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#but most importantly jimmy woo
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So, Extraordinary Attorney Woo.
I don't know enough about the disability landscape in South Korea to comment about certain aspects of the show, and frankly the idea of a perfectly representative show is something we need to reject out of hand, but I'm really most irked by two things.
Firstly, and more importantly, I can't find anything about autistic cast members or writers. The amount of information available in English is limited but a number of experts were consulted but no mention is made of any autistic individuals being consulted. Even if the market isn't there to have an autistic lead it seems that input from autistic people, or somebody in the writer's room, isn't that high a bar to clear.
This is objectively a flaw. If you want to tell a story centering on a type of person, you need the input of somebody who belongs to that class.
Secondly, there's brain blasts. Jimmy Neutron style. I ain't kidding.
Whale song sounds (cetaceans are the protagonist's special interest) and the wind blows the protagonist's hair back when she makes an important connection, often with CGI whales in accompaniment. I feel like part of my issue with it may be a cultural divide, I don't watch K-dramas typically so some of the editing choices could simply not be to my taste but I also feel like having a budget for high poly whales isn't optimal.
My issue here is more subjective, but I do think it is silly and somewhat disrespectful if not particularly harmful. Autistic minds do work different, but they don't work like super powers, Sherlock style mind palaces aren't really our thing. The show is more sitcom than legal drama which gives it a little bit of room for this stuff tone-wise, but the end result is I'm watching it with a critical eye towards representation rather than enjoying the show, which is not a winning formula.
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jacobbyart · 3 years
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"Wanda. Wanda. You didn't think you were the only magical girl in town, did you?"
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Only in a Sitcom
Fandom: WandaVision Pairing: Darcy Lewis/Jimmy Woo Rating: T Chapter Count: 1/?
Summary: Darcy has no idea what the hell's going on with this WandaVision thing, but neither does Jimmy. It's kinda fun to have somebody to binge-watch alternate reality TV with.
The snack selection is paltry to begin with. Darcy doesn’t share, out of spite. Except with Jimmy, because he’s cool and he actually called her “Dr. Lewis” until she waved off the formality and let him use her first name. He agrees with her about the snacks. If this were purely an FBI operation instead of the mixed-jurisdiction playdate it is, he might be more defensive over the lame flavour choices. As it is, the Bureau has issued no statement taking credit for the sad, muddied, salt-and-vinegar-copycat chips, so she and Jimmy spend as much time criticizing them as eating them.
Darcy tries not to outwardly sulk any less than usual when her fancy coffeemaker arrives. She pats the box and says, “Yep, important equipment acquisition,” then lugs it to her desk, giving inquisitive glances the Dirty Harry squint until they look away.
She used to be the kind of girl to hand out coffees willy-nilly, but that kind of girl is an intern and Dr. Darcy Lewis isn’t so easy. She hoards her shiny dispenser of caffeine like a troll. If they played nice with her to start, she might be more accommodating now. Though it takes up a lot of space at her desk, it’s worth it; the coffeemaker is the one thing that doesn’t have a screen and therefore the one thing she can stare at in peace until she drags herself back to data and frequencies and scanning for other feedback and, most importantly, the greatest little ’50s (and beyond) sitcom that never was: WandaVision.
Her reasoning for a full rewatch at half speed is that she’s hoping to pick up on any other telling details, anything more modern than the time warp she’s witnessing. After Monica mentioned Ultron in the episode where Wanda gives birth, Darcy realized it was possible that there were earlier slippages. Ok, she hasn’t found any that specific yet, but on this rewatch (the third), she has help.
“How’s your cappuccino?” she hisses at Jimmy.
“It’s perfect. I want to sit in it like a hot tub,” he says back.
“Right?”
Darcy pulls at her hat, getting it to cover her ears just right. The Department of Somebody or Something has a bee in their bonnet (ha) over the transformation of that one dude into a beekeeper and they’re going in and out a lot, leaving the door open. It’s chilly. This is the kind of thing that pisses Darcy off when people don’t acknowledge it. Must all creature comforts fall by the wayside to make room for whatever-the-heck branch of engineering or nuclear something-or-other? Forget calling the people around her clowns—they are clearly reverse mimes, failing to react to something that’s definitely here: the cold of working into the night in a New Jersey field, with nothing but her perpetually overheating laptop to keep her warm. That, and coffee.
She takes a long sip of hers and sneaks a look at Jimmy to see if he seems annoyed that she spoke while they’re working. After running through the episodes so many times, she’s succumbed to the deeply human instinct to talk during the commercials. Yeah, yeah, yeah, even the commercials have meaning here—Stark toaster this, Hydra watch that—but it’s all being recorded. Her brain has designated the ads “tune out time,” and repurposed them for time spent either staring blankly at the screen or talking to Jimmy.
“Hey,” she says when she slurps from her mug too loudly and he still doesn’t complain, “you’re pretty chill.”
“Am I?”
“When you’re not talking about family planning.”
Jimmy frowns.
“I’m not getting any younger.”
“Yeah, but you’re not that old.” Darcy darts a glance at him. “You don’t look that old.”
“Thanks.”
“I’m sure it’ll happen for you,” she adds a few minutes later, when she notices the funny longing look he gets on his face at the part where Vision holds Tommy for the first time.
“Who has the time?” Jimmy uses his mug to motion towards the happy family on Darcy’s non-flat television. “Reality is a secret joint stakeout where we may be getting irradiated by the energy field over Westview. Sit-down dinners and painting the nursery only happen on TV.”
She nods along and says, “Also, hostile alien invasions.”
“Yes! How am I supposed to meet someone when it’s one supernatural catastrophe after another!”
Despite his distress, Darcy cackles.
“Man, the stories I could tell you.”
“About dating or supernatural catastrophes?”
She considers this.
“I mean, both. There’s some overlap there. Nothing serious though,” she notes calmly while Wanda screams her head off pushing out Billy. “I don’t even have a reliable apocalypse booty call to text whenever the world seems like it might end. Do you?”
“God no.”
They both pause to aww over the on-screen couple cradling their swaddled newborns.
“You want some licorice?” she asks. “I snagged it earlier and I don’t want to rattle the wrapper when we get to the scene where Monica asks Wanda about Pietro.”
She sets her mug down and retrieves the bag from behind one of the monitors, holding it out to Jimmy with her eyes still on the screen. At the sharp tug that nearly yanks the packet out of her hand, she turns to see what’s up. The pieces are stuck together and, giggling, she has to grab the licorice next to the one he’s trying to pull out. They peel them apart with a tacky sound that Darcy finds so satisfying. She tosses the bag onto the desk and leans back, crossing her leg and bobbing her foot anxiously, anticipating the ominous cut between Monica confronting Wanda and the couple bouncing the twins on the couch as the credits roll.
“Anything?” a voice asks brusquely from behind them.
Darcy whips her head around, licorice hanging out of the corner of her mouth, to find a S.W.O.R.D. agent snooping on her and Jimmy’s binge session.
“Research,” Jimmy tells the man, biting off the end of his own strand of licorice, his cappuccino raised defiantly in his other hand.
“Carry on.”
“I don’t report to you,” Jimmy mumbles after him, jamming the licorice back into his mouth to soften.
Watching him, Darcy grins. He eats his licorice the same way she does.
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Michael in the Mainstream: WandaVision
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I love Wanda Maximoff, AKA Scarlet Witch. I’m not sure how apparent that is, but just in general I love comic book characters who use magic, and Wanda is probably my favorite (or at least tied with DC’s Zatanna). Sadly, I never really felt like the MCU did her any justice. She debuted in the worst Avengers movie, her brother was killed before they could showcase a meaningful relationship, and then her next appearances had her speedrunning a relationship with Vision. She definitely got some great moments in Infinity War and Endgame, but she felt woefully underutilized. The same could be said of her boyfriend Vision, who had it even worse than her, because he gets killed in Infinity War and is basically forgotten about after that, with nary a mention in Endgame. These are two fantastic characters, and the MCU just didn’t handle them well at all, and they felt like a complete waste that it was really hard to care about.
Thank god for WandaVision.
This show really did something incredible. It made me care so much about two characters I wished I could have cared about before, and become incredibly invested in their relationship. Wanda and Vision get much-needed spotlight and character development and end up becoming two of the best and most fleshed-out characters in the whole franchise, and it’s amazing they waited so long to do this. Wouldn’t it have been better if we cared so much about them before?
The show has three core elements that help make it great: its characters, its themes, and its presentation. The characters are the big one; Elizabeth Olsen and Paul Bettany really get their time to shine, and both of them manage to do great things with their characters, characters who until now felt more like background characters than actual Avengers. Their relationship is so cute, so wholesome, but with an undercurrent of something a bit sadder that ties in with the show’s themes, and then when they have children things become even more sweet with that dark undercurrent still running strong. Aside from them, the standout of the cast would have to be nosy neighbor Agnes played by Kathryn Hahn… or I should say, the show’s villain, Agatha Harkness, a magic-siphoning witch who’s exploiting Wanda’s fragile emotional state to gain the ultimate power. She’s an actual well-executed twist villain, which is quite a feat for modern Disney, and she’s just as fun and campy as you’d hope an evil witch would be, complete with her very own ridiculous villain song that has her winking at the camera and proudly gloating about killing puppies. It’s delightfully cartoonish. Other standouts include Evan Peters as ‘Pietro,’ in a hilarious and clever bit of meta casting that leads to a dick joke (which might be one of the funniest twists in the MCU) and the return of the greatest Ant-Man supporting character Jimmy Woo. Even Darcy, the absolute worst part of the first two Thor films, manages to return and be tolerable.
The presentation is a big selling point, and what helps the story feel so fresh and unique. Each episode is an affectionate take on a different decade’s sitcoms, starting really oldschool and eventually working all the way up to more modern fare. Interspersed throughout these episodes are some rather entertaining fake commercials which harken to elements of Wanda’s life, and a couple of later ones even act as some heavy foreshadowing for future revelations. The different camera techniques, colors, and whatnot really help sell this fantastical sitcom world Wanda created, though I have to say it is a bit of a shame they couldn’t integrate this style more into the climax, even if there are story reasons for it. It was just such a cool and fun concept, it’s a shame it had to be resolved before the climactic finale.
The themes, though, are what really make this show shine. This show is essentially about a woman dealing with grief. Wanda has lost the man she loves, she has lost her brother, and she’s struggling to find her way in the world. As a coping mechanism, she creates a fantasy world and refuses to face reality, burying her emotions and refusing to move on, instead clinging to the happy concepts that might have been. It really is fantastic as a character study of Wanda, giving her a remarkable amount of depth. I found myself relating to a lot of the themes on display; as someone with depression who has had my fair share of painful experiences, I could empathize with Wanda to a degree. Sure, the person I loved was never murdered by Thanos, but I’ve experienced with grief before. It’s really great stuff they’re working with here.
Unfortunately, as good as all these things are, the show isn’t 100% perfect. The biggest issue is when the show switches focus from the interesting stuff inside of Wanda’s sitcom world to more standard MCU stuff outside. Sure, it’s fun to hang out with Jimmy Woo, the greatest character ever, but a lot of the stuff out there just isn’t engaging and some things just aren’t really elaborated on too much. It’s certainly not awful, but between some really confusing twists with Monica Rambeau (who is a good character otherwise and one I want to see more of) and the extremely boring, 2/10 on Psycho Analysis villain Hayward, there’s really not much here that can even hope to compare to the events unfolding in Wanda’s life. The best things from the outside are flashbacks, such as when Monica returned from being snapped or when we get to see Wanda visiting Vision’s corpse in government lockup, which is one of the most tearjerking moments in the show.
There’s also how the swerve into the standard “Big Marvel action” isn’t exactly graceful. After a great episode where Agatha goes back through Wanda’s life, giving even more insight to Wanda as a character and showing us a lot of fascinating moments, we get into the grand finale which feels like what you’d see in a movie theater, for better or for worse. Now I’m a real slut for crazy witch duels between hot women, and this certainly delivers on that front, but there’s so much other crap going on and it really is weird to think how this show about a superhero woman learning to handle her grief somehow became a big, epic showdown that wouldn’t look out of place in a Harry Potter film. I don’t hate this finale as much as some people do, but it definitely feels like the weakest episode overall (which isn’t too bad, since it’s still good, just not really what I would have liked to see).
WandaVision is the sort of thing I want to see more from the MCU going forward. It’s fresh, it’s interesting, it doesn’t take a standard route for the most part, and it utilizes characters who never got a fair shake in interesting and creative ways. Most importantly, it’s very weird and very comic booky, which is something the MCU was lacking for much of its first ten years (save for the films Gunn and Waititi made). I’m sure not everyone is going to find this to be their cup of tea, and it’s easy to grow bored of the cuts away from Wanda to the more cliché affairs outside of her sitcom bubble, but this is definitely a rich and rewarding show that engages with some heavier topics in an easy-to-digest and enjoyable way. Hopefully we’ll see more creativity like this going forward.
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aion-rsa · 3 years
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WandaVision: Who is Agent Jimmy Woo?
https://ift.tt/eA8V8J
This article contains WandaVision spoilers.
Now that WandaVision episode 4 has expanded a bit to show more of what’s going on, it really ties into what made the first phase of the Marvel Cinematic Universe work, but in a very surreal way. The first Avengers movie was about the culmination in connections and bringing together the top heroes that existed so far in continuity. Now that we’re four Avengers movies in and we’re taking our first step into the era of Marvel’s Disney+ TV shows, we have such an odd collection of characters from all over the MCU converging.
Really, it’s pretty wild. We have two Avengers who otherwise never had all that screentime. We have a supporting character from Captain Marvel who first appeared as a child now a central character all grown up. We have the comic relief from the first two Thor movies. Then there’s that FBI agent from Ant-Man and the Wasp, whose only role was to be a pestering doofus to the hero.
Yes, Agent James Woo (played by Randall Park), the guy who tried to make sure Scott Lang was making good on his house arrest, is trying to figure out what the hell is going on in Westview, New Jersey. That goofball from Ant-Man and the Wasp is the guy talking over Wanda Maximoff’s radio in episode 2 to try and figure out who is controlling her.
Dorky or not, Jimmy Woo has a long history with Marvel. In fact, he predates all the other characters on this show. He even predates Marvel itself!
He first appeared in Yellow Claw #1 from Atlas Comics, created by Al Feldstein and Joe Maneely, though Jack Kirby pretty much took over as of the second issue. The Yellow Claw was a Fu Manchu-type yellow peril villain and FBI Agent Jimmy Woo was the agent assigned to track him down. With Yellow Claw being one of those awful racist caricatures that the era was known for, Woo was seen as almost revolutionary in comparison. He was Asian, but not a walking joke based on his nationality.
Yellow Claw only lasted a mere four issues, but its status as a comic book footnote would ultimately help out Woo in the long run.
Woo was brought back in the late-60s as an agent of SHIELD. He spent the next many decades being a run-of-the-mill go-to SHIELD guy. Someone you would merely throw in a scene, even though the focus was on someone like Nick Fury or Dum Dum Dugan. Really, one of his more notable appearances was in the late-70s Marvel Godzilla comic. He admittedly didn’t do much, but he survived a few confrontations with the King of the Monsters and that’s awesome!
The late-70s also laid some important seeds for Woo’s future in an early issue of Marvel’s What If? series. The anthology comic was usually about Uatu the Watcher focusing on an alternate reality and seeing how things would have ended up if history had zigged instead of zagged. A world where Captain America wasn’t frozen, a world where Spider-Man prevented Uncle Ben’s death, etc.
The ninth issue, “What If the Avengers Had Fought Evil in the 1950s?” was written by Don Glut and drawn by Alan Kupperberg and Bill Black. As a framing device, the story was being watched by Avengers members Iron Man, Captain America, Thor, Vision, and Beast. Looking into the past of an alternate reality, Iron Man saw an adventure where a bunch of 1950s characters teamed up and called themselves the Avengers.
The team was made up of:
Jimmy Woo, still trying to hunt down the Yellow Claw.
Marvel Boy, a twist on Superman’s origin where a man tried to escape Nazi Germany by flying he and his son to Uranus on a rocket. The son grew up to be a hero using gadgets and enhanced scientific knowledge.
3D Man, with the speed and strength of three men. He was sort of a cheat, as he was introduced in the 70s with his story taking place in the 50s.
Venus, the Goddess of Love.
Gorilla Man, who is like Tim Allen in the Santa Clause if you replaced “being Santa” with “being a talking gorilla.”
The Human Robot, a malfunctioning 1950s robot from a horror comic.
There were also appearances by Namora and Jann of the Jungle. Pretty sure one of the villains showed up in one of the obscure “Commie Smasher” Captain America issues.
Anyway, after the good guys won the day, President Eisenhower told them to disband. The way he saw it, the world wasn’t really ready for a ragtag super team of weirdos. Watching this, the mainstream Avengers noted their similarities to the members of this alternate lineup. Captain America and 3D Man were cut from the same cloth in terms of fighting style, Iron Man and Marvel Boy were both geniuses with cool gadgets, Thor and Venus were both gods fighting alongside mortals, Vision and Human Robot were both androids with heroic hearts, and Beast and Gorilla Man were both smartass talking furballs.
The Watcher appeared at the end to remind the reader something important: just because Iron Man saw this in an alternate reality doesn’t mean it didn’t happen in regular continuity. After all, who’s to know? It was a neat team-up that was quickly swept under the rug and didn’t have any lasting complications.
Other than a minor appearance in Avengers Forever, the What If? issue finally got the callback it was looking for in the mid-2000s. The team of Jeff Parker and Leonard Kirk did a miniseries called Agents of Atlas. The idea was that while they didn’t call themselves the Avengers, those 1950s heroes did indeed secretly team up back in the day.
For the most part, the characters were the same, but there were plenty of tweaks. Since their origins were tied to the 1950s, Jimmy Woo was aged up immensely for it to make sense, only to be de-aged through Marvel Boy’s technology. Marvel Boy himself was renamed the Uranian and they altered his backstory since one doesn’t really live a normal life on the surface of Uranus (tee-hee). Human Robot was referred to as M-11 and would rarely speak. 3D Man wasn’t part of the team, but they eventually brought in the hero Triathalon to fill in the role. As for Venus, she was retconned into being a guilt-ridden siren of the sea who for a time believed herself to be the goddess.
Most importantly, it gave us this panel.
Sadly, despite its high-quality and Marvel trying again and again, Agents of Atlas never truly caught on. It did last roughly as long as Guardians of the Galaxy did around the same time and we all know how successful that was once it became a movie. Come on, Marvel! Give us some cinematic Gorilla Man! You already know that people love wise-ass talking animals!
Marvel rested the concept for a few years until bringing it back as a new all-Asian superhero team led by Agent Woo. So Woo still has stuff going on.
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Maybe WandaVision will be a stepping stone from learning close-up magic to actually being the leader of his own group of heroes. One day…
The post WandaVision: Who is Agent Jimmy Woo? appeared first on Den of Geek.
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biggoonie · 4 years
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AGENTS OF ATLAS #3 (OF 5)
GREG PAK (W) NICO LEON (a) Cover by JUNGGEUN YOON VARIANT COVER BY STONEHOUSE DEFEND OR DESTROY? AMADEUS CHO and the AGENTS OF ATLAS have won the adulation of the glorious cross-Asian portal city of Pan. But as the hidden injustices in Pan’s utopian community become apparent, will the Agents of Atlas be its protectors – or its prosecutors? And what’s with the dragons? And what great secret is JIMMY WOO hiding? And, most importantly, WHO IS KISSING WHOM IN THIS ISSUE? 30 PGS./Rated T …$3.99
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hellyeahheroes · 5 years
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AGENTS OF ATLAS #3 (OF 5) GREG PAK (W) NICO LEON (a) Cover by JUNGGEUN YOON VARIANT COVER BY STONEHOUSE DEFEND OR DESTROY? AMADEUS CHO and the AGENTS OF ATLAS have won the adulation of the glorious cross-Asian portal city of Pan. But as the hidden injustices in Pan’s utopian community become apparent, will the Agents of Atlas be its protectors – or its prosecutors? And what’s with the dragons? And what great secret is JIMMY WOO hiding? And, most importantly, WHO IS KISSING WHOM IN THIS ISSUE? 30 PGS./Rated T …$3.99
“Sir, there is a dragon roaming the facility.”
“Bold of you to assume I didn’t invite him.”
- Admin
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transboygenius · 4 years
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SE4SON: Chapter 23 (Finale)
[*After the explosion*]
The barricade was gone, the hellish atmosphere was gone, and most importantly, the king was gone. Everything looked so clear, so beautiful. With those walls no longer imprisoning them, the citizens felt as free as escaped caged animals. King Jason was no more. The only thing left of him was a pile of glitter, and his giant crown. The whole village was a mess, not to mention half destroyed, but at least they are now free from that tyrant. All thanks to two young heroes. With all that junk scattered around, it attracted some thieves. Some green hooded thieves.
"Hey guys! Look! Free loot!" "WOO HOOOO!"
While the green hoods collected as much as they could carry, the peasants went to explore the giant crown further, with the Faithful Five (plus Sally) up front. Diana lifted the crown, then threw it into the distance. Jimmy and Nick had been under the crown, hugging each other with their eyes shut tight. Jimmy? Nick? The two boys reopened their eyes after they heard their names. The boys looked at one another, seeing how closely they're holding each other in their arms. Nick even lifted his visor to get a clear look. The two boys eventually broke the hug slowly, while blushing and grinning. As for the amulet, it shrunk back to its normal size again. Rodent Girl snatched the jewel, then wore it around her neck.
"Give me an entire empire made of cheddar! Oh, with a swiss fondue maker! No! Ehhhhhh, let's see... A fondue fountain! Yeah!"
Everyone stood in silence for 30 minutes, as nothing happened.
"WHERE'S MY CHEDDAR EMPIRE?!" Whined Rodent Girl. "Well, I say about all of the amulet's powers have been drained. Probably best for all of us!" Replied Jimmy. "Except me."
Furious, Rodent Girl threw the amulet on the ground. Because Jimmy and Nick touched upon the Amulet Of Bind to save everyone, the jewel then shut off from its magic for good, to make sure evil never lays their paws on it again. However, that doesn't mean there isn't any good use for it. Jimmy decided to keep the amulet. Although its useless without its powers, it still looks pretty nice. Speaking of bind, the boy genius recalled Nick wanted to tell him something earlier.
"You were saying..." Quote Jimmy. "Hmm?" Questioned Nick. "I didn't quite catch that back there. You mentioned you had something to tell me." "Oh. That. *Ahem* What I meant to say... *Sigh* ...I'm ready to call in quits." "'Excuse me?" "I mean, being popular and all that. Obnoxious girls breathing my air. Breaking my leg so many times at the dumbest risks. You're right! It's not worth it! And I don't even care what the other kids will think of me anymore! So, if that position for a new friend is still open, I'd be happy to fill in."
Nick offered Jimmy his hand, and the two shook on it. The boy genius was moved. He knew Nick would say yes eventually. In truth, Nick was gonna tell him how he really felt, but that was because he thought saving the town meant sacrificing their lives. Now, here they are in one piece. Besides, Nick doesn't find it appropriate to confess right now. Jimmy just got over a breakup, and they've only been close for about a week. Perhaps they shouldn't rush things. Someday, maybe Nick will come out with the truth.
"Soooooo, no more king. Now what?" Asked Diana. "I think you'd be perfect for royalty, Diana! We haven't had a queen around here in so long!" Suggested Mitzi. "Woah woah woah! Don't be too hasty! You can't just decide a king or a queen! Shouldn't we take a vote?" "I'd vote for you!" "Yeah, I'd vote for the big lady, too!" Screamed a random peasant. "Me three!" Then another. "BIG LADY FOR QUEEN!" And another.
The voting spreaded like wild fire. The entire village pumped their fists into the air, repeatedly chanting "Big Lady!" Everyone was doing it. Sally, the rest of the Faithful Five, Albert holding up his prosthetic arm, even Jimmy and Nick. The only ones that didn't vote were the uppity, higher class citizens. At long last, Diana had accepted their votes as a landslide.
"Alright! I'll be queen, then!"
The peasants were so joyed, they tossed their hats up. They even gave her a new robe, mace, and crown. Diana was quite flattered, yet somewhat embarrassed, by this gesture.
"And what's a queen without her very own chancellor?"
Diana pointed at her friend, Mitzi. The woman was blessed, and speechless. The two hugged things out, while the peasants cheered.
"HOLD IT! HOLD IT! What about me?" Asked Richard. "What about you, fink?" Replied Diana. "Yeah, FINK!" Spat Mitzi. "Well, I know that me, you, and all your friends have got off on the wrong side of the shoe, but... ...you need me more than you think! You need experience to rule a kingdom! How will you know how to handle the money carefully? Taking charge requires steps from A to Z! And besides, I really need a new job. My wife's going to be very disappointed in me. Mother, too. Please, your new greatness!" "Sorry, sir! You're looking at the new, bonafide chancellor, right here!" Bragged Mitzi. "Wait a moment. *Starts thinking* Hmmmmmmm.... As much as it pains me to help an old friend of Jason, I could use the experience. I'll tell you what: You could work part-time as my personal tutor! You teach me the supremacy of royalty, and you'll get a payment of your usual salary! (As soon as I find where Jason keeps all his money)" Said Diana. "Oh, bless you! Bless you!" Bowed Richard. "And if you want a Christmas bonus and paid vacation time, you could work fulltime cleaning up Butterscotch's new stables!" "Bless you- What?"
After that, Diana announced the new rules. Prices will be dropped. Everyone is now free to do whatever they please, unless it's gonna be problematic. The citizens will get equal amounts of earnings. Classes will no longer be divided. The higher class can go beat it! ...after they clean up the mess. And no more hangings. Just then, the people heard thunder roaring. The clouds turned gray, and it started to rain. The silver paint washed off of Nick's armor. All I had to do was add water?! At last, Sally then witnessed what Jimmy and Nick have been trying to tell her. The real Silver Knight's armor coat was never painted on. It was crafted from genuine, shiny silver metal.
"Y-you mean to tell me... ...th-that's not genuine silver?" Stuttered Sally. "Sure looks like it." Said Nick. "Uhhhhhhhhhhh, how embarrassing!! I thought I was chasing after two legends from the past, but instead all I've done is pester some commoner kids!" "I'm sorry, Sally. We did try to tell you." Replied Jimmy. "Yeah. Guess this is all on me. Sorry for all the trouble." "Hey, lighten up, kiddo! We still had loads a fun! We had dinner with a tyrant, escaped from prison, and even slayed a monster! Plus, you made a new family out of this!" Quote Nick.
Sally did a little thinking on it. From all the exciting tales her father used to tell her, she was eager to meet this heroic pair. The Wise Wizard and Silver Knight would save them from their misery. Then ever since her parents got hanged by the king, Sally was hoping to fulfill her father's dream of finding the old legends, and then making them her parents. Not because of what awesome dads they'd make, which is mighty true, but it's what her father wanted when he was her age. Sally looked at the painted picture for a moment. Although, she never found the legendary Wise Wizard and Silver Knight, she yet made an amazing new family, and the two boys did save the town regardless of them being some mere commoner children.
"I suppose you're right. I mean, you two aren't exactly legends, but you're still great guys. Thank you so much for saving AppleSmoked Wood." Sally thanked. "Who's that?" Asked Nick. "The town we live in." "Ohhhhhhhhhhh. So that is the town's name! AppleSmoked Wood! To think: We've been living here for over a week, and haven't figured out the name of the village we're living in." "How sad it is." Said Jimmy. "Why?" "We just got to know the town's name, but under weather circumstances, looks like we'll be leaving sometime soon."
.................................
[*Elsewhere*]
The whole squad walked back to the ranch. Actually, Butterscotch gave Jimmy and Nick a ride on his back, since they are the heroes. Now that Diana is the new queen, they might as well say goodbye to their old hut, and give the animals a new home at the castle. There were quite a lot of struggles that took place at this ranch, but at least they had some happy memories. Speaking of animals, the hens' eggs have now hatched, with a total litter of 500 chicks. Diana and Mitzi helped the two boys out of their costumes. After that, they delivered a goodbye to each member of the Faithful Five, including Sally.
"Diana; As the new queen of AppleSmoked Wood, promise me you'll do a good job. I know you can. And word of advice: Don't let power get to your head. Trust me, I've been there. Mitzi; You're a good person, but remember to learn somebody's background before you judge. Benson; No more eavesdropping, please." Said Jimmy. "Rodent Girl; Now that you're living royalty, you probably have a better chance of making new friends now! Human friends, that is. But bear one thing in mind: Don't make them like you for your fame! Make them like you for who you are! Sally; You must be the luckiest kid in the world. You have a new family, a big new home, and you're friends with the town's newest heroes! Butterscotch; God I wish I could take a picture right now. A real-life unicorn." Said Nick.
Everyone started to cry. Rodent Girl began wailing, and blew her nose into Benson's apron. Despite their time machine being on the roof, Diana managed to get the boys up there. She just threw them up on the roof. After that, Jimmy and Nick hurried inside. Jimmy released the kite for flight, and the last thing they need is a bolt of lightning. Living their remaining minutes, the two boys continued to wave and say goodbye, while they wait for electricity to strike.
"WHEN YOU DO RETURN, SHOW US HOW TO MAKE PIZZA, NICK!" Screamed Rodent Girl.
The goodbying went on for about 12 minutes. Jimmy and Nick's arms were getting tired from waving, and so were the squad's. Butterscotch was starting to fall asleep. Their luck went out the window as the rain then stopped.
"Well, we'll be staying here for awhil-"
Suddenly, a bolt of lightning hit the kite, followed down the wire, then powered the machine. In just a flash, the boys were now gone. Diana saluted a farewell to them.
.............................
[*Back in the modern era*]
The whole gang has now tired themselves out, and decided to take breaks. Putting together this time machine is not as easy as riding a bike. Sheen and Libby were tired as well, even though they did absolutely nothing. Judy, while exhausted, continued to force herself to work. Carl was the only one who hasn't fallen under exhaustion. The allergy boy came to Judy's aid, and gave her a shoulder massage.
"Mrs. Neutron, I think you ought to take a break." Said Carl. "No... My baby... My baby... Jamie... Jimmy..." Replied Judy. "Who's Jamie?"
Carl then dragged her away from the machine, and offered her a pillow to rest on. Hugh was quite envied. Where's MY pillow? The allergy boy looked at the time machine. The gang deserves a power rest, but he wants Jimmy to come home now. Trying to be a good friend, he decided to bring Jimmy here himself. But how's he gonna do that? He put on his cape, hat, and took out his magic want.
"Carl, we're already tired enough! Don't bore us to sleep!" Said Sheen.
Carl didn't listen. He's no expert, but it's worth a shot. This may be a good chance to impress Judy, too. He wielded his magic wand, and spoke his own made up words. Sheen just rolled his eyes. He walked up to his friend to talk him out of it, just to save him any humiliation.
"Kibbidy-do! Kibbidy-dome! Please bring my best friend Jimmy back home!" Chanted Carl. "I know kids have said this to you very often, but, you kinda look ridiculous. No offense, though!" Sheen tried to argue. "Kibbidy-do! Kibbidy-dome! Please bring my best friend Jimmy back home!" "Could we at least phone a real professional? Like Houdini? Or Blackstone? Or that wizardy guy from the animated short film starring the mouse?" "KIBBIDY-DO! KIBBIDY-DOME! PLEASE BRING MY BEST FRIEND JIMMY NEUTRON BACK HOME!"
Suddenly, a bright light and loud BANG took place. It drew in the whole squad's attention. Carl was in shock, and Sheen was too. The allergy boy gazed at his wand. He probably needed to throw in all the strength he had. As the brightness cleared, Jimmy and Nick stood in place, handcuffed like they were to begin with. The two boys grinned and greeted their old friends and family.
"JAMES!" Judy screamed. "NICHOLAS!" Also screamed Mrs. Dean.
Carl took the key out of his pocket, then unlocked the handcuffs. After that, both of the boys received hugs from their parents. Judy was squeezing the daylight out of her son, while Mrs. Dean was tearing up from being reunited with hers. Jimmy then requested his mom and dad to let go of him for a moment. Accepting his request, Jimmy threw himself at Carl, embracing into a hug. Carl was confused, because he thought Jimmy was uncomfortable hugging the same gender. When he finished hugging Carl, he did the same to Sheen.
"Gentlemen, I am so sorry I took you for granted. I have not been a very nice friend to you both! I've been so full of my own potential, I never took the time to acknowledge yours! The bestest friends in the world deserve a pal that actually cares for them. That is why, from now on, things are going to be different around here! Carl; No more harsh lecturing, and human experimental testing! If I happen to accidentally trigger anything that sets off your anxiety, keep me apprised!" Said Jimmy. "Gee. Thanks, Jimmy! You’re the greatest!" Carl thanked. "And Sheen; Thank you for being a supportive friend! Thank you for at least trying your best to be a helpful friend! Thank you for being the friend that wants nothing more  than to put smiles upon our faces. I feel you deserve much more credit than what you've earned!" "Sooooooooooo... ...would you like to watch 395 episodes of the original 90s Ultralord show on Cageflix with me?" Asked Sheen. "... Sure! Anything for an old buddy of mine!" "HALLELUJAH!"
Sheen's prayers have been answered. Jimmy Neutron is a changed boy, and has learned to respect his friends. Out of excitement, Sheen returned Jimmy's hug. The moment was disturbed when they received an uninvited guest. It was Cindy, who finally swallowed her pride and came to apologize to Libby. She didn't notice Jimmy and Nick there.
"Cindy?" Libby was surprised. "Yeah. It's me alright. Listen, about what I said earlier... A lot has gone right through my head. I don't know what's wrong with me." Said Cindy. "Is this an apology?" "Yesssssss. I'm sorry, Libby. I'm sorry for my outburst back there. Pride really takes a toll on me. It seems that I am the one who is... ...wrrrrrrrrrrrrrrooooooooooonnnnnnnnnnnnnnnnnnnnnnnnnng." "*Pats Cindy on the back* You're alright, girl." "What's going on?" Asked Jimmy. "This is between us friends, Neutron- Neutron?!" Quote Cindy.
Cindy couldn't believe her eyes. Jimmy was back. Instead of throwing her usual angry fit, she decided to just steer clear from him and run back home. Libby, however, grabbed Cindy, and pushed her towards the boy genius. If Cindy is mature as she says she is, she might as well prove it. Not just to her friends, but to herself as well. Time to face the music.
"Is there... ...something you'd like to say?" Jimmy asked timidly. "Mhm." Cindy hummed. "...?" "...!" "...?" "Maybe you were right. This breakup is best for us." "Wait, could you say that again? First sentence." "You were right." "And again?" "You wer-" "*Giggles* Just messin' with ya! Go on, if you may!" "*Groans* Perhaps we are unhealthy for each other. All I ever thought about was getting my happy ending, but this relationship of ours isn't gonna lead to anything in the future. Maybe, there are alternate ways to find my happy ending. Sometimes, the best way to be free is to move on." "I couldn't agree more. *Puts out hand* Friends?" "*Slowly reaches for his hand to shake* Friends. Whatever."
The two shook hands, reclaiming friendship. Cindy wasn't proud of what she did, but it felt hella satisfying.
"Well Nick, looks like you'll be on your way." Said Libby. "Nuh uh! I ain't going nowhere! Jimmy and I are now two peas in a pod!" Replied Nick.
Cindy, Carl, and Sheen were dumbfounded on what they just heard. One: Nick noting the boy genius as his best buddy. And two: Did Nick just call Jimmy by his first name? Unlike with Cindy, the kids have never heard Nick address Jimmy by his first name. Libby was not at all surprised. She figured out the message here. Sheen thought, if Nick finally decided to settle with Jimmy, then that means he's ready to settle with him and Carl.
"If you're now cool with Jimmy, then does that make you..." Said Sheen. "Huh? ‘Does that make me’ what?" Asked Nick. "...our new FRIEND! *Gazes at him with twinkling eyes*" "Uhhhhhhhh-" "WELCOME TO THE NERD SQUAD, NEW FRIEND!"
Sheen embraced Nick into a big hug. Quitting popularity has taken a load off of Nick's back. But now that he's friends with Jimmy, he's got a brand new load: Sheen. Ah, hell with it. For Jimmy, he might as well learn to tolerate Sheen's wacky actions. While Nick tried to squirm out of Sheen's grip, Jimmy removed the amulet out of his pocket, and gave it to his mother.
"Happy belated birthday, Mom." Said Jimmy. "Oh, Jimmy... This is beautiful. Where did you get this?" Asked Judy. "It-" "Oh, on second thought. Nevermind." "Now that the kids are back, what say we all celebrate?" Suggested Mrs. Dean. "That's a wonderful idea! How 'bout dinner at Paste Pot's Pizza Palace?" "Mehhh. There's this international All-You-Can-Eat buff-fet that serves everything, including a sushi bar! It's very expensive, but... *Applies makeup* ...I know how to get us free meals." "Ooooh! Oooooh! Why don't we dine at Pancia Grassa: Italian Eats? And as a bonus treat, Showtime Ducks On Ice has a grand performance tonight!" Quote Hugh. "Hugh, it's the boys we're treating. Not you."
Jimmy had something else in mind.
"That's all very nice of you. But frankly, I'd rather gorge down at The Candy Bar, and catch a movie with my new best friend, Nick! ...for the remaining of the day!" "That's right! His best friend."
Nick wrapped a single arm around his short buddy, as they walked off together. Cindy has never seen Jimmy that close to anyone. Also, when did Nick start calling Jimmy "Jimmy?" The skateboard boy looks spot-on happy in the boy genius's presence. These two have been together for an entire week, in whatever timeline. Could this be one of those "stranded on a deserted island" cases? Nah, that's ridiculous! They're men! Men don't fall in love with each other! Can they?
Meanwhile, Carl tossed all his magic gear aside. He's through with magic now. It's time to hang up the hat and cape, and go back to the llamas that need him dearly. Here's a magician the world isn't ready for yet. Everyone shrugged, and left the scene to attend to their own businesses. After that, a little white familiar rabbit popped out from the hat, giving off a wink.
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easyhairstylesbest · 3 years
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What’s Happening In 'WandaVision'? Here Are The Most Likely Theories.
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By the end of 2020, the Marvel Cinematic Universe had started to feel a bit…stale. Part of what makes the superhero genre so universally captivating is its capacity to go where other mediums can’t. But by the end of Avengers: Endgame, the MCU was closing the door on a chapter that, no matter how wildly successful, had followed a series of predictable patterns. While that doesn’t make watching Tony Stark save the world any less satisfying, it does make it less nerdy. And no matter how mainstream superheroes get, there’s always a part of the genre that deserves its place in the realm of the geek, where fan-fueled calculus thrives.
Now, with the explosion of new MCU series rolling out on Disney+ (at least four by the end of 2021), the superhero empire is reigniting fan theory fervor. When WandaVision dropped on January 15, the sitcom-turned-horror-show experiment heralded a bold new path for comic-book narratives. Turns out, superheroes can make for pretty hilarious sitcoms! But, most importantly, WandaVision—at least initially—seems intent on not spoon-feeding fans a story they’ve seen before. Which means, of course, that the fan theory machine is running hot.
WandaVision takes place after Endgame, and it stars Elizabeth Olsen and Paul Bettany as a delightfully well-matched Wanda Maximoff and Vision, basking in newlywed (?) bliss in the quaint 1950s-era suburb of Westview. They don’t exactly know how they got here, or what they’re doing in the 1950s. But they roll with it: befriending neighbors, hosting talent shows, nearly spoiling dinner with Vision’s boss, and trying not to wither under the critical eye of local Karen, Dottie (Emma Caulfied Ford). But increasingly, Vision gets the sense not all is right in this cookie-cutter suburb.
New episodes drop every Friday, and as the puzzle pieces come together, we’re gathering the best fan theories from around the internet. Here, we’ll try to make sense of what’s happening to Wanda—and why it matters for the next phase of Marvel stories.
Marvel Studios/Disney+
Theory #1: WandaVision is a spin on the comics arc House of M. (Confirmed.)
If you’ve spent any time digging around Marvel fan forums, you’ve probably already stumbled on this theory, and after episode 5 aired on February 5, it’s virtually confirmed.
Here’s the background: In 2005, Marvel Comics released a storyline called House of M, written by comics legend Brian Michael Bendis, in which an insane Scarlet Witch (aka Wanda Maximoff) has a mental breakdown and attempts to recreate the universe. You see, she’s lost her two children, Billy and Tommy (sound familiar?), as well as her grip on reality. The other Avengers and X-Men (in the comics, Wanda is a mutant) realize they must consider killing Wanda, because her reality-shaping powers pose an enormous threat to humanity if she cannot recover her sanity. (Again, we’re seeing hints of this in WandaVision.)
Hearing the news of her pending execution, Wanda manifests a new world, an almost-perfect utopia where her children are alive, her superhero teammates are happy, and mutants rule the world. But it’s a dangerous lie, and when Wanda realizes what she’s done, she decides the solution is to rid the world of mutants like her. (You might have seen a comic panel circulating of Wanda whispering, “No more mutants.” It’s very meme-able.) At that point, the majority of the mutant population lose their powers.
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House of M
Brand: Marvel amazon.com
WandaVision can’t and won’t mirror House of M exactly because, at this point in the MCU, the X-Men and Avengers’ worlds have not yet collided. But it certainly seems that Wanda has created her own version of Westview out of grief. If you remember the events of Avengers: Infinity War and Endgame, you’ll recall that Wanda is forced to kill Vision while extracting an Infinity Stone from his forehead. He does not return to life in Endgame, and she tells Thanos, “You took everything from me.”
Given the revelations we witnessed during episodes 4 and 5, this all makes sense. When Monica Rambeau (Teyonah Parris) is sent spiraling back into the “real” world, she whispers, “It’s all Wanda.” We know Wanda’s behind the “hex” surrounding Westview. What we don’t know is how much of it she’s controlling.
Theory #2: Wanda is the show’s villain.
By the end of episode 3, “Now In Color,” we’d watched Wanda “rewind” or “snap” her sitcom reality multiple times. It happens first when she watches a mysterious beekeeper rise from a manhole in episode 2, and again when Vision gets the sense not all is normal in Westview. Then, at the end of episode 3, Geraldine/Monica is banished from town after gently reminding Wanda that her twin brother, Pietro, died at the hands of Ultron in Avengers: Age of Ultron. As episode 4 reveals, Wanda didn’t take kindly to this reminder and physically threw Geraldine out of the suburbs. After, she reminds Vision she has “everything under control.”
We now know that Wanda is perfectly aware of what’s going on, and she’s orchestrating most—if not all—of it. She knows there’s another world beyond Westview where her brother lived and died, and where Vision similarly lived and died. And she would prefer to stay in her sitcom world. Anything—or anyone—who seeks to threaten her fake reality is…well, removable.
Interestingly, in an interview with ELLE.com about WandaVision, Olsen mentioned, “With our show, you don’t know what the villain is, or if there is one at all.” It’s clear the S.W.O.R.D (Sentient World Observation and Response Department) team that’s set up camp outside of Westview think she’s that villain. Vision is starting to get that sense, too. But the pieces don’t add up.
Here’s why: Wanda is tortured by her own grief, by the mistakes she’s made since the Sokovia disaster in Age of Ultron. The likelihood that she’s blatantly disregarding human life for her own gain seems like a trap she wouldn’t allow herself to fall into again—not easily, anyway. (Remember that, in episode 5, Monica says, “I don’t believe this was a premeditated act of aggression.”) That said, Wanda’s desperate, and we all know what they say about desperate people. She might have allowed something supposedly harmless to become brutal by striking a deal with the wrong person.
That’s where we bring in Mephisto.
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Chuck Zlotnick
Theory #3: The series’ big bad is Mephisto.
Now let’s get deep into the weeds. WandaVision has given us little to no clues as to its major antagonist this season—except for, of course, Wanda herself.
But it could also be Mephisto. His character has been around since the 1960s, and he’s based on the Mephistopheles of German legend. Basically, he’s a demon-like creature, oft confused for Satan, who can shape-shift and alter time. Once upon a time, he served Thanos, much like Ronan and other big bads. Perhaps he’s manipulating Wanda, but it seems more likely the two of them made a pact—a deal with the devil, if you will. Perhaps, in return for her own sitcom-verse where Vision is alive, Wanda agreed to enter Mephisto’s domain and become trapped under his rule.
Here’s why this theory holds so much weight: In episode 5, Wanda stresses multiple times that she doesn’t know “how any of this started in the first place.” When Vision confronts her, she seems horrified by his accusations, mystified that he thinks she’s capable of controlling everyone in Westview at all times. Sure, she could be bluffing. But there’s likely an element of truth to her defense. Perhaps something outside of her—maybe Mephisto?—is controlling her ability to control.
Theory #4: The Westview citizens know they’re being controlled. Maybe they can do something about it.
Regardless of who is pulling the strings, the Westview denizens have some inkling of strange goings-on about town.
In episode 4, we learn that these kind folks are being “portrayed” by real humans. Darcy Lewis (an astrophysicist you’ll recognize from the Thor films) and Jimmy Woo (a S.H.I.E.L.D.-turned-S.W.O.R.D. agent we met in Ant-Man and the Wasp) assemble a bulletin board covered with profiles of the characters and their real names: Norm is Abilash Tandon, Phil is Harold Proctor, Mr. Hart is Todd Davis, etc. These characters probably didn’t volunteer to perform imaginary lives in Wanda’s sitcom-verse, so they must be—to one degree or another—under her thumb.
But they’re somehow self-aware. In episode 5, Agnes asks Wanda if she wants to “take it from the top” after Vision refuses to accept her questionable babysitting skills. Later, Wanda doesn’t seem concerned about Agnes witnessing her and Vision using their powers—it’s as if hiding doesn’t matter anymore. And at Vision’s office, Norm and Vision intercept an email from Darcy about the “Maximoff anomaly.” Norm laughs it off: “It’s a joke. Can’t you tell? None of it is real.” Then, when Vision clears his mind, he reveals, “She’s in my head. None of it is my own. It hurts.”
We’re meant to assume that “she” is Wanda, of course. But does she know she’s hurting them? And is it possible the Westview residents know more than they’re revealing? Agnes, in particular, seems to have more information than she’s sharing, even if it frightens her.
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Chuck Zlotnick/Marvel Studios
Theory #5: Billy and Tommy are the only children in Westview. That’s purposeful.
At the end of episode 3, Wanda gives birth to twins Billy and Tommy. In the comics, these cuties are Billy and Tommy Maximoff, aka Wiccan and Speed, who have superpowers similar to Wanda and Pietro’s—hex abilities and super-speed.
Billy and Tommy are stupendous characters in their own right, and they eventually become leaders of the Young Avengers, another popular franchise that Marvel might have plans to cinema-tize. But they also have complicated origins: They’re actually created from fragments of a demon’s soul, and that realization is part of what originally drives Wanda insane during House of M.
What’s most interesting about Wanda’s relationship with the twins in WandaVision is that she can’t seem to control them. She can’t make them stop crying as infants. She can’t stop their rapid age progression. And they seem to know more than she wants them to—like, for instance, that she “can fix anything,” as Tommy stresses after their puppy, Sparky, dies.
Wanda responds, “I am trying to tell you that there are rules in life. We can’t rush aging just because it’s convenient. And we can’t reverse death, no matter how sad it makes us. Some things are forever.”
But we know from episode 5 this isn’t true. Wanda resurrected Vision. S.W.O.R.D. has proof. She’s rushing through the decades. And the twins can rush their own aging, which seems to imply they’ve inherited their mother’s powers.
What this doesn’t explain is why there are no other children in Westview, something Vision points out during a heated argument with his wife. Did they disappear? What if Wanda can’t control children, as evidenced by her inability to control Billy and Tommy? What if, somehow, the Westview kids have already escaped Wanda’s reality? There are too many missing pieces to understand the implications of that possibility yet. But it sure seems likely.
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Marvel Studios/Disney+
Theory #6: Monica Rambeau already has her superpowers. That’s why she’s uncomfortable with mentions of Captain Marvel.
By now, you know, of course, that Geraldine is not, in fact, “Geraldine.” She’s Monica Rambeau, and she disappeared during Thanos’s snap in Endgame.
If you haven’t already googled Monica’s name in a mad fervor, here’s what you need to know: She first appeared as a little girl in Captain Marvel. She was the super-cute daughter of Carol Danvers’s best friend Maria, remember? Lieutenant Trouble? Well, a few years have passed since then, and it would seem Maria went on to found S.W.O.R.D. Maria raised her daughter in the hallways and control rooms of the organization, and Monica went on to become a respected agent in her own right. But, as we learn in episode 4, Maria contracted cancer, and she died during the time Monica disappeared in the “snap.”
In the first moments of episode 4, Monica re-materializes after the Avengers reverse the snap, and she rejoins S.W.O.R.D. But she’s temporarily “grounded,” meaning she’s assigned to lowly earthly tasks. That leads her to the doorstep of Westview, and eventually to Wanda giving her the boot.
Then, in episode 5, she awakens on the S.W.O.R.D. base to discover her lab results are mysteriously blank. The medic requests another blood draw, and Monica refuses. No explanation is given.
If we had to guess, Monica is hiding her own superpowers. WandaVision has yet to reveal if this adult Monica has any abilities, but in the comics, she has skills similar to Danvers—photon blasts, flight, the works. Over the years, Monica has claimed multiple aliases, including Photon, Spectrum, Pulsar, and even—yes—Captain Marvel. An Easter egg in episode 4 reveals that Maria, in fact, used “Photon” as a nickname at S.W.O.R.D. And in episode 5, Monica requests Darcy’s team build a “10,000-pound fallout shelter comprised of lead for photons.” It’s doubtful that’s a throwaway reference. I’m willing to bet Monica is gearing up to unleash her powers.
So, why does she look so remiss when Jimmy mentions Captain Marvel during one of their briefings? We can’t know for sure. But we can assume it has something to do with ’90s-era Danvers leaving Earth to spend 23 years exploring Outer Space. Maybe Maria or Monica had plans to become Earth’s version of Captain Marvel after the real one seemingly jumped ship. It would make sense.
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Marvel Studios/Disney+
Theory #7: Pietro’s return opens the doors to the X-Men universe.
If we know anything about the MCU, it’s that the creators aren’t afraid of ambitious storylines. Plus, more franchises = more $. And the X-Men franchise is a money-maker.
Disney owns the rights to X-Men, which is why you’ll see those films on your Disney+ queue. So it’s probably not absurd to assume the Avengers MCU and the X-Men universe will eventually collide on the silver screen, as they do in the comics. WandaVision could be what makes that happen.
By far the biggest reveal of episode 5 is Pietro Maximoff’s return to the screen. Wanda’s brother shows up at her doorstep, completely unexpected—and, apparently, not by her design—when the doorbell rings, she tells Vision, “I didn’t do that.” The door swings open, and there’s Pietro…except not the one from Age of Ultron. This is Evan Peters’ version of Pietro, who first appeared in X-Men: Days of Future Past.
This is the first time the worlds of the X-Men films and the MCU films have collided. Does this mean WandaVision‘s Pietro is from a different reality? Is he aware of where he is and how he got there? Might the mutants finally become a part of the MCU? We’ve got more questions than answers right now. But I’d be shocked if this isn’t a precursor for an enormous crossover.
Theory #8: Agnes is really Agatha Harkness.
Here’s one that requires you to know a bit more comic lore. You first met Agnes (Kathryn Hahn), Wanda and Vision’s deliciously wry neighbor, in the WandaVision pilot. Sure, it’s possible she’s merely a quippy side-character, but I find that doubtful.
Several fans think she must be Agatha Harkness. In the comics universe, Harkness is an old (like, was-alive-before-the-sinking-of-Atlantis old) witch who escaped the Salem Witch Trials and went on to master mystical arts, later teaching them to a young Wanda Maximoff. In other points throughout the comics, she serves as Wanda’s antagonist, and she’s also the one who, after Wanda gives birth to twins Billy and Tommy, reveals to Wanda that the children are not, in fact, hers, but were born of more demonic origins. We don’t need to unpack all of that, but the point stands that Agatha has an important role in Wanda’s life—so it makes sense she’d appear in Wanda’s TV show.
Another interesting detail? In the comics, Agatha has a son named Nicholas Scratch. And the name of Agnes’s bunny in WandaVision? Señor Scratchy.
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Marvel Studios
Theory #9: The “missing person” is Mephisto.
In all the excitement of episodes 4 and 5, it’s easy to forget that Monica and Jimmy first showed up in Westview because of a missing person case. But don’t let that detail escape you. It could be a huge clue.
The missing person they’re after—a male—is in the Witness Protection Program, and none of his known associates or relatives have even heard of him.
Bettany mentioned in an interview with the “Lights Camera Barstool” podcast that he works with a special mystery actor in WandaVision: “So many things get leaked, but there’s this thing that has been completely under wrap that happens. I work with this actor that I’ve always wanted to work with and we have fireworks together—the scenes are great and I think people are going to be really excited. I’ve always wanted to work with this guy and the scenes are pretty intense.”
Obviously this is an important character, and there’s a reason he hasn’t been revealed yet. Many fans think this mystery man is “Ralph,” the husband Agnes mentions frequently who has yet to appear onscreen. Others think Ralph might just be Mephisto.
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Marvel Studios/Disney+
Theory #10: S.W.O.R.D. started all of this.
We know Mephisto is a solid guess for the show’s villain. But Marvel also loves to reveal how corrupt people in power are the bad guys more often than demigods and mad titans. So what if, like in Captain America: The Winter Soldier, the real villain is someone we’ve already met?
We see in episode 5 that Wanda retrieved Vision’s corpse from a S.W.O.R.D lab. If you look closely, you can see he was in pieces, completely dismantled and likely being experimented with. It’s possible S.W.O.R.D itself was violating Vision’s will and attempting to recreate him, so Wanda stole his body and resurrected him in order to rescue him.
If that’s true, that means S.W.O.R.D. might have had a hand in Wanda’s creation of Westview. And Director Hayward might know more about it than we’ve been led to believe.
Theory #11: WandaVision will tie directly into Doctor Strange in The Multiverse of Madness. (Confirmed.)
This theory is less about if than how. Marvel Studios president Kevin Feige confirmed WandaVision will tie into the film, and Olsen will star alongside Benedict Cumberbatch in March 2022’s The Multiverse of Madness. So, what does that mean? Well, the theory of Wanda creating her own alternate reality within the multiverse could be true. And if she shows up in the next Doctor Strange, someone must pull her out of the sitcom-verse—and it could be the Master of the Mystical Arts himself.
Theory #12: The folks in the WandaVision commercials are Wanda’s parents.
Let’s tackle those fascinating commercials, shall we? Each promises a different Marvel Easter egg, and already, fans are dissecting screenshots for clues.
All the “commercials” different couples advertise different products. The first is a Stark Industries toaster, the second is a Strücker watch, the third is “Hydra Soak,” a specialty bath product, and the fourth is a paper towel brand called “Lagos.” If you’re an avid MCU fan, you’ll of course know Stark Industries is Tony Stark’s company, and Strücker is the last name of Baron von Strücker, the Hydra leader who recruited Wanda and her brother Pietro before Age of Ultron and gave them their powers.
Why is this significant? As one fan pointed out, the ads seem to be revisiting Wanda’s trauma: A Stark Industries bomb killed her parents, and Strücker corrupted Wanda and her brother, recruiting them for Hydra. Lagos is a reference to the town in which she accidentally destroyed a building, killing a number of residents inside.
But who are the man and woman in the Stark Industries commercial? One Twitter user suggested they could be Wanda and Pietro’s deceased parents, alive again in her pseudo-reality. Does this mean she can bring others back to life, such as Vision himself, or perhaps even her brother Pietro? Or is she simply imagining all these ghosts of the dead?
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Marvel Studios/Disney+
This story will be updated each week after new episodes of WandaVision drop.
Watch WandaVision on Disney+
Lauren Puckett Lauren Puckett is a writer and assistant for Hearst Magazines, where she covers culture and lifestyle.
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What’s Happening In 'WandaVision'? Here Are The Most Likely Theories.
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aion-rsa · 3 years
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The Falcon and The Winter Soldier: What Do the Normies of the MCU Know About the MCU?
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This article contains spoilers for The Falcon and The Winter Soldier.
Midway through The Falcon and The Winter Soldier’s third episode, “Power Broker,” Helmut Zemo (now fully recognized as a Baron) demonstrates some impressive quick thinking.
Alongside an undercover Sam Wilson and Bucky Barnes, Zemo is in the Lowtown underworld of Madripoor trying to score a meeting with the Power Broker. When things are going poorly and the trio is forced to defend themselves, Zemo decides to pretend that Bucky is still the brainwashed Winter Soldier who can be controlled through some helpful Hydra keywords like “Winter Soldier. Attack.”
This is a fine plan that has its intended effect as the group is brought in to see one of the Power Broker’s underlings, Selby (Imelda Corcoran). But it also raises some questions as to how Zemo was so confident the ruse would work. How, exactly do the citizens of Madripoor not realize that Bucky Barnes isn’t in the brainwashed super soldier business anymore? Do they not clock the new haircut? Or more importantly, do they not recall six months ago when Bucky was on the side of the good guys in the climactic battle against Thanos? It appears to be common knowledge in the U.S. that Bucky is on probation and no longer subject to the whims of his Hydra programming thanks to his time in Wakanda. Did word of that just not reach Madripoor somehow?
The unclear nature as to what the people of Madripoor know about Bucky Barnes on The Falcon and The Winter Soldier is part of a larger series of questions about what the people of the Marvel Cinematic Universe know about their own universe itself. Simply put: what do these “normal” folks know about all the superheroics that have been happening all around them for the past decade?
A big part of the MCU’s appeal is the interconnected nature of its films, TV shows, and the extended universe in which they take place. It’s always fun when one hero crosses over into another hero’s story like The Hulk in Thor: Ragnarok or Black Widow in Captain America: The Winter Soldier. What’s even more interesting, however, is when those characters’ existences are acknowledged by the non super-powered everyday folks on the ground in unrelated movies. 
The franchise’s two Spider-Man movies are particularly adept at pulling this “Marvel heroes as background noise” concept off. In Spider-Man: Homecoming, Spidey comes across a group of criminals robbing a bank while wearing cheap Avengers masks. In that same film, Peter’s class is subjected to boring public school PSAs from Captain America. Then, in Spider-Man: Far From Home, Peter becomes emotional upon seeing graffiti honoring the dearly departed Tony Stark. 
The “normies” of the Marvel Cinematic Universe, the everyday Janes and Joes who go to work, make Lean Cuisine dinners, and watch Jeopardy!, are all clearly aware of the dozens of superheroes around them. How could they not be – living in a world that seems to come under existential threat every few years. Five years ago half of them literally disappeared into dust! It’s a traumatic existence for your average MCU citizen. 
While the existence of Avengers and other super-powered individuals as public figures and even celebrities has been a big aspect of MCU films thus far, Marvel’s first two TV Disney+ properties have expanded upon the concept even further.
In WandaVision, several of the non-hero characters have a surprisingly thorough understanding of what went down during the battle against Thanos. Monica Rambeau notes that Wanda came close to taking down the Mad Titan then FBI Agent Jimmy Woo follows up saying that Captain Marvel fared pretty well herself. It’s as though the pair bought tickets to Avengers: Endgame to view the action themselves.
Then in The Falcon and The Winter Soldier’s first episode, Sam Wilson is seen as a full-on celebrity. A bank loan officer wants to get a selfie with him, even after he denies his loan request. In episode 2, some local beat cops seem pretty embarrassed to have harassed the mighty Falcon rather than just some random, eminently harassable Black man. In that same incident, the officers recognize Bucky and say they must regretfully bring him into the station for violating his parole.
Which brings us back to The Falcon and The Winter Soldier’s third episode. Madripoor may be a fictional country within Marvel comics and the MCU, but can it really be so removed from the rest of the world that its citizens don’t know the status of Bucky Barnes’s brain? What on Earth do the people of this world actually know about all these heroes? 
Well, we’re not just all about asking questions here, so I will endeavor to provide some educated guesses.
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To imagine what living in the Marvel Cinematic Universe would be like, we don’t really have to think that hard. Sure, our own reality might not be nearly as chaotic as Marvel’s. Half of us didn’t suddenly disappear five years ago. But you know what our reality and the MCU’s have in common? The inescapable presence of lots and lots of Marvel superheroes.
Marvel is one of the most infamous pop culture entities on the planet right now. Since Iron Man first premiered in 2008, the MCU has featured 23 movies, two Disney+ TV shows, and many other tenuously connected series. All in all, these movies have grossed nearly $23 billion worldwide. 
But for however massive Marvel is, it’s still not universal. There are more than 7 billion people on both our planet and presumably the Marvel Cinematic Universe’s as well. With a population that size, there are plenty of people who don’t know or care to know about the particulars of Marvel’s heroes. 
Stan Lee liked to say that every comic is someone’s first comic and FWS appears to have taken that to heart with some highly expository dialogue throughout. Many viewers are certainly aware of The Winter Solider’s backstory and current mental state but not every viewer is. Why wouldn’t that be the same case within the MCU itself?
As agents of the federal government, characters like Jimmy Woo and Monica Rambeau may have access to privileged information about what really happened when the Avengers succeeded in restoring half the world’s population. Certainly plenty of the surviving Avengers had to be debriefed by SHIELD, SWORD, the FBI, the CIA, or whatever other government agency was around to hear their testimony. 
Not everyone else in the Marvel world would be as lucky or as interested. Perhaps someone like Selby cannot be bothered to know whether Bucky Barnes remains a HYDRA asset or not. She’s got an underworld criminal empire to look after. And imagine what it would be like to be one of the 3.5 billion people in the Marvel universe who sprang back into existence after five years. The Falcon? The Winter Soldier? Zemo? Buddy, I’ve got to figure out what my tax situation is like right now. 
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The Falcon and The Winter Soldier has three more episodes to go. That’s more than enough time for the normies of the Marvel universe to learn the ins and outs of Sam Wilson and Bucky Barnes. And if they don’t? Well, that’s ok too. Superheroes aren’t for everyone. Even for the people who live in the world surrounded by them.
The post The Falcon and The Winter Soldier: What Do the Normies of the MCU Know About the MCU? appeared first on Den of Geek.
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cannongregory · 4 years
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Getting Ex Girlfriend Back Success Stories Reddit
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