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#but jon sims. jon sims has SO MUCH personality
rotdot-com · 7 months
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Begging people to realise tma's themes of agency and control extend to characters other than Jon
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You know that post about demons sympathizing with the sacrifice who bleed before the one who held the knife? Yeah so that’s just the Eye with Jon and Elias.
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iminsideabox · 1 year
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*Pats the top of Jon's head*
This Archivist can fit so many fears and trauma into it!
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headofocs-inklesspen · 3 months
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Delighted the work child today by my description of Jon Sims, head archivist as “just a tired sad wet rat of man. Experiencing the horrors except he did kind of agree to be there” apparently “wet rat of a man” is their new gender identity, is this what being cool to teens is like? I would not know, I was not a popular teenager
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jonnywaistcoat · 8 months
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Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?
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So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.
First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.
Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.
It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"
But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?
Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.
Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.
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hauntedhotel · 1 year
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As much as it isn't fun to hear Jon yelling at Martin, the end part of Mag 56 is so hilarious to me.
Listen, there is NO evidence to support Martin's claim about lying on his CV, and frankly it's kind of a weak cover story. You are required to show proof of your qualifications when you get a new job on the strength of them - not to mention ID - and even though on a relisten we know Martin's telling the truth and that Elias has his own reasons for hiring Martin, Jon doesn't know any of that. There's nothing to back up Martin's story and given how paranoid Jon's been since Prentiss, not to mention the fact that his specific concerns about Martin were that he might be hiding his own cunning behind the image of someone bumbling and soft (Jonathan "right for the wrong reasons" Sims strikes again) it is wild to me that he accepts this so quickly.
It's almost as though he's eager for Martin to be innocent, even though everything he's previously said about him would indicate that he'd rather it was Martin than Tim or Sasha, the assistants he respects professionally and likes on a personal level. It's so easy to picture him just blue-screening while poor Martin sits there expecting to be fired/screamed at again.
Martin: Okay, that's the truth, do your worst. Jon? Jon??
Jon, internally: Martin's innocent Martin lied to Elias but not me Martin didn't kill Gertrude Martin's safe Martin's still my friend Martin doesn't want me dead
Martin: Jon?
Jon, internally: MartinMartinMartinMartin
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creatorofarcadia · 9 months
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I’m aware that I’m definitely Jon Sims biased when I listen to TMA, he’s my favourite, so naturally it’s much easier for me to empathise with him. But every time I re-listen (I’ve lost count now but I think I’ve done 6?), I always legitimately try to let go of my bias and really consider the perspective of characters I instinctively disagree with. Something I’ve noticed is that, the one moment that always gets me, that I can never look past or empathise with, is Basira and Georgie’s response to Jon waking up in MAG 122.
It’s funny because I don’t think it is supposed to be some character defining moment for either of them and (maybe I’ve just missed it because I’m not super fandom active) I’ve never really heard anybody else talk about this. But the way they respond to him has always REALLY rubbed me wrong. Because I get it, they’re concerned about how much ‘Jon’ is really left inside the person sat in bed, but Jesus fuck. This guy wakes up after, as far as you know at the time, sacrificing himself to successfully save billions of people and the first thing you say is ‘no it’s not good you woke up actually’ - like damn he’s been conscious for 10 SECONDS could this not wait until later? Could you first idk, thank him? Say your glad to see your friend is still alive and save the ‘are you human?’ conversation for after he’s had a cuppa maybe?
The first thing you say to someone who’s woken up from a coma being ‘it’s not good you woke up’ just seems needlessly fucking cruel, regardless of how I attempt to spin it in my mind. And unless you’re literally talking to Satan the correct response to “Disappointed to see me alive?” is unequivocally NO not “We can deal with it later”. 
Overall, there’s a difference between caution and callousness, and while I understand the desire to be cautious with Jon as how much of his humanity remains is unclear, this moment always tipped into callousness for me in a way I struggle to empathise with even when I really try. 
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gammija · 11 months
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idly thinking about an AU where Jon and Martin do manage to land in the same world, in roughly the same location, but separated by time.
Lots of time.
Jon arrives in Britain, in 1988. Martin also arrives in Britain, also in the 80's - the 1780s. Maybe it's the Web putting the pieces in new starting positions, maybe it's just happenstance. Who can say.
The first thing Martin does is look for Jon, of course. Unfortunately, he realizes pretty quickly that, if Jon is here, he's not anywhere near him. But Martin's not giving up that easily. If he's going to find him, he needs resources. So, with a knack for lying to wealthy old men, and using a minimal amount of historical knowledge, he makes a modest name for himself. Hopefully enough so that Jon will be able to find him, when he looks for him -
Because Martin hasn't been able to find a trace of him yet. Not as a real person in the world, and not as a reference in any old texts or stories about odd appearances of men with alien clothes, lots of scars, or piercing eyes.
A few years pass, without Martin finding any sign of Jon. Slowly, he has to come to terms with a few facts:
Firstly, that the Fears are definitely also in this world. In his search for Jon, he's come across far too many accounts that sound eerily familiar. Though they seem to have popped up in the world around the same time he did; He doesn't have any earlier records that consistently line up with the patterns he's familiar with. Which most likely means that they - he - are responsible for their existence in this world... Martin tries not to think about it.
Secondly, thankfully, this must mean that Jon didn't arrive centuries before he did, living and dying without anyone taking notice, which Martin had gotten more and more worried about. He wouldn't have arrived without the Fears being there too. No, if Jon is going to appear in this world, (and Martin is not going to think about the alternatives), he'll arrive in his future.
Maybe so far into the future that Martin won't even live to see him. In which case, however much he'd like to avoid thinking about it, Martin has to create something here and now. Something that will last beyond his lifetime. Something Jon will be able to find as soon as he looks for Martin, so at least Jon won't have to wonder what happened to him, will know that he did not arrive completely alone, that Martin did not abandon him.
Thirdly... through his search for Jon, Martin has amassed quite a little collection of esoteric and weird stories. And, though he did it 200 years in the future, he does have some experience running an organization that ostensibly researches the supernatural, which would also be a good way to keep track of any potential new Jon leads. He thinks of naming it after Jon, of course, but it's not like Jon is going to look for his own name first, is he? And it'd raise more questions than if he named it after himself.
Cue the bittersweet ending where Jon falls out of the sky on a sunny day in the middle of London, asks for someone named Martin Blackwood, and finds Blackwood Organization, a public collection of ghost stories dating back to the 1800. He is given a set of personal letters from the founder, to be hand delivered only to a man called Jonathan Sims as soon as he would walk in the door.
...Or -
After yet another few years, in which Martin has set up his organization and is part of a decent network of people with similar interests (though he dislikes most of them), he bumps into someone. Jonah Magnus. It's an incredibly odd experience, though in hindsight, it was bound to happen, considering the information he's after. Martin has the urge to kill him right there, but the man doesn't seem to be from the future. He's just a creepy guy. Younger than Martin, too, which is also weird. But he manages to shake it off, and doesn't see him again.
Though he does keep tabs on him. Seeing him has set Martin thinking. He's been getting older, and his modern constitution isn't faring great in Georgian times. The organization is doing okay, but he's not sure yet if it's really going to survive after he's, well, gone, which would defeat the whole point. With a few more years, could he make it stronger? Could he maybe even reunite with Jon in person?
Furthermore, with the Fears being now well established, it's only a matter of time before someone tries a ritual. No, Martin isn't going to try and do one first, that'd be really stupid, not to mention evil. He just has to make sure that the world actually survives for Jon to appear in it.
A plan begins to form. One he really doesn't like. But one that, the more he considers it, is very possible. He's quite sure now the Fears mostly operate on vibes. Sure, he's maybe not a full avatar, but through letting the public read stories about the fears, hasn't he kind of spread awful knowledge? Hasn't he seen a lot of terrible things in turn? The Eye was already fond of him, according to Jon.
And even if it were to go wrong... Martin would die in either case, and the only other person suffering would be Jonah. He can't find it in himself to feel too awful about that.
Jon falls out of the sky on a sunny day in 1986. After a short and panicked search, he walks through the doors of the Blackwood Organization, Hilltop Lane 148, Oxford. The receptionist greets him. She seems somewhat shocked as she does so, tells him to take a seat as she makes a call. He doesn't know what else to do, so he sits. The chairs are surprisingly comfortable.
A few minutes later, someone he doesn't at all recognize enters the foyer. He looks at Jon, stops, freezes. Jon stills as well.
The man is unfamiliar in every way. He's short, for one, his skin a darker complexion, hair curling in a way his never did. But those eyes, as soon as he sees them, he recognizes. Those are the eyes of the man he trusted to kill him.
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jouxlskaard · 4 days
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Strap in, fuckers. This is a long one.
I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.
TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.
However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.
This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.
I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.
Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.
I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.
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casual-socks · 5 months
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HI IVE BEEN MASSIVELY HYPERFIXATED ON TMA FOR ABOUT A YEAR AND IVE SEEN MAYBE ONE (1) SINGULAR PERSON TALK ABOUT THIS and i am not even kidding when i say its been a passionate topic of conversation for that entire year. people know me for this. it comes up and my entire friend group SIGHS AUDIBLY because they know the 20 minute tangent i Will be taking
WHATTTTT IS GOING ON WITH GERARD KEAYS NAME. what. what???? okay i
youre telling me jonathan sims went to oxford college (relatively prestigious if my memory serves me correctly) for RESEARCH. for, to put it simply, READING. and he looks at the name gerard and goes Yeah looks like jared to me lets go with that!!! HELLO?? NO?? not even mentioning the fact that he is being what could easily be called possesed when reading these statements which leaves us with two options
1. the ENTIRETY OF ENGLAND CANNOT PRONOUNCE THE NAME GERARD.
2. jonathan sims is so monumentally stupid that he is somehow breaking this possesion for the 2 seconds it takes to say the name gerard (i love him i swear i will sound so so hateful for this entire post but its out of love)
and like??? its not even that EVERYONE is calling him jared? elias and gertrude have both called him gerard and thats just off the top of my head. i also think jon said it correctly ONEEEE SINGULAR TIME. Just the once.
now i feel it necessary to mention jared hopworth here as well. because why, why on gods green earth, would you name a character gerard. pronounce it jared. TURN AROUND AND GO. lets make another jared but this ones made out of meat and is sort of implied to not be too fond of gay people. Yeah he steals peoples bones. Yeah.
SO LIKE GERARD KEAY IS THE OBJECTIVELY SUPERIOR JARED EXCEPT HES NOT JARED HIS NAME IS LITERALLY GERARD?? FUCK YOU SO MUCH
so okay. sure whatever this podcast is sooo british that a bunch of people are just completely failing to pronounce gerard. sure. whatever you say.
GERRY?????? HIS FUCKING NICKNAME IS GERRY???????????? NO!!!!
NO. no. LOOK ME IN MY EYES. LOOK AT THE NAME GERARD. GER-ARD. AND YOURE TELLING ME YOURE GONNA CALL HIM JARED. SND THEN YOURE GONNA CALL HIM GERRY WITH A G???? gerry with a g. that is utterly ridiculous i cannot even believe this that is monumentally frustrating i cannot even begin to describe to you all the anger i have experienced over this particular bit because why on earth would you take that particular extra step??? gerard -> gerry. sure. thin ice, but sure. jared -> jerry. sure! yeah! makes sense! GERARD -> JARED -> GERRY? you must be playing some sick joke jonny sims. seriously. you are a cruel and usual man
now this is when i start to wind down, but far from where i finish. lets take a moment to really pause and soak in his actual name here.
gerard.
that is so unfortunate already i mean really, gerard is such a…. a name…. i mean his mom skins people and puts them in books and the cruelest thing i think she ever couldve done is honest to god name her son gerard.
keay.
now dont get me wrong. theres nothing seriously wrong with spelling it keay on principle. but god, really? youre gonna shove all this gerard gerry jared business in front of me and tell me his last name is just key but gone the extra mile. really feels like the cherry on top of a shit cake.
now if you consider gerards character i truly feel as though thats the deepest disservice here. gerard keay is an incredible character whos short appearance is so memorable and charming, and despite his VERY little screen time he still has an intriguing and well fleshed out character. really, gerard keay is so excellent character wise. But, every time i think about him for any more than 5 minutes, almost this exact rant is being told to whoever is unfortunate enough to be near me at the time.
another thing i think also really adds to this is just the nature of gerard keay. everything you can say about that guy could be ended with “and everone calls him jared for some reason”. hes emo and everyone calls him jared for some reason. his hair dye job is so miserable that EVERYONE mentions it and everyone calls him jared for some reason. he has mommy issues and everyone calls him jared for some reason.
okay i need to wrap this up before i start just repeating WHY WHY WHY WHY WHY for thousands of words but heres a graph i made for my friends in october 2022 when i was going on about this in the middle of my spanish class 👍👍
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pillowspace · 8 months
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Do you have any tma fic recs?
I am kissing your hand, thank you so much for asking. Let me go take a look through my AO3 bookmarks and see what I still remember reading
Here's some The Magnus Archives fics I like! Some Jonmartin fics, regular fics, and a little Gerrymichael section because I like that
Okay, so first of all, this is my favourite The Magnus Archives fic of all time. I cannot recommend it enough. It has entirely rewired my brain, I have not been the same since I read this. I cried multiple times:
Resigned, Though Not to Fate by inkfingers_mcgee
Graphic Depictions Of Violence, Martin Blackwood/Jonathan "Jon" Sims | The Archivist
“You’re really suggesting this,” Martin says, voice pulled thin.
“Yes.” No hesitation.
“You would- actually do it?”
“I would.”
“With me.”
“Yes, Martin.”
“Why?” Because love is blind, says something cliché and cruel in the pit of his gut. Christ, he never was much of a poet, was he?
Or,
When Jon asks Martin to Quit the Archives with him, Martin says yes. Things don't go as planned. In the Scottish Highlands, they hurt, and they heal.
(Re-written as of 22-12-27; see chapter 9 for more info.)
T | Words: 145,746 | Chapters: 9/9
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And there's also these good ones I've enjoyed:
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a deeply annoying child by ajkal2
No Archive Warnings Apply, Jonathan "Jon" Sims | The Archivist & Tim Stoker, blink-and-you-miss-it Martin Blackwood/Jonathan Sims, BUT NO SLASH WHILE ANYONE IS A CHILD
Jon is hiding under the desk.
----
There's a child in the Archives, who shouldn't be there.
G | Words: 9,631 | Chapters: 1/1
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rituals by doomcountry
No Archive Warnings Apply, Martin Blackwood/The Archivist, Martin Blackwood/Jonathan Sims
Martin is the first person to knock on the Archivist's door since it arrived, fully, into its little waiting temple. The Archivist saw him coming from down the hall, but decides to feign interest when the knob turns, and Martin—still a little bit smaller, a little more translucent than before—stands uncertainly just outside the room.
T | Words: 8,492 | Chapters: 1/1
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Head in the Lion's Mouth by renwhit
Graphic Depictions Of Violence, Danny Stoker & Tim Stoker, Danny Stoker & Jonathan Sims, Basira Hussain & Alice "Daisy" Tonner, Martin Blackwood & Tim Stoker, Martin Blackwood & Danny Stoker, Jonathan Sims & Tim Stoker, Past Tim Stoker/Sasha James, Danny Stoker & Helen Richardson, Danny Stoker & Alice "Daisy" Tonner, Danny Stoker & Melanie King, Basira Hussain & Tim Stoker, Basira Hussain & Danny Stoker
He fell into a deep bow, smiling the whole while. “I’m the ringmaster, of course.”
“Is that skin— Is it yours?” Old wood groaned as the Archivist shifted his weight. “Originally.”
“It is!” the ringmaster said as he swooped back upright. “Nikola decided I wore it well, so she let me keep it. Why do you ask?”
The Archivist gave him another once-over. “You just… you look familiar. Like someone I know.”
On relearning, reconnecting, and redefining.
M | Words: 157,240 | Chapters: 17/17
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Reflection by LazuliQuetzal
No Archive Warnings Apply, Martin Blackwood/Jonathan Sims, Sasha James/Emma (The Magnus Archives)
Jonathan Sims, researcher at the Magnus Institute, is seeing a ghost. Of himself.
Of course, it’s not really him, no matter what secrets it knows, or how many arguments it brings up. So if it tells him to do something?
Obviously, he’ll be doing the exact opposite.
(AKA: Jon is an idiot, past and future, but somewhere along the way it all cancels out.)
(Expect general spoilers for S4 and specifically, MAG 158.)
T | Words: 51,527 | Chapters: 10/10
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Out There, Somewhere by Artyphex
No Archive Warnings Apply, Martin Blackwood/Jonathan "Jon" Sims | The Archivist
"I'm sorry, you were found alone."
Jon survived the apocalypse and now will go to the end of this new, unfamiliar world to find Martin again.
T | Words: 54,080 | Chapters: 8/8
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Clutching Daffodils by Gemi
Creator Chose Not To Use Archive Warnings, Martin Blackwood/Jonathan Sims
Martin has always liked the idea of love at first sight.
It’s such a romantic idea, the whole thing of it. Seeing someone and instantly feeling that strange, twisting feeling deep inside that every single media likes to obsess over. Of knowing you are in love within the day, petals falling from your mouth and warmth filling your chest as love burrows deep, vines twisting through your lungs.
He always liked the idea of it.
And then Jonathan Sims starts working at the Magnus Institute.
NR | Words: 7,624 | Chapters: 1/1
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Beastly Behaviour by Prim_the_Amazing
Creator Chose Not To Use Archive Warnings, Martin Blackwood/Jonathan Sims
“You need to learn a lesson,” she says, and there’s blood speckling her lips now. She’s overstraining herself. He needs to stop her, calm her down. “And until you learn it you will suffer, just like you’ve made me suffer.”
“Mum, I think you need to--”
It turns out that when his father had called his mother a witch, he had meant more than Martin realized.
NR | Words: 73,226 | Chapters: 28/28
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dustsceawung by callmearcturus
No Archive Warnings Apply, Martin Blackwood/Jonathan "Jon" Sims | The Archivist
Martin had always been favored by the summer courts, and moving up north to the little village of Lacuna is a difficult adjustment. It's rainy and lonely and everyone seems to have a strange, distant relationship with the local faerie court.
However: there is a strange man in a cloak who walks past Martin's remote little cottage every few days.
However: there is a moth that keeps getting stuck in Martin's house during the rain.
These events are not as disconnected as they first appear.
M | Words: 38,269 | Chapters: 8/8
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Gerrymichael fics I like:
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Break Me Like A Pattern by TheLibraryBat
Graphic Depictions Of Violence,,Gerard Keay & Michael Shelley, Gerard Keay/Michael Shelley, Gerard Keay & Gertrude Robinson, Gertrude Robinson & Michael Shelley
The year is 2011. Michael Shelley is living his life in circles, blissfully unaware of the betrayal that awaits him in the summer. Gertrude Robinson has plans to enact and plans to destroy. Emma Harvey is hiding a book in the dark place at the back of a cupboard.
When Gerard Keay walks into the Magnus Institute - two years sooner than he was meant to - everything changes.
This is an (eventual) Archivist Michael AU, exploring how certain events might have played out, had one key player been in the wrong place at the wrong time.
M | Words: 215,291 | Chapters: 40/40
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This entire series is so good, all 4 works in it:
As One Door Closes by dramatispersonae
Words: 64,859 | Works: 4
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Choke Chain by dramatispersonae
Graphic Depictions Of Violence, Gerard Keay/Michael, Gerard Keay/The Distortion
Things Gertrude Robinson possesses: decades of experience killing, containing, and otherwise thwarting supernatural beings, an uncompromising drive to destroy the Rituals and the people who would see them completed, Gerry's loyalty. Things Gertrude Robinson apparently also possesses: a monster on a magic leash.
NR | Words: 14,814 | Chapters: 1/1
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Echo Chamber by orphan_account
Graphic Depictions Of Violence, Major Character Death, Gerard Keay/Michael, Gerard Keay/Michael Shelley
“Look, if you’re another, uh, avatar of a horrible eldritch demon god come to assassinate me in a spooky manner, could you get it over with quickly? I haven’t eaten all morning and I’m starving.”
The thing that calls itself Michael stares.
“And this sandwich cost most of my weekly salary,” Gerry adds after a belated moment.
T | Words: 21,439 | Chapters: 1/1
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Please Don’t Eat the Flowers by Sloane
Graphic Depictions Of Violence, Gerard Keay/Michael Shelley, Gerard Keay/Michael | The Distortion, Razor/Wendy, Minor or Background Relationship(s)
Instead of retiring to open a book shop, Gerry ends up working at a flower shop run by American lesbians in London. This leads to a brush with the Distortion, who just wants to buy some lilies, the Magnus Institute finding out he’s still alive, and... well, a normal life was never really in the cards for the likes of Gerard Keay, was it?
Oh, and those lesbians who run the flower shop? There’s more to them than meets the eye—bad Beholding pun intended.
(No knowledge of Maniac Mansion required; I take lots of liberties to slot it into TMA’s universe. UNDER MAJOR REVISIONS. Please see last chapter if you’re a new/returning reader for details..)
M | Words: 77,314 | Chapters: 33/?
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cult-of-the-eye · 6 months
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Something horrifying occurred to me today. If my father was a fictional character, people would think of him in a similar way people see Jonathan Sims, Head Archivist of the Magnus Institute. Here's why:
He has had So Much Shit happen to him. Like Jesus Christ. Like string of unfortunate deaths kind of shit. Like how is this man still functional kind of shit.
He's also had such an interesting childhood and life he's such a wildcard like my dad randomly telling us how he smuggled some guys over the border when he was like 19 is giving the same vibes as Jonathan Sims saying he knows what a meme is
That's not to say he's a huge badass or anything (he is but for the sake of this comparison) he was terrified out of his mind the whole time and did it cause he was feeling homesick and was like I know how these guys feel so I'm gonna help. Giving trademark Jonathan "gonna do it but gonna do it shaking like a wet dog" Sims
He's a skinny brown guy who's kinda quiet, supremely awkward and makes dorky jokes
I asked him if he would still love me if I were a worm and he deadass said only if you went to worm Cambridge. Tell me that's not a Jonathan Sims thing to say.
He's probably autistic (he won't talk to you unless you mention something specific and then you can't stop him talking about the geopolitical situation of Bangladesh)
He's so emotionally constipated. My dude has never heard of emotions ever. He once gave me the advice that the way to deal with negative emotions about our shitty situation is to just compare it to poor peoples' lives in Bangladesh and thank god we don't have it that bad. I think he's allergic to therapy.
He's always in some sort of pain. God hates him personally.
He's the most anxious man I've ever met in my life. I think he lies awake at night just planning how he's gonna get through the next day. Like all he does is overthink and eat his own curated mixed nuts snack
He indulges in a funny cat video once or twice
He hates dogs (growing up in Bangladesh will do that to you but also he's not good with the barking)
Saying that, has bonded with one crusty white dog, who he immediately picked up although i don't think he meant to do that, so we get a situation of quite a tall man holding a small dog but both of them looking Absolutely Terrified.
He's such a baby fiend. I've never seen someone so hell bent on being a grandfather. We went to a family party with him once and not even 5 minutes in, we found him holding a baby. I'm taking @lonelyslutavatar 's baby fever Jon as canon btw.
He's constantly in business casual. He'll be in bed wearing slacks. It's not cause he's fashionable but in fact only because those are pretty much the same clothes he's owned since 2005 and the only clothes he owns.
Nobody is quite sure what he does for a living. Like sure we know his job title (I had to look it up on LinkedIn) but his day to day activities? A mystery. Who actually knows what being a Head Archivist entails? Not me.
I rest my case. For now.
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chronicallyblyrie · 3 months
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MAGNUS PROTOCOL SPOILERS YOU HAVE BEEN WARNED
ALRIGHT, its time to go off about these first 2 episodes Episode 1: -SAM AND ALICE MY LOVES
-Gwendolyn was either going to be the biggest win or the biggest loss for lesbians, SHE IS A WIN
-I still cannot get over everyone immediately going "Nah Sam, you touch grass, which means you CAN NOT work here" - So it seems all the audio is being recorded by the computers as opposed to tape recorders this time (except for the scenes like sam and alice at the bar which is somewhat confusing me but whatever) This is DEFINITELY falling into line with the technology theme still and I am loving it
-I really cannot tell if Lena is evil or not, I don't think Rusty Quill would be like "yeah this is just Elias all over again" but who knows, she still gives off the same icky evil person vibes so I could be totally wrong -Going back to eye imagery just immediately in the first episode with gory photos of eyes in a chat forum, welcome back ceaseless watcher we missed you so much
-THESE SNEAKY BASTARDS USING JON AND MARTINS VOICES TO TAUNT US I KNOW WHAT YOU'RE DOING JONNY SIMS
-Also 3rd voice is who??? we obviously know now that the 3rd redacted character is going to be a tts voice aswell but my question is who is this tts supposed to be? its a possibility that it is Jonah but I am not entirely convinced
-Sam mentioned that the talk of the institute was a "Blast from the past"? now THATS interesting
-Okay cool so Colin is just paranoid and does not trust anyone good to know
Episode 2:
-WOOO SHORT STORY TIME
-This sounds like some flesh shit ngl
-"Time isn't real" so true Alice so true
-The Alice and Gwen rivalry is so goofy I cant get over these two silly little gals
- Alice has a brother, lets hope this one doesn't pull a Danny Stoker
-Oh no Saaaaaaam don't go researching the creepy institute nooooooooooo, would be a shame if you got yourself tied up into some eldritch horrors
Anyways I think thats it cant wait for next thursday so I can giggle and kick my feet again while I listen to more horrors beyond my comprehension
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stardustedlyra · 2 years
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you're all wrong about tim and sasha actually! tim is not just a prankster, and sasha is not the braincell friend.
tim's FIRST appearance on the show is him being a fucking nerd about the filing system. he's fully the only normal person in the archives for the entire first season - his coworkers are jonathan "is fully aware the supernatural exists but denies it for as long as possible" sims, martin "brought in a container of supernatural worms in to prove his boss wrong" blackwood, and sasha "went to a graveyard with a random blonde guy she had only seen through weird glass, got stabbed to pull out a worm, and proceeded to brush off said stab wound" james, for fuck's sake! i would argue that he is in fact the one with the braincell for the entirety of season 1.
sasha has the facade of being this reliable, put-together person, but that is Not who she is. this woman is wild! as previously mentioned, she went to a random ass graveyard with a man who she had basically only seen as a weird warped version of himself, and brushed off a stab wound from his knife fingers that she sustained when he pulled a spooky worm out of her. she spends time arguing with jon about the correct pronunciation of calliope. she's kind of implied to be a conspiracy theorist in 162 (and she was RIGHT). she doesn't believe in the concept of the self. sadly she was only in six episodes so i don't have a lot of material to go off of but she was MUCH weirder and more feral than the fandom tends to give her credit for.
for both of them, the fanon reduces them to the facades they present. tim acts the part of the jokester, and sasha acts the part of the competent braincell-haver, but that's not who they are. there's so much more there, and we really need to utilize this more.
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crit20art · 11 months
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[ID: a traditional sketch of Jonathan Sims and Martin Blackwood from The Magnus Archives as they might appear as a woman and as a non-binary butch, respectively. Jon is a small, thin British-Pakistani woman with short curly hair. She wears a large cardigan with a cami and business casual capris. Martin is a tall, fat Vietnamese-Polish person with glasses, many freckles, and short hair with an undercut. They wear a tank top, leather jacket, and jeans with a carabiner clipped to their belt loop. Martin stands with one hand in their pocket and one hand on Jon’s shoulder, smiling fondly at her. Jon rests her hand on Martin’s at her shoulder and cuts her eyes back at them with a loving expression. End ID]
uhhh @tdogkarate said the words “butch lesbian Martin” and i blacked out and this happened. it’s v messy and i won’t vouch for the proportions but im sharing cause it made me happy and also filled me w So Much Gender
honestly this would change very little about them (including names i love them being girlies named Jon n Martin…) but here are some lil headcanons:
they/them lesbian Martin (yeah we’re openly projecting now what of it!!!!!)
Jon n Georgie started transitioning at the same time at uni and when Jon felt like she had to change her name, it was Georgie who assured her that it was ok to remain Jon
HRT did not affect The Voice much for Jon but she owns it and it’s sooooo sexy it’s fucking insane bonkers gorgeous. Martin has written no less than four poems about it (finding one of these in s2 may or may not have greatly softened Jon’s opinion of Martin)
Jon is hit a bit harder by concerns about her appearance after the coma, bc her head got shaved (goodbye beautiful gender-affirming hair) and she’s lost a lot of the weight that defined her figure. She gets angry at herself for even caring and it snowballs into her snapping at Martin at some point, but Martin, who’s Been There w body issues, reassures her as much as they can and takes her on a very nice trip down to Aberdeen to get some clothes other than Basira’s old athleisure wear. and after several hours of Jon being stared at starry-eyed by Martin and being told with soft awe “yeah you look incredible in that” like 500 times, she feels a lot better
anyway jonmartin rights in every universe forever i love them sm. also i love you women i love you butches i’m frankly feeling a bit insane abt it all right now
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gaytventhusiast · 20 days
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Labels, Asexuality, Aromanticism and Headcanon.
I need to just get this off my chest because it's a common trend I've noticed in a couple fandoms I'm in and I think it needs to be discussed. Of course I'm open to discussion on this. There's a chance I'm wrong.
Something about the way fandom treats s/x repulsed characters in media just sits with me bad. In multiple fandoms I've been in now, I've witnessed a clearly stated canonically s/x repulsed asexual character be put into 'intimate' situations under guise of a 's/x positive' interpretation. What bothers me, personally, is that these characters don't and would never. One example is with Jonathan Sims from The Magnus Archives. I have accidentally stumbled across explicit fics involving him before that are tagged 's/x positive asexual Jonathan Sims'. But the thing about him is that at no point in the podcast is he even mentioned to be asexual. In fact, the information you get about him is actually that he simply doesn't. That is all you know, that he doesn't, ever. And yet, due to the nuances of the asexual label and the fact that that description of Jon technically puts him under it, folks have been using those technicalities to put him into scenarios he never would enter into. As much as I hate to say it, it almost feels like there's a sort of s/x repulsed asexual erasure going on within the aspec community. And for context, this is coming from an aspec who is positive about that kind of intimacy. This is not just limited to asexuality either. I've also witnessed this happening to aromantic characters with fandom putting them in 'queer platonic relationships' that read as romantic ones. There is nothing wrong with enjoying a platonic pairing, in fact, I'm all for it. But time and time again I see sappy art with blushing or otherwise romantic undertones and I feel... just sort of weird about it. I understand where this all comes from. People have a desire to see themselves in characters and I respect that. But you can do that without the erasure of both asexuals and aromatics that simply do not. When it comes to being aro and/or ace, I recognise that, I, as someone who, although aspec, is still is open to relationships and 'intimacy', am far less scrutinised for it by society than those who aren't. And although sadly there is barely any representation in media for the kind of aspec I am, it doesn't mean that it feels okay to erase other asexual identities and their representation in the process. Summary: So this is all to say. It personally makes me uncomfortable when I see Repulsed Asexual and Aromatic characters turned pseudo-s/xual and romantic by the fans through the use of Label Nuances and Technicalities. (Note: This is not intended to be an attack on anyone personally. I simply think it's a much needed to be discussed topic that I've noticed happening more and more recently) On a more positive note: For anyone looking for aspec representation that involves a character who loves the idea of romance and has experienced giddy feelings in the past but comes to the realisation they might be aromantic through the help of an aroace friend, go listen to The Penumbra Podcast season 4 episode 'Rita Minute 4: 4Ever Love'. I've never felt so seen in terms of my sexuality before. It's an underrated gem of an aspec central minisode.
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