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#but it's really that meta thing
obsidianbit · 6 months
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I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans
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twilightcitysky · 8 months
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Hypothesis: Aziraphale HATES that Crowley is living in his car.
Supporting evidence:
The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.
He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.
Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.
It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.
Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?
He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).
He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.
That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.
(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)
Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.
And it hurts him.
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riot-of-robins · 4 months
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Lots of jokes get made in modern comics and fandom about the pejorative double entendre of Dick Grayson’s given/chosen nickname for Richard, and it IS funny, but I want to give a moment of appreciation for the other, kind of brilliant, double meaning that’s unfortunately fallen out of common modern usage, but would have been way more common when he was first named in 1940.
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He’s literally named “detective” you guys, there is no way the World’s Greatest Detective’s partner wasn’t named this way on purpose.
Add to this the way the fandom loves to explore the 21st century reveal/retcon of Dick Grayson’s Romani heritage, and the possible etymology of the word, and you have a goldmine of largely untapped, to my knowledge, discussion of thoughts from Dick Grayson and the people around him about the relationship between his identity, the life he chose, the things he chooses to honor/remember, and the persistence of a nickname that has fallen increasingly out of favor in most other modern contexts.
I love when it’s as simple as “it’s his name and there’s no reason to change it”, but I also think there’s just lots of room for him to also have Real Thoughts about it throughout his life.
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o-wild-west-wind · 6 months
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GOD there’s something so tragic about how all the horrors Ed fleetingly alluded to in s1 were so, so real. They were passive references, even sometimes jokes, when everything was bright and silly and hopeful. But when the lens is shifted everything takes on a new weight.
I mentioned it before but I can’t stop thinking about this line: “these past few weeks have been the most fun I’ve had in ages…years…maybe ever.” Ed meant that with his whole heart!!! His fall is all the harder because he was the highest up he’d literally ever been.
It’s just wild to think of the framing of this show because typically comedy implies that these characters live in a consistently comedic universe but it really is just that one blip in time up until this point. Ed and Stede’s solo stories are inherently tragic and yet when they come together they create a shared comedy universe. The meta use of genre in this show makes me CRAZY
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paintpanic · 3 months
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leverage-ot3 · 4 months
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I’ve talked about this before but imagine what it’s like for someone in a country/place where eliot is Top Most Wanted and then your tech guy finds a breakout star baseball player on their visual scanner that looks EXACTLY like spencer. but…there’s no way that’s him, right???
and then the next year it happens again but this time it’s some one hit wonder country singer kenneth crane that has like 78 tween-run fangirl blogs dedicated to him. you see a grainy video of him being chased by a horde of screaming teenage girls and ??? no way Eliot Last Thing You’ll Ever See Spencer is a country singer star just. signing pictures of his face right…?
a few months later your intern shows you footage of an eliot lookalike who is in san lorenzo talking about how there is dog fighting in the presidential palace and you just. sigh. because of course. a scant few days later the political geography of the country changes drastically and damien moreau is imprisoned. …interesting
and then a year of silence goes by. he still shows up as blips on the radar but he must have a good hacker working for him because his tracks on the internet are expertly erased.
every time you ask through interagency channels some random interpol guy talks in (condescending?) riddles at you and it also somehow feels like he’s threatening you
and then your friend who recently got into foreign hockey teams sends you a dropyourgloves video of someone called jacques the bear. you immediately get a headache (and watch some more videos because even you can admit this guy is a good hockey player)
and you know he’s a Bad Guy but it’s been admittedly a bit entertaining seeing what claim to fame he will come upon next. and his most recent actions over the few years make you wonder.
a few months later your phone pings because multiple heads of state evacuated from DC. the reason? eliot spencer was in town. you hear two days later a bioterrorist was taken down by… the report was redacted. your hacker tells you spencer and two teammates were behind the successful operation. which, huh.
not even a full year later it is released that spencer is dead and… you don’t know how to feel.
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average-hua-cheng-fan · 4 months
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another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
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steddielations · 10 months
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gotta talk about how Eddie didn’t understand the hive mind until Steve explained it for him, and he didn’t question Steve or doubt him at all, he just trusted Steve’s word. that must’ve been validating for Steve, who’s usually the one getting things explained to him or having to argue his point so people listen
something about, Steve knows what it’s like to be out of the loop and he kept trying to make sure Eddie was keeping up, to the point of over-explaining and Eddie’s like “yes you mentioned the superpower girl thank you now please tell me our son isn’t cursed”
and yeah maybe Eddie should’ve known what a hive mind is since he’s super into fantasy sci-fi, but he was under a ton of stress and instead of Steve being like “you of all people should know” he just broke it down for him and i love that actually
so when Steve doesn’t get the Ozzy reference later, maybe Eddie was just giving Steve the same understanding that Steve gave to him, explaining it and not making him feel dumb for not knowing
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co-dependance · 1 year
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I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.
Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.
The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.
Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.
And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.
All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.
Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.
In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.
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syn0vial · 1 year
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boba fett's childhood is such an untapped goldmine of uncanny existential horror, even before he loses his father.
like, imagine growing up never seeing another child except those that are identical to you—carbon copies in every way, except their heads are shaved, they're plugged into machines all day, and they never stay children for very long. the ones that survive turn into men who look like your father, but your father calls them cattle, cannon fodder.
you're a clone, too. you should be cattle like them, but your father doesn't call you those things. he says you're his real son and that he loves you.
your father loves you. this is what distinguishes you from the cattle and the canon fodder. your father loves you and that's what makes you a person.
and :) then :) he :) fucking :) dies :)
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Please let Astarion meet Tav's family and have a younger sibling like 6 be like im gonna marry the prince points at Astarion.
Tav : Sorry, im married to the prince
NO IM GONNA MARRY THE PRINCE
That's so fucking cute kill me. But I just realized AFTER I finished it I read this wrong 😭😭 I read it as "marry" instead of "married" so whoops now it's an asking for your hand in marriage fic.
Also, I'm going to make this a weird little, unofficial, alternate reality, off shoot of this fic to explain away why Astarion can be in the sun without ascending because I am ~lazy~
Quick summary if you didn't read it, Tav serves Selune, gets a blessing for all the good work, and uses it to cure the anti-light issue of the vampirism (but not all of it). It's not a literal extension of that fic but I'm stealing my own plot explanations. That's it! Now here we go:
~
Astarion wasn't nervous per se. He was just... on edge. And the two-week journey it took to get here wasn't helping things, not when it gave him so much time to ruminate in his thoughts. He never expected to be in the position of "meeting the family," let alone in anticipation for asking for someone's hand in marriage.
Astarion wasn't even quite sure how his life got here. He had always fantasized that a life without Cazador would be one of selfish hedonism, not one where he would be legitimately concerned about a damn six year old sibling's first impression of him.
But then you came along, effortlessly shattering all of his grandiose plans with a batt of your eyelashes. Perhaps the entire journey of falling in love was more complicated, but it felt like it was that simple. In hindsight, he never stood a chance against you, but it was hilarious that there was a time he ever thought he did.
All of his prior dreams and fantasies felt like nothing in comparison to just being with you. It had been a year since you both saved the Sword Coast, a beautiful, fantastic year. That had ended with him somehow more in love with you now than when he first confessed. Selune's blessing had certainly helped with that he was sure. He still couldn't quite believe that you would use a god's blessing on him of all people, but gods, was he appreciative. Because being able to walk in the sun again meant that he could live the life he wanted, with no restrictions. He could be the partner you deserved, the kind that a father would happily say yes to when asking for your hand.
Which brought him back to his current dilemma. Perhaps he hadn't seen any of your family members in the time you'd been together, but he had heard plenty. You loved them all to death, especially your little sister. You wrote to them constantly, the mere sight of a letter from your parents enough to put you in a great mood for the rest of the day. He was aware that your mother was supposedly a saint, a fact that your own father had instilled in you often. He knew that they had a wonderful, loving marriage and were both higher ups in the Church of Selune. A fact that Astarion didn't particularly enjoy.
As grateful to the moon goddess as he was, he was aware that you were an expectation to the very normal belief that vampires were bad. And that marrying one was one of the stupidest things you could ever do from an average person's perspective, let alone a Selunite.
Why you hadn't done the smart thing and lied about what he was, Astarion would never know. But he did know that the thought of their rejection over his admittedly sordid history was putting him in a tailspin.
"They're going to love you," You said for the hundredth time, giving his hand a squeeze as you led him up the steps to your childhood home, "You have nothing to worry about sweetheart. I promise."
Astarion highly doubted that, but you were already knocking on the front door before he had a chance to argue. The door instantly slammed open, a beaming child already launching themselves at you before Astarion could process what was happening.
But you were more prepared them he was. You effortlessly caught them in your arms, laughing at their excited shouting, "Titi! You're late!"
So this was the famous Arabeth.
"No, I'm not!" You laughed as you settled her on your hip, "And what happened to my little girl's manners huh? You haven't even introduced yourself yet."
The child glanced over at him, like she was just realizing for the first time that someone else was standing over there. She looked a little shocked at the sight of him, staring at him with wide eyes. Wide enough for Astarion to start to wonder if something was on his face.
He gave her a little wave only for her to bury her face into your shoulder, peeking out at him with her lips pursed. Which was not the best start to the whole making his darling's family actually like him plan.
"Well, as you've probably guessed this is Arabeth. She's just a little shy," You reassured as you stepped inside, muttering a quick invitation inside under your breath. He appreciated that, he didn't need the whole house to be reminded of his... limitations.
"But she'll get over it soon enough," You continued as you called into the house, "Mom? Dad? We're here!"
And just like that they were rushing into the room, acting just as excited as your sister had been. Your mother wasted no time in smothering your face with kisses while your father swept you up into a hug. It was a rather impressive display of coordination, considering how they hadn't managed to knock you and your sister to the floor in the process. Astarion was pretty sure they were both saying something along the lines of We missed you! But it was hard to tell with all of you so tangled up in each other.
It was heartwarming to see, in all honestly. Of course such a loving person would come from an equally loving family, what else would he expect?
Though he certainly hadn't been expecting for your mother to throw her arms around him next. She brought him into a tight hug before looking him up and down, "So you're Astarion huh?"
She turned back to you, grinning ear to ear with her hands set on Astarion's shoulders, "He's so handsome! Selune help us, do you remember the last boy you brought home? He had a nose the length of my arm-"
"And that's enough of that," You said with a strained laugh, pulling your eccentric mother back a few inches, "And we've talked about the impromptu hugs. What happened to asking for permission?"
"Sorry, sorry!" She said with a wave of her hand, "Let me try again. I'm Seliras, and this is my husband-"
"Marcoul," Your father interrupted, putting his hand out for Astarion to shake, "It's been awhile since we've met a boyfriend."
"He's a little more than that," You said with a sigh as everyone exchanged pleasantries.
"We'll be the judge of that," Marcoul said with a sharp but friendly grin, the grip he had on Astarion's hand briefly tightening before he let go, "From what we've heard, you're quite the character aren't you?"
Ah, so the interrogating was starting early then. It was nothing that Astarion hadn't expected. Besides, turning up the charm was his strong suit, even when he was uncharacteristically nervous.
Astarion smiled back at him, "You've heard right. And I'm more than happy to answer any questions you might have."
"Oh gods please don't say that," You groaned, but it was too late. Your parents were already leading him to sit, rapid-fire questions coming out of their mouth.
Where are you from? How did you meet? Are you serious about our Tav? What's your religion? Where's your family? What are your plans?
But Astarion answered them all, with only mild censorship for the child's sake. The child who suddenly couldn't stop staring at him. It wasn't exactly easy to sell himself as a future husband when he was a vampiric ex-slave, but he made do.
It was an overwhelming experience to say the least, but not necessarily an unpleasant one. That was one good thing about trying to marry into a family of zealots, it was a lot easier to convince them of your virtue when you received a personal blessing from their goddess.
By the end of the night, they were all throughly appeased, enough so to get off the topic of him for a moment.
"You look a little young to have a thirty-year old child," Astarion said to your mother. He was actively trying to compliment her for obvious reasons, but he was also genuinely curious. She barely looked a day over 40.
"Oh we breed young," She said with a laugh, "We had Tav in our teenage years. Arabeth came much, much later. Our favorite little surprise. Gods, I can't think of a single person in our family who didn't have kids young. Our little Tav is the only exception to the rule."
"But maybe not for much longer, huh?" Marcoul added with a grin, yelping when you lightly smacked him over the head for the comment.
"Do not start the kid talk again!" You hissed out, cheeks red, "We've talked about this!"
Astarion couldn't help but grin at your reaction, charmed by your embarrassment. Though... the idea of the two of you having children together sure was an interesting thought.
Astarion felt a tug on his sleeve while you were distracted arguing with your parents. He turned, smiling when he saw your little sister standing there, still staring at him with wide-eyes.
She took a deep breath before blurting out, "You look like a prince. Are you?"
"Not exactly," Astarion said with a small laugh. That couldn't be further from the truth, "There's no blue blood in my veins."
She frowned, cocking her head at him like he wasn't making any sense. But then an idea obviously struck her as she excitedly asked, "But if you married a princess, then you'd become a prince too. Right?"
"I suppose?" Astarion answered with a shrug.
"So if I become a princess, and I marry you, then you'll be a prince?"
This conversation was quickly becoming out of his depth. But luckily enough for him you were swooping in to save him.
You laughed at her question, turning your attention back to the two of them, "No offense Bethy, but I'm going to be the one marrying this particular prince."
But Arabeth wasn't having it. She crossed her arms, looking at you like she was the one talking to a child, "You can't. Because if I don't marry him, he won't be a prince. So there. I have to do it."
She looked so serious, her facial expressions incredibly similar to your own. Astarion was holding back a loud laugh as you tried and failed to reason with her, "I can marry him without the royal status-"
"No! I'm marrying the prince!"
Your parents were doing a much worse job at hiding their reactions, both of them opening giggling behind their hands as you came up with a compromise.
"Okay, okay," You said with a sigh, kneeling down to look the small girl in the eye, "How about this? I marry him first. But only until you become a princess. Then he's all yours. Sound fair?"
She thought about it for a moment before nodding to herself, "Sounds fair."
Well Astarion wasn't going to get a better set-up then that. He turned to your father, his nerves coming back for a brief appearance, "I'm assuming now might be a good time to ask what I came here to ask. Though I do promise I only intending on asking for one of your children's hand in marriage."
Marcoul nodded slowly, his face unreadable as he spoke, "I mean no offense when I say this Astarion, but you aren't exactly who I imagined for my daughter."
"Dad don't-"
"Darling, let him finish," Astarion gently interrupted, his eyes still locked with your father's.
He took a deep breathe before continuing, "That said, I've never seen her so... herself with someone else before. So yes. The two of you can marry. On one condition."
"Anything," Astarion said instantly, nearly giddy at the fact that he was so close to the official yes, "Just name it."
"You have to have the wedding here," Seliras answered for him, a massive smile on her face, "No ifs, ands, or buts."
"And I get to be flower girl!" Arabeth chimed in, her past indignation completely forgotten as she climbed all over you, "And there has to be chocolate cake!"
"Oh gods, help us," You groaned, but Astarion was already nodding along. He couldn't give less than two shits where it happened or who was involved. He could scarcely believe that it was happening at all. But that was the last thing he had needed.
He already had the ring, the most amazing person he could ever fathom being with. Who actually wanted him back.
Now all he had to do was ask.
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scribefindegil · 1 year
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MP100 does such a good job of committing to its theme that psychic powers don't make you better than anyone else. It's really common for media with magic or superpowers to pay lip service to the idea that the people who have them aren't any better than the people who don't, but then have their actual plots constantly undercut that message.
But not Mob! It takes its non-powered characters seriously; Mob's time with the Body Improvement Club and his friendship with Tome and the other Telepathy Club kids are just as important to his character development as any big psychic battle. On multiple occasions, Reigen's big contributions happen specifically because he *isn't* psychic--I'm thinking of the Shimazaki fight and the scene where he realizes Minori is possessed, but there are others.
And even when there are fights, they're ideological as much as they are physical. That's why Mob defeats Serizawa with an offer of friendship. That's why in the confrontation with Dimple in broccoli arc, Mob wins by *giving up* his powers, recognizing that they were preventing the two of them from actually talking. And that's why the thing that stops ???%'s rampage isn't another psychic; it's Reigen finally admitting to his own powerlessness.
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ineffectualbookseller · 7 months
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The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field
It's in all the little niggling comments from your boss about personal things that hold no bearing on your work
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and the assumption that what you're doing must be simple if it was assigned to you
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your work is trivialized
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and you get these the placating smiles when you're told plans and proposals are rejected and passed over
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or when your complaints are dismissed
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and you get more of the same from upper management
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it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day
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It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity
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The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again
(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)
Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off
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cringefail-clown · 29 days
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okay, so we know that godtiering heals you. tavros gets his legs back, vriska gets her eye and arm back etc etc. furthermore, it could be interpreted as healing perceived disadvantages. terezi wouldnt get her sight back if she were to godtier, because she doesnt see (pun not intended but here we go) her blindness as something that weakens her, quite the opposite - and when aranea heals her sight, she hates it and purposefully wears a blindfold. sburb would recognize her preference and honor it once she ascends.
we could go even further. once ascended, all your perceived weaknesses would be removed, and what weakness means varies wildly from person to person. harlenglishcrocegberts keep their glasses, as well as vriska - we can assume they never felt like their bad sight was any issue for them, so it was left out. for trans folks, and lets put myself under the microscope - if i were to godtier, sburb might throw my way a nice and quick top surgery, but leave the rest alone since i dont have any strong feelings about those.
it could even heal things like brain damage, chronic pain, migrains, cancer, anything that you feel like brings you down will be removed. alpha kids get their hangovers healed up. ascending basically builds your body up from the start, atom to atom, whole dna rewritten if you want it to be.
my question now: would it, or would it not remove karkats or kankris mutation, making them limebloods? everytime we see vantases who are god tier theyre ghosts, and their wings are not shown. it might be because theyre small (which is a popular headcanon) or they dont have any, be it because of their mutation or because its a feature of the bloodcast they originate from, or theyre simply hidden. either way we never see what the actual color of their wings is, which would indicate the color of their blood after ascention.
basically i have no idea. but its a fun thing to think about and ive been doing it for the past few days now
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lilacpaperbird · 5 months
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About Sam's music taste
Okay so I've always been really intrigued by the kind of music Sam might like, since we seemingly didn't get much information about it in the show. So I did a deep dive, and this is everything I could find/remember in relation to Sam and his taste in music:
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Kripke, interview from 2007
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From the Supernatural Wiki - There's a small mistake here. I checked the video and Jared said "Jack Johnson", not "Jackson"
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Good catch, thanks anon whoever you are! - I checked and yep there it is! I added a pic of the poster so you could see what it looks like
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11x04 Baby - Sam knows the lyrics to the song "Night Moves" and sings it enthusiastically, like he did with "Dead or Alive" in 3x16
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14x20 Moriah
Bands/singers mentioned:
Green Day
Red Hot Chili Peppers
Fall Out Boy
The Killers
Jack Johnson
Death Cab for Cutie
Jason Manns
Bon Jovi
A Wilhem Scream
Bob Seger
Elvis Presley
Celine Dion
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lady-harrowhark · 1 year
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I’ve been thinking a lot lately about Gideon’s blood and the Tomb. I’ve got two points here that dovetail somewhat…
Let’s review some key events. I realize these probably seem a bit all over the place, but I do believe they come together. I’ve tried to put these in roughly chronological order.
John attempts to consume the soul of the Earth, and then creates a physical body for Alecto: “I ripped half my ribs from my body and made you from the dirt, my blood, my vomit, my bone.”
Ten thousand years later, Gideon and Harrow duke it out. The initial recollection of the fight says that “Harrow had scratched until she’d had half of Gideon’s face beneath her fingernails.” The more candid HtN version has Gideon telling us, “You clawed my face so bad that my blood ran down your hands; my face was under your fucking fingernails.”
Harrow opens the Tomb with Gideon’s (read: John’s) blood on her hands.
Harrow sees Alecto, falls in love with her, and decides to live. 
At some point while in the Tomb, Harrow apparently kisses Alecto: “She hadn’t come on purpose; the scrap of black-eyed meat had asked for it—the chain of a kiss: the ice that burnt the flesh of the mouth that had stuck to the mouth that was frozen.”
At Canaan House, Ianthe ascends and tells the others that step six of the process is to “consume the flesh. Not the whole thing, a drop of blood will do to ground you.”
Harrow’s letter tells her she owes Ianthe “the favour of the chain”, which extends “into the House, but NOT into the Tomb.” The agreement takes precedence over any oaths sworn to others, including John, except for the Holy Corpse.
Harrow kisses Ianthe to inspect her jaw and re-swears the oath.
Harrow’s Nova AU has her retrieving the chain of Samael from the Anastasian. This is considered a sin severe enough that the Reverend Father whips her, but she is allowed to keep the chain. Denied the role of Reverend Daughter, Harrow tells Ortus that she is “the unfulfilled vow and the bloody teeth of the unkissed skull.”
Alecto kisses Harrow, bites her, and recognizes her by her blood - the blood of Anastasia’s line. Alecto tells Harrow that she is very sorry about Samael, and she vows the favour she had promised to Anastasia to Harrow.
We see over and over this theme of consuming another life, whether body or soul: we get two sides of this coin when we compare Gideon’s “All I ever wanted you to do was eat me” to John’s statement that “it’s the human instinct, to take.” Consuming the flesh is, per Ianthe, one of the steps to taking in a cavalier’s soul and becoming a Lyctor, directly paralleling John consuming the Earth, both physically when he eats dirt and spiritually when he takes in her soul. Thus far, though, we don’t know how or if Harrow consumed Gideon’s flesh in the interim between chapters 36 and 37 of GtN. 
But here’s what I’ve been wondering: assuming Ianthe is correct (and telling the truth) about the steps to becoming a Lyctor, to what extent does the order and timing actually matter? I think there’s a distinct possibility that Harrow had consumed Gideon’s flesh years before they even came to Canaan House.
Because Harrow had Gideon’s face under her fingernails. And Harrow bites her nails.
HtN, chapter four:
You held your left hand up before your face, before the light, the even white light with its hot tungsten filaments. The thumbnail was whole and even. Too even? Were you wont to chew your fingernails still, that unattractive tic of your girlhood?
And again in chapter twenty-one:
She took off her gloves, and with the edges of her fingernails - bitten to the quick, and never much help - she started to prise open one wrinkled corner.
If the steps do not have to be completed strictly in order, Harrow may very well have already checked off step six if she were biting her nails with Gideon’s flesh and blood still clinging to them.
The other thing going on here is that we get these repeated connections between chains and favours and kisses. I don’t feel like we have quite all the pieces yet to draw any definitive conclusions, but it seems that the favour of the chain may have something to do with the Reverend Family’s vow to protect the Tomb. Particularly, Harrow describing herself, sans Reverend Daughter title, as “the unfulfilled vow” as she wields the chain of Samael lends itself to this interpretation. I also find it very interesting that this unfulfilled vow is paired with “the bloody teeth of the unkissed skull” given that upon waking, Alecto kisses Harrow, bites her, and draws blood which then allows her to recognize Harrow as one of Anastasia’s descendants.
Before that kiss, though, there was another. Alecto describes being called back by Harrow’s kiss, presumably when she broke into the Tomb as a child. I have to wonder if blood was playing a role here too. Alecto says that Harrow’s flesh stuck on her frozen lips, that the ice burned her. If this kiss also drew blood, it could be that the blood of Anastasia’s line was the key to calling her back. However, there may have been someone else’s blood on Alecto’s lips that day. If Harrow had been biting her nails, which she’d earlier used to claw Gideon’s face, she very well may have had Gideon’s blood in her mouth as well. As John’s daughter, her blood was able to open the Tomb. Was it able to call Alecto as well? Could “the chain of a kiss” be referring to Harrow transferring John’s blood between Gideon and Alecto?
Overall, it seems like we’re circling something akin to a blood oath or living blood ward. The thalergetic nature of blood certainly aligns with the symbolism of life and light that we see connected to the Earth and Alecto, in contrast to the thanergy that John cultivates. Alecto’s physical form is derived from John’s blood, and his power is derived from her soul. If indeed a kiss and a few drops of John’s blood, shepherded into the Tomb by Gideon and Harrow, are enough to call Alecto, I cannot even imagine the pyrotechnics show that we’re in for now that he’s had a run-in with the business end of her sword.
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