uhhhh ~chemistry~. The only times it was directly written into the script was when the episode was handled by someone like Edlund (“On The Head Of A Pin,” “The End,” “My Bloody Valentine”). And you have to remember, if in season 5, there are moments here and there where you’re like huh that’s suspiciously romantic dialogue, remember that Cas took Anna’s place. Anna was supposed to be endgame for Dean, but due to a myriad of issues and Misha’s general greatness, Anna was replaced with Cas.

Onto 6 and 7. Hmmm. Gamble. 6 and 7 are my two least favorite seasons and that’s no secret, and that’s not only due to the plain old weird shit in the overall storyline, but also that homegirl killed off Cas in s7 and then Bobby like four episodes later. (Also it ALWAYS rubbed me the wrong way they couldn’t have Baby in that season lol). We still had some great DeanCas moments, but again, it wasn’t really written into the overall arc (until they had to change the end of season 7 because of tanking ratings and bring Misha back lol, anyone remember the fact that Dean kept Cas’ jacket and would randomly dream of him? Yeah.). But we still had those moments, those distinctly romantic moments, probably the best example in these two seasons is from Edlund again, specifically “The Man Who Would be King,” I wrote a little about that here.

We move onto Carver, who gave us, at this point, the most overt DeanCas season with season 8 (season gr8 is a better name imo), and this is the first time Dean and Cas’ relationship is directly written as an arc of the season. I mean, you have everything in Purgatory, Dean “seeing” Cas everywhere, the fact that he felt so guilty that Cas stayed in Purgatory that he manipulated his own memories to think that he was the one that failed Cas, because he couldn’t comprehend that Cas would want to leave him, and let’s not forget Dean snapping Cas out of Naomi’s hold on him in “Goodbye Stranger.” It was a very obvious shift, not enough to alert the general audience, but more than enough for most of us in fandom.

It’s also important to note that this is when Andrew stopped co writing with Loflin and started writing his own episodes (”Hunter Heroici” anyone?) I like Loflin fine, but Dabb was able to stretch his legs a little bit more once he stopped co-writing, and we also began to see some DeanCas themes in his solo episodes.

In any case, them and their issues being a big part of the seasons continued with Carver, and Berens entered the scene, his first episode (”Heaven Can’t Wait”) is one of my favorites, with human Cas and the fanfiction gap and Dean and Cas just generally being awkward and funny and sweet. This is Bobo’s FIRST episode, remember that. He comes right out of the gate with it.

Also in Season 9, this is when Dean takes the Mark of Cain, and the Cas/Colette mirror is born, so obviously, Dean and Cas are the fabric of the season once again. This is also the season where Metatron says Cas is “in love with humanity,” and then immediately refers to Dean as Humanity so uhhhh yeah.

Onto season 10, Dabb and Berens continue with their greatness (I could write pages on the DeanCas date in “The Things We Left Behind” alone). And then we have one of the best scenes in the entire show in “The Prisoner” where the Cas/Colette mirror continues and Dean, driven by grief and pain and rage and the Mark, still doesn’t kill Cas. He still can’t kill Cas.

Season 11 is important because it takes choice away from both Cas and Dean, and shows us, as the audience, how much losing each other takes out of them. We saw in season 10 how much losing Dean takes from Cas, but what about Cas losing Dean? Dean loses his choice with his connection to Amara this season, and loses even more when Lucifer reveals he’s been possessing Cas, and plays on Dean’s connection to Cas like a mockery. It’s also worth noting that, similarly to season 8, Dean breaks out of the connection with Amara when he’s worried about Cas, and that’s something that even SHE is surprised by.

But then season 12, the beginning to the Renaissance. This is when we get the writer’s that become important for what Dean and Cas are today, and, truly, why I believe they want canon Destiel as much as we do.

This is the first season with Dabb’s writers: Davy Perez, Meredith Glynn, Steve Yockey, and of course Bobo all come in with their incredible talents and gave us episode after episode of good content. “Lily Sunder Has Some Regrets” is probably my favorite, probably the best example of what I’m saying. An episode where Dean is called out by an enemy directly, told to “roll the dice” on Cas’ life. And Dean won’t, it’s not even really a hesitation. And this comes from a character that has known Dean for ten seconds. I also wrote more in depth about this episode here. There are also some.....distinctly domestic details we get this season, specifically in “The Future” (written by Berens and Glynn) with the mixtape. The most tropey of tropes mixtape. Yeah, I’ll just leave that one here.

And then season 12 ends with Cas’ death, but also with the parallel between Sam and Dean with Jess and Cas. Sam literally has to drag Dean away from Cas, just like Dean had to drag Sam out of his burning apartment in the pilot. The episode drives it home in every way that it can: Dean is the one left kneeling by Cas’ body, while Sam goes to find out what is upstairs. Dean is the one who stares at the sky, finally broken. This isn’t a random thing, this is Dean’s whole arc, it’s the entirety of the beginning of 13. Dean’s pain, his anguish, his anger.

Season 13 starts with them burning Cas, with Dean, who has begged God to bring him back, who has split his knuckles punching a door, standing, staring at Cas’ pyre with brokenness on his face.

I mean.....

Anyway, season 13 is where it gets interesting (well, I think all of this is interesting but I’m a writer nerd so). So Cas comes back from the Empty in “Advanced Thanatology” written by Steve Yockey, and then a wombo combo of “Tombstone” by Davy Perez next (”Brokebacknatural” as the PR said at the time). Listen. This is the part that SPN crossed a line that they couldn’t come back from. With Cas being Dean’s “big win,” the fact that Dean and Cas watch movies together, “I told you, he’s an angry sleeper. Like a bear.” Talked about it here.

This is where, in my opinion, the network stepped in, but the damage was already done. They had already established that Cas was Dean’s big win, that Dean’s poor coping was not due to Mary’s disappearance, but solely due to Cas, and that Dean and Cas have more married energy than anyone else. The network had nixed blatant canon at this point, and they writing room had been pushing the boundaries of what the network would allow.

After these episodes, we see a marked drop off of DeanCas heavy scenes. They’re still there, still a part of the fabric of the season, but not as...obvious as it had been in early season 13.

And this continued through season 14, we’re back to scraps of Destiel scenes here and there, but to me it always felt like there was something bubbling under the surface, something distinctly unsaid in the themes of the season, even after the walk back of obvious “Dean and Cas are in love” scenes.

And then we get to season 15, which, y’all know I talk about all the time. What’s important here is that Bobo and Glynn are both executive producers, calling more of the shots than ever before. Additionally, it’s important to note that, though they only co write occasionally, Glynn and Berens refer to each other as “work husband” and “work wife.” Each episode has just turned up the volume, and, not for the first time, but certainly the most obvious, Dean and Cas ARE the season. Sure, they’re trying to beat God, they’re trying to finally find peace, defeat the final big bad, but really? This season has been about Dean, and Dean’s relationship to Cas.

And not only do we have obvious and clear Destiel in nearly every episode, but we have episodes like “Last Call” which canonize bi!Dean (wrote about that here).

And, maybe most importantly so far, we have “The Rupture,” the breakup, and “The Trap,” Dean’s confession (both written by Berens). And here’s the thing. These episodes feel connected, but also feel like they’re missing something. Beren’s last episode is 15x18, “The Truth.” We’ve all spec’ed about what could happen in this episode, and I think *I* know what it’s leading to. But for it to be leading to that, it means that the network has to have approved what we’ve all been waiting for years for.

Who got this change to happen? Who got the network to change their minds? It wasn’t us. It was them. I am fully convinced that Dabb and Berens quite literally put their careers on the line for Dean and Cas. They believe in them, they’ve shown that from the beginning, but the only thing standing in the way was the network, never allowing them to take the final step.

So, to answer your question: I think the writers want canon DeanCas because they’ve already shown us that they do. Take a look at their episodes, at Dabb’s, at Beren’s, at Glynn’s, at Perez’s, at Yockey’s. They’ve been telling us what’s going on with Dean and Cas for years.

Sure, I’m not in their heads, I guess I don’t know for *sure* that this has been their thought process, but if we put it all together, from the marked shift when Dabb fully took over in s12, to the change right after “Tombstone,” to the new shift, the blatantly romantic shift in season 15, what else is there?

I’ve said for a long time that we, the SPN fandom, are beyond lucky to have the writer’s that we do. They’re all going to go on to have prolific careers and we were lucky to get them at the end of our little show. I give them a lot of credit for what we have in the show today.

Just remember, they’ve been telling us in all of s15 who Chuck is. He says he’s the writer, right? But a writer who doesn’t have control of his characters? A writer who wants to do the same ending over and over because it “works”? That doesn’t sound like a writer, it sounds like a network exec.

They’ve been showing us what they want for years, and the way s15 is going? I think they may have convinced the network to let us have it.

#supernatural #destiel #spn #my writing #anyway yeah i love these writers #welcome to my essay lmao #spn writers #anonymous #lilly answers

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legobiwan · 3 years

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From one low-key Bucky Barnes stan to another...got any good fic recs? 👀🥺

Bucky!!!!!!!

So.

I think most anyone can find the fandom classics featuring Bucky without too much issue, so I won't waste time listing those. (This You Protect, Ain't No Grave, Barnes vs. the United States, etc.) The thing about Bucky fics (beyond the sheer volume of them) is that they can have a tendency to fall into some serious tropes, especially the post-TWS recovery fics (please, stop infantilizing an internationally renown assassin, among other things). For lack of better ideas, here's a fic that's gen, not quite as popular on ao3, and very, very good:

Reconstruction by Jocelyn

I love a good Winter Soldier trial fic and this one does an incredible job of creating a believable scenario where both Bucky's torture and crimes are realistic given the set-up in the movies/comics. (Let's face it, he had to have killed far more than two dozen people over those 70 years and had to endure gods-knows-what along the way.) This fic also does an amazing job of world-building Wakanda and its characters (more comics-based than MCU-based) so they have agency and are not props for Steve and Bucky's mega-white boy angst. Along with this, this story features a very complicated Tony and deals quite well with the post-Civil War fallout without throwing anyone under the bus. And Wanda gets some fantastic moments. The end, which slides into Infinity War, goes a little off-the-rails, as the story suddenly jumps into something a lot more Loki-centric, but the initial 80-90% of the fic is A+.

Stucky

Confession time: Okay, so I will admit that Stucky fics are a bit of a guilty pleasure of mine, even though a lot of them are super-tropey and can run the risk of Flanderizing one of or both main characters (or Sam and Natasha, who also get dragged into this type of character assassination). Blame it on my month-long insomnia stint in July, I'll read just about anything at 3am. I had a small list of fics that I was going to publish, but I'm not going to get into it right now. Suffice it to say I enjoy the following themes (gen or slash) if done well:

Bucky thinks Steve is his handler

Bucky revenge tour

Competent badass Backy who still stabs the shit out of people

Steve revenge tour

And yes, Steve and Bucky on Vormir. Because pain.

FATWS

The world needs more gen/gen-ish FATWS stories. Here's one I really enjoyed:

The Old Words by kvikindi

Ignore the slash pairing on this one, there's nothing explicit in it. Fantastic exploration of the twisted relationship between Zemo and Bucky and a lot of Sokovian world-building.

FICS I WANT TO READ/TO EXIST

A post-Endgame (gen) fic exploring what Bucky does in canon, as in, how does he get that conditional pardon and what the hell is he doing between Endgame and FATWS, and how does he deal with Steve's decision to stay behind? (And is he really just...alone the entire time? That's sad. Oh, Bucky.)

As mentioned above, more gen FATWS fics. Specifically dealing with the fallout from Madripoor and the possible repercussions of, you know, Bucky's whole bar fight being recorded on a zillion cell phones and thus violating the terms of his pardon. Because I want to believe there's a reason for that. I want Thunderbolts and Bucky being blackmailed onto that team (the comics run is fantastic). Basically, give us more comic!Bucky characterization, as I love how he is constantly improving yet struggling with that moral line in the sand and the specters of his past.

But seriously, I would love a more fleshed-out FATWS-verse. More Sam! More Bucky! More Zemo! More Walker! More Lamar! Just...keep it gen.

Reverse Infinity War-snap with Bucky and Loki working together (gen, please). I'm sure there are some out there and I just haven't found them. They are two characters who I think would have a fascinating dynamic.

More Zemo and Bucky fics (non-slash or at least very subtle slash). They have such a bizarre and twisted relationship and I LOVE it.

Alpine's backstory. I love Alpine.

#hello there #ask legobiwan #fic recs #bucky barnes #steve rogers #this is not to shit on tropes gods know i eat that shit up #i am not above this whatsoever #but some of the bucky (and bucky and steve) stuff can swing WILDLY in that direction

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project-paranoia · 3 years

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Live Watch: S.C.I. Mystery Episode One

I enjoy camp because I've always enjoyed analysis and examination. I enjoy looking at something from all sides, testing it with my fingertips. When I was a child I would sit for hours just looking at something until I had it all held in my mind and I felt like I understood it. Camp necessitates that understanding the way that imitation and - good - parody requires it. To quote Susan Sontag - who articulated what camp is so well - Camp is "a sensibility that revels in artifice, stylisation, theatricalisation, irony, playfulness, and exaggeration rather than content." Because of this camp takes on head to head gender, sexuality, expectations, any sort of defined norm and sequins it up then shakes it down until understanding comes out. When understanding something there are three major ways to work your investigation - what it is, what it's imitation is - the close but not quite, and what it isn't. Camp handles all three, to quote again: "Camp sees everything in quotation marks. It's not a lamp, but a 'lamp; not a woman, but a 'woman.'"

Why are we talking about camp? Because SCI Mystery is some of the best kind of camp outside of drag or screaming about wire hangers. It deals a lot with mental illness in a way that would destroy a serious show, but in this one "mental illness" is a metaphor for being marginalised and a way to talk about the mouse and cat in the room. This show is about being queer. About being gay loudly and quietly, about resisting specific labels and needing them, about the threat of a cure and the blessing of acceptance. All the messy realities of queer life as varied as queer people. Like Lil Nas X's Montero, you can appreciate the effort without being comfortable with it. While the show's allegory of mental illness when many queer people are still told they are ill is done well and there is reason to the choices and tone, things are said which can be hard to hear. Knowing they're there because they're hard to hear and have been heard doesn't help everyone.

With all that said, it's also a fun, silly bl drama. Don't let the analysis scare you off. While the information about camp can be something to be aware of, all this show requires to be enjoyed is a willingness to be amused and spooked in turns.

You know the drill, spoilers below!

* I have memorised the youku sound, I have a triggered response with it. Not all triggers are bad, this one reminds me of Guardian

* Welcome to episode one where we just leap in! But don't worry, one of them has a cute earring and they are colour coordinated.

* Watching from youtube the episode is 38 minutes long while most of the others are 45. Attach whatever emotion you want to that fact.

* The exposition is handily delivered by asking a question which tells us some things, thank you show, I appreciate it

* First episode and he's already giving his partner an in case I don't come back letter to be opened if he dies

* Wait for me!~ Go!~~

* Slow walk with dramatic music: 1 (don't make this a drinking game You Will Expire) this time with bonus almost looking back

* I've seen a similar shot on Hawaii Five O

* Don't explain what's happening, just knock everything over with a jump kick in some absolutely spotless white tennies

* Running with dramatic music with bonus looking back: Does it count? We have yet to hear back from the judges

* They leap into the water with an explosion behind them, we are less than 2 minutes in and I love that for them

* At first I thought the boats were making a big heart before I remembered that I am very silly and they are not doing that

* This one is going to be long

* I can see his pockets through his trousers, why are his trousers so thin?

* It's not kissing to dramatic music in the surf if it's CPR

* Each story line has its own intro and that's very sexy of them

* Slow walk/dramatic music: 2-6

* These people are totally goofy and and yet the Seriousness

* Two Weeks Ago!

* The police school bus has arrived to shoo away the crows circling around Dr. Zhan staring (dramatically) at the body

* Sport scar policeman dresses even more unprofessionally than Zhao Yunlan who at least looks like a detective who was jumped by so many criminals he just gave up wearing a suit and went for jeans. Chief Bai's clothes are so thin, I'm under constant anxiety someone is going to tear them off.

* Also several of the cast pictures on MyDramaList look like the pictures your auntie insists taking to send to your other aunties and I love that for them

* Triple axil spin from the victim, the judges are loving it - this is the camp I'm here for

* The dramatic slo mo and music budget for this show was so big, just as it should be

* He's mad because he's angy

* Master Psychiatrist can tell all about the killer from crouching by the body, it's a trope and this is one of the few places I like it because it serves the show instead of the show serving it

* When you're almost boyfriend is going away for reasons and it's not your decision but you can't go with him because of your job so you're just low key bitter about it

* "You can't control me"

* The pettiness between these two

* Professional women who worked hard to get where they are still are constantly obsessed with boys according to most cdramas

*The male posturing in those three second has accidentally circled back around to being gay in the way those bro shows accidentally do and I love that

* I live for this 80s-90s police chief perm

* The Pettiness

* I always tend to like doctor characters, I don't know why. Even when they aren't my favourites I like them.

* She's kind of adorable, I like her (I've seen a lot of this show and every time I say I like someone it ends badly ;-; )

* "the victems"

* If you love Creative English, this is the show for you!

* Chief Bai's crew is trying so hard to get them back together

* Dr. Zhan is so good at psychology he can tell what someone looks like from some tire tracks - this trope is used all the time in crime shows, but they push it a little farther in SCI and it really helps the viewer know what the rules for the show are

* The scene in the psychiatrist's office hearkens back to queer coded villains and the way they're treated in old black and white horror cinema - but done so artfully it's almost invisible. It's incredibly well done, and the awareness of tropes and types all throughout the series is tremendously successful as much as it's campy fun.

* There's also the trope of someone who manipulates someone into feeling like they've been "purified" and then weaponises them against the "filthy". And of course the fact that the killer's blade is a mirror - that he's killing in others what he sees in himself. This trope hasn't just been queer-coded but has been applied to any sort of physical or mental disorder. Thesis have been written about this trope and the anxiety attached to it. I can't write them better and this is long enough, it's just a small part of the excellent handling of the themes showing up in this genre and I wanted to point it out because it deserves appreciation for the skill and knowledge in the writing.

* The whole you need evidence vs you're saying psychoanalysis isn't trustworthy feels very much like a coded angry exes discussion

* I love the establishing shots, so good

* He kind of deserved that door to the face, what was he even doing

* Police violence in crime shows is supposed to be a release for the viewer, but many countries have issues with police violence so it hits wrong. Here it's far more performative in a way that at least has some awareness

* The weirdest phone call, you call someone to tell them something important and they say two things to you and hang up

* The tongue thing, why always the tongue thing?

* When a serial killer tries to compliment you by calling you a carnivore and you shut down the whole alpha male supposition by calling yourself a vegetarian

* At this point I've written almost fifteen hundred words and taken almost two hours to watch 23 minutes

* This is my life, these are my choices

* Dutch Angles

* You could make this conversation about being gay, I have had this conversation about homosexuality before

* Unfortunately while I had it I was on the bus trapped in a window seat

* The conversation didn't end with me saying something cool and everyone clapping

* They just got off the bus to go to work

* The banality of evil, yo

* Her shorts are Incredibly Short, good for her

* "arrest the perp behind my back" that's his job, broheim

* He doesn't ask why she checked behind their ears

* DUN dun dun!

* Slo mo file drop, and of course the file is blood stained and aged

* Chalk Art of Doom

* Chinese word play!

* Caught almost putting his coat over his crush, embarrassing XD

* Backstory!

* I love all the little character details, I could quote lines I think are funny all day but that would start getting silly

* Bai Yu Tong is marked as clean and having OCD but we don't see what's apparently a huge character trait at all other than the all white, do love that he's good at cooking

* Dr. Zhan: Brilliant! Genius! Cannot feed himself.

* Dr. Gong has indifference level 100% which is true and also I love that for him

* I love that Wang Shao part of the team because he's good at making friends, I love that for him

* Poor Zhao Fu: scared of ghosts and dumb and sweet? At least he has an 8 pack

* Jiang Lin is very tropey except the mention of her nearsightedness

* Ma Han's height 1.7m and legs 1.8m is hilarious and I love it

* I stopped recording the slo mo walks, but if you were drinking along with them you might be dead so I really appreciate you taking time out of your afterlife to continue reading. We appreciate all our ghost readers

* And that's the first episode! Thanks for making it to the end!

#SCI Mystery #SCI谜案集 #watchthrough #let's watch

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incoherentbabblings · 4 years

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What are your favourite comics anyway?

Oh! Oh! Oh! Okay. Full disclaimer. We’re going for what comics I re-read over and over again. Are these comics...good? Eh. Are they bad? No, I don’t think so. Some were meh to wow! when first released that time has either been kinder or harsher to, but I don’t think I have a series or a run or a title which is I like which is like... hot guilty garbage. Though, of course, feel free to disagree. There are some authors on here which people will not want to touch with a barge pole, and I totally understand and encourage not touching them if you don’t want to.

Having said that, here are my favourite popcorn comics (largely Titans and Batfam because I am... basic):

The Flash (2016) issues 39-45 + Annual #1

Having said that, Flash time first. People think Williamson is a real hit or miss writer and I do agree, but I think this whole arc is one big hit. It’s frantic in its energy, I love Gorilla Grodd as a villain, I love the modern Flashfam trying to help, I love how Wally coming in to help totally turns the tide and the mood. I love how everyone looks at Wally like… this guys is powerful, more powerful than any other speedster… but also noting there’s something very fragile about him. I didn’t include Flash War in this because I’m still waiting for the payoff for that angst regarding Wally, but this arc… mwah. Wallace Rudolph West being vindicated as the greatest Flash (whilst allowing Barry to be flawed and to lead his family)? Yes please. Also I love Carmine’s art. I gather it’s hit and miss for some folk but I love the line work. Also Carlos D’Anda’s issue (come baaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaack draw Dick and Roy again your work has gotten so much cuter this past decade) is a beauty too. Big ol’ eyes.

(Under the cut ‘cause this is LONG)

Batman Dark Victory

One of two Loeb stories for me. And yeah sure Long Halloween is objectively better but…jelly bean

Also, angry traumatised Dick smacking a dying man with a stick. What a legend.

Gates of Gotham

Cass! Damian! Dick!Bats! Tim! A mystery villain! World building for Gotham! Stuff exploding! Batfam banter! Trevor McCarthy art! This bizarre panel of Jim Gordon holding Tim’s hand like he’s checking the time?

It’s one of the last ‘pure’ Batman stories before the reboot – Bat Inc aside – so it’s how I like to read the Batfam’s relationship by the end of that universe. Everyone’s a lot more content, proud Dad Bruce, happy and settled Dick and Damian, Cassandra returning home, Tim chopping off the emo hair… it’s all good.

Grayson (particularly #5)

I know why people can’t stand it. The circumstances leading up to it are bog awful. Opinions on Tom King’s writing has only grown more spliced with time. The (sex) jokes are too on the nose and hit too close to home for many. The cheesecake art is too stilted for some. But! Issue #5 is my favourite single issue story. Ever. You never have thought boxes in this series, because everyone is lying, but you aren’t told when. You never know how genuine Dick is being at any given moment, until it is just him and the baby. I love how single-minded it allows him to be. I love how he flat out lies and manipulates to protect that little girl, whilst also caring for Helena. About how seriously he takes his job of protecting Bruce and his family (and that’s why he’s even doing the stupid spy thing in the first place). And maaaaybe it’s unrealistic that Dick could outlast Midnighter crossing the desert, but screw it. Bruce can be better than metahumans all the time. Let Dick get an issue to be so to. Saving a little girl who is probably going to grow up to be akin to Superwoman. Just because he’s given himself that responsibility. He’s going to double cross twenty groups at the same time and come out clean as a whistle. And he’ll cross a desert with a newborn to do it.

Light of my fricking life.

Infinite Crisis

I…I like that things go boom. John’s is very good for that. Also, the Nightwing and Batman moments howowheheheheheheeeeeeee. Almost wish Bruce had shot Alexander. I wonder what would have happened?

(Brief side note: Graphic Audio’s adaptation of this is great fun. I dropped a bowl of cereal at the part of Superboy Prime versus the Titans. Cassie’s scream when Pantha’s head got punched off was a bit…intense. The No Man’s Land one is very good too if you have cash to burn - the voice actors are the same in both and Nightwing’s voice actor has this lisp and I don’t know man... I love it. He’s now the voice in my head for Dick).

Titans/JLA and The Titans (1999) issues 1-25

The Titans are now known I think for not being a very proactive hero group. Books struggle with balancing team dynamics versus plot, and this one is no exception. I know people don’t want to touch Devin Grayson’s stuff with a barge pole. My justification for this is flimsy I accept that, however, the JLA/Titans comic was the very first comic I read when I was like six or seven. I was rummaging through my brother’s room as a nosy kid does and this was at the top of his pile. Thank god for the little info boxes as each Titan was captured/referenced. I fell in love with Kory, I fell in love with Dick, I fell in love with Donna (oh Donna…) and then I tumbled down a hole and pretended I hadn’t until about six years ago. So that’s nice. So yes, this one is one hundred percent nostalgia based.

But honestly, Linkara did a retrospective on this event comic and series years ago, and his reasons for loving it are the same as mine really, so go watch those if you have like five hours to kill. When Devin leaves the comic remains strong for just a moment then... absolutely plummets off a cliff. So I really wouldn’t bother with the second half of the series but hey. You do you.

Teen Titans/Outsiders: The Insiders

More Geoff John’s explosions. My first comic that got bought for me. My brother walked in to the shop and said: “I need a comic for my sister where Starfire gets a good showing” and the men went… ah yes.

Eleven-year old me was like EXPLOSIONSSSSS but also was intrigued by Kory and Dick’s bedtime convos (perhaps…I was a bit under the age bracket for this book - Kory gets a good showing huh?) but uh. Anyway. Also this is when I was thoroughly enamoured with Roy. This crossover is typical Winnick and John’s angsty angst with overly poetic narration and tropey tropes which, combined with what came before and what was to come for the Outsiders, can make both series such a slog to get through, but in isolation, I think it’s a real fun crossover which gave everyone a bit of time to shine and some real fan-ficcy moments (very self-indulgent, and I love that in a comic).

Teen Titans: Year One

I love Amy Wolfram and I love Karl Kerschel. It’s a good intro to those five characters with cute stories. Does exactly what it says on the tin. Batman is demonstrably a major prick in this, even after de-brainwashing, so it’s obviously going with the ‘Dick is only half as functioning as he is thanks to Roy, Wally, Garth and Donna’, which I can get behind 100% depending on what story they are trying to tell, but it’s just… it’s still sad to read. I just think the art is brilliant at giving each of the five very clear characteristics just from their body language, and you know immediately what each character dynamic is like with another.

Batman Hush

The other Loeb story. Again, it has what I like in a Batman story. A mystery, the family, appearances of villains, flashbacks and brooding, fighting, Jim Lee’s Nightwing being hunky… Ahem. It’s a fun read I think. Also, I really like Loeb’s Bruce? I don’t think people talk about it much. But he’s really chatty in his own head. And he’s witty and dry and funny. I like that! Also, Babs is such a backbone of this story. I adore that. She’s treated well here, I think.

Black Mirror

I flipping love this arc. I love it. I love the two contrasting but deeply disturbing in different manner art styles, I love the mystery, I love Babs role in the story, I love Tim’s little appearances and the banter with Dick, I love the weird villains and the terrifying ones, and how you think one is one of the two only to be revealed to be the other or both. I love Dick’s investigation and how he goes about it differently to Bruce. I love Dick’s relationship with Jim, I love the flipping reference to the vultures and owls seemingly following Dick (a whole reboot before Snyder got to tell that story), I love the monologue about how James thinks Dick is weird and weak for his compassion and love, when really that’s his greatest strength, I love Jim wanting so hard to believe James is trying against Babs’s cynicism, but also does try to get an unbiased opinion of someone who is proven good at reading people (Dick) and does what he needs to when his son is actively harming people, I love that ambiguous ending and the questionable science, I even love the Joker’s one (1) scene with Dick. I love this line,

I love Snyder at his best. When he’s good…mwah. Great.

…And yeah. That’s my story.

#dc #dick grayson #bruce wayne #wally west #koriand'r #roy harper #batfam #the titans #the fab five #I love talking about things I like I'm sorry this is so long!#ask and I'll babble #Anonymous

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onthevirgeofdestruction · 3 years

Text

35 Q’s for Fanfic Writers

From this post

I’m having a shitty, rude alter-y, crap night so I’m just going to answer all of these to distract myself and focus and to not bother anybody just making my own post and putting it under the cut btw, notice to anyone not aware: since I’m moving I won’t likely be updating anything until I’m done doing so.

1. From one to five stars, how would you rate your writing? (No downplaying yourself!) 3/5? Could use more editing and description and can be weirdly paced.

2. Why do you write fanfiction? Because it’s better than focusing on pain 24/7.

3. What do you think makes your writing stand out from other works? I don’t seem to have a specific narrative voice that people recognize but I’m pretty proud of mostly organic dialogue.

4. Are there any writers that inspire you? as a rule i never look up to anybody for inspiration but there’s some stuff in my ao3 bookmarks I fawn over.

5. What’s the fic you’re most proud of? Right now, none of them. It changes normally, anyway. If get too proud then I’d get my ass kicked by RSD if someone didn’t like it so it’s safer this way

6. What element of writing do you find comes easily? Dialogue.

7. What element of writing do you struggle with most? Organic description, poetic language kind of stuff. I can paint a scene but I’m not so great with bring out out a feeling with description alone.

8. Which character(s) do you find easiest to write? Janus and Virgil are probably tied. They both have things I struggle with but I don’t have to go back and do much adjusting of language and tone with them. Though admittedly my Virgil is signifigantly more foul-mouthed than canon and I tend to prefer pre-AA feral asshole Virgil.

9. Which character(s) do you find most difficult to write? Patton. I write him the least, so people can probably tell. I love Patton, I really do, but it’s so hard to keep away from fanon Patton.

10. What’s your favorite genre to write for? Angst w/ H/C obviously. Or if you’re talking about regular book genres, Fantasy. I fucking love fantasy world building.

11. Who or what do you find yourself writing about most? Trauma. I blame Daeram. As if Ayri isn’t a giant Angst Demon.

12. Tell us about a WIP you’re excited about. Slopes. I’m really into it. I’ve got three one shots running right now. Patrons can read the first part of the unnamed cat remus one, there’s also a coffeeshop au tropey nonsense one like eglantine & lycoris, but Slopes is addiction angst. Mmmmm. Virgil is addicted to coke and alcohol and will listening to his friends even be in time? Who knows, especially not me, but there’s already over 30k.

13. First fandom you ever wrote for? InuYasha. Or was it Harry Potter? Or shit, The Blue Sword? Fuck, I’ve been writing for a long time, I really have no idea.

14. What’s your favorite fandom to write for? Sanders Sides. The characters are the perfect dynamic for writing since they exist in balance of each other and the popular, easy to project on archetypes featured are incredibly fun to do basically any scenario with.

15. What’s the weirdest fandom you’ve ever written for? Weird storywise? Kingdom Hearts? I can’t even follow the plot anymore. Weird Fandomwise? Sanders Sides. Its simultainiously the fluffiest and angstiest nonsense at the same time.

16. Any guilty pleasure trope(s)? Vampires. Gay ones. Gay Vampires. I also love calm tol and angy smol.

17. A trope you’ll never, ever write for. Any tropes that normalize incredibly toxic behaviour or tropes that are inherantly ableist, but I can’t think of any.

18. Wildest fic you’ve ever written? Incorrigible continues to be complete nonsense.

19. Do you prefer canon-compliant, AUs, or something in-between? AUs. I mean closest I even have is canon-divergence other than a single short.

20. Gen fic or shippy stuff? I like it when there is gay nonsense along with a plot that is treated as more important than the relationship the most. But I like both. There’s more shippy stuff in tss so i read more shipping action by default.

21. Favorite pairing to write for? (platonic or romantic!) Anxceit/Sleepxiety, but in general, give me darksides or give me death/j

22. Do you listen to anything while you write? Almost everything I write has a special playlist I listen to to help me write it, but otherwise I listen to my Nyan playlist, an alter is picking the tunes, or a voidfam playlist. I never have music off. When my internet is down I just listen to the songs I own or Anxiety’s theme on loop.

23. Do you prefer prompts and challenges, or completely independent ideas? I’m fine with all of them. I love working with prompts but I tend to deviate. And I’ve never done a challenge since I can’t do deadlines and bad things happen bingo never sent me a card and I applied three times.

24. One-shots or multi-chaptered works? I am generally multi-chaptered stuff, but I’ve been working on a few one-shots lately that are much longer than most one shots.

25. Have you ever daydreamed about side adventures/spin-offs from your fic? Tell us about them! I was originally thinking of doing some little 13-year-old Dreaming!Roman (y’know, the one with a job) shorts but it turns out I just had an alter of that little bastard and that’s why I inexplicably know more about him then I ever even considered. I still might do them after Dreaming is done. But that’s paced so slowly who knows when that might happen. Otherwise I put stuff in my notes and just do shorts of it if I’m like “oh you know what’s cool???” but since I can’t daydream maybe this question doesn’t apply to me.

26. Is there anything you’ve wanted to write, but you’ve been too scared to try? I want to do more autism stuff, and I’ve had it demanded a few times, but I’m scared of being that explict about it for some reason. Possibly because I might be, possibly because I’m scared of doing it wrong even though I’ve accidentally coded multiple characters autistic. I’m scared of explictly tagging them as such, too.

27. What’s the nicest comment you’ve ever received? That I can remember off the top of my head? I’m going with one from @a-genz-with-trauma-and-kins. It really helped me out and was just so kind and literally the best christmas gift I got in 2020.

28. How well do you handle criticism when it comes to your writing? I can handle it alright but Daeram is a little fucking pissbaby about it. Constructive criticism helps people get better, so I appreciate it. I can’t handle critism that is incomplete, though. “i just don’t get it” or “I don’t know I don’t like it” kind of things. If I can’t understand the why to fix it then things get out of control. And then I spiral and RSD for like four days minimum. If it came from an anon or a troll, too, It might not bother me for as long. Things that are just like “this is shit and you should feel bad” just make me laugh. Couldn’t even bother to read it long enough to insult me proper? I don’t care.

29. Have you ever gone outside of your comfort zone for a fic? How did it turn out? I have a few times. Mostly in shorts and prompts, I think. I think they turned out okay. They’re not particularly inspired or anything.

30. Tooth-rotting fluff or merciless angst? Depends on my mood. Am I triggered? give me the fluff. Am I vibin? Angst.

31. Do you have any OCs? Tell us about them! Fuck, fam, no, I can’t, I have so many. I have multiple original stories and some of them have very large casts and like holy fuck. Or do you mean in Sanders Sides fandom? Um, Morgan and Thorn in PD. The lesbian and her himbo dynamic. I love them. They’re dorks. Morgan is strong person with sharp tongue and soft romantic heart and Thorn is just so kind and so dumb and so exciteable he’s like a puppy. They were just filler characters and I got attached to them. Felton even gets redemption for being an ass later in PD, like oof i never intended to include so much OC content, especially for names I just picked randomly.

32. Summarize a random fic of yours in 10 words or less. nope I’m doing all of them because these are fun plea for my new self: 2 gay vampires, 4 humans, 1 braincell dreaming while I wake: trauma child needs therapy and so do you break: big oof, oh dragons, oh why, go virgil go rebuild: virgil is so not okay there’s more virgil to deal painful death: gay teens drink themselves into a new religion stargazing: whoops we didn’t realize people actually cared whole castle: everyone will throw down for kid!patton, even you incorrigible: found family with a shot of psychological horror and crack dangerous instincts: wholesome crime syndacite action slopes: addict gets mugged and thinks that’s just fine with him conflagration: logan avoids everything ever like a champ cat!remus: bored fae shifts gay pining from one person to another caffeine cyptids: caffinated gay panic goes faster than regular gay panic eglantine & lycoris: more tropes than you can toss a shoe at storytime: overpowered virgil also overreacts literally always

33. Is there anything you wish your audience knew about your writing or writing process? an alter and I write together and I have absolutely no idea what’s going to happen, what I’m writing about, or even what year it is. I often don’t even remember what I wrote. There’s no outline. I have an idea and I pick things at random for it. There’s just notes and an evil gleam in a demon’s eye. The only reason I know more than readers is because I take a long time to edit and some of these stories have fucking alters up in my head who can tell me things. Daeram tells me nothing. The writing demon supposedly has all this knowledge but I have absolutely no clue because he does not talk to me, he just fronts and slams out 9k in a few hours or we cofront to write and I’m like “oh no she didn’t” while typing

34. Copy and paste an excerpt you’re particularly fond of. i’m fond of the entire painful death series and I tried to find something I really liked without spoilers in stargazing and I couldn’t so here’s a random thing from incorrigble: “So, what do you do with your friends?” Patton continued on with a megawatt smile. “Grand larceny,” Virgil deadpanned and glared at Patton, who was taken aback. Remy and Andy just broke out laughing while Virgil tentatively sipped his still-too-hot-cocoa.

35. Ramble about any fic-related thing you want! slopes my dudes slopes i have learned so much about cocaine! like wow! I thought for a minute it was going to end with MCD around 30k but it swtiched from whump to hurt/comfort and I still don’t know if it’s going to be MCD but look at that funky little coke/alcohol addict go, it’s a medical wonder he’s alive! It’s not like there’s what seems to be a little talked about interaction between alcohol and cocaine that causes a toxic chemical to build up in the liver which can result in liver failure and sudden death at basically any moment! Which is part of why it may result in MCD but this time no ghosts! maybe it’ll be h/c with whump elements or maybe it’ll be whump with h/c elements we can’t know for sure

#ayri writes #tw drug mention

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earlgreytea68 · 4 years

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A Review of the Fall Out Boy Biography Inevitably Colored by Shippiness Oops But Really Mainly By My Love for Pete Wentz

I don’t even know who the audience is for this monstrosity of a review, nor do I know the audience for this biography, though, so, like, it’s fitting lololol:

I am a new Fall Out Boy fan. I say that because, if anybody was in need of a Fall Out Boy biography, you would think it would be a new fan. AND YET. I’m not entirely sure who the market for this book is, because it isn’t really Fall Out Boy fans of any duration, because not only can everything in the book be easily located with the simplest of Google searches but also there’s so much he leaves out. And what he leaves out is just…so incredibly telling. It’s like, the facts he chooses to highlight are often pointless and random (although thanks for telling me that Pete Wentz’s jeans were so tight he had to perform without underwear, I’m going to think about that a lot now), whereas the facts he leaves out are the ones that lend both complexity and context. Like, this whole book could be Exhibit A in how malleable facts can be. Given the same set of facts, this man and I would tell two very different stories.

At least partly this is because he’s a music critic (I glean from the book) and I’m a creative writer. I believe he is a music critic because he takes care to dedicate a paragraph of musical analysis to every song on their earliest CDs (he loses interest in them over the hiatus, and more on that later). I appreciated this, because I know nothing about music, and I learned a lot about how talented Patrick Stump really is, like, not as a vocalist, because I knew that, or as a musician, because I also knew that, but as a smart, clever songwriter. I don’t know how to critique music, and I was happy this guy was full of praise for what Patrick does. He also pointed out musical hallmarks of theirs – like their tendency to drop the music suddenly for Patrick to sing an a cappella line – and that was the first time I’d ever really thought about them.

He was full of much less praise for Pete’s lyrics, though, and I think that’s because he’s a music person, not a word person. Not that he thought Pete’s lyrics were ever bad but he tended to stay very conventional about them: emo, confessional, dramatic, and ingeniously juxtaposed with Patrick’s clear-as-a-bell voice. He’s kind of obsessed with the contrast between Patrick’s voice and the lyrics he’s singing, whereas I’m much more obsessed with the contrast between Patrick himself in sweater-paws and glasses snarling, “I am your worst nightmare,” like, sweetheart, I doubt it. AND YET HE PULLS IT OFF. Like, that’s so interesting to me, how much Patrick can make himself embody Pete, that act of alchemy where he sings on his behalf, but this book talks less about that than I think it might, mostly because I don’t think this guy really wants to think too hard about how incredibly good Pete’s lyrics actually are. The thing about Pete’s lyrics – he does this, and it’s so clever, it’s killer clever – is you can read them so easily on one very obvious and expected layer, and then there’s always one or two additional meanings tucked underneath them, and you might never stop to think about them, especially if you’ve already written him off, but his lyrics reward careful study and a lot of thought, he specializes in triple entendres, a turn of phrase that spins out into so many meanings, that’s so hard to do and he makes it look so easy that it’s such a simple mistake to dismiss it, to not even see how dense his poetry is. The conventional story on Pete Wentz is he’s good at marketing – marketing the band, marketing himself – and so he spun in circles to keep the spotlight on him and away from Patrick, and that’s definitely one take, and another take would be to point out that the same whirligig sex-symbol tabloid-fodder act also had the side effect of undercutting any tendency to take Pete seriously from a literary point of view, like, so much easier to just say that, in keeping with his goth guyliner, he wept into his inkwell and scrawled messily over parchment. So anyway: criticism #1 of this book is that they should have complemented the music-critic-ness with an English major.

Criticism #2 is that I feel like people always get wrong what appeals to girls, to speak in the massive generalizations of this topic. Like, someone somewhere was like, “Hey, girls like this Fall Out Boy band, it must be because Pete Wentz is hot.” And they’re not wrong about that, exactly, but they always seem to miss how many entangled layers often come with attraction. Like, yeah, sometimes it’s just he’s got nice abs but often there’s a million other things happening there, and one thing I cannot forgive this guy for is not just his failure to engage with Pete’s lyrics on any real level, but how little he also truly examines Pete Wentz’s genuine marketing genius. He’s a music guy: His interest is clearly in Patrick, and also in Joe and Andy, because they’re musicians, and he can wax poetic about them. Pete gets his standard paragraphs: Oh, he chose the right management, the right record label, the right deal. He can pick out a good band, like Panic! or Gym Class Heroes. All of that is true, but none of it really grasps exactly how smart Pete really is. Like, the book hardly mentions at all how much Pete realized immediately the value of internet fandom. When I first fell for Pete Wentz – that first weekend I spent Googling him – what really was the death knell for me was stumbling upon the old FOB Q&As he used to run in the earliest days. And it wasn’t actually his constant leaning into the Peterick shipping with such dead-on unerring understanding of fandom that did it for me (although that was pretty charming, ngl). It was how often teenagers messaged Pete Wentz with their problems, and how patiently he took the time to respond. My boyfriend broke up with me. My grandma just died. I don’t feel like I fit in anywhere. Again and again and again, Pete Wentz took these messages and wrote out detailed, laborious responses. And I know he was a guy angling hard to be famous but not all guys angling hard to be famous realized how important something like this is, this very personal connection, like, above and beyond the bantering and the smirks, and even if you’re doing it entirely for ulterior motives, that’s a ton of emotional labor he was performing. I finished reading those Q&As and thought, God, Pete Wentz must have been exhausted.

And I’m not sure that’s something the bio ever really wrestled with, because it never really talked about that aspect of him. I don’t actually think the bio read anything Pete Wentz has ever posted online, like, not even those basic Q&As that are the easiest thing in the universe to Google, never mind the secret blogs he still has scattered all over the internet with nuggets of lyricism buried in there for Patrick to mine. It’s just so easy to buy into the Peter-Pan, devil-may-care Pete Wentz picture, and for all I know that’s the truest of the pictures, but it’s also undeniable fact that the other side to that was either really cunning and savvy or just a nice guy, and either way it’s another layer to Pete Wentz that gets short shrift in the bio. Which isn’t surprising because although the author clearly appreciates Fall Out Boy the band, the author clearly isn’t fannish at all, whereas it’s pretty abundantly clear Pete Wentz is fannish. He’s unapologetically fannish. He speaks fan language with a fluency that is hard to fake. And he’s astonishingly well-versed in tropes. He’s instinctively good at creating a good story, not just in his lyrics (although he, like Taylor Swift, is adept at tropey lyrics, so it’s no surprise they have a mutual admiration society), but in his life. In addition to the Q&As, that first weekend was full of me being like, …How is this the tropiest thing I’ve ever read??? It’s unsurprising that the bio doesn’t point out all the tropes in the Pete Wentz / Patrick Stump / Fall Out Boy story, because the author isn’t versed in tropes, but Pete Wentz definitely is. He knows how to use words, well. And you wouldn’t necessarily know it to listen to him – he babbles and uses tons of filler phrases and never, ever ask him what his lyrics are about, it’s like trying to have a conversation in Wonderland – but that’s all part of the aw-shucks-sometimes-I-scribble-some-stuff-down-Patrick’s-the-real-genius brand.

Now I am not qualified to write a Fall Out Boy biography and also I don’t know these people and also everything I do know comes from Google but that said, I feel like I do know for a fact some primary source materials that the writer just chose to leave out that really does display how malleable stories can be depending on what you highlight or not. Like, if he didn’t want to draw psychological conclusions based on the facts that’s fair enough. But he also pared back the narrative so drastically that it left off the true meat of it, like, if you read this book you would not necessarily think there was much interesting about these people, whereas if you really dig into everything they’ve got out there, well, you could start to think they’re super-interesting people. But I am a creative writer and this biographer was a music critic. He settles happily into the song analysis but I’m busy connecting dots into a narrative, and life is complicated, it is not a simple narrative, but that impulse underlies most biography, the idea that we can assemble the facts into something that has something to say about a human life. But that act really exists in how you assemble the facts.

~~~~~~~~TRIGGER WARNING: SUICIDE DISCUSSION~~~~~~~~~~~

A really good example of this is the way the biography deals with the Best Buy incident. Here are the bare facts: Pete Wentz, in a Best Buy parking lot listening to Jeff Buckley’s “Hallelujah,” took too many Ativan. In a phone call, his manager noticed he was slurring, called his parents, they rushed him to the hospital, he lived. These are the facts that the book gives you, and these are true facts.

If you want to expand slightly upon these bare facts, Pete has given many, many interviews about this incident because he is very open about mental health issues and his bipolar disorder and depressive episodes and anxiety. Pete has said that he’s not sure he was trying to kill himself so much as just make his head quiet for a little while. Pete has said he felt like he was too busy being Pete Wentz for everyone else and he just wanted to rest. These are also facts, although ones I don’t think the biographer truly believes. He does dutifully quote them but he also clearly has his own belief about how much Pete’s telling the truth. Because this is inevitable in any telling of the facts.

If you want to expand slightly upon these facts, you could point out that Pete’s lyrics reflect how noisy his head is (“when this city goes silent, the ringing in my ears gets violent”), which might color how you understand him when he says he just wanted some peace and quiet. You might also point out that, as the bio has already said, Pete was the driving force behind the band’s strategy and it was about to culminate. You might remind the reader that Pete walked away from other possibly very successful careers to do this band (there is much made in the book of the theoretical ease with which Pete could have achieved a soccer career, which made me raise my eyebrows a bit but, you know, Patrick does say Pete’s really, really good at soccer). You might recall that Pete has these kids relying on him whose parents he literally had to persuade to trust him. You might say that so far everything had gone exactly as he planned and he just needed to stick the landing. You might mention the fact that they kept rewriting songs and rewriting songs and rewriting songs; that Pete was in such utter meltdown mode that he was sliding lyrics under Patrick’s door and then retreating, so that the rest of the band never even saw him; that they had scrapped half the album and were furiously writing new music right up until the deadline – all of which are facts not even mentioned. You might say all of those things, because they are indeed all true facts.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It is appropriate at this point to note that many of these things were simply not germane to the story this biographer was telling, which was a music-critic-focused story. But these things are all incredibly germane to the story *I* would tell, about these four people who found each other, lost each other, and found each other again, and the two people at the center whose creative alchemy was by turns either too dazzling or too explosive and in both incarnations needed to find a way to balance to keep the band afloat. This is the story I would tell, but, to be totally honest, Pete and Patrick’s creative partnership doesn’t really seem to interest the writer of this book. He mentions it vaguely, in passing, once or twice, fairly standard surface proclamations about Pete handling lyrics and Patrick handling music, and Pete drawing the spotlight away from Patrick who didn’t want it. Or he’ll say that the true secret to the band’s success is Patrick’s voice and Pete’s lyrics, like Patrick could be any pretty-enough voice, which I think just isn’t true, there’s so much more to the way they clicked together. I read this great New Yorker article once about how, through history, genius exists in pairs, that often two people need to find each other to push each other to be better than they would ever be apart.

It’s fine to not want to get into that too intensely, it’s just that that means that half the story of Folie goes away, if you’re not focused on how the band was creating. Like, there’s so much about the lead-up to Folie to talk about: Patrick’s control over the music to the exclusion of everyone else, Pete’s worsening prescription pill thing, and the way that their creative partnership seemed to disintegrate while simultaneously leaving no room for Joe or Andy in the band. The book mentions really none of this – nothing about the fact that at one point they had descended into physical altercations over chord progressions; nothing about the story the producer tells that Patrick would get so frustrated after phone calls with Pete that he’d throw things around the studio; nothing about the story that Patrick once told Pete, “I don’t care, I’m going to write a song and call it ‘I Don’t Care,’” such a telling little tale when later Patrick comes to hate the song “I Don’t Care” – so the hiatus feels like it descends out of nowhere, with a paragraph about the fans not liking the album. Which, again, is a true fact, but without the other true facts of the way the entire creative process was crumbling around them, around all of them, it sounds less compelling. The bio does get into Joe wanting to flex his creative muscles more but doesn’t connect it back to the Folie era of being shut-out. The hiatus becomes entirely about Patrick not liking being booed.

Even worse to me is the book devotes a lot of time to each of their music videos, which is awesome, because their videos are important and great, but it devotes exactly zero time to the video for “What a Catch, Donnie.” And I’m so bewildered by that, you can have a field day with the symbolism in that video, even if you want to just make a true factual statement about its plot: Patrick collects all of the detritus of Fall Out Boy and all of their friends come and party with him, while Pete goes down with a sinking ship all alone, to a medley of the words he’s leaving behind. Like. That is literally what happens in this video. And then the hiatus starts. To me this is one of the most ridiculously angsty things ever, that they would go out to their own triumphs echoing back at them and the literal death of captain!Pete Wentz. To the story I would tell, this is the most germane. It merits not a single mention in the bio (other than praising the song itself for being one of the strongest on the album, and talking about the Elvis Costello cameo).

Because he’s much more interested in them musically than as people or relationships, he seems to lose interest in them post-hiatus. He details each of their hiatus-era projects with his typical attention to the music criticism side. And then he spends, like, eight pages talking about the guy who wrote the article that triggered Patrick’s “We Liked You Better When You Were Fat” blog post. I’m not even exaggerating. It’s an entire chapter dedicated to the article and the guy who wrote it. Patrick’s response is described and quoted and even praised, but not in nearly as much as detail as the original article, and Pete’s reaction to Patrick’s blog post gets literally zero attention. Which is fascinating since, in some tellings of the story, that’s the entire reason the hiatus ended. Pete has said on multiple occasions that he read the blog post and was upset Patrick was so upset and called him up and asked him to try writing with him again. But if you’re not actually interested in that creative relationship as a relationship, then you don’t see a reason to explain the motivation behind trying again.

You also don’t really see a reason to tackle why they initially struggled to get back into it. Like, truly grappling with the Pete/Patrick relationship leads to more depth than the surface “Patrick doesn’t like the spotlight, so Pete takes it for him.” That’s too simplistic a formulation, as Pete himself has said. It also discounts Patrick’s obvious dedication to Pete, his complete willingness to step in and publicly defend him on many occasions, like, Patrick’s no shy, retiring wallflower when it comes to Pete, Patrick can let loose viciously on behalf of Pete. Their protectiveness is mutual, although the public narrative often glosses over that. (In one of those “why leave that out” details, the biographer notes that Hemingway was Pete and Ashlee’s ring bearer but not that Patrick was Pete’s best man, Idk.) At any rate, I point that out because the struggle they had to find their groove writing together after the hiatus mirrored their initial struggles, to find their way into trusting each other’s strengths, but the book is just kind of like, “The first session wasn’t successful but the next session was. They were out of practice.” They weren’t out of practice with songwriting, not really, especially not Patrick – they were out of practice with each other. And that wasn’t just a hiatus-era souvenir, that went back to Folie, but we didn’t get that part of Folie.

The biographer also, annoyingly in my view, loses all interest in them at this point. He devotes almost no time to the post-hiatus era, which is fascinating to me, since their ability to launch a comeback as successfully and relevantly as they did is striking, and to do it not by relying on nostalgia but by generating genuinely new hits with a genuinely new audience, and he’s not interested in that at all. Even worse than not being interested in this is the fact that he fails to close the Folie loop, like, he devotes lots of time to Patrick coming to hate Folie because of how much the fans hated it. Then he makes a little note, like, “Maybe someday Patrick will come to love Folie again,” or something, and the thing is, I know the book was written a few years ago now, but there was definitely stuff available about how much Folie had become a fan favorite in the hiatus years. Patrick gave an interview somewhere where he talked about the reunion show and how he read fan reviews of it and the fans were like, “They should have played more songs from Folie!” I always think at that point And then Patrick looked into the camera like he’s on The Office. But, at any rate, Patrick got to see Folie become beloved and that loop could have been closed better and he just leaves it dangling. (I’m almost like, Did he really write most of this book while they were on hiatus and then when they came back he was like, …Goddamn it?)

He doesn’t at all get into the shock of the immediate level of success of their comeback, like, that’s another thing that’s documented, that they were unsure anyone would care and they were so startled by the response that they had to actually add larger venues onto their tour because they’d thought no one would want to come to their shows. He could have talked about how people waited hours outside in the Chicago cold to get into the comeback show, how they started the show with “Thriller” and Patrick says the response was electric and it must have been amazing and he’s just not really interested in it, you can tell that he’s bored. He doesn’t talk about how Patrick hadn’t really thought about having to perform the new songs live because he didn’t think anyone would really care about the new album, so they had to really think about how they were going to make it work, and how he almost permanently damaged his voice having to sing “Alone Together” live and that’s what finally finally drove him to pursue actual voice lessons, like, he mentions none of this, he’s just like, “They wrote Save Rock & Roll, and then they wrote American Beauty / American Pyscho.” He’s just clearly, at that point, bored. Whereas in the story I would tell, that is the most satisfying part, the happy ending beyond their wildest dreams.

Okay, omg, this is SO LONG, but here are some other random thoughts:

· He never – not once – goes back to source Pete’s lyrics to their original blog entries, which can be very interesting. This is because he’s not interested in the lyrics really, but it’s very frustrating to me because, like, SOMEBODY TAKE THESE LYRICS SERIOUSLY, PLEASE, THEY’RE SO GOOD. It also means that he misses things like “Miss Missing You” and the way it echoes Pete’s poem with the line “I miss you missing me,” like, that’s just a fact ::shrug:: He also says “Hum Hallelujah” is about teenage romance, and that is the most straightforward, surface-level reading, like, “Oh, it says ‘teenage vow in a parking lot,’ that’s what it’s about.” This pains me only because “Hum Hallelujah” might be the most perfect lyrically constructed song Fall Out Boy has, every line is golden and stuffed with meaning and emotion, and he’s just like, “teenage romance,” so dismissively, and I wince, like, “I could write it better than you ever felt it” is a line that deserves more than that. Not to mention “I love you in the same way there’s a chapel in a hospital,” god, or “One day we’ll get nostalgic for disaster,” ugh, do not read this book for lyrical analysis. He also terms the best lyrical line on Cork Tree as “To the ‘love’ I left my conscience pressed / Between the pages of the Bible in the drawer” and, while there’s nothing wrong with that line, I don’t even think that’s the best line in XO (I mean, leaving off the follow-up of “What did it ever do for me? I say” undercuts those lines immediately, imo). (He does at least point out that “Keep quiet, nothing comes as easy as you / Can I lay in your bed all day?” is a devastatingly sexy couplet.)

· Can I just say, the entire debacle with Hey Chris gets precious little time in this book, which in a way is fine but in a way is like, just by Googling I got way more information on what went down and the weird, weird words that were being flung back and forth (at one point the term “heterolifemates” is used which makes zero sense at all in this context), but this book does spend a lot of time with Chris and Pete pre-Patrick (fascinating, right???) and there’s this weird part where Chris says he hated Pete before he met him and is like, “He should wear pants that fit,” which is just…such an interesting reason to hate Pete Wentz, like, Idk, Chris, coupled with your heterolifemates thing and weird thing about “whose name do you say every night???” which is also weirdly sexual phrasing and also being like “no one knows how to break a heart like he does,” like, everything about this entire situation has so much queer subtext but the book doesn’t touch any of that, ever, in any circumstance, with a ten-foot pole.

· EVERYONE, THE BORDERS WHERE JOE AND PATRICK MEET IS LOCATED IN EDEN PLAZA AND I AM SO UPSET I DIDN’T KNOW THAT WHEN I WROTE THE DEVIL FIC.

· I did not know that the producer wanted them to change the “We’re falling apart to halftime” line in Dance, Dance because he thought it was too incomprehensible and I’m just like, That’s the lyric where you thought you were going to lose people??

· From the bio, describing the Live in Phoenix performance: a strange moment where Wentz inexplicably gets changed onstage. A strange moment? Inexplicably? Okay, like, germane to my telling of the story is how much those dick pics affected Pete Wentz’s public persona, how much he knew exactly what he was there to sell and he sold it with gusto, and how much of a spiral that ultimately sent him on. Instead, this biographer finds it inexplicable that Pete Wentz would take his shirt off onstage, and his analysis of the music video for “This Ain’t a Scene” gives the dick pic storyline only an offhand reference, calling it “making light” of the scandal, instead of really digging into the obvious pain there, like, that’s not a joyful lark there. (Later, much later, years later, Brendon Urie will manage to actually make light of the dick pic saga, both in the Drunk History and also in the joke of the dick pic being the photo that comes up when Pete calls him, as seen in the promos for the tour they did together, and that feels much more genuine. But that bit in “Arms Race” is kind of heartbreaking.)

· Pete says of their failed attempt to get the Guinness record of the first band to perform on all seven continents that it was the worst feeling he’d ever felt in Fall Out Boy, and the biographer is like, “Really, Pete? Really?” and I kind of want to shake him because Pete Wentz is obviously a dramatic person and he feels disappointments keenly and he made that statement literally just as they were finding out they wouldn’t be able to do it, like, of course it’s just hyperbole! The biographer is weird through that whole section of the book because he never once mentions that, as a consolation to Pete, Patrick stayed up all night with him so they could get the record of most interviews by a duo in a twenty-four-hour period, like, that’s what I would have said about that story instead of trying to get way more out of Pete’s off-the-cuff self-pity (which is just so Pete Wentz, it’s like this writer hasn’t just spend a hundred pages writing about him…).

· Whenever I read about how many songs Patrick shows up with when it’s time to record an album, I always feel this little twinge of solidarity with him, like, sometimes that’s just how it is in your chosen creative medium, you’re just always endlessly writing.

· I had never thought before about the fact that Pete says all the time that he was too selfish pre-hiatus, all the time, a lot, that’s how he describes his problem – and the fact that there’s an entire song on Truant Wave called “Love, Selfish Love” with the line “God bless the sad and selfish” and I’m just going to…sit here and think about who in Patrick’s life could be described as sad and selfish.

· From the bio re: Soul Punk: It’s disarming to hear this garrulous boy-next-door sing so candidly about sex. Yeah, I don’t think you were paying attention to the way Patrick smirks at the camera in the music videos, buddy.

· Detail I knew but had never really thought about before: that Pete got Patrick to really click into songwriting with him again by giving him a puzzle. Patrick says that sometimes Pete gives him homework assignments, “I want a song that sounds like x, y, and z,” and Patrick will be like, “That’s impossible,” but also so intrigued that he ends up sitting and writing the thing. The fact that Pete knew, after a few mediocre songs neither of them liked, like, “You know how I snag him? This way,” is adorable. Also, the fact that it was Pete who adored the song to come out of it, “Where Did the Party Go?,” and that it was his excitement over the song that made Patrick think, Okay, maybe we can do this, like, it was Pete’s joy that drove Patrick’s optimism, they’re so creatively linked, these two.

· He does include the detail that Pete was worried he’d fallen behind during the hiatus because he didn’t spend much time playing music and so he committed himself to practicing and improving with metronome work, like, Pete Wentz ugh <3. In a very recent interview that I cannot blame the bio for not including, Pete said that Patrick helps him with the bass because he’s so musically talented and everything about that offhand statement just kills me.

· I did not know that one of the leaks of their reunion was on a blog that wrote “You can stop refreshing for a journal update,” and I’m in love with that, sorry.

· Ugh, can I just say, the fact that Patrick sang all of his vocals for Pax AM Days live with the band is just so unbelievable, he kills me.

· From the bio: “We were fireworks that went off too soon / And I miss you in the June gloom, too,” Stump sings here, and you can’t help but wonder if the words refer to his public but brief marriage. …I have indeed helped the wondering of that because I have never once thought that about this song lolololol

#long post #peterick #pete wentz #fall out boy #fob #bandom

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rappaccini · 3 years

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so i finished the irregulars and... hm. thoughts.

supernatural episodic mysteries set in a magical victorian london? love that. it feels like a children’s book series brought to life.

it being an entirely original creation is something i appreciate.

the aesthetic is fabulous. i could see myself just leaving this on in the background because the vibes are good.

the cast of plucky found family misfits is fun. they have great chemistry and i love seeing them play off each other.

however the characters themselves are a little too... tropey? they feel like the cast of a ya novel; they’re too archetypal, and not enough of individuals. after eight hours i know what they’re supposed to be more than i know who they are.

i appreciate that the boys just respect that bea is their leader without any shitty sexism. it’d have been so easy to fall into, and it’s embarrassing that this feels refreshing.

speaking of bea, she’s not the most original character in the world, but thaddea graham is great as the character, and really sells her charisma. plus, her being an asian lead makes an otherwise done-before trope feel fresh enough, at lest for a while.

i love that bea has a tomboyish, even androgynous style, and that she still gets to fall in love with boys without changing that.

i like that no one gives jessie shit for being girly, that the show appreciates what she brings to the table, and that she and bea are so supportive of each other. no stupid girl hate here.

the bridgerton-esque representation outdoes bridgerton: there’s just more of it, and given that this london is so clearly fantastical, it’s a lot easier to buy without the same... missteps bridgerton falls into, given the clearly fantastical magic-filled setting.

plus they actually bother to include queer characters (in the background, but still).

i truly do not give a fuck about sherlock holmes so his tangential involvement in this series just felt like a shackle. if you cut out the watson-and-holmes shit altogether, i feel like the show would be so much more engaging, though i get that’s impossible.

i do like that this depiction of him is so different, that it doesn’t deify him, and that it stresses his addiction.

i love that the show has a deeply empathetic view of drug addiction as a whole (@tua, take notes)

i like that dr watson is played by a Black actor, but i absolutely think royce pierreson is the wrong choice for the role. he’s just... not it.

i absolutely think this show is best off with a younger audience. that’s why the tone, the font and score are Like That. if i were a 10-15 year old, i would be SENT and obsessed. as an adult i just feel... too old for a lot of it, especially the ‘the adults are USELESS and the kids are the ones ACTUALLY solving the mysteries’ shit.

the love triangle... why. it’s not insufferable, but it just feels unnecessary. bea, just date the handsome, sweet, emotionally-mature wealthy prince who adores you instead of the rude childhood bestie who hides his feelings from you and who you only like back when the plot needs you to. cut to the chase. we don’t need it.

the score oscillates between fun orchestral stuff and baffling synthpop that always takes you out of the scene when it appears. who the fuck signed off on that.

some of the dialogue is... not good. like, spike is meant to be the Fast Talker but a lot of the time i’m just wincing at what he’s saying, not because of the delivery, because the lines themselves are just bad.

but honestly the biggest flaw by far is that the show drags terribly. i was falling asleep after the first few episodes, and i cannot tell you what happens in the last third of the season because it’s so forgettable.

the episodic nature of the show outshines the overarching story, which i think is a major problem. as a result there just doesn’t feel like there’s any urgency.

all things aside it’s a fun, if clunky, romp with great visuals. it just skews a little too young for me.

#the irregulars

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zevons · 4 years

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what are your thoughts on the old guard movie!

Hello lovely anon! You've caught me on a lazy Sunday where I've done nothing but vacuum, do laundry, and drink a lot of Aperol mixed with various other liquids. Most of them gin. So I have an enthusiastic answer for you. I wish I was better at Analysis and could give you a more meaningful answer but instead you're going to get my feelings and excitement. But whatever.

The short answer is: I really enjoyed it! I like action films and I like supernatural elements and I like Charlize Theron. So it was very good to me.

The longer answer is: all that PLUS the fact that it felt wildly refreshing to have a ‘cynical old warrior finds new faith in the dark and cruel world by training a bright young talent’ story that revolved around two women, and also I’m always into Greg Rucka heroines so really I never had a chance against this story. I’d not read the comics beforehand (I’ve fallen off the comics bandwagon for the past couple years but this was a nice reminder that hey! I should get back up to date because there’s some really good stuff out there) so when I saw a couple gifsets floating around tumblr I didn’t realise it even was Greg Rucka- then I saw the opening credits and immediately had to pause and look up the details. I’m currently living quite a distance away from my very well-stocked public library and am also what they call,,eeuuuh,,, poor, so in order to read the comics I [redacted] but I will say that I did put my eyeballs on them and found them extremely good. A lot of the changes between the comic and the film I thought were well-chosen- particularly the choice to make Merrick a Pharma Bro in the ilk of Martin Shkreli rather than the tattooed vaguely-muscled dude he is in the original- it read as being a lot more relevant. The movie hit the beat of a pseudo 'for the greater good.....but actually money' villain that I KNEW (netflix notwithstanding...do //they// know??) that I enjoyed in a big way.

Also in terms of the comic- the comedic gold of Andy saying that the invention of sports bras is evidence for humanity being worth saving. Full agree.

So the source material is highly enjoyable. In general I'm a fan of the sort of ~dark age of comics~ stuff that is in fact quietly optimistic about the worth of humanity (call it a sign of the times, but I'm currently quite burned out on nihilism. Is it because I'm genuinely feeling quite nihilistic about everything, particularly at the moment? Maybe so!)

I'm also a massive sucker for historical AUs so giving me a canon where historical AUs aren't AUs at all but are in fact FACT is absolute catnip. I'm currently being murdered to death by the twin powers of work and the Terror Big Bang but once I've flung myself over those hurdles I'm going to jump head-first into the worst kind of self-indulgent history fic. Can't wait!

The story itself I also found really tight. Was it the most original thing I've ever seen in my life? No. But what is, anyways? I've seen some criticism that it was fairly predictable, which I can understand, but which I don't see as an entirely negative thing. Sometimes you're in the mood for a tropey tale. And this scratched that itch perfectly.

Honestly the only plot point I take umbrage with is Andy becoming mortal-for-good (apparently), but really just mostly because 'depowered' is a long-time least-favourite trope of mine. I thought the way it was handled in the film was quite good, actually- the whole scene with the pharmacist! Andy trying to figure what the heck she needs to patch herself up because she's never had to do it before! What is a band-aid! Very good. But the trope will just irk me incessantly so I can't get over it as quickly as all that. But otherwise every beat hit me riiight in the id. Found family, immortality, let's not-get-exploited-by-big-business, been-through-the-wringer kind of stuff: gaahhh. I also looooooooooved everyone's interactions with each other. Catch me crying in the club about the way Andy was so concerned about Booker coming back after he got half-blown up during the raid on the church. CATCH ME FLINGING MYSELF OUT OF THE WINDOW OF MY REMOTE WIZARD'S TOWER ABOUT THE WAY JOE NEEDED NICKY TO BE OKAY IN THE VAN SEQUENCE. There's a limited number of people in the world who could possibly understand what is it to go through this! So they gotta stick together! Even after Booker’s betrayal, he’s still a part of that group and they work with him! It makes his judgement so harsh, as well. Particularly since he's already the most susceptible of the bunch. Joe and Nicky have each other, and Andy's been through actual hell and forced herself to deal with it, but Booker's already borderline unable to handle the pain of his own condition. And so his punishment of isolation is basically the worst thing they could have given him. Oof. (I dig it.)

Also I've for sure rambled about this to friends before- movies NEED to realise that the sure-fire way to make me ship a heterosexual relationship is to Drop Hints but not actually show anything concrete, hence I think Andy/Booker is a gr9 ship. Andy in general is my little black dress for this canon. Andy/Booker, Andy/Nile, Andy/QuYNH??????? THANKS I'LL TAKE THE LOT. The airplane fight sequence would have been a sexual awakening if I hadn't already been so awakened by Keira Knightley pretending to drop the pirate medallion overboard circa 2003. (I'm required by boat-funkin lesbian contract to mention Pirates of the Caribbean: Curse of the Black Pearl in everything I do. Sorry.)

This is all disconnected garble with no deeper meaning whatsoever, but that's sort of my thing these days, so I'm at peace with it. Anyways. In conclusion, I'm rewatching the movie with some friends in about 15 minutes, so yeah, I liked it. <3333333333

#the old guard #also sprach sabina #in the morning i'll be irritated that this is the only reply i could give but heyyyyyyyyyyyyooo #Anonymous

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kayyeffsee-blog · 5 years

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Bangtan fics that I’ve read and liked (will get updated)

uhh, so the thing is that a lot of jikook fics will be in here, as it is my otp. But I have also put in many others. Thank you!!! (this goes in descending order, so newer ones will come on top, and i still have a lot of older fics, they’ll come at the bottom) (all fic titles in italics are my ult favs and all ships in bold have their plot and are not just implied)

On Patrol and On Patrol - Season 2 : jikook, yoonseok, namjin, police au, LOVE this series, check it out!

summary: Officer Jeon has his eyes on Mr. Adorable.Officer Min has a strange neighbor he can't seem to keep out of his life.Captain Kim finds comfort in his son's homeroom teacher. Well, cops need some loving too, right?

A Gilded World : i cannot believe this fic aint down there, yoonjin, must read, chaebol au (i love them), ULT FAV, kdrama au, with vmin who has a tiny storyline too, and side namseok, rated E, 169k words, bros jinkook, READ IT, the fic that got me interested in yoonjin.

summary: Jeon Seokjin has exactly four weeks to stop the impending engagement of his younger brother, doomed to a loveless marriage. The only way to stop it is to make a better match, more advantageous, more lucrative for the Jeon family. It's impossible. It's his only option.Min Yoongi does not want, will never want, will never ever even consider, marriage. It's not in the cards. He's stubborn enough to achieve the total ban on marriage talks. Except maybe his grandmother is a little more stubborn than he is, and maybe she's determined to see him march down the aisle.The chaebol arranged marriage au that exactly one and a half people asked for.

baby, love me hard and hold me tight : jikook, ceo kook, tsundere-yet-not-so-tsundere min, lots of smut, dancer jimin. summary’s too long.

all the light we cannot see : yoonkook, spaceship au, tsundere yoongi, wow i read a lot of those, rated E, 109k words.

summary (part of it): (when jeongguk finally gets his chance to sail the cosmos, it’s onboard the ship of an aggravating man named min yoongi. he thinks it’ll be extraordinarily dull—but the universe, and the legend of treasure planet, have other plans.)

note: another not so common yet not completely rare pair, i honestly love this fic so much.

nobody's like you : jikook, college au, pissed jimin,dense kook, a cute fic, rated T, 20k words.

summary: if you have a crush but you don't know you have a crush, is it really a crush? and other great philosophical debates with jeon jeongguk.

or, jeongguk kinda fucks up and jimin can only take so much.

흰 여름 ('White Summer') : yoonmin, non-au, lil angst, rated T, 24k words.

summary: “Diversity,” Namjoon had said when he had explained the concept to them. “Learning to love yourself, no matter what.” “We already did that,” Yoongi had pointed out. “Literally the same title.” But Namjoon, when he looked at him, had seemed strangely bright and somber at the same time. “Not like this,” he had said.Or, Jimin and Yoongi have to kiss for an MV. And deal with the fallout.

7 Minutes in Heaven : yoonmin, highschool au, fluff, mutual pining, rated T, 8.4k words, too long a summary.

♛ Chrysoprase ♛ : vmin, abo but with a twist, aristocracy au, ongoing, a piece written beautifully, rated E, 39k words, rich tae and poor min.

summary (partial): Taehyung is a rich boy who gets captivated by a trapeze act from an unknown Omega at a theater show sending him on a ride of emotions--and ruts.

Mono No Aware : jikook, rated E, 104k words, divorce au, model agency au, summary’s too long.

Cotton Candy : highschool au, yoonmin, highscool band au, another GREAT fic, set in the 90s, 240k words, rated E.

summary (partial): As spring turns into summer, school band Cotton Candy unexpectedly loses its singer and the members are forced to look for a new vocalist. Six boys find one in the form of the promiscuous pink haired boy Park Jimin who makes a home in their hearts and finally finds a place he belongs.

Beta Tau Sigma : come FIGHT me, but this IS a classic, frat au, i scrolled through this long ass post twice, i cant believe its not down there, namjin, you need an ao3 acc to read this, anyways i suggest you to make one, crack, 123k words, rated M, shenanigans, side yoonmin with a tiny storyline, FAV.

Before This Christmas : taegi, non au, amnesia, a great fic, rated T, 8k words, summary’s too long.

black versus blue : taekook, soulmate au, a LOT of angst, i LOVE this fic, hurt/comfort, dr tae, side yoonmin and namjin, rated E, 41k words.

summary: Taehyung had always dreaded meeting his soulmate, unlike the rest of the world’s population. He always hid the words scrawled in black cursive on the inside of his right wrist and felt terror at the thought of them turning blue, of his soulmate speaking them.

And as he sprinted down the packed Seoul sidewalk, hot tears streaming down his cheeks and sobs choking his throat, he knew he'd been right.

Or was he?

sick boy : vmin, LOTS of homophobia, fluff and angst, dystopian korea, its a really good fic, rated M, 8k words, side namkook and yoonseok.

summary: Jimin has always lived in a society where pride was held higher than anything else. His kind nature is unwelcome, and he spends most of his life alone.

Taehyung is the boy who dyes his hair every week, is too eccentric for his own good and is, most importantly, not like the rest of the town that they live in.

Look out the window, do you see love? : jikook, I LOVE THIS, kidnapping au, ceo kook, college student min, tsundere kook, heavy smut and drama, rated E, 100k words, summary too long.

a blessed touch, skin deep : yoonjin, slightly platonic, oneshot, fluff, massage au, but not the smutty kind, rated G, 3k words.

summary: Hoseok recommends his favorite masseur to Yoongi.

Yoonjin Massage AU, with side Hoseok/Jimin and Taehyung/Jungkook

the heart of a siren : jikook, pirates au, angst, enemies to lovers,rated E, 92k words.

summary: Beware of what you take from the sea. She is not a treasure to be plundered, but a dark, vast void that will swallow you up and think nothing of it.

The Collabofornication : yoonmin, idol au, rapper au, lots of smut, 32k words, enemies to lovers, rated E, 32k words, summary’s too long, really good.

teeter totter : jihope, such a cute fic, 5+1, i love this one, neighbours au, 5k words, rated T.

summary: five times jimin accidentally stumbles into his neighbour and the one time it’s very much on purpose.

Take Care : a short jikook, accident au, angst and fluff, rated G, 2k words, college au.

summary: Roommates Jungkook and Jimin are in the midst of a friendship rift until an accident brings them together again.

Bibbidi Bobbidi Boo : yoonmin, rated T, royal au, 34k words, cute, i really like this twist on classics kinda thing.

summary: Everyone (including Taehyung, Jimin's best friend) could only talk about the ball the royal family was going to give in honor of the princes. Every single one was thinking and worrying about which clothes they should wear and how to impress the two, very single, princes. Jimin? He could only think about the new regular, who had a sweet tooth and the cutest smile he had ever seen.

The Universe Has Moved For Us, Without Missing A Single Thing : minjoon, such a feel good fic, tsundere min, canon, with a bit of yoonjin, so good, rated M, 14k words.

summary: Jimin is tasked to create his next comeback with his least favourite producer at BIGHIT, RM.

He is petty and bitter from day one.

Or, is he just really bad at feelings?

yesteryear's charms : jikook, hp au, a lot of fun, enemies to lovers (if you dont know, im a sucker for this particular trope), rated M, 18k words.

summary: After losing a bet, Jimin has to perform the Jingle Bell Rock routine from the iconic Muggle film, Mean Girls, at Hogwarts' annual talent show, dressed in red pleather and black knee-high boots. He receives a bigger reaction from certain people (read: ult rival Jeon Jeongguk) than expected.

a dose of salt : jikook, I LOVE LOVE LOVE THIS FIC, with a lot of taejin, doctors au, enemies to lovers, pls check it, its great, rated E, 145k words, ongoing, almost finished.

summary: Park Jimin is a renown cardiothoracic surgeon—a genius, a medical prodigy, the best surgeon at the hospital. He’s kind, friendly, handsome, and patient. He’s also the son of the hospital’s Chairman. But nobody needs to know that since he’s worked for and earned everything he’s accomplished on his own without the help of nepotism.Everyone loves him.

Everyone but Jeon Jungkook, the hot new military trauma surgeon straight out of the army. The decorated veteran is brilliant and quick witted, but has a hot temper and absolutely zero tolerance for bullshit.

When Park Jimin makes a bad first impression on him, things get extremely salty between the two very different personalities.

playing with fire : vmin, ONE OF MY ULT FAVS, rated T, 30k words, college au, drama actor v, dancer min, enemies to lovers, SO GOOD, laser tag.

summary: Despite never seeing eye to eye on things, Taehyung and Jimin find that they have more in common than expected through a game of laser tag, a play and a dance competition.

At 4 O'clock, I'll Stay : vmin, footballer (soccer) v, bar owner min, enemies to lovers, a good fic, grumpy min, rated E, 35.8k words.

summary (part of it): the one where Taehyung goes to Jimin's bar to talk bad about his latest soccer matches and Jimin waters down his drinks by "accident."

Happy Ending : namseok, implied OT7, massage au, rated M, smut, 2.3k words.

Rose Quartz and Pink Opal : such a good fic, i love this, if its down there im sorry just tell me in the comments, jikook, rated T, 21.4k words.

summary: “Everyone is born with either 1 or 2 small powers. If 1, then your soulmate has the other. They will swap the first time you see each other, and you will obtain both when you fall in love. If born with 2, you have no soulmate.”

tell me how to make this better : hurt/comfort, angst, vmin, non au, such a good fic, go check it, summary’s too long, rated T, 44.6k words.

loverboy : vminkook, a masterpiece, manipulation, assasin au, powers au, rated M, 9.7k words.

summary: this much jimin’s figured out: sometimes, somehow, his words make people fall in love with him.

Never Judge a Book by its Cover : jikook, rated M, library au, 25k words

summary: Thanks to Jungkook's idiot best friend, he drowned the books he borrowed from the library. Now, he has to work there to work off his debt. He doesn't really like the job but that one boy that always has his nose burried in his books makes his days much better.Or in which Jungkook meets bookworm Jimin and falls harder than he thought he would.

note: squeelll, I love this fic!

we've got chemistree : jikook, rated T, 19k words, fake dating au. (can’t put summary bc its too long)

note: I love love love it. do check it out.

The Pink Envelope : yoonmin, no ratings, 12k words, highschool au.

summary: to a prompt I received on tumblr "Oh shit, sorry I got the wrong locker" When Jimin is sending love letters to his crush via locker but fails because it is Yoongi's locker.au where 6 of them are highschool students (Jin has already graduated)... and Jungkook is also in highschool with the rest of them (please don't ask me why I just want him to be there hahahaha)

note: cute and fluffy.

Him : jikook, rated M, 35k words, college au, dancer!jimin au.

summary: 'And like the dawn, you woke the world inside of me You were the brightest shade of sun when I saw you' or “I mean a muse,” explained Yoongi, eyes traveling to Hoseok. “Someone that makes you feelthe shots. Not only take them.”Jeongguk snorted. “You’re just whipped.”“Maybe,” agreed Yoongi, winking. “But it works.”

note: touched my feels, lovely.

Nu ABO: A Memoir by Park Jimin : jikook, rated E, 34k words, non au, a/b/o au.

summary: The world didn't think it was necessary to give him a guide when it shoved all of these omega hormones at him, so here it is, Park Jimin's handbook on dealing with heats, unrequited love, and Jeon Jungkook.

note: amazing! Omega jimin dont wanna be an omega, and tries really hard to be an alpha. easily one of my faves.

Blackjack : yoonseok, vmin, namjin, chat fic, game fic, slightly creepy but light hearted, happy ending, not your ordinary chat fic, LOVE this, puzzles, mystery, rated T, 78k words, summary too long.

Fake Sugar : jinkook, rated E, non-tropey sugar daddy au, competitive eater jin, rich jungkook, fake sugar daddy, 87k words.

summary: im sorry, its too long. but ill put part of it.

(Hedge Fund wunderkind and Certified Awkward Gay Jungkook needs a sugar baby to show off at work, and Professional Competitive Eater and Objectively Beautiful Human Jin just wants to stop working shitty side-jobs. Fake Sugar Daddy AU. A trope and a half.)

note: a rare pair fic. (that rhymes, lol) i love the author, i have read all of his fics, i think.

Worldwide Lonesome : yoonjin, rated E, 39k words, non au.

summary: After the BBMA, Yoongi starts bringing guys back to the house.

note: i honestly love this ship and fic, it talks a lot about how closeted jin is and this fic has a great characterization for jin.

Pause, Rewind, Play: jikook, non au, rated G, 3k words.

summary: Jimin doesn’t know why it starts. Maybe it’s the eightieth post he’s seen today about him being rejected by Jungkook. But whatever the reason, Jimin starts to not care anymore.

note: loovve it, short and really good.

The Boy in the Music Box : yoonmin, mystical au i guess?, college au, rated T, 52k words.

summary: Yoongi doesn’t really expect anything special when he finds an old music box in his grandmother’s attic and she tells him to keep it. Oh sure, he expects the music box to be a pretty decoration to add to the stale interior of his small apartment. He expects it to play a tune and he might even dare to expect the barely-functioning little ballerina to dance along to the soft chimes, but that's it, really.The last thing he expects is for the little ballerina to take human form at night and throw his life out of balance with radiant smiles, soft giggles, and a heart-wrenching story.

note: another author i absolutely love, this fic is amazing. its one of the only fluffy ones that has made me weep! do check it out

pick me up, buttercup : taekook, soulmate au, crack au, 9k words, rated G.

summary: AU where your soulmate's first words to you will be tattooed on your wrist when you meet. Which freakin sucks, because Jungkook's forearm will now forever read "Hey baby, if you were a booger, I'd pick you first."What the fuck, universe.

note: a very light fic, i love it so much. its really really good.

Cherry Tree : yoonmin, hanahaki au, angsty, rated T, 10k words.

summary: Yoongi always thought that Jimin looked like a cherry blossom, like Spring had manifested itself in the form of a human.Now he knows for sure.

note: really good, not a tragic ending i swear.

good game, well played : vmin, library au, college au, rated G, 23k words.

summary: AN EXCERPT FROM PARK JIMIN'S PLANNER (ft. Jeon Jeongguk) -grammar reading :( -get pasta -buy the nice guy from the library ❤MY BIG GAY CRUSH❤ coffee

note: super good, college aus are one of my favs.

fairy brat : yoonmin, 3k words, rated T, supernatural au.

sumary: “I don’t know if you know but,” Namjoon says, “Hoseok’s roommate is a little… difficult. Yoongi hyung is a good guy, though, I promise.”“Anyone who lives with Hoseok hyung can’t be that bad,” Jimin says.Jimin could not be more wrong.

note: tsundere yoongi, really good!

The Perfect Japchae : yoonjin, 19k words, rated T, neighbours/college au.

summary: In the eight months he’d lived here, neither of them had done more than nod in greeting when they passed in the hallway. Most of the time he just ignored Kim Seokjin and went about his own business while inwardly seething. A little voice deep down questioned why, exactly, he was so pissed all the time whenever he thought about his neighbour… but Min Yoongi really didn’t have an answer.

note: i love this pairing, such a good fic!!!

aye, love (you led me to a miracle) : yoonjin, rated T, 6k words, Cafe AU, tsundere yoongi.

summary: It’s six in the morning and all Yoongi wants is some fucking coffee.(Not to be, not to be assaulted with a possibly illegal stare and a smile that could probably bring dead flowers back to life, god dammit)

note: such an amount of fluff, i love it.

I need you boy (you're beautiful) : jikook, chat fic, rated T, 18k words.

summary: (part of it)

t h e d e s t r o y e r: jimin who is ur future husband

ChimChimz: ok so like

ChimChimz: here’s the thingy

00ngi: omfg you don't even know who he is

ChimChimz: uM

note: love it, really good.

to be with you : jikook, rated T, non au, 4k words.

summary: 5 times jungkook tries (and fails) to confess to jimin and the 1 time he succeeds.

note: really cute fic, but i think ill not put notes on all fics now, im getting fed up

A Wish Your Heart Makes : kook/everyone, polyyy, smut, another venturing into newer waters fic, rated E, 16.6k words.

summary: "This can't be the right translation," Taehyung says, before Jungkook can do something crazy like just ask to suck Jimin's dick. Taehyung has his phone out, and is frowning as he taps the screen. "But I looked it up on Naver, and there might be something called sex pollen? Sex pollen? Like, plants?"

gladly beyond : jikook, 21k words, rated M, enemies to lovers fic, sports fic.

summary: too long, but jimin sees the tattoo of his “enemy” at a strip club.

note: another trope i love :)

Riptide : jikook, i actually visited this 10 times?!?, rated M, non au, 62k words, rated M.

summary (part of it): A three year story [2013-2016] of coming together, breaking apart, and putting each other back together again. Jeon Jungkook learns about change, growing up, and the hardships of falling in love with a friend.

note: really love it

Hey, Baby, I've Got My Ion You : jikook, chem au, bad puns, rated T, 4k words.

summary:

everyone: fvck the maknae jimin: i'm trying - (aka: chem au where jeongguk jumps two grades and becomes jimin’s lab partner and maybe a little more than that.)

note: copper tellurium (loll)

honest you do : jikook, idol au, reality show au, 26k words, rated T.

summary: “Do you think you’ll be a good husband?” Jimin smiles. “I’ll really, really try.”

Korea's darling, Park Jimin, gets married.

note: a great fic, honestly.

In the Line of Fire : jikook, are you even here?, if so ty, frat au, 11k words, rated E.

summary: For some reason, Jimin was everyone's favorite target.

A truth universally aknowledged : yoonmin, college au, rated T, 6k words.

summary: "It is a truth universally aknowledged that Park Jimin has the most wanted ass out of the whole college."AKA 5 times that Jimin gets asked out and Min Yoongi butts in + 1 time where the tables are turned.

Unrequited : yoonjin, taejin, hanahaki au, rated T, 3k words, not a happy ending.

summary: The Hanahaki Disease is an illness born from one-sided love, where the patient throws up and coughs of flower petals when they suffer from one-sided love. The infection can be removed through surgery, but the feelings disappear along with the petals. It can be cured without side effects only when the feelings are returned.

Seokjin starts coughing up crimson-red rose petals.

pulling shapes just for your eyes : taekook, reality show au, rated E, really good (i cant be bothered to make a note lol), 110k words, a lot of sex.

summary: The number one rule when you're a producer on a show like Miss Right, Taehyung thinks, should be do not fall for the bachelor. It's such a shame Taehyung has never been good at following rules.

ringa linga : fluff, yoonmin, one-shot, best man au, rated G, 3k words, crack.

summary: Best man Yoongi needs to pick up the rings for his best friends' wedding. The problem? The clerk won't hand them over.

Enter lifesaver and fake-fiancé, Jimin.

note: light-hearted, really fun.

Heart of War : namjin, 173k words, royalty au, really frickin good, ongoing, rated M.

summary: For the protection of his people, Prince Seokjin has to marry his fiancé’s killer: the alpha king of the most ruthless and feared kingdom in all the lands with a reputation of being a cold blooded monster on the battlefield.

Worst of all, the omega prince doesn't even speak their language.

my heart flutters from the sugar high : taegi, I LOVE THIS FIC IT’S SO GOOOD, <cough> 5.9k words, rated M, canon compliant, crack, every so slighty tropey, just a teeennyy bit, fake dating au.

summary: Yoongi and Taehyung sneak around together, cheating on their diets. The group? They've drawn different conclusions.

Seeking Alpha : jikook, I love this author, 17k words, rated M, a/b/o fic, but not the wolfy (lol) kind, i guess you could say ‘in a modern setting’, cracky.

summary: It was meant to be a “fuck you” to the dating world as Jimin knew it. He was done with dating, fed up with alphas, so he put a message out to the world to say so. How could he have guessed the sweetest alpha ever would respond to it just to prove him wrong?

The Jeon Pack : jikook, a/b/o dynamics, THE BEST abo fic you’ll ever read, 70k words, rated E, the wolfy kind (heh)

summary: Jungkook's pack had survived centuries in the cold unforgiving forest. They followed strict traditions and laws to ensure their survival against nature and rival packs. Soon the responsibility of leading the pack would fall on his shoulders but before assuming the position of head alpha, he needed to choose an omega mate.

The problem was that Jungkook was in love with an omega that hated his guts.

浮世 U K I Y O : yoonmin, i’m pretty sure you’ve read house of cards and songbird and the sea??, this one goes in the same category, a breed of those two classics, Mafia au, rated E, almost complete, 366.9k words, oh and btw if you haven’t the above two ill link them right below.

summary: “Is that what they say about me? I'm stuff of nightmares?” “You own a city and you painted it with your colors,” Jimin says, his voice is quiet and his scent subdued. “Why wouldn't people have nightmares about you? You are scary.” “Are you scared of me?”Yoongi owns a city that he painted red until a man that doesn't seem to truly exist steals something from him. And all the strings lead to Jimin, a succubus who works in one of his brothels.

House of Cards : the LEGENDARY fic, vminkook, gets you right in the feels, dont waste your time here go read it, 394k words, rated E, mafia au.

summary: Jungkook is the heir to a mob empire, the most notorious in the whole of Seoul. Taehyung is a rookie sent in to infiltrate by his select team and bring the empire crumbling down."You knew the game and played it, it kills to know that you have been defeated."

The Songbird and the Sea : AGGHHHH, THIS IS THE BEST FIC EVERRR, made me love pirates, yoonmin, just read it, 255k words, pirate au, rated M.

summary: (wayy too long, go read it!!!)

time slip : jikook, rated T, alternate canon, 29k words, time-related fic

summary: Jimin wakes up in the year 2017, which is very strange, considering the fact that last he checked it was 2013.

note: a great canon fic

A Glass of Water : jikook, but namjoon pov, a fresh fic (others aint rotten mind you), 8k words, rated T, college au.

summary: Namjoon is maybe a little over protective of Jimin and takes it upon himself to find out the identity of his new boyfriend. The others are absolutely no help.

Or, Jungkook and Jimin are dating and everyone knows except Namjoon.

You Broke My Heart (but I broke it myself) : jikook (haven’t you gotten fed up yet XD), anggstty, 19k words, rated M, alternate au.

summary: Jimin's fiancé has abandoned him on his wedding day, and Jeon Jungkook, Jimin's first love and worst heartbreak, is back.

You Don't Bring Me Flour : short jikook, fluff and crack, college au, rated G.

summary: In order to graduate, Park Jimin must convince cute grocery cashier Jeon Jungkook that this sack of flour is his beloved child.

Shooting Stars and Silver Moons : vmin, rated E, 20k words, fake-dating jikook, college au, bff fic.

summary: Yoongi and Jimin make a bet, Taehyung makes bad decisions.

(Or: "I'm kind of pissed you didn't choose me to fake date, I'm your best friend")

blindside : namhope, namseok, blind date au, rated T, i love this fic so much, 12k words.

summary: Hoseok finally somewhat has a date. A blind date, but a date nonetheless.

The Shaman and the Exorcist : namjin, spiritual au, ghost au, but not the scary kind, college au, cracky, rated M, 145k words, apparently i visited this fic 21 TIMES (gasspp), i LOOVEE this too

summary: (too long)

in your eyes (it's where i wanna be) : yoonmin, tooth rotting fluff, rated T, 5k words, college au.

summary: Jimin pauses with his marker inches away from the cup, because — is he really going to do this? Isn’t it a bit old-fashioned to write something flirty on a coffee cup? But no matter what his churning gut says about danger and what the hell are you doing do you want to die, this guy is — with no better way to put it — totally Jimin’s Type with a capital T.

(Or: Jimin accidentally starts a nickname war with the cute blonde who likes his coffee way too bitter.)

i'll stick to you like glue-cose : jikook, rated T, 7k words, enemies-to-lovers kinda, really good.

summary: Jimin merely wanted to study in peace, yet a certain five-foot ten frat boy - unfortunately also a past hook up - that epitomizes the very definition of smugness in one entire body whose ego is as big and full-scaled as the national debt, won't let him.

you're only brave in the moonlight : smuutt, bff au, vmin, college au, rated E, 14k words.

summary: There are reasons, very specific reasons that justify why—in three years of being hopelessly pathetically in love with his best friend—Jimin has not said a single word. Certainly hasn’t made a single move or attempt at a pass.But when it comes down to it, three years is a long time. A very long time.So when Jimin’s dam breaks, it breaks hard.(Or, Jimin asks Taehyung for help with taking photographs.)

(it's a paradise) it's a war zone : jikook, vacation au, really cute, enemies to lovers, rated T, 7k words.

summary: murphy's law states that "anything that can go wrong will go wrong." jimin could maybe make peace with that if it didn't mean sharing a room and a bed with jeon jeongguk, the thorn in his side, for the entirety of his vacation.

once upon a timeshare : jikook, ex fic, rom com style, cute AF, 32k words, rated E.

summary: Jungkook is in desperate need of a vacation, but spending two weeks in Namjoon and Hoseok’s timeshare in Okinawa with his recently separated ex of three years was probably (definitely) not what he had in mind.

Tie Me Down : taegi, lovvveee this fic, really fun, has drama elements to it, rated M, college au, 24k words.

summary: “I’ve just woken up with a fucking splitting headache, to find myself fucking taped to an office chair in a fucking living room that smells like unwashed socks and takeaway food. How am I? How do you think I fucking am?” “Wow. That’s a lot of f-bombs you’re dropping. Did anyone tell you that you need a healthy dose of positivity?”

In which Yoongi’s life is a parody of Taken and Taehyung is just trying his goddamn hardest not to get arrested.

a sugar coated pill and a pick me up : soccer dad fic!!! namjin, kids taekook, rated T, really good, rated T, 25k words.

summary (only a part): namjin are soccer dads who fall in luv

shōnen-ai love you : one of the most fun and cute (read: fluff) fics, vmin, rated T, manga fic, high school fic, 4k words.

summary: "What if I woo him with what he likes?" Jungkook frowns. "Knowing you, it's going to be a disaster." "I'm in pursuit of Park Jimin," Taehyung tells them dramatically, just as the bell rings and the teacher starts writing the first question on the board. "I'll do anything."

Doing anything means, apparently, studying BL manga.

My Cup of Tea : cute and short, minjoon, 6k words, high school fic, milk tea (lol) fic.

summary: One of Taehyung's many admirers tries to woo him by bringing him milk tea every day but Taehyung is lactose intolerant so it's always Jimin who drinks it.

From a distance away, the admirer watches.

Pastel : POLLYY, not really my cup of tea but i wanted to explore you know, jungkook/everyone, i liked it kinda, bdsm, baby kook, daddy kink, rated E, 188k words, bottom jk.

summary: Jeongguk learns the age-old lesson that you can't run from who you are, or who you like, for that matter.

There are a LOT of fics left, I’ll slow update.

326 notes · View notes

dangerliesbeforeyou · 5 years

Text

HIStory’s ranked (no one asked, but here i go)

so i was sittin here, talkin to myself about the HIStory series’ and was like ‘hey, i should rank them’ (which i’ve seen a few other people do, but mines a lot more rambling than there’s because i can’t shut up lol)

so here’s my views lol (ordered from worst to best, imo):

6) My Hero (HIStory1) -

probably universally acknowledged as the worst episode, and i’d be inclined to agree with the masses on this lol... not only is the tone and humour of this series so weird and disjointed, but the entire story line literally makes no sense lol?? it’s unclear who the audience should be rooting for (especially as it goes out of it’s way to paint our protagonist as really unlikable lol, not to mention the love interest is the dullest character ever conceived like ???), as well as this the ending feels completely unrelated and bizarre...

i think this concept /could/ have worked if the guy the woman was inhabiting (which sounds weird without context, but like she’s dead lol) was somehow also inside his head? or if she got to see his memories or whatever & tries to adjust her personality to match the guy’s, causing love interest!dude to fall in love with the guy... (like i could go into more detail, i basically hav an entire au written in my head lol, but yh...)... that way, her letting go of him in the end would feel so much more well set up? especially if she was generally more understanding and likeable..

i think overall this series just fails in telling a decent story lol... & the cringe is even beyond what i can handle lol

5) Obsessed (HIStory1) -

people might be surprised to see this one so low down, especially since i know a lot of people really love this series (& if u do, no hate to u btw, ur allowed to like whatever u want idc), but i realllllly don’t like this series... like at all ...

the plot is weird anyway, which isnt inherently a bad thing, but then u add on the really bad couple and it’s just...... bad lol... like everything about their relationship is built on lies and deceit, and even more so than that it’s built on a lack of mutual respect and fundamental trust for each other! tall guy (i don’t know names soz) feigns memory loss in order to get closer to short guy (btw, the scenes with them being domestic were really sweet, & i firmly believe this could have been an alright series for the actors if the story line wasn’t so bad), short guy’s whole existence in that universe was a lie lol (like i know there’s no easy way to tell someone ‘lol well i’m technically from the future’ but still), then there’s the whole resolution at the end & it’s just so ??? frustrating lol!

nothing bugs me more than seeing conflict in relationships (on screen or irl) that could be solved simply by TALKING TO EACH OTHER GODDAMNIT & isnt lol... my other issue with this series is the fact tall guy 100% forced himself upon short guy in the tent & like we’re just supposed to accept it cos ?? he’s saying no and pushing away but actually he wants it because he loves tall guy ?? like fuck no i’m not accepting that lol!

basically, bad & bizarre story & characters, & gross tropes just makes this hard for me to watch and enjoy lol... i think, like in my hero, this could’ve done with being a different story altogether lol... (maybe tall guy actually did lose his memory & he falls for short guy all on his own with no predatory intentions?? idk something like that)

4) Right or Wrong (HIStory2)

this one & my number 3 are very much tied tbh, but this one is just slightly lower just because i’m not as big into the couple as i know a lot of people are... & it’s not necessarily the age gap, cos i dont actually mind age gaps in pairings (just as long as the younger one isnt a minor, obv... and also i think any gap that’s 30+ years is a bit weird lol..).. i think my big problem with this is i dont really see why younger guy (again, i have no idea of any of these characters’ names lol) would fall for the older guy? like the older guy is obvs going thru some issues, and hasnt been taking care of himself or his kid properly because of them, but like we dont rly see a lot of why he’s a great guy? like we get the sense young guy is attracted to him, but like love is more than just thinkin they’re hot lol... idk lol this might just be me tbh i just couldnt see why he’d be interested lol

i did like the whole family side though, and showing how a man who was previously with a woman can still end up with a guy (bisexualityyyyy (or some variation of that thereupon)) is something you dont always see in media, so i thought that was pretty cool! (even if the ex-wife thing was kinda lame lol...)

i think overall i see what this series was going for, and that it actually did an alright job in some parts... the biggest problem is that it’s kinda just forgettable lol... maybe that’s why people like obsessed so much lol? maybe it was a train wreck but ohh boy at least u wont forget it in a hurry lol!

3) Stay Away From Me (HIStory1) -

i’m a bit torn about this one, cos there are parts of it i actually really like (them going from rivals/enemies to being good friends to being more), and other parts i really didnt (the stereotypical squealing yaoi fangirl friend)... & tbh, i kinda wish this had just been a show about the budding friendship between the 2 guys... it almost feels too forced to me that they’re made to ‘fall in love’ when i actually think them both becoming less selfish and learning to respect each other as step brothers & friends is actually already a really great story (& i know that it doesnt fit with the whole ‘HIStory’ thing, but stories of platonic brotherhood/’bromance’ are just as important as gay representation... isnt a /substitute/ for representation, don’t get me wrong, but it’s always so beautiful to see decently portrayed non-toxic friendships between guys... ok this is a rant for another day tho shhh)

i think maybe why i like this one more than the other HIStory1′s is because kinda nothing happens lol... it’s not overly complex with weird unexplained magic things happening, it’s just a simple story lol... is it still tropey as hell? of course lol! but i think the ‘realism’ of the world really helps, and i def think this was incorporated more into HIStory 2, which i’m really glad about...

overall, this is a relatively harmless series & is actually quite sweet at times... the kiss is awkward as fuck tho (there, i said it lol...)... it suffers the same forgetability as right or wrong tho...

2) Crossing the Line (/Boundary Crossing) (HIStory2) -

ok, so here’s a series i 100% love & totally agree with the hype around lol! i hav no interest in volleyball (or any sports tbh), but the way this show handles the friendships and dynamics between the characters is really well done, especially for a series that’s only 8 episodes long! i also really love that none of the characters really fall into any stereotypes (which is a great improvement from HIStory1 i can tell u lol), and are given the space to actually have some growth & nuance at times?!

(nuance? in MY HIStory series?? it’s more likely than you think!)

the main couple have really amazing chemistry, and the way they get together doesnt feel too out of place or that it’s going to fast, it just sorta flows really nicely... even the side couple are pretty well done (though i wasnt that big into them on my first watch, just cos the whole overbearing older brother thing was kinda annoying... i liked them more as the series went on tho...)

i kinda dont have any major complaints? which is bizarre cos i always hav complaints about things lol... maybe my complaint would be that they all look way too old and attractive to be whatever teenage age they’re supposed to be lol... (but tbh that doesnt take anything away from the story so i’ll forgive them lol...)... i think maybe i wouldnt consider it my favourite because the story line didnt grab me like the number 1... but i really cant fault it in terms of what it delivers lol, legit such a well put together series!

1) Trapped (HIStory3) -

lol i think anyone who’s been following me for the past few months aren’t in the slightest bit surprised this is my number one... i just love it too much lol!

from the incredibly well written and well acted characters, to the interesting and engaging (even if a bit ridiculous) plot, to the beautifully told romance , it really has it all doesn’t it!!! & i think even if this wasnt an enemies to lovers thing (aka one of the most godtier of all fanfic tropes), there’s so many things going for this series that make it worth watching! i have a few complains about editing choices and a few bad trope plot points which were just unnecessary (plus the fact we missed out on a lot of background info on some major characters lol...), but like despite everything this series rly struck a chord with me deep down in my soul lol

i could go waaay more into detail (and maybe i will one day lol... tho not rn, i’m v tired), but the gist of the matter is: i really love trapped lol

(conclusion)

Even though i’ve complained quite a bit here, i am so grateful for the HIStory series’ for bringing really interesting, and a little mad, stories with gay characters and story lines, with a big emphasis on happy endings! there are so many lgbt stories/characters in things that end up dying or just have bad endings, which just sends this horrible message that lgbt people aren’t worthy of having happy endings, which is completely untrue!

So i look forward to future HIStory’s, even if some of them are gonna be bad (& maybe none will live up to the trapped!shaped bullet firmly lodged in my heart lol)

fin~

#HIStory series #HIStory1 #HIStory2 #HIStory3 #(not gonna tag them all individually cos we'll be here for years lol)#review #rant #(not really)#gay series #taiwanese series #lgbt series #lgbtq #HIStory #i've not read it through lol... might make no sense... dont read this lol

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mcrololo · 5 years

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Did another one lads. Constructive criticism for So That’s How It Is under the cut.

So we start where we left off in the last episode, and I already have an issue with the lines. This could just be the characters being absolute idiots (a consistent theme for the last volumes), but when Ozpin asked Jinn his question, the specific words were “how do I destroy Salem?” Yang opens the new episode with “Salem can’t be killed”. And, you know, given Yang has been established as dense before I totally understand her giving this line. But literally no one corrects her on it. All of them straight up assume they can’t stop Salem simply because she can’t be ‘killed’ (destroyed, but who cares).

Ruby seems to be onto something when she asks how Ozpin is planning to defeat Salem, but none of the characters – not even Ruby herself – point out that there’s still a chance they can win. Everyone is just depressed about this truth bomb for the next couple of episodes. Now, I understand that taking all of this in is going to take a while, and after everything that has happened it’s more likely they see dread in everything. Except they already heard the solution! They were all there when the gods explained to Salem that until she learns the value of life, she will remain to live herself.

‘But how are they going to do that with a being as pure evil as Salem?’ I don’t know! That’s what I’d love to find out! Too bad the writers don’t take this opportunity!

Maria Calavera would have been the perfect character to point this out. She hasn’t been through the same shit QRWBY has, and she definitely fills up the ‘wise old mentor’ role (she reminds me of Toph Beifong, and I don’t know how to feel about that tbh). She takes no shit! All of this depressed crap is shit!

I just really can’t believe none of them are smart enough to pick up on this. I also can’t believe Ozma hasn’t come up with any solution in his many lives but I guess that’s just part of the story. There has to be a reason we started with RWBY (even though they have 0 reason for being there, other than sheer (bad) luck).

Before I talk about the punch in context I would like to say: can they please stop framing smacks and punches as if it’s comedic? Especially heavy loaded punches like these. The speed lines and background are one thing, but the pause on Oscar’s weird face when Qrow hits him DEFINITELY comes across as comical.

I’ve already seen a lot of people talk about the punch in general so I’m not going to go too in-depth on how morally right or wrong it is. All I’m going to say is that everyone has made mistakes up until now, so pointing fingers is just… Useless honestly.

I actually like Qrow punching Ozpin in Oscar’s body, because it creates conflict and you need conflict to drive your story. A story without conflict is just boring. The punch had so much potential! Unfortunately it is framed in a way that makes it seem like the narrative thinks Ozpin deserves it, and it’s never brought up again. That leaves a lot of room for a multitude of missed opportunities. First, we don’t see anyone react to the punch at all. The audience is just left to guess what the characters feel and think – especially team RWBY. At least one of the others should’ve pointed out that it was a rash and bad decision to punch Ozpin like that because of Oscar. They’re all hunters, they should have their morals in check. Even if they all feel whack because of an exposition dump.

Two: there’s friction between Ozpin and Qrow – automatically causing friction between Oscar and Qrow too. Yet, whenever these two are onscreen, it’s as if nothing has happened. Why? What’s the point of Qrow remarking they’re better than liars, if not to cause friction between the two? To show us how upset he is? We already know Qrow is upset because of the punch, and he takes a swig of his alcohol. We don’t need another reminder.

Three: It’s not very good to clearly lean towards one way with the narrative. Anime and cartoons always have a good & bad tropey kinda way of telling their story, but at least both sides get explored (even if it’s just a little). This is probably why the main hero is almost always portrayed as empathic; so the other party gets to tell their story as well. Framing Qrow’s punch as ‘Ozpin deserved it’ is bad, because it automatically makes the viewer think that punching someone you don’t agree with is okay, as long as they did something bad to you. It’s also a way of telling the viewer how to feel, and in writing that’s just… Bad. Let the consumer come to their own conclusions.

‘Meeting you was the worst luck of my life.’ One of the very few lines that actually not just show but also make you feel. You just feel the weight behind this one, and you either feel for Qrow or Ozpin or both. Might be an unpopular opinion, but I fucking love this line.

The next moment we see Oscar flinching in pain and I have to wonder, what is up with that? Shouldn’t aura protect him? He has unlocked his aura, right? Or does aura not extend to pain? If it doesn’t, then how do you explain Yang getting punched through a concrete wall and being able to walk as if it’s nothing? No, the rule of cool does not apply to this. It’s just another one of those small things that make the viewer/reader go ‘I’m not buying it’.

I’ve seen so many people compliment Barbara on her ‘bastard’ line, and I can hear why. There’s raw emotion in there. It’s just… It seems a little off? She’s been standing there the whole time, completely silent, and all of a sudden she’s yelling passionately? I think we’re missing a few frames here. We should’ve seen Yang look at Oscar, then shocked to hear what he says about Ozpin while she clenches her fists and THEN she can deliver this line. I think that would’ve helped convey this way better.

‘Every one of you is spewing negativity.’ Like that matters? Didn’t you hear them Maria? The relic attracts Grimm. Except they conveniently don’t encounter any Grimm from here on out. That’s bad writing and here is why: Miles & Kerry don’t care about the rules they set for their world. They just want to get from point A to B as fast as possible. But that’s not how writing works, because your story and characters won’t follow it organically! It’s just forced storytelling. Give your story and characters room to explore. Maybe you’ll get something that surprises even you. That’s the whole point of writing: explore and have fun.

Okay. I have to ask. Who’s steering the ship?

Maybe it’s my personal taste but I don’t like the line ‘Because you have failed our queen’. It would have felt more natural if he had left ‘because’ out of there. Now it feels more like an explanation, instead of a creepy moment. Completely takes me out of it. But I have to admit I can’t take Tyrian serious because they just… Yeah. This scene was pretty okay though. I finally had a grasp of his character for once.

I don’t even know where to begin with this scene. We open with Salem all calm and collected, giving me the impression that I should feel intimidated. Not even a full minute later she flings the table almost completely into the one subject who actually follows her out of loyalty. This is what I need to be intimidated by? I’m sorry, I can’t take a leader serious if they only think about their own interests. Why would her subjects follow her if she doesn’t treat them like friends or family? This whole ‘powerhungry evil guy’ trope is a hoax and I can’t believe for a single second that these guys actually help her. Why would they? Out of the goodness in their hearts? Besides Hazel, who has real motivation to stop Ozpin and kill everyone? Hazel doesn’t even want to kill anyone. He’s just in it for his revenge. The minute he has it, he can bolt the fuck out of there. Up your manipulation game Salem. I’m not buying it one bit.

This scene is so bad. I don’t even know why Salem keeps asking whose fault it was. It’s clear she already knows the answer, apparently it’s all Cinder’s fault. I don’t even get why it’s all Cinder’s fault but whatever I guess.

What is the POINT of this scene? We don’t learn anything new. Salem’s just stupid. Why follow this psycho? I really don’t understand.

Wait, how does Hazel know they’re taking the lamp to Atlas? Wasn’t he already gone by the time the good guys decided on this plan?

You know, the scene where she loses it would have been SO good if she hadn’t been shown like a temper tantrum throwing child earlier. This could have been the one thing that sets her on edge, her flaw in an otherwise very calm and mysterious outlook. But now it’s just… another one of those.

#rwde #i know im way behind but listen #im tired

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