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#but they're pretty and interesting
booasaur · 2 years
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P-Valley - 2x04
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uncanny-tranny · 7 months
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I think a lot of discussions would be made better by recognizing that masculinity and femininity aren't inherently preferred, but adherence to cishet standards is, which is slightly different.
This is why a masculine trans man* or a feminine trans woman* often still face stigma - it isn't that they aren't gender conforming to the gender they are. It is that cishetero standards do not want trans people to exist at all, in any capacity.
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other people have said this better than I will here, but every time there's an imodna conversation, I start hearing noises about the their relationship being codependent, unhealthy.
and, look, yeah, individually? they're mentally unhealthy. they are! they're fucked up and traumatized and trying to hold on long enough to get to the other side and each of them individually struggling to believe that's even possible.
but their relationship? how much they love each other? how much of a harbor they try to be for each other, how they do their best to help each other, steady each other, even while they're grappling with their own shit in ways that make that really really hard?
of course they're not always gonna get it exactly right. sometimes, one of them—both of them—needs support. needs reassurance. needs their partner to be there for them.
two fucked up people are never gonna have a relationship where they both behave perfectly, healthily, every time. (in fact, no relationship is gonna have that, but that's neither here nor there.) they won't have a relationship that's all sunny skies and calm waters, not until they can calm their own storms.
but they can give each other the space to be both fucked up and loved. to promise to hold each other's hand while they do what they need to do to get through it, and to promise that there is something on the other side. that it's worth fighting to get to it together.
needing each other isn't inherently codependent. and loving someone who's struggling isn't toxic.
and there's so, so much love.
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pro-sipper · 5 months
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"- 'proshippers' or whatever the fuck you people are calling yourselves now -"
It's. It's still just "proshippers". It's you guys (antis) and the fence-straddlers trying to have their cake and eat it too that keep creating random new phrases to "other" and distance themselves from us. We're here, unchanging, same as ever, in our corner with our silly little stories. We aren't the ones interested in coming up with 500 new labels for people who know that fiction isn't reality.
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starry-bi-sky · 21 days
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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paintpanic · 7 months
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Calculating probability of survival... It doesn't look good.
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critter-covenant · 13 days
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"ooooh thank you! Thank you! Thank you!!!"
They'd be good friends I like to thinmk
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gay-jesus-probably · 10 months
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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lulu-draws-stuff · 6 months
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Dhmis muppets babies be upon you
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gummi-ships · 2 months
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Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - Depths of Darkness
#kingdom hearts 0.2 birth by sleep a fragmentary passage#kh0.2#depths of darkness#realm of darkness#my gif#they did a good job making the realm of darkness look distinct from the realm of light#because this place really does feel like nowhere we've ever been before#the rocky pathways with no sign of organic life make me feel like i'm on the moon or an alien planet#it's interesting how fallen worlds feel like they're all stitched together between areas like this#aqua can simply walk from place to place without needing a ship or keyblade glider to fly her to a new world#though who's to say how long it takes her to do all of that#as if the realm of darkness is one big ever growing expanse of land without any known boundaries between worlds#we know that all worlds used to be connected in the realm of light long ago and i'm guessing that's the case in the realm of darkness#it's never been split or fractured by keyblade wielders so it still follows its own rules and laws of nature#that'd be pretty interesting#we see this area start as a rocky wasteland that transitions into flat sandy terrain from the destiny islands#but you have to walk through a huge blinding light to get there first which is really unusual#it makes me think of how terra and aqua were guided to destiny islands by a bright light#and how destiny islands appears as a ball of light on the world select menu in bbs#but why portray it that way? we've been shown before what the world of destiny islands looks like from afar with the CoM world cards#and it's not like they even needed to include it on the world select screen in bbs because it's not a world you can even visit on your own#i don't know what it's all supposed to mean yet but#i believe the islands are more significant than we know at this time and this game continues to raise a lot of questions#it's certainly called 'destiny' islands for a reason
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thelawsofdaylight · 7 months
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I have a lot of respect for the Just Stop Oil protestors who interrupted Les Mis last night. I've done disruptive actions before and it's fucking hard. Any kind of direct action is hard, and anyone who participates in civil disobedience (or uncivil disobedience!) will know that.
But still. It's incredibly disheartening to see the negative responses from people who (presumably, seeing as they either follow the account and/or bought tickets to the show) are fans of Les Mis.
And like, I don't know, it's just making me reflect a lot on how popularised versions of Les Mis (mainly the musical) still fail to get through to people. It doesn't hammer home the message in the book's prologue, it's too easy for people to see it as that was then and this is now, that was over there and this is here, etc, etc. Like... I can't stop thinking about how quickly the protestors were thrown under the bus by both the audience and the theatre. How it's easy for people to exercise hypothetical solidarity towards a bunch of fictional characters yet not extend that to real life contexts. How everyone will unanimously agree that the National Guard are the bad guys and then turn around and cheer on the IRL cops for removing protestors. I don't know.
And I've been to productions of Les Mis before where people will cry during the barricade sequence or comment on how upsetting Fantine's story is and then come out of the theatre and walk straight past the unhoused people on the streets. It's not new. But it is particularly jarring when as soon as the lights come up people seem to forget how fervently they hoped that things would be different, and not realise they have to play a part in that change in order for that to happen. Like, the message of Les Mis is supposed to be if you do nothing, nothing will change.
The amount of people who don't seem to grasp that Les Mis condemns people exactly like them, who stood by, who turned away from the people trying to change things, it's just... It's so fucking frustrating.
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butterflysonnets · 3 months
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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sysig · 4 months
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It’ll all go fine if you’d just don’t worry about it, probably (Patreon)
#Doodles#Handplates#UT#Fellplates#Gaster#Toriel#And technically Sans and Papyrus are offscreen in that last one but they're there!#Starting with a dress because Gaster always needs some pretty clothes!#His cute little angel wings expanded into a shawl :D With a feather-themed dress as well#I was thinking he'd look good in a bleeding-heart pigeon getup - just a little on the nose symbolism hehe - but it'd be very stark as well#But I mean Monsters don't bleed it's fine probably it's just a pop of bright red! Doesn't mean anything!#Thinking about the symbolism of his decorative wings normal-like as well...and of Gerson talking about the Angel of Death.....hmmmm#I'm sure it's nothing haha :)#Thinking again about Toriel taking issue with Gaster's new hole punches but not necessarily of her knowing what they mean#He has to be careful how much he shares of his progress! If she knew what might she make of him? Of them?#Two new little things to be subjugated? Or worse? All the more reason to keep them secret#I like both so much but hmmm he also wouldn't be held as accountable if he kept them secret#It's interesting as well - Gaster had a lot of growing pains with his experiments initially - I wonder how much Fell!Gaster struggled?#He always seems so placid and put together but surely Something breaks him - hard to avoid where and how he is now#Maybe not forever but just for a moment! A moment of weakness is all it takes after all ♪#All the more reason to have safeguards in place!#Like teaching the boys how to heal! :0 Fellplates!Gaster would be able to heal wouldn't he? But nobody else could haha#Would the boys be able to from the beginning? Or do Fell Monsters have to develop it? :0 Through inaction or through intention? Hm ♪#It'd be nice proof of concept if they could heal :) No time like the present!
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dirwael · 5 months
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thirteen really puts mc's death and the related angst into a new perspective... unless she tampers with their life candle, she's forced to watch as it slowly melts until the flame finally goes out. she'll likely be the first person to know of mc's death unless they're with others. but what will she do afterwards? will she get to handle their soul? will she let them go? will she keep them?
could she even revive mc?
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I think there's too much moralizing in the HP fandom. Like, every time I see arguments between the Marauder/Snape fandoms, it boils down to morality, which is ridiculous because characters are not real people. They do not have morals, or thoughts, or actions. They're puffs of smoke that only exist inside your own brain. Imo, the worst thing a character can be is boring. Snape is many, many things, but he's not boring. Part of what makes him interesting is that he's contradictory, sometimes he does bad things with no real reason but to satisfy his own emotional stuntedness, sometimes he does good things because it's the right thing to do, and all of these actions remain in character.
James Potter is a footnote in canon. A tabula rasa. We know a handful of basic facts: he desired Lily, he bullied Snape, he saved Snape from getting eaten by a werewolf, saving Snape didn't stop him from bullying him, somehow Lily decided to date him even though he literally tried to blackmail her, his friends loved him, he was loyal to them, he was charming, he fought in a war. Everything else is fair game! Make him your own! Do something with these bare bones and create an interesting character! And yet when I see these interpretations of him that are like "Bambi did nothing wrong, Snape was actually the evil mastermind behind all of this just to make poor James look like the bad guy >:(" I just saw a take that had Snape as the mastermind of the werewolf prank that he designed to break up the group, and I'm just like, my friend, those horrible flaws make James interesting. You just turned him into a sad sack of goo. He's no longer a character who acts, he's a blank slate that things happen to. There's a difference. You somehow made a footnote even more boring. Don't be afraid to embrace the darker aspects of him just because you're afraid of a character who is not perfectly moral and good 100% of the time.
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humming-fly · 3 months
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had the unique experience today of being lucky enough to win a plush kirby prize in an ichiban kuji that is Perfect for holding on my lap while I watch things on my laptop, while the something that I was in the midst of watching today was the seemingly most R-rated show netflix has to offer
this on its own is not much of an issue, except for the fact that due to this plush's design and how i had my hands folded over it it looks like kirby is watching along as well, leading to a particularly fascinating contrast in media consumption- here's a visual aid I put together demonstrating this phenomenon:
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