pedro pascal doesn’t owe you shit.
it is absolutely fine to be disappointed by his absence at cannes. i am too. but he does not have to be there.
for whatever reason he’s pulling away from the attention. the esquire article talked about how guarded he is and his socials have really slowed down. maybe he’s unprepared or overwhelmed by all the tlou hype. i mean his follower count went up by the tens of thousands the day after the premiere. that’s insane.
but some of you have lost the plot. the ones wearing d*ddy’s little girl shirts in fucking public and yelling d*ddy at him at events and trying to convince everyone whether he’s queer or not and complaining there isn’t an explicit scene of him fucking in the strange way of life. it’s not a gay porn made for your fetish. ‘oh but narcos!!’ that’s called characterization. read literally any article from almodovar and understand why sex isn’t the point.
interacting with paparazzi content and making cute little edits - jfc. that’s creating demand and supply and paparazzi know no fucking boundaries. man’s got anxiety and no doubt the paps and fans watching his every move are probably making that worse.
let him make movies and rotate through his four shirts in peace. pedro pascal doesn’t owe anyone shit.
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Man, I really love the Wind Waker Ganondorf fight. It feels different from other fights in the series in the sense that you aren't fighting to save a kingdom or the princess. Sure, Link went in that tower to get Tetra back and stop Ganondorf, but when the fight happens, that isn't why they are fighting anymore.
Tetra is already there with Link, and Ganondorf had already lost; Daphnes stole his wish. Ganondorf has lost everything, and now the only thing he desires is to take Link and Tetra down with him as the hope for the future he wanted was given to them.
A fight you go into expecting to be one to save a friend and stop the villain became nothing more than a battle of survival. The waters of the great sea are crashing down as it is to kill or be killed.
Throughout the whole journey, Link and Tetra both struggled against Ganondorf. The first visit to the forsaken fortress he throws Link into the sea to drown. The second time, he knocks Link down and is about to strike him down with his blade, Tetra just barely coming in to save Link on time, and even then, they're both not strong enough. Finally, in Ganon's tower, after going through Ganondorf's trials without even getting a chance to fight him, this man straight up beats this small child and steals his triforce. Every confrontation with this man has gone wrong, and yet it's now or ever because if they lose, they will die, and no one is there to save them this time.
The battle theme is intense. It really is two very small children fighting this huge man, but just as they're the hope of the future every once in a while, the great seas theme will play as if there is a gleam of hope. That they can make it out alive.
However, even then when they do win, it isn't a triumphant one. Anytime Link has beaten a boss in the game, he is overjoyed and ecstatic. He is jumping up and down as he slayed the monster. He won.
Yet for Ganondorf, this is his reaction for killing a man.
He looks to be in disbelief, frightened even. Whatever he is feeling, it sure isn't a good one. How could he feel good about this? One thing is for sure is that he is exhausted, and he almost passes out then and there, with Tetra needing to catch him.
I just love everything about this fight. From the music and setting to the aftermath and why you're fighting him. You're not fighting to win or save the day. You're simply fighting to live.
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Danyal Al Ghul: Incorrect Quotes and Miscellaneous Thoughts
Incorrect quotes-style snippets specifically for my danyal al ghul au here (which i really need to come up with a unique au name for atp). Because I thought it'd be funny. And also some miscellaneous headcanons thrown into the mix.
Some context for the au:
- Danyal is 5 years older than Damian (so 10 and 15)
- Danny faked his death when he was 10. Talia knows and helped him with it.
- Jazz, Sam, and Tucker do not know he's an ex-assassin.
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Snippet 1
Danny, dryly tapping his temple: I have, as the Americans say, irreparable psychological damage, right here.
Jazz, an older sibling first and foremost: well, it's good that you're self-aware.
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Snippet 2
Danny, aged 10, in the American foster planning to just age out of the system: *emanating Bad Vibes. Pure, Little Orphan Tom Riddle Energy*
Jazz, aged 12, coming in to adopt a new sibling with her parents: Him. This is my brother now :)
Danny: ...what
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Lilo and Stitch is Danny's favorite Disney movie. He watched it when he was 11 with Jazz when she was attempting to connect with him, and by this point Danny was becoming receptive to her efforts. They had a movie marathon in the living room one night.
Safe to say? It resonated with his little 11 year old heart strongly, and he related very strongly with both Nani and Stitch. He got unexpectedly emotional and hid in his room for the rest of the night. Jazz felt really bad, but it had the intended (but kinda unexpected) effect of him trying to be nicer to her afterwards.
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Snippet 3
Dash, aged 12, causing trouble again and getting intercepted by Danny: *scaling up a desk* AHHHHH! GET YOUR LITTLE FREAK, FOLEY!
Tucker: Hey! Danny is not a freak!
Dash: GET HIM TO BACK OFF
Tucker, was the kid Dash was messing with: ....whats in it for me
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Snippet 4
Danny, saying some questionably immoral shit: What. Why are you looking at me like that.
Tucker: Bro. I mean this as kindly as possible; what the fuck?
Sam: yeah, I'm with Tuck on this one.
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Snippet 5
Danny, ranting about Vlad: if it weren't for the laws of this land, I would have slaughtered him
Sam, painting his nails black: I'm pretty sure you'd slaughter him regardless of the laws of the land -- and quit moving, you're gonna mess me up.
Tucker: we've literally seen you debate yourself about this, Dan
Danny: ...you are correct, but it is the principle of things.
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Snippet 6
Vlad: I have experience my child, and the money and power attained through using those powers for personal gain, you say. I could train you, teach you everything I know! And all you have to do is renounce that idiot adoptive father of yours.
Danny, was already contemplating committing a Violence: ....
Danny, internally: I'm going to stab him *turns into Phantom*
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Funny contrast I realized between Danyal and Vlad that iirc I haven't pointed out yet is that imo, Danyal doesn't rely on his powers nearly half as much as canon Danny does. He falls back instinctually on his League training, and thus sometimes forgets to use his powers in battle. This was prevalent especially early on when he was still getting used to the whole 'halfa' thing.
He incorporates them more often after a year, but still for the most part relies on his own physical hand-to-hand combat. He trusts those skills much more than he does his powers. I'm not sure where he is on a technical level compared to canon, but just to stay safe I'll say he's similar in power skill as canon Danny. Perhaps a little more finessed than him because his League training would probably have him trying to figure out his powers as soon as possible.
But in summary? Danny is strong in hand-to-hand combat, weak in powerset.
Meanwhile Vlad is the opposite. I can't recall if he even knows hand-to-hand in canon, but it makes total sense to me that Vlad Masters wouldn't because he's so confident in his monetary influence and ghost abilities that he sees no need for it.
And he's kinda got some merit behind it. He's very powerful and has 20 years of experience to experiment and fine tune his powers. He's got bite to follow up his bark. He's perfected long-range combat and his ability to phase through walls makes it impossible to corner him, but if you can manage it, then one good hit could probably knock him on his ass.
So in summary, Vlad is strong in powerset, weak in hand-to-hand combat.
And it casts a good contrast between the two of them in that regard. Danny, as a fellow halfa, can follow Vlad when he phases through walls and is fast enough to land a hit on him. His league training as an assassin, albeit rusty, is still deep ingrained enough in him that he can hold up as a rather veritable threat against Vlad without needing his powers.
But Vlad can force Danny to use his powers more often through use of his own. The duplication is the first thing to come to mind: Danny's fast enough to dispel them on his own without powers, and smart enough that he could figure out who the real one is if given a few minute. But that's not always efficient enough.
Good foils for each other that way. Also Vlad's Plasmius design mimics Ra's juuust enough that he looks like Ra's knockoff loser second cousin no one talks about, which only fuels Danny's hatred.
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Snippet 7
Danny, ranting about Vlad for the first time: --and it's only made worse by the fact that the little ingrate resembles a cheap knock-off of my grandfather!--
Sam, choking on her water: he what--
Tucker, doing a spittake: HE DOES?
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People who say "I don't like asoue bc it's formulaic" miss the point bc
-it starts as a formula, a cycle of the Baudelaires being abused and mistreated bc IT'S A CYCLE THAT THEY'RE STUCK IN!! A cycle of evil and ignorence. They're being tossed around by the world and they need to get out of the cycle themselves.
-the cycle: they go to a new guardian, led by Mr. Poe, who ignores the problems about the situation. Count Olaf is stalking them, trying to kill the Baudelaires and steal their fortune.
-as is the rules with poetry and writing, you have to repeat something a few times to mess around with the formula, which you see is changed as early as the Miserable Mill. There's a poetic quality to the repetition, as well as when and how it changes.
-as it goes on, you see their passiveness being increasingly replaced with action that culminates at the end of the Vile Village, where they run away. In doing so, they've cut off the "new guardian" element to the cycle.
-they're trying to save the Quagmires and figure things out on their own. But two crucial elements to their cycle haven't been broken: they still are trying to contact Mr. Poe and they are still being hunted by Count Olaf.
-in the Grim Grotto, they break Mr. Poe out of the cycle.
-in the first chapter of the Bad Beginning, Mr. Poe meets the children on Briny Beach to inform them of the death of their parents. They come with him.
-at the end of Grim Grotto, they meet him again at Briny Beach and refuse to come, choosing instead to listen to a mysterious stranger and coded message. They choose autonomy. They choose to try to learn and figure things out. Active, not passive.
-in the Penultimate Peril is an effort to cut ties with Count Olaf once and for all as well as obtaining roles from both sides of VFD.
-but they can't get rid of Olaf and they can't let him go. Bc the last part of the cycle needs to be permanently put to rest.
-YES; Olaf hunts them throughout every book. That's. The. Point.
-Olaf needed to DIE before they could leave the island in The End.
-Olaf needed to die before they could move on.
-Olaf's death cut the final current in their cycle, ending the formula and therefore ending the series. Cutting out all the "repetitive" elements of the series made it finally end.
-they broke the cycle. That's why they could be free.
UGH I have so many thoughts
One day I'll write up this theory more cohesiveness.
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