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#c actors icons
jiniyst · 9 months
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like or reblog if you save
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rosalyn51 · 6 months
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GOODE Luck! Professor Lewis!
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Matthew GoodE as the iconic C. S. Lewis in FREUD'S LAST SESSION movie.
*World premiere at American Film Institute Fest October 27. Theatrical release: December 22, 2023.
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pjclub · 2 years
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faça o L imediatamente
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Leonardo DiCaprio
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kxrdramas · 2 years
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Strangers from hell ᝰ Icons.
╰► Like/reblog if you save *・゚✧
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troublewithvampires · 9 months
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@bxtsence said: ( humor )
(childhood memories - open)
humor - a joke from my muse's childhood
Salvatore grins, flashing his fangs. "You want a joke?" he drawls. "Well, I got one." He holds his hands up, clawed fingers gesturing for emphasis as he speaks.
"Ya' ever hear what the politician said when he had to make a decision?" A deliberate pause. "'I'll double-cross that bridge when I get to it!'" The joke has Salvatore snickering to himself, clearly delighted.
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TIM CURRY VOICED MUTRO BOTHA?!
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hotvintagepoll · 19 days
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Propaganda
Greta Garbo (Camille, Anna Karenina, Queen Christina)—Enigmatic and alluring and made me bisexual. The perfect example of the eroticism in silent films that literally transcends text. Could literally not change anything about her expression but you knew by looking at her eyes what she was thinking. She’s so gorgeous.
Kay Francis (Jewel Robbery, I Loved A Woman, British Agent)— kay francis was an icon of glamor in her time and a top star of the 30s - she was the highest-paid actress at warner bros from 1930 to 1936. she tended to play characters who were charming, sophisticated, and elegantly dressed, and starred in at least one legitimate masterpiece, the sublime 1932 comedy trouble in paradise. her first big role was in the marx brothers movie the cocoanuts in 1929, and she and william powell made seven movies together between 1930 and 1932. even in her sillier movies she always elevates the material with her charm and presence - she never phones it in and there’s a sort of warm, knowing wittiness about her. a really good short promo from a retrospective of her movies that i think really gets her Vibe across
This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Kay Francis:
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Jewel Robbery clip
"From 1932 through 1936, Francis was the queen of the Warner Bros. lot, and, increasingly, her films were developed as star vehicles. By 1935, Francis was one of the highest-paid actors, earning a yearly salary of $115,000, dwarfing the $18,000 Bette Davis – who would one day occupy Francis's dressing room – made. From 1930 to 1937, Francis appeared on the covers of 38 film magazines, second only to child sensation Shirley Temple's 138." Source: Wikipedia. Kay Francis is like the MOST FAMOUS Actress from the 1930s you've never heard of--and it was her and Norma Shearer who wore and made classic the 1930s tall, slim, bias cut silhouette. She ALSO has a WHOLE PODCAST episode devoted to her life and career in Hollywood--it's fascinating! She is both tough and a total wet cat.
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One of the TALLEST Warner Brother stars at 5’9” and known as a “clothes horse” for her glamorous roles wearing the height of 1930s fashion. She fell out of popularity in the 40s, but her 30s work sizzles. The scene with her and Herbert Marshall in Trouble in Paradise where she says she doesn’t care about his reputation (because she’d rather sleep with him?) HAWOOGA
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melted my gay heart with her butch look in stolen holiday
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"My life? Well, I get up at a quarter to six in the morning if I'm going to wear an evening dress on camera. That sentence sounds a little ga-ga, doesn't it? But never mind, that's my life ... As long as they pay me my salary, they can give me a broom and I'll sweep the stage. I don't give a damn. I want the money ... When I die, I want to be cremated so that no sign of my existence is left on this earth. I can't wait to be forgotten." —From Kay Francis's private diaries, c. 1938
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Garbo:
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A cold-ass Swedish WLW Sphinx. Had plans to murder Hitler that she never got around to. "She will remain always a child of vikings, moved about by a snowy dream."
First of all, she's on the money; that's how much of a treasure she is. She's beautiful in such a distinct way you need very few lines to draw her. (Drawing by Einar Nerman) She managed to be mesmerizing in both silent and sound films. She kissed a woman in Queen Christina (and probably several more in real life). She was super dry and really funny in Ninotchka. She got the hell out of Hollywood and stayed out, living for almost 50 years after her retirement.
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Garbo is one of the many reasons why I'm gay. If you haven't seen Queen Christina please do, She is so gender in that film. Also her accent makes it sound like she's always talking in cursive and it's so hypnotic (or at least I think so).
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She's a gay introvert, like all of us here on Tumblr.
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Mysterious and aloof, charismatic and enigmatic, with beautiful androgynous characteristics, Garbo is undoubtedly the most eccentric and unique Hollywood vintage star. Her aversion to fame and stardom makes her even more desirable to the audience, and her insane chemistry with the camera, an actress one of a kind! Her particularity and her oddity is what discerns her strongly from her hollywood co workers at the time, noone was like her and would never be like her. I think, to the utmost extent, that she deserves the title of the hottest vintage star, even though that would be an understatement of what she is!
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SO gorgeous, her thick Swedish accent makes will turn your brain into pudding
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Probabaly a lesbian, absolutely a mood when she retired
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thesoftboiledegg · 3 months
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It just hit me how much Ian Cardoni and Harry Belden had their work cut out for them. They didn't show up early on, like during season two--they had to jump in for season SEVEN and replicate these iconic voices while preserving six seasons of character development.
And season seven wasn't exactly ten episodes of "Rixty Minutes," either. They had to voice the C-137s AND Prime Rick and Evil Morty, then tackle challenging scenes that pushed the characters' boundaries: the Rick/Jerry fusion, therapy changing Rick, Morty facing his fears. This included arguably the biggest moment in the series when C-137 confronted Prime for the last time.
Their casting shows the difference between an actor and an impressionist: they weren't perfect soundalikes 100% of the time, but they nailed the characters' nuances and personalities. I never felt like Rick and Morty were different people.
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bearlythere · 10 days
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will not shut up about how bluey's 30 min episode gave us so much more lore and references to the real world
the writes really made so much literal and euphemistic use of the word "sign" in this episode
in chronological order! and spoilers below!!
do let me know if I missed anything out!
FRISKY AND RAD'S WEDDING!!!! in the iconic heeler house!!
bandit's bully bucky dunstan being the real estate agent selling his house
English sheepdog buying the bluey house (emigration - would be nicer if they got english voice actors to voice them though)
the bluey house was actually for sale on an Australian real estate website! and as per the time of writing this post, it's been "withdrawn from sale" - the bluey digital marketing team AMAZES ME.
I wonder which city bandit got a new job in - don't know if they'll explore that in future seasons
bluey's friend the brown dog (I'm sorry I don't know his name) having 2 mums!
winton talking about his divorced parents and the terriers' saying their mom likes winton's dad!!!
jack and his army interest! him and rusty playing army!!
the sitting in a tree, kissing thing that kids do
Jeremy the gnome
bobo being the car's name
frisky's licence plate being fr15k
the first time kids sit in the front seat of the car
police officers pulling people on the road over LMAO
rad's profile picture being him goofing around with his 2 brothers
how realistic it is trying not to lose someone you're following on the road
the butterfly from slide!! 🦋 it has a name! flappy!
everyone being afraid of the butterfly except bingo because we know she loves insects!
chilli reminiscing how she and frisky used to go to the lookout to "think" when we all knew she meant drink LOL
frisky's 3rd friend appears!
BRANDY IS PREGNANT???
the canon in d rendition as bgm
the busker being the priest??
also they got mort and maynard to come attend the wedding too!!
frisky's father is a typical surfer dude lmao
we see trixie standing amongst the girls during the bouquet toss. and then we see stripe come in to intercept the toss. does this mean that stripe and trixie are not married yet and have just been cohabitating? stripe grabs the bouquet and celebrates, but we see trixie face palm... what does this mean??
love the photo montage and the huge family photo, how it shows that you can't get everybody to be ready for the photo
AFTERPARTY
GRANDPA BOB WENT TO INDIA TO FIND HIMSELF 😭 man needed spiritual rediscovery
the busker is the music dj too!!
uh oh... stripe and trixie are fighting... perhaps it was about the bouquet toss? and we see socks playing with the cake toppers - possibly mimicking her parents actions
awww Radley quit his job so that frisky could stay in a city she loved ❤️
they brought back the music from dance mode!
NANA AND BOB FLOSSING!!!
chattermax randomly appearing 😭
bingo getting stuck in the railing again
bingo being sad because she has to move and lila won't be able to follow. which is also the moment I realised they won't be moving in the end, because of the montage at the end of daddy drop-off episode where bingo and lila grow up together and be friends "forever and ever and ever"!
the 2 English sheepdogs pushing their fluff away from their eyes to see haha
THEM SEEING WINTON'S DAD'S HOUSE WITH A POOL WHICH IS FOR SALE BECAUSE THEYRE MOVING IN WITH THE TERRIERS AND THEIR MOTHER!! THEY ALL FIT IN ONE CAR!!!
seeing the iconic bluey house empty, with spots where furniture used to be somehow makes me feel a little empty and nostalgic
the montage of them saying goodbye to their old neighbours, bandit having one last chat with pat, the girls and chilli saying goodbye to judo and her mum
Judo still has short hair!
chilli reminiscing the kitchen because bluey took her first steps there
WHO SANG THAT SONG IN THE END PLEASE RELEASE IT LUDO STUDIOS
THE SHEEPDOGS WENT BACK ON THEIR DECISION TO BUY BLUEYS HOUSE TO BUY WINTON'S DAD HOUSE
you can tell how much chilli didn't want to move as she was the first one out of the car running over to hug him when she realised bandit didn't want to sell the house anymore. and the shoulder shakes shows that she was fully sobbing too
iconic kiwi rug! loved the simplicity of the last scene, where even if there's nothing around you, as long as you're together with the people you love, eating the simplest meal, enjoying the moment, that's family.
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d-targaryenshoe · 3 months
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Rather Or Rather Not - Luke Thompson
Word count: 868
Summary: Would you rather answer questions by yourself or to be joined by your lover and a friend?
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The grand ballroom on the Bridgerton set was abuzz with excitement as a game hosted by Netflix began. 
You, Nicola Coughlan, and Luke Thompson, three of the most talented and beloved actors in the Bridgerton series, gathered around a lavish table adorned with candelabras and sparkling chandeliers. 
The theme of the game was Would you rather, inspired by your beloved show, Bridgerton. 
The air was thick with anticipation as you waited for the first question to be revealed.
"It's time to play!" cheered Nicola Coughlan, who portrayed Penelope Featherington, as she flitted about the room, handing out cards to each of the players.
 "Remember, you must answer the question truthfully, and may the best actor win!" With a dramatic flourish, she flipped over the first card, revealing the first question: "Would you rather... binge-watch the entire series in one sitting, or have to wait an entire year for the next season to premiere?"
You all glanced at each other, knowing full well that this was a question you had been contemplating for months.
 You, who portrayed the vivacious y/c/n, grinned widely and said, "Oh, I could never wait a whole year! I'd much rather binge it all in one go." 
Nicola Coughlan, who brought the iconic Penelope Featherington to life, nodded in agreement.
 "I completely understand," she said with a sigh. "It's torture not knowing what happens next."
Luke Thompson, your boyfriend and the man who played the dashing and mysterious Lord Benedict Bridgerton, chuckled and said, "Well, it seems you two have already made up your minds. In that case, I'll have to go with the opposite choice. I'd much rather take my time and savor each episode as they air." 
You and Nicola laughed, impressed by his restraint.
The next question was revealed: by you.
 "Would you rather... have your character end up with your on-screen love interest, or have them find true love with someone else?" you bit your lip, considering the possibilities. 
"Oh, that's a tough one... I think I'd want my character to end up with their true love. Even if it means someone else gets the happy ending, you know?" 
Nicola Coughlan nodded in agreement.
 "Agreed," she said. "As much as I love my character with Colin, I think it would be more satisfying to see her find happiness with someone who truly deserves it if the story would be different."
The tension in the room was palpable as the final question was revealed by your boyfriend. 
"Would you rather... have your character's life play out exactly as it does in the books, or have the opportunity to rewrite their fate and give them a different ending?" Luke furrowed his brow, deep in thought.
 "That's a hard one... I think I'd like to see my character have the chance to write their own ending. Even if it means straying from the source material, it's important for them to have agency and make their own choices."
Nicola Coughlan glanced over at you, who was still lost in thought. "What about you, y/n? What would you choose?" 
You looked up, a determined expression on your face. "You know, I think I'd rather rewrite their fate. Because even if their life isn't perfect, they can still find happiness in the end. And who's to say what's meant to be, anyway?" 
The other actors nodded in agreement, feeling the weight of the question settle over them.
The final question hung in the air, unanswered, but for now, it could wait. There would be plenty of time for more questions, more laughter, and more memories to be made.
 Because in the end, that was what being a part of the Bridgerton family was truly about: finding joy in the journey, no matter where it led.
The question was revealed: "Would you rather... spend the rest of your life in the world of Bridgerton, or step outside of it and explore new roles and experiences?" 
Nicola's eyes widened, and she glanced around the table at her fellow actors. 
"That's quite the quandary," she mused. "But I think I would have to say that I would rather stay in Bridgerton. Not only because I love it here, but because I believe that we are one family and that there is so much out there waiting to be told."
You nodded in agreement. "I feel the same way, definitely. This role has given me so much, and I think there are so much possibilities in this project. I can't wait to see what it still holds." 
Luke, ever the optimist, added, "I'd have to say the same. And I know that whatever comes next, we'll always have Bridgerton and each other." 
You all raised your glasses in a toast, the clinking of crystal against porcelain filling the empty ballroom with a joyous noise.
And so the game went on, the questions flying fast and furious, as you all shared your thoughts, your dreams, and your fears. 
You discussed your favorite moments from the series, your hopes for the future, and the lessons you learned along the way.
You laughed and you cried, you debated and you agreed, and through it all, you all felt a bond that went deeper than any script could ever convey.
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rosalyn51 · 6 months
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"And rigor may be the most apt word to use when describing Freud’s Last Session. The film embraces the imagined hefty intellectual debates between the two historical giants. It dives headfirst into the tough emotional territory opened up by Freud’s persistent curiosity. And it relies on committed embodiments from two great actors to find its cinematic spark."
-Vanity Fair
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GIF: mine
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chaos0pikachu · 4 months
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So I wrote a bit about the film making of The Sign already but I wanted to dive a bit more into the VFX aspects b/c the show is - justifiably imo - getting a lot of praise for their work.
So I'm going to quote this video by VFX artists that I think sums up why, overall, the CGI works in The Sign:
"It's very interesting with a smaller budget Jurassic Park was crunched into choosing their VFX shots very very wisely and they didn't hold shots for longer than they needed to."
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(I recommend watching the entire video, there's a lot of great discussion and education on how VFX is done in film. They're not simply "reacting" but talking about the techniques used in the film making itself.)
This is partly what The Sign is doing really well, they're not lingering on any shots, they're using their budget well by picking the most impactful moments to include more expensive and complicated CG effects.
What I love about smaller or mid-budget films is you can tell when the crew had to get truly inventive, creative, and purposeful when choosing how to portray a specific effect or action in a scene. Jaws is one of my favorite examples of this; Jaws cost 9 million (about 51 million adjusted to inflation) in 1975, and the shark animatronics (there were 3 pieces) was difficult to work with. This led to Spielberg and the crew switching things up and going for that shark POV that's now really famous.
It wasn't an accident, but it wasn't 100% planned or originally intentional, there was an issue, and the crew reworked things within their budget so they could still accomplish their creative goals.
The iconic first scene of the t-rex in Jurassic Park is a combination of an animatronic and CGI. In the video above they talk specifically about how this was filmed, and how setting the scene at night, with a singular main light source, and covered in water, really helped make the t-rex look "real". And why that scene holds up really well even today.
The Sign has used moments of CGI very sparingly which works within the story yes by building up tension within the narrative mystery, but also in the film making. They're not overwhelming the audience with it, whilst also using real sets and props to blend in with those scenes AND using a lot of the CGI in specific spaces.
The scene in ep01 where Phaya meets the Naga for the first time is a good example; the water is dark, there's only a singular light source (above) and there's a general lack of background. With only one light source, the VFX artists don't have to worry about shading every inch of the Naga to photorealistic standards, the image doesn't have to be insanely sharp b/c the water adds a layer of blur to everything, and since it's already a mystical creature the audience already has a higher suspension of disbelief anyway making us more forgiving to the fact this is not a "real" creature.
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Compare this mythical creature with the dragons from Game of Thrones:
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I want to first say I do think the special effects of GOT were really good, the VFX team's work is to be appreciated. But see how there's more light sources required for these dragons? They're just not just within a limited area, they're outdoors in the open which requires more math (literally) on where the light will bounce and reflect, plus all the disparities in texture on the dragons themselves. See how parts of their wings are more noticeably red then others?
Game of Thrones was a show with millions upon millions in it's budget, so they can indulge, The Sign doesn't, so they have to be smart. And they are!
Another standout scene so far in the series as far as filmmaking goes for me is from episode05.
If you look closely you can see the edges around Phaya are a bit blurred out and rewatching the scene you can see an image of him is almost transposed over the actor as well. It gives it a pseudo 3D effect, which helps blend the actor into the fake background which makes it less obvious it's, well, fake.
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Then there's the Big Moment, the reveal of our Garuda:
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I'm partially not convinced this was 100% CGI I'm wondering if they used a bit of claymation or maybe a miniature or something (maybe a puppet?). The weight of the movement and body feel like something more close to the use of a puppet or animatronic than straight CGI. (If you want to read more about miniatures in film I recommend this article on Godzilla 1954!)
But what I find smart about this shot is that the focus of the camera is on the Garuda, Phaya is much smaller and lower in the frame. I say this is smart because being distance from Phaya allows for the Garuda and the background to take up more space in the frame and contrast less with the real elements, ie Phaya's real human body. It also makes the Garuda more imposing, dominating the frame at a higher angle, and gives a sense of largeness in comparison to Phaya's smaller human self.
Since the Garuda is against an already fake background there is no need for a "light source". Notice how the Garuda has no shadows or light reflections, unlike the Naga from before (or the t-rex)? This makes less work for the VFX team b/c now they don't have to math out where all the bits of shadow, light, and color textures would come from, everything is flat and singular.
Keeping the Garuda at a distance as well, means we're not looking at or for the details of their feathers, or body. We see there is texture to them, but it doesn't need to look photorealistic b/c of that distance in the frame.
Contrast it with Simba from Lion King 2019, or Detective Pikachu:
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Again, I think both look very good, but they need to because the audience is so close to the characters in frame. If Pikachu or Simba didn't have this level of care and detail put in when the audience is literally right in their faces everyone would notice how fake they look and complain (I mean I still complained about Lion King but b/c it was a bad and visually boring film but the VFX team did a great job).
We know this because Ant Man Quantumania didn't put the same care and effect in and it looked horrible. Everyone clowned Modak, and fair, but it wasn't just him that looked bad. Entire set pieces look clearly fake, like why is Ant Man suddenly in Zanarkand??
In the second image, look at Scott and Cassie's clothes, you can see the light on their clothes (especially Cassie's) isn't the same as what's happening in their surrounding environment (which is a lot jfc). It's also just poor film making because the frame of both shots is cluttered to the god damn BRIM with STUFF our eyes aren't sure what to focus on. There's a lack of perspective and weight given to the scenes (compare these wide shots to Jurassic Park when our protagonists see the dinosaurs in an open field for the first time, there's a sense of WONDER). So our human characters get completely lost in the frame and feel overwhelmed entirely. They also stick out because the CGI isn't fully well rendered.
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Possibly my biggest chaotic take to date, I prefer the CGI in The Sign to Ant Man 3 there I fucking said it. Ugliest MCU movie to date I said what I said.
There is at least care going into The Sign, there's thought, there's creativity, there's a sense of passion. I can forgive that the Garuda isn't photorealistic because it doesn't need to be, it needs to be visibly believable within the world it's set in and it does. The show has been very smart about when to employ it's special effects, and how to film them. It's taken care. It has more in common with films like Godzilla Minus One which had a budget of 15 million and looks phenomenal, way better than Godzilla vs Kong or what we've seen from Godzilla x Kong (which I am looking forward to b/c I'm godzilla trash).
anyway watch the sign it's gucci
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suzannahnatters · 1 year
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Subplot Romance
Over the years I've created some twitter threads on writing and history and I've decided it's a good time to start compiling and sharing them on this Tumblr. I'm going to tag them "writing".
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Here's what I've learned about writing subplot romance. (People who write genre romance probably already know this stuff. It's those of us who are mainly leavening romantic subplots into fantasy novels that need this info).
1. Romance = fundamentally character-driven. All internal conflict & internal growth. (Can these two trust each other? Will their character flaws drive them apart?) The more study you put into creating characters and building character arcs, the better your romantic writing.
A romance arc is not the SAME as a character arc, but it 100% NEEDS solid character work undergirding it.
2. Romance needs two ingredients: a compelling reason for the characters to be TOGETHER, & a compelling reason for them to be APART. This forms the conflict in the romance so do not skimp on either.
Eg, a common mistake in male-penned stories: female lead has no compelling reason to want male lead. "He's a good-looking warrior dedicated to winning her throne!" Yeah nah, she's literally surrounded by good-looking warriors dedicated to winning her throne, why's he different?
3. Romance needs chemistry = a believable spark of attraction. Something that blew my mind when I realised it: romantic chemistry =/= sexual chemistry. Sexual chemistry (purely physical attraction) is simply PART of romantic chemistry.
Romantic chemistry is a good deal broader. (Read/watch some good romances to see how chemistry is built by different storytellers. One fave of mine is the Romola Garai EMMA. Peerless friends-to-lovers chemistry. Watch the actors' body language; the way they gravitate to each other; the way their faces light up)
Chemistry tip A: if the driver behind sexual chemistry is lust, the driver behind romantic chemistry is trust. Protag needs/wants someone to trust. It's the way you play with trust/distrust that will create romantic tension.
eg: love interest holds protag's hand. With sexual chemistry, protag simply feels a jolt at the contact. With romantic chemistry, protag feels comforted and trustful - then betrayed when it turns out LI is tracking her pulse to see if she's lying to him (see: MISS SHARP 😇)
Chemistry tip B: if protag is falling for someone, that person should occupy their mind. LI should be mentioned/thought of each scene, even when absent. When present: LI consistently provokes unaccustomed emotion - either positive or negative, depending.
Chemistry tip C: make the characters their best/most lovable/most iconic selves when with each other. Quirkiness, smarts, hilarity. Make these the most fun character scenes in the book & the audience will ship them. Passionately.
4. Build romantic chemistry/attraction through escalating moments of trust and tension. If aiming for happily-ever-after(HEA)/for-now(HFN), then the overall arc is towards greater trust, but you need those moments of tension to give the big payoff scenes appropriate catharsis.
OTOH, if you're writing a tragic/backstabby romance, you need the trust/comfort moments in order to sell the big tragedy/betrayal.
5. Trust, comfort, & happiness are POWERFUL. This is what genre romance thrives upon. Even in dark/spiky stories, the most surprising thing in the story can be the moment when the LI DOESN'T betray the protag. That too can be wildly cathartic. Use it.
6. Just as character-driven skills help you with romance, so if you master romantic writing, you'll be better able to write ALL types of relationship - platonic, friendly, hostile.
OK that's all so far. Two book recs: ROMANCING THE BEAT by Gwen Hayes & THE HEROINE'S JOURNEY by Gail Carriger teach you the rules/expectations of genre romance so you'll know what the rules are for a happy romance subplot & how to break them for a tragic version.
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nattaphum · 11 months
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Thingthinkthing: "Be on Cloud" joins hands with China's Asian Talent Management Agency "Uni-icon Entertainment" to push Mile Phakphum and Apo Nattawin to go international to join the S Level project. Prepare to have a Mega Project series or movie in the Land of the Dragon
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Uni-Icon is a Southeast Asia Talent Agency Launched by iQIYI
Within 2023, Mile and Apo will fly to China for a movie / series that requires high capital and has famous A list actors. The producer has written a special script for both of them to get a good and appropriate role. (source)
What S-level means: On the Chinese side, series grading is generally divided into A (best) B C D E considering production/story and other elements as a deciding factor.
The S/S+ is a giant form series.
As for the artists who will play in the S/S+ series, they’re often selected according to: image, ability to perform, popularity and market influence. Therefore, artists who are selected to participate in this level of projects are guaranteed to be the number one.
Apo’s comment on the big news: I am very excited. This is a project that has been prepared for a long time, and I am very grateful to all the staff of BOC and the Chinese partner company for working hard together for many days and nights, writing press releases and releasing news crazily. I am proud to be one of the few people who has this opportunity, and I will do my best. I also love every step that BOC and I have chosen together, allowing me to do what I truly want to do. ☺️☺️☺️
According to a related article, there are plans for Mileapo for a variety show as well.
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jay-wasreblogging · 20 days
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No idea what the ettiquette is for things like this but I adore your brain esp with Sherlock and Mycroft. pLEASE share any of your thoughts/hopes/expectations for s&c Mycroft (and his + Sherlock’s dynamic) 🙏
I swearrrr all of yous in the Sh&Co fandom are so sweet!! 🥹
As for my thoughts/hopes/expectations, It usually comes up randomly in my head but I would say...
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Thoughts:
Mycroft hasn't been mentioned (except by the writer's that there isn't a voice actor for him yet) and this fits in with the surprise John and the audience will get when he is introduced. I'm excited for that but tbh I don't have any other thoughts, when he does appear DW I'll tag you in my post of thoughts :))
My hopes/expectations is that:
Mycroft is not slim. LISTENNNN LISTENNNN OKAYY, often hes portrayed as slim due to medical/mental issues which I still love btw (the approach to his character with these are some of the most powerful fics I have ever read) I just want a Mycroft that is a big boy and I hope he is.
Mycroft doesn't worry about Sherlock that often due to seeing him online with John now, he also follows the podcast, twitter account and is definitely on their patreon. That's why we haven't heard of him so far because there's no need for him to contact Sherlock. He's going to make a comment about the podcast and the detective career when he's introduced though.
Lestrade and Mycroft actually keep in touch quite often- not just due to Sherlock but cause of Lestrade being the DI and Mycroft being the government would mean they would cross paths more often than not. Especially true in hostage negotiations and/or terrorists attacks!! Lestrade would have to be present as it's all hands on deck and Mycroft may just be needed for 'cleanup' afterwards. They both could be introduced at the same time or within episode of each other. If not, they will know each other soon!!
Mycroft and Sherlock will do their iconic back and forth deduction but with both Mariana and John present. 👀
Mycroft doesn't drink alcohol nor consumes anything that wasn't made then tested - can't risk being intoxicated or poisoned when he could be called up at any moment, there's no time for resting. He does throw caution to the wind when he eats at Sherlock's though, hoping for a scene where they are having dinner together.
John will have direct contact with Mycroft just like Lestrade after they meet, this allows Mycroft to be a reoccurring character (FINGERS CROSSED MY GUYS!).
Mycroft is going to have a one on one conversation with John off the record about the case of The Greek Interpreter and John will definitely record it and then later plans to delete/censor it but Sherlock says not to and just publish it raw because why not. It be funny lol.
Further head-canons (some are also hoped or expected) because now I'm lost in the sauce and can't stop:
Mycroft has never worried about himself too much outside of work reasons, he was too busy taking care of Sherlock + the estate and handling incompetent politicians and global political leaders to ever care.
Sherlock was and is a danger to everything alive or objects - including himself!! This especially when he was a child doing any sort of experiment because often touch and tasting is the first thing done, so Mycroft aged like 20 years when Sherlock was a child in his 'i must grab and put this foreign thing in my mouth' phase. One time he wanted to touch and taste the insides of his bee plushie - it was just cotton tho (and a heart attack for Mycroft).
He is the reason Sherlock has expensive tastes and was unable to lean him off it due to having the exact palette as well. He's the reason Sherlock is spoiled about his groceries but don't say that to Mycroft because he did his best...not really but he likes his branded sweets okay.
Mycroft (as he is a big boy) needed suits that were custom made for him and up to his impeccable standards so he got them commissioned and had the designer he found to also create sensory friendly clothing for Sherlock. 🥹
Mycroft likes John Watson and Mariana a lot, they both love his brother and that's the only thing he could ask for.
Mycroft is a tank!! He is more than capable of neutralising someone if needed - whether hand to hand or by weapon/s - but just like how he isn't a detective, he isn't his own bodyguard nor hitman because he's lazy and that's why you have employees.
Mycroft thought that Sherlock and John are more than friends but gets even more confused when Mariana is there? Then decides it's none of his business really, he needs to focus on easing tensions between the King and the Prime Minister.
Mycroft and Sherlock not only had deduce-offs but also regularly fought one on one hand to hand combat for fun. Mycroft was scared asf tho when Sherlock started to have intense interests in swords, no thank you.
Mycroft unlike his behaviour at work being that of an ice man whose looks could kill, is awkward and shy when it comes to Sherlock. There's not much to talk about when you're siblings whose work requires the utmost confidentiality, can easily deduce what the other did and with one's work famously being published and the other's influence clear in every political news!!
Now that's all I have, I'm sure my brain will come up with some more stuff later on and i'll be sure to tag you in them from now on!!
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