maaan it'd be so EASY for chaggie to end up with an adopted cannibal kid after the battle with heaven, tho
with Vaggie's past (and that being a Thing she can Charlie can talk about now), her having her big WAIT THIS IS EVIL IM BEING EVIL moment over a cannibal child she couldn't bring herself to kill....
add to that Charlie, who is now the DIRECT reason quite a few cannibals are Extra Super Dead, thanks to her inspiring them into battle with her song-
"Have you ever felt like you're willing to die-"
very rousing, maybe less fun for her to remember after some of them DID die-
oh hush y'all eat ppl im sure dying isn't the most shocking outcome of a night out that you can imagine
Charlie legit pitched facing final death as a "chance to travel" and "see more of hell" and she did it with a jolly song and dance and GOOD ON HER for getting a fighting force to protect the dream of sinners someday being redeemed! ....but yeah. kinda heavy for her to remember later on, i'd think
and Cannibal Town residents are so tight knit with each other that it's a literal PLOT POINT Charlie has to face off against- no way they don't have families, no way there weren't families broken up by the battle at the Hazbin Hotel- at Charlie's hotel
No way Charlie wouldn't feel guilty about and responsible as FUCK for any little cannibal kid who ended up orphaned as a result....
ahem
(is that kid wearing like frisbee on their head?? whatever. it looks kinda like a halo don't it. kinda ironic. isn't it)
Rosie would even have to SUGGEST anything! She's got a good read on Charlie now and she's 100% on board with Alastor's plans to "guide" Charlie (cough manipulate and use cough cough)
and what would make a better leverage point than introducing a little cannibal kid for Charlie to worry and feel guilty over? an ORPHANED cannibal kid. Orphaned by the same fight Charlie led the cannibals into. Orphaned when the kid's parents DIED fighting for Charlie
(great way for Charlie to always keep Cannibal Town in mind anyway. Good way to make sure she's protective of it)
but oh the irony if Rosie didn't even MEAN for chaggie to end up with the kid!
if Rosie DIDN'T fully understand- just how much Charlie would want to give a loving family and childhood to someone, when she herself had one and is now dealing (trying to deal) with all that crumbling away as an adult-
ALSO THO. IF. Hypothetically. the orphan was the same kid Vaggie spared. Like how many sinner kids are there in hell. Not too many running around. If it was the same kid. if Vaggie saw that
....if the kid saw her- or, no, even better- if when she tried talking quietly with them, and when they heard her voice like that they looked up at her suddenly like
cannibal kid: "...Go."
Vaggie: (instantly standing up) "Right, sorry- I'll go get Charlie, or- would you rather Rosie-" (stops) (looks down)
Vaggie: "...?"
cannibal kid: (is holding onto the end of her hair ribbon)
cannibal kid: (whispering) "Run."
cannibal kid: (hopefully) "Now...?"
Vaggie: "...you, remember?"
cannibal kid: (nods)
Vaggie: (slowly sits back down)
Vaggie: "Yeah, hey. That was... that was a thing, wasn't it. It's, been a while. Three years... didn't think you'd recognize me."
cannibal kid: "Didn't. Look different."
Vaggie: "The long hair, missing eye and missing wings is a lot of change, huh?"
cannibal kid: (shrugs) "You're happy." (sniffles) "It's different."
Vaggie: ".....well, Charlie's the one who did all that. She's, pretty great at that stuff. And she'd like make things different for you too now. If you want."
cannibal kid: "........if I stay at the hotel... can I play with Razzle every day? Not, not just when princess Charlie brings him over?"
Vaggie: "Kinda looks like your stuck with him either way to me. Maybe check he's getting enough air, stuffed down into your coat front like that?"
cannibal kid: (unbuttoning an air hole for Razzle) "But he belongs at the hotel, where Dazzle's murmur- marble- um- murder dial-"
Vaggie: "Memorial..?"
cannibal kid: "Where Dazzle's memorial is."
Vaggie: "If you're okay leaving Cannibal Town, you can belong there too."
cannibal kid: "I'm okay leaving town."
cannibal kid: (beat)
cannibal kid: "It's boring."
Vaggie: "Yeah well, the hotel is definitely not gonna be boring."
cannibal kid: "Does it get blown up EVERY week, or just on special occasions?"
Vaggie: "It sure felt like every week but we're trying to cut back."
cannibal kid: "Dang."
please imagine tho, Charlie seeing this sad orphan kid who won't talk to anyone, maybe even "hasn't so much as had a nibble on anyone, the poor little biter" according to Rosie, since being orphaned-
and the next time Charlie visits she brings RAZZLE
and she introduce the two of them, then stands back and watches her childhood plushy turned demon win over this kid SO FAST, disappearing into their tiny but fierce little hugs, getting them to share a donut with him, showing them how to do a little song and dance routine (one him, Charlie, and Dazzle used to do) bringing a bit of normalcy back to a kid who's parents are dead because of her-
Charlie thinking to herself, that the least she can do, really, is give this kid as many of the best parts of HER own childhood as she can
324 notes
·
View notes
I think this is the most beautiful moment Ed and Stede have in the show so far, even more so than The Kiss.
Because yes, the kiss and everything Ed says before it is absolutely a vulnerable moment for him, and yes it confirms that they like each other That Way.
But this. Stede comes to check on Ed when he’s having flashbacks and overall doing very poorly, sitting in a tub with a blanket over him. It’s such a private moment and absolutely the most vulnerable we see Ed aside from the final episode when he’s just an absolute mess.
And Stede checks on him and communicates and reassures him. And in response, Ed doesn’t pull himself together and try to brush things off. He is still crying and just hunkers lower into the tub. And Stede goes further to reassure and comfort him by grabbing onto his shoulder. And even with the trauma Ed is facing in this moment, he knows that this is a safe and comforting touch and he gently places his head on Stede’s hand.
It’s a moment of physical intimacy during a moment where Ed chose to isolate himself understandably. But Stede is okay. Stede is safe.
And Ed resting his head on Stede’s hand is so tender and it’s such a visually lovely moment but it’s also just such an important moment for him as a character and for his relationship with Stede.
I’ll be interested to see if he is much more hesitant to respond this way when Stede tries to talk to him/comfort him in the future after what happened between them. There’s just so much depth to these characters in every acting choice.
792 notes
·
View notes