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#byzantine art
the-puffinry · 5 months
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birds from the Theodorias, East Church mosaics in the Qasr Libya museum, ca. 540 CE, via livius.org.
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memories-of-ancients · 2 months
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Gold and emerald necklace, Byzantine, 6th-7th century AD
from Christies
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pagingcs · 1 year
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Byzantine mosaics, assorted locations
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janrockart · 9 months
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Saint Kassandra Aetophora
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Gold pendant earrings with glass and pearls, Byzantine, 6th-7th century AD
from The Museum of Fine Arts Boston
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thesorceresstemple · 1 year
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Women’s hairstyles of the Byzantine Empire.
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Painting by the Japanese illustrator and designer Ayami Kojima, made for Akumajō Dracula Best Music Collections BOX
This macabre work, showcasing a duality play between light (gold) and dark (red), is heavily inspired by Byzantine icons.
Byzantine art is a term for art produced in the Byzantine Empire in the time span between about c. 330 to the fall of Constantinople in 1453. This art is primarily characterized by rigid forms of expression and characters presented in static postures, which is a way of communicating their divine, heavenly nature. The more static they are, the further they are from mortals regarding them. Such is the logic of Byzantine art, where in this way each figure on the panel is situated in the higher planes of existence.
Simon Belmont is shown in a saintly manner, on a background of gold, which was in Byzantine art created from real gold leaves. His garments are crosses and he is surrounded by six-winged Seraphim angels, considered to be closest to God.
On right there is the antithesis, Dracula, on a background of blood-red. A simple stylized city is shown behind the theatrically dark-clad Dracula, and a many-tailed dragon roars before his feet. In this way he is presented as the saint of death, as the Dragon is a mythical being most closely associated with evil and destruction. In the Biblical book of Revelation, a seven-headed dragon appears in sky, being one of the heralds of the End Times.
-Heidi (@theatrum-tenebrarum)
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blueiskewl · 5 months
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Byzantine Amethyst Cameo of Christ Pantokrator Byzantine · 11th - 12th century A.D.
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arthistoryanimalia · 1 year
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More for #InternationalZebraDay: zebras in a Byzantine Greek illuminated manuscript of the Book of Job, c. 1362. BnF Grec 135, f. 100r and 224r.
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lionofchaeronea · 10 months
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Byzantine icon of the Madonna (Theotokos) and Child, of the type known as Hodegetria (Our Lady of the Way): Mary gestures toward the infant Christ, who in turn raises his hand in a sign of blessing. The type originated in a now lost icon from the Monastery of the Panagia Hodegetria in Constantinople that was said to have been painted by St. Luke. This example, by an unknown artist, dates to the 14th century and is in the MUZA, Valletta, Malta.
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the-puffinry · 5 months
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Rotunda of Galerius, Thessaloniki (28.353)
flickr
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Byzantine Wall Mosaic - Rotunda of St. George, Thessaloniki
flickr
bird details from the incredible Byzantine Wall Mosaic in the Rotunda of St. George, Thessaloniki. photo source links in the pictures for the ones from twitter, the others by Helen Miles
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memories-of-ancients · 4 months
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Red jasper cup with gilt copper fittings, Byzantine, 900-1000 AD
from The Cleveland Museum of Art
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alatismeni-theitsa · 9 months
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Gandalf in contemporary Byzantine style by Fabio Leone (digital painting)
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pagingcs · 10 months
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Triumphal quadriga, taken from the Hippodrome during the sack of Constantinople, 1204. Now located inside St. Mark’s Basilica in Venice
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MWW Artwork of the Day (4/19/23) Byzantium (c. 350-1453 CE) Central panel: Barberini Diptych (Early 6th c.) Ivory relief sculpture Musée du Louvre, Paris
The work combines on the one hand a classic theme of the total power of the victorious emperor, crowned by Victory, whose universal rule is synonymous with peace and prosperity, and on the other hand the theme of Christian victory brought by Christ's patronage and blessing of the emperor.  The sculpted motif is a triumphant figure of an emperor on a rearing horse. In his right hand the emperor holds the butt of a lance, the other end pointed towards the ground, and in his left he holds his horse's reins. Behind the lance is the figure of a barbarian, identified as such by his hair, his bushy beard and above all by his clothes - his curved cap (similar to a Phrygian cap), indicating an eastern origin, a long-sleeved tunic and baggy trousers.
For more Byzantine art, see this MWW Special Collection: https://www.facebook.com/media/set/?vanity=TheMuseumWithoutWalls&set=a.419770264795015
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Amphora shaped rhyton, Eastern Roman/ Byzantine, 400-600 AD
from the J. Paul Getty Museum
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