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#but look at me not writing death
desos-records · 2 months
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suddenly struck with thoughts about the devastating concept of Jason Todd
because he was good. because he had a bleeding heart despite every reason not to. he loved school and was good at it. he was the first to be adopted, with little pretense of guardianship. he did everything he could to be a perfect Robin and live up to an impossible ideal. he only ever wanted Bruce and Dick to like him.
because he met Bruce in the same place and on the same day that Bruce's parents died--the single defining moment of Batman's existence. and he made Batman laugh. he hit the Dark Knight, Terror of Gotham, with a tire iron. he wasn't afraid of the man who turned fear into a weapon.
because he couldn't save his mother from herself, but he tried. because he was too good not to try and save the woman who gave him up. too good to play the Joker's game. the crowbar didn't kill him, the bomb did. he died knowing he wouldn't make it and tried anyway. he died a hero.
because other Robins have died, but none of them put an irrevocable tear in the mythos of Batman. because Jason Todd always dies, in every universe. he dies for the sins of his father. he was put to death by popular vote, sacrificed by the crowd. doomed by the narrative and doomed by the audience. the boy who only ever tried to prove he was good enough--wasn't good enough.
because he has every reason to be angry. because he didn't ask to be murdered, didn't ask to be brought back, and when he did everyone acted like he was better off dead. Bruce tried to kill him and nearly succeeded. he's blamed for his own death and blamed for his resurrection. he can never come home because the house is haunted by his own ghost.
because he's been the hero, the victim, and the villain. because his family and his writers and his universe don't know what to make of him. they don't know how to look his tragedy in the eye. and how can you?
it hurts to look at the hero who cannot be good enough, the victim who will only ever be angry, the villain who can sometimes be right. the audience hates to feel complicit and, in this exceptional case, they are.
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snufkins-boot · 5 months
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Dc x dp idea: time travel yaaaay
Danny, Sam and Tucker get back from fixing some errors in the time line in France just before the French Revolution.
And sure Danny got mistaken for a French aristocrat that had died the day before they got there but it wasn’t to bad, it only made their jobs easier. It won’t be a problem for them.
Meanwhile Constantine, Batman and whoever the fuck else (imma say Hal, I love that green bitch) are exploring an abandoned manor in France after there being reports of strange, violent activity, and with their latest teammate Phantom not picking up their calls Constantine had to pull these two with him instead.
“Hey guys, Phantom’s a ghost, right?”
Hal sounds hesitant as Constantine replies
“Yes, why?”
“I think I found a picture of him living.”
and there on the wall is a picture of a long dead french aristocrat, with black hair and blue eyes but every other detail the same as Phantom’s
There on the wall sits a photo of Daniel Nightingale, a teenager who was possessed by a demon and killed two servants, then himself.
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theminecraftbee · 7 months
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There are several things Martyn realizes, all at once, when he opens his eyes:
He is dreaming.
It's one of those in-between dreams, the ones that aren't quite dreams.
He is sitting at a green felted table. It is sitting on a stage. The lighting is dim, and no one is watching, but out of the corner of his eye he can see the stagehands dressed in black, waiting.
He is not the only one sitting at the table. There is a Watcher, draped in purple. There is a Listener, draped in yellow. There is someone he recognizes in a red sweater. There is someone he thinks he should recognize, but can't quite, shuffling a deck of cards.
"Right. What's all this, then," he mutters.
We are playing blackjack, the Listener says.
We are deciding the rules, the Watcher says.
"It's not like we have anything better to do. Honestly, I'm glad you're here. Do you know how boring these guys are?" Grian says, and Martyn decides to quietly file Grian away as a dream-Grian, as opposed to real-life-Grian, so he doesn't go insane and/or stab him when he wakes up. He waits for the almost-familiar dealer to say something. He does not. After another few moments of awkward nonsense dream-silence, Martyn sighs and leans forward on the table.
"Sure, this might as well be happening," Martyn says. "Deal me in. How's the betting work, again?"
"You put your bet on the table. If you beat the dealer, you get to add it to the game," Grian explains. "If you don't beat the dealer, it takes it."
"Yeah, but like, that's abstract, isn't it? What does that mean, exactly, me losing what I bet if I don't beat the dealer," Martyn says.
Grian shrugs. "Don't ask me. To be honest, I'm hardly the storyteller you are."
"Me? Why are you acting like I have any control over these things when you're--"
Are you ready to play?
Martyn shuts up, looks at the Listener, and sighs. "Yeah, sure, I'm ready to play. Why not."
The dealer looks to its left. Grian sighs. "Why are you making me bet first. Again. We should rotate where we're sitting--fine, fine, I know it's an advantage because I'm the worst at this. Uh. Hm. No trading or giving away lives again. Not even as time or something. It makes the dynamics all weird, and I think we could use a nice straightforward death game next time."
(Martyn wants to roll his eyes. Nice and straightforward. Sure.)
The Watcher goes next. I would like there to be deep and wonderful bonds between the players. I would like those bonds to seem unbreakable.
"Coming from you, that's ominous," Martyn says.
Can I not just miss the alliances of the early days? the Watcher says.
"Never left the desert," Grian says, rolls his eyes, and looks at Martyn in commiseration. Martyn just stares back. So sue him, he's a bit more worried about this whole concept than an eye roll and a pithy phrase. Things Watchers want are rarely good.
When the bonds are enforced, they're less interesting, complains the Listener.
Martyn looks over sharply. Hey, wait, he thought--
I didn't say they had to be enforced by rule. I said they had to be deep. Encouraged, as opposed to discouraged.
Just saying. You'll never recapture Third Life.
Martyn swallows. His throat is dry. Weren't the Listeners supposed to be the good guys, here?
Besides, what I want is for each death to be meaningful again. They've felt too meaningless, lately, the Listener continues.
Martyn thinks the dealer raises an eyebrow, but it strikes him he's not exactly sure. Grian snorts. "Meaningful deaths. That's rich for you to say. I mean, I guess they're meaningful sometimes? I don't know, Martyn's the one who understands dramatic sacrifices, I just like killing things."
"Why do you keep on looking at me when you say those things," Martyn says.
"Look, you wouldn't be here if you weren't helping write," Grian says.
"What?" Martyn says.
We're here to play our cards for the story, the Watcher says. Aren't you also one of the authors?
"Me? What? No, I'm--what are you talking about," Martyn says.
Oh, well. I also hope your meaningful deaths make it in, the Watcher says the Listener.
Thanks, even if I disagree on the bonds, the Listener says.
"They hardly ever talk about real, concrete rules they want," complains Grian. "It's easier to understand the consequence if they bring up actual rules. Like boogeyman or no boogeyman."
"We're all just betting on cards!" Martyn says, throwing his hands up. "You're giving me a headache!"
It's your bet.
"Fine!" Martyn says. "Fine! You know what? Screw all of you. I hope this is the last one. I hope we never have to go back to that stupid death game. I hope it's miserable to watch or to listen to or to play and everyone just gives up. How's that for a bet?"
You're no fun.
Is that what you really want?
"Suit yourself," Grian says. "Honestly, if I still had that to bet, I guess I probably would."
"What do you mean, if you still had that to bet?"
"Well, I mean, that's not how blackjack works, is it? I don't just get back my in when I play it."
The dealer nods, and then silently, with a long bony hand, deals the cards.
Grian is dealt the four of diamonds. The Watcher is dealt the nine of spades. The Listener is dealt the five of clubs. Martyn is dealt a jack of spades. The dealer deals itself a seven of hearts. The dealer deals Grian a six of clubs--
"Hey, isn't that supposed to be face-down?" Martyn asks.
"Not here," Grian explains. "They're all face up so we can't touch the cards. So we don't have to. So we can't cheat."
"Who said anything about cheating?" Martyn says.
"Please," Grian says.
The dealer makes a hand motion. Martyn, grumpily, falls silent. He supposes they're playing by casino rules, then. He hasn't been in a casino since--he wouldn't know. Hard to remember anything that isn't this, isn't it? Isn't killing and dying and things out of his control and things very much in his control and, apparently, bizarre dream sequences designed to make him want to strangle Grian.
Anyway. Grian is dealt a six of clubs, giving him ten. The Watcher is given an eight of spades, giving it seventeen. The Listener is dealt a king of hearts, giving it fifteen. Martyn is given a six of clubs, giving him sixteen. The dealer deals its own second card face-down. Martyn stops to try to speak, and then shuts his mouth. Right. Dealer's advantage.
He stares at the numbers.
Grian sighs. "Well, I've got to double down, don't I? Fine. I want the whole 'red lives can kill' thing to be enforced somehow. I don't care how. There's my double down."
The dealer nods.
"Why would you want that," Martyn says blankly.
If we all win, that will be interesting with the bonds, the Watcher says mildly.
Grian shrugs. "I mean, we've enforced red names not befriending green names, but not the murder thing before. Figure we should switch up the game, right?"
"Why?" Martyn says again.
Well, it wouldn't do for it to be boring.
"No, not that. Just... isn't it easier to handle when the rules are laid out properly?"
Martyn throws his hands up, but stops arguing. The dealer gives Grian a face-down card. The dealer moves to the next party at the table.
The Watcher looks over at the dealer and makes a cutting-off motion. I stand.
The dealer moves on. Hit me, the Listener says, and is dealt the queen of diamonds. The Listener gestures to Martyn. It seems I bust. Pity. I suppose there will be no guarantee of meaning, then. Not what I'd prefer.
The dealer looks at Martyn. Martyn looks at the other hands. Martyn pauses.
"Wait, this is like, casino blackjack, yeah? I'm only playing against you, not the whole table?"
"Why would you be playing against us?" Grian says. "Writing's a collaborative process."
Martyn looks entreatingly at the Listener, but the Listener is a little too caught up in the bad hand it has been dealt. Martyn looks entreatingly at the Watcher, but the Watcher just looks somehow confused.
"I was under the impression that, I don't know, you all were adversarial."
Why? All we want is the same thing as you: the story to be told a certain way.
Martyn's not sure if he's furious or just numb.
"Fine. Got a sixteen, don't I? Hit me."
Two of spades.
He's furious. He wants to win against the dealer. He wants to win against everyone. He wants his idea to make it through. He has an eighteen, though. There are only two numbers in the deck that will not bust him, and he's no fool. Hitting on sixteen is a risk enough; if he wants his stupid bet of everything finally ending to make it through, he's got to hold here.
"I hold," he says through gritted teeth.
The dealer silently deals itself another card. A three of hearts. Distantly, Martyn's ears rush. He could have taken that. He could have taken the hit. He could have won. He could have had blackjack, and he doesn't know what the extra payout for blackjack even means in a game like this one, but he could have had it, and he held back, he didn't take the risk, he didn't--
The dealer flips up its cards. Seven, eight, three. Eighteen.
Martyn's heart pounds. A stand-off.
Grian flips up his own card and groans. It's a five of diamonds. "There goes that bet," he mutters.
The dealer makes a sweeping motion around the table. The Watcher smiles, a terrible, terrible thing. Martyn, all at once, realizes that he can't ask again. He can't say 'this is guaranteed to be the last one' again. He backs out of his chair. To the sides, he sees the stagehands change the lighting. A spotlight, on him and the dealer--
"That isn't fair," he says. "It's a tie. I should get my bet back, right? It's a tie!"
THAT IS WHERE WE DIFFER FROM THE HOUSES IN VEGAS, the dealer says, and Martyn's heart stops.
(The voice is familiar. Familiar, but he cannot place it.)
YOU SEE, IN THIS GAME, THERE IS ALWAYS ONE THING THAT HAS AN ADVANTAGE. ONE THING THE STORY IS ALWAYS PLAYING AGAINST. ONE THING, THAT INEVITABLY, AFTER LONG ENOUGH PLAYING, WILL WIN.
There, the dealer looks Martyn in the eyes, and Martyn, all at once, knows exactly what the dealer must be.
AND THAT IS ME.
Martyn stares Death in the eyes.
Then, in a cold sweat, Martyn wakes up.
He does not sleep again for a long time.
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connabeth · 4 months
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some things never change. his faith in her is truly unwavering…that’s love
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Jason knew. He knew, the moment Caligula's spear had passed through his course of vision. He knew that he was finally going let go. As the spear pierced through his body, Jason couldn't have been happier, it was all over. He was covered in a bed of fresh leaking blood, the life slowly ebbing out of him as his veins pulsated. He would never have to continue living his horrible life anymore. He could finally rest. Jason had nothing to hold on to anymore, his anchor had dropped finally losing its purpose. His best friend Leo was some place else Jason didn't know of, his good friend Reyna had stopped talking to him, the girl of his dreams had decided that he wasn't the one. What more was there to live for? Even as he heard the screams of Piper and Apollo, Jason did not fight the urge to die. His blue eyes were fixed on the sky, the same sky that he had come from. He knew his friends needed him, he knew they would all be devastated to lose him. yet this one time, he didn't think of them. he didn't hold it all together like he had done his whole life, he was selfless since the moment he arrived at the wolf house at the ripe age of two, always wanting to please others, never refusing to help anyone, yet, in his last breath, Jason Grace was finally selfish enough to think of himself, he didn't want to live his life for others anymore, he wanted to put his sword down finally and plunge into eternal peace. And that's what he did. Jason Grace's eyes fluttered shut. He even had the urge to smile, a genuine smile of relief. Jason Grace was finally going to eternal slumber, the soothing thoughts of reaching elysium had made the pain in Jason's body evaporate, and there was no coming back, yet the son of Jupiter was feeling the happiest he's ever felt.
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crybaby-bkg · 8 months
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cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst
When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.
It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.
“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.
“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.
“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.
“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.
“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.
“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.
“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.
“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.
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mermaidlighthouse · 6 months
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teddytheartist · 11 months
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Harley Keener is a Hot headed protective bitch and Peter Parker should’ve seen this coming a mile away
Or that one time that Peter was hanging out with Harley in the busy NYC streets when a drunk man decided it was the best idea to slap Pete’s ass and holler at him right in front of Harley(‘s salad)
Cue the immediate fight that ensued between drunkman and southern boy that eventually Peter had to step into (bcs he’s Spider-Man goddamit) that landed them in jail within less than 30 minutes.
Harley think’s Peter looks really cute all scuffled up and Peter is having like 6 different panic attacks about the irony of being Spider-Man and being IN JAIL.
Don’t worry guys Iron Dad DOES bail them out (more like collects his cute blackmail material)(you know just in case they set the lab on fire … Again.)
——
Fell right into the hype of the Barbie meme, in my defence I fucking love them aaaaa
(Pls if u have a better idea for a story inspired by my art feel free to write it out or watevs, just mention or tag me so I can see!! It’s cool!!)
My art insta 🥸👍
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beelzeballing · 5 months
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actually i dont think ive posted my thoughts on ofmd s2 overall here yet have i?
ok here goes: i think it had incredibly high highs, and at some parts i genuinely enjoyed it more than i did the first season, episode 6 being peak imo. however, it had equally abysmal lows with some glaring writing-, tone- and pacing issues that all came to a head in the finale.
i once read someone say that, if you ever feel like a finale ruined the whole story, maybe you should take another look at the story. there were most likely cracks and problems all along, and the finale did nothing besides dashing the hope that these would perhaps be addressed later. very rarely do genuinely well written stories go completely off the rails in the finale and ruin the whole thing.
i think this is applicable here in some ways, SPECIFICALLY in regards to edward. good god edward was a MESS this season, and it's so sad because i loved the starting point! the kraken era was absolutely terrifying and iconic as FUCK but... they shouldn't have leaned so hard into the drama and trauma of it all. don't get me wrong, i loved that it did. it's one of my favorite parts of the season and i'm so glad we got it. but if they wanted this arc to work with the overarching plot as they wrote it, they would've had to lighten up the tone here CONSIDERABLY. had they played the kraken era for comedy then sure! edward's bad youtuber apology would've been funny. his fast redemption would've been less jarring. the lack of consequences less disturbing. but as it stands in the show, this arc is too dark to function with the later episodes.
i feel like they wanted to have their cake and eat it too here. they wanted the gritty drama of ed coming off the hinges entirely but also didn't want to deal with the aftermath of such a heavy arc in their silly pirate romcom. be that due to time constraints and budget cuts or because they were simply unwilling to, doesn't really matter in the end. the result is the same either way: a very tonally messy season with some accidentally troubling implications regarding abuse.
and mentioning troubling implications regarding abuse; izzy. my poor, poor izzy... his arc was absolutely glorious. i liked izzy the second he showed up in s1 and i was absolutely EATING this season up in that regard. and i think in this case, they genuinely did fuck it all up in the finale with that one stupid choice:
choosing to kill izzy was the DUMBEST thing they couldve done here.
ive talked about this over and over and over again. ive reblogged so many meta posts. and still i am left absolutely flabbergasted by how stupid of a decision this was. the fridging, playing at the fallen woman trope, killing the beating heart of the season and the character who delivers what is essentially a thesis statement, killing off the character whose arc is about coming to terms with his disability, having him die in edward's arms, comforting him and apologizing after an entire season of finding community and love outside of edward, the absolutely godawful pacing of it all, the extremely easy and obvious solution of just having IZZY become the new captain of the revenge to mirror s1 and hammer home how much he has developed since then in one go... i could go on. and i have. it was a stupid writing decision, completely fucked the tone and pacing of the finale and took away attention and time from things that really would've deserved a better wrap up (lucius and black pete deserved better)
now. the whole prince ricky & zheng plot line... yeah that shit sucked ass, sorry. they bit off more than they could chew here. i honestly think those are the arc words of this season:
✨️ bit off more than they could chew ✨️
right off the bat: i think he was good as a concept. bringing in a foil for stede who just doesn't Get It as stede does could've made for very good comedy and drama (and to be fair there is some of that). but that shit got away from them extremely quickly. nothing about how he's implemented past his first episode works, and i think this is very specifically because he's mostly played as the comic relief in his debut episode. making this completely bumbling fool, who gets his nose hacked off on his first job, the main villain of your entire season is... definitely a choice. idk. he didn't work for me at all.
ok wow mentioning shit getting away from the writers. this definitely got away from me. this was supposed to be a short lil post. well. i guess tl;dr i loved this season but jesus christ there was a lot wrong with it. if you want to hear more thoughts. ask box is open. be my guest. i have more to say so even if you dont ask i might add more to this at some point but im tired and have work tmrw.
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dragonanon · 2 months
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Death!Reader and God!Brother head cannons
Note: you can thank @sherlockhomies-42 for this, my brain hasn’t known peace since I read their stuff about the reader being Death in Hazbin Hotel. And if I don’t get my thoughts out right now I might honestly combust. 🙃
Lore HCs:
- Before Hell, Earth, and even Heaven existed, there was nothing….Until by some cosmic miracle, God popped into existence. God started by building himself a luxurious paradise; the same paradise that would eventually become Heaven.
- God relished in his wonderful new home for a while, but quickly grew bored with being alone. So he began creating animals and other small creatures to keep him company. At first, this worked out great! But to an ageless, immortal being like God, several years felt like mere moments to him; and before he knew it, his beloved creations had become incredibly old and were in ever increasing pain and discomfort as they continued to age, and there was nothing God could do about it. All he could do was create life, and once life had been created God was powerless to do anything to stop it or take it away.
- Just when it seemed God would be forced to watch his creations suffer forever, another incredible miracle happened; you popped into existence. Sporting six mighty black wings and a set of horns gracing your head, you gently touched each of the suffering creatures, and with your touch each one FINALLY had their suffering come to an end as they died, and their now freed souls traveled down to a newly created realm to rest and wait for whatever came next; Limbo.
- God watched in awe as you gave his beloved friends what he couldn’t; an ending. God realized quickly, based on an instinctual pull he felt towards you, that whatever force had created him had clearly struck again, and brought you into existence.
- God was now in the presence of a being just as powerful as him, but while you may have been his equal in terms of how you both came to be and the sheer power you both held, your powers were VERY different from his; almost like they were the opposite of his. That’s when it dawns on him, you’re his sibling! His counterpart! If his powers are to begin and yours are to end, then you’re meant to bring balance to everything! After all, there can never be a beginning if there’s no end, and there can never be an end if there is no beginning.
- It’s then that you’re given your name; “Death”, and as both the younger sister of God and the only one capable of bringing an end to any life he creates, your very existence leads to you both creating balance in the universe for the very first time.
- As the first order of business, God started creating ageless beings, like the Seraphim and other Angelic beings. And with your input, he gave them the gift of sentience so they could all think, feel emotions, and communicate with each other and you and your older brother, and the ability to create just like him.
- At some point though, God started getting more lazy and careless, given he didn’t have to do much now that he’d created ageless beings capable of thinking and creating things themselves. He suddenly had more free time than he knew what to do with, and it culminated in him pretty much just sitting back in his fancy palace, and allowing allowing his children do as they pleased while he casually observed from time to time from the sidelines. (Dude basically just became super depressed because now he essentially had nothing to do, and felt like he no longer served any purpose in existing. He hasn’t told you or anyone about these feelings tho, just drinks himself silly everyday and vibes in his palace.)
- This annoyed you GREATLY as you now had to essentially step up and provide guidance to the Seraphim and other Angelic beings when they needed it, because your brother couldn’t even be bothered to do that. You started to resent God for his “hands off” approach to running things, while God began to resent you for being “nagging and controlling”.
- The resentment eventually boiled over when Lucifer and Lilith inadvertently created Hell, and the other Seraphim and Angelic beings banished them both into the realm they’d created. Outraged by what God’s lack of involvement had caused, you got into a nasty fight with him as you pleaded with him to intervene and FINALLY put an end to the chaos he’d allowed to run rampant for centuries. God vehemently refused, insisting that the Seraphim and Angelic beings knew what they were doing and didn’t need his input. Furthermore, God believed that the punishment was justified given it was their actions that caused evil to invade the Earth.
- You were getting NO WHERE in this argument, so for the sake of your own sanity, you returned to Limbo to continue your work of bringing death to those who needed it. Along with the new task of taking dead souls back to Limbo, where they would stay until you determined whether to send them to Heaven or Hell based on how the soul had behaved while alive.
- That’s how it went for centuries before you decided you needed a little break, and informed Heaven and Hell that you would be taking a well deserved nap. This would mean that they would need to work together to sort souls in the meantime, as your reapers would ensure that death still continued appropriately on Earth while you sleep. Heaven and Hell agreed to this, and with that you curled up in bed and went to sleep.
- Speaking of reapers, reapers are permanent residents in Limbo. They are neither Angels nor Demons, but they’re ageless all the same. God actually made the first reapers for you, so they’re essentially the Limbo equivalent of Seraphim and other Heaven born angelic beings. These reapers, often called “First Ones”, have sentience and emotions since they were created by God himself. So you typically have First Ones lead the other reapers.
- All the reapers you’ve obtained since the First Ones are Limbo’s equivalent of Sinners, often called “Hollows”. Hollows are souls who in order to avoid eternal suffering in Hell, instead opted to willingly relinquish their humanity entirely and become an undead being working for you. In giving up their humanity however, the souls lose their ability to feel anything whatsoever. They’re little more than robots; doing what they’re told and not questioning it, all while feeling absolutely nothing. They’re called “Hollows” because that’s essentially what they are, hollowed out husks that now only exist to serve you.
- Regardless of whether they’re a First One or Hollow though, they all have the same job; find the humans whom you’ve given death to, reap their souls from their bodies, and guide them down to Limbo and care for them until you’ve sorted them into Heaven or Hell. The only real difference is the First Ones are usually in charge of the Hollows, ensuring that the Hollows reap the correct souls and are doing their jobs.
- If you had only known what your absence would cause, you would’ve NEVER went to sleep. For as SOON as you were out, Heaven took it upon themselves to decide where the souls went, completely defying your orders that Heaven and Hell work TOGETHER to decide that. To add insult to injury, Heaven also became incredibly elitist and picky about who got into Heaven, and this resulted in a vast majority of souls being sent to Hell for even the smallest infractions. The unbalanced approach of sorting souls eventually caused the over population problem and subsequent annual exterminations.
- With Heaven’s incredible arrogance and Hell’s complicity in this, both realms are in for a VERY rude awakening when you eventually wake up prematurely and see what they all have done. You’re gonna read Sera, Lilith, Lucifer, Adam, Lute, AND God the riot act for fucking your shit up
Okay lore time over, here’s the silly, more generalized, shit you’ve all been waiting for!
- When making the Seraphim, God made them in your image. He really just wanted to show his love and appreciation for you in some way, and he decided the best way to that was by basing the physical appearances of his first sentient creations on you. Hence why all the Seraphim are beautiful and have six wings like you do. It was literally like a kid excitedly making a piece of macaroni art of their sibling and being super excited to show it off to them
- All of the beings directly created by God are considered his “children”, so they all refer to him as “father”. Given that you’re God’s younger sister though, it also technically makes them your “nieces/nephews/niblings” and it makes you their “aunt”. You get called “Aunt Death” or “Auntie Death” by them a lot, but you’re cool with it because you think it’s cute.
- You weren’t supposed to have any favorites, but you always did have a soft spot for Lucifer in particular. He reminded you a lot of how God used to be back when you’d first come into existence; so energetic and excited to create things. You affectionately called him your “favorite nephew”.
- You haven’t seen God since the fight you had with him after Lucifer’s banishment into Hell. You actually miss your older brother dearly, but you’re still so pissed at him that you don’t feel like talking to him for the foreseeable future. You temporarily go back on this decision long enough to chew God out for allowing his children to make a complete mess of your realm, and destroying the balance you worked so hard to create and maintain. You’re back to giving him the silent treatment after that.
- Limbo is ONLY accessible by you, Cerberus, dead souls, and your reapers. No one else is capable of entering Limbo, hence why everyone assumed that the exterminations were successful in getting rid of excess Sinners. In reality however, all the “killed” Sinners were really just getting yeeted back into Limbo for re-sorting since something that’s already dead can’t die again.
- The persistent wailing and cries of the millions and millions of souls who were now trapped in Limbo was eventually what managed to wake you up early from your nap. You were not pleased in the slightest.
- Despite having a very gothic and menacing appearance, you’re incredibly gentle and kind. You feel great honor in being the one tasked with giving everyone the ending they need and deserve, and you take pride in caring for the souls that may have to stay in Limbo for an extended period of time whilst you decide where they will go next.
- You take no satisfaction in having a send ANYONE to Hell. It doesn’t feel good to know that you’re condemning someone to an eternity of suffering, no matter how deserving of that punishment they may be. Hence why it can sometimes take awhile for you to decide where a soul goes, because you want to be sure you’re really making the right decision.
- You’re saddened by how much like your brother Lucifer has become after his banishment, and you wholeheartedly believe that the ONLY reason he hasn’t completely turned into his father is that he has Charlie to think of.
- You and God are both fucking MASSIVE in your true forms. Like, “skyscrapers BARELY reach your hips”, massive. You’re both capable of shrinking down to be able to better interact with people, but even at your smallest you STILL tower over most Sinners.
- You’re low key salty that Lucifer went and had a baby while you were sleeping, because you missed out on getting to play the role of “doting great aunt” while Charlie was growing up. You’re trying really hard to make up for the lost time by visiting frequently. Much to the minor annoyance of a certain radio demon who doesn’t like the feeling of being in the presence of someone FAR more powerful than him. He deals with it and is polite tho because it’s FAR better to have someone as powerful as you be an acquaintance than an enemy.
- You can walk the streets of Hell with complete impunity because everyone either knows EXACTLY who you are and goes out of their way to stay in your good graces, or they end up finding out real fucking quick that you are NOT to be messed with.
- That being said, your presence is generally more accepted in Hell than it is in Heaven. In Hell, you’re far more likely to be willingly approached and have a nice conversation with a Demon. Whereas in Heaven, everyone is scared shitless of you except for Emily and actively tries to avoid even making eye contact with you. It’s like pulling teeth just trying to get someone to tell you what time it is. Of course you can ask anyone in Heaven anything and they’ll respond because they’re too afraid not to lol. But they’ll look like they’re on the verge of fainting then entire time you’re talking to them.
- The aversion to you in Heaven gets better over time as you’re seen having friendly interactions with Emily, but most Angels still get a bit uneasy in your presence. Sera is one of them because she knows that you’re BEYOND pissed at her and she’s one more fuck up away from getting dragged to Limbo and being made into one of your reapers to serve you AND the souls she hurt.
- Much like sending souls to Hell, you get no satisfaction in turning someone into a Hollow. Completely stripping someone of their emotions and sentience is not an enjoyable experience, even if it does result in you getting more help in Limbo. Despite this, you’re still required to make this offer to all souls set to be sent to Hell. You do your best to explain though what the consequences of this decision are though, and thankfully most souls see what becoming a Hollow entails and opt to keep their humanity. However every now and then you’ll get few who insist that becoming a Hollow will be a better fate, so you end up with new reapers.
- Vox is BIG MAD that his biggest rival is now rubbing elbows with the LITERAL Goddess of death. Dumbass had no clue who you even were at first so he didn’t care, but as soon as found out you were Death, the ensuing meltdown he had knocked the power out for the whole Pride ring. Alastor is aware of how pissed Vox is about this, so he purposely goes out of his way to play up his interactions with you when he knows Vox is watching. He can practically hear Vox’s apoplectic screeching when he does it, and it brings him immense joy every time.
- You’re often accompanied by Cerberus; a massive, three headed, doglike beast. God made him for you as a gift AGES ago to be a bodyguard and companion for you. Not that you ever NEED a bodyguard, but the thought was appreciated all the same. You ADORE Cerberus, he is the goodest good boy that ever did a good in your book. Cerberus loves you just as much and loves to give you kisses and cuddles.
- Lucifer was dog sitting Cerberus for you while you slept. Cerberus was a little shit during this time because he missed you, so he would often purposely ignore any commands Lucifer gave him. Charlie loved him though and he was actually great with her, so Lucifer put up with it.
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ifyougoillfollow · 1 year
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you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.
and we should keep doing that, obviously. death and destruction and tragedy kick total ass.
however. can we please spare a thought for the clowns trapped in that same (burning) room?
after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?
how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?
and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?
well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.
if you're not - well. it's a good thing clown makeup is waterproof, isn't it?
anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3
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moghedien · 1 month
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Shipping Cassandra and Leliana is so funny because I feel like the only people who actually do it have either only played Inquisition or don't think much past "Well they're the Left and Right Hands of the Divine" because you KNOW they only get along to the extent they do in Inquisition because they've never had an actual conversation because the second Leliana opened her mouth about her theology in front of Cassandra, they would have been trying to strangle each other
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skibasyndrome · 2 months
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I just watched the little "I can show you" snippet again and I'm so overcome with emotions I simply cannot....... believe........ that we will get to see them be together and be honest and open with each other and talk about their dreams and wishes and everything........ TOGETHER.... we will see that......... so soon we will be able to see all that.... them being soft and gentle and understanding with each other........... i'm f I nE
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wittyworm · 10 days
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is this a safe space
i dont judge people who fall in love with inanimate objects anymore because during a lot of my like
psychotic moments my biggest comfort was a plant that was growing on a bridge whered id go to smoke every night when i had no friends and all i could think about was death.
that plant became a reason to live and i kinda fell in love with it a little like. idk how to explain like duh i know you cant fall in love with a plant for real but i felt a deeper connection to that plant than i had felt to any person in many years and i was helping it grow by watering it and redirecting its vines towards the sun
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snoelledarts · 11 days
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I was just supposed to find out, TEN YEARS LATER, on my own, that I had completely misread the books as a kid and Luke Castellan is TWENTY THREE YEARS OLD when he dies?!
You're trying to tell me that when he pulls that little trick on Percy with the shoes and Tartarus he's NINETEEN?! While Percy is TWELVE?! ...I have to go. I have to leave. Why WHY did I think he was fifteen? I think child me could not picture a teenager older than, like, sixteen years old and just decided that's how old Luke was. I did not account for Luke having a fully developed frontal lobe when I read the books. I am going to have to reread them, and they will cause me a whole new brand of pain.
I am devastated. Distraught. Do not contact me for a full 5 business days so I may recover.
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thaliagrayce · 11 months
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y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
#hazel levesque#hoo#mj talks#like. i am fascinated with characters who die and come back different and it JUST hit me that there was so much potential for hazel there#the idea of how death lingers was not explored At All in heroes of olympus#of course there's the obvious part in that there were what. 3 named character deaths total? 4 if you count leo#which i very much don't because it didn't stick! there were no consequences to this gigantic war!#the first series did well with that because we had plenty of named characters who died#even though some of them were introduced only to die like six chapters later. we still knew them on some level#and more importantly percy knew them. he felt their loss in a way that made consequences seem real#heroes of olympus didn't have any of that. hazel could have been a great way to talk about it a little more!#also i just love characters who have obviously gone through death. that has to change a person! tell me how it changed you!#anyway. i think i'll make hazel creepier from now on in my writing#she deserves it <3#nico is creepy in an obvious way. he's got power over death and that clings to him like a second skin. he can't hide it#and he's learned that he doesn't have to. there is power in being othered#hazel seems lovely when you first meet her! none of the death power all of the glitter and gold and riches#and then she'll look you dead in the eye and say 'you really don't know how lucky you are to be able to breathe until you can't anymore'#and move on like it's nothing! what!#underworld siblings
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