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waywardsalt · 9 months

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thinking abt bellum v hard. (fyi there are 1658 words under this cut)

there's not a lot of concrete stuff to think abt but there ideas. he's kind of already won by the time link shows up on the scene. he's not really actively antagonizing the world of the ocean king, he mostly just has the ghost ship to go around collecting prey for him while he has the yook and anouki turned against each other and seems to have infested the different temples and whatever with monsters to delay any opposition. is he the one who destroyed the cobble kingdom? they're meant to be supporters of the ocean king so i think we can guess that bellum is the one who tried to eradicate them.

maybe he was the one who... mind controlled? or otherwise meddled with the yook to keep them from checking out the ice temple and keeping the anouki occupied with dealing with them. (tbh theres some untapped potential in the relationship between the yook and anouki) he doesn't really do anything to the gorons but maybe he doesn't see them as a worthwhile threat since they see the crimsonine as more of an artifact and not something they should really do anything with, and link has to pass a test to even be allowed to go to the temple. the cobble kingdom is already destroyed, and it can be assumed that he mightve mimicked their engineering based on eox being the hostile boss of the last temple and turning into sand, suggesting a relationship to bellum, and maybe that he's trying to hide the fact that he's the one fucking with everyone. i'm not even sure if characters (besides the main group) even know that bellum exists until link's quest is more known.

taking a note from the manga, where bellum says something along the lines of feelings of love and friendship creating more worthwhile life force for him, so taking that into account with stuff in the game suggests that he maybe doesnt make his presence well-known to avoid something like a mass panic or a persistent fear in people, which could downplay positive emotions that makes their life forces more worth taking to him along with other worthwhile forces maybe being ones connected to divine power (like his taking of tetra and seeming desperation to keep her specifically, since she's most likely a descendant of hylia's mortal form), so he likely is very hands-off with how he's affected the world in order to preserve the value of his prey, somehow. idk why he turns people into statues maybe its a preservation method. maybe hes saving tetra for some reason or maybe trying to bait link in as well. maybe he wants to grab link, too, but failed to catch him the first time and resorted to allowing him to go down the path of dismantling bellum's work all so that bellum can try and capture him himself.

the spirits he does manage to capture and left alive and instead just sealed away within their temples, which i believe is because spirits and gods and whatever in loz can't really die unless they explicitly permanently become mortal (hylia) and can only really be sealed away temporarily in some form, mostly due to a lot of them being a sort of representation of some part of the world (i like to imagine that demise is the god or whatever who created monsters, he's the father of monsters and opposes hylia due to the way her favored creatures [hylians ig] attack and kill monsters and he wants the world to be habitable and safe only for his creations)

it's probably safe to say that the ghost ship (like. the whole thing) was created by bellum, and in some form is perhaps some kind of living being, hence why bellum is capable of effectively possessing it the way he does, since it's an extension of himself like the boss monsters, it just maybe takes parts from some existing ships, or maybe it's not alive and bellum is capable of creating large structures like that he is compatible with.

bellum himself turns to sand when he is defeated, as well as most of the other boss monsters, but the cubus sisters (who certainly have a relationship with bellum due to having the same eyes and being connected to the ghost ship) do not turn into sand, which makes me think that bellum didn't actually create them; maybe they're corpses or something being remotely puppeted by bellum.

bellum is clearly made up of the sand of hours, a crystallization of life force, and oshus is said to have used those sands to create the phantom hourglass, and the sands are also mentioned to have been created from the force gems connected back to oshus himself, so bellum was probably created from those force gems and therefore those sands of hours at some point somehow (i enjoy the idea that oshus was the one who created bellum; with oshus being our main source of info on bellum, i think it'd be interesting if he was the one who originally made bellum but obscures this fact by just talking about how he 'appeared' and whatnot).

bellum seems to have a weird sort of... inverted? perverted? ability to create life (perhaps a sort of parallel to the one we can assume the ocean king has if we assume that he created the three spirits as well as bellum maybe) but only in a hivemind or derivative sort of way, only able to create things that follow simple commands and when he possesses something else he takes it over. (i like to take him in a more biological or physiological way rather than magical, when he is removed so is the control, but there might be little remnants, but his influence is gone. i take bellumbeck aftereffects to be terrible sickness rather than others going with the idea of taking on some bellum-like traits or residual controls. the things bellum creates can only follow simple rules unless he is directly in control therefore he can use it as he wishes, but if he takes control of something he did not create, it's a bit more of a battle, he has to contend with that other being's subconscious or whatnot and has no effect unless he is physically connected. his control is more limited and ends up incorporating some of the hosts' subconscious desires with some guiding from bellum himself to achieve a favorable outcome.)

with the world of the ocean king being a sort of parallel/separate world to link n tetra's great sea, it's interesting that the ghost ship can be physically present outside the world in which it was created. definitely there can be contact between different worlds in loz (like hyrule and the dark world/lorule in alttp/albw and a little bit with termina if you take that as a literal place and a little bit with koholint and then the twili realm and whatever i'm missing) but it's interesting to see bellum as a villain capable of (in some way) contact and interact within other worlds and drag inhabitants of those other worlds into his own (oshus can send people out of his world, so i assume he can also bring them in, maybe that's how link gets in despite falling off of the ghost ship, unless somehow the ghost ship is still within the world of the ocean king but is also present in the great sea but the area around it is a fragment of whatever part of the world of the ocean king its in superimposed over the great sea... idk) so it's interesting that bellum could bc considered a villain able to tamper with or at least interact with world boundaries to let things in and out, maybe it's something that he is only capable of with whatever power he's attained by the start of the game.

whatever relationship he may have to oshus and the other spirits is not at all a part of the game, but at the same time we don't learn a whole lot about them anyways. there's also stuff with the chief of the golden frogs as another ally of oshus, but i imagine bellum didn't bother with him because he has no relation to the spirits' locations and the pure metals, and zuaz was left alone perhaps because his location is secret, while astrid and kayo were maybe found due to living on a more populated island (more prey for bellum to go after, more people to know about astrid and kayo). a lot of the monsters in the dungeons were probably already there, while the bosses were specifically made to protect what was hidden there, or maybe the bosses came first and their presences attracted other monsters.

i think bellum created the two monsters you fight overseas on the spot; they existed specifically to try and kill link because at those two times (link going to get the final spirit and link going to get the first pure metal) bellum suddenly panics and decides to try and eliminate link at the cost of the loss of a possible worthwhile piece of prey. bellum was probably also the one to begin the rumor of the ghost ship; i imagine he can take a sort of human form the same way oshus can, and spent a bit of time after defeating oshus and creating the ghost ship integrating him within some pirate crew and using them to grow and spread the rumor of the ghost ship, eventaully leading them towards it and taking them has his first victims (and along the way taking the time to foster good relationships with them in the hopes that their positive emotions and feelings would make them more worthwhile prey, back to the manga snippet idea of feelings of friendship and love [and probably positive emotions in general] being another form of better life force).

bellum's cool

#bellum is a nothing villain def but there are interesting connections to be made within ph and you can tie back to him #i think he's neat :)#loz #legend of zelda #phantom hourglass #bellum #salty talks #this aint a theory this is autistic rambling with a fade-in of that one image of charlie day's character in whatever the fuck #im not good with themes or motifs or stuff like that but boy can i make material connections. or whatever this is. im connecting the dots #i dont like the ph manga too much but i wont deny it had some banger moments. mostly around bellumbeck #i very much prefer the idea that bellum is like. intelligent and sentient as opposed to some primitive monster sort of thing #and a lot of the post backs that up (its either affirmation bias or just literal bias on my end from the start)#but he can still be a fucking animal as a treat. he can do both. scheming mastermind kinda thing and then rabid squid #i like bellum i think hes interesting i want to dissect him <3 #hes the other end of the ph autism i think. linebeck has the slow burn more quietly intense effect while bellum is just. brief flares #and then bam bellumbeck is just- *frothing at the mouth*#is this. is this an infodump? im not used to talking for a while abt things i like this was written over the course of a few hours #in the middle of this i took my dog on a long walk and was finishing up the whos lila video essay #anyways. bellum thoughts and ideas ive come up with w/ a mixture of game info and personal headcanon #not even touching on possible ways to make him similar or parallel to linebeck or anything that REALLY deals with linebeck #bc that delves a lot more into headcanon and more specfic au and post-ph ideas and scenarios #long post #its funny seeing people talk abt how bellum is a bad villain without any substance or character and yeah thats true but also i wrote this

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freuleinanna · 9 months

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trials (and errors)

Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | AO3

Chapter 5: Bonds

The afterthought. Of cold creatures, scarce friends, and inevitability that comes with it.

Welp....... As you might have noticed, I suck at consistent writing. I wouldn't blame you if you have no idea what was happening in the fic before :D Maybe it's even a plus. I struggled with this chapter so much, because I think it's kind of abundant, and then it kept growing longer and longer, and I'm sorry in advance if it's over-explaining or simply not good. I like parts of it, though, so I'm posting it to have it all there. Let's have the last look at Marisa - and see the aftermath of a bloodbath that was love.

Asriel walks out of the court that day stripped of all status, lands, and money, yet still somehow a free man.

She walks out a widow and a pariah with her husband’s estate still hers, with her money untouched, and a gnawing feeling of being flung into oblivion.

The car is moving, but she sits immobile: shell-shocked in a way, staring out of the window and not really seeing a thing behind the glass. Inside her, something spreads. What Marisa initially thought to be an exhaustive after-wave of tension, accumulated up to a breaking point and then suddenly released, continues to grip her in a far less decipherable manner. Head tilted in curiosity, she’s tracking an unfamiliar presence. Come to think of it, it’s been there the whole time. The presence appears alive, conscious even, and cold – cold enough to raise concerns with little icy snakes slithering through her limbs. So much so, it makes her frown and collect herself for confrontation.

She never does confront. In a similar way, victims of a shipwreck know it’s over when the last crumbs of their warmth succumb to the glacial sea. A tragedy, yes, but also a salvation. As the same coldness crawls between Marisa’s ribs and over the devastated lands beneath, a sigh escapes her, for at that moment she starts to feel preciously,

mercifully,

less.

Parts of her resist, fighting to keep the pain. Her daemon becomes restless. There’s turning and chattering, and looking around, and clawing at air as though he senses some vague threat but cannot locate it precisely. When his little paw brushes against Marisa’s elbow, she almost cries out, so hot it gets in her chest. She thinks of volcano eruptions: mountains of earth convulsing lava out of their smoldering depths, wailing in pain. No wonder it happens so rarely. It must be terror for volcanoes to erupt.

Marisa Coulter, née Delamare, cannot afford terror.

With her bankrupt nerve, she can hardly afford anything anymore, so she invites the freezing touch further in. The monkey zings away from her. It feels like discovering breathing for the first time. No one discovers breathing and then gives it up.

Questions of right or wrong do not entice her while busy streets outside grow emptier and wider, dissolving into landscapes. Her womb still aches, and her heart does too, and she is, simply put, tired of things constantly aching. She wishes for a relief.

Then, of course, the house. The car door opens, inviting the raindrops to draw a haphazard pattern on Marisa’s dress. She hesitates, locked in her metamorphosis. Funny, how colors get darker with water. Blue grows dim, as if across her knees miniature bottomless trenches appear, like those on a sea floor. Something’s coming from them. It is rising,

flowing,

entering her,

filling her to the brim.

Water is licking embers off the ground.

And then – it spills.

‘Madam?’

‘Yes.’

Snapping out of it, Marisa draws cool air.

She steps out with flooded lungs.

Raising its mighty roof into the drizzling skies, the house looks a living creature, a nightmarish one. It opens the hungry gates to swallow her, and rearranges the corridors, and prepares for a long, long digestion. A few lit windows could pass for unevenly placed eyes, the gravel – for the voice. Exile, exile, it whispers in the rain. What the house doesn’t notice, however, is the change occurred in Marisa, for a creature that came forth within her is strong, stronger than masonry walls, and much more twisted in its nature than their elaborate floral moldings. When she walks in, a spark of indigo against the muted shadows, she’s not afraid of being consumed.

She may be stuck with the house, but the house is just as much stuck with her.

From there, it’s fast.

Whatever isolated hermit life she was leading is rushing at her from every corner. Sinking into it was gradual, but sinking back after having got out is a plunge. A dive. A jump into abyss, now dreadfully deeper if Marisa cared to feel dread.

Instead, she–

Well.

She spends her days locked up in countless rooms with a maid that hates her and acid burning her insides. She drinks, and goes insane for a while. She wears the most extravagant dresses and demands dinners to be served in the dining hall. She tortures the help into submission. Whether it’s a part of her defense or something she was born with, Marisa doesn’t bother herself with contemplations. She contemplates very little at all, but enjoys contempt in Hilda’s eyes. At least it’s a feeling, a mark of her existence. Marisa struggles to feel properly alive. At the same time, she undeniably is.

That vicious mind of hers sits right between her eyebrows day and night, always hateful, always painfully alert. She drags it around like an anvil. Perhaps, it is the tragedy of brilliant people: their mind never truly sleeps. It studies everything with a probing interest, assessing and categorizing, analyzing and synthesizing, seeing in perfect clarity all the vulnerable spots to attack, everyone a subject, including the carrier.

So Marisa wanders, and watches, and keeps silent except to wound with words. Then wanders some more. Always an enthusiast for shadows, now she downright rejects having sunlight seep through heavy drapes. Oftentimes, she forgets to eat, or eats a pick or two out of whatever feast she makes the kitchen staff come up with, so she grows thinner, scrawnier. Maternal roundness slips off of her, no more missed than food leftovers she doesn’t think twice about. It gives her a girlish look. It gives her a girlish look in a sense of there being multitudes of girls who burn their woman’s grief like fuel to keep running.

Time is stealing around without causing too much disturbance to still waters.

There’s one particular day when Marisa spends hours staring at her reflection. Not for vane reasons, and not for philosophical ones – she merely stumbles across the mirror and feels drawn to it, exploring herself as a scientist would. To her genuine pleasure, she discovers that, when she makes a little effort to hide the monsters, she still looks extremely attractive, with the kind of allure that can easily be used as a weapon.

‘Why, yes, Your Excellency, I’ll gladly resume my work,’ she laughs, training the dry cracking out of her voice. ‘It truly takes extraordinary people like yourself to look beyond the old ways and welcome the scientific potential.’

Sounds flow lighter than a melody, equal parts fluttery and charm. Marisa tries a few more phrases. They all come out just as perfect – silver bells chiming in the wind, waiting for a listener to enchant. She winces in anger, at once losing her appeal. Words are just words until she has something substantial to offer, an actual line of research, because empty-handed beggars, however pretty, receive nothing.

Her mirror self returns a heavy look. She has a weary face now. That’s unpleasant. Around her mouth the lines have deepened, etched into her skin, adding elle-ne-sait-quoi to the appearance. Something monkey-ish, it feels. Animalistic in the worst form. Marisa stands miming violence at the mirror, conjuring the most horrible expressions in complete silence, biting air, so close to the glass that her reflection all but disappears under the foggy trails of breath she leaves on the surface.

Her daemon sits nearby, engrossed in picking at a loose thread of a curtain. In his crafty fingers it slowly, but inevitably, comes out, sometimes tearing the cloth when he tugs too hard. A hole appears then, and some growling is heard. The thread is golden, shiny. Beautiful. He undoes it for however high he can reach from the floor, then jumps on the table to continue.

To Marisa, he doesn’t pay attention. An unforgiving daemon he is and a proud one, and rejected things are prouder than any. When Marisa hisses him away, the monkey chatters aggressively over his shoulder before fleeing to the other side of the room. She throws a comb at where he sat. The ivory thing bumps against the drape and falls hanging on gleaming zigzags caught helplessly in its teeth.

Where there was a crack, now is a canyon. They never speak, yet he never resists another digging into his fur: the pain is excruciating, outweighed only by its intimacy.

Marisa thinks they still look impressive side by side, which is enough for whatever purpose she might pursue – a perfect mask to hide the holes and loose threads barely keeping them together.

She thinks she’d like another daemon.

She thinks no other daemon could match her.

She thinks, sometimes, that it is yet a question to be answered: whether it’s her who flooded him with darkness, or the other way around.

She thinks – she thinks. The process never stops.

She thinks of Asriel, too. The more time passes, the more within Marisa grows dissatisfaction, vague at first, then fully-fledged and poisonous. More and more she finds herself haunted, revisiting that day in court in her memory and boiling over her own stupid generosity. Generosity – for lack of a better word, although dozens of better words crowd her mouth, she’s just too embarrassed to even spit them. That brewing keeps her awake at nights, making her grunt into the pillow thinking: Asriel got it easy. His life wasn’t shattered, he hasn’t truly lost anything.

He continues his research, Marisa learns from the Institute’s monthly print, timely delivered to her a few weeks after the trial. She reads every word about harnessing Aurora energy and shrieks like a furious cat, because didn’t they both use to agree that that kind of research lacks zest? That it’s laughable at best, below their pride? Yet here Asriel is, obsessing over scientific expansion, resource control, wilderness, witches, and, somehow, spreading the holy teachings – all at once – still managing to make sense of it. She knows that kind of writing. That kind of writing attracts serious money, grants. He’s after the sponsorship, and he knows exactly what to promise to the high and powerful to become irresistible.

Pages are flicked through until they bulge in the middle of a thin print. Marisa has to burn them to stop reading.

Her own research article, the one she fought for getting published under her name, gets mysteriously pulled the last minute. It is a minor thing, considering. Still, the unfairness is driving her mad.

She could have crushed him. She should have. Even her daemon couldn’t pick this obsession loose.

So Marisa chooses the next-best thing. She grows colder still. Where this cold was used for mere bone-structure, it now thickens. Where it sent little snakes across her veins, she now feels rivers, oceans. No temperature is too low. No depths hold little enough life.

Every day, bit by bit, the swirling pool of scorching, messy emotions inside her starts to solidify under a crust, much like a pond in winter. Frostbites spread from the edges to the center. Waters become heavier to stir. Drowning in them, everything Marisa wants to rid herself of: the longings, the painful recollections. Nothing breaks into emptiness, she learns. There are always shards to graze and cut your fingers on, and she’s a walking bag of them – so out, out with everything that hurts. North has nothing on ice settling in her blood. Radical, youth is. Never thinks about what’s going to happen, when that numbing pool is drained, and emotions, shivering, half-forgotten, claw their way back into the chest. For now, Marisa finds not feeling to be quite liberating.

Thus, on her own will, she keeps sinking.

Further.

And further.

Yielding as much of herself as possible.

Excited for someone else to take over. Someone whose rage has cooled down into calculation and pain become productive, allowing her to wait and play the necessary part.

Roaming the empty halls in the shadows, Marisa is listening to the steps. To each of her own, there is another. The sea creature is following her closely, and very soon the little pauses between their steps disappear. She and Mrs. Coulter walk as one, talk as one, feel as one, until finally, at the very end of ends, become one.

Time keeps flowing.

***

Survival, scientists agree, is an instinct. All living beings have it. There is, however, a regrettably thin line between taking drastic measures for the purpose of self-preservation and repeating them beyond reason to keep up the illusion of salvation. In simpler words, a wounded animal gnaws through its own leg to escape the trap. A wounded person, already out of the snare, continues gnawing through the remaining limbs to recreate the feeling of escaping. No research is needed to say who stands a better chance at surviving.

It could have gone very wrong for Marisa at the time. She almost reaches the coldness incompatible with any life, her own included. Her predator mind almost starves on insufficient prey. It almost eats through itself, chained to the prison walls and slowly getting used to it.

What saves her, peculiarly, is Hilda – for none other reason than her being, thank heavens, human and petty, and fed up to her neck with Marisa.

‘A visitor for you,’ the maid announces shortly, voice no softer than a stale cracker fallen on the kitchen floor and forgotten there for days.

Marisa chooses to ignore her. A rather early morning escapes her worldview. Her sleeping habits have deteriorated so, it’s a wonder she still has any internal understanding of the time passage. Nights spent reading, or sometimes staring at the pages for hours without turning them, melt into mornings of withdrawal when the help starts clanking around the house with the usual noise of steps, chores, and rare conversations. Marisa prefers to avoid them altogether.

A thud comes – the monkey lands on the back of a sofa across from her. Behind him, bookshelves tower. Anbaric lights are gleaming off two black voids where nothing reflects but vicious animosity. Instantly, the house cat daemon bristles up. Ears twitch, flattened. The monkey leans forward: his tail rises straight to the ceiling and hooks a little over his head, long fangs silently bared. He hates that fucking cat.

Marisa feels his hatred as a deformed clump in her side. It moves, pushing at her insides like an unborn child. She grimaces at the sensation.

Her daemon, the purest, physical part of her soul, a faithful friend and companion, a confidant, a keeper, screeches like a common animal. Even Hilda is unsettled. Her eyes dart to the golden creature as she takes a step sideways to protect the cat. The monkey paws at the upholstery, scrutinizing them both. He doesn’t sound like a daemon. He doesn’t even look like one with his lustrous fur dusty and dimmed to a mere memory of gilt.

He appears a wildling with no consciousness.

A deformed clump, somehow forever attached to her.

Enough!

The book is slammed shut. Around the four of them, air sizzles – or, perhaps, it’s just the humming of the lamps making itself audible. Without saying a word, Marisa looks up.

Enough. Go.

The monkey is staring at her. She knows that stare very well. The feeling of it, rather: a tingling at the back of her neck following her around the library. A rustle of careful steps overhead. Beady eyes shining in the dark. Like a twisted game of hide-and-seek all children play with their daemons, only he’s the one both hiding from her – and seeking. Oh, how he seeks her.

Her things go missing at times: a ring, a bracelet. A hairbrush with a few hairs still stuck in it. There must be a pile of treasures somewhere in the house. Sometimes Marisa wonders if her daemon sleeps among them, and if so, if he’s doing it for comfort or bites on an old earring of hers, pretending to sink teeth into her flesh.

As if catching on to her thoughts, the monkey squeals a shredding sound, then quickly turns, and the next moment he’s gone. A spot of dirty-gold flashes on top of the bookshelves, and the dusty kingdom of neglect regains its ruler.

Marisa opens the book again. A different page, not that she’s noticed. The humming continues.

Has it always been this loud?

Symbols cluster in unpredictable ways, mocking her with gibberish. She might as well be reading in a made-up language, but she’d rather die than show it. Scanning line after line of outdated research – and badly composed at that – takes a considerable willpower on her side, yet Marisa feigns utmost concentration. Something about Hilda discovering that her pastime has been reduced to staring into space feels especially humiliating. Marisa couldn’t say exactly how it happened. There’s plenty of literature to go around, she’s just lost… interest. Prospects. Purpose. Whichever makes more sense.

Every seven lines or so, the lower humming switches to a high-pitched one that continues for another one or two lines of text. By the end of the second page, that’s all Marisa can focus on.

‘Did you want something?’ she snaps finally.

The hovering figure by the door scoffs, earning itself a hostile glance.

‘Well?’

‘As I said, Madam,’ if only politeness could kill. ‘There is a visitor to see you, waiting in the East Room.’

‘I don’t accept visitors.’

‘I am well aware.’

Oh, are you.

It is a pattern they have, admittedly, fallen into. Competing species in conditions of forced coexistence always do. When the mood is right, it even entertains Marisa to poke at the maid’s patience and see what insults her bitter mouth can produce. She is a fighter, that one. Never runs out of things to say.

Tell the staff to keep quiet, Hilda, they’re giving me a migraine.

Everything is, Madam, comes the response.

Or even: That would be the brandy.

Now is no such time.

‘Send them away,’ she waves a dismissive hand.

That’s usually enough to get the situations resolved. They tend to disappear when Marisa stops looking – a useful trick she’s applying to the world. Her mind wanders to having a half-glass of something and sliding into bed. Maybe sleep will come. Maybe, sleep will last. There’s hoping.

‘I had, on five different occasions, which is neither my responsibility nor a way matters are handled in respectable houses.’ An arrogant tight-bunned head is sitting so proudly on Hilda’s shoulders, there’s no denying how little of that respect pertains to Marisa personally. ‘If you want him gone, Madam, you can tell him yourself.’

It takes some restraining to not hiss an attack. Not hiss, in general.

What a rotten inheritance Edward left her.

‘Him?’

Marisa moves in the armchair. The eyes opposite of her are steel-colored and steel-hard. She, too, can be steel-hard. Her wrists limp in perfect arches over the armrests, whereas the features of her face sharpen. It’s almost a muscle memory at this point. A grimace she learned in front of the mirror – to warn, to scare.

Yet she forgets.

‘Don’t flatter yourself. His daemon is no snow leopard.’

She forgets that her bleak, unforgiving inheritance knows her too well to be afraid.

Meteors fall. A series of steady hits, one for each word, ruptures the surface. As loud and terrifying as it is, that’s not the worst. Stones keep sinking, driven by sheer combination of mass and catastrophic speed. Then: a series of quakes. An underwater impact. A shock wave of such magnitude, it pierces through miles of breathless, half-frozen space in a matter of seconds, exploding the sea outwards. Causing hands to shake with anger.

‘You are forgetting yourself, Hilda, darling.’

Marisa presses palms together. Tsunami almost breaks her fingers. There isn’t one imperfect note in her chiming.

From the library darkness, laying an undertone to it, a distant snarling comes. The cat daemon looks up. As does Hilda, for a moment. She steps from one foot to the other, clearly cautious of the malicious creature lurking nearby. And yet it only adds to her spite.

‘I suggest you hurry,’ she nods. ‘He did mention he’d be leaving shortly.’

‘Do you have any idea what I could do to you?’

Snarling is creeping closer. This time, the old maid doesn’t bat an eye. She pulls her apron down, demonstrating a remarkable resilience. The cat arches his back at her feet.

‘The East Room, Madam. If you can’t navigate the house in daylight, just ask the help for directions.’

On that, she leaves. Well-oiled hinges purr.

Humming, humming, humming.

Marisa imagines herself throwing a book at the lamps. Then going after Hilda with a pistol from Edward’s study. Both options feel unnecessarily dramatic, although the latter amuses her– but no, no. She’d have to stand another trial. The thought rips a laugh out of her lungs. It sounds sick. She feels exhausted.

It’s pleasantly dark when her forehead touches the smooth silk of the robe, and her hair streams down. Fingers are digging softly into the ribs. Marisa presses. Bones are right there, somehow unshattered by the rippling. The other thing is there too: that un-dissect-able part she drowns, and freezes, and can never fully extinguish. It flames underwater. In a palpable, scientific reality, it takes aluminum and something else to flame underwater. Finely powdered, set afire at the highest temperatures. What was the other thing?

Smoldering pieces fly out and continue burning brighter than day.

Did she see that somewhere? She couldn’t have, not in the Magisterium. Before Marisa’s eyes, a dozen of suns are exploding at the bottom of – what, tank? She must have seen it.

Well. She doesn’t want to see it now.

Dim lights attack her eyes. Reality is slowly fleshing itself back. A visitor in the East Room. Couldn’t be Hugh, could it? She ignored enough of his letters to earn a house call, but in no scenario would he have let an old hag to turn him around. People like him don’t. Not once, certainly not five times.

Actually, none of the people she knows would. Certainly not… but it isn’t a snow leopard. The snow leopard one (don’t flatter yourself) wouldn’t come.

The sensation of being watched tickles her skin, and as soon as Marisa notices it, she also realizes it’s been present for some time. From beneath the ceiling, her daemon is peering at her. They exchange a long look. The monkey doesn’t move. He resembles a statuette, an alarming little monstrosity placed on top of the bookshelf as a practical joke on those whose eyes drift up – and then forgotten, left to gather dust. His gold barely shimmers through it.

Just minutes ago, he was a wildling. Now some clarity has settled over him, knotting Marisa’s stomach. Her soul; unkempt, unloved. She would have preferred him an unintelligent beast. Unintelligent beasts are easier. They aren’t attached to people by umbilical cords, drawn to emotions like parasites, shining consciousness from their eyes until the chest boils. Marisa jerks a shoulder. The monkey shows teeth. At least, that part hasn’t changed.

I dare you.

He blinks. Two glimmering sparks hover in the dark.

Then they disappear.

Marisa hears herself exhaling. Proper ladies in proper dresses shouldn’t look for excuses to torture themselves, but she isn’t a proper lady. She’s not even a properly dressed one, which brings her back a little. She winces.

Right.

The visitor.

Marisa rises from her chair, half-suspicious that is she waits any longer, Hilda will bring him right to the library and lock the door from the outside.

The hallway light is way more irritating to the eyes. Daylight, that is, not the flickering lamps. Somewhere in the house heavy drapes are open, the air brings sounds of the help going about their daily routine. Marisa makes it exactly till the second door on the right and has a split second of pride to enjoy, when punishment comes. A brutal tug. She sways, clawing at the doorknob. In the library, her other part presses itself against the wall and growls in pain, scratching at the wooden panels. Ancient instincts yank their hearts back to the safety of blissful togetherness, but ancient instincts have never fought Marisa Coulter and her daemon before: each angry and stubborn, each pulls in their own direction.

The next few steps are a nightmare. Her chest feels raw. Every breath swishes right through, cold as a blizzard on the open wound. Nausea comes in waves. The damned monkey resists. Without seeing him, Marisa knows exactly how heavy the risings of his chest are, how sweaty the forehead; how clenched the teeth, threatening to crush from the force. How terrified, and pained, and longing he is. She’s all that too, but someone has to be stronger.

She has to physically drag herself forward until finally, there’s a release. Threads fall loose again, stopping the horrible stretch. A squeal in the back of Marisa’s mind mixes with the rattling in the air ducts. She smirks, panting. The little demon never wins. In equal measures he can’t stand seeing her – and being apart from her, so he’s taken a habit of following Marisa around through the ceilings. A smart solution, save for the dust. Most of the time, she can’t stand seeing him either.

Her dress of choice is jade-green. The color is as sharp as she needs to be, and, by coincidence, only a shade darker than splashes of Aurora lights.

When she leaves the room, her daemon is already glooming in the corridor. He’s evidently cleaned himself. Patches of old web have disappeared. His fur breaks scarce sunlight into a ripple of glints across the wall. He is beautiful, audience-ready, except when Marisa looks, the golden elegance crumbles to reveal the same dirt-coated creature, always hissing and snarling around. They walk down the corridor together. The care placed in keeping the distance might have reminded somebody with a keen eye of a crowded room where every soul treads just as carefully, stepping and flying around paws, hands, tails and shoulders, avoiding the forbidden contact to the best of their ability. Between two beings joined since birth, it looks oddly repugnant. Unnatural, one might say.

Marisa would put it differently. She’d recall coming back to their floral-molded prison. The burning feeling she got from her daemon’s touch, the piteous cry of him recoiling when coldness sprouted. She’d call it self-preservation.

One of the hallways she walks twice. Not that Hilda could pry it out of her, that stuck-up old if-you-can’t-navigate-the-house-in-daylight witch.

The East Room welcomes them with a closed door.

Marisa pushes it, and goes blind.

The light.

Winter sun is flooding the space. There are no drapes here, no peaceful twilight. Everything is hard, bright, and aggressive. Two nocturnal creatures withdraw, seeking shadows. Something golden is flitting around the space: floor – the fireplace – windows – floor again. Something green is standing frozen, tearing up against the cold shining. The hasty getting-up and the turning of another figure escape Marisa, taking away her chance to prepare.

‘Madam,’ a voice rises to her ears. What a curious voice it is. A male one, for sure, marked with slight roughness of age. There’s a quality to it that makes Marisa hesitate. An unexpected care, almost… respect. She got unaccustomed to hearing genuine respect.

Light keeps pouring in. As does her uncertainty.

‘Allow me,’ the man says.

Promptly, and with nimbleness of step that betrays years of excellent training, he walks to the window. Sunlight seems to collect around him for a moment, as if he was the source. Then a drape slides over, cutting the flow in half. Marisa blinks the blindness away.

Her daemon stops pacing around and settles beside her. Even before the man turns, they recognize the bolding head, and a winter coat, and the sleek black fur of a pinscher daemon.

‘Madam,’ Thorold repeats with a slight bow.

His pinscher follows the example. Marisa can’t answer. Her lungs get overcome with the urge to cough up ribbons of air, thickened and shredded by at least a dozen of invisible knives. The monkey crawls forward. His golden tail is rising in a warning. There’s a flash of surprise on Thorold’s face, one he is quick to hide, but not quick enough for Marisa to miss.

Good, then. That’s settled.

She makes an effort to miss sorrow in that surprise.

‘What does he want?’ A demand, not a question.

Thorold looks up. His shoulders shrink a little, even though a minute ago he was demonstrating the perfect posture. He’s obvious in searching for words but his own thoughts, apparently, are giving him a battle too. A mixture of indecision and half-concealed sadness boils into a real suffering across his face.

‘Have you completely forgotten speech?’

A beat of pause.

‘No, Madam, I have not.’

‘Be useful, then. He must have sent you for something.’

The pinscher daemon brushes against the man’s leg. The simple comfort of the gesture frustrates Marisa. It could be jealousy. Could be disappointment, because at least with Hilda, she always knows when cruelty hits. Counterstrikes never leave her guessing.

‘I’ve come on my own behalf,’ Thorold manages at last.

‘Is that so?’

‘Yes, Madam.’

Well, a man of few words and fewer answers. Her expression darkens. She would have understood Asriel sending his servant: reasons may differ and still remain plausible – but that? She hardly knows what to make of it.

And the way he says ‘Madam’. Like he’s asking a storm not to rage, soothing waters into clarity. Despite herself, Marisa catches a shiver. People who haven’t received a lot of compassion cannot abide the warmth it brings, thinning the numbness of detachment where their hearts plunge to heal. Survival is an instinct. All human beings have it.

‘Then what do you want?’ Anger clangs inelegantly in her voice.

‘To return something of yours. If I may?’

He hesitates for permission. Marisa, frowning, just nods. She watches Thorold approach a set of sofas: there, on a chair next to them, sits a leather bag she’s seen countless times before. Its worn-out patterns haven’t changed, still keeping in themselves a mystery. A reminder of home, perhaps. Half-illegible words of a half-forgotten language breathe northern air. On the side, a flock of birds, always just about to fly off the leather on spirit-borne wings. Marisa used to admire the birds. They never flew anywhere, but they looked free.

She moves closer, her steps drowning in a ridiculously thick carpet. The golden shadow follows in a distance. His observant presence tugs at Marisa’s side. She wishes for him to disappear in the air ducts again. It is a passing feeling, but the precise thing is, she doesn’t want to feel. It gets harder when her soul is wondering around.

Thorold turns.

‘Here it is, Madam.’

He hands her a book of sorts. A smallish one, and the first thing Marisa registers is that something’s wrong about it. Her frown deepens. She takes it with caution: not exactly alarmed, just confused. Thorold lets go – there’s a glimpse of his fingers with white calloused tips. Then his palm disappears, and the mystery of the book holds no longer.

It’s badly burned, that’s what’s wrong about it. The cover’s all bulgy, melted in random places. Patches of coal-black mix with the remaining tints of color but there’s no logic in it, no structure. Just a hardened, deformed leather flesh, curled from the heat. The bottom corner is the worst. Something burned through the cover there, leaving a crescent-shaped edge with brown contours. Pages underneath are burned in the same exact fashion.

The other side is nearly intact, save for a few spots blooming here and there. It’s been burned the front side down. Besides that, the examination offers very little.

Marisa has never owned anything of the sort. She almost says as much. Then it occurs to her to look inside. She sits down, book on her knees for convenience, and tries to open the smoldered brick. Pages refuse to give in: their fire-licked edges stick to one another. It takes Marisa a minute to part them. When she does, however, realization comes at once. She’d recognize her own handwriting anywhere. Line after line is filled with it, neatly arranged statements bursting in cascades of notes on the margins. Beginnings of phrases on one side and endings on the other have disappeared in flames, but it doesn’t stop Marisa from reading a whole paragraph, tracking her own ideas and filling the gaps with words that have once been written.

She recognizes now not a book, but a research journal she kept at Asriel’s house. Sea depths heave. A sharp sensation knots her stomach. Marisa blames it on her daemon approaching, taming an overwhelming urge to kick him away. Her mouth is aching with words she can’t spill.

‘Why?’ she croaks.

Thorold takes a seat, too. His plain wooden chair can’t be too comfortable, but it allows him a space next to Marisa without the inappropriateness of sharing a sofa.

‘I thought you might need your work back,’ he simply says.

She shakes her head impatiently.

‘No, why come five times just to return this?’

‘Madam?’

The old man looks so sincere. His daemon is tilting her head in attention. Marisa catches her eyes: brown they are, but nothing close to burned paper. More like almonds, or sunlight dancing on fresh earth. Brown kissed with gold. She never knew golden things can be warm. Somehow, right now, it’s Thorold’s fault, too.

‘You could have left it with my maid.’

‘She seems a good woman,’ he nods respectfully.

‘A treasure,’ Marisa sneers.

The journal rests on her knee. Thorold glances at it, appearing again to be choosing his words. He doesn’t resemble someone to whom the trick of conversations comes naturally, least of all with Marisa, but the effort brings out a heartfelt sympathy in his eyes.

‘If you pardon my saying… Madam,’ he adds, like he wanted to address her differently but didn’t allow himself the right, ‘I thought you may want to talk with someone.’

‘Talk?’

‘Ask questions, is what I mean.’

‘Questions.’

‘If you wish to… to know of…’

He struggles finishing the phrase without letting the ghosts in. Fails, too. Unnamed hauntings surround them, as if woven out of light. The pinscher flaps her ears and yelps quietly. Daemons are intuitive like that.

From the shadows, the monkey is prowling forward, his little face twisted in a grimace of pure hate. Marisa smiles. The scent of heated metal hangs in the air. It’s going to betray her emotions for years. She’s going to think everyone can notice. In fact, there’s only going to be one person who will, probably because mothers and daughters have a connection that, in human measures, is just as sacred as the one with their daemons.

Lyra will always associate metallic scent with menace, but will never learn to understand that it comes not from steel, of which her mother, an masterful self-deceiver, deems herself made, but of fires flaming underwater, where it’s the darkest and the coldest. Where human feelings shouldn’t survive at all.

Extinguishing those fires is something Marisa will never be able to do.

‘No, Thorold,’ she objects softly, softness honed to a sharp edge. ‘I don’t wish to know. Spare me your old man sentiments. If you thought we’d be shedding tears over your stories, you’re an even bigger fool I took you for, and you never learned a thing about me.’

See? Self-deception.

That is easily the moment when Marisa finally combines both sides of the mirror: the loud, perceptible beauty mixed generously with ferocious instincts of an animal hiding in deepened lines. It will cause her few allies and all of the enemies to address her respectfully as Mrs. Coulter even in her absence, barely restraining the urge to look behind their backs in case she’s there – or worse, her spying daemon is. High Magisterium officials and children will both learn the danger of pretty gleams dancing in those wonderfully blue eyes that make you think of frostbite. Marisa is quite happy with the image. It’s got enough claws to keep her safe.

She sees a change in Thorold’s expression as he’s watching her. The pictures must not be aligning: he’s searching Marisa’s face as one does when trying to uncover familiar features, match them with something from memory, but cannot. The pinscher nuzzles against his hand. The man hardly notices. A look of regret settles over him. He’s watching, and watching, and then his shoulders sink a little, and the kindest sorrow spills all over his wrinkles.

‘Oh, child,’ he says. ‘So very young.’

Just that – just that.

And suddenly, the pool is drained.

‘Copper?’ she asks, somewhat disgruntled by the eagerness, with which a golden lightning zings around the laboratory, fetching equipment for Asriel.

Asriel glances over, so incredibly smug she wants to both kick him and watch him forever. His investment in this stupid experiment is driving Marisa insane. It’s not even science, just a… well, a party trick, at best. His beloved professors at Jordan must be showing it to a bunch of 10-year-olds to gain their attention.

He just laughs, mixing a brown-red powder to the aluminum one. When he laughs like that, new universes spring into existence.

‘Watch.’

A strip of something white goes in. Magnesium burns silver, then – then everything is bright orange, and the little ceramic pot is submerged into a tank, and the fire is flaming all hells underwater. Resilient, absolutely magnificent.

Oxygen, Marisa realizes. An oxide, that is. Next to her, Asriel, a world-class scientist in the making, is looking incredibly proud of himself for that silly amusement. He’s always doing that, showing her something she missed out on. The same is true about their whole relationship.

‘Iron oxide,’ she exhales. Then nods, ‘Beautiful.’

Asriel chuckles. He looks at the blinding, raging fire shooting pieces of molten iron to the bottom. A corner of his lips curls up, but the eyes remain serious, full of furious admiration. The one Marisa often notices directed at her.

‘There’s beauty in corrosion, don’t you think?’ he says.

Iron oxide. Corrosion.

Rust.

The second part of that volcanic combination that keeps igniting the living day out of itself until the flames eat through. No wonder her fires keep burning.

She’s made of rust.

A steel carcass inside Marisa shudders and gives way. Down below, in the pool drained of mercifully numbing waters, the longings and feelings she pushed in have re-emerged. Shards sharper than glass and pain sharper still – she can see it all rusted, layered so thick with corrosion, the blazing is going to persist for years.

A barely audible whimper catches her off-guard. Marisa turns before realizing: the monkey is standing beside her. There’s not a single wretched line on his face. His hand hovers mid-air, reaching out. In his eyes, a plea for consolation. An offer of one, too. The brainless thing doesn’t seem to understand what he’s offering.

It is terror for volcanoes to erupt. Her chest, where the damage of connection grows, pulsates with it.

Making a conscious effort, Marisa twists her heart, watching her daemon flinch. He resists for only a second, and then drops to all fours, backing away from her slowly. The further he gets, he more hunted his expression becomes, until familiar sparks stare at Marisa, and it’s the same wild, ill-tempered creature that hides behind the sofa. She wonders if he would have touched her hand. She wonders if he wonders how badly her cold would have burned him.

She wonders how people breathe without pushing away their soul. Aren’t they choking on it?

‘I am… truly sorry, Madam.’

A voice holds her in embrace. Marisa does her best to reject it. Her teeth clench. Facing kindness feels unnecessarily cruel, so she avoids looking at Thorold, staring at the journal instead. Her fingers slide across mountains and valleys of disfigured leather, tracing the non-existent patterns. Every peak is whispering its own story, and yet none of them has sufficient answers.

She imagines Asriel. Was it morning, day, night? What was he wearing? What was he thinking? Did Stelmaria try to talk him out of it? Or was throwing the damned thing away simply not enough for his hatred?

‘Why would he burn it?’ Marisa whispers.

Her eyes stay low. She’s not waiting for a reply, but when it comes treading the air, her whole body listens.

‘I don’t think…’ Thorold pauses, starts again. ‘I think he was trying to do something else, Madam.’

‘What, then?’

‘Well…’

‘Well?’

Despite herself, Marisa glances. Sharp winter sunlight falls onto the old man’s shoulders. Where it touches his coat, light seems to lose its cutting quality. Gentle streams of gold float around.

Thorold sighs. His palms open, as though he’s trying not to grip the words too hard, afraid of saying anything too much, too certain.

‘I can’t speak for him, Madam. His thinking is of heights I could never follow, but I suppose… The way I see it, he was breaking a bond.’

Words are laid carefully on the air. Elusive to the grasp as they are, their shadows are heavy and fall into Marisa deeper than she can recognize at the moment. Another pinch of rust and aluminum to burn later. She just nods, not trusting herself with speaking. There’s nothing left to say anyway – or ask, or confess. Even coarse leather stops singing under her fingers.

Was it singing under Thorold’s? His hands are still open, fingertips calloused and hard. Mostly on the right hand, Marisa realizes. The placement is so uneven, it doesn’t look like callouses at all. Pinker streaks run from under patches of thick, pale skin. Like scar tissue. Like old burns. Those permanent kisses from burning coals and melting leather, pressed to the naked skin of hands that were hurrying to salvage something they cared about.

Palms curl, hiding the injury. Marisa looks up. Thorold is looking back with an apologetic smile which only makes his eyes sadder and warmer. He doesn’t say a word. There’s nothing left to say – or ask, or confess. It’s all there, between an old man, whose heart has softened for the sea, and a young woman with sea in her name. Both of them understand it is the care she cannot afford to accept. Both of them grieve it a little.

Any reasonable timing has now passed to continue the conversation. Marisa draws a long breath. She’s never been the one to avoid the inevitable.

‘Go now, Thorold,’ she says quietly. Thorold has no idea of knowing it, but that moment makes him the last person to ever hear Marisa’s actual voice – at least, for the next twelve years. There’s no silvery smoothness in it. Just cracks all over.

‘Madam.’

He gets up, takes his bag. A flock of northern birds flies in front of Marisa’s face. Buttons of a winter coat take Thorold’s attention for a few moments as he meddles with them. Just then, Marisa remembers what Hilda said: he’d be leaving shortly. She wonders, where. Is Asriel’s research finally taking them north? She concludes so. She also concludes that Asriel must have left earlier to set up, leaving his servant to oversee the last preparations here in Oxford. Otherwise, Thorold wouldn’t have come looking for her. A strange fondness moves in her.

He stands now, pinscher daemon by his side. Two heads bow courtly. With the last exchanged look, their shared grief stings a little, knowing it’s probably a farewell. Marisa just nods. When Thorold leaves the room, the light leaves with him.

At least, it feels that way to Marisa.

She wipes the sudden tears away. The gesture is nervous, angry. Embarassed. Her breathing sounds incredibly lonely in the emptiness of surrounding space.

‘Get away,’ she hisses, sensing the clump in her side twitch as it always does when her daemon approaches.

A golden shadow stops on the floor in the corner of Marisa’s vision. Thoughts and feelings, awakened so inconveniently, are buzzing worse than a beehive. His presence amplifies them. Flooding fires with water won’t make a difference now because he who is responsible for this madness is too close.

Leave me alone.

No movement. Marisa raises her eyes. She sees the hideous creature swing his tail. A hypnotic stare is burrowing into her, reaching where threads are caught in their warlike endurance of each other. He won’t go. There’s no place for him to be except between her ribs, leeched onto humiliation that is her feelings. The truer they are, the more powerful, and the harder he’s drawn. The closer he wanders, searing Marisa from the inside by simply drawing breath. She wishes desperately to cut whatever’s sewn them together.

She throws a cushion, and doesn’t look where it lands. She senses her soul clear enough to know it’s not as harmed as she’d want it to be. Maybe then he’d learn.

The monkey only growls, when she refuses to acknowledge his attempts at connection and opens the journal again. As far as choices go, hatred is a preferable one. Better hatred than constant self-pity. Pondering over half-eaten lines, Marisa recalls that thing Thorold said, about Asriel breaking the bond. Asriel, it stings her suddenly, seems to have succeeded. In fact, while she spent months sleep-walking through wall-papered corridors, Asriel kept himself busy.

Blood rushes to her head, throbbing in such an agony, her temples all but explode. Masses thick and hot come breaking against the eardrums. They seem possessed to pound their way out, tearing the thin veins. Asriel would have laughed at her.

She bites on a nail. A stupid habit.

Another habit is cold-ing herself down as soon as she hears paws coming nearer. Her daemon hesitates. Then turns. Marisa sits peering into space, gnawing on her lip until it swells. She doesn’t want to sleep. Not anymore.

The thing is, predators are not designed for prolonged sleep. They wake up hungry. Quite newly to herself, Marisa feels hunger for something to do.

Pages crust as she’s flicking through them slowly. Hard edges cut her fingertips, hardly even shifting her attention.

She thinks.

The process has never stopped.

‘Breaking the bond,’ her whisper ripples the air. It tastes like something. The golden silhouette jumps on the sofa across from its human in crisping, snow-fresh Aurora color. Sunlight remembers of there being winter. Chilly coolness spreads. ‘Breaking the bond.’

Something’s stirring in her mind, though what it is, Marisa cannot fully formulate yet. The idea, however, is strangely fascinating. Her eyes lay on the daemon heavily.

She’s made of bonds. One with Asriel, another with their child – she may resist it, but it’s handwritten all over her body, and the handwriting it hers. A bond with her own soul, too. The one she hasn’t yet succeeded in dissecting in order to understand and control. Cutting it should feel miraculous.

Perhaps, if she were still a child, she muses. She’d give anything to go back and nick those annoying threads that got handed to her as a given. She remembers questioning why they existed at all – not in words, certainly not in scientific terms, but he knew she thought about it. Always digging deeper than children do in glorious self-understanding. There seemed to be the answer there. Why she was so restless all the time. Why her behavior never satisfied anyone. Why she was doing every wrong thing, why she loved Asriel, why she needed Lyra. The answer might still be there, only there’s no way of harvesting it now –

But a child. A child could answer those questions in all their childlike innocence. Marisa could learn the answer. She could steal it.

She could learn how, where, and when to cut.

The air is freezing now. The monkey is anxious. Marisa sits very-very still, like predators do. Much like an image, her fate comes to its fullest, cleanest form. It’s not a grand, heroic fate, and there’s no description to it yet, only anticipation. It is, however, going to be more befitting one for a woman, young with the cruelest of youth, with punches and heartbreak and blood on beautiful hands from hitting a wall, than anyone could have imagined.

She will spend her short life trying to break the three most powerful bonds she’s ever formed – and fail, miserably.

Marisa Coulter, née Delamare, walking to her late husband’s study with full intention of making it her own, is a long way from knowing it yet. The irony will unveil itself twelve years and a war later as she leaps off the edge of an abyss. Those three sacred bonds she could break however hard she tried, they will all weave together to save what she cherishes most. For now, she’s too enthralled by a monstrosity that will eventually lead to the silver cages, and lacks serendipity.

Youth, people say, is arrogant. It’s wrong emotions at the wrong time, it’s thinking that love can be left trampled to the ground. That love can be examined, prepared, dissected and understood. That it hides logic.

That it ceases to be if you just deny it enough.

As Marisa ravages through Edward’s old papers, three things occupy her mind. One, is that rattling air-ducts are a small price to pay for a chance to function productively instead of being crippled by emotions.

Two, is that she’s going to need a place somewhere else, perhaps in London, because these walls are making her sick.

And three, she hopes she succeeds.

After all, breaking a bond shouldn’t be that hard.

Just a simple process of trials and errors.

#SURPRISE BITCH I BET YOU THOUGHT YOU'D SEEN THE LAST OF ME #phEW #so it took me a few weeks over the span of 6 months to write the whole story and i love-hated it #there could also be a LOT of typos cause I grew tired of editing it and basically got MAD EVIL ARGGH and just finished the whole thing #but but but BUT BUT #to those who appreciated it and asked and kinda poked me about it?? and remembered i was even writing it some time ago for that matter??#THANK YOU YOU ARE SO NEAT #💛💛💛💛💛💛💛💛💛💛💛💛💛#i canNOT express myself in any way other than howling to the moon but I'm just !!!!!!!!!!!!!!!!! every time #hope you guys find something to enjoy in this last chapter #i basically felt self-indulgent and wrote all my fav ideas #oh #and the scene from the gifs isn't random #thorold is there alright #he's the MAN he truly is #oOOF #alright i'm done #hdm #hdm fic #his dark materials #trials and errors fic #masriel #young masriel #marisa coulter #asriel belacqua #marisa x asriel #asriel x marisa

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