OKAY I WAS SO SLEEPY THAT I DIDN'T CONVEY THE TIMES AND DATES FOR THE MLB EPISODES WELL
the website im using says,
S5 E13 Migration releases April 13th 7pm EST (also known as TOMORROW as of posting this) this is the NEXT EPISODE IN ORDER meaning that is okay to watch it if you've seen up until perfection which was the last ep to come out in order!!
S5 E14 Derision releases April 14th 7pm EST (this is 2 days from posting)
and S5 E15 Intuition releases April 23rd at 3:45AM EST (ten days from posting (also this means I probably won't watch it as it releases))
This is the last episode before protection which means that in 10 DAYS all the out of order episodes will be ready to watch!!!!
pardon the crude drawing, i did it on my phone with my finger,,, but for visual learners here is your guide!
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Today I'm thinking about how playing Frodo Baggins is a thankless job in much the same way Frodo actually carrying the Ring was.
Like, when people talk about performances in LOTR adaptations, they talk about Sam, they talk about Gollum, they talk about Gandalf and Galadriel. All these characters that have iconic lines and big flashy moments of greatness or bravery or twistedness that let the actor show off. Frodo doesn't have any of those. What Frodo does have is the arguably harder job of making something external that is almost entirely internal, and, in most adaptations, having the most to do, just from a time-on-stage/screen/microphone perspective. But this never seems to get acknowledged and that's always kinda weird/interesting to me. I suppose people just respond to the big heroic/heartwarming/menacing moments, and not so much to littler moments of the same kinds. In the musical, in one of the dialogue breaks in "Now And For Always", Frodo says to Sam "It's not me they'll remember, you know". And that's funny because even if Sam tries to fight that in-universe with the finishing of The Red Book, it consistently ends up being true in a meta sense.
Anyway I suppose what I'm saying is appreciate Christopher Guard, Sir Ian Holm, Elijah Wood, James Loye, James Byng, and Louis Maskell or die by my blade.
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you ever wonder if part of the reason namari was drawn to the floke party (other than the money) is because they're a *family*, and her only known family member abandoned her and left her to clean up his mess? do you think that that made it all the more painful when mr. tansu treated her like an expendable meat shield? do you think when she asked to be a real member of their party, she meant that she wanted to be a member of their family?
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My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
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Pleaase if you ever get the chance! I need to see trans! Leo and Rise April bonding!! 🥺
💙💖🤍💖💙
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DARYAAA HAVE YOU SEEN THE PHOTOS???????? (probably yes but i know you would not mind seeing them again so here here🤭)
I HAVE INDEED 🖤🖤🖤🖤🖤🖤
I was waiting for someone to upload them - this is BETTER. Thank you babes 🥺💙
LOOK AT THEM. The gracefulness. The insane beauty. They are SERVING a full 12 course meal with complimentary desserts, and baby I am STARVING.
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pep not knowing the word for "overwhelm" is so cute sdfgsdfghsdgs
(It's hard to remember big words and mentally translate them into backwards speech! Especially when you're panicking! He's trying his best!!!)
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