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noneorother · 7 months

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The grand unified theory of Good Omens S2 hangs on - you guessed it - a double meaning (and art). *Part 4*

Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?

This is major spoilers for season 3 territory. You have been warned. I'm also going to split this into parts because wow, I have so many ✨Clues✨! Friends, we have arrived at the prestige! Metatron come at me bro, catch these hands. Oh wait you can't, you always have your hands in your pockets...

People smarter than me have talked all about Aziraphale's magician outfits on this show, so I won't steal their thunder. Suffice it to say, The Metatron is wearing a weirdly dark coat and tie over his whole outfit. Which gives him a very only a white floating head look, but also keeps in the theme of ✨I am a magician✨. He's here to perform a trick!

I also won't talk a lot about him in the coffee shop because that's been done already. If we have learned anything from part 3, analyzing the coffee to death is what we are supposed to be doing, because He is distracting everyone with a benign object that we can inspect. So while he's waving this coffee around in the shop going "SEE I KNOW HOW EARTH WORKS" he's also doing something fascinating: Checking to see who recognizes him.

Weirdly, even though Aziraphael saw him in season one, and the angels all work with him, no one does right away. EXCEPT for Saraquiel and Crowley, who just saw his face not in person, but in a video tape of sorts up in heaven at Gabriel's trial by farce. And then something funny happens. Saraquiel is scared shitless and pretends to have 'forgotten' like Michael, but Crowley admits loud and proud that he does. Then Uriel gives THE BIGGEST SIDEYE I have ever seen on screen to Michael, as in "You don't recognize our boss? I am very afraid for what that means."

As far as I can understand, this is the reason the Metatron is here : "Are we in the version of events where I lose?" And the answer The Metatron gets after the question is : We are in the version of events where I have severely fucked with Michael, sort of fucked with the other angels, I have fucked with Aziraphale, and Crowley has seen me already in heaven. Now we're missing a lot of information as to WHY this specific answer is good for The Metatron, and how much Saraquiel knows, but it seems like he interprets this as an "I haven't lost yet, and I can still do my trick".

So now here we are, at the most important part of the episode, in my (and Aziraphale's) opinion. THE double meaning.

This line is insane. On the surface we have meaning 1) The Metatron is scolding over-zealous angels for meddling in this affair, and over reaching with their power, especially threatening to use the book of life on people. He's the good guy! But under the surface we have meaning 2) I HAVE THE BOOK OF LIFE and I have been using it on everybody in this room. If I don't get my way this time around, I will edit you guys again, and you will have done the right thing. And with that admission, Aziraphale severely twigs and becomes very afraid. From then on his voice shakes and he babbles, and he has trouble looking the Metatron in the eye. I'm willing to bet that this is the moment Aziraphale realizes what The Metatron just admitted: I am creating a version of reality as we speak where I change you and Crowley (and everyone else) so that you lose to me. A terrified Aziraphael goes off with The Metatron to have a chin wag. Now here's the trick.

We've already established that Maggie and Nina are here as stage assistants to The Metatron, so they need time to work on Crowley alone. If they talk to A/C together, like they would have without The Metatron's appearing in the scene before, better communication might have happened between them. He made Aziraphale disappear from the scene!

This does NOT look like the face of someone getting good news. We never heard what the details were besides inviting Crowley to the job promotion, so who knows what he threatened him with, but

This looks like the face of someone caught in a trap. So we are now seeing the prestige! We don't need that coffee anymore, that cup is GONE BABY. Aziraphale has been removed from the Nina/Maggie confession like a dove, and placed in The Metatron's dark coat pocket. Now he just needs to make our angel reappear in the scene the assistants have prepared for him and let him fail, thus completing the trick (uhg I hate it. So cruel).

I'm going to turn the final 15 into it's own post because this is already very long. Let's skip it for now, but we know our lovebirds get separated by heaven, and Aziraphale leaves. The Metatron breathes a huge sigh of relief in the elevator as he thinks his trick has worked, and he has won.

So it's finished now, and there's seemingly no way out. Aziraphale now knows what The Metatron meant when he communicated "I am creating a version of reality as we speak where I change you and Crowley and everything else so that you lose to me."

BUT! ARE YOU READY FOR THIS SHIT? BECAUSE IT HIT ME LIKE LIQUID JET FUEL. And I think it hits Aziraphale right here, (when he makes the creepy face after being hit with a beam of light i.e. realization)

That means that in the original version of events before all the edits, Crowley & Aziraphale won.

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If you've gotten this far, thanks so much for reading. I'd love to hear what you thought, or even reblog it with your ✨Clues✨! Want to read more about the timey wimey business that we're gonna see in season 3, and why all this changes the final 15? Well I have *part 5* coming in just a bit. Parts 5 and The End are here! Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?

#good omens meta #good omens season two #art director talks good omens #go meta #good omens 2 #go season 2 #go2 #go3 #good omens prime #good omens s2 #aziraphale and crowley #aziraphale x crowley #crowley and aziraphale

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lineffability · 8 months

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London, Soho, AZ Fell’s Bookshop, 1941

“That’s the trouble with you lot, you tend to see things in black and white. Sometimes, you just gotta blur the edges.”

“Well, maybe there is something to be said for… shades of gray?”

Their glasses clinked.

“Well, shades of dark gray,” Crowley corrected, and the ease crept back into their conversation along with the little correction, leaving the emotional vulnerability under the table, where the photograph rested on Aziraphale's thigh.

“Shades of a very light gray, I rather fancy.” Aziraphale smiled into his glass, preparing for their disagreement to turn into a full-blown silly discussion on color theory. Which it did.

While their aesthetic discrepancies about various shades of gray were being discussed at length and in oral treatises, the angel and the demon were very much on the same page when it came to wine, and the drinking of it. They had not over-indulged, not tonight, but were emptying the bottle between them slowly and comfortably, having settled into a conversation of the same kind. The virtues of mixing colors, all that. It came to them easily, the debating, each fending for the role they had been assigned.

“Of course, take too many colors and you just end up with a sort of brown-gray sludge,” Crowley said now, and made a face. “Bit like the walls of hell.”

This was the wrong term to drop so carelessly, on a night such as this, and the lapis-lazuli dreams of Aziraphale’s mind were washed right down the drain, where they traveled until they turned into a sort of brown-gray sludge and dripped onto the road to hell, which matched the walls in color. Hell, where Crowley had almost ended up tonight, and not to pay a friendly visit with a report card.

“Crowley, what would have… If they’d taken the photograph, what would have happened to you?”

Aziraphale had turned the page and stumbled upon a new chapter of their conversation, pricking himself on the safety pin that kept the messy draft of the novel of Them all in one tidy place. This was uncharted territory, both of their relationship and of his heart. Aziraphale really, really terribly loved a good story with a happy ending. Shame if it were to be cut short, finished before its time. But where was it headed? The proof was in the pudding. (A good kind of sludge, with a more pleasant color.) There were no instructions, not on the pudding box and not in the first and second and hundredth drafts of their millions of stories. Aziraphale was scared, he realized, of the open-endedness.

He looked nervously at Crowley, for a moment, before his eyes flitted away.

“Eehhhh,” Crowley said. “Eh. Dunno. Y'know. Bad stuff. Good at that , they are.”

Crowley wouldn’t answer him, Aziraphale realized. At least not properly. The demon began blubbering away now, about the creativity of hell, trying to work his way back to the topic of colors along the sludgy walls of hell and likely succeeding, but Aziraphale wasn’t really listening anymore.

Aziraphale didn’t say he was scared. He even tried not to show it. He’d shown too much, already, tonight. And look where it had gotten them, all this emotion. They were safe now, yes, but Crowley had risked too much for him today – and too many other days and nights, as well. It was all his fault. And he kept doing it, too, purposely even, sometimes (though not tonight) and it was so terribly selfish of him.

Crowley’s safety was more important to him than anything else.

And he was its biggest threat.

They couldn’t keep doing this. Not after tonight. Not after Crowley had tread on hallowed ground for his sake; after Crowley had held a gun to his face, shaking, pleading no; after Crowley had almost gotten dragged down to hell for trusting an angel. Not after Aziraphale had realized that he– how much Crowley meant to him, and how much losing him would tear a hole into the very fabric of his being. Not the loss of his corporation – though that was its own kind of terror and a cause of many past nightmares – but the loss of him, Crowley, his very being. No more Crowley ever again, not in this body or any next. The thought had been so terrifying he'd rejected it immediately, and shut it away, but it was back now, a monster not constrained by drawers or cages of the mind. He'd realized there was no Aziraphale without Crowley, not really. And he couldn’t imagine it. But to keep him safe, to truly keep him safe–

“It’s getting awfully late. Maybe you should leave, now.”

–he needed to stay away.

“Eh?”

“I said it’s late, and I’m ti– tired… and– you should probably leave. We’ve spent– too much time together, today, have we not?” He tried to laugh, nervously, and Crowley furrowed his brows.

He got up anyway, abruptly and a little stiffly. “If that’s what you want, angel.”

It’s not what I want at all. “Yes.”

Aziraphale got up, as well, pushing his chair into the table and following Crowley to the door. The demon was walking briskly, but stopped short before reaching the exit. Aziraphale came up to his side, looking torn, and lifted a hand as if to hold him. He, too, stopped short before making contact. Let it drop.

“Angel,” Crowley started, but obviously didn’t know where to go with the words. What’s going on? The sudden change had thrown him off, and yet he was beginning to realize, slowly, what might have caused it. The worry in Aziraphale’s eyes was telling.

“I can’t have you risking your life for me,” Aziraphale said now, very quietly.

Crowley exhaled through his nostrils. We’ve both been risking our lives for each other for a very long time , he wanted to say. Wonder why that is? He said nothing. He didn’t want to think about the answer to that question, either.

Aziraphale looked at him, and there was something in that look, in that god-unforsaken gaze , that tore at Crowley’s insides, and he leaned forward: just a bit. And Aziraphale didn’t draw back. They stayed like that for a moment entirely too long for it to mean anything but one thing, but neither closed what little distance remained between them.

It was Crowley who turned away.

“Good night, angel,” he murmured, and Aziraphale only registered the sound of the little door bell as the Bentley was already roaring to life.

He stood there, alone, for several more moments, grappling with what had not happened, before he returned to the back room, where the photograph lay on the table, mocking him and his silly little human feelings. He didn’t want to look at it.

He should destroy it. Wasn’t that the right thing? The only thing? But Crowley’s absence hurt (already, already it hurt) and... what if he followed through and kept him at an arm’s length? What if nights like these were no longer possible? At least not until things had cooled down, one way or another. A few decades, maybe.

But he couldn't do it. Couldn’t bear it.

He pocketed the picture, carefully, in his waist coat. He suddenly felt like crying. Instead, he wandered into the shop, sat down at his desk, and opened a book. Paradise Lost. How wonderfully ironic.

He kept reading until dusk, and longer still, and when the little bell chimed again, announcing a brave and forlorn customer, Aziraphale slid the photograph between the pages, and closed the book, and got up with a smile.

#good omens #ineffable husbands #good omens fanfiction #my tiny take on 1941 #(this is part of the new chapter of Meanwhile but posting it as a standalone too)#my writing #inefficable

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bitethedustfools · 8 months

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New sagau idea?

This is my first time posting something on tumblr but I just wanna say that I'm getting tired of seeing the imposter! sagau au where the player/creator is so forgiving once they were declared innocent and not the imposter or something like that.

The eldritch one was good but kinda expecting to go to the dark territory. The yandere one is kinda okay but need more spicy with the creator personality. The one with letter is wholesome in a way but I'm a picky person and the player's personality is just not to my taste.

So uh, I'm just gonna drop some ideas to spice some new inspiration or something. Apologize if these aus/ideas already exist.

Indifferent god/player

You play the game to pass time, you don't even bother speaking, only staying silent the whole duration and maybe murmuring some dissapointing things on the characters when they don't reach your expectation. The characters designs are nice and maybe the personality but you don't give a damn about them. You probably don't read their story or voiceline or something. But anyway, whether they have sobs story or not, you already have enough and don't care as well.

Almost everything bore you and the only thing that keep you going is the curiousity for the ending so you tried to level up and give them the best artifacts so you can speed run or something.

Once you are inside the game, the first thing you do is sigh loudly.

You dont know who the hell is the creator they speak of that finally arrived in Teyvat cause your day is ruined from being approached by the characters who won't leave you alone. (You got that divine presence and distant looks in your eyes that made them tremble with realisation when in fact you're just annoyed with them, never giving them a single glance. "out of sight, out of mind")

You are the Watcher of Teyvat, the God of all Gods and you are finally descending to Teyvat which you create "lovingly" with your bare hands. (Not that you know about that)

Now the characters feeling towarda you can be varies. The characters may be feeling grateful because you helped them getting stronger which may lead to stronger devotion.

Your hurtful comments back in your previous world sometimes drove them insane which may lead them feeling desperate and insecure, ashamed and upset as well as letting their self confidence dwindled. Sometimes they questioned themselves why aren't they abandoned yet and why are they gifted with powerful artifacts instead? So lots misunderstandings here.

The Archons probably go crazy trying to figure out how to please you. Wanting to be by your side and show you how Teyvat came to be under their rule and after that. Use them however you wish, the rules of Teyvat bend to your will and all will act according to you. Maybe that's why their gnoses is in the form of chess pieces? For you to play and use with?

The Fatui harbingers probably have complicated feelings about you. But most probably are upset that you don't give a damn about them or glad that what they are doing doesn't offended you in the slightest and encouraging what they are doing because they thought you have no problem with what they are doing.

Can go yandere route I guess but none what the characters did will ever entered your eyes because you don't give a f*ck about them. Period. No feelings or heart to heart talk.

2) Introvert simping god/player

You are a Genshin Impact lover. You buy every merchandise possible and owned so many of their cosplay. You are probably the top 5 best genshin gamer and made some theories judging by what the game had shown you. No characters can escape your gushing as praises bullet out of your mouth. Nothing in the game could escape you cause you love them so much.

Unfortunately, as much as you love them from the roots of their hair to their fine shoes and the blackest and goodest of hearts, you don't want to be in their world.

Because you are an introvert and a simp! These combinations can't be good if you are to meet one of them!

The solution? Hide.

Needless to say, your ability to become one with the background unintentionally shut off your heavenly divine presence. You became the world's best hider, no Fatui could ever catch a glimpse of your shadow nor an Adeptus nor Archons. Always a game of mouse and cats yet theres no progress in catching the skittish mouse.

You refuse to meet them and can only look from a far. Staring with awe when they fought or walk or talk or whatever they do. It's like seeing an idol in a way.

In short, you're a stalker.

When they learn about how you look like, every place is not safe anymore. Everyone is looking for you, eager to meet you. But not you. By the power of cosplay, it's easy to avert meeting them.

And now, you are not the only world's best hider but the world's best at disguising themself as well.

3) Eldritch god/player

What if Teyvat is only one and the players is many? When you descend to Teyvat, some said you are tall, some said you are short and others said you are a male and another the opposite sex. They even said your hair was curly and black but the other refuted, saying yours was wavy and blonde.

Introducing you. A god who is all yet one individual. A god whose everything changes from one person to another's respectives. Sometimes the same person see you in a different appearance which confused many.

Your whole being is unpredictable, sometimes you're upset and then happy and then angry, all in the blink of a moment. even your accents changes, following the tongue of the one who is speaking currently.

Sometimes, when the feeling is getting intense, mostly anger, the face(s) morph into something horrible as if it couldn't decide which face(s) to take (or was it these players are feeling the same thing at once?) or what language to speak, resulting in gibberish words falling out your many mouth(s). Your eyes however are staring at the cause of your feelings, (enemy? the one that hurts you? experiment purpose?) All varieties of colours ranging from hazelnut to black.

The Archons are regal and full of divine aura, beautiful and something worthy to behold and worship.

But you are a different existence, leaning toward the dark and gory side than the Archons or the whole Teyvat.

But you are still a god, the God of all Gods.

Are you worthy to be loved and worshipped and to be behold?

Yes? No?

You're not you and you're also not them. Yet you are you and you are them.

Acceptance and violence, you have no problem to choose.

The feelings of the many you(s) are distorted and cannot be comprehend.

#genshin sagau #genshin impact #self aware genshin #ideas #sagau #sagau x reader #obsession #yandere

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dead-girl-tells-stories · 1 month

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Almost finished reading Dungeon Meshi and I got an idea

So in Dungeon Meshi or Delicious in Dungeon, there are these... dungeons.

And from what I have gathered dungeons can be made naturally or artificially but both types have the same few things in common.

They are made to contain demons

They attract adventures

The dungeons have lords who manage/control the dungeon and are given the power to do so by the demons

I know that I'm skimming over some important bits, but long story short, the demons come from an alternate dimension called 'The Infinite Realm' and feed off of people's desires, the Lord of the Dungeon's specifically.

That being said... (incoming dp x dc prompt)

Beings from the Infinite Realms aren't ghosts but demons. And while they do still have obsessions, they lack desires. And so, they've become something they hunger for.

Danny learns this the hard way when he accidentally eats his parents' desire to hunt 'ghosts'.

When the endless, all-consuming hunger, that had been growing inside himself became just a bit satisfied by the action, he got scared. He ran to Clockwork, who immediately explained everything to him.

From there he became terrified. He didn't want to eat people's desires, especially considering that he had some of his own. But CW explained that while other demons will most likely never be satisfied no matter how many desires they consume, because of Danny's halfa status he may be able to. (Also it would be a bad thing if the baby starves itself. No one wants the baby to starve!)

To test out this theory, CW pulls (more than) a couple of strings, and soon his dungeon was set up in Gotham City in the DC universe.

He felt a bit bad since he had to set up shop in another ghost's/demon's territory, but Lady Gotham seemed to have taken a liking to him.

Danny takes his time searching for the most desperate person he can find, (Lady Gotham is leading him to some of the most desperate people in her city, aka the Batfam.), and appears to one of them as a fawn (signifying his hunger and current 'lack' of power). He then looks deep into their mind and offers them the power to fulfill all their desires.

The Batfam? They should be better than this, but damn they were in a tight spot and the city is going to shit because the rouges have been more active than ever, and their family is on the verge of crumbling!... And the answer to fix it all was right there, just within their reach.

They held the fawn in their arms gently. Its ivory wings, coat of starlight, and piercing Lazurus green eyes. Gotham began to change.

A few years later, some members of the JL and the JLD are once again trying their hand at clearing the dungeon but are a bit discouraged because last time their team was wiped out completely.

It was inconvenient how their powers were nullified whenever they were inside the dungeon, but they had yet to find a spell to counteract it.

In an attempt to get past the third floor, they teamed with a team called Team Phantom, which comprised two young adult siblings, their 12-year-old sister, and a few teenagers.

Morally, they were against this. No one this young should be trying to clear the dungeon! But on the other hand, this team was the closest to getting to the fourth floor.

Sucking it up, they teamed up with the young dungeon dwellers and quickly found out why they were so close to getting to the third floor.

These kids were skilled. These kids were powerful. These kids were trained. On top of that, they didn't care about their lives! Because these kids? They wouldn't- no! They couldn't die, and they were using it to their advantage.

The JL/JLD now had much more to worry about than clearing the dungeon.

#dp x dc #dc x dp #dp x dc prompt #dcxdp #dc x dp prompt #dp x dc crossover #dpxdc #dp dc crossover #inspired by dungeon meshi #go read it #or watch it #Danny likes delicious meals so he chooses complex people #it could be a single Batfam member that becomes the lord of the dungeon #if thats the case any of them could work #but the batfam as a whole?#*maniacal laughter*#We all know who team phantom is soooo #if Gotham wasn't a hub for the supernatural before it certainly is now #this was a ploy made by CW and LG so that the baby wouldn't starve itself #they didn't expect it to go like this #this is also me pushing my 'Danny is a cool biblically accurate space deer god looking thing with wings thats so wynorrific #it drives you mad by looking at him but you can't fucking stop so you're stuck in the madness of his horrifying beauty' agenda #also #Danny becomes extremely morally grey in this #not good #not evil #just hungry #sorry if this is shit i wrote the first half half asleep and the next half the next morning when I had lost the idea #*cries*#*sobs*

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murfpersonalblog · 1 month

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IWTV Trailer (me losing my freaking marbles - YOLO) Pt2

I'm just going frame by frame thru AMC'S BEAUTIFUL new IWTV trailer. But I had to split this into 2 parts cuz Tumblr won't let me post 30+ pics. 🙄

They transition from Louis telling Claudia "It's you and me," to BB!Dan being "disrespectful"--yelling at Louis wanting him to make him a vamp, like we heard in S01E01.

And they immediately cut to the clip we've seen before of Louis crying & being dragged off by some old dude (if that's a vampire I feel bad for him, LOL). This might be Claudia/Madeleine's execution, rather than the Trial itself, cuz Louis was wearing a different outfit. (And Claudia's wearing the YELLOW DRESS! Imma be sick! 😭)

So I wonder when the "best outfit" Jam Reiderson said Claudia wears is gonna take place--which I'm assuming is the red Flamenco dress from the posters.

It is SO incredible that we're actually gonna see The Trial, and LESTAT BEING THERE, and seeing Madeleine & Armand & Santiago.

It's interesting that they cut from Armand saying it wasn't SanFran where he failed Louis but Paris, and jump to hallucination!Lestat mocking Armand, yelling "HA!" Is Louis' outfit the same as the one where the old dude dragged him out crying? It kinda looks the same. So is Louis imagining Lestat being FURIOUS with Armand for what's about to happen to Claudia? I wonder why Les is in THAT suit, cuz it looks like the same one he wore in S1E03 the night he kicked Jelly Roll Morton out of town & ragged on Louis about not wanting to kill humans.

Good lord, here we go. #GoneTooSoonMadeleine. U_U And I LIKE THE IMAGERY of the joint/shared transformation, nodding to Claudia desperately wanting Louis to be her (blood) spouse, as they make Madeleine together.

Jfc Louis really did almost kill BB!Daniel. O_O He shattered all that plaster--that's brain damage for sure--no wonder he can't remember the interview, LOL. (I still think Armand used the Mind Gift to make him forget everything.)

A lot of paintings and canvases--art heist Armand?! Are we finally gonna see how he made all that money, going around stealing priceless treasures!? (You can see Armand's feet floating, LOL.) Or is the inside of that chateau his coven raided, "we own dominion!"?

Daniel asking Louis: "YOU BUY THAT?"

AMC thinks they're FUNNY! Cuz they cut right from Armand stealing art he didn't BUY, to lovebomber!Lestat laughing in the townhouse and Louis yelling in what looks like a train station? So he's freaking TF out in public (just like Paul).

Ooooo--then they have Lelio!WolfKiller!Lestat about to attack someone (Magnus? Nope, I double-checked it's Armand cuz ofc it is), looking like the freaking BEAST in his red cape--

--right before we get Lestat's POV of Louis and him fighting in Ep5.

Cuz yeah, Lestat had snapped, and was beating Louis like he was a DOG, like he wasn't even seeing a PERSON, let alone someone he was supposed to be protecting from vampires/monsters LIKE HIM--and OMFG Louis was in blue just like Belle was during the wolf attack--I hate this show.

And they immediately jump from Louis getting beat by Lestat to what I assume is Louis getting jumped by the Theatre--trapped in the coffin they were gonna bury him alive in.

What on earth is Claudia throwing? I swear I think these are bombed/blown-up body parts--pieces of someone's life gone cuz of the WAR. (And immediately cut to Loustat fighting.)

"Who are you, Louis? If there was no ME, if there was no HIM." So yes, the fan theory that Louis WANTS those pieces gone are correct. Or rather--Louis THOUGHT that having those pieces removed would help him. He thought he could recover the lost parts of himself if he wiped his mind of the painful memories. But something must've triggered him--likely finding Claudia's diaries after the 1970s--we are SOOOOO deep in Merrick territory. Cuz Louis wants those memories BACK now--with a vengeance.

*squints* Are they really GOING THERE with Lesmand!? O_O That's not Nickistat, right? Cuz the very next clip is Armand--using telekinesis on Louis (or Daniel?) WTF?!

And then we see the familiar clip of Armand using the Fire Gift when he first meets Louis. Just paralleling how much Armand openly flaunts his many gifts in front of Louis, while Lestat tried to hide everything he could do to not scare Louis away--until Ep5 ofc.

Doomed "happy" "family." YELLOW DRESS ALERT ☝️. The calm b4 ish hits the fan. They immediately cut to Claudia being "welcomed" by the Theatre and Santiago zooming thru the tunnel--

--DEATH to all of them! "F**k these vampires"--Claudia never lied!

Louis, you are just too dang pretty--GTFO off my dang screen. 😍

Another YELLOW dress--these images are cursed.

Loustat reunion at the Trial, if that's the same outfit Lestat wore here.

Give him hell, Armand! 😈 He wanted to be the Devil's Minion so bad--here you go! Look at all that glass shattering around him; no wonder Daniel's scared for his life, LOL! (If this is actually Louis throwing a fit I will DIE.)

Louis finna GO OFF on this BUFFOON! So THAT'S why Armand was mad! XD Louis (or Claudia?) was about to rip Santiago's whole jaw off! XDDDD

The sound of Louis just crying has me in a STATE. AMC is doing something SO freaking different from the film & the books. Louis is actively trying to make sense of things, as we see this poor man just suffering with PTSD and mental illness; with no one to HELP him but some crotchety old man who borderline hates him, and an old AF vampire who'd loves him so much that he'd rather have Louis forget everything cuz ignorance is bliss. 😩

Louis WANTS to remember everything. Armand does NOT want the interview. And Daniel is scared.

Holy freaking goodness, what an incredible trailer. 👏 May 12th can't get here fast enough!

#interview with the vampire #loustat #loumand #louis de pointe du lac #louis de pointe du black #justice for claudia #must see tv #the hype is real

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thepastisalreadywritten · 1 month

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It was always going to end this way. The truth about Catherine Middleton’s absence is far less funny, whimsical, or salacious than the endless memes and conspiracy theories suggested.

In a video recorded and broadcast by the BBC, the princess says she has cancer and that she had retreated from the public eye to deal with her condition, while attempting to shield her children from the spotlight.

Instead, she had to contend with the internet giggling about whether she’d had a Brazilian butt lift.

My colleague Helen Lewis summed it up succinctly this afternoon: “I Hope You All Feel Terrible Now.”

What is there to learn from such a sad situation? The internet is made up of people, yet its architecture abstracts this basic truth.

As I wrote a few weeks ago, at the center of this months-long story was essentially “a sea of people having fun online because it is unclear whether a famous person is well or not.”

Underneath the memes was always something a little bit gross and indefensible.

Perhaps humans are just wired this way — to gawk and gossip.

There’s nothing new about hounding a member of the royal family or invading the privacy of a celebrity to sell tabloids or go viral.

You don’t even have to be a scold about it: Famous people are wealthy and beloved at least in part because they’re fun to talk about.

Exactly what we do and don’t know about their internal lives is part of the allure — the discourse comes with the territory to a degree.

But Catherine Middleton, of course, is a human too.

During this saga, I kept thinking about the reappraisal of Britney Spears in 2021, as well as the backlash toward past media and tabloid coverage of her rise.

A New York Times documentary dredged up old coverage of Spears from the mid-aughts, showing a young woman clearly in distress, being picked apart by glossy magazines.

Her suffering became entertainment. The response to this film was swift.

Some of the people and institutions that had shamelessly delighted in her pain backtracked: Glamour publicly apologized to the pop star on its Instagram account, noting, “We are all to blame for what happened to Britney Spears.”

Contrast the Spears reckoning with the Middleton drama and, if you’re being generous, you can see some of that newfound attitude in the media.

I was struck by Lewis’s observation that “Britain’s tabloid papers have shown remarkable restraint” throughout this mess.

Progress, perhaps, but what’s also telling is that they didn’t really need to do the dirty work: Random people on the internet were doing it for them.

They recklessly speculated, memed, and used their amateur sleuthing and networked faux expertise to concoct elaborate, semi-plausible explanations for her absence.

Was Catherine’s face actually Photoshopped from a Vogue spread? It wasn’t, but the conspiratorial tweet got 51.1 million views anyhow.

Missing from much of the discourse was the idea that its main character was a person who was likely struggling.

In essence, the internet democratized the tabloid experience, turning the rest of us into paparazzi and addled editors workshopping headlines and cover images — not to sell magazines but to amass some kind of fleeting online popularity.

In my least charitable moments, I see this toxic dynamic as the lasting legacy of social media — a giant, metrics-infused experiment in connectivity that has had a flattening, pernicious effect.

In 2021, I interviewed Elle Hunt, a journalist who’d tweeted an innocuous opinion about horror movies one evening and woke up to find she was trending on Twitter, her feeds choked with thousands of furious replies and threats.

When I asked her to describe the experience of becoming Twitter’s main character for the day, she summed it up thusly:

“You’re repurposed as fodder for content generation in a way that’s just so dehumanizing.”

Three years later, these words resonate even stronger.

What Hunt described to me then as “a platform failure,” feels to me now like a learned behavior of the internet, where people, famous and not, are repurposed as fodder for content generation. The cycle repeats itself endlessly.

This afternoon, the memes about Middleton shifted — from jokes about her whereabouts to jokes about how awful it was that everyone had been making fun of a cancer patient.

Feeling bad about the memes tweets immediately became a meme unto themselves.

Despite the tone shift, the reason for these posts is the same: They’re a way to take a person and repurpose their life for entertainment and engagement.

If this sounds exhausting and depressing, it’s because it is.

But the internet is also too big to be one thing. Clicking through social media this afternoon, I saw dozens of heartfelt testimonials, apologies, and well-wishes for the princess.

For a moment, from my perspective, it felt like watching a collective of people come to their senses.

A recognition, perhaps, of the humanity of the person at the center of the maelstrom.

Then, only a few seconds later, I saw a different post. It was a screenshot from the blockchain platform Solana, where users can create their own cryptographic tokens for others to invest in.

The name of the token in the screenshot is “kate wif cancer,” and its logo is a still of the princess sitting on a bench, taken from this afternoon’s video.

The coin’s market cap briefly surpassed $120,000. Only six minutes later, the price had cratered — the result of a standard memecoin sell off.

An awful thing happened. Some people made a joke about it. Other people made some money. And then everyone moved on.

NOTE: Edited

#Princess of Wales #Catherine Princess of Wales #Catherine Middleton #Kate Middleton #British Royal Family #cancer #chemotherapy #internet #memes #fake news #disinformation #misinformation #platform failure #social media

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anthurak · 6 months

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So I’ve been reading/watching a few different Helluva Boss theory posts/videos recently, and I really have to ask:

We all recognize that when it comes to serious theory-crafting on lore, character backgrounds and most other things, basically EVERYTHING from the pilot is firmly in ‘take with a grain of salt’ territory, right?

Like this is not some ‘true episode one’ or weird ‘episode zero’ thing. It’s a pilot, a proof-of-concept and basic introduction to the series premise and main characters. Now it is certainly a GREAT intro to that premise and those characters, but it’s also clear that at this point the writers were still ironing out the characters, lore and other elements. I mean just compare Stolas in the pilot to Stolas in just the first episode, or how Tilla went from being Blitzo’s older sister to being his mother.

And we can really see this dissonance all over the pilot, as well as possibly getting a sense of what earlier drafts of characters might have looked like.

For example, Moxxie’s ‘dreaming my parents were getting murdered’ line in the pilot certainly feels like it may have at one point been foreshadowing, but it also just doesn’t fit very well with what we later got in the actual show. It seems like Moxxie would have nightmares about his mother being killed, but find dreams about Crimson being murdered to be quite appealing. Instead, I think we can guess that the plan at the time of the pilot was for Moxxie’s parents to have both been murdered by the mob/Crimson, possibly leading to Moxxie being adopted (perhaps by force) by Crimson. But between the pilot and the first episode, Vivzie and the team opted to streamline things by making Crimson be Moxxie’s father in the first place and him having murdered Moxxie’s mother. As evidenced by how Moxxie’s ‘maybe a shitty dad, or a mob family…’ line in Murder Family is MUCH more in line with what we end up seeing in Season 2.

Likewise, I imagine that Tilla originally being Blitzo’s sister likely had her in a nurturing, adoptive older sister role to Blitzo and Barbie, until the writers decided it simply made more sense for Tilla to just be the twins’ mother instead.

So when I see people doing stuff like using Loona’s implication that she has syphilis as a major part of or even the whole basis for theories on her messed up background/childhood, I can’t help but feel like they’re unwittingly building up their theory on a pretty shaky foundation.

Like don’t get me wrong, I fully agree that Loona went through some major shit in her childhood. I even have a hunch/headcannon that her backstory is actually going to have Blitzo AND Moxxie beat in the fucked-up department. It’s just that I think a far more reliable source of foreshadowing on this is something like Loona’s whole ‘This kid probably sets dogs on fire’ spiel in Murder Family, rather than anything from the pilot. Particularly since we now how at least two other cases of seemingly offhand, inconsequential jokes from that episode actually being foreshadowing; again, Moxxie’s ‘maybe a shitty dad…’ line, as well as Blitzo’s ‘we’re just killing a mother…’ line.

Finally, everything I’ve said here goes double, triple and frankly QUADRUPLE for Hazbin Hotel. Whereas we only had a little more than a year between Helluva Boss’s pilot and first episode, we’ve had over FOUR years for Hazbin. And it’s clear already from the trailers and other promotional material that things have changed quite a bit since the pilot. Like I’m as hyped as anyone else to finally see this show get released, but when it comes to specific expectations, we REALLY need to take basically all but the most general, basic, broad-strokes story, character and lore details that were in the pilot with a MASSIVE grain of salt.

Things like the basic premise, general character personalities, Charlie and Vaggie being a couple, etc; those we know are still a thing. Everything else is WILDLY up in the air.

#helluva boss #hazbin hotel #assume that NONE of your precious headcanons are going to survive the hazbin premier

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frangipanilove · 11 days

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Señor Dixon Goes To Spain?

Let’s indulge in some wild speculating, based exclusively on hypotheticals and wishful thinking.

Well well well! Daryl might be going to Spain! Excellent choice, it’s a beautiful country, I highly recommend, 10/10. And while it seems to have been officially confirmed just now, it’s not entirely surprising for people who’ve been paying attention.

We heard a reference to Spain already back in TWDDD 1x1 L’âme Perdue, when Isabel showed Daryl around the convent, and they came across a radio. Isabel mentioned that the last person she’d been in contact with was a Spaniard a few months ago:

When seemingly random stuff like this gets brought up, it’s normally fair to assume it’s symbolism or foreshadowing, and I felt pretty certain Spain would come up again sooner or later.

Then later, we meet Losang. He’s the leader of the Nest, and he first came in contact with the nuns and Laurent on his way back from a pilgrimage to Santiago de Compostela in Spain. "Compostela" refers to "the field of stars" under which the pilgrims traveled, a reference to the Milky Way.

That certainly tickles my TD brain, concidering how many astronomical references we have had around Beth, such as Sirius and Venus, satellites and eclipses to name a few.

Camino de Santiago to Santiago de Compostela is one of the world's most famous pilgrimages, and can be reached through a number of different routes. Isabel's convent was situated relatively close to the starting point of the French Way:

I have a whole theory in my drafts on potential references to El Camino de Santiago from years ago, which I might have to revisit now. Also, keep in mind that the working title of TWDDD was "Pilgrim":

But the most compelling thing about filming in Spain is an absolutely brilliant discovery made by @galadrieljones back when the final season of FTWD aired. We see Dwight, Morgan and Sherry share a scene, and a series of coordinates were given, supposedly to a P.A.D.R.E repeater station.

In reality, the coordinates corresponded with an area of the Atlantic Ocean near an archipelago called the Canary Islands. The islands, though situated off the coast of west Africa, are Spanish territory, and are famous (and slightly infamous, to be honest) for hordes of pale, vitamin D-deficient, sun-deprived north Europeans like myself as a holiday destination.

The part of it that’s particularly interesting for TD is that the etymology of the word Canary/Canarias shows it is derived from Latin “Canis”, meaning dog.

And as we know, that’s Sirius symbolism. Sirius means return/rebirth/resurrection. It refers to Sirius the Dog Star, who returns to the sky one morning right before dawn, after having been “just gone” for some time. I've written many posts on that, here's one.

There’s even a particular type of dog breed that’s associated with the Canary Islands, Presa Canario:

As a fun fact, in TWDDD season 1, Daryl’s original plan to get home involved getting on a boat that would eventually take him to Newfoundland, Canada. That’s also a dog reference, it refers to Newfoundland dogs:

As I’ve been saying, dog symbolism is Sirius symbolism, we learned that from 4x13 Alone. It means return/rebirth/resurrection. Daryl’s plans to return via Newfoundland fell through when he had to save Laurent from walkers, but the symbolism of it is still valid.

And as an extra fun fact, there’s even a location on Newfoundland, Canada, with the name Canary Islands…

…do with that what you will...

Another really interesting thing about the Canary Islands is that they provide an excellent starting point for transatlantic crossings. This is due to the consistent trade winds that blow from east to west, and sailors have taken advantage of this phenomenon for centuries.

Of course, we don’t know if Daryl will make it to the Canary Islands, and even if he doesn’t, I’m still exited about Spain, for the reasons laid out above. But the potential reference to the Canary Islands through the coordinates from FTWD is a super interesting clue, and it involves dog/Sirius symbolism, which makes me very happy.

Also, the coordinates from FTWD supposedly led to a repeater station, which is a radio reference. That means, the repeater station is a Sirius symbol both as a radio reference, as well as a dog reference, in that the coordinates in reality points to a stretch of ocean near the Canary Islands.

Whatever the coordinates were meant to signify, they sure as hell didn’t point to no repeater station in Georgia.

So yeah. Might be nothing, but could be something. The off-season is for speculating.

#team delusional #bethyl #daryl dixon #beth greene #team defiance #the walking dead #beth x daryl #twd #daryl x beth #ftwd #twddd #ddtboc

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cat-mentality · 6 months

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PLS ELABORATE ON THIS [the theory on which eggs fit which sins]

OKAY BUCKLE UP ANON!!!! This is straight up tin foil hat territory, i'm just like manifesting from nothing because it is incredibly fun in my mind

For this to make a little of sense i'm going to consider Purgatory as my catholic school taught me- A place where the sinners go to repent to their sins, either for all of eternity, if the sins are too big or too terrible, or until they have been forgiven and i'm taking Dante's inferno as my guideline on how this whole thing operates.

I'm also going with the theory that Black Cucurucho was the one responsible for taking the eggs/scaring them away, maybe to make them vulnerable and fall on his trap, is my personal theory that the Black Cucurucho is literally the anti-Federation, as in order versus chaos and as such he is looking to destroy everything the Federation is building and using the egg's to do so (and also Cellbit!!! If it's not the Rebels giving him the information i bet on Black Cucurucho more than the Feds themselves).

So, basically: The eggs get kidnapped by this new strange force (not evil per say, not more than the Federation itself, but less interested in pretending not to be, like the Anfitrião in Ordem Paranormal) and they get stuck in Purgatory, who is made by 9th circles, divided by the type of sinners they are set to punish. The tickets are the passage to get into the circles, Virgil acted as Dante's guide in this case the train will be responsible for taking them from one circle (island) to the next IF they manage to complete whatever task will be set in their way.

I believe the placement of each egg (in my delulu head) has less to do with their own sins, as the Black Cucurucho is not really interested in them but rather in the suffering he can inflict on the parents using them, but in the mortal flaw he sees on their parents.

Chayenne i would put being stuck in the 1st circle, Limbo. It's the less worse of the nine as it is the place where the unbaptized and virtuous pagan stay, endlessly walking in eternal darkness.

Why you ask me?

Well Chayenne IS the son of the Angel of Death. His other father is also a being blessed by death (or cursed with life, your pick). He worships the Blood God. He is dear to the Goddess of Death herself.

What's more pagan than that?

Besides Chayenne IS virtuous himself, he is a warrior, devout to the Blood God however not for bloodlust, but for the desire of protecting those he loves and cherishes. Little Chayenne, walking endlessly searching for his siblings, praying to his fathers' goddesses to shine a light, to show him the way, to protect his siblings, but receiving nothing back as the goddesses is forbidden from interfering with the living, even the ones toying the line into her realm.

I actually changed my mind and we are putting Tallulah in the 2nd circle, Luxury. Now, we about to play loose with the definition of luxury here as this is the circle where the damned are tormented with strong winds that drag them through hell, i'm focusing not on Luxury as a carnal sin, but rather the element of desire.

And for this we are going to consider Wilbur as the parent being punished, not Philza.

Wilbur who left for fame.

Wilbur who left for months and months and months. Who lusted for the world, who wanted to be known, who wanted to be adored, who lusted after a life of his dreams.

Wilbur who in his lust for the world forgot the one person who always considered him her whole world.

Tallulah lusting after safety, lusting for a place to belong, lusting to leave a mark in the world so that it doesn't forget her, trying to grab onto anything to prove her worth and her value but now being stuck in those winds. dragged without a destination, powerless and alone.

Pomme is then in the 3rd circle, Gluttony. The 3rd circle is the circle for those who were gluttons, who over indulged, are now stuck in pits of dirty, freezing mud, tormented by Cerberus and also a storm of snow, hail and thunder.

Etoiles, always hungry for the next fight, for the next dungeon, for the next opponent.

Baghera always hungry for answers, for things she cannot have, cannot do (she wants an explanation about what happened to her, she wants to save her friends when she cannot even save herself, she desires for the world to be good and kind).

Antoine, always hungry for power, selling his soul, his family, to achieve it. Devouring faces, devouring stories, devouring lives, swallowing everything whole until he doesn't even know who he was supposed to really be.

Pierre always hungry for connection, for warmth, hungry for those he meets, trying to fill the void in his heart with the temporary warmth of another body.

Pomme hungry for adventures, hungry to prove that she is worth of love (she remembers, those first days, the distrusts, the coldness, the way they considered not taking her and she never wants to feel that cold), Pomme being stuck, helpless when she knows so very well that helplessness gets you killed, that it makes you weak and unworthy.

The 4th circle, Avarice is empty, of the eggs at least. A respite, as much as they can have in that place.

They find Ramon in the 5th circle, Wrath. Localized on the Styx, the river that cuts through the Purgatory, made of boiling water and blood, that is the place where the wrathful are locked on eternal fights on the surface of the river, on the bottom the sullen are forever stuck drowning on the things they never got to say.

Fit who lived his whole life in a desolate wasteland where fighting was the only thing he could do. Fit who knew no rest, no peace, no sound of those fighting and those dying.

Fit who fought his whole life, who is still fighting, who doesn't know how to rest, who doesn't know how to forgive, who chokes on his wrath, who forces it down his throat because he wants to be better but anger was all that he knew during most of his life.

Fit who looks at those people in their eternal battle, bleeding and making others bleed for no reason, with no end in sight, with no real purpose but to cause harm, and feels at home.

Ramon who tries so hard to be light, to support and help his father in whatever he needs, who drowns his own feelings because he doesn't want to bother others, because he wants to be the rock they can lean on, drowning at the bottom of the Styx.

Leonarda is on the 6th circle, Heresy. This is the circle where the sinners had the intention of sinning, the one destined to those who denied the existence of god, who went against the beliefs of their time, and now they lay on open graves as fire burns them.

And what is Foolish if not a non believer?

He believes in no god, no authority, no deity. He believes in himself, he believes in his family, he believes in what he thinks is right.

Oh he plays pretend of course, he smiles at the Federation, he works for them, he joins the Ordo, he participates in their reunions, but do he believe in any of them? Does he commit to one dogma over the other?

Of course not.

Foolish is a non believer. He will join the side that offers him the most, he will betray them as easily as he joined, he will jump from a place to another as long as that keeps his family safe, as long as that is what is better for them.

Foolish who sins and smiles as he does so.

Little Leonarda who believes in her Pa above everything and anything else, burning in a never ending fire. Little Leonarda who doesn't give a fuck about anything else as long as he is okay, as long as he is by her side, who would follow him into whatever mess he got himself into, who couldn't care less about other's morals or expectations, who would gladly sin as long as they are together.

Richarlyson is on the 7th circle, Violence. This circle is actually divided in three parts but i think only two would be used the Valley of the Phlegethon where the ones who were violent against others were submerged on a river of the blood of those they hurt, and the valley of the suicidal, where those who were violent against themselves became either trees, eaten by harpies or chased by hungry dogs.

And well, it's self explanatory isn't it?

Who has spilled more blood than Cellbit? Between the war, the prison and not the Island he has enough blood on his account to drown them all.

Forever? Oh there are bloodbaths in his past too. There is rage that blinds, that takes hold of him and only leaves when he is standing in the aftermath of a carnage.

Mike does not mind blood. Never has, never will.

And who hurts Pac more than he does himself? Who hates Cellbit more than he hates himself? Who blames Forever for things, more than himself?

They may turn their rage against the world, may bath it into blood, may spill it until rivers form but they drown themselves in it too.

And Richarlyson? Little boy who saw too much, who knew death and suffering too early, who lives at war with a part of himself who wants nothing but to hurt and destroy.

Finally, Dapper is on the 8th circle, Fraud. This circle has ten pits in it, each designated to a type of sinner with their own punishment, raking from being whipped by demons to being submerged into boiling tar or being dressed into shiny clothes who were as heavy as lead.

And what is BadboyHalo if not a fraud?

Who even knows who he truly is, what he truly thinks? Probably not even himself.

This is a man of many layers and many masks, a man who presents himself in any way he thinks is right regardless of what he truly feels or thinks, this is a man who will lie to anyone, including himself.

This is a man who embodies every single sin punished, who could easily be put into any of the pits. Is he not a seducer? Is he not a liar and a thief? Corrupted by his own darkness? A hypocrite, to others and to himself? Does he not sow discord, does he not give bad advice?

And isn't Dapper too much like their father? Little Dapper who lies and lies and lies, who hides behind her own masks, who is now being punished because they do not know who they truly are underneath all the masks.

And the 9th circle, the last one?

Betrayal.

Sometimes the only way to leave hell, to leave Purgatory, is to be worse than the devils.

#can't believe being catholic is relevant for a minecraft theory #weirdest sentence i ever typed in my whole life #this got so long fuck me i guess #but im not putting it under read more #qsmp #qsmp eggs #qsmp philza #qsmp brazilians #qsmp french #i'm not tagging everyone fuck that #qsmp fic #qsmp foolish #qsmp wilbur #anon im so sorry #11pm and im unhinged

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hilariousrabbit · 5 months

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Critic of Stage in Playful Land - The Worst Event in Twisted Wonderland

I'm not gonna lie, I had high hopes for this event. The cards were gorgeous, I loved the new outfits, and we even got new characters! I'm quite a huge fan of the gothic circus aesthetic, so I was even more hyped for what's to come. Of course the stakes would be high for something like this, but unfortunately...the execution of this event has completely brought it down.

This is gonna be a very long and angry critic, so beware! I might be mean too!

The translation screenshots provided are from Ekala on YouTube. TW: Insensitive portrayal of human trafficking

The first part of the event felt SUPER stretched out. I understand, the main cast may have been overwhelmed with homework and losing the basketball match against NRC. But I also feel like they could have summarized this quicker? Plus, Fellow Honest also talks A LOT. I know it was supposed to be extended flattery to the point where it became suspicious, but it was taking so long to get to the main point that I quickly became bored.

The character's reasons for going were also very strange...but let's focus on the Octavinelle twins for a second. Floyd and Jade wanted to visit the amusement park specifically because it seemed suspicious. The twins are seen as a very shady duo, and having conflict with an even shadier duo (Fellow Honest and Gidel) is bound to be something that would be super interesting to watch.

Similarly as to how Idia played a crucial part in the Masquerade event, I thought they would have a larger role in this story, and I was disappointed when they just frolicked around the amusement park. They're not the type to just walk right into a dangerous territory without a plan/strategy, and it felt really weird seeing that happen. With them doing no preparations for this situation whatsoever, it feels like a waste to even state that detail in the first place. Speaking of that...I had heard some other fan theories on the role Ortho would play in this event. Some speculated that he would be representing the puppet in this event, as he isn't human. But then again, none of that ends up happening in the event because there was no thought as to how these characters would be used. My friend made an interesting point about the character choice in this event. They speculated it was just the company gathering up characters that haven't been in many events before book 7 ended, and I honestly wouldn't be surprised if this was the case.

When the main cast was exploring the park, it was just filler content. Nothing interesting happened, at all. They explored the park that was filled with references from the Pinocchio movie. Now if this was any other Disney film, I would be like "Yeah alright, that's from the movie. That's cool". But if you know what happens in the movie, then it might be a different story. I was deadass filled with dread when they put the references in, and I was so uncomfortable. Especially during this scene:

Also this was uncomfortable to see. Like okay...I didn't need to know that.

Anyone who watched the Pinocchio movie must have known that something bad was bound to happen (most likely some form of human trafficking). So when Fellow Honest's intentions for selling guests as wooden dolls was finally revealed, the entire story went from 0 to 100 real quick. And not in a good way. I know the previous filler was supposed to put us in their shoes, and how we as the viewer could also get distracted from the carnival's attractions. However, there should have been a better way to transition these two contrasting moods of the story. Plus, I can't help but feel like this is an unnecessarily cruel twist compared to the original movie. When it comes to more darker/sensitive topics such as human trafficking, there should be some sort of caution as to how they portray these kinds of things. I felt like this was solely added for shock value to make up for the slow pacing in the first parts of the event, and I can't help but feel really uncomfortable about this. I also REALLY don't like the possible implications of this line:

The insensitivity of the topic of human trafficking is further fueled by how the chase is played out. They needed a reason for characters to be kidnapped one by one, and I know that's usually how these types of events play out. But considering the severity of their situation, I feel very weird about it. Also, the characters are unusually calm about being sold as a literal slave? And the topic is just not dealt with seriously at all.

Important Detail: The Playful Land theme park functions as a ship, which sails away from land as soon enough guests are lured into the park. This is literally a human trafficking ship, there's no sugarcoating this.

Another part I'm upset about is how Kalim dealt with the entire situation. I'm unfortunately used to Twisted Wonderland dumbing down his character for cheap laughs but this has really gone off the rails. Ace gave him a clear reality check. They were at risk of being sold as dolls to whatever rich freak paid money for them. It was clear that Fellow Honest wouldn't converse on the subject over a fancy dinner. Honestly...I need you guys to read this for yourself.

So when Ortho came back, why in the world did Ace apologize to Kalim? Sure, what he said was harsh but it was completely true! There was a real threat to these characters and it wasn't being taken seriously.

For some reason, every time there's a chance for Kalim to develop, all of that is just completely reversed. Even if this was an issue before the event was released, I also feel like the writers forgot one very important thing...

Kalim has literally been kidnapped before! SEVERAL TIMES TOO!

He was targeted several times because he's from a rich family, they were planning to do malicious things to him for the sake of MONEY. Literally, just like Fellow Honest! He should know better than anyone else how horrifying it is to be taken away from the ones you love, and having no idea what will happen to you. But noooo instead he went full on Steven Universe on Fellow Honest! I'm not even taking the excuse that he's desensitized to it because he was putting the lives of his classmates at risk by giving this human trafficker a fucking chance. While he's not the smartest in the group, his character IS compassionate. How did he give more compassion towards this stranger he met a day ago instead of his own classmates?! How did they botch his character this badly?!

Lastly, when Fellow Honest's reasoning is stated in the story...I really have no words. He engaged in human trafficking, because his former teachers told him that he wasn't a good mage? ...I'm sorry? What the fuck kinda reasoning is that?!

He's literally committing a random act of malice because of his own personal issues. I can't even say that he was merely projecting his hatred onto students alone, as there were other guests attending the park too! I don't know how old they are, or if they're even in school anymore, so these are literally just random victims to me! It looks like the writers attempted to add a tragic backstory for this character in order to get the audience to have some sort of sympathy for him, but this just makes him look fucking stupid.

During this event, he talks about school being worthless and about how he and Gidel had a hard time surviving because they didn't get an education. Like...he chose to drop out of school. Of course that would happen! What was he expecting?

This event made an attempt to go into class dynamics and it's just...oh my god. Let's do a character comparison for a second. Ruggie grew up in a poor area, but because of that he was always on that grindset. Instead of bitching about how educated people are entitled and snobby, he takes advantage of every opportunity around him. And this includes the education at Night Raven College! He even takes financial advantage of others if necessary! He doesn't mind working for others as long as he can get something out of it.

Now let's talk about Fellow Honest's unique magic. I'm not gonna lie, I do think that concept is pretty cool! However, let's take a look at how it's implemented in the event. Now this is where I get critical of this. Having an increased amount of optimism doesn't mean being dumbed down. I'm still confused on how none of the characters were at least a little bit skeptical when walking through the park. There were red flags all across the park, free food, surprise gifts, a whole ass outfit for free, and a freaking 10 minute roller coaster! It was clearly too good to be true, so I can't understand how nobody among the main cast doubted it even for a second?

Also the reasoning why a magic-sensitive creature like Lilia didn't sense his magic before is so bullshit. I'm sorry, they just needed a reason for him to not notice this in order to make this event work.

And then when the cast started talking about how great school was for them, and even offering him admission to Night Raven College... Sorry just a moment, I just need to...

He is a literal human trafficker, and they decided to sympathize with him because of his bad school past?! WHAT???

I'm not even taking the excuse that the main cast are based off villains. HOW CAN YOU JUSTIFY THAT AT ALL?!?!?! HOW???

We don't know how many people he has done this to. It's clear that this isn't the first time this amusement park has hosted customers. If this was merely his first attempt by means of survival then it might have been a different story, but he's experienced at this. There's a good chance that he has turned people into dolls before.

And then after a super prolonged chase scene and even more battles, we get to Kalim going full-on Steven Universe on Fellow Honest. Then his employer deducts his pay because of the damages in the park...and he finally had enough. He frees everyone, asks them to destroy the park, and now he's a good guy and he's gonna open a school!

...

Now I'm confused about this for a couple of reasons. So first of all, how did his opinion of schools completely do a complete 180 after talking with them for a few moments??? Change in a character doesn't occur this quickly, and we've seen this be the case with multiple characters in this game. Even if this was meant to be rushed for the sake of this being an event story, not even Rollo had a change in opinions after his event! So what was up with this?

The second reason is that Jack specifically stated in this event that his brother can't use magic but is still attending school. Magicless people DO get educated, and there's many pathways for them to choose from.

They aren't barren from society like Fellow Honest thinks they are. Take a look at the people in Epel's hometown and in Fleur city, they're pretty happy! I don't think the concept of schools for lower magic users/non-magic users is as revolutionary as they're making it out to be, and I feel like this is a super last-minute decision on the writers behalf.

Another thing is that...

Fellow Honest has NO REMORSE AT ALL for what he did.

He wanted to quit because he just didn't wanna work for the higher-ups anymore, not because he actually realized what he was doing was fucked up! Yeah sure, he might be focused on his new goal to open up a school. But is he just gonna ignore the fact that he fucking SOLD PEOPLE AS DOLLS? HUH? How am I supposed to wish him well on his newfound journey when this entire thing is just left unaddressed!

I'm also confused about another thing. Fellow Honest asked the cast to destroy the amusement park after he freed them, promising to turn the park boat around to Sage Island if they did so. This caused the boat to sink, and Ortho had to push the entire park back to shore.

They were able to get back to shore before any serious damage was done, so can anyone tell me why Fellow Honest and Gidel decided to ride off into the sunset WITH the park? It's literally sinking as they speak! So...huh? Where will they even sail to? It's pretty hard to not notice a huge ass amusement park sinking like this in the middle of the Sage Island, especially when it's right beside the port! What is going on?!

Who the hell even wrote this? I can't with this event man...

I know the lesson of this event is to realize the importance of going to school and being a good kid like in the movie. However...let's step back for a bit. The target audience for Twisted Wonderland is young adults and teenagers, and the fanbase DOES consist of these people. I don't think they need reminding of why education is a privilege...? Pinocchio was specifically made to scare little kids, so it just does not translate well to their target audience AT ALL. While I do love Twisted Wonderland, I really do feel like this is their worst event yet. I hate how almost all the characters were dumbed down to make this story work, and I don't care if it was because of Fellow Honest's unique magic. When it comes to sensitive topics, Twisted Wonderland is usually good at portraying them appropriately. So I really have no idea what happened with this event.

I think the company saw the positive reception with Rollo Flamme, and decided that this type of new character was something to be implemented yearly. Surprisingly, Fellow Honest and Gideon seem to have a large fanbase in Japan...so they probably took the popularity of these characters as their next material to work with. This could have worked out wonderfully if they were to treat this like its own story rather than a remake of the movie, but unfortunately that's not the path they decided to go with.

I have never felt this way about any other event, and the urge to write this critic was STRONG. I have no idea whether Yana wrote this, or if another employee just decided to pull some last-minute shit with this entire event. Regardless, I'm praying to god that this is merely a one-time occurrence and that the next event will be better. I think for the sake of my sanity, I need to pretend this event doesn't exist.

Thank you for reading my thoughts on this.

#twisted wonderland #stage in playful land #twst #twst wonderland #twst event #playful land event #I was really in denial at first but...#I was trying to give them the benefit of the doubt for almost the entirety of this event #PLEASE tell me i'm not the only one who's thinking this #when the shock value from this event worn off #I was just like...what did I just watch?#when you step back and look at it...it's really not good #there were more points I would have added in this post but it was already super long and I was really close to the image limit!#thank you for reading #I would love to hear what you guys think of the event

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allgremlinart · 6 days

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I would like to hear about the earth kingdom over expansion theory

‼️ ok. admittedly this DOES require some knowledge of my pre-unification theory to understand better sdhsdh.

but basically, it rests on a few certain assumptions and ideas that make me believe that The Earth Kingdom looks as big as it does because it has made some aggressive, ambitious, and somewhat wobbly land claims throughout its history.

the facts of canon are as follows:

While being divided into smaller kingdoms and states the Earth Kingdom has a centralized seat of power that exerts authority and administration over them (currently, Ba Sing Se).

The Northern Air Temple is marked on the world map as Earth Kingdom Territory, while the other three Air Temples which are not connected to the contiguous EK by land are not.

By 4,000 BG the four nations were not yet unified or ethnically identifiable.

my assumptions and theories are as follows:

While when we appear on the scene in 100AG its clear that the 4 nations developed to have a strong sense of ethnic identity, it is unclear if national ethnic (see: elemental) identity came before or after these territories unified.

The borders of the 4 four nations changed and oscillated over time.

It is the central authority that is currently in power (BSS, Chin The Conqueror, Kuvira, etc) that decides what is and what is not considered the "Earth Kingdom."

These decisions and claims are not always 100% salient, or there is no intrinsic or inherent claim to an ethnic Earth sovereignty over all the territory we see that it possesses.

So essentially what I've concluded/headcanoned based off my own personal assumptions is:

Once upon a time the Earth Kingdom decided that the Northern Air Temple and the mountains they lived in were now Earth Kingdom territory. The Air Nomads simply didn't challenge this because they didn't care about borders or nation states and also the EK has no way of ascending to the temples to collect taxes from them or anything anyway.

Once upon a time the Earth Kingdom decided that the islands closest to the South Pole, which were historically either a mix of Earth and Water elemental identities, mostly Water Tribe, or populated mostly by non-benders, were now Earth Kingdom territory. The people from these islands did not put up much of a fight to these claims since the EK rarely bothered to sail out there anyway.

In conclusion: this theory is mostly an excuse for me to make the world's history messier (because it's fun and realistic) and to expand the Southern Water Tribe's identity and cultural sphere of influence (because it's fun and I can draw about it.) Uhm. play with me in this space? if you want.

(the map I used is from the official RPG book, but here's another map of 98 AG by GPMAsss2 on Deviantart because. well idk just because. I like this one. atla has a cool map community if you know where to look...)

#grem's atla worldbuilding rambles #<- sorry.#anyways. might have some art to go with this that extrapolates on it but I also am super busy lolol #atla #allgremlinasks #long post

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m1d-45 · 1 year

Text

my take on sagau lore / logistics

summary: sagau lore! includes you the creator, self-awareness, khaenri’ah, celestia, literally everything i could think of

word count: ~4.1k

-> warnings: spoilers for literally everything bar the sumeru archon quests. khaenri’ah lore, kaeya + albedo lore, celestia lore, archon quests, all of it. i ramble and stray off topic and swear while doing so.

-> lowercase intended. forgive the format pls

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie

< masterlist >

ok, so, just off the top of it, let’s address the largest problem with this au, specifically my genre of it:

how can teyvat be real if it’s a game?

great question! the answer is that it’s both.

i haven’t thought this through entirely, only enough that i personally can suspend my disbelief about the fics i read, but the way i see it is that you, the creator, made teyvat a billion (or more idk) years ago. you made the people—or the animals, if you still wanna subscribe to evolution—the lands, the waters and the mountains. everything was carefully pulled and molded by your hands, your influence stretching to how the wind blew.

(that’s because the god who controls it wants your attention so badly but whoooo that’s cultish territory)

anyway. fast-track past the archon war, yeah? after that was sorted, you began to hand out visions, personally at first before assigning celestia to do so. there were simply too many people, and you could not judge them all. it would not be fair.

so you didn’t.

but i’d be lying if the archon war didn’t take a toll on you. you’d been influencing it from the sidelines, carefully making sure as few innocents were harmed as possible, trying to keep the terrain intact. you were technically fighting, but on the side of teyvat itself.

(it loved you for it. every blade of grass and leaf on a stem sung your praises.)

micromanaging like that, across an entire planet, let alone trying to simultaneously set up the constellations you wanted for vision holders… you’re exhausted.

now, you could, in theory, just burrow down into the heart of the earth and rest, but that felt… impersonal, almost. you still wished to look after your world, you just wanted to have a little less responsibility while you did so.

so you left the planet, momentarily, leaving that entire universe behind, and made another. it was, admittedly, not your best work, worse than even the rest planets you tried before teyvat, but you were tired. you half-heartedly scattered some resources, salted the water, and placed the beginnings of life. with a final goodbye to celestia, you allowed your soul to rest in the core of this new planet you called ‘earth.’

now, you weren’t just going to sit there, no. as the people above lived, oblivious to the god resting in the molten core, your subconscious pulled some strings. not enough to influence wars—so many wars, so much cruelty and bloodshed—or any major occurrences, but enough to shift some small details around. these people would start a company. this game would be launched. and when you, your soul, had finally recovered from the ordeal of managing a whole planet, a child would be born.

you knew mortal minds had a hard time conceptualizing the divine, let alone dealing with the knowledge that they were one, so you made the executive decision to remove your memory. call it a product of your pity, but you decided you’d live a human life here before returning to teyvat. the world’s time difference shouldn’t make it that much longer for your lovely followers, only about a year or so, so it would be fine. you set up some dominoes, then allowed yourself to be mortal when they fell.

bad call. turns out you shouldn’t try and fudge space-time when you’re overworked and burnt out. the time dilation ended up being reversed, meaning an average life of 80 years was 4,800 years for your followers.

still, not all was lost! you, human, came into contact with a device, came into contact with advertisements from a company you, god, had a heavy hand in. the world you had loved carefully recreated, admittedly with far less detail and nuance, but what could you expect of the technology at the time?

as you downloaded the game, a final domino fell into place. the traces of divinity in your blood bled into your machine, turning the screen from a screen, and into a portal.

billions of billions of light years away, exiting this universe and entering another, two twins approached your world. they had witnessed you build it all but frowned at your lack of presence. their world, one of many that you had also crafted, still was visited by you from time to time, but this... where had you gone? were your people okay?

they approached, only to be stopped by one of celestia’s guards. boiling red cubes stung the air, lashing at their sides as she—the sustainer, she said—fought. the two drew back, sharing a look, and when they dove-

your light filled the air, time seeming to slow to a crawl. your chosen traveller sucked in a breath, feeling the familiar aura envelop them. even as their twin was swallowed, as their stomach opened into a pit and their heart crumbled, as gravity took hold of their suddenly much weaker form, you were there.

and so your journey in teyvat began once more, this time not as the creator, but as the creation.

that’s the basic lore down. yes, i know ‘basic’ took nearly 1k words on its own, but oh well. anyway, now onto some other details outside of that, such as….

the raiden shogun!

the visions were signs of your favor—not that the comman man knew that, but the gods did—so why would she ever confiscate them? simple; after you had started giving out visions, you had first passed the duty to celestia, and then… left. it’s reasonable, in her mind, that the visions were sapping at your energy, keeping you away even longer. she hoped, in a twisted sort of desire, that she could hasten your return. celestia had tried to stop her, stopping giving out electro visions, but it wasn’t enough. other visions were still in her lands, and she needed to remove them. if only on her isle of eternity, anything harming you would not be allowed.

the tsaritsa!

ok, i admit, i’m not sure how much of what i’m about to say is canon. i watch too much game theory to be 100% sure that this is Actual Lore, but… whatever. so the tsaritsa is collecting all these gnoses, right? the gods’ connection to celestia? just… kinda taking them, collecting these connections, weakening celestia so she can take it down. her reasoning is very similar to ei’s, in that you created celestia and imbued it with some of your power. however, you must have accidentally given too much, wanting them to thrive, and had weakened yourself. so, she figures, by taking down celestia, she can restore you your strength!

but wait, you ask, why not do a vision hunt decree like the shogun? simple! you gave out visions before you involved celestia, so they clearly aren’t the problem. besides, she thinks there’s a lovely poetic quality to taking down celestia with soldiers bearing weapons they awarded.

delusions!

it’s people sabotaging their health to pretend their strength is god-given, not much changes in this au. there’s implications between it and the tsaritsa’s motives for gnosis-hunting—notably if she’s taking down celestia because your strength was drained, why drain the strength of her people—but that’s ~not my problem~

morax?

morax!!! silly boy. anyway, he doesn’t see any problem with stepped down as an archon, if that’s your worry. after all, you yourself left, letting the people run themself, so…. surely he could—should, even—do the same. he feels maybe a bit bad about leaving liyue without anything, but soothes himself knowing they don’t know you’re gone. most mortals don’t, really. but in a similar vein…

venti!

venti feels the same way. if anything, his conviction is even stronger. you left your people—not entirely, admittedly, but still, you did—so he should be able to as well. he knew you had left celestia in your wake, but he had left the knights! and surely, to be overly-controlling was worse, right? you had allowed decarabian to fall, so you must not want dictators(a good thing, as he doesn’t know how he’d handle you going against one of his most core virtues).

celestia!

for the sake of the au, celestia will be kinda proxy rulers of teyvat. i know there’s probably some lore out there suggesting otherwise, likely something in the 3.2-3.3 archon quests, but i haven’t done those and so it can’t be held against me. anyway, you’re tired after the war right? so you decide, as plan A, to create celestia as a council of proxy rulers, to enact your ideals—the heavenly principles—and take care of things. this goes south, because the act of creating celestia drains even more of your strength, and you really hadn’t taken a break since you started creating teyvat so maybe it’s time to pick up plan B off the back burner…

(in celestia’s opinion, burrowing into the earth should have been plan B. taking a nap in a gilded palace should have been plan C. leaving the planet entirely was the nuclear option.)

paimon!

OOOOHHHHH BOYYYYY the emotions i have about this little fairy aidjwrkfkkds

anyway. the way i see it, she’s a manifestation of the remaining divine energy in your body/teyvat. pick your favorite, the end result is the same: she’s attached to your traveller, to you, your device. she can vaguely sense the buttons you have—which is why the tutorial changes across platforms—and loves whenever you open the paimon menu, because she can bask in your light all the more. off camera, her and the traveller gush about you. canon, i said so.

anyway, she’s the one that gives us the ability to time travel so the way i see it, she has to be at least a little divine, or be able to wield power of that strength.

take a shot every time i say strength this fic

i have some feelings about the time mechanic, most notably that it’s likely an alteration of the (very scuffed) time dilation system you implemented, but i’m writing this during school hours and can’t really be bothered with trying to rationalize that. for now, just know that Its a Thing That Exists.

co-op!

if we’re operating under the ideal that your game is the only one self-aware, then how does co-op work?

um… it doesn’t—

ok ok ok uh there’s two interpretations you can go with, of which i don’t have a favorite:

Option 1: when you go to co-op, your (self-aware) characters are transported into the digital world of your companion. they’re confused, because everything seems flat and empty of detail and there’s these weird bars above enemies and HOLY SHIT IS THAT ME???

they eventually gather that this is a false recreation of teyvat, one run by another person. whether or not they can see the chat is up to you. umm regarding farming and stuff: that means tackling the inventory, which… i’ll talk about that later, i swear-

Option 2: when you enter co-op, you leave teyvat. your vessels go back to their places—again, i’ll touch on that later, promise—and your aura leaves. paimon’s the only constant, but that’s mostly because she follows you or the traveller at all times (if you don’t have your traveller on your team… wait a few paragraphs pls). she is fascinated by the digital world, more so of the replicas of your vessels within it. maybe she tells the traveller of it when they have time.

they’re kinda similar, boiling down to whether or not you want your vessels to have a cosmic-horror level freak out at the fact that that’s them. i don’t have a favorite, and usually kinda fluctuate between the two whenever it’s convenient.

the inventory!

the inventory!!! arguably the most convenient system in teyvat, of which my answer is wildly inconvenient.

the basic principle of it is that it’s a pocket dimension, much like the one paimon vanishes into. it’s a very cool pocket dimension, with a menu and filtration systems, but that’s all it is. it preserves the quality of food, it keeps things from burning each other(i. e. mist flower corollas and flaming flower stamens are right next to each other, yet the quality of both never dwindles), and generally keeps things frozen in a sort of stasis. i like to think that vessels with a good sense of detail can pick up on an odd taste/texture to the food if it’s been in there a while, with the effect lessening as the food quality(suspicious → delicious scale) and level (stars) increases, but it really doesnt impact anything all that much.

regarding co-op: this is where things get blurry. if the inventory is a pocket dimension, and co-op is fake…. the best option is to, once more, chalk it up to divinity. whether yours, as you pick them from the digital world, of the remains of your aura in teyvat, when you return.

(another option that doesn’t work as well is thinking of the inventory as a tally, as in there’s a number of items you have and when you access it the number goes down and it summons / creates the item. the number is a representation of the power stored for that specific item- kinda like the omni-ubiquity nets, i guess? anyway, this is kinda pushing things, and though i don’t prefer it, it definitely can be useful to think about in some situations, such as an imposter au where you(reader) can draw energy from the inventory via sacrificing food or supplies. that’s really cool actually wtf-)

KHAENRI’AH HOW COULD I FORGET KHAEN-

so. khaenri’ah.

….i don’t know a lot about the lore of khaenri’ah.

[one wiki check and a lot of deleted ranting later]

khaenri’ah was a godless nation. it didn’t have a god ruling over it, it didn’t have a god influencing or building it, it didn’t have a - oh my god khaenri’ah is the nation of hubristic greed.

sorry i had a revelation mid-sentence there: to clarify, khaenri’ah was built entirely by people. they may (read: did) worship a god, you, but refused to allow you to meddle with their nation. that was their creation. you could have all of teyvat—and they would give you some of their crops to try and satisfy you—but you could not have their nation. they lived underground, away from your holy light and the overbearing gaze of celestia, and in the dark of a cave with only the earth as their witness, they began to learn khemia. they began to learn how to create, how to mimic your power. theirs was more transmutation, less pure creation, but it was so close to it that rhinedottir let it get to her head. she started her program, created durin and [REDACTED]- sorry, subject two (have i mentioned how much i hate he doesn’t have a name? fucked up fr fr). eventually, finally, after many tests and trials and rifthounds, with abyssal magic beginning to stain her hands, she created synthetic life.

the port on its neck sealed into a shimmering star, crystal blue eyes fluttering open, chalk ribs expanding as it took a breath. gold watched with rapt attention, pen falling from her hand.

she’d done it.

high on joy, she kept going, neglecting her new creation, herself, neglecting even basic safety, and eventually, she had toppled the pride of man.

khaenri’ah fell.

this allows for khaenri’ans such as dainslef, albedo, and kaeya to all know of and worship you—important, since kaeya is a character we’re automatically given—while still being bitter and jaded over khaenri’ah. this keeps as much of the lore in-game as intact as possible, with the only big difference being that khaenri’ah dedicated itself to you, but it would not be influenced by you. it was toppled by its own hubris, its desire to be divine without ever worshipping the god that made them too much for mortal men to handle. they don’t hate you, and in fact the fall of their nation has made it clear that they should have respected you more. they don’t blame you for it, as it was their own desire that brought them down, but they are a little more aware of the power of a god.

FAQ!!

i don’t have the traveller on my team, how does that work lore-wise?

excellent question! i…. don’t really know—

the way i see it, this is mostly a problem attached to the concept of ‘parties’ in the first place(again, please put a pin in the idea, we’re almost there). paimon is always with us, but the traveller… since they don’t have ‘a place to be’ as with your other vessels, as you were with them from the start… you could say that they’re always with you. silently watching from the realm of stars just outside of reality, watching you level your characters and give them strength. they wish you could pay more attention to them, but they know that teyvat is your prize creation, the people within it your most beloved. while you had encouraged them and their sibling to traverse your other worlds, it made sense that you’d want to empower these people first. your choices were.. odd, but you seemed happy, mostly, so they were too. ultimately, they are just another of your creations, and they want you to be happy just as the others do.

what happens when the game closes?

this connects to both the party system and the ‘realm of stars’ i mentioned in the traveller’s section. now, the personal belief i subscribe to is that it’s… another pocket dimension sorry—

akcnkwdjdkd ok so you know in the character menu how the background is all hazy and star-like and tinted the color of their element? i think the hydro’s have bubbles floating around but i have just spent too much time in enkanomiya-

anyway, that’s a ✨separate dimension✨. i imagine its like a line, where your characters are arranged like the bar on the side (top if you’re a pc gamer). characters can look over if they wish, though that’s dependent on some other factors (i know this is already long but i’ll elaborate on this later). the poses for weapons, artifacts, etc. are all forced on them, like strings on a puppet—war flashbacks for my scaramouche. they’re tugged into place, and stay like that. your mains are used to you fussing about with their artifacts, and have learned to simply rest into the feeling. why shouldn’t they, after all?

ANYWAY this is getting long. so when you’re in the field, your characters fall away save your party members, who move to the odd starry landscape of the party menu. there’s a large screen, which allows them to see like it’s your screen, almost. there’s a health bar, they can see the energy, and though that’s about it the important bit is that they can still see the character on field and the battle around them. this way they know what to expect, and where to aim, where to brace for an impact because sorry, they have the most hp and you need to tank this hit. when the game closes, you swap team members, etc. they are transported back to where they were prior to being on your team. now, for those you don’t utilize as often, they aren’t fully pulled into the character menu, as this would cause complications, but they are vaguely aware of when you open it. this way they can prepare in the rare case you switch to them for whatever reason.

additionally, when you shut down genshin, the traveller takes your characters’ place. they hold your place, often using the time to catch up with paimon and eat, both talking about their separate perspectives on your battle. paimon from the outside, watching the vessels switch in a shower of gold sparks, and the traveller from the inside, watching them lean on each other when their health was low and swap encouraging phrases during a tough fight. the traveller can’t really move all that much, but they don’t have to stay very still—what’s the chance you’ll notice they’re facing the wrong direction anyway?—which is good since they may have to defend themself against any enemies wandering in. if they’re off your team and unbuilt, it’s a little difficult, but between their status as an outlander and paimon’s influence, it’s not that big of a hassle.

(sorry this one’s real long but this is the concept i spent the most time developing. i have a very very long albedo fic where this mechanic is center stage so i have a lot of junk stored in my mind abt it)

what about friendship levels?

friendship levels!!! in-game they’re a metric of how long/much a character is with you, and it’s the same in sagau. the higher a character’s friendship, the more of your aura they emit by proxy, since they’re… in the absolute kindest way possible, you know how shoes have to be broken in -? yeah—

the harsh tugs of your device commanding them to move softens into a gentle guide, but they’re so in-tune with your playstyle that they go ahead of the strings, attacking slightly quicker. a high-friendship team has synergy like no other, the characters swapping just before you actually press the button to do so, their elemental reactions booming brighter, skills and bursts doing that much more damage just because they know what their doing by heart. they’re certain they could replicate it even without you, though they’d never dare, and your main sometimes finds themself repeating your usual rotation in their head to help them. swap, skill, swap, skill, burst, they mutter, their fingers tapping along where the buttons would be as they try to puzzle something out. swap, skill, swap, passive, swap, the familiar routine providing comfort.

how does the concept of being “self-aware” work?

lovely question.

…

it doesn’t.

jsksskdjd i feel like a software developer— ANYWAY-

google defines self-aware as “having conscious knowledge of one's own character and feelings”, which isn’t (inherently) the case. in relation to video games, it’s usually something along the lines of “this game is aware it’s a game” which doesn’t work since, as we’ve established, teyvat isn’t a game.

in this case, being self-aware means recognizing that you are operating through a device. it means knowing that you are not controlling them directly, that you instead use a proxy. it means, for characters like albedo, recognizing the sticky binds of code that limit his movements, it means registering that you are still far, far away, and that you only feel this close because of your device. it means, for some such as, say, diluc, there wasn’t a reason why kaeya was a vessel before him. it means knowing that their god is still lost, and knowing that they have to ensure you come back safely.

and that’s about it! discarding some icky topics such as the semantics of an isekai (which boils down to tapping into the divinity stored in your device so it doesn’t really matter much either way) and the abyss (which i don’t know enough about lore-wise, sorry) that’s everything i keep in mind when i write my genshin impact self-aware works!

if you have any further questions, feel free to either reply or send in an ask, or check out my masterlist if you want to see these concepts in practice.

have a good one!

#*shakes you awake* girl wake up midas is ranting about shit nobody cares about again!! i know i know wake up already!!!!#not fishing for compliments i just genuinely don’t think anybody was wondering about my take on sagau logistics. who would??#genshin sagau #sagau #genshin #genshin impact #self aware genshin #genshin self aware au #sagau zhongli #sagau venti #sagau tsaritsa #sagau kaeya #sagau diluc #sagau albedo #albedo #kaeya #zhongli #venti #rhinedottir #subject two #worldbuilding #paimon #sagau paimon #celestia #dainslef #sagau dainslef #this whole thing is me going ‘i haven’t really thought this through but’ and then ranting for 300 words on the topic—#anyway i genuinely do hope this clears up sagau for some people. keeping this in my head makes it easier to read others’ works because i-#-have all the questions already answered in my head. really helps with suspension of disbelief /gen #please leave your takes in the replies/weblogs if you see this my curiosity is never dated

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spiderfreedom · 7 months

Text

I find radical feminism interesting and enlightening as a philosophy, like of all the branches of feminism I've read, it's the only that touches on topics that have bothered me for a very long time:

Why are women in the west expected to wear clothes that are more form fitting and show more skin than their male counterparts? Noticeable at almost every level of professionalism - even women who wear suits tend to wear scoop neck blouses to show collarbone and upper chest. Or they wear a skirt suit, which shows the legs.

Why is asking this question contentious? I get serious pushback from other women when I wonder about this, as if I were judging them. (I'm not - I'm curious about this gendered clothing system we live in.)

Why is the subjugation of women so common across the world? Why is it so similar across cultures and epochs?

How did the subjugation of women happen? What are the situations that lead to female subjugation?

How have women won back territory? What are the situations that lead to female liberation? How can we organize to take advantage of these opportunities?

To what extent is the female body the source of female oppression? Are we actually doomed by sexual dimorphism, or is this just pessimism? What is and is not true of the female body?

Are there genuine differences between females and males when it comes to psychology? If so, to what extent are these differences useful, or to be encouraged in women?

Radical feminism, of all the branches of feminism I've read about, is the one that comes closest to answering these questions. Liberal feminism is quite incurious about the origin of female oppression, and lacks a global thrust. Cultural feminism takes too much for granted that what we've been told is "feminine" is real and valuable. Ecofeminism often seems to delve straight into woo. Radical and Marxist feminists are the ones who seem to get the most that feminism is, at its core, a movement about female power and male power.

My problem with radical feminism is that while there's a tremendous amount of reading about feminist theory, there's spotty coverage of other issues. Radical feminism has a cautious relationship with science - understandable, since science has a dirty history of being used to justify the superiority of {$insert group using it here}, but sometimes veering into denialism. Like in Germaine Greer's Female Eunuch, she disputes the now accepted claim that women tend to have more fat than men, and says this was made up by sexist scientists. I've seen radical feminists unsceptically quote that Cordelia Fine book where she talks about 'priming' without even mentioning the replication crisis related to priming or trying to tease apart which studies still hold and which ones don't. This may seem like nitpicking, but living in reality matters. If we base our activism on the basis of a false claim ("there is no sexual dimorphism in fat distribution!") or a weak/contentious claim ("priming is a real thing that explains poorer female performance in certain areas"), then we end up following the wrong path and chasing leads that don't matter.

That being said, nobody else has done a better job, in my opinion, of dealing with the issues that go to the core of female subjugation, and the weak points can still be improved. Moreover, nobody else argues the urgency of female liberation with as much breadth as radical feminists have. Reading Dworkin and Firestone felt like someone had ripped open my diary, found the questions I had, and answered them with electrifying clarity.

#radical feminism #radfem #radblr

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smolbluegoblin · 6 months

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alright, Burrow's End conspiracy theories time!

what we learned is that the Blue is affecting everything in a radius around the "Second Sun" located at the grey rectangle rock - most likely a human structure as depicted on the DM screen. The "non-bears" Ava described are most likely vehicles, since (like the bear) they move around carrying smaller creatures inside and kicking up dust while doing so. The creatures described by Thorn look like humans with gas masks and hazmat suits on.

(which, might I add, is so fucking cool because seeing humans through another creature's eyes really is an eldritch horror experience, Lovecraft move over we have @quiddie now)

Two things jumps out to me straight away: the Meadow and the dust storm.

The Meadow was full of blue flowers, but also seems like it was protected by electricity somehow (the lighting coming from the earth). Was it electric fences ? A force field ? Why would humans protect flowers ?

Now, the dust storm is weird. Sure, a truck (or multiples) can kick off a lot of dust, but not enough to kill MOST OF THE STOATS in the Red Warren. The damages it dealt means it was more than dust in there, and when Viola remembered the dust cloud from the end of Episode 1, Aabria added something about it being kicked off "on purpose". Was the purpose to get rid of the stoats? To empty out the forest of threats like the parasited bear ?

Another detail I saw in Episode 3 is when Izzy asked if she was able to read English, Aabria confirmed the humans language isn't English because she "doesn't want the events to be able to be attached to a real place". So the events probably are inspired by multiple real life events but she wanted to be cool about it and have creative liberty and not tie it to a specific setting and have people in the comments calling out inaccuracies the whole time (which... fair)

Finally, with next week's teaser and Viola's vision of seeing her kids in a grey smooth stole burrow, we can assume that the facility has been abandoned by humans and reclaimed by stoats. All of that is speculative since the next episode isn't out yet though.

With all of this new info, here's my theory:

The Blue is the consequence of a human-made thing that went out of hands. Is it radiation? Pollution? Something else? Don't know yet. But it's airborne and has affected an entire perimeter around the facility and the creatures within it.

Humans don't seem to approach the Blue without hazmat suits, and protect the area with electricity, either to keep stuff from coming into the area, or to avoid affected creatures to leave the area. (the Meadow was described as far south in relation of the second sun so it might be around the border of the area ?)

A recent expedition into the polluted area kicked off a lot of dust, and the concentration of Blue killed the weaker stoats: elders and children. It might also be a gas that was spread by humans to quell the number of animals in the area, because they know they've been affected (sapience, mutations) and want a clear path to go back into the area without much threat.

The epicenter of the Blue, the facility, since it was deserted, has been used by stoats because the Blue gives them powers; it made them intelligent, capable of some sort of magic, so why not go closer to the source of their power ?

The whole situation makes me think of some ecological disasters - Chernobyl being front and center - with these mutations and invisible force/enemy. Maybe the zone was evacuated of human presence for a long time, leaving the stoats to develop their society (irl stoats are very territorial and don't like to share quarters after all). But maybe they're coming back and menacing the family with their presence and activities. Maybe the stoats were an experiment that escaped when the Blue happened ? Maybe they were just affected by it the most out of all animals for some reason ?

I mean, I can spin theories all I want, but at the end of the day these stoats have invented a writing system so it might be all for nothing and Aabria is a mastermind operating beyond the scope of our minds

#burrow's end #burrows end #burrows end spoilers #burrow's end spoilers #dimension 20 #aabria iyengar #dropout tv #dimension 20 spoilers #brennan lee mulligan #izzy roland #siobhan thompson #erika ishii #rashawn scott #jasper william cartwright #stoatal recall

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markantonys · 1 month

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while i'm on the subject of trakand speculation, i'm going to properly lay out my theory that moiraine won't be related to them in the show.

the show is very good at planning ahead. since s2 introduced elayne and they knew s3 would introduce the rest of the family, the s2 damodred family plotline would've been an absolutely perfect opportunity to set up moiraine's connection to the trakands (numerous occasions where she or anvaere could've mentioned having a now-dead brother, or there could've been a little boy included in the young sisters portrait). since that didn't happen and s2 very very strongly implied it was only ever the 2 sisters and their 2 parents, it makes me suspect that connection has been axed.

per a leak from the actor's cv, it seems galad is named galad trakand in the show. this could certainly just be a change made to group him more explicitly with the trakand family without removing his damodred heritage, but it could also indicate that his dad was not a damodred in showverse.

the only thing their dad being a damodred matters for that i can think of is that it gives elayne a claim on the cairhienin throne. but the show could easily just say their dad was from a different cairhienin noble family, and depending on how many seasons it gets, elayne claiming the sun throne may get axed as a plot point altogether and so this may be irrelvant.

let's be real, moiraine being their aunt is a funny piece of trivia but it does not matter in the books at all. it just doesn't. and the show going "oh moiraine's their aunt btw" but not doing anything with that information - that just raises too many unnecessary questions and curiosities, especially since moiraine is a bigger character in the show than in the books so we'd naturally want to see her spending time with elayne if it was revealed they were aunt and niece. so imo, the show has 2 choices: 1) keep her as their aunt but actually do something with it (not the best use of time, and tricky to squeeze in since s3 is likely moiraine's last for a while and she won't have much opportunity to interact with elayne, gawyn, or galad) or 2) just make her not their aunt.

they could say that their dad was a damodred but just a more distant relative rather than moiraine's brother (although s2's whole Fallen House vibes did make it seem like moiraine, anvaere, and barthanes are the only damodreds left), or they could say he was a cairhienin noble from a different house, or they could say he was an andoran noble. but i'm not going to bank on him being closely related to moiraine in showverse. (now, there is the alleged s2 gawyn audition script that referred to an aunt that ruined his life, but considering that not a single line from that script, let alone gawyn himself, came even close to being in s2, i'm taking the whole thing with a massive block of salt lmao)

then, what about galad and rand's family connection? this one, i could go either way on.

i would put it in the same bucket where, for me personally, i think the show should only include it if they can do actually something with it in a way the books didn't, or else they should cut it. and i can see strong arguments for cutting it - the show's already on such a condensed schedule compared to the books that it might not be wise to allocate time to delving into a rand-galad brother relationship that isn't important even in the books; rand's love life is already unusual and ~controversial~ enough without getting into "he's dating his half-brother's half-sister" territory; galad's overall story hinges on his relationships with elayne, gawyn, and morgase and so that is where his family-related screentime should be focused; galad and rand's relationship is never relevant to rand's story and is only relevant to galad's very briefly during the last battle and in a way that's easily cut (it feels more like sanderson cramming it in out of obligation to try and make the relationship relevant, rather than that the relationship actually IS relevant).

my hot take is that the only reason so many readers care about rand and galad being brothers and want the show to get into it is because they love those two characters, but hate elayne and gawyn, and thus they subconsciously lend more importance to rand-galad than is merited, sometimes to the point of placing that relationship over galad's other sibling relationships. but if you actually look at the story, it's the galad-elayne-gawyn relationship that's crucial; galad-rand doesn't matter for jack shit. so i can very easily see the show cutting it and i don't think anything would be broken by this. just say that tigraine was unmarried & childless when she went to the waste, and that galad's bio mom was some other andoran noblewoman (or even morgase herself to really simplify the family tree, though him being her stepson is something i WOULD be kinda sad to lose because it's a very sweet relationship and we don't often get to see positive stepparent/stepchild relationships in media).

okay where was i. anyway, i won't say that i strongly predict the rand-galad connection WILL be cut, or that i would be upset if it was left in and touched upon in more detail than the books did (i wouldn't be upset at all!). the show HAS historically been good at making more of some emotional beats or connections than the books did. for example, i could see them keeping the whole galad-tigraine-rand backstory & connections intact, and using the fact that his bio mom abandoned him to flesh out galad's character and explain why he is the way he is, in a similar way to how nynaeve's parents' deaths went from "just briefly mentioned and never seems to affect her" in the books to "major formative event in her childhood that explicitly shapes who she is as an adult" in the show (yeah you can argue that galad's backstory shaped him in the books, but that idea is barely in the text from what i remember because he truly does spend just about all his time & energy dwelling on his stepfamily). so it really is just a question of "will the show choose to streamline things by cutting an extraneous connection that isn't important in the books" or "will the show choose to take an extraneous connection that isn't important in the books and make it important", and that's hard to guess at because there have been plenty of examples of both approaches in the show so far.

so time will tell on the rand-galad connection! but i do feel fairly confident in predicting that the moiraine-trakands connection will be cut. but am still prepared to put on my clown shoes once 3x01 has a scene of elayne being like "oh hey aunt moiraine" jkdjfg

#wot #wot book spoilers #maybe i should have a proper s3 speculation tag at this point given how much of it i do!#wot s3 speculation

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