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#but look at my OT3
trashyshrew · 6 months
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unloneliest · 11 months
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in the lonely hearts club job leverage asks the question "does romantic love exist?" and answers it by having eliot buy parker a venus fly trap on hardison's behalf, expecting no recognition and revealing eliot remembers a throwaway comment parker made on their second job together.
we all know this.
but was anybody going to tell me hardison already had a browser window open looking for restaurants to buy eliot in portland in response at the start of the episode immediately after that? or was i supposed to figure it out on a rewatch all by myself?!
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ricochetoconnell · 1 year
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Ardeth Bay & Rick O’Connell & Evelyn Carnahan O’Connell
Battle Throuple
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anodesu · 10 months
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Happy Pride. Have some smooching.
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yutaan · 3 months
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Found some old Chihayafuru doodles from back when I was watching Season 1! Get hugged, Taichi
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turtledotjpeg · 2 years
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when ur squad is size small-medium-large
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skitskatdacat63 · 9 months
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Can we talk about how in all the 2011 Post-Qualifying pics, Jense and Seb are always gravitating towards each other, and then Mark/Lewis are just🧍‍♂️
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leverage-ot3 · 9 days
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okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭
bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)
but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good
some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember
he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business
one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man
he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)
they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)
not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it
and then the long goodbye job happens
hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.
so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.
and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.
not this time. not to sterling crowley
he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)
nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to repare fully.
he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.
the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.
but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.
‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.
watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it
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I'll never be over the fact that after the game in 'mom city' jamie is sitting in the training room looking all tired and sad with his red-rimmed eyes, all alone, and in walks fucking roy and keeley because they want to celebrate with him and they would never leave him alone because they love him
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leverageclips · 8 months
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Fucking Riverdale got a canon quad relationship but Leverage refuses to put on-screen a canon OT3 scene and admit they're a triad, ridiculous, fucking Riverdale got it before us
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shima-draws · 13 days
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Best flavor of Lawlusan: Law and Sanji having a conversation about Luffy that keeps tipping back and forth between “He’s so reckless and stupid sometimes it literally makes me want to tear my hair out WHY is he like this why does he never listen I cannot STAND him” and “God I love him so fucking much. He saved me. He saved me and he’d do it again and again if he had to and I still can’t believe I’m lucky enough to have him. And to have YOU”
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bluerose5 · 11 months
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Look, look, look. All I'm saying is, we needed more of that same energy from Origins and 2 when the protag had opportunities to have a threesome (and potential foursome in Origins). I'm not even gonna look at Inquisition because as much as I love that game, a lot of the mature content felt kind of watered-down(?) in comparison to the two previous games. Anyways, all of this to say that the option should have definitely been there with Anders, Nathaniel, and Hawke.
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thetarttfuldickhead · 11 months
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See, it should have been straightforward – as straightforward as your girlfriend dating her ex who just happens to be your ex-enemy and current maybe-best-friend-but-who-knows-I-sometimes-want-to-punch-him could ever be – but of course Jamie fucking Tartt had to go and make it complicated.
“You wanna date me,” he summarized with eyes peeled on Keeley, who nodded. “You’re still with Roy, but you wanna date me.”
“Yeah,” Keeley agreed. “Is that okay? I mean, do you—?”
“Yeah, no, it’s good, yeah. I can— We can date, that’d be fucking mint.” 
“Oh.” Relief then on Keeley’s face, quickly morphing into a smile. “Great!” And she stepped forward, reaching up to pull Jamie’s head down for a kiss. It was quite chaste, just a quick thing really, but it left both of them slightly flushed and Roy feeling oddly like someone had punched him in his gut, only in a good way. 
That was fucking weird. 
“Great.” Jamie’s grin as he and Keeley broke apart was brilliant, blinding.
“Great,” Keeley said again (a little unnecessarily, Roy thought; how great could it fucking be?). 
“Great,” Roy agreed, mostly not to be left out of the discussion.
Keeley giggled – she actually fucking giggled and Roy would have been pissed about that if her giggle didn’t always make his shrunken coal piece of a heart feel like it had actual blood flowing through it, warm and lifegiving. Her lips were soft against his; her smile softer still as she ran a hand down his cheek. 
And okay, that did things to his heart too, soothing, like, and exciting at the same time. 
At the sound of Roy’s voice, Jamie had turned to stare at him. Now a frown furrowed his pretty brow and he cocked his head to the side, gesturing to himself and to Roy. “Do we, um… do we kiss too?”
“I –“ Roy blinked. This had not been part of the conversation he and Keeley had had prior to seeking Jamie out. “No. I mean. I don’t know.” Did he ought to? Was that good sharing-a-girlfriend etiquette? 
Jamie pursed his lips, and glanced at Keeley. Roy did too, helplessly and hoping for some guidance. She met his stare with eyes widened and a shrug. If you want to, she mouthed, but with a slightly impatient curl to her lips that suggested don’t look to me, you figure it out.
“Uh,” Roy said, eloquently.
Characteristically unimpressed, Jamie rolled his eyes. “It’s just a kiss, mate, not fucking rocket salad surgery.”
“No, I know that, but, I— I’m just not sure I fancy other men!”
Jamie had the gall to look offended at that. Incredulous, as if the notion of someone not fancying him was just too outragoues to be contemplated. “Yeah, well,” he drawled. “I’m not just any man, mate. I’m Jamie fucking Tartt.” 
And with that he moved, slowly as if to give Roy the chance to shy away, but without any hesitation, as cocky and confident as ever he was on the pitch. He stepped close, right up into Roy’s personal space, and reached out to cup the back of his head. Added, with a wicked glimmer in his eyes, “And I’m a fucking great kisser.”
Jamie was a great fucking kisser, as it turned out. Fucking infuriating, that, and Roy would be sure to take a moment to be absolutely livid about it later, when he wasn’t so busy being turned on. 
Drawing in a deep breath as he drew back from Jamie, he looked up to catch Keeley’s jubliant gaze. “Yeah, okay,” he allowed. “this is gonna work.”
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kana7o · 7 months
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obianidala sketch for innominatta on twt!! I REMEMBERED HOW TO SPELL THIS TIME
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bisexualshakespeare · 2 months
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When Graydon tells Elora he loves her, when he mentions Airk, the emphasis is in a weird place
He doesn't say, "while I don't love HIM, I do love you"
He doesn't say, "while *I* don't love him, I do love you"
He says, "while I don't love him, I do love you"
When Graydon admits to Kit that he wasn't excited about their marriage, he says "you're a very pretty person" in this awkward way (half of what he says is awkward though lol)
Maybe Graydon knows he's queer? Maybe he never even had feelings for a woman before Elora? Maybe (this a stretch but let me have this) Graydon had a little bit of a crush on Airk before the quest?
Anyway I'm crazy about the three of them
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flaggermousseart · 1 year
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drawn by @potato-lord-but-not
commission of the Newspaper OT3
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