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#but less so than most media from that era
rewritingcanon · 3 months
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no girl tell us what you think about jegulily!! im so here for it (tone is weird but I mean that genuinely, I don't ship them so I'm not here to be weird)
dw bae ur tone is fine ! (i’ve been waiting for an ask like this 💀) i think jegulily is... yeah its…. like usually as long as its legal idgaf as long as shippers portray their characters right but regulus fans are literally incapable 😭🙏 WHY WOULD U PAIR A MUGGLEBORN AND A BLOOD SUPREMACIST IM SO DONE WITH DIS FANDOMMMM!! that actually goes for a lot of lily ships like bartylily as well (no clue where that came from either but it’s equally as stupid lmfao).
and jegulily just feels like shoving in lily because people feel bad for ditching her, or shoving in regulus because some people like jily and jegulus and want them (for some reason) to coincide even though it makes zeroooo sense for it to. like, idk if i said this with jegulus before (i yap sm on this account i forget what i say), but like it, jegulily can be done well if a realistic dynamic is taken into account, but the marauders fandom is allergic to nuance and so just chalks up everything regulus does and believes to his neglectful homelife. hes not all-bad, sure, i do feel bad for him, but im nowhere close to shipping him with a woman whos part of the people hes trying to eradicate, or with her man who purposefully went against all pureblood tradition (which is such a large part of james’ character— he is a pureblood that chooses to be seperate from that culture hellooooo plz wake uppppp).
marauders fandom has a chronic “i can fix him” mentality when it comes to wizard neo nazis, i have never understood it. but thats a topic for another day.
jegulily should be filled with envy, toxicity and prejudice stop nerfing it to be some fluffy feel-good polyamorous stable marriage where they raise harry together. yall are looking over the potential. this ship has blood and guts in it plz act like it or else idk what to say 😭 if it doesnt end with at least one of them getting murdered i dont want it.
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broke-on-books · 1 year
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Me trying to figure out how long it took to make Scooby Goes Hollywood for maximum emotional impact and getting nothing from Google
Do we think it took longer than three months
#aaaagghhh#blah#because like OKAY. i would just like to know if goes hollywood is a post scrappy or a pre scrappy invention#because like it was aired pretty much 3 months after the introduction of scrappy in sept 1979. and it was the first time scooby had done#anything remotely like it. its less than an hour long. but the level of care and quality put into it is WELL beyond the level of any scooby#before it (or after it until the mid 90s tbh)#it had original (ish) music. it had around 10 different parodies of popular media. it had the most successful scooby metanarrative pretty#pretty much ever. it feels like a goodbye. and in a way it very much is.#and im just curious how much the introduction of scrappy and sd's dire situation played a role in the shaping of this film.#because like do we think this was a film concieved as a farewell to scooby as a continually producing franchise? do we think its one to#mark the end of the classic era and welcome the scooby to come after? like what is the INTENTION behind it and how was the message altered?#THIS IS WHAT I NEED TO KNOW.#because like scooby really was the only hanna barbera to survive continually. shows like yogi and the flintstones the jetsons etc had their#two three seasons and then were keot alive culturally through reruns and saturday morning cartoons with a special released maybe once a#decade. and something something my generation and down really started becoming the death of that.#like with my age group it isnt as bad just bc we did watch cable as (young) kids there were just lots of options so less ppl were watching#stuff like that but ESPECIALLY once you get into streaming so many of those classic shows are not going to be as relevant EXCEPT for scooby#as it had the advantage of also producing new content at the same time as the reruns of old shows and movies. but that really is sometjing#so essential to an understanding of scooby in my opinion. its that folding of all these different versions of these characters from dozens#of sources into one picture. you cant just click a series and watch all of whats new or sdmi and get it. seeing things from all eras random#ly and folding it into your image of scooby as a whole is something SO essential to the experience the way i lived it and its one i feel is#hurting in the streaming era. anyways that got super off topic uh buy old compilation dvds from 2007 and wb or cn or hbo or whoever owns#scooby now online let me compile themed groups of eps and movies from all different eras#there should be a winter scooby themed group with stuff from way all thru be cool (and guess if applicable) amen good night#im so surprised i didnt run out of tags there wtf
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cybernaght · 9 months
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The fandom echo chamber: fanon, microanalysis and conspiracy brain 
As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.
This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.
Part one. Fanon.
The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 
Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 
(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)
Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 
And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  
(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)
We are all kind of making our own reality here, aren’t we? 
Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 
Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.
(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)
The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.
Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 
So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.
I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 
Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 
Eventually, this chimaera becomes a reality. 
Part two. Microanalysis 
Here are my two suppositions on the matter:
1. Some writers really love breadcrumb storytelling. 
Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 
Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 
2. We, as humans, love breadcrumbs.
And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 
Too much metaphor?
Let’s unpack it and start from the beginning.
Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.
If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 
If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 
As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 
So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.
Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 
But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.
One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 
Part three. The Conspiracy Brain. 
If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.
So, why do we believe in conspiracy theories?
One, Because We Have Been Lied To. 
All conspiracies start with distrust.
If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 
We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 
And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.
(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)
Two, Cognitive Dissonance.
The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.
Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:
A) this is not good
B) this author could not have made a mistake 
C) this must be done on purpose
D) here is why 
(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)
This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 
Three, Intentionality 
I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.
However, this all changes when intentionality is ascribed. 
The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.
It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 
When television programs underdeliver, they also underperform, and then they get cancelled.
If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.
(There will likely never be a Secret Fourth Episode.)
And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 
But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 
Unfortunately, people make mistakes. We are all fallible that way. 
Four, Wildfire.
Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 
Conspiracy theories create alternate realities, very much like we all do here. 
So where are we now?
I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 
All I am saying is… listen.
Do you hear that echo? 
I do. 
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budgebuttons · 4 months
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There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.
The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.
It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.
The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.
Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!
Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.
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c0eu4 · 1 month
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Could you write a fic for sebastian vettel? With driver reader? The plot is yours to decide but I want it to be fluff seb but rb era
Thanks in advance
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SV5 | Don't be ashamed, sweetie
rb!sebastianvettel x fem!driver!reader
Summary: your period has always been painful and Seb helps you to relax.
Warning: Hurt/comfort
A/n: Think that the story takes place in 2012 and people are still very taboo about the subject of periods :/
MASTERLIST requests are close
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You hate days like that. End even more when it's race week. You wake up with dirty hair, stomach ache and this horrible urge to vomit. You groan and roll over in your bed into the fetal position, wrapping your arms around yourself. You've always had painful periods. And having them when you have to drive is always hell.
You wipe the little tears that are falling from your eyes and sit on the bed, close in on yourself. You get up slowly, holding onto the nightstand, still keeping a hand on your stomach. You gasp at the horrible feeling between your legs and force yourself to walk to the bathroom. You hurry to change, wash your hands and fall back into bed.
You grab your phone and sigh when you see all the notifications. Some emails, Instagram, X and messages. You see the message from your teammates, Sebastian Vettel. He asks you if you're fine because you weren't looking good at the media day yesterday. You answer him simply that you're fine and turn off your phone.
Maybe the worst part of all this is that you're ashamed to talk about it. No one knows how bad you are during your period and you've only had it once during a race. Your parents have always been very close on this subject and it has always been taboo throughout your life.
You hide under the duvet, seeking warmth. Your whole body is frozen. It's like you were naked in the snow. It's true that your pajamas don't help you warm up, given the prevailing heat in Qatar. But still, you're cold.
You turn over in your bed again, cursing nature for giving you such a painful uterus. After a few minutes, when you thought you were going back to sleep, you sat up and decided to get ready. After all, you don't really have a choice.
You put on your most comfortable clothes, grab your bag and leave your hotel room. You hurry to the paddock to hide in your driver room and be quiet.
Arriving at it, you drop onto the massage table and resume your usual position, folding in on yourself. You close your eyes and try to focus on your breathing to try to ease the pain. You're so annoyed that you didn't take your medicine. You didn't expect them at all! They are a week early. At least you're sure you're not pregnant.
You begin to cry silently, an accumulation of pain, fatigue and annoyance. You rub your eyes, to the point of ruining all your makeup - which makes you cry more.
You don't stop crying when your coach walks into the room. He's probably the only one who knows about your period - he doesn't really have a choice but to know.
''Have you taken your medication?'' He asks you a little coldly. He doesn't really know how to handle this and it makes you even more uncomfortable.
''No.'' You tell him looking at the ground, too embarrassed to look at him. He huff heavily, probably from irritation. ''Can you drive? Horner is not going to be happy.''
''I can drive!'' You stand up abruptly, quickly regretting your action because of the pain. You take a deep breath and try to calm down.
''Get ready. FP1 is in less than thirty minutes.'' He tells you quickly then walks out, lightly slamming the door behind him. Does he have his period too or something?, You think, noticing his bad mood.
You get off the massage table and hurry to put on your racesuit, taking advantage of the few minutes where you feel better than the morning. You take your bottle and go to your car in the garage.
The session was horrible. You thought you were going to die in the car the whole time. You barely managed to have a 'good time'. Everyone in the garage is disappointed and you know it. But you did the best you could. They want the best, given that your teammate, Sebastian Vettel, is taking the team very high. And there is you. At least, for today. They're expecting the worst, even though it's only the start of the weekend.
You return to your driver room quickly, angry with yourself and with the others who don't understand. You lie down on the small couch and start crying again, the only thing you do when you're so sensitive.
You close your eyes and try to sleep a bit when you hear a light knock on the door. You refrain from yelling at the person to get out and don't answer, hoping that they will leave.
''I know you're here Y/n.'' Sebastian's voice echoes from the other side of the door and you feel even worse. He's probably the last person you want to see. You don't want him to see you like this. What will he think? He will probably see me as a dirty person and hate me. You think to yourself and more tears fall from your eyes.
''Can I come in?'' He asks you, while pulling the handle but not opening the door. You mumble a 'yes' and he walks into the room, finding you dying on the couch.
''You're ok?'' He asks, approaching you, arms crossed. ''Your results weren't good.'' He adds a layer while moving forward to sit on the massage table.
''I look like I'm okay!?'' You answer him aggressively, being fed up with everything and everyone.
''Wow, little Y/n show her claws?'' He teases you with a smirk.
''Shut up!'' You shout at him and you turn around then sit up to look him straight in the eyes.
''Calm down.. You're on your period or what?'' He jokes slightly but puts on a serious face when he sees your red and slightly swollen eyes. ''You know, it's not that bad what you did.'' He gets off the massage table and comes and sits next to you.
''Damn, you men!'' You look at him annoyed and he understands that that's the problem.
''I have sisters you know.'' He gets up and walks towards the door. ''I'll be back.'' He mumble then leaves without saying anything.
''You're serious!?'' You shout at him, not understanding his behavior. Is he that disgusted? That's understandable.
You immerse yourself in your pain by lying down again and curling up on yourself while sobbing. Sometimes you wish you were a man. You wouldn't have all these problems. You wouldn't be bothered by your period. You would surely be much more respected and loved in this sport..
Sebastian returns more than half an hour later. He comes in without knocking and finds you crying silently on the couch.
Without saying a word, he throws something at your back. You groan and sit up, picking up the chocolate that fell on your stomach. He takes the opportunity to sit next to you and places a hot water bottle on your knees.
''You can lie against me.'' He looks away, cheeks red as he makes himself comfortable on the couch and takes the blanket that was at the end of the couch.
A slight smile appears on your face and you fall against him, resting your head on his thighs. He puts the hot water bottle on your lower stomach and tucks the blanket around you.
''You're good?'' He runs his hand through your hair and gently massages your scalp. You answer him with a little 'mh', feeling the pain lessen, thanks to all of Seb's attention.
''I'm sorry.'' You sob softly. ''It's embarrassing.''
Seb chuckle and it sends butterflies in your stomach. ''I told you, I have sisters. I'm used to it. Don't be ashamed, sweetie'' The nickname makes you blush and you feel him press his lips against your forehead and you close your eyes, feeling much better than this morning.
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inbarfink · 1 month
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Okay, I’ve been considering it for quite a bit and I think that if Tumblr existed in Japanifornia… most of us would probably not be aware of the series’ main characters.
Like, lawyers just don’t tend to be high-profile publicly-known figures. Even within True Crime communities or the coverage of high-public-interest cases, people don’t tend to focus on the lawyers as much more than a representative of the defendant and the legal system as a whole. And yeah, you can say this is just because real-life lawyers are Boring and if they did the kind of Bonkers Shit AA Lawyers do we would pay attention to them… but we do actually have textual evidence that Japanifornia treats lawyers not-too-differently than real life.
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Mia’s murder, and probably the uncovering of all of Bluecorp’s dirty dealing, was highly talked about, but Phoenix’s actions in court went kinda ignored. And note that this is the case where Phoenix literally defended himself and broke the Demon Prosecutor’s five years winning streak, and that wasn’t enough to draw eyes to his part in this whole case. 
And that’s also generally consistent with how characters treat Phoenix throughout the rest of the games. By the AJ Trilogy era, it’s clear that Phoenix has made quite a name for himself… in the legal world. If you are yourself a lawyer or another sort of legal professional or just unusually interested in court proceeding, you know the name ‘Phoenix Wright’ 
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But if you’re just a regular person who cares about the law the Regular Amount, you probably have no idea who this is.
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So I’d guess most of Japanifornian Tumblr would probably be aware of a lot of the cases in the games, especially considering how many of them concern, like, corporate corruption and organized crime and legal corruption and international politics and the entertainment industry and other such stuff that makes it likely to get national/international news coverage. And also so many of them are so bizarre and wacky and are thus prime meme fodder…
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But most people wouldn’t necessarily know the name of the lawyer the Nickel Samurai blackmailed to defend him after he ordered an assassin to kill the Jammin’ Ninja, or even how involved that lawyer actually was in Matt Engarde’s downfall.
But there would probably be a small mini-fandom of Tumblrina Lawyers and other legal nerds who are ABSOLUTELY obsessed with the WAA, and trying to collect any piece of info they can find about their adventures. 
(That’s also another aspect to consider, the general public in Japanifornia does not have full knowledge of everything we get to see in the game. News coverage of the smaller cases would be extremely minimal and very regional - and even the bigger cases probably won’t give you a full line-by-line record of everything that happened in Court. Apollo Justice was, like, the Biggest Phoenix Wright Stan in the Universe and he had very choppy and partial knowledge of the Gramarye Trial. We have to consider that even folks who are trying to keep track of the AA Lawyers in-universe would not get the full picture from the media. And that’s before we get into fake news and rumors.)
And meanwhile, the rest of Tumblr would probably treat that Fandom the same sort of bemused delight we give to, like, the extremely dedicated gimmick blogs. Like, you’d probably see less posts about Phoenix and Co. as you’d see posts memeing about the fact there’s a Tumblr Fandom for ‘some random law agency in Japanifornia’, they’d be like five thousands people in the notes going “There’s a Tumblr Fandom for WHAT? WHY IS THIS THE FIRST TIME I’M HEARING ABOUT THIS??” and then one person from the WAA fandom going “NO YOU DON’T UNDERSTAND THIS IS THE GUY WHO UNCOVERED THE PHANTOM HE’S JUMPED OFF A BURNING BRIDGE ONCE YOU LITERALLY TALKED ABOUT A TRIAL HE DID YESTERDAY YOU JUST DON’T KNOW HE WAS INVOLVED”. 
Now, that’s all for the Defense Attorneys. The Prosecutors have a bit more publicity. I mean, Phoenix literally heard about Prosecutor Edgeworth on the news.
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But also… I do think this publicity is highly regional. Like, Phoenix ended up stumbling on newspaper coverage of Miles because he lives in the same city as him. I’m guessing that most of the series’ Prosecutors are at least casually known not just to Legal Folks, but also generally to people within Los Angetokyo and people involved in Japanifornian Politics… but also not much outside of that sphere either. Again, the series does establish that they are not that well-known amongst laypeople even when they are famous amongst other lawyers
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And are generally recognized by fellow legal professionals and journalists and people involved in criminal activity. So the situation with them won’t be that different than with the WAA, they might be a tad more high-profile, depending on how many Tumblr users are specifically from Japaniforina and wanna make memes about the local politics… but those who will get really invested in their misadventures won’t be that different from the kind of people who’d get really into Phoenix Wright. 
Klavier is the obvious exception. Like most Famous Lawyers, he’s actually primarily famous for something other than law. It’s just that in his case, instead of politics, it’s being a world-famous rock star. There’s plenty of textual evidence that the Gavinners are an actual household name and they’d probably have a pretty sizable Tumblr Fandom, but… well… while I assume any casual Gavinner fan knows that Klavier is also a Prosecutor, I’d guess only the insanely dedicated fans and the Haters looking for something problematic would actually start digging into the records of the cases he worked on. But then again, Tumblr does have a lot of insanely dedicated fans and Haters, so maybe Legal Misadventures Involving Klavier would be kinda mainstream on Japanifornia Tumblr.
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nolita-fairytale · 10 months
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Carmy as Your Baby Daddy | Social Media AU & Headcanon Series | part six
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part five | masterlist | part seven
your third trimester & meeting baby bear
your third trimester fatigue really starts to set it, rendering a slow-down on you and carmy's sex-a-palooza (era coined & named by @starbritestarlite). the less-than-desirable symptoms come back: extreme fatigue, smell/food sensitivities, and your back and feet are almost always tired/sore.
sugar insists on throwing you a baby shower, and you let her because you know how happy it makes her. you can't believe she actually wants to throw (and host) the party, even though she has a fourteen-month old, but like she said, she insists. sydney offers to cater it and with that addition, you and sugar are both game.
it's there at the baby shower that sugar finds she's pregnant AGAIN and sydney cannot fathom what she must've done in a past life to deserve two pregnant best friends who can't even drink.
sugar gets pastries from your favorite bakeries around the city: marcus' croissants, mochi donuts decorated like baby bears, cupcakes, while sydney takes care of the rest of the food. it's the sweetest thing and carmy is grateful yet a little overwhelmed by the huge celebration that sugar has orchestrated because you swear she's invited everyone you and carmy have ever known.
most sundays when you host brunch at your place, you whip up a great brunch spread and fantastic playlist, and after all of your guest are done, you and carmy spend the afternoon napping, making out, and dreaming up the rest of your life together.
i'd just like to reiterate the pregnant people in overalls concept because i did in fact go to a ceramic sale and see so many pregnant people in overalls. it's a thing. it's a vibe. i'm not sorry. just picture it: you, pregnant in overalls, painting the second bedroom and turning it into a nursery. you and carmy tag team this huge diy project. while you paint, carmy can't stop checking in: "are you sure you're supposed to be around these paint fumes? you feeling okay? you want to sit down, sweetheart? how's baby bear?" and it's so endearing that he's worried but you're having fun doing this with him and you'd really like for him to stop worrying for a second.
shopping. for. baby. clothes. one day you come home from the office with a tiny little denim baby jacket. "i know baby bear won't be able to wear it for a while but..." and carmy is just in tears.
baby bear pajamas. baby bear bed sheets. baby bear wall decals. baby bear everything.
one day when carmy has a night off, he's made dinner for you by the time you get home from the office. while you insist on doing the dishes, he cuddles up with you on the couch later that night. without warning, he begins giving you a foot massage, and it's the best one you've ever gotten. "baby, if you ever decide to change careers, you might have a future in massage." he blushes, reluctant to tell you, but inevitably shares that pete took him to a prenatal massage class. you are speechless. "i'm sorry. you went to a prenatal massage class with pete?! better not let richie find out." but all of your teasing falls by the wayside as you more than happily accept his foot and back rubs night after night.
on top of talking to baby bear, you and carmy begin reading to baby bear. you buy baby bear a few children's books to start and while you prefer to read them to baby bear, carmy has another idea. one afternoon when you fall asleep, he begins reading (and commenting) on a few cookbooks he's owned for most of his career. things like: "hmmm that seems like a little too much salt." and "2 oz of carrots, shredded, then pickled with-. would you pair carrots with jicama for an escabeche, baby bear?" some days you pretend you're still sleeping just to hear him do it because it truly is the most precious thing you've ever heard in your life.
carmy is terrified that he'll be a bad dad, considering his dad left and his mom is... his mom and freaks out one day. in an effort to calm him down, you finally admit that you've been listening to him read to baby bear when you fall asleep. "a man that a works on a recipe with his unborn kid... that's dad material if i've ever seen it." while he still has his worries and anxieties, it makes him feel loads better when you remind him that more than anything, you believe in him.
when you go into labor, carmy drops everything to get to the hospital as soon as possible. while not planned or preferred, you end up having to have a c-section with baby bear. it's the strangest experience (did you know they literally have to take your organs out to get to the baby?!?!?!) and it's not what you pictured, but the minute you hear baby bear cry, it doesn't matter. it is emotional: army is crying and you're crying and baby bear is crying, and you both know your lives have just changed forever.
"welcome to the world, josephine antonia berzatto," you whisper as you hold your baby girl in your arms for the very first time.
a/n: my heart exploded writing that last part. rip to me.
in a wild turn of events, i WILL be writing a 'your life with baby bear' headcanon for this series NEXT, and then eventually a 'carmy as a dad/you and carmy as parents' headcanon.
i forgot to add... i just want to say that @carmensberzattos did in fact call it, insisting that baby bear be called antonia. which is insane considering in season 2 we learned that carmy's middle name is anthony. and that's on being psychic. name was edited bc it flowed better this way!!
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mitsies · 1 year
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reactions to you getting hurt ; jjk
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how they react when you get hurt!
suguru geto, yuji itadori, megumi fushiguro, kento nanami, satoru gojo
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; suguru geto -
‣ im gonna be real... geto wouldn't care too much!
‣ he helps you up if you fell, dusts off your coat, cracks a joke about you being clumsy and moves on!
‣ you need a band-aid or something? your leg isn't broken, you can grab one yourself
‣ in the case of a serious, life-threatening injury, though- he doesn't leave your side
‣ he's playing nurse, keeping you company and cooking your favorite dishes- whether you're able to appreciate it or not
‣ simultaneously encourages you to try everything yourself, is somehow convinced that independence = health
‣ he refuses to leave your side, he's seen too much death to risk it- he doesn't know what he would do with himself if you left him, too
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; yuji itadori -
‣ yuji is, to say the least, dramatic
‣ you fell on the pavement? you are NOT allowed to walk
‣ treats it like you got hit by a truck and bounced off of a cement wall to land into the ground
‣ insists on carrying you everywhere he can, even if you hate it
‣ god forbid you have a cut that's bleeding just a little, because if you do you are getting rushed to the ER
‣ on the other hand- if it was a serious injury, yuji would blame himself, even if he had nothing to do with it
‣ he thinks he could've done more to protect you, and that he brought this upon you- as a result, he distances himself from you as best he can
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; megumi fushiguro -
‣ megumi is concerned but acts like he doesn't care
‣ when you fall and cut your knee, he helps you up, and inspects your wound
‣ you insist it's nothing major but he insists right back that it should be cleaned up
‣ takes u to the nearest bathroom to do that & checks in on you every now and then <3
‣ if you got seriously injured, tho?
‣ he can't look at you. he can't stand to be around you. he throws himself into his work to try and forget because it just hurts so bad
‣ he doesn't know what would happen if he were to lose you, you mean the world to him
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; kento nanami -
‣ nanami is the most normal out of all of them
‣ if you fall, he helps you up, asks if you're fine
‣ if you are, you keep on movin! if you're not, he helps further
‣ he trusts your capabilities as a human being, he knows you know how to take care of yourself
‣ should you get gravely wounded, nanami also diligently takes care of you
‣ you're his #1 priority always, and he waits on you. doesn't let you do difficult things, keeps you in bed if you're too tired, makes sure you sleep- he does it all
‣ i feel like he's less shattered than geto, though- he's hopeful you'll be better, he's gonna make sure of it
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; satoru gojo -
‣ piece of shit.
‣ if you fall? he's got his phone on you, recording you for his stupid little social media
‣ "say a funny catchphrase so it goes viral!"
‣ if it's more severe, he helps u up, and if needed he takes you to the hospital
‣ (secretly very caring and concerned but hates feelings so he covers it with jokes and laughter)
‣ let's say you broke an arm or something: while you're getting treated, he's photoshopping a thumbnail for the video
‣ eventually releases a monstrosity titled ‘SECRET NINJA TRAINING GONE WRONG (3 AM) (HAUNTED????’
‣ the thumbnail is him gasping w hands on his cheeks and… u lying on the ground
‣ funny part is he photoshopped ur ass to look extra fuckinh fat. like
‣ it’s SWOLLEN like a dead whale. botched bbl era
‣ he says it was for the views. in reality, he was trying to get ur mind off the injury and make u laugh <3
‣ in the comments when someone asked ‘why did u photoshop their ass’ he says ‘??? i didnt’
‣ 'idk what photoshop is'
‣ 'is that greek???'
‣ 'omg wait i love ppl who can speak other languages'
‣ i hate u gojo satoru.
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rimouskis · 6 months
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could you explain more about what you view as the before era and what you view as the after? i need to learn my herstory
I think this requires a more detailed and educated/researched answer than I can give after an exhausting workday and an after-hours work event, but I'm going to do my best and also open up the floor in reblogs for people to chip in their thoughts
foremost: a DISCLAIMER that this post does not aim to shit on writers from the "before" era. there are many classic fics that I love and enjoy, even if I consider their characterizations to be "less accurate"* than the ones we have in the after era.
*aside to say: accuracy is based only off of literal media accounts we have of these men; we do not know them, we should not claim to know them, and they have had different comfort levels with the media knowing selective truths about their lives [sid out of choice, geno out of media xenophobia] than they did when these early fics were being written.
"before" fics (which I tend to refer to as "classic" fics, and had their heyday in 2012-2013 but continued up until 2016ish) tended to have more regimented roles for sid and geno. sid was usually the protagonist; geno was the love interest.
this came with a cascading set of characteristics assigned to each guy. sid was poor-little-meow-meow'd. geno was the pursuer in the relationship. sid usually bottomed. sid had the whole spacetoaster moment (he was the inspiration for the term, haha). there wasn't much a/b/o fic but sid was, like, the omega-fied one and geno was alpha-ized.
something I've been thinking about more recently is how 2012-2013 era sidgeno displayed signs of Migratory Slash Fandom. I don't think of MSF as an inherently negative/condemning thing, but I think it's a phenomenon that deserves to be mentioned/analyzed, yeah?
MSF thrives on big character differences.... like, grumpy/sunshine, sarcastic/broody, genius/empath. it's all about emphasizing disparate archetypes to create natural tension in a story. this works really well in most romance novels! I love it!
the issues arise when people try to make characters fit into these preset dynamics. and, frankly, when sidgeno first got big, we straight-up didn't know as much about sid and geno. I mean that. despite sid being EXTENSIVELY covered by media from age, like, 14, he was really tight-lipped compared to what we have now.
and geno was.... there. I don't mean that as a diss—he was INCREDIBLE, but the media totally passed him over again and again. or they helped contribute to stereotypes of him being a dumb oaf who didn't know english.
aside: ironically I think that helped in creating sidgeno and not, like.... sidflower or sidtanger. geno was so "DIFFERENT" from sid (aka: russian, characterized by media as not knowing how to speak [in comparison to sid's highly curated media soundbites]) that it meant he was the best candidate for A Ship with sid.
a lot of the really big writers who got into sidgeno were fandom veterans with lots of experience in other big fandoms. to me, that means MSF had a hand in all this. and we should be grateful, because it led to the BOOM of hockey fic, and of sidgeno fic specifically. modern hrpf wouldn't exist without it.
that being said, those template ship dynamics, plus the media's attitude then towards sid and geno in its coverage, led to those characterizations of whiny soft sensitive boy sid who needed to be rescued even though he was the best hockey player EVER, and geno as the lumbering tall strong alpha not-that-bright Love Interest Man.
this isn't to say every fic was this way, or that this is BAD. I, uh, love poor-little-meow-meow-ing sid and omegafying the hell out of him. what I'm saying is that it was a near-ubiquitous characterization across the board.
that all changed in 2016-2018. I personally wholly credit sevenfists, though I imagine it's more nuanced than that, but: my blog, I make the rules here. I don't know if sevenfists was psychic or just highly observant and absolutely excellent at reading people (and that's basically the same thing, right?), but characterization shifts began taking place in fic....
and the coolest thing happened, in that those characterizations were seemingly reinforced by more media coverage. the back to back cups brought with them TONS of interviews with and media about the team, and sid and geno in particular. the coolest part of it was that sid had loosened up a LOT and geno had gotten more comfortable (and had gotten a reporter firmly on his side).
the interviews about sid post 2016 were just SO different. so much information started coming out, and a LOT of it conflicted with Ye Olde Characterizations. as it turned out, sid was deeply one of the boys. he was funny. everyone liked him. he loved hosting. he was insanely comfortable around almost everyone, including strangers, because he's a little freak who's kind to everyone. he can make smalltalk like no one's business. he's kind of gross. he likes to giggle and be in on jokes and get into the thick of it. he isn't some blushing virgin bride sold off of mario's doorstep, yeah?
and geno, too, was finally getting the coverage he deserved. and his personality was both fortified by age and better shown to us through media. as it turns out, he isn't some happy go lucky oaf. he's mercurial and intensely aware of what others think of him (and he CARES). he's sensitive and thoughtful but also can lash out at random times. he has a wicked sense of humor that he uses as a defense mechanism and as a surefire way to get people to like him, which matters to him. and, as everyone says, he is SMART.
if you had to boil it down, I'd say that post-2016, it became clear that SID is the confident one and GENO is the insecure one. and fic caught onto that with a miraculously fast pace. also: they're more alike than they are different, but I still think romance inherently feeds off of difference and tension, so we still exaggerate things to make the stories ✨WORK✨.
I'm not going to give examples of pre- and post- era fics, because I don't want to point any fingers and say someone was doing characterization "wrong." that's not the takeaway I want anyone to have here.
fandom attitudes have changed. it's been 10 years since that first wave of fics, and while I don't think that's very long, it's a hell of a long time on the internet, and in a niche internet community. what was once the standard for fics (and what was well-read, and what people gravitated towards) was different. not worse—different.
I think it's fair to say the "after" era of fics is more "accurate" to what we know of sid and geno. it's also fair to say that this is only the case because we have a WEALTH of information, character-revealing interviews and videos and anecdotes, that Ye Old Authors could only dream of getting.
I really love the story of how everything has changed, and it's a fabulous microcosm of fandom evolution and how approaches to fanworks have changed and grown with fandom, and I think it's all so so cool.
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faelapis · 7 months
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despite some concerns raised by the trailer/marketing, i am still excited for the wish movie. a lot of that has to do with king magnifico.
that being said, i approach it from a different direction than a lot of other people excited for a “classic disney villain.”
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first of all, yes. i, too, love the camp and melodrama of classic disney villains. i love that they express their wishes through big bombastic musical numbers, and said musical numbers are often the best in their movies. i like how queer-coded and fun they often are. i like the sass, the drama, the energy.
where i disagree with a lot of people is with this notion that disney movies “don’t have villains” anymore. i don’t think the likes of hans (frozen) and tamatoa (moana) are less evil than "classic" villains - they’re plenty willing to kill with a smile on their face.
i think what people ACTUALLY miss is the big performance around it all. the aesthetic. someone who does these things while being a major character (so not tamatoa) and deliciously, obviously evil while having fun with it the whole time (so not hans). i think it’s that specific combination people are missing. we still have villains, they’re just either not as “fun” or not as “important.”
of course, that take is less punchy than saying disney doesn’t have villains because "steven cringeyverse destroyed western animation and now companies are too scared to make real villains >:( !1!!!"
yeah i never understood where that came from. if anything, redeeming villains is more controversial than killing them. especially in america, being punitive is the norm. forgiveness is cringe. yet so many act as if there was some big consumer and/or corporate pushback against the idea of villains…? at some point?? i guess????
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someone must've forgotten to tell that to disney tv animation, where you’ll find everything from bill cipher to belos in the modern era. (also, other companies exist? dreamworks is not some indie studio, they’re fully willing to have big, campy villains.)
but yknow, people like to feel like underdogs. they like to feel like they're somehow oppressed because some animated media don't have classic villains anymore... despite there still being plenty around. you can’t just like villains, you have to make it everyone else’s problem. like disney is obliged to do the same character tropes in every movie. or villains are "dead."
what actually happened is just… some writers at disney decided they wanted to do different things. that’s it. so you now have a handful of movies where the villain is either a minor character, or nonexistent.
it’s not a conspiracy, it’s not a concerted effort to destroy villains. it’s, at most, a trend. because some writers wanted to push against the previous status quo. and now other writers who grew up with that want to have more classic villains, because that’s what they see as exciting and new. it’s just a cycle of trends and countertrends.
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anyway. long tangent aside, i’m actually very excited for king magnifico. in part for a classic villain performance (he gets a song!!) - but also, it sounds like he might scratch a particular itch of mine.
which is to have a big, dramatic, irredeemable villain… who is still a human and has an understandable pov.
yes, you can combine these things. it’s not common for disney, but a lot of what we consider “great movie villains” throughout history have been this exact combination. they have to be defeated, they refuse redemption, they are 100% committed to their goals and will not budge - but they also GENUINELY BELIEVE in those goals.
what i’m really asking for here is a sincerely motivated character. someone who is a villain, but doesn’t SEE himself as a villain. someone who isn’t lying when they try to endear themselves to the hero or promise to make the world better if they join forces. it’s just that they are completely misguided about what would be good for the world, and nothing will persuade them.
whether someone is a villain, a hero, or anywhere in between, i think asking a character’s motivation - and playing those motivations straight, rather than just as a mask for plain selfishness - is key.
as i’m saying this, you might notice that it’s not actually too far off from what i like in other characters. jasper in SU is basically this in her "main arc” in season three. she refuses help, she’s a huge dick to everyone… but she also 100% believes in homeworld as an institution and is actually, genuinely selfless. even if it means her own corruption, she refuses help, because that would betray her cause. which she values above her own life. and by rebecca sugar’s own words, jasper doesn’t even believe she deserves help.
the common thread here is really tragedy. someone you can root for and against at the same time.
so how does this relate to king magnifico? well, jennifer lee (writer for this movie & also the frozen movies) just had an interview where she talked a lot about wish, and in specific, having a classic disney villain in magnifico.
she illustrates a lot of what i’ve been talking about - that there is no grand conspiracy at disney against villains. they just had different stories they wanted to tell. there was no mandate either for or against villains, not in this movie or any other. they just did what they wanted to do with those stories. (btw, that’s not me saying there isn’t pressure at disney to tell certain stories and not others. it’s just that the concept of a villain isn’t as important to the corporate side as, say, not making elsa gay.)
anyway. what makes the king magnifico portion interesting is how lee talks about exactly what i’ve been saying. they knew they wanted a classic disney villain, but it sounds like they still want him to be different from other such characters. namely, they wanted to find the benevolent side of him, how he genuinely believes what he believes and DOES want what he thinks is best for the city of rosas.
and the plot totally checks out - basically, he decides whose wishes come true. and that’s really interesting, because a wish can be anything, good or bad. it sounds like he really wants to prevent what he sees as bad wishes from coming true, and is too conservative in what he allows or not. and his way of being kind about rejection is to remove those wishes from people’s hearts if he cannot fulfill them.
that’s SUCH a great concept for a villain. it speaks to issues of control, of agency, of being in the paternalistic position of deciding what is “best” for everyone else. it gives me a little bit the wizard of oz (as in the wizard himself, who is a charlatan trying to maintain a pleasant status quo, even if it’s a lie), and a little bit white diamond (controlling the lives of others, but genuinely believing you are being selfless and heroic about it / steering people on the “right” path).
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reading that interview, my excitement for this movie went from like a 2/10 to a 8/10. jennifer lee seems to have a real interest in creating characters, not just stock tropes. elsa is one of the best disney princesses (fight me) for exactly the same reason.
another great concept talked about here (which you also see in lee’s frozen, with anna and elsa as opposites) is that of duality. there’s a lot of talk about magnifico and asha being two sides of the same coin, both initially believing in this system and wanting what’s best for the city. and from there, they divert to their opposite paths in what specifically they think is right. the interview talks about them as if they were this thesis and antithesis about what’s right for the city, needing to reach a synthesis. in talking about this concept, they included this illustration:
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notice the similar poses. both have their hands behind their back (commonly used to convey a character is hiding something), their feet pointed out, and give the world a pleasant smile. asha has a darker color palette in a world of light, magnifico is a ray of light in a dark space. it's interesting for its duality.
so yeah. all in all, i’m still excited for wish. i want to take alan tudyk goat out back and shoot it for a quick, humane death… but failing that, i’ll just pray his role was hammed up for the trailer. please tell me it’s not that insufferable. please.
because i do really like everything else i’ve heard about this movie!! i like that asha is described as this idealist with “dumb courage”, like maybe she’ll actually have some character flaws and need to learn?? (maybe? hopefully?) i like everything i just said about king magnifico. i like that we have this blend of 2d and 3d animation, that’s such a clever concept for a “100 years of disney” celebration.
so yeah. i will be watching. never have i ever prayed for chris pine to save a movie, but today might just be the day!
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heresmyfiddlestick · 3 months
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Tumblr Dr. Who Poll vs Doctor Who Magazine Poll
It's been just over a month since the end of @adventure-showdown 's monumental survey of how Tumblr feels about individual Doctor Who adventures. Across ten rounds, we sorted the wheat from the chaff, the Quarks from the Rills, and the Cousins from the Looms. I wanted to compare the results of that huge bracket with the results from last year's Doctor Who Magazine poll, which ranked each Doctor's stories individually.
The methodologies for these two were quite different (though adventure-showdown did seed the bracket with a pre-poll that used the same methodology as DWM, but I'm looking at the final poll results for my data here), so comparing them is really interesting! I'm not a statistician, I just like making spreadsheets for fun. I think what can be seen from the trends and data below is a really unique picture of two somewhat overlapping but seriously demographically distinct fragments of the fandom.
Methodologies
Poll Methodologies
The DWM poll asked readers to rank as many televised Doctor Who stories as they liked from 1 to 10. The editors then took the resulting scores for each story and put them in a ranked list for each Doctor.
adventure-showdown began with a series of Google Forms with the same method as DWM, asking internet users to rank stories from 1 to 10. adventure-showdown lumped and split stories differently to DWM: The Key to Time was included as a distinct Four story to each of its individual parts, and each of the individual parts of Trial of a Time Lord and Flux were included alongside the overarching story. Utopia was also split from The Sound of Drums/The Last of the Time Lords.
adventure-showdown used the resulting rankings to create a series of Tumblr polls, moving from a group stage into a series of head-to-head matchups. They matched stories up roughly by obscurity (keeping advertisements and musical numbers separate from audio dramas and comics, which were separate from TV spin-offs, which were separate from the TV show itself), then Doctor or era. With each new round, the matchups were scrambled within melded groups, which ultimately led to a diverse distribution of all different eras and media under the umbrella of Doctor Who throughout the tournament.
My Methodology
In order to turn adventure-showdown's poll results into something that can be compared to DWM's, I created a spreadsheet tracking how each Doctor's stories were doing, separating them first into tiers according to which round they were eliminated in, then within those tiers by how many votes they had in the matchup where they were eliminated.
In the case of some particularly tough matchups, this means that the story that got the most points throughout the entire competition is not necessarily the highest-ranked story for that Doctor. For instance, The Happiness Patrol finished #3 of the Seventh Doctor's stories according to my reckoning of the Tumblr poll, being eliminated in the fifth round with 400 votes, less than the two stories above it (which were eliminated in rounds where they got 147 and 107 votes, respectively). The Happiness Patrol saw a vigorous campaign to increase its vote count, since it was up against Blink. The post for the matchup that eliminated it currently has 304 notes as of this writing. This is one of the fun quirks of this execrise.
General Trends
Where We Agree
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The Ninth Doctor shows very stable story rankings between DWM and Tumblr.
On average, the difference in rankings for each episode of 9 is 5%, with only 2 out of 10 stories actually moving up or down the rankings at all. The Sixth Doctor is similar: only 3 of his 8 stories (included in the DWM poll, meaning not counting the individual parts of Trial) moved by more than 1 ranking. The Seventh Doctor only had 4 of his 12 stories move by more than 1 ranking.
On the flipside, Tumblr's opinions differ from DWM most regarding the First, Fifth, and Eleventh Doctors. The only stories that stayed relatively stable across both rankings for these Doctors are as follows.
For the First Doctor, only 4 out of 29 didn't shift by more than 1 ranking: #2 The Time Meddler, #5 The Tenth Planet (#6 in DWM), #18 The Keys of Marinus, and #20 The Reign of Terror (#19 in DWM) For the Fifth Doctor, we agreed only 5 times out of 20: #1 The Caves of Androzani, #2 The Five Doctors (#3 in DWM), #11 Frontios, #14 Black Orchid, and #17 Arc of Infinity (#16 in DWM) For Eleven, 5 of his 39 stories stayed relatively stable: #1 Vincent and the Doctor (#2 in DWM), #4 The Eleventh Hour (#3 in DWM), #9 Amy's Choice, #14 The Snowmen (#13 in DWM), and #39 The Doctor, the Widow, and the Wardrobe.
As you'll see further below, there is usually agreement between both polls about at least one episode that is in the top and bottom 3 or 4 for each Doctor, so these extremes represent the battle over ordering the ones generally ranked in the middle.
We Hate Daleks
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As a general trend, Tumblr seems to think less of Dalek stories than the general DWM readership.
Out of 26 stories with Daleks as the primary antagonist, only 8 did not drop by more than 1 slot between the DWM poll and the Tumblr bracket (that is The Chase, Genesis of the Daleks, Remembrance of the Daleks, Dalek, Bad Wolf/The Parting of the Ways, Daleks in Manhattan/Evolution of the Daleks, The Magician's Apprentice/The Witch's Familiar, and Eve of the Daleks). DIM/Evolution actually ranked 3 slots higher on Tumblr than the magazine, while TMA/TWF and Eve finished significantly higher on Tumblr than in the magazine, cracking into the top 5 for their respective Doctors.
We Love The Master
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Meanwhile, out of 26 stories featuring the Master, either as the primary antagonist or as an important character, only two dropped by more than one place in the rankings (The End of Time and The Power of the Doctor), while the others either stayed put or increased their positions, some by quite a lot (e.g. The Time Monster (up 20 slots in the Third Doctor rankings), The Keeper of Traken (up 8 slots in the Fourth Doctor rankings), Planet of Fire (up 6 spots in the Fifth Doctor rankings), and The Magician's Apprentice/The Witch's Familiar (up 9 spots in the Twelfth Doctor rankings)).
We Have No Easily Observable Feelings About the Cybermen
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Out of 18 Cyberman stories, 9 fell in the rankings between DWM and Tumblr, while 5 stayed within 1 rank of the DWM poll, and 4 rose. If I had to venture a hypothesis based on my unscientific qualitative analysis, it looks like Tumblr marked down most of the Classic Who Cyberman stories (only The Tenth Planet, The Invasion, and Attack staying within 1 rank of the DWM poll), while the only ones that rose in the ranks were New Who stories (Rise/The Age of Steel, Closing Time, Nightmare in Silver, and Dark Water/Death in Heaven-- though of course this last one is also a Master story, which we know we love).
Superlatives
Here are the stories that showed the biggest positive and negative difference in their rankings between the DWM poll and the Tumblr bracket, for each Doctor:
First Doctor
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Biggest jump: #10 The Sensorites (up from #27 in DWM) Biggest fall: #28 The Crusade (down from #13 in DWM)
Second Doctor
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Biggest jump: #8 The Highlanders (up from #16 in DWM) Biggest fall: #14 The Evil of the Daleks (down from #14 in DWM)
Third Doctor
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Biggest jump: #4 The Time Monster (up from #24 in DWM) Biggest fall: #21 Day of the Daleks (down from #11 in DWM)
Fourth Doctor
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Biggest jump: #7 The Horns of Nimon (up from #40 in DWM) Biggest fall: #36 The Talons of Weng-Chiang (down from #5 in DWM)
Fifth Doctor
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Biggest jump: #8 Planet of Fire (up from #14) Biggest fall: #15 Resurrection of the Daleks (down from #6)
Sixth Doctor
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Biggest jump: #1 The Mark of the Rani (up from #5 in DWM) Biggest fall: #6 Revelation of the Daleks (down from #1 in DWM) [NB: not counting each part of Trial, since DWM didn't include them - though The Ultimate Foe ranked #10 on Tumblr while Trial itself ranked #4 in DWM, so that could be another option for this superlative]
Seventh Doctor
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Biggest jump: #3 The Happiness Patrol (up from #7 in DWM) Biggest fall: #12 Silver Nemesis (down from #9 in DWM)
Ninth Doctor
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Biggest jump: #5 The End of the World (up from #7 in DWM) Biggest fall: #7 Rose (down from #5 in DWM)
Tenth Doctor
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Biggest jump: #17 42 (up from #31 in DWM) Biggest fall: #29 The Girl in the Fireplace (down from #7 in DWM) [NB: adventure-showdown split Utopia and The Sound of Drums/Last of the Time Lords where DWM didn't, which both placed above these two stories.]
Eleventh Doctor
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Biggest jump: #13 The Rings of Akhaten (up from #34 in DWM) Biggest fall: #36 The Crimson Horror (down from #18 in DWM)
Twelfth Doctor
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Biggest jump: #20 The Eaters of Light (up from #30 in DWM) Biggest fall: #18 The Zygon Invasion/The Zygon Inversion (down from #7 in DWM)
Thirteenth Doctor
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Biggest jump: TIE #1 Demons of the Punjab (up from #5), #2 Spyfall (up from #6), and #3 Eve of the Daleks (up from #7) Biggest fall: #15 Rosa (down from #4) [NB: not counting each part of Flux, since DWM didn't include them - though The Vanquishers ranked #29 on Tumblr while Flux itself ranked #12 in DWM, so that could be another option for this superlative]
Definitive Bests and Worsts
Here, then, are each Doctor's commonly agreed-upon best and worst stories: that is, those stories ranked in each Doctor's top/bottom 10% (minimum 3) in each poll, and where both polls overlap. Lists are alphabetical.
First Doctor (top/bottom 3)
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Best Both agree: The Time Meddler Tumblr: The Edge of Destruction, The Romans DWM: The Dalek Invasion of Earth, The Daleks' Master Plan Worst Tumblr: The Crusade, The Savages, The Smugglers DWM: The Sensorites, The Space Museum, The Web Planet
Second Doctor (top/bottom 3)
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Best Both agree: The War Games Tumblr: The Enemy of the World, The Mind Robber DWM: The Power of the Daleks, Tomb of the Cybermen Worst Both agree: The Dominators, The Space Pirates Tumblr: The Krotons DWM: The Underwater Menace
Third Doctor (top/bottom 3)
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Best Both agree: The Green Death Tumblr: The Dæmons, The Three Doctors DWM: Inferno, Spearhead from Space Worst Both agree: The Mutants Tumblr: Death to the Daleks, Planet of the Daleks DWM: The Monster of Peladon, The Time Monster
Fourth Doctor (top/bottom 4)
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Best Both agree: City of Death, Genesis of the Daleks, Robots of Death Tumblr: The Horror of Fang Rock DWM: Pyramids of Mars Worst Both agree: The Power of Kroll, Underworld Tumblr: Nightmare of Eden, Revenge of the Cybermen DWM: The Horns of Nimon, Meglos
Fifth Doctor (top/bottom 3)
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Best Both agree: The Caves of Androzani, The Five Doctors Tumblr: Enlightenment DWM: Earthshock Worst Both agree: Time-Flight Tumblr: The Awakening, Four to Doomsday DWM: The King's Demons, Warriors of the Deep
Sixth Doctor (top/bottom 3)
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Best Both agree: Vengeance on Varos Tumblr: The Mark of the Rani, Trial of a Time Lord (considered as a whole) Worst Both agree: Timelash, The Twin Dilemma Tumblr: The Ultimate Evil (specifically) DWM: Attack of the Cybermen
Seventh Doctor (top/bottom 3)
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Best Both agree: Remembrance of the Daleks, Survival Tumblr: The Happiness Patrol DWM: The Curse of Fenric Worst Both agree: Delta and the Bannermen, Time and the Rani Tumblr: Silver Nemesis DWM: Paradise Towers
Ninth Doctor (top/bottom 3)
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Best Both agree: Bad Wolf/The Parting of Ways, Dalek, The Empty Child/The Doctor Dances Worst Both agree: Aliens of London/World War Three, Boom Town, The Long Game
Tenth Doctor (top/bottom 4)
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Best Both agree: Blink, Midnight, Silence in the Library/Forest of the Dead Tumblr: The Fires of Pompeii DWM: Human Nature/The Family of Blood Worst Both agree: The Idiot's Lantern, The Lazarus Experiment Tumblr: The Next Doctor, The Shakespeare Code DWM: Fear Her, Love & Monsters
Eleventh Doctor (top/bottom 4)
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Best Both agree: The Eleventh Hour, The Pandorica Opens, Vincent and the Doctor Tumblr: The Doctor's Wife DWM: Day of the Doctor Worst Both agree: The Doctor, the Widow, and the Wardrobe Tumblr: The Crimson Horror, Night Terrors, Victory of the Daleks DWM: The Curse of the Black Spot, Journey to the Centre of the TARDIS, Nightmare in Silver
Twelfth Doctor (top/bottom 4)
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Best Both agree: Heaven Sent, Mummy on the Orient Express, World Enough and Time/The Doctor Falls Tumblr: The Husbands of River Song DWM: Flatline Worst Both agree: In the Forest of the Night, Kill the Moon, Sleep No More Tumblr: The Lie of the Land DWM: The Woman Who Lived
Thirteenth Doctor (top/bottom 3)
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[Villa Diodati gif included because there is no overlap in the two polls' top 3 for Thirteen, however this episode ranked #4 on Tumblr and #2 in DWM, so it is the closest overlap at the top.]
Best Both agree: None! Tumblr: Eve of the Daleks, Demons of the Punjab, Spyfall DWM: Fugitive of the Judoon, The Haunting of Villa Diodati, The Power of the Doctor Worst Both agree: The Battle of Ranskoor Av Kolos, Orphan 55 Tumblr: The Vanquishers (on its own) DWM: Legend of the Sea Devils
...What about Eight?
Who said that? I thought you had all gone. You shouldn't scare me like that. Well, you see, the Eighth Doctor only has two televised appearances in which he features, and only one of those was included in the DWM poll. This post is about comparing the two polls. I can't really do anything...
Ah, alright.
Televised Appearances
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We ranked The Night of the Doctor above the TV Movie. Night made it all the way to round 6, while the TV Movie was out in Round 2, losing with 266 votes to Jubilee, which then lost to Scherzo in the next round. Night lost to Bad Wolf/The Parting of the Ways, which had 344 votes to Night's 204.
Audios
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Scherzo made it to the quarter-finals of the Tumblr poll! It lost out to Midnight 435 to 581, the first TV episode it encountered in adventure-showdown's very intricate media-segregating bracket.
Caerdroia made it to round 7, losing to Scherzo after it had beaten out Father's Day in round 6 (299-280) and the much-loved SJA episode The Curse of Clyde Langer in round 5.
The Natural History of Fear made it to round 6, finally losing out to Blink (253-352), and making it the top-scoring Eight audio to go out in this round.
The Chimes of Midnight also got to round 6, finally just losing to Remembrance of the Daleks (163-166); in the same round, Zagreus lost to Scherzo (131-210) just after it had beaten Genesis of the Daleks (132-103) in round 5.
The next highest-ranked Eight* audio is Solitaire (a Companion Chronicle, hence the asterisk), which was eliminated in round 5, losing to Silence in the Library/Forest of the Dead (180-43).
It's worth noting here, that Doctor Who and the Pirates also made it to round 6, making it the highest-ranked non-Eighth Doctor audio. It lost to City of Death (170-78). The next-highest ranked audios are The Marian Conspiracy (lost in Round 5 to The Wedding of Sarah-Jane Smith), The Holy Terror (lost in Round 5 to The Empty Child/The Doctor Dances), and A Death in the Family (lost in Round 5 to The Natural History of Fear). Congratulations to Evelyn Smythe.
Novels
The EDA Alien Bodies managed to make it to round 6, finally being eliminated by Turn Left with 145 votes to 264. It had just beaten out Time Crash in the previous round. This makes it the highest-ranked Doctor Who novel overall, according to this Tumblr tournament.
The next-highest novel for the Eighth Doctor was Unnatural History, which was defeated in round 5 by The Chimes of Midnight.
Below that, there were five EDAs eliminated in round 4:
Interference (lost with 41 votes to Scherzo's 85)
Mad Dogs and Englishmen (lost with 38 votes to The Marian Conspiracy's 56)
The Adventuress of Henrietta Street (lost with 28 votes to A Death in the Family's 54)
Camera Obscura (lost with 27 votes to Lungbarrow's 47)
The Scarlet Empress (lost with 22 votes to The Chimes of Midnight's 102)
Comics
I hadn't actually been tracking any of this Eight stuff, so I'm having to squint through the backlog and this is already much too long. So you're only getting two: The Land of Happy Endings is the Eighth Doctor comic that made it the farthest in the Tumblr competition, being eliminated in round 3 by An Adventure in Space and Time (46 votes to 95). The Flood also made it to round 3, where it was eliminated by the Thirteenth Doctor comic Old Friends, gaining 39 votes against Old Friends' 47.
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graciegoeskrazy · 29 days
Text
yeah, you wanna find love
matty healy + teen!swiftie!daughter!reader
warnings: some language, angst, fluff, cheating
a/n: do u guys get the title? get it? get it? the title? cuz she sang it? the city? at satvb? get it?
ty bae anon who requested im in LOVE.
I know Eras and Matty and her dating happened way after Red TV was released but shhhhhhhhh
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Like any other normal teenage girl, you got excited every time Taylor Swift dropped an album, announced an album, or did anything remotely hinting at herself and her work. Even if it was a far stretch, you were on social media like the rest ready to prove or debunk theories. Tonight, she’s releasing her second re-recording, Red (Taylor’s Version) You were a fan. Even though she and your father dated for like a month and now they never speak to each other and the chances of you seeing The Eras Tour ever again are slim to none, you admired her so much.
Your dad had said goodnight and sent you to bed more than an hour ago. You planned to go against his wishes a little bit and stay up and listen to the album. It was only one time, and it was for the sake of music, so if you got caught he wouldn't be too upset, right? …Right?
The plan was all fine until you got hungry. The kitchen was connected to the living room which is where your father spent most of his late nights, doing work, watching TV, sleeping, whatever. It was quiet so you assumed that he had already gone upstairs for the night or was fast asleep on the couch. It all gave you the confidence to believe that you could sneak into the pantry and not be seen. You were wrong, however.
“Go to bed.”
He was there. Wide awake. Just quietly scrolling through his phone.
You pouted. “C’mon. It comes out in like an hour.”
He never took his eyes off his phone. “And you have to wake up at 6 am for school tomorrow.”
“And I’m still gonna go! One night of staying up and listening to an album isn’t going to change my perfect grades or 4.0 GPA.”
“I said no.” His voice grew a little more stern.
Your begging was now at a full 10. “This is a big deal, Dad! Just because you can’t listen to Taylor anymore doesn’t mean that I shouldn’t!”
“What I say goes, you know that.”
You smirked. “Oh, so it was fine when it was your album?” He hated it when you were a smart-ass. Mainly because you reminded him too much of himself when you acted that way.
He rolled his eyes and sighed. “Go to bed.”
“Ughhhhh.” You slumped up the stairs.
“I love you, baby.”
“And I love your ex!”
Almost 2 hours later, Matty got tired of the things he saw on Instagram, and the yawns he kept giving let him know that it was time for bed. As he walked upstairs he heard the faintest sound
At first, he thought it was because of something he had done. He thought that maybe the attitude he showed earlier was too much, but on the other hand, he knew his girl was too tough for that to break her. He opened the door and saw your frame curled on the bed. Your face was buried in your pillow but it was evident by the bits that were showing that your face was red and littered with tears. You heard him open the door and walk to you, but you didn't move.
“What’s happened.” He asked quietly as he slipped in into the other side and pulled you close.
“Just shut up. I just need you.” You were harsh but he knew your tone held no true anger or hurt.
“Okay. Okay, I’m here. I’m right here.” He held you as you cried into his chest. You were sobbing. You tried to catch your breath between the hiccups and cries, but it took minutes for you to fully calm down. To you, those minutes felt like hours, and as time went on Matty became increasingly worried about the severity of the situation.
You took one last big inhale, then spoke. “He cheated on me”
“What?”
“He cheated on me…then dumped me when I found out.”
“When?! When did this happen?”
“A little less than a week ago.” He sighed, He couldn’t believe what he was hearing. You and your boyfriend had been dating for nearly 2 years. From the way it looked to the outside world, you two were as happy as could be. Matty always had his doubts but he chalked it up to the typical dad senses overreacting, especially because you always looked so happy and you hadn't been that way in a long time. “I should’ve broken it off long ago.” You hiccuped and cried through your next words. “He ignores me. Everything I say. Everything I do. It's like I’m talking to a brink wall half of the time. I tell him I’ve had enough and he apologizes and makes me feel great like I’m the only one who matters, and then he makes the same fucking mistakes, over and over and over again. He likes the idea of a relationship but doesn't want to put in the work of having one. At least when it comes to me…”
Matty didn't know what to say. It was a complete shock to him. “He doesn’t know what he’s missing-”
“Yes, he does. He just doesn't care.”
“How did this happen, if this happened a bit ago then why are you crying just now?”
You hid your face again. He rubbed your back. “You’re gonna laugh…”
“I won't laugh-”
“You’re gonna be mad,” You said, looking up.
He smiled. “I won't. Promise.” He said, winking.
You sighed and buried your head back into him. “I was listening to the 10-minute version of All Too Well.”
“God, bubs.”
You sat up and looked at him. “Let me live! It was too real. I related too much. I’m serious.”
He reached his arms back up, guiding you to come back to him. “I know. Im sorry.”
You pouted as he placed a kiss on the top of your head. “Do you ever cry to my songs?”
“Only of embarrassment.”
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olderthannetfic · 3 months
Note
On the strict top/bottom dynamics of east asian media: one of the (relatively) recent BLs from Taiwan (Kiseki) completely broke many fans because it subverted that. It had Zerui, the eldest of the main ship who is involved with the mafia, bottom when he was with Zongyi, who's only a wimpy HS student, when they're together for the first time. Tbh Zerui jumping on Zongyi's lap will live in my mind rent-free for a long time. But it was exactly because it's so rare it was magical and broke everyone
--
Ooh.
And yeah, any trope that's common enough is going to get people wanting to poke it with a stick.
I think some Western fans kind of miss that Asia has plenty of gay media and, you know, gay culture, and depending on the era and country and what all is going on, there's going to be cross-pollination between that and BL/danmei. You'll get makers of BLy stuff wanting a little more Real Queer Culture™ in their art. True, plenty of real people like to do the same thing in the bedroom all the time, but the minute you get art that wants to mess around with more real world shit and less pure romance novel trope stuff, you'll see people changing things up.
The more mainstream and accessible actual queer culture gets in a given country, the more people will casually drop various things into their art, like QaF having a big effect on parts of Western slash fandom. Same-sex marriage is legal in Taiwan. Thailand isn't the paradise some people imagine, but it has some pretty visible home-grown queer community. This isn't some situation where all BL is by a virgin living in a basement who barely knows queer people exist offline.
There's not some kind of law that decrees Asian artists can't change things up. Fixed roles are just what's most popular in BLy media on average. That's no different than, say, English language "m/m romance" and even most fanfic being... like... monogamous 2-person ships and not poly.
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scintillyyy · 3 months
Text
and actually, while there are certainly a lot. Lot. of criticisms to made re: dixon & his writing of steph and the sexism therein (although, it's very prevalent and like 'yea that's bad' but also sometimes it's like. well, it's not actually necessarily significantly more or out of the ordinary than most other 80s & 90s media in comparison) (listen i grew up taking out jem and the holograms vhs's from blockbuster every week, there is actually no amount of bullshit that can ever top the jerrica/rio/jem bullshit for me, i am highly desensitized here (two of those people are the same person. one is a man who, for unexplained reasons, really, really, really hates liars in any way, shape, or form)), i do feel that because he's such a reprehensible person there's a lot of. hm. malice retroactively attributed to him re: his writing of steph on account of the way that she was treated after he stopped writing her that is not actually there in the text & in fact is completely at odds with his long-term plans & ideas & hopes for her story & the fact that he was very vocally unhappy with the direction editorial took with her after he was removed.
like he did not write her as messing up & being reckless & being as less skilled because he didn't like her or he wanted readers to dislike her or anything. (i'd argue it's the opposite, actually). her story through his writing is one where she would have eventually received the full acceptance she deserved, which is why he eventually wanted to culminate her success into temporarily becoming robin, the ultimate reward, & in fact his plans for that story is that she would be so super amazing at it because of her determination and hard work and the only reason it wouldn't have worked out long term is because bruce would want to protect her. it's why towards the end of his run writing her she finally was receiving the full acceptance he felt she deserved from both batman & the birds of prey, she was finally in the know as far as tim's secret & getting more integrated into the batfam as a whole, & she was finally gaining tentative acceptance and mentorship from dinah which would put her on more equal footing with cass & tim. a classic rags to riches story.
it was murderer/fugitive and the removal of his influence for her character where things actually start to go south for her, under editorial directive. if you're thinking her finally being completely kicked out over one minor mistake vs just chided but in general allowed to continue regardless, you're thinking devin grayson in gotham knights. if you want to talk about a batman who thinks that steph is a weak link who's going to get hurt with her recklessness (and that gets reinforcedby the narrative by her continuing to act reckless, and lying to tim about a lot of things) you're thinking lewis. if you're thing just making her abjectly terrible at things for the explicit purpose of justifying her being not good enough and undeserving at doing this, you're talking about willingham & dc editorial deciding to axe her character. in comparison, if you look at her being dropped by the birds of prey, written by dixon, you get dinah giving her a talk about how talented steph is, it's just that dinah is not her mentor & can't give her the attention she needs (probably the absolute kindest rejection she gets in that era where dixon is being transitioned out and i think it's notable that he wrote such a kind rejection in comparison to everyone else's at the time).
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nerdylilpeebee · 29 days
Note
I am not one to put myself into discourse but I really need to explain something to you,
As a Palestinian you need to understand that Hamas aren't killing babies, those 40 Israeli babies were made up, this had been confirmed over and over again. Palestine is older then Israel, Isreal only started existing after WW2, Palestinian's welcomed them but we're faced with Starvation,genocide, rape and bombing in return.
It is currently Ramadan, a time of fasting from sunrise till sundown, yet they have no food nor water to have before this period.
13,000 innocent children have died. Over 300+ not even making it to their first birthday. Girls and woman are experiencing periods and pregnancy without proper supplies. Isreal is not struggling, they have received over 300+ billion dollars in support from the U.S.A alone. You're ignorance isn't some "I'm better and different" stunt. You are actively supporting the death of entire bloodlines and families.
Don't you dare pull "Well, what if their Hamas" Isreal has proved they can bomb a specific room to kill them. This isn't about Hamas, Isreal is wiping out entire families, lives, homes, etc.
They're killing innocent animals too.
To put this in your shoes, imagine if you were bombed, raped and tortured, not knowing if you were going to make it to the next day, you're being starved. Whilst media is actively supporting your nightmare, funding it, even.
Before you pull the Hamas card on me, I have been raised with Western media and in America. I find myself lucky for this even though my people are struggling.
Please, scroll through pro-Palestine tags without bringing your opinion into the matter to see what is going on. I beg.
No, honey, actually it wasn't disproven. The people who tried said "yeah, babies were beheaded, but it wasn't 40 of them." XD
Palestine is not older than Israel. There are references to Israel in the Torah, which is older than Islam. And no, the Palestinians did not "welcome Israel". XD that is blatantly false.
And really? So tell me, why do they know for sure these 13k kids have died but can't name how many of their hostages are alive? Please explain that to me. How is that possible?
Okay? Israel not struggling doesn't mean anything. XD Being weak and having your government steal the billions in foreign aid to make themselves rich does not make a war against you a genocide.
I'm not supporting the deaths of anybody, and It is 100% about Hamas, Israel literally sends warnings in an effort to avoid civilian casualties. Even if Hamas isn't lying (incredibly unlikely) they have killed less than most wars have in the modern era.
Even if I was in their shoes, honey, I wouldn't want people siding with my oppressors because westerners decided the terrorists who'd murder me for speaking against them and consider everyone I know and love to be martyrs they're happy to sacrifice are resistance fighters. And hell, there are Palestinians who hold this very stance, who knows that Hamas is the fucking problem not Israel, westerners like you just ignore them.
You were raised in America and with western media? Cool. Doesn't change that you're falling for propaganda. XD being raised in the West does not make you immune to propaganda.
And no, I will not let idiots spread misinformation, and I will not let them villainize the Jews because Israel is actually defending itself when terrorists attack them and kidnap their people instead of laying down and dying.
I have paid plenty of attention to what's happening, including from the Pro-Pal side, I just happen to know terrorists aren't the good guys just cuz they play to people's sympathy and use their own people as human shields to make Israel look like the villain.
Just cuz it didn't lead me to agree with you doesn't mean I haven't been exposing myself to Pro-Pal talking points and "evidence."
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caw4brandon · 17 days
Text
The Power of Stop-Motion
Media in today's standard is quick and easy. Rarely is a show more than 2 hours long or 13-epiodes per-season. With that, animated movies are a lot slower than the typical films.
There is a discussion on if animation is suitable for film purposes and while it is often shunned by the Golden Globes or the Oscars or other awards. The very few outliers can prove these awards and the world very wrong.
But that is not what we will be talking about today. Because while animation is popular, there is a dark horse among its sphere. One with a rich history and strong filmography that should be shared. Let's talk about;
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- Have I possibly gone daffy? -
Stop-motion is a film making style that compiles multiple still images of an object being physically manipulated in small movements into one whole scene.
Majority of Stop-motion films and videos use [Clay Animation] or [Paper Animation] with several more varieties of new innovations emerging under the umbrella of stop-motion. The most popular of them in the modern era towards kids is [Lego animation] which is the manipulation of Lego models in motion.
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The earliest trace of Stop-motion in films is the 1898 short [The Humpty Dumpty Circus] by Albert E. Smith and James Stuart Blackton which is said to be a lost media. To compensate, please watch [A Tribute to Stop Motion]
In its early concept, Stop-motion was used as a method to create impossible things or do practical effects under budget constrains. Such as the iconic King Kong scene at the Empire State building. Since then, Stop-motion has evolved into a full production industry. From Indies; [Righteous Robot] to Juggernauts; [Laika Studios]
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- Shimmer a Little at The Edges -
Unconventional media such as stop-motion is often not a style suited for every story. Its a rather expensive type of media that requires worthy innovations top break the niche barrier. Just looking at Laika Studios alone, we see that they've develop a lot of interesting ways to improve visual effects while staying to their stop-motion roots.
One perfect example is seen in < Kubo and the Two Strings > where the animators need to create water in a still image world that feels natural. [A Perfect Storm] one other part of the stop-motion puzzle is the iron-willed discipline it to conceptualize, animate and edit a production that can take about 3 to 5 years to complete. More so of a time frame than a normal film.
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This difficult curve lead to budgeted methods such as using models that already exist to tell new stories. Such as; Legos or with crude multi-jointed figures of existing characters. [MOONSHINE]
While I may say its crude, the low budget production is the selling point. Assisted with sound bites taken from gaming sessions or from shows featuring a lot of inside jokes and memes. Also, its hilarious to see a Teletubby turned into a Eldritch monster.
These attempts to make stop-motion productions accessible has captured the attention of other like-minded channels to collaborate and elevate one another. [ERB: Harry Potter vs Luke Skywalker]
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- For Better Tomorrows -
With all that is said, what is the power of stop-motion? As a media that is tediously overlapping across processes. What are the better tomorrows for our inanimate subjects?
I like to think, that as filmmaking grows. Stop-motion will continue to remain as a sacred tug against live action films and traditional animation. It can be used to tell complicated stories with concepts that may look strange if its adapted in a live action.
As I have mentioned in [The Beautiful World of Hilda] animation's greatest strength is simplification. Stop-motion takes the opposite side of that philosophy.
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Its a higher level of world building of the materials with willingness to accept mistakes and ruggedness that gives them that little flavor of life. As an actual touchable thing, the various cartoonish styles can take on a whole new dimension to heighten the style and give it that detail that is less polished.
Stop-motion shows that filmmaking magic can still exist despite already knowing the tricks. Its a media where every frame shown has a significant purpose that invokes a specific flow. That's the power of stop-motion.
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