#but she wasn’t any less beautiful or wonderful than the characters like katara and asami | Explore Tumblr Posts and Blogs

orpelia · 6 years

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Air: “Endgame”

Eleven episodes and a two-week hiatus later (oops!)~~

My praise, my wishes, and my feelings of the season finale of Book I.

[Heart eyes.]

Oh, Bo. What would we do without you.

As always, he gifted us with his silly and endearing humor,

but he also starred in some fantastic collabs.

Bolin x Naga

Bolin x General Iroh

Honestly, Bolin x Any Character <--- now that’s my kind of ship.

General Iroh is just as stupidly fearsome and heroic as his grandfather.

This is fact.

His stunt with the planes?

Cray.

I’m looking forward to seeing more of him in the future, preferably in the same scene(s) as Zuko because that’s something I desperately need in my life.

My favorite Mako: protective and powerful.

Let’s not forget, he can break free of Noatak’s bloodbending!!!

Korra---the freakin’ Avatar---couldn’t even do that! At least, not at first.

Amon admits it himself: “I'm impressed. No one has ever gotten the better of me like that. It is almost a shame to take the bending of someone so talented.”

I hope Mako’s talents become focal points in the next books. Please, oh please don’t revert him back to a frustrating, lovesick puppy who can’t make up his damn mind. It really doesn’t do his character justice.

Speaking of lovesick puppies...

Without a doubt, Mako and Korra had the most compelling scenes of the entire episode (and not because they were fighting Noatak).

Canon couple or not, these two make a great team. They obviously care about each other, but they’re fiercely protective of one another as well, and that’s what makes their chemistry so palpable.

Although I wasn’t over the moon about dropping the love bombs, even I recognize how heartwarming their moments were.

Take, for example, the penultimate scene of the finale:

Recap: Mako tells Korra he loves her, Korra dramatically runs away with Naga, and Tenzin tells Mako they have to be patient with her, which is old people code for “give her some space.”

If you ask me, that’s shitty advice.

In real life, I want someone to go after me, even if I say I want to be alone or I tell people to go away.

Yes, I am that person.

So you best believe my heart SOARED when the boy chased after the girl:

At first, Mako’s shocked.

No surprise there.

He just witnessed Korra in the Avatar State, which means 1) her bending is back and 2) the Avatar State is no joke!! The glowing eyes!! The command of the four elements at your fingertips!! That’s hardcore, bro!!

But then he fondly smiles at her, which I wholeheartedly interpret as “Ah, yes. That’s my girl.”

And look at her face!!

These two aren’t endgame, so I’m allowing myself to savor in the swoon.

FYI: If there’s anything you should know about me, it’s that I’m a sucker for cheek caresses.

Twirling hugs also make me a lil weak in the knees.

Running to someone and barreling into their arms is just stupid cute.

[Heavy sigh.]

I was really rooting for Asami.

After Chapter 7, I thought we were going to see how Asami was coping with the reveal of her father’s conspiring nature. Instead, her character seemed to revolve more around the love triangle (or whatever shape you want to call the ridiculous Asami x Mako x Korra situation). When Asami does mention her father, it’s only a sparse comment every other episode or so.

Thus, the showdown between father and daughter lacks an emotional weight, and it’s partly because we haven’t explored enough of their relationship to truly feel for these characters.

That isn’t to say their sequence doesn’t have powerful moments.

I just want to take a moment to holla at ma boy @Jeremy Zuckerman, sole music composer.

Your music is always stunning, but the accompanying track in Asami and Hiroshi’s showdown (plus the music in the boat scene and everything in the third act) is what carries the entire segment.

Your melodies tugged at my heartstrings in ways the story couldn’t.

Their final fight, for instance:

Asami is so caught up in the battle---defending herself against her father, no less---that you think she might actually do it, she might actually hurt him.

But then he’s looking at her like this,

and she starts to hesitate (this is her father after all),

which is the exact moment Hiroshi strikes.

In the end, Asami captures her father, but not without remorse: “You really are a horrible father.”

Dear Creators,

Please give your characters the emotional depth they deserve and explore the nuances of their relationships.

Trust me: they can lift the weight of their stories just fine.

I am unbelievably disappointed in Noatak’s arc.

I just---

I mean---

How?

How are you going to build the foundation of a character on a lie?

How are you going to develop that character’s arc for ten episodes, then discredit almost everything with deceit??

How are you going to completely undermine your character like that???

And to add insult to injury, Noatak keeps lying, going so far as to reveal a fake, painted scar:

Here’s the thing: Zuko is my world.

Of all the characters from Avatar: The Last Airbender, I found pieces of myself in his story the most. Scars, then, are sore subjects for me; sometimes, I feel like I’m as sensitive about his scar as he was.

Yes, I jumped in my seat upon first seeing Noatak’s “scar,” but make no mistake---I’d rip that lie off his face in a heartbeat.

Undermining your character with lies is bad enough, but this shit felt like mockery, and while I’m certain that wasn’t the creators’ intents, I’m taking it personally anyway.

However, attention should be paid to Noatak’s last scene:

Again, the music is so beautifully somber, but the dialogue here is probably some of the episode’s best.

From Noatak’s “I had almost forgotten the sound of my own name,” to Tarrlok’s "It will be just like the good old days.”

From the tear that rolls down Noatak’s cheek,

to Tarrlok's decision to sacrifice them both.

It doesn’t make up for butchering Noatak’s arc, but this was, quite simply, a beautiful ending to a sad story.

Dear Creators,

Please don’t make the same mistake twice.

You compromised the integrity of your character the moment you sacrificed a fleshed out plot for woaw!shock factor.

Villain or not, he deserved better.

Also, I CAN’T BELIEVE YOU.

It was at this moment that I wanted to jump into the screen and rescue Tenzin and his beautiful children myself.

LOOK AT THEIR FACES.

I WAS SO MAD.

LIKE:

HOW COULD YOU.

It should be said: I loved Korra in this episode.

I mean, she was pretty daft to think that hiding under a table would keep her safe from a bloodbender. A bloodbender (a psychic one at that) can feel your blood, Korra, of course he knows you’re under there.

So just for that:

Yeah, don’t you look all silly and fuzzy.

Aside from this idiotic little slip, she was pretty badass, unlocking her airbending and fighting against Noatak’s bloodbending:

What a crappy screenshot of her airbending, haha. Would you believe me if I said this was genuinely the best I could do?

And unlike Asami and her father, I actually felt for Korra. I was devastated when Katara couldn’t repair her severed connection to the other three elements.

Though I wonder if I felt more for Korra because she acted just as I would. That is, she’s clearly distraught over losing her bending, but she wants to spare her friends and family the trouble of making a scene:

So she waits until she’s alone to let it all go:

:’-(

As I said, I loved and felt for Korra in the finale, and I don’t have a problem with her...

I have a problem with the writing.

Korra’s airbending was very badass, but I completely forgot about her airbending struggles.

The first four episodes show Korra’s conflict with the element (i.e., it’s literally the plot line of Chapter 2). If anything, these episodes have small moments that remind us of Korra’s airbending training---practicing in the temple’s courtyard or doing exercises with the kids, to name a few examples.

Then, in Chapter 8, Tarrlok insults her with the “half-baked Avatar” comment, snidely remarking on her less than satisfactory airbending. It’s in this same episode that Korra reminds Tenzin---and the audience---that she’s never been able to connect with her spiritual side. (More on this later!)

And... that’s it.

After the eighth episode, she’s kidnapped by Tarrlok, who reveals himself as a bloodbender; she’s rescued but then Amon and Hiroshi attack Republic City, separating Korra and the teens from Tenzin, his family, and Lin; Korra decides to take Amon on her own (but not really because Mako decides to tag along) and the two of them bump into Tarrlok, who reveals that Amon is actually his long-lost, waterbending, psychic bloodbending brother, Noatak.

It’s not necessarily a bad thing. If the creators were prioritizing awe! and shock! and woaw!, then unlocking Korra’s airbending this way definitely did the job. But it felt a little too... convenient? Plus, there was no explanation for why her airbending worked when it did.

I mean, saving Mako obviously had something to do with it, and they didn’t have time to get into the details because, duh, they were trying to restore Korra’s bending.

Still, the audience shouldn’t have to interpret everything.

(Or perhaps I’m just being petty, lol.)

For a book titled after the element, I guess I just expected more.

Ultimately, I wish we saw Korra practicing more airbending; I wish we got an explanation for how and why she airbended when she did; I wish her success in unlocking her final element had not been overshadowed by the loss of her water-, earth-, and firebending.

Which brings me here, to this special moment:

I cried.

100%.

And the gentle, yet all too familiar Avatar theme playing in the background? Yeah, I was a puddle of tears.

However, as nostalgic as this was, I wasn’t too pleased at how quickly Korra’s bending was restored because it felt like the creators were taking shortcuts again.

For the record, I like that Noatak took Korra’s bending away (though I would have liked a more epic battle?), as it debunked the whole “the Avatar is invincible” concept. But, really? A quick touch of Aang’s fingers and her bending is restored, just like that?

Maybe it’s just me, but I would’ve loved to see Korra struggling to get her bending back. Perhaps we could’ve seen her retraining and relearning the other elements, which is something I still feel we were robbed of.

Furthermore, as much as I enjoyed seeing Aang and all the former Avatar reincarnations, I didn’t like that this was also the moment Korra connected with her spiritual side. Similar to her airbending moment, I forgot about her spiritual struggles; the issue is last mentioned in Chapter 8 and, before that, all the way back in Chapter 1. But, honestly, I think the ease and convenience of this moment lends to the problematic pacing of Book I as a whole.

Dear Creators,

While I thank you for restoring Korra and Lin’s bending, please don’t resort to convenient endings. I recognize that you only had twelve episodes, but please, no more shortcuts.

Your story will suffer.

Your characters will suffer, too.

p.s., I’m sorry for being so mean to you. I have a lot of feelings, is all.

Cheers to Book II, though!

Parting Thoughts

Before sitting down to write the finale’s review, I took a two-week break.

In that time, I rewatched (and re-rewatched) the entire first book.

I even had time to indulge in the fifth season of The Great British Baking Show.

Shameless Plug:

I absolutely recommend this charming baking competition.

You learn quite a lot about the science and precision of baking, endure (but also adore) countless baking puns, and witness what true competition looks like. That is, genuine camaraderie, rooting for your fellow bakers to succeed, and sometimes, lending them a hand if they’re pressed for time.

Warning: do not watch late at night. You will reach for a baguette.

And yet, I still feel meh about Book I.

The season has its share of success: the music is as impeccable as ever and the technological and industrial components of the Avatar-Korra universe are developing and expanding nicely.

However, it will always come down to the story, and the writing just wasn’t up to par.

Truthfully, the real triumphs are the characters, who---after only twelve episodes---have built a home for themselves in my heart: