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#but when you put into context of real people
sleepymrshmllow · 3 days
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I see too many people punch down on blitz while expressing love for stolas :( like some people don't even try to understand why blitz acts the way he does in the context of his relationship with stolas and it irks me
like we as the audience can see that stolas is very genuine about his romantic feelings for blitz at this point, but despite the effort stolas puts in it doesn't just erase his behavior in their relationship initially (plus yknow the power imbalance that very clearly affects the way blitz sees their relationship). calling blitz an imp in condescending ways ("my impish little plaything" "imps like yourself", etc). there being a heavy focus on sex in their relationship (+ intimacy between the two of them being solely transactional for a lot of their relationship), heavy flirting when its clearly unwanted.. (I love stolas and this isn't meant to be slander, just observations and its okay to acknowledge his negative traits/actions)
I feel like you don't need to be Einstein to gather that all those little comments and factors are going to affect the way blitz feels about stolas/himself, or reacts to when stolas gives him genuine affection (which is deny deny deny that its even real bc up until this point.. how could it not be bullshit like everything else?)
add in the fact that blitz is starting to harbor very real feelings for stolas and that is obviously going to be so fucking scary for someone in his situation. also blitz's abysmal self worth on top of it all is probably gonna make it hard for him to accept that someone like stolas could really genuinely care for him.
tl;dr people beg for mental illness representation and when you don't get the idealized version (ie stolas) you resort to demonizing? this happened with pearl from su as well lol sometimes traumatized or hurt people lash out/isolate/push people away and no one is saying it's healthy or good, but its a very real experience that I wish ppl had more sympathy for.
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drivestraight · 5 hours
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good morning val drivestraight I have a question for you... can you sell me on lestappen. I follow you for general attitude swag and don't really follow many max blogs (I actually found your blog after that omega George fic lol) but I feel like you of all people could make the greatest ship primer. mostly I'm not very into it bc I feel like the shared history part of it gets overblown by fandom compared to other ships, and they're friendly enough these days that I can't get hatesex vibes form it + Max comes across as really well adjusted and kind of an homeboy. so I'm like what's the hook? what do you like? what's YOUR platonic perfect idea of lestappen? I want to follow u down this road 
omg what an honor...
this isn't much of a ship primer but mostly about me talking about why i like them if that's okay <3
i agree that we overplay their shared history, but it also provides a really nice backdrop for everything they are now. they've always been in each other's lives but in a peripheral sense. and it's that sort of distanced familiarity that is compelling to me. also the potential for intense physicality despite their inability to communicate like normal people. that's the hook to me: they are in each other's orbit but they never have been close. but then you get to the racing: and when it comes to the racing, they've really given some great battles. and that alone isn't enough. it's like - combined with who they are off the track: childhood rivals turned awkward work friends, the fact that they can race that hard and that they respect one another so much is just. so good. sometimes it feels like they can predict each other's moves. like silverstone/austria 19 (yes, mentioned to hell) and bahrain/saudi 22, the w2w there went crazy. and once again, this with everything else: that they have this one place and this one medium for them to communicate at such a high level, and are just so awkward everything else is very good. lewis and seb who have said in the past that max goes over the limit too much, while charles has always said with max, it's always on the limit and never above. obviously things might change if they ever get into a real title fight against one another, but i think they have such great foundations that it will be compelling no matter what. also they've lowkey like stood the test of time: look at how people characterized them in 2019 and how they characterize them today. they've changed so much and their relationship has changed so much but still, both of them are at two top teams, they have found each other again in f1.
also aesthetically, the red/blue of it all is really nice. and just like. They look good together. yknow
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they also like. say crazy things about each other sometimes. "i will remember it all my life" / "i know max very very well" / etc. etc.
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my perfect platonic idea of lestappen Is Not one where they're best friends and where max is his number 1 defender - because he is not, as many people would have you believe (everyone clipping moments from cooldown rooms and quotes from interviews are putting it out of context and putting words in max's mouth and twisting things weirdly), and because that's frankly so uncompelling and kind of pathetic to think that charles needs max to praise him/defend him for him to have any worth as a racer etc. etc. i could go on about this for ages but i won't. tldr max doesn't care enough to do that.
IN FIC my favorite lestappen is basically: an awkward lestappen who like each other so much and can't actually communicate it properly in any way that isn't physical. but maybe the physicality and the shared history and the racing can be enough.
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I have seen a post comparing Steven's adoption of Henry II in the anarchy with what the Velaryons did with the Strong boys wanting to justify that their claim is legitimate, but in my humble opinion it is not comparable at all. This situation could be extrapolated to Aegon II having adopted his nephew Aegon (that was the LEGITIMATE son of his political rival) having himself a living son, in addition everyone would know that he is not his son and well in this case it would not be applicable but the adopted heir retains his family name...This is not what happens with the Strong boys, It has nothing to do with the modern concept of adoption that they want to apply. I don't understand why it's so hard for them to accept that these guys had no real claim to the throne. They can continue enjoying their characters accepting that they are bastards in every sense of the word. Do you think they are comparable situations?
I haven't seen this argument myself but clearly those are two completely different situations. Stephen didn't adopt Henry II, he made him his heir as a compromise to end to the civil war. And yes, the clear parallel would Aegon II naming Aegon III his heir over Jaehaerys and Maelor, had they survived. Again, this was part of a peace treaty. Everyone knew who Henry II's parents were, and there was no question of his not being trueborn. Henry II was still Count of Anjou, the title he inherited through his father, and styled himself Henry FitzEmpress in honor of his mother.
To understand why this happened, we need to look at some context. Henry II was only 20 when he decided to re-take his mother's throne, and Stephen was past 60. At that point England had been at war off and on for the better part of 15 years and both the clergy and the lords were unenthusiastic about continuing and forced Henry and Stephen to the peace table after Henry made some early gains in his campaign. Stephen respected Henry, and Stephen's own sons were kind of uninspiring as future kings go. Eustace, the older son and main obstacle, died before Stephen did, and the younger son, William, agreed to renounce his claim. Stephen never really took the throne due to strong personal ambition in the first place, but because he was persuaded by people close to him that Matilda would be a poor choice for queen, both due to her being a woman and due to the influence of her husband, Geoffrey of Anjou, who was pretty well hated in England. Leaving the throne to his children did not seem to be a major consideration for him when all was said and done. Conceding heirship to Henry II meant that the fighting could come to an end, and the country would be in capable hands, but Stephen himself would not face the humiliation and possible consequences of being outright deposed. As it turned out, Stephen died not even a year later, so Henry II took the throne sooner than expected.
Rhaenyra's Strong children are bastards that she's trying to put into the line of succession while claiming they are trueborn. They were not "adopted" by the Velaryons. The medieval world did not have a concept of adoption like we do in the modern world (Rome did, but not medieval Europe). The reason why it is treason to call them bastards is because what Rhaenyra is doing is illegal, and Viserys, Corlys, and Laenor are shielding her from the consequences. I wrote a post here about the whole idea that Rhaenyra's children are not legally bastards, but I have to admit comparing them to Henry II becoming heir after Stephen is a new one!
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mangokabuto · 1 hour
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Proof of Usopp and Nami being Luffy’s vice/co captains? I would (genuinely!) love to see your thoughts and evidence, bc big agree
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Hello anonymous tumblr-using friend!
As someone with a lot of knowledge of & a great passion for real-life historical piracy, I have VERY STRONG OPINIONS about how the Strawhat crew would fit into an actual golden age crew structure. When I said "I have proof" I was jokingly referring to my knowledge of historical piracy and how the characters slot into those trends, not any sort of "in-anime/manga proof" of Usopp and Nami being ""co-captains"" with Luffy, so if that's what you're here for then sorry lol.
BUT if you want to learn a little about golden age western-world piracy, (and my "au" of sorts for how each crewmate would be recognized in that context,) stick around! :)
(extremely long explanation under cut LMFAO)
First off, as i said in my heated/j tags, "captain" did not usually mean what Oda makes it mean in OP's world. I am ABSOLUTELY CERTAIN Oda is just as passionate about & did plenty of research about historical piracy, and is clearly pulling a little from wakō history, but mostly from golden-age western piracy (specifically mostly the post-spanish succession period, to my estimation).
That being said. Why he puts so much emphases on Captains and First Mates is BEYOND me, because irl they were not as important.
The captain WAS important, don't get me wrong, but they weren't the sole reigning commander of a ship. They were more like a figurehead, most of the time. This is a sortof flimsy metaphor, but think of Captains like the modern-day king or queen of England; They're hyped up as the #1 leader, they're an important charismatic face for the group, and they technically have last-say on important matters, but they are beholden to two other groups (like the cabinet and the prime minister).
During the golden age of piracy, most crews were commanded by a group of three people. These three people were usually the Captain, the Quartermaster, and the Bosun. Each filled a different role on the ship, and all three were democratically elected by the crew. In all important matters, the three would discuss together how to proceed/solve the current problem, and though the Captain COULD overrule the other two at any time, that typically got him handily shoved overboard via mutiny. By technicality there was a heirarchy of power between the three stations, (with Captain usually being the top dog, then the Quartermaster, then the Bosun just above the rest of the crew,) but in practice they held equal sway in decisions that would effect the entire crew.
HOWEVER, outside of "big crew-wide decision-making moments" where you needed to assemble the three leaders, they didn't always have to coordinate. Depending on what situation the crew was currently in, one of them would be de-facto in charge of the crew, and the other two would step back unless the one currently in charge did something that needed to be challenged, like they made a bad decision or (in a more extreme case) broke the articles.
The Captain was in charge during times of battle. The captain's primary role was as a fighter, performer, and military commander! If the crew was attacked or about to attack someone else, the Captain would immediately take charge. (Now, real pirates weren't actually violent in practice as frequently as pop culture would have you believe, but that's a whole other topic. The reason "performer" is listed in the Captain's "jobs" is that part of their responsibility as a captain worth their salt was to scare enemies into surrendering without a fight through theatrics and reputation.)
The Bosun was in charge when the Boat was damaged or needed upkeep. The Bosun was not always the greatest carpenter or shipwright in their own right (in fact, in larger crews, they usually weren't either of those things), but they would be the one to get together with the shipwright and worksmen and assess damage, organize repair teams, and keep the boat running as well as possible. The crew followed their lead during repairs, and they were the go-to authority on any matters concerning the physical boat.
The Quartermaster was in charge the rest of the time. The way the Bosun is in charge of the physical boat, the Quartermaster was in charge of the crew. They were responsible for enforcing the articles, dealing out discipline, and the crew's general well-being outside of battle. In that same way that a bosun didn't have to be a shipwright, a quartermaster wasn't usually a doctor or cook, but they worked closely with them. Being in charge outside times of battle meant that the Quartermaster was also in charge of headings and navigation, and more often than not they were the ship's navigator, or head navigation/deck officer if their crew was large enough to have more than one nav. They also usually handled the crew's finances/pay and cargo. Is this starting to sound familiar yet.
So. After establishing the roles. I don't think I have to persuade you that while Luffy is most definitely the Strawhat Captain, Nami is our Quartermaster and Usopp is our Bosun. At the VERY LEAST this is true on the Merry Go.
You could possibly persuade me that Franky takes Usopp's place as Bosun once they get the Thousand Sunny, but I would be hard to convince. (I could be persuaded that Usopp loses his position as bosun on the Sunny, but Franky does not behave like a bosun as much as a head carpenter, and Usopp functions like his carpenter's mate. It's almost like, post-timeskip, they don't have a bosun anymore, and Zoro fills the newly empty position on the leadership trio?)
Now, these roles are not concrete, and they didn't always make up the "management trio" on a pirate ship. Some very small crews just didn't have enough people that they needed to single out their three favorite guys; they could just all vote on important decisions together. Sometimes the management trio included the surgeon or the first mate instead of the bosun. There were many crews where the Quartermaster was considered the top-dog highest authority instead of the Captain at all times. Even during the golden age pirate crews varied greatly, but the Captain/Quartermaster/Bosun trio was most common.
As for the ship hierarchy, there was a trend you could rely on no matter who the "three leaders" were. Everyone was generally considered of equal importance on a crew, (hence the elected offices and avenue for mutiny,) but there was a chain of command of sorts? Or at least people who would be shown greater respect and responsibility based on what they provided for the crew:
Captain and/or Quartermaster
Bosun and/or Surgeon/Doctor, and sometimes the First Mate
Everybody else, including captain's other mates.
Speaking of Captain's Mates... On larger crews, every important role on the ship had a "mate," or an apprentice chosen by the person in question to replace them if they should die, or otherwise be out-of-commission. Quartermaster's Mate. Bosun's Mate. Doctor/Surgeon's Mate. Carpenter's Mate. Etc. However, the Captain had MULTIPLE MATES, because his job was front-line combat focused. Ergo, he could easily die and need a replacement. Quickly. And his replacement could need a sudden replacement! So, depending on the size of the crew, the captain could have anywhere from two to eight mates, who were ranked by number. That's why the captain's highest-ranking mate is called the First Mate. Because there was usually a Second Mate. And then some more of em.
The First Mate's job is to be a good ass fighter, and back the Captain up on whatever they're currently doing. They hype the Captain up and enforce the Captain's decisions, no matter what that decision is. This is why they were usually not put in the management trio on most crews, cause you could imagine. The conflict of interest. (There's supposed to be three of them so that no one member has too much sway. Which could be sabotaged if two of the three are captain and captain's favorite soldier LMFAO)
I have no idea why, in the world of One Piece, all of the emphasis seems to be on Captains as the end-all-be-all leaders of their ship and the First Mate as the second in command. Especially when Oda clearly KNOWS about the other roles, since he's written characters that fall into them like perfect puzzle pieces!
...Well, okay, I have some idea. This is a shonen series for teens and being the captain/king/etc is wish fulfillment, and wouldn't be as cool for the projecting readers if you were part of a leading council with two other mooks. But. I can still be salty about it LMFAO <3
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andreal831 · 2 days
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TVDU and Morality
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I've recently said, a few times, that the morality debates in the TVDU fandom are boring, and some people have gotten offended so I thought I would explain.
First, this idea of hypocrisy in the fandom is laughable. The amount of times I've been called a hypocrite because I've called out problematic behavior, while also liking a problematic character. The gut reaction for so many in this fandom when their favorite character is being criticized is to shift the conversation onto a completely different character and even to the commenter themselves. This is boring and even downright offensive at times. Every single character has been a hypocrite at times. It doesn't inherently mean someone is bad. It means they are "human" and life can make hypocrites of all of us at times. Also, just to clarify, I am not a hypocrite for merely liking a problematic character. I promise I have never nor will I ever commit the acts that I criticize these characters for, which would be the definition of hypocrisy. I have also never told anyone they can't like certain characters.
We have these complicated characters and none of them are "good" people because, guess what, people aren't just one or the other. Everyone has the capability to be "bad" or "good." Trying to put a character firmly on one side is a generalization and ignores so much nuance. Some of their actions may be completely bad or completely good, but typically even that is an oversimplification. Are there characters that seem to do more bad things or more good things, definitely. Are their some characters that cross certain, unnecessary lines, absolutely. Are we allowed to criticize and question every character, please do! That's literally what media literacy is about.
Every single one of these characters has had completely selfish moments (except maybe Bonnie) and every single one of them has had moments of selflessness. These acts don't inherently demonize a character or automatically redeem one. This is what it means to have interesting, complex debates about characters. Looking at the characters as a whole and having open discussions of what it means. We can still love the character and acknowledge the good and the bad of the character.
Another annoying point that is always brought up is, "they weren't born evil, they were made that way." Yes, we get it. No one is born evil. Whether it is mental illness or life events that shape a person, they still have to take responsibility for their own actions. Obviously certain mental illnesses didn't have treatments for a very long time, but that doesn't just allow people to be serial killers.
Every single character has dealt with trauma, and how you react says a lot about a person's character. Separating out characters to say well "x" didn't deserve it but when they became "x" they did. No one deserves good or bad things. I know I say it all the time, they deserved better, but when I do, I'm being facetious. I'm saying I wanted better for that character, better writing, better storylines, a better ending, etc. That phrasing implies that some people deserve better lives than others and I just morally don't agree. No one deserves trauma or abuse. That logic only furthers the cycle of abuse. Now, that being said, people are responsible for their own actions. Spend centuries creating enemies, and guess what, a lot of bad things are going to happen to you.
But the real debates I enjoy having, and have been fortunate to find so many people to engage in these debates, is the morality of the decisions in context of the characters. I like to apply similar logic from the Trolley Problem. If you don't know what that is, enjoy this tik tok I made of Cami teaching the Mikaelsons.
Essentially, many of the characters weight their options, like Jeremy killing Kol and thousands of vampires with it in order to find the cure. Kol is a thousand year old serial killer and is attempting to kill Jeremy, but again Kol is attempting to stop Silas from rising. Neither side is inherently right or wrong. There is a debate to be had.
In the majority of situations in the show there is a debate to be had. The only exceptions being any SA. I will never debate the morality of these actions. Even for immoral characters, there is a line to be drawn.
These debates get even more complex in TO because we move into a world where nearly every character has done absolutely horrendous things. It's okay to sit down and say, "This thing that x did was awful, but I can see their reasoning." It is not justifying their actions, but allowing the characters to be the complex morally corrupt characters that they all are.
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lotus-sunn · 2 days
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@katentines this is your fault/pos
So lotus-moonn I have been THINKING ABOUT HER. And I decided since my pfp is sweet mikey I thought maybe if lotus-moonn existed
they would use covert-mike (Mikhali) as their pfp since well if you know anything about covert mikey then its fairly obvious why I choosed him
I thought of her personality and I conclude..Shes a fucking dick. or atleast more blunt and straight forward not caring about someones feelings and wouldnt see the reason to soften the blow. Would say "that looks like shit" to your face and call you out for more of your wrong doings
I love the DRAMATICS but i think too much is wack so maybe she would have a love for all types of dramatics.
I love to make a good first impression and I am pretty sensitive when it comes to being yelled at in a aggressive way. I start to cry as the yelling continues, so she would NEVER (rarely) cry. It would take a lot for her to cry, and first impression? who gives a shit she is gonna do what she wants and not give a shit if you like her or not.
Not a hugger or very touchy its rare for her to even touch anyone (fucking insane i know) Suprisnly less of a realist. (im a realist) More of a lets just do it and find out. Doesnt care for people who overthink she doesnt get it. like cmon your thinking too much LETS GO.
Not much for reading feelings she just freezes if they confide in her. She is pretty serious. If you told her a joke she would take it literally.
social cues??? she doesnt know what that is?? context clues what??
(fucking dumbass)
Doesnt swear. literally man she doesnt. I swear like sailor so she wouldnt. Why use swears when you can insult someone in more creative ways? she doesnt get the appeal.
really really smart in the education level. Works slow and good, doesnt work well under pressure.
opptimistic? no? but also yes.
one thing I wont change. She is stubborn but not me type stubborn. She is fucking STUBBORN once she decides something its set in bedrock she ingraved it into its very core your not changing her mind
(people trying to rehabiltate lotus-moon get meet with her fist)
was a kid who was more reckless and got more injuries (i was the same. but she actually broke a bone.)
faking confidence? she doesnt do that depressing bullshit. her confidence is real but that gets in the way of most of goals she has so much faith in herself she grows arrogant. She thinks that whatever she puts her mind to WILL happen doesnt matter who come in the way
fighting? HELL YEAH. SHE FIGHTS WITH ALL HER MIGHT! exploding PASSION!
I dont get sick easily. She does tho (LOSER COULDNT BE ME) its cold and she doesnt wear a scarf and jacket GET SICK BITCH (and very sensitve when sick. Im not i can function well enough. she is like fucking DEAD like family guy dead pose.)
hopeless romantic? fuck no romance is icky she doesnt like it.
very Social. ikr what the fuck?? if anything she wouldnt be. And you'd be right but Im not very social i have a close friend group of 5 people THATS IT. so she would be very social despite her dumbass not knowing of social cues.
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tobiasdrake · 3 days
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Do you think Anakin Skywalker's redemption balances out the evils of Darth Vader? I ask because sometimes I think about it, and it seems disproportionate to think that killing one old fuck who was harming a blood family member makes up for murdering people indiscriminately for decades. But maybe that's just cynical thinking on my end.
I have such complicated feelings about the redemption of Darth Vader. Because. Like. Star Wars and I do not get along well on a pretty fundamental level. Despite being built on a pretty simple basis of White-and-Black morality - White Hats and Black Hats with very little nuance or moral complexity between - I don't think Star Wars as it exists today really gets morality.
Here's the thing.
At the time it was written, within the scope of what Star Wars originally was, it made sense.
Star Wars was not designed to be this massive multimedia franchise with hundreds of entries and elaborate storylines starring every single character ever to appear for even five seconds. It was not made to be the story of a vast universe with no true main character.
Star Wars was made to be the story of Luke. It's a Chosen One space opera faerie tale about a young boy receiving a call to adventure, discovering great power within himself, and finding his place in the world.
Vader's redemption, as originally written, wasn't about Vader. It was Luke's catharsis; His reward for resisting the temptations offered by both Obi-Wan and the Emperor and instead choosing mercy. Luke ends his story by putting faith in his father's love for him. Vader's redemption is his reward for choosing to believe in better angels.
Strictly within the context of The Story of Luke Skywalker And Nothing Else, Vader's redemption works.
But Star Wars isn't the story of Luke Skywalker and nothing else anymore. Now it is about the vast universe of characters and ideas. This transition has resulted in a lot of friction because the original trilogy made choices that work for The Story of Luke but are not conducive to horizontal storytelling.
Like. The idea of the Jedi being gone, that Luke is the "last hope" for the Jedi because there's literally nobody left but him and Leia? Yeah. Writers have been going "NO HE DIDN'T SAY THAT YOU'RE WRONG" pretty much since the EU began. The original trilogy said no other Jedi but we want to have Jedi characters in stories we write so the original trilogy gets told to go fuck itself.
There are like eighty billion Jedi running around the Imperial Era now. Nobody actually died in the Purge 'cause not being able to write Jedi characters isn't fun.
And. Unfortunately. One of those problems is Vader. Because if he's not just Luke's cathartic reward for believing in his father's love? If we have to actually engage with this man as a "real" person within the context of a universe? Then. Uh. Yeah, he's Patient Zero for unsatisfying lightswitch redemptions.
The problem, the fundamental problem underpinning Vader's redemption, is that he doesn't change in any meaningful way.
There was a bit of that already present in the original redemption. In Empire Strikes Back, Vader wanted Luke to join him and then they'd kill the Emperor together. In Return of the Jedi, Vader joins Luke and then kills the Emperor for him. Right from the get-go, he already wanted to kill the Emperor with Luke; It's only the context surrounding the act that's different.
Within the Story of Luke, it nonetheless works because Luke receives his father's love and approval without compromising his, Luke's moral values to get it. His father kills the Emperor and dies for him, which is super meaningful from Luke's (and only Luke's) perspective.
But as the series grew, Vader's redemption became further devalued. Revenge of the Sith told us that this is a man whose road to wickedness came about when he threw away everything he loved, when he murdered the people in his court, out of a violent and desperate love for his family. For his family, he will betray his own side and slaughter those he was meant to be loyal to. That is the action that brought him to where he is today.
That. Uh. That makes it feel a lot less impactful when he suddenly betrays his own side and slaughters the Emperor for Luke. Like. I don't know how Palpatine didn't see that coming when it's just Anakin doing the thing that made him Vader in the first place.
There is a point to be made that Anakin's love for his family up to that point was possessive and violent. In jealousy and rage, he choked Padme to death. He cut off Luke's hand. This is not a man who loves his family well. But Return of the Jedi doesn't undercut that in any meaningful way. He can be violently possessive of his family and stab anyone who looks at them funny; These two things don't contradict each other.
This man butchered children and lightsaber dueled Obi-Wan because he was mad about his family. Did Palpatine really think he wasn't going to huck him down a reactor shaft for literally the exact same reason, no difference whatsoever?
But that's only the tip of the iceberg, because the developing Star Wars universe makes another significant point about Vader dying for Luke: In the grand scheme of things. Like. Who gives a shit whether or not he loves his son? Insufficiently loving his family is the least of Vader's transgressions.
As early as Attack of the Clones, we see that Anakin Skywalker is a violent fascistic monster with a propensity for genocide. The Clone Wars cartoon does a phenomenal job of portraying Anakin's gradual seduction into fascistic systems of belief.
Anakin loves the idea of keeping peace via brutal military dictatorship. He has "fun" political chats with Tarkin about the merits of a galactic police state. He's emotionally abusive and violently possessive of his secret wife. He slaughters children who've done nothing to him without hesitation, sometimes because he's pissed off at other members of their family and sometimes 'cause that's just the price of keeping peace yo.
Hell, even his desire to kill Palpatine and make his family into the official galactic monarchs gets reframed into something he's wanted since Revenge of the Sith. That wasn't even a reaction to meeting Luke; he's legit wanted to supplant Palpatine with a Skywalker Dynasty forever. And we're supposed to take it as a major act of repentance when he ultimately stabs Palpatine for Luke? This man has been trying to stab Palpatine for Luke for twenty years.
All of this context makes Vader's redemption difficult to swallow in the grand scheme of things. He lived as an unrepentant brutal fascist monster guilty of multiple acts of genocide, chomping at the bit to betray his master for the sake of his family. He died as an unrepentant brutal fascist monster guilty of multiple acts of genocide who betrayed his master for the sake of his family. And the best thing that can be said of him is that he accepted Luke's lifestyle choices in the end.
A sweet moment for Luke, yet far from an inspiring transformation of a vile man into a hero - but which nonetheless inspired a thousand unsatisfying, terrible copycats.
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maerhiya · 2 months
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in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."
like, you're right, but it can and will offend us.
when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.
media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.
which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)
any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?
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suja-janee · 1 month
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This is kinda relating to my last post but I think some of you are mistaking Shen for an albino peacock.. cause he’s not
I mean, I don’t really blame you if you mistook him as one cause honestly I’m just a weirdo who reads wikis.
(skip everything and just read the bottom if you don’t wanna read my explanation)
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Shen is a peacock with leucism, not albinism.
(Leucism definition on the left, albinism on the right)
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Here’s him compared to an actual albino peacock. As you can see, the albino has a pink and white pigmentation due to a lack of melanin, whereas Shen despite being mostly white is still full of color.
(And no, it’s not because it’s a silly cartoon. The creators of KFP had originally intended to make him albino to make him look “sickly” which would explain why he was neglected by his parents. They made the decision to scrap that in favor of having him be a peacock with leucism so there was no excuse or tragic backstory to justify his entitlement and actions)
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And if you REALLY don’t believe my explanation, here’s the KFP wiki page backing me up!
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unforth · 1 month
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Actually, I really wish Tumblr as a whole was less comfortable using feminizing language for gay men, especially gay East Asian men.
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hella1975 · 1 year
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me: yeah i didn't project too badly onto taob haha *sees a quote from taob randomly on a tiktok webweave about girlhood*
#HELLO?????? yeah zuko they girlhooded you. yeah no they transed your gender#idk if this makes sense but ur coping mechanisms are just sooo she/her#like do you have any idea how baffling this was like no tags no search no nothing it was just there by sheer luck#i saw it was a webweave about girlhood and i was like ohoughhee this will be good#got a few slides in. hello i recognise thAT FUCKING QUOTE WHAT IS HAPPENING#like it's such a niche quote and out of context like it was it could have been from ANYTHING#AND it wasn't credited which i'll get to in a second#but honestly i felt like a mother identifying her child through something incredibly niche like a single freckle or some shit#bc i was like 'this is such a nondescript quote and isnt a big enough moment for me to remember vividly and yet somehow i Just Know'#and low and behold i double checked with a cheeky ctrl+f on taob AND I WAS FUCKING RIGHT#WHAT THE FUCK#im a tad fuming there was no credit like the person used like 12 images and only 3 of them are Non-Tumblr Writing Quotes#and NONE got credited#like i get it's hard enough to get art credited but i feel with artists there's still a general conensus that you're SUPPOSED to tag them#but with writing people honestly just treat it like it's free real estate and the thing is it kinda IS especially if it's fanfic#but also..... why would you not just say who wrote that? like you clearly like it enough to put in ur little slideshow#so why not give credit where credit is due. annoying. bc now im like if this happened by pure fucking chance#then how many times has this happened when ive literally been totally unaware of it?#how many times have MY WORDS just been flung about tiktok without any acknowledgement that i wrote them?#idkkkk just how writing especially amongst tiktokers is treated as a lesser or watered down artform#that doesn't require the decency given to 'actual' art. i might just be being cynical bc i dont like tiktok tho lol#like girl (taob) what the hell are you doing at the devil's sacrament#taob
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kiruliom · 5 months
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when you can TELL someone's from twitter from the way they act /neg /neg /neg
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firesofdainix · 7 months
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Notice how those "Princess Bubblegum is a fascist dictator" videos are always produced by men
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angelsdean · 5 months
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there are a few side characters i just find so boring, uncompelling, or only relevant in the era they exist / only enjoy from my personal interpretive lens but if you express any of that some people will act like you've committed a murder. but sometimes a side character is just a side character there to fulfill a specific narrative purpose! and that's fine. like i don't hate any of them, but i also don't particularly care abt them beyond their narrative purpose ¯\_(ツ)_/¯
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it’s weird how many compliments I get now for just. existing. and wearing pretty clothes. it’s nuts how differently people treat me based on what I wear. smth smth commentary on humanity whatever I’m just glad other ppl also like my skirts.
#blue chatter#genuinely I think part of it is just that I dress like a magical girl anime protagonist#hair bow poofy skirt color coordinated and themed with matching KN95 sparkly makeup sometimes#and also that people tend to compliment parts of your appearance that you have control over#like hair and clothes and makeup#bc it’s a way to compliment without being forward or objectifying someone#so now that I regularly wear clothing that is bright and colorful and outside the norm it’s noticeable#and o do genuinely put more effort into my appearance now#but it is interesting how much easier it is to make casual acquaintances with people#<- this is important in context. bc I am constantly off putting. I don’t mask much at school anymore.#so this is people complimenting someone who is constantly flinching at sudden noises and randomly twitches/stims#it’s intriguing to me#people approach?? me?? and compliment my outfit and then we chat abt where I got it#and then they say hi to me in class the next day#and suddenly I have someone I can email if I need to miss class and want that day’s notes#it’s so wild#this happens more the weirder I dress btw. if I’m wearing sparkles and a petticoat and a bunch of pins and hairclips I get more#positive attention. which is real intriguing to me.#but I also genuinely like dressing like this? it’s nice to be complimented and it makes me feel good#but I also do it when nobody sees me just bc I enjoy it#I feel more confident in myself and how I perceive myself and I think the confidence also helps#a few of my friends have commented that I hold myself very differently now#one jokingly calls it my ‘queer glowup’ bc this coincided w me being more open and accepting abt my queer identities#which I think is fun
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forlibcrty · 18 days
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frankly this is. so insidious. for reference: this is sam adams telling connor that he should lead their little raid to dump the tea in the harbour. it's phrased innocently enough, they're all pals sticking it to the british! but within both historical and in-game context, it has really awful implications.
on the historical side, white colonists actually did dress up as mohawk people for the boston tea party. they darkened their faces with soot and put on native attire. sources on why they did this seem to vary, but no matter what the motivation, it's still not a great fucking thing to do! all accounts indicate there were no actual mohawk people involved, just colonists using their identity as a tool for their own ends. and here, adams is asking the only actual mohawk man among them — who is seventeen years old at this point, by the way — to be the leader of their attack. feels a bit gross!
and then, within the game context, adams knows that connor was already targeted and blamed for an attack he had no hand in. when connor was only thirteen, he was in the wrong place at the wrong time and ended up blamed for inciting part of the boston massacre. adams was the one who helped him get out of that mess. so adams is fully aware that it's not only possible for connor to be seized on as a scapegoat, it already happened before. and yet. for their fun little raid on the tea ships, he's actively choosing to put a mohawk teenager at the head of the attack while other white colonists smear their faces with coal and put on native attire.
not great, sam!
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