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#buzzards
eatentrout · 5 months
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Pyro as a Buzzard.
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The MAD MAX: FURY ROAD part of my brain is breaking free again. Hyperfixation do go crazy 💕💕.
As written I did have the idea of the other mercs. Like Engineer is called Tinker, Hunter is Whisper, and Spy is Schmick. Idk it’s not gonna be a full story just something my brain is holding me a gunpoint by making all my fixations into Mad Max characters.
Yes I know Mad Max is a dead fandom but wait until FURIOSA is released in 2024.
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antiqueanimals · 1 year
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The Child's Picture Scrap Book. Containing Upwards of Four Hundred Illustrations by John Gilbert, J. D. Watson, Wolf, Coleman, etc. 1865.
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blogbirdfeather · 4 months
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Common Buzzard - Águia-de-asa-redonda (Buteo buteo)
Vila Franca de Xira/Portugal (5/01/2024)
[Nikon D500; AF-S Nikkor 500mm F5,6E PF ED VR; 1/2500s; F5,6; 400 ISO]
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theheartofappalachia · 5 months
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Didn't expect to see them there.
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bloodybosom · 5 months
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Original: @pulpsandcomics2
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evilhorse · 27 days
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Detective Comics #1076
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wildonlineblog · 6 days
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WILDLIFE - BUZZARD
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View On WordPress
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archiemcphee · 1 year
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Finger Vultures
If you wear these vulture finger puppets, your hand is the carcass!
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vinephotographic · 9 months
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Chilean Blue Eagle (Geranoaetus melanoleucus).
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dansnaturepictures · 2 months
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Acres Down in the New Forest and home 24/02/2024
Photos taken in this set are of; New Forest Pony at Acres Down, Firecrest there it's amazing how many I've seen so far this year and extraordinary to consider I'd never photographed one prior to this year with how many photos I've got of them another fantastic sighting of at least two at this hotspot for them waving through vegetation, Meadow Pipit at Acres Down, a sunkissed Stonechat there, a Woodpigeon at home before we went out today I also enjoyed seeing hoards Woodpigeons at Acres Down and views on the walk including beautiful sky scenes and a pretty rainbow. It was also wonderful to get a riveting view of a Goshawk one of the birds we had come here to try and see floating through the sky, another sensational bird to see this month and year. Other highlights at Acres Down were Buzzards, lovely Marsh Tit, Long-tailed Tit, Chaffinch seen nicely, wonderful views of stunning Fieldfare and Redwing, Blackbird, Wren heard well, gorse and holly. At home Goldfinch, Feral Pigeon and Collared Dove around at the same time as the Woodpigeon, Carrion Crow and Starlings were also good to see as were Great White Egret, Little Egret, Grey Heron and Egyptian Geese seen from the motorway by Romsey on the way home we're seeing so much at this spot on journeys lately.
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arthistoryanimalia · 1 year
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It's #BuzzardDay!
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Image: A. Lindsay, "A Buzzard Roost," Harper’s New Monthly Magazine, 1887.
Begun in 1957, every year the Cleveland Metroparks Official Buzzard Spotter welcomes these migratory birds back to their roost in Hinckley, OH:
BTW, in the U.S. "buzzard" is a colloquial term for the Turkey Vulture (Cathartes aura), not closely related to birds commonly called "buzzards" outside of the Americas. But feel free to celebrate any and all of them today!
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antiqueanimals · 1 year
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The Quizzer Book of Knowledge: Nature. Written and edited by George Beal. 1978.
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blogbirdfeather · 6 months
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Common Buzzard - Águia-d'asa-redonda (Buteo buteo)
Vila Franca de Xira/Portugal (27/10/2023)
[Nikon D500; AF-S Nikkor 500mm F5,6E PF ED VR]
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spinosaurusenjoyer · 1 year
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Anyone else love buzzards
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admiraltx · 2 years
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I’ve been feeding them pretty good lately
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"...GEORGE HAD BEEN WORKING ON THE PROJECT FOR YEARS. SO HE'D LIVED WITH IT; HE HAD A LOT OF IMAGES IN HIS HEAD."
OVERVIEW: "English costume designer Jenny Beavan has been nominated for nine Academy Awards, but this year’s, for "Mad Max: Fury Road," is unlike any other. The heavy corsetry and thick, wide linens of British costume dramas have been her area of expertise, including her Oscar-winning work for 1986’s "A Room with a View," starring a young Maggie Smith, Helena Bonham Carter, and Simon Callow, and her other nominated films including "The King’s Speech" and "Gosford Park." So what’s it like to move from period to post- apocalyptic? We got on the phone to find out."
-- VANITY FAIR, "How Charlize Theron Taught "Mad Max" Costume Designer Jenny Beavan to Take a Compliment," by Bridget Arsenault, February 26, 2016
VF.com: "You’ve been nominated, what, nine times now? Do you still get that goosebump feeling? Does it still feel the same as it did that first time?"
JENNY BEAVAN: "This was particularly special because as you may know it’s obviously quite different to my normal work, not that I ever wanted to be typecast, but one just tends to be a little bit, and so when I got this opportunity that was fantastic. Yes, I was absolutely thrilled and went sort of weak at the knees."
VF: "Did a lot of the film’s lunacy come from the director, George Miller?"
JENNY: "Of course, absolutely, and George had been working on the project for years. So he’d lived with it; he had a lot of images in his head."
VF: How long do the costumes for a project like this take?"
JB: "This was an unusual one. Absolutely each project is its own thing. "On The King’s Speech," I had five weeks from getting the job to the first day shooting. This, we made everything, and in fact we had all the stuff they’d made previously, but even more importantly, we had all the junk they’d collected. Old car parts, old cutlery. So, I got from Australia something like 200 boxes of junk. Old goggles, old bits of ammunition, just stuff, and we set up a workroom. We found materials, like vellum, which I’ve never worked with before. It’s disgusting, it’s raw leather, really, but it made marvelous masks."
VF: "What specifically was different about working on "Mad Max" to other projects?"
JB: "Not only did it have to look amazing, they had to be able to work in it, they had to have safety built into it. Everyone had to wear goggles in the end because of the sand and you know racing through the desert churning up the sand was dangerous."
VF: "Did you have a moment of feeling overwhelmed?"
JB: "No, a friend told me a long time ago, "We don’t do panic, we do sense of urgency.""
VF: "Can you talk a little about some of the more unusual materials and fabrics, as well as how you found them, where you sourced them?"
JB: "Well, I’ve never had a metal worker and a mold-maker in my costume department before because you don’t need them a lot on "Jane Austen.""
VF: "Who do you design for?"
JB: "I’ve never been asked that before. I think I do it for the director and for the film. I’m a storyteller with clothes, and I just try and do the best job probably to support the actor, for the director, and the film, and I don’t think of the audience."
VF: "How much of a collaboration do you have with the actors?"
JB: "Enormous, if they want to be collaborative, and most of them do. It’s normally you have the ideas, and you present them: it might be a drawing or a mood board or a collection of clothes, and you take it to the actor and then you start with the dialogue, you don’t just throw them into it. And when they say, “Oh yeah, now I know who this person is,” or, “Yeah, you’re helping me understand it,” that’s when the whole thing is just the most marvelous job in the world."
VF: "Do you have a favorite anecdote from set?"
JB: "When Charlize [Theron] came for her fitting in Namibia, she put one on and said, “This feels really great,” and it had to be a sort of corset because she had to put this harness on top of it. I went all sort of English and coy and said, “Oh well, you know, we’ve been trying to make it…” And she just said, “Take the compliment, bitch,” and George Miller literally elevated about a foot in the air; he sort of jumped. She’s just very straight talking, and I just loved it, so I’ve been taking the compliment, bitch, ever since."
Sources: www.pinterest.com/pin/577375614697448750,www.vanityfair.com/hollywood/2016/02/jenny-beavan-mad-max-costumes-interview, www.madmaxcostumes.com/mad-max-fury-road/max-4, etc...
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