I know this is old hat to just about everyone, but I'm more and more enjoying Imogen and Laudna as not just a mirror of the Briarwoods but also, and perhaps even more so, as a foil.
Laudna may be the death magic goth with a necromancer in her head, but out of the two of them, Imogen is the stronger mirror of Delilah. She’s the one with the undead lover, the one prepared to break the world by risking Delilah's return as long as it got her Laudna back, the one with the drive and the thirst for power and knowledge. Laudna meanwhile, while also tempted by power, is mostly just along for the ride, deeply devoted to Imogen over anything or anyone, alive only because Imogen found a way to resurrect her. They have looked each other in the eye, recognised the same seeds of darkness and the possibility of giving in, and said 'Together either way'.
But they are also in many ways a direct subversion of the Briarwoods. Delilah and Sylas both seemed perfectly happy to have made a pact with Vecna and revelled in the power he granted them, even knowing the disaster he would bring and the horrific acts he asked of them. Imogen and Laudna meanwhile, while tempted by power and openly voicing said temptation to each other, actively fight against it. Imogen was prepared to risk Delilah's return for the sake of Laudna's resurrection, but she would've fought her every step of the way. She's tempted by the power and knowledge of Ruidus, but also prepared to give all of it up if it means saving the world, because unlike Delilah she chooses to care about people other than herself and her lover. Laudna may be prepared to follow Imogen into hell itself, but she may also be what would lead her back out, because unlike Sylas she doesn’t just recognise darkness in her lover, she wants to fight it alongside her.
This is what I mean when I say these two hold the potential for great darkness. They wouldn’t function as a mirror and a foil of the most romantically iconic critical role villain duo if they didn't. But holding the potential for darkness and corruption also means holding the potential to resist and fight said darkness at every turn. It gives them the potential to choose kindness and struggle while still keeping a little bit of that darkness in their hearts, because without it, they never would have found each other.
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creds to @epiimetheux !!!
i kept coming back to this beautiful artwork and i got inspired by it so here you go...
(disclaimer: i haven't completed a fic in forever, let alone published one, so i'm very anxious about this, i apologise if it's a mess •~•♡ love you guys)
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tom watches from the side as his husband steps forward to his coffin. pete's head is bowed, but he can see the trembling of his lips and the coiled muscles in his jaw.
oh my love.
what i'd give to embrace you one more time.
he knew he couldn't reach his husband anymore. his time had passed.
that didn't keep tom from standing next to pete's side. keeping watch. protecting his wingman, as they'd promised to each other years ago on that fateful day.
when repressed feelings and pretentious rivalry finally made way for the unconditional love thay had never wavered once.
partnership that had lasted 33 years.
tom watched as pete took the wings off his uniform, laying them onto the smooth oak.
the gun salutes were no more than background noise, tom's sole focus lying on the man in front of him.
the moment he saw pete punching the wings into the coffin he felt an incredible warmth spread through his chest.
such a feeling had been limited to very few moments in his life.
in the cockpit of his plane, soaring above the clouds with ron at his back and pete right by his side.
the return from the layton mission.
aching and sweaty and all kinds of shaken up but alive, thriving on adrenaline and pent up energy.
they had only seen each other then.
not iceman and maverick, but tom and pete, right there on the deck, what ron had later jokingly called their "confession".
their wedding. finally being allowed to slip a ring onto pete's finger while surrounded by all their loved ones. to call him his husband for everyone to see and hear without having to fear anymore. forever and always - the ending of both of their vows.
when their son had come back to them.
pete, bradley and himself crying with relief in their kitchen as they embraced for the first time in years. pete almost losing it as bradley started called him 'dad' again, and tom almost following suit when 'pops' returned back to daily use.
in that hospital bed, when he'd kissed his husband for the last time. he had wiped the tears on pete's cheeks with trembling hands, mapping that gorgeous face he knew better than the back of his own hand.
hushed i love you's in the quiet of the room, both signed and said out loud as they held each other.
the last words he felt pressed against his forehead being 'forever and always', before he slipped away into neverland.
tom looked over his shoulder just as pete stepped back from the coffin.
the wings on his back were strikingly white. glossy and strong feathers fluttered softly in the wind, and tom couldn't help the smile that spread on his face.
i will protect you, my heart.
my wingman.
my everything.
carefully he guided his wings around pete's sides. shielding him for just a moment. providing the endless support he couldn't give in person anymore.
pete looked up towards the sky, just like the rest of the crowd, watching as the missing man formation flew by.
everyone watched the sky, but tom couldn't tear his eyes away from his husband. how the dusking sun reflected in those tender green eyes. the curve of his nose, and the sweet lips he'd kissed so very often, now being worried at between pearly teeth.
i love you, forever and always.
as if he heard him, pete echoed his words.
"forever and always, sweetheart."
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Little Light - tog ficlet
Something I felt like writing but didn’t know what to do with. A little scene inspired by an old fic of mine, Dahlia. A bonus scene, if you will.
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Somewhere outside these old wood walls, an owl calls the morning forth. A gentle if not calming sound to Andromache, but to tiny brand new ears it is unknown and frightening.
The babe emits a discontented little squeal, and as Andromache leans away from the wall to see into the makeshift bassinet — an armoire drawer, placed on the floor between a bedroll and Andromache’s watchful place at the wall — the tiny thing grunts and attempts to kick her swaddled legs. A little lip pouts, trembles, then her gummy mouth opens with grumpy staccato cries.
There’s a shift in the darkness on the bedroll just beside the drawer. There is enough pre-dawn light pouring in from a half-boarded window for Andromache to see Yusuf poke his head up from behind Nicolò’s shoulder, then quickly lift himself on an elbow as he comes out of sleep to register the baby’s distress.
Andromache’s hand is on the swaddled baby’s stomach, just rubbing very gently as Yusuf carefully crawls over Nicolò and comes forward. The child’s newborn cries sound almost like little angry coughs, increasing in volume as Andromache’s attempts to calm her do virtually nothing. She’s so small, so new. In her mind, Andromache is going through the list of remedies to calm her down: Is she hungry? Is she cold? Does she need a change? Was she simply startled by the owl? There are no easy answers, just a crying baby wiggling in tattered fabrics, all they have for her.
Yusuf is on it, though. Has been since that first horrific day that brought the tiny thing to them. He squats in front of the drawer, and Andromache removes her hand as Yusuf very carefully slides a hand behind the baby’s head and neck and begins to free her from her swaddle.
The moment her arms are free, they shoot up next to her head — some reflex Andromache has noticed, and Yusuf coos at the sight of it. Andromache watches the soft look in his eyes with unease, but she’s then drawn to the shift of Nicolò as the baby’s cries wake him too.
Yusuf shushes the babe, and there’s a moment of uncertainty on his face like he’s having similar thoughts to Andromache, similar anxieties, before he gets both hands below her tiny arms, fingers stretched out behind her neck and head to support her, and lifts her from the drawer. As he does so she scrunches up into a little ball, hand-stitched nappy crumpling up as her knees bend, and her pink fists bracket her face as she grunts.
Andromache watches in silence as Yusuf settles the baby against his shoulder, fingers feather-light and safe on the back of her head where her wispy hair gathers at the base of her skull. She adjusts a little, rubbing her nose into Yusuf’s shirt, as Yusuf pulls open the back of her nappy to check her.
Nicolò is there next to them then, more alert and awake than Yusuf whose eyelids are drooping. Andromache can see all the thoughts in Nicolò’s head play out just by the slight crease in his brow as he watches the baby’s face. He raises a hand, sets is back to the floor, and although Andromache had warned them both about the dangers of becoming attached to the child, she does not want the poor thing to suffer while three capable adults can comfort her. She blinks permissively at Nicolò but he doesn’t need the permission from her, only from himself.
Yusuf is bouncing the baby slightly against his shoulder as he shushes her little noises. He turns his head to see the longing on Nicolò’s face and nods sleepily at him. As Nicolò reaches out to stroke a thin curl on the top of the baby’s head, she begins to squeal again and soon unravels into hiccuping little cries. With mild alarm, Yusuf adjusts her so her face is not pressed into his clothes.
“Let me?” whispers Nicolò, hands out and ready. Yusuf nods, stifling a yawn, and very carefully passes the little grumpy ball over to Nicolò, who lays her over his forearm, cupping her bottom and scrunched up feet in his large hand. Yusuf releases her head last in the crook of Nicolò’s elbow, and her fists fly up again as she settles back with another round of staccato cries. With that done, Yusuf immediately stands to rifle through their packs, likely in search of some goat’s milk they’ve saved.
Finding sustenance for the child has been exhausting and certainly a battle, but Andromache has seen too many children starve to let this one go hungry. She will be fed every chance they get, and she will be warm, and when they are able they will pass her into loving hands who will be able to house her and love her and help her grow tall and strong.
But for now, Andromache only sits and watches as Nicolò rubs the pad of his thumb up the space between the child’s peach-fuzz brows, a little trick she’d taught him that may calm her down and put her to sleep but does not seem to be working at the moment. The baby’s mouth is still wide open and trembling as she cries and so, supporting her with both arms, Nicolò stands with an exaggerated groan and begins to bob her just slightly.
“Alright, piccola,” he says, turning away as he begins to pace around a little, humming some low made-up tune on the spot.
Yusuf stands at his side then, with the jar of milk and the cloth they use to soak it in so the baby can suckle, and Andromache lets herself relax, lets her back touch the wall again as she just watches them together, the pink-faced baby emitting little punched-out cries between them. She’s quieting down, though, as Nicolò bobs her like the sea. Yusuf stands by with the cloth, peering curiously at her little face.
Nicolò makes a brave move then. With one shared look with Yusuf, he blinks down at the child and leans down to ever-so-gently press his lips to her head. He stays there even after the little kiss, and Andromache can hear him hushing her softly as he continues to bounce her.
She’s stopped crying. As Nicolò draws back, Andromache can see that her eyes are wide open, gazing up at Yusuf and Nicolò in wonder. They smile down at her, and something lodges itself in Andromache’s throat. Almost subconsciously, her hand closes around the pendant against her chest.
Yusuf senses her unease, of course he does, because he looks over at her and beckons her over with a jerk of his head and an outstretched hand. She goes willingly, if a little stiffly, and although she swears in her mind that they will not be keeping this child it is nice to see the men smiling in victory and adoration at her little face.
“Looks like she just wanted to be held,” Yusuf whispers.
Andromache might think something about the fact that the first hands to ever touch this baby were Nicolò’s. She might think about the fact that Yusuf’s soft voice had been the one to calm her cries on that first night. She might remember the way her tiny body felt so warm in her arms the morning the child’s mother left this earth, when the ground still trembled with aftershocks and somewhere in the distance the ocean watched Andromache’s back.
She says none of this. Instead, she joins them in the middle of the room as it slowly fills with early morning light. The broken three of them, and the fragile brand new fourth.
They have not named her yet. Andromache does not dare. But she will be called Dahlia, after the flowers her mother sold in a little shop north of the hills of Campania, where the winds smell of oleander and the olive trees face the sunrise.
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[ 𝐥𝐨𝐮𝐝 ] : sender is expressing anger over receiver's constant recklessness. but reverse for binsa and neems!!
ㅤㅤㅤㅤㅤㅤ— FOR YOU I WOULD ( accepting! )
There is a river nestled on the sparse treeline separating the Rietveld property from the wilds of the country. The next closest family is two kilometers away, wheat farmers with a sizeable amount of oil in the ground that the local government hasn’t a clue sits there but which Kaz, ever the businessman, has already noted for future use. The river isn’t actually much of a river at all, but a stream that freezes over early in the winters. The water is waist - deep if Kaz was to wade into the water, but truthfully he rarely pays it any mind. He should have.
The treeline is visible from the house, if not the water, clearer still from the edge of the yard and better yet from the profile of the orchard. The air is wet with the scent of apple blossoms and Inej’s flowering garden, and Kaz is taking his time trudging toward the trees fattening with fruit when he sees them. He really should have minded the damn stream.
Terror is the wet - slick slide of skin against the back of his neck. Kaz feels those long - dead hands on his shirtsleeves before he can register that he’s dropped his cane. He’s running without care for the pain to his hips, the sharp revolt of his poorly - healed bones. It’s so rare lately that he is swallowing saltwater that he doesn’t know it’s filling his chest until he realizes that he’s shouting around the diluge, the rasp of his voice splitting the stillness of the country air and disturbing the sheep he passes on his way across the fields.
Nirmala hears him first, fear so foreign in her wide eyes that Kaz stumbles only once with the blip in his adrenaline. She’s half hauling her sister from the water when her father clears the tall grass and snarls, ❝ Ga weg! Ga weg! ❞ Binsa squeaks a shocked protest when he closes his hand around her arm, Kaz having splashed through to his shins to reach them both, but he doesn’t hear it. He’s submerged, too. He’s face down in the water and inhaling the harbour by the lungfuls.
❝ Have you lost your fucking mind? Ga weg, ❞ this, he snaps directly to Nirmala, who follows him out of the water with a wariness he hasn’t seen in near a decade. She’d only ever been timid in the city, unsure of her place only so long as Kaz was at odds with Inej over the girl’s permanence in their lives. Now she looks at him with such distrust, he will recall it with weighted remorse for weeks to come. But not yet. Right now, Jordie’s at his shoulder and laughing in his ear.
❝ Baba, ❞ pleads Binsa, her wet little fingers clawing at the shackle of his own hand wrapped a little too tight around her bicep. ❝ Baba, why– ❞
❝ Stay out of the water! ❞ The girls have never met Dirtyhands before and Nirmala is the only one who knows Kaz Brekker. The flashes of both ghosts cut his face grim and feral, the corners of his mouth no longer softened the way they alone know very well, and it’s that dissonance that startles them both into fearful silence now. They do not know this version of Baba. ❝ Do you hear me? What the hell were you thinking, Nirmala? Bringing your sister here when you should know better– You are supposed to protect her, you are– ❞
❝ Kaz. ❞ Inej’s voice cuts into the tension so sharply, she might as well have used one of her knives. Binsa whimpers for her mother and only then, only then, does Kaz remove his hand. Only then does he flinch away from both girls, stalking down the grassy shoreline and fighting back bile with the bared grit of his teeth. Vaguely, he hears @taitropa speaking soothingly to their children, but he does not turn to look at them. Snippets of, ❝ Hush now, ❞ and, ❝ I know, I know, ❞ and, ❝ Are you hurt, chhori? ❞ cut through his panic. When Binsa says tearfully, ❝ Baba said bad words, ❞ he breaks from the scene and starts back toward the house in an effort to calm down.
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