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#c: lilly kane
mana-sputachu · 1 year
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Terry/Blue Mary
Vega (Balrog)/Cammy White
Joe/Lilly Kane - *gets decked by Billy*
Terry/Mary
A+: OTP A: I love it B: It’s really cute C: Not a bad ship D: I’m neutral on it E: I don’t really like it F: NOTP N/A: I don’t know the ship well enough
I like them both, I especially love Terry, and they're so cute together💜
Plus they have the vibes of the kind of couple that would have fun in doing weird stuff together, like buying inflatable dinosaurs costumes and going around in it and having the time of their life, and I'm all for this 💜
Balrog/Cammy
A+: OTP A: I love it B: It’s really cute C: Not a bad ship D: I’m neutral on it E: I don’t really like it F: NOTP N/A: I don’t know the ship well enough
As said earlier for Chizuru/Shermie, I'm not really into the good character/villain dynamic most of the time, so it's not my thing (even though I like both characters, Balrog especially)
Joe/Lilly
A+: OTP A: I love it B: It’s really cute C: Not a bad ship D: I’m neutral on it E: I don’t really like it F: NOTP N/A: I don’t know the ship well enough
LILLY DESERVES BETTER, BILLY IS RIGHT😤
Thank you!
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vmficrecs · 4 years
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Every school has an obligatory psychotic jackass. He’s ours.
It has been one year since The Incident. In celebration of this beautiful, snarky, dynamic, passionate, beloved, smug, asshole, essential, etc., etc., character I have complied a lengthy (but by no means exhaustive) collection of some of my personal favorite fics focusing on Logan, or on his relationships, or fics that i just think do something neat in terms of Logan/his journey/his character. ❤️
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Previously on vmficrecs: 
dark_roast, “Fish Out of Water,” Mature, Post Season 1 AU 
Logan opts to leave Neptune, and spend summer vacation with his grandparents.
Notes: This AU is essential reading if you love Logan. His characterization is nearly perfect, and the premise of the fic is endlessly engaging and smart. 
wily_one24, “Sleep, Perchance...,” Mature, Pre-series AU
Logan thaws towards Veronica and sets out to save her.
Notes: I want to eat this fic. If you’ve never read it, read it-- it will linger endlessly inside of your brain in the best way possible. So many of the things Logan does or says in this fic exist in a very tangible and palpable manner for me, it’s that good. I think about it constantly. 
ghostcat, “What We Have in Common,” Teen, Post Season 3 AU 
Weevil Navarro, his incredibly poor choice of a research paper prepping locale and the close talking, finger waving jackass that interrupts and effectively hijacks his night. Set in 2010, three years after The Bitch is Back.
ghostcat, “A Trace of Meaning,” Teen, Pre-series 
13 year-old Logan Echolls and 14 year-old Veronica Mars wait at the Kane Estate for their held-up sleepover hosts to show up. 
theohara, “Rich Dirt,” Mature, Pre-series AU 
And Logan wouldn’t let you have anything. He’d danced over to you and smirked in your face and twirled your plastic cup right out of your hand and cooed that just because your Daddy wasn’t sheriff anymore didn’t give you license to break the law, and he’d acted all shocked with his hand over his mouth and he’d laughed like breaking glass and nanced off with your drink.
anjou, “Into the Blue,” Mature, Post Season 1 
It’s almost summer, and Logan is sinking into the blue.
flyingcarpet, “Mexicali Blues,” Mature, Post Season 3 AU
When he reaches the water he doesn’t hesitate, just keeps walking until he can duck his head under and start to swim away from shore, letting the salt and the waves wash away the residue that Neptune’s left on his skin.
absolutelyiris, “Truth for a Dream,” Teen, Future Fic (Pre-movie)
Fleet Week 2012. A reformed bad boy turned sailor and a former party girl turned career woman meet in a bar…
Notes: A LOGAN AND PARKER FRIENDSHIP FIC!!! pure fucking delight 
absolutelyiris, “Come Around,” Mature, Future AU 
A woman travels the world over in search of what she needs and returns home to find it.
Notes: I will talk about this fic until the day that I day, and then I will still talk about it. One of my absolute favorites. Pure gold Logan/Keith dynamic. I would 10/10 die for Razia. and, of course, the l/v is so damn good 
TheLastGoodGolfish, “The Phenomenal Pixie, #1,” Teen, AU 
Veronica is a masked avenger who stalks the streets of Neptune. Logan is the intrepid reporter who’s on the story.
Notes: PERFECT. PERFECT PERFECT PERFECT. also-- “That’s ridiculous. My favorite person is a sorority girl.” in my head, rent free, and i am forever indebted. 
bryrosea, “Waste of Breath / A Quartz Contentment,” Mature, Post Season 2 to TDTL 
Part one: Logan Echolls, the nine years, and the Navy. Part two: Veronica Mars, the nine years, and a new normal.
Notes: I am recommending specifically “Waste of Breath” for my boy, although Veronica’s piece is excellent as well. 
always_winter, “Written Out,” Teen, Season 2 AU 
Duncan has some residual guilt and Logan wants to be left out of the story.
always_winter, “White Combs and Sweet Honey,” Mature, Season 1
Even when Aaron is trying to be a good father, there’s still a lot he’s doing wrong.
Notes: This fic is so tender to me!!! A beautiful Logan and Aaron piece. 
sadiekate, “Grand Canyon,” PG-13, Season 1 to Future AU 
Three friends reminisce several years in the future, snarkily and pointlessly.
sinaddict, “Necrosis,” Explicit, Season 2 AU 
Death in bits and pieces, denial as a religion… Or ‘normal’ in Neptune.
sowell, “Surviving the Wreck,” Explicit, Season 3 AU 
Nothing’s ever simple with Veronica Mars. Weevil’s day at sea gets a little complicated.
Notes: THIS FUCKING FIC!!!! i love everything about it and especially at this moment in time, the part where logan gives weevil a blow job but weevil notes that somehow, in spite of this, logan retains the upper hand. this fic is world class and i am grateful everyday for it 
theohara, “Broken Toys,” NC-17, Pre series AU 
One glance across a street saves Lilly Kane’s life. It changes everything; it changes nothing.
Notes: This is the most heartbreaking Veronica Mars’ fanfic ever. I have such a deep love for it. It takes Lilly’s character and Logan/Veronica’s relationship to places I don’t ever think they would go and yet it works in this and it works so damn well. a truly devastating and beautiful au 
fluffernutter8, “The Ninety Nine Percent,” Teen, Post Season 3 AU 
Junior year of college, Logan gets some news that proves that no matter how hard he tries, life is just going to keep throwing him curve-balls. Post season 3, non movie canon compliant.
youcallitwinter, “gravity is gonna keep you tied down to this city,” Teen, Post Season 3 to TDTL 
[your life in extended parenthesis] the lone neon nights and the ache of the ocean, and the fire that was starting to spark. From the love to the lightning and the lack of it. 
Notes: please don't fall out of love with me, okay? don’t you dare give up on me. I DIE EVERY FUCKING TIME youcallitwinter is a force with all of her writings, but this one.......my god every single bit about it is fucking flawless 
petpluto, “Of Scars & Consequences,” Teen, Post-series AU 
Almost a decade in the future, Logan's still a little messed up. And Veronica's still a little closed off. They make it work.
julietbravo, “one brutal thing after another,” Teen, Pre-series to Season 1 
These rich boys think they can get away with anything, don’t they.
querulousgawks, “there should be stars for great wars like ours,” Teen, AU 
It’s gotta be some Alliance mind game, a holdover, the Operative’s last trick: Logan’s old secrets manifesting everywhere around them. Where are you, how are you doing this, he wants to scream, but he doesn’t know which ghost he’d be railing at.
SilverLining2k6, “Sometimes (You Can’t Make It On Your Own),” Teen, Season 1 AU 
Silly Duncan stopped taking his meds. Now, one dead Fitzpatrick later, Logan and Veronica need to get him out of town. Too bad they hate each other.
SilverLining2k6, “Control,” Teen, Pre-series AU 
Don’t you mess with a little girl’s dreams. ‘Cause she’s liable to grow up mean. Pre-series. Oneshot. - A twisted little tale of hate and revenge.
Notes: CONTROL!!!!! I love Control so much, it’s one of the first fics I ever read for the fandom and one of the finest. The Logan that exists in this is sooo good and his relationship with Veronica is deeply flawed & wonderful. M is in the process of writing a remix to Control (more in-depth emotion) and I for one am foaming at the fucking mouth every day about it. 
nevertothethird, “Reunions,” Teen, Post Series AU 
Sometimes it just takes a little longer to get things right. Two high school reunions and a birthday party should do the trick.
youcallitwinter, “you give love a bad name,” Teen, Season 2 AU 
“Hey, did you guys know there was a sensitive poet-type hiding behind this hard exoskeleton of expensive alcohol and bitter cynicism?” In which Logan Echolls is, well, Logan Echolls.
scandalpants, “Something to Remember,” Mature, Post Series AU 
Facing a separation, Logan and Veronica spend their last night together exchanging gifts.
Notes: I am always in a goddamn state about this fic. Logan jacking off in front of Veronica at her request? Yes, thank you please. thank you so much 
leurocrystal, “Take Your Time,” Teen, Post Season 2 
Keith doesn’t know how to look at or touch his daughter for the first time in his life.
petpluto, “We Are Nowhere, And It’s Now,” Mature, Series AU 
“You know there is another way of looking at this, Logan. If you’d still been together, you might be dead too." Logan and Lilly both die on October 3rd. But for Veronica, it’s not like they’re gone. And she still works to solve their murders.
absolutelyiris, “Delay,” Teen, Post TTDL
Logan reflects on his first Christmas with Veronica after a ten year separation, as well as how his life has changed with her absence.
New to vmficrecs: 
Christmas in Arkham Author: dark_roast Pairing: Logan Rating: Teen Genre: Hurt/Comfort, A Really Good Hug  Setting: Season 2 Spoilers: 2.09, “My Mother, the Fiend” Chapters: 1 Word Count: 10128 Status: Complete Summary: Sequel to Fish Out of Water. Logan spends christmas with his grandparents.  Notes: This is, full stop, my favorite Veronica Mars fanfiction ever. I am so protective of this fic that part of me doesn’t even want to give it a formal place on the blog, which is ridiculous because I’m sure plenty of people have already read it and obviously it’s so good that I want people to read it but....this belongs to me, somehow, like I feel like it’s mine that’s how much I love it. ANYWAY possessiveness aside-- Every word, every sentence, every punctuation mark in this fic is perfect, devastating insight into Logan’s character. Absolutely beautiful and wonderful and every other good thing. 
The Teeth by the Shoulder Author: ghostcat Pairing: Fab Four, Logan/Lilly, Veronica/Duncan  Rating: Teen Genre: Friendship, Angst  Setting: Pre-series Spoilers: 1.01, “Pilot”  Chapters: 3 Word Count: 17273 Status: Complete Summary: Two couples, two friendships. The Fab Four in three Octobers. Notes: WE’VE NEVER FUCKING RECOMMENDED THE TEETH BY THE SHOULDER BEFORE?????? HOW IS THAT EVEN POSSIBLE OH MY GOD jesus this is one of the greatest fanfictions ever written. three pre-series explorations into the fab four friendship and it is impossibly good. i am especially in love with the logan/lilly in this fic (the first chapter!!!!) and as always special care is given to exploring the logan + veronica dynamic. the third chapter will break your fucking heart so bad in the best way 
Seven Times Logan Echolls Went to Jail Author: sowell Pairing: Logan/Veronica, Veronica/Piz  Rating: Teen Genre: Angst, Romance, Logan Echolls is a Little Shit   Setting: (Post) Season 3 AU  Spoilers: 3.12, “There’s Got to Be a Morning After Pill” and 3.16, “Un-American Graffiti”  Chapters: 1 Word Count: 6701 Status: Complete Summary: Who thinks Logan behind bars is sexy? I do, I do! // Logan goes to jail and calls Veronica to bail him out. Again and again and again and again.  Notes: WE HAVEN’T DONE THIS BEFORE EITHER???? oh my god!! I remember finding this one a few months before the movie came out and i would just lay in bed in the dark and re-read it endlessly. and then i left it alone for a few years and when i went back to it holy shit it undid me all over again. perfect logan and veronica relationship. p e r f e c t!!! i firmly believe this is exactly what shape their relationship would’ve taken if veronica hadn’t cut and run 
Love is Just a Four-letter Word Author: bigboobedcanuck Pairing: Logan/Veronica, Keith, Weevil  Genre: Angst, Hurt/Comfort Setting: Future AU  Spoilers: 1.12, “Clash of the Tritons”  Chapters: 1 Word Count: 1753 Status: Complete Summary: Set a few years down the road from high school. Logan hits rock bottom. Keith and Veronica help him back up. Notes: Lynn’s body turns up and it is fucking DEVASTATING. A short piece that’s told from Keith’s POV (anyone who knows me knows how much of a sucker I am for Keith + Logan interaction) and holy hell Logan is so good in it and I think about it all the fucking time 
Serendipity  Author: TheLastGoodGoldfish  Pairing: Logan/Veronica, Veronica/Piz, Carrie, Gia, Stu Cobbler, Ensemble Genre: Angst, Hurt/Comfort, Detective-ing  Setting: Post Season 3  Spoilers: 3.20, “The Bitch is Back” and The Movie  Chapters: 4 (out of a planned 6, fingers crossed!!!) Word Count: 59763 Status: Complete Summary: During her sophomore year at Hearst, Veronica takes on your run-of-the-mill blackmail case: the clients hate her, the evidence is impossible to destroy, and her ex turns out to be a bit of a distraction, but Veronica is a sucker for a damsel-in-distress. Even if the damsel is an intoxicated, pissed off Carrie Bishop. Notes: I AM HIGH PITCHED SCREAMING. Transplanting the movie plot to this timeframe works tremendously and TLGG’s execution is fucking perfect. Carrie is a powerhouse in this fic and god, Logan is such a honey it in which is why it is being recc’d for him. Him practically letting Carrie move in with him and doing his damnedest to protect Carrie and Gia (much to Veronica’s chagrin) is so, so important to me and I love him so much. 
The Phenomenal Pixie - Interlude #1 - “Bugs”  Author: TheLastGoodGoldfish Pairing: Logan/Veronica, OC’s  Genre: Humor, Fluff, Logan and Veronica Are Smarter Than You  Setting: AU (Season 3)  Spoilers: uhhh n/a Chapters: 1 Word Count: 5072 Status: Complete Summary: Dating a superhero poses a unique set of challenges. Notes: Tiny sequel to The Phenomenal Pixie which you absolutely must read first (and is recommended above) because it’s a fucking delight. Logan is incredible in this fic and I would die for him, like always. The part where Steve can sense Logan is thinking about punching him in the face-- a million chefs kisses. 
The Medusa Jewel  Author: TheLastGoodGoldfish Pairing: Logan/Veronica  Genre: Established Relationship Bliss, Fluff  Setting: MKAT Spoilers: MKAT  Chapters: 1 Word Count: 5336 Status: Complete Summary: Logan and Veronica's new neighbor is a writer. Notes: is my TLGG obsession shining through? good because it fucking should be. The Logan/Veronica in this relationship is so sweet and perfect and is 100% my reality and i would like to bathe in this fic and live in it forever as is my right.
Drowning Together Author: bryrosea Pairing: Logan/Veronica Genre: Romance, Hurt/Comfort Setting: Season 3 Spoilers: 3.07, “Of Vice and Men” Chapters: 1 Word Count: 897 Status: Complete Summary: AU of the confrontation scene from 3x07: Of Vice and Men (Logan and Veronica both need a hug) Notes: Absolute wonderful insight and even some reconciliation into a canonical season three fight. Logan calming down while Veronica falls apart as they hug is so important to me. 
Interrupt Us  Author: bryrosea Pairing: Logan/Veronica Genre: Romance,  Hijinks, They Want To Fuck So Bad  Setting: Post TDTL Spoilers: through TDTL  Chapters: 1 Word Count: 17223 Status: Complete Summary: Logan Echolls is home from deployment. Time to cue the sweeping movie montage, right? Notes: Logan and Veronica try to have sex everywhere and it is my life force. The car scene when they get pulled over and Logan instinctively hiding under Veronica’s desk....god i love everyone in this bar
Ready to Go Author: Amberina Pairing: Logan/Duncan; Veronica  Genre: Friendship, Romance, Angst Setting: Post Season 1  Spoilers: not obvious but 1.22, “Leave it to Beaver”  Chapters: 1 Word Count: 6346 Status: Complete Summary: "Let's leave. Let's go. What's left in Neptune for us anyway?" (AKA Duncan, Logan and Veronica have wacky adventures on the road! Also angst.) Notes: Logan getting hissy and storming off from the car while Duncan and Veronica just watch him and then calling a taxi once he’s out of their sight is PEAK logan. I love boyfriends, even if they’re angst-ing in this, and they big time are. 
Nashville On My Mind Author: hjcallipygian Pairing: Logan, Veronica, Duncan Genre: Friendship, Hijinks  Setting: Post Season 1 AU Spoilers: 1.22, “Leave it to Beaver” Chapters: 1 Word Count: 1659 Status: Complete Summary: Every year, they take a road trip together. This year, it's to Nashville, Tennessee. Notes: i just spent forty minutes trying to find this fic to the point where i was genuinely concerned i had hallucinated it. it’s so fucking good. a sequel/prequel of sorts to grand canyon by sadiekate (recc’d in the previously section). logan is a mess and by god do i love him 
Six Times Logan Echolls Got Wet Author: bryrosea, CarolineShea, ghostcat, kmd0107, marshmallowtasha, SilverLining2k6 Pairing: Logan/Veronica Rating: Teen Genre: Romance, Friendship, Hijinks Setting: Everywhere Spoilers: All series to MKAT  Chapters: 6 Word Count: 11568 Status: Complete Summary: aka: The Wet Henley ChroniclesSix stories in which we probably give Logan Echolls pneumonia, inspired by the movie's infamous wet henley. Set variously across the series and post-MKAT. Notes: each chapter is written by a different author, they’re all good but bryrosea’s chapter and silvery’s chapter are my favorites. set during the summer between season 1 & 2 and post season three respectively they do such a great job dealing with the fractious and tumultuous nature of Logan/Veronica’s relationship at the time and i love it so much
A Little Dysfunctionality Goes A Long Way  Author: fluffernutter8 Pairing: Logan/Veronica Rating: Teen Genre: ANGST with a side of fucking ANGST, happy ending but jesus   Setting: Post Season 3 AU  Spoilers: 1.22, “Leave it to Beaver”  Chapters: 1 Word Count: 2878 Status: Complete Summary: Despite their history, Logan and Veronica might be somewhere on the brink of normal. A few years post season 3. Notes: i just read this for the first time 07/13/20 at 9:08pm because when i asked shelby for her favorite logan fics she included this one. i am fucking dead now and-- there’s nothing else to say about it. i’m just fucking dead. for YEARS i have said that nobody with the username fluffernutter8 should be able to write shit this goddamn emotional and yet, time and time again, i find myself here fuckign wrecked and furious about it 
these are just ghosts that broke my heart before i met you Author: theviolonist  Pairing: Logan, Veronica, Carrie, Dick  Rating: Teen Genre: Introspection, Angst, I Love Logan   Setting: Pre Movie & Movie  Spoilers: Movie  Chapters: 1 Word Count: 1326 Status: Complete Summary: In the army they say, don't think of the target as a person, otherwise you won't have the guts to pull the trigger. Notes: fuck, you guys. this one is so beautiful. an exploration into logan’s grief and him trying to move on and it cuts like a damn knife because he can never really do it but fuck he wants to so bad and [lucas scott voice] that’s gotta mean something, right? truly so so wonderful 
Fugue Author: vaeran Pairing: Logan/Veronica, Logan/Lilly, Dick  Rating: Teen Genre: Angst, hopeful ending  Setting: Post Season 1 Spoilers: 1.22, “Leave it to Beaver”  Chapters: 1 Word Count: 4137 Status: Complete Summary: It's something he refuses to let go because it defines who he is and what he has become. Notes: deviates from the PCHer confrontation on the bridge, which means logan takes a little longer to come around to reconciliation with veronica. it’s perfect and i particularly love the logan/lilly in this, he’s hurt but still so impossibly and eternally in love with her 
One Flew Over the Echolls Nest Author: Wynn Pairing: Logan/Veronica, Duncan Rating: Teen Genre: Angst, Friendship Setting: Post Season 1 AU  Spoilers: 1.22, “Leave it to Beaver” Chapters: 1 Word Count: 1507 Status: Complete Summary: Open wide and see what's inside. A bridge and a bed and Veronica. Logan finds himself in a mental institution after the events of "Leave it to Beaver." Veronica, Duncan, and Logan's psychiatrist attempt to help. Notes: so sad and so good!!! the part where Logan’s psychiatrist asks him when the last time he was happy was fucking wrecks me everytime!! 
Free at last  Author: querulousgawks Pairing: Logan, Weevil, Aaron Rating: Teen Genre: Frenemies, They Are Boyfriends Setting: Season 2 Spoilers: 2.09, “My Mother, the Fiend”  Chapters: 1 Word Count: 1242 Status: Complete Summary: Logan and Weevil and fire go a long way back. A flashback scene interrupts their Season 2 meeting in the Neptune Grand. Notes: I LOVE EVERY SINGLE THING ABOUT THIS SO GOD DAMN MUCH 
The Right Shade of Red Author: ghostcat Pairing: Trina, Logan, Aaron  Rating: Teen Genre: ANGST Setting: Pre-series Spoilers: 1.15, “Ruskie Business”  Chapters: 1 Word Count: 883 Status: Complete Summary: Trina finds her jerky little brother hiding in her closet and does the unexpected thing. (Or, A time Logan trusted Trina) Notes: If you want 883 words to be able to make you feel like you’ve been hit by a truck this is the fic for you! I love the Echolls family dynamics so much, and this one is excellent. 
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scabopolis · 2 years
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next, i am begging for a veronica mars sleepover fic because i am too lazy to write my own. logan and veronica and wallace and mac can all be there AND LILLY KANE preferably wallace/mac would not be romantic but i trust you and your talent and will like and enjoy and greedily consume whatever the phrase "veronica mars sleepover fic" makes you come up with
JENNIE! I DID IT! Finally answered your ask by writing you something that is ... maybe not at all you wanted. But it is long! And has Logan/Veronica being cute! And so much Logan introspection. And Lilly Kane having the chance to grow and change into an adult who wears heart-shaped sunglasses and claps when a seal pops up near her kayak. 
Basically ... this is me rambling as I avoid posting b/c I really hoping you like it ...
*** Title: Those Summer Nights Rating: Pg-13 for swears (and some foreplay...did I just get blocked)  Relationships/Characters: Logan/Veronica, Wallace, Mac, Lilly (friendship only Wallace/Mac per your requests) Additional Information: This fic is 70% nonsense, 15% Logan/Veronica being spiritually married though physically in a long-distance relationship, and 15% Lilly Kane getting to grow, and change, and be a full human being.  Summary: A heatwave is coming, so Logan invites Veronica and her friends to stay with him. The weekend promises good food, kayaking, booze, and emotionally fraught conversations. Or, more accurately, a particularly fraught conversation between Logan and his first-love. One he's been avoiding for about five years. *** There was a time when the entirety of Logan’s life was marked by signs of his perpetual irresponsibility. Now, here he is as an adult; spraying ant killer along the outer edges of the windowsills of his home, as over the phone his long-time girlfriend bemoans the state of the upcoming Pacific Northwest heat wave. 
“The man laughed at me. He laughed,” Veronica says. 
“For asking about an air conditioner?” 
“Then again when I asked if there was a waitlist.” 
“Did you tase him?” 
“No, but mostly because my taser was out in my car. And don’t even get me started on the unethical fuckwits who buy all these extra units and then resell them for twice their value on Craigslist.”
“Veronica, there’s an easy solution to this problem.” 
“Move back to California where, about to fall into the ocean as it may, there’s at least air conditioning?” 
“That is one option.” 
“Hard to sort out by this weekend, though.” 
Read the rest on AO3
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renee-rapps · 3 years
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international women’s day celebration week
↳ day three ‣ favourite friendship — veronica mars & lilly kane (veronica mars)
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xmanicpanicx · 3 years
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Mammoth List of Feminist/Girl Power Books (200 + Books)
Lists of Real, Amazing Women Throughout History
Bad Girls Throughout History: 100 Remarkable Women Who Changed the World by Ann Shen
Good Night Stories for Rebel Girls by Elena Favilli & Francesca Cavallo
Good Night Stories for Rebel Girls 2 by Elena Favilli & Francesca Cavallo
Good Night Stories for Rebel Girls: 100 Immigrant Women Who Changed the World by Elena Favilli & Francesca Cavallo
Brazen: Rebel Ladies Who Rocked the World by Pénélope Bagieu, Montana Kane (Translator)
Rejected Princesses: Tales of History's Boldest Heroines, Hellions, and Heretics by Jason Porath
Tough Mothers: Amazing Stories of History’s Mightiest Matriarchs by Jason Porath
Women in Science: 50 Fearless Pioneers Who Changed the World by Rachel Ignotofsky
Bygone Badass Broads: 52 Forgotten Women Who Changed the World by Mackenzi Lee
Wonder Women: 25 Innovators, Inventors, and Trailblazers Who Changed History by Sam Maggs
The Little Book of Feminist Saints by Julia Pierpont
Rad Women Worldwide: Artists and Athletes, Pirates and Punks, and Other Revolutionaries Who Shaped History by Kate Schatz
Warrior Women: 3000 Years of Courage and Heroism by Robin Cross & Rosalind Miles
Women Who Dared: 52 Stories of Fearless Daredevils, Adventurers, and Rebels by Linda Skeers & Livi Gosling 
100 Nasty Women of History by Hannah Jewell
The Warrior Queens by Antonia Fraser
Sea Queens: Women Pirates Around the World by Jane Yolen
The Book of Gutsy Women: Favorite Stories of Courage and Resilience by Hillary Rodham Clinton & Chelsea Clinton 
Fight Like a Girl: 50 Feminists Who Changed the World by Laura Barcella
Samurai Women 1184–1877 by Stephen Turnbull
A Black Woman Did That by Malaika Adero
Tales from Behind the Window by Edanur Kuntman
Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights by Mikki Kendall
Witches and Pagans: Women in European Folk Religion, 700-1100 by Max Dashu
Mad and Bad: Real Heroines of the Regency by Bea Koch
Modern HERstory: Stories of Women and Nonbinary People Rewriting History by Blair Imani
Individual and Group Portraits of Real, Amazing Women Throughout History
Alice Paul and the Fight for Women's Rights: From the Vote to the Equal Rights Amendment by Deborah Kops
Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All by Martha S. Jones
Ruth Bader Ginsburg: A Life by Jane Sherron De Hart
The Firebrand and the First Lady: Portrait of a Friendship: Pauli Murray, Eleanor Roosevelt, and the Struggle for Social Justice by Patricia Bell-Scott
I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban by Malala Yousafzai, Christina Lamb
Life Undercover: Coming of Age in the CIA by Amaryllis Fox
Native Country of the Heart: A Memoir by Cherríe L. Moraga
The Soul of a Woman by Isabel Allende
Hidden Figures by Margot Lee Shetterly
Ashley's War: The Untold Story of a Team of Women Soldiers on the Special Ops Battlefield by Gayle Tzemach Lemmon
Alice Diamond and the Forty Elephants: The Female Gang That Terrorised London by Brian McDonald
Women Against the Raj: The Rani of Jhansi Regiment by Joyce Chapman Lebra
Girls to the Front: The True Story of the Riot Grrrl Revolution by Sara Marcus
The Amazons: Lives and Legends of Warrior Women Across the Ancient World by Adrienne Mayor
Rise of the Rocket Girls: The Women Who Propelled Us, from Missiles to the Moon to Mars by Nathalia Holt
The Women of WWII (Non-Fiction)
Women Heroes of World War II: 26 Stories of Espionage, Sabotage, Resistance, and Rescue by Kathryn J. Atwood
Skyward: The Story of Female Pilots in WWII by Sally Deng
The Women with Silver Wings: The Inspiring True Story of the Women Airforce Service Pilots of World War II by Katherine Sharp Landdeck
The Unwomanly Face of War: An Oral History of Women in World War II by Svetlana Alexievich, Richard Pevear (Translation), Larissa Volokhonsky (Translation)
Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation by Anne Sebba
To Serve My Country, to Serve My Race: The Story of the Only African-American Wacs Stationed Overseas During World War II by Brenda L. Moore
Standing Up Against Hate: How Black Women in the Army Helped Change the Course of WWII by Mary Cronk Farrell
Sisters and Spies: The True Story of WWII Special Agents Eileen and Jacqueline Nearne by Susan Ottaway
A Woman of No Importance: The Untold Story of the American Spy Who Helped Win World War II by Sonia Purnell
The White Mouse by Nancy Wake
Code Name Hélène by Ariel Lawhon
Code Girls: The Untold Story of the American Women Code Breakers Who Helped Win World War II by Liza Mundy
Tomorrow to be Brave: A Memoir of the Only Woman Ever to Serve in the French Foreign Legion by Susan Travers & Wendy Holden
Pure Grit: How WWII Nurses in the Pacific Survived Combat and Prison Camp by Mary Cronk Farrell
Sisterhood of Spies by Elizabeth P. McIntosh
Spy Princess: The Life of Noor Inayat Khan by Shrabani Basu
Women in the Holocaust by Dalia Ofer
The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos by Judy Batalion
Night Witches: The Untold Story of Soviet Women in Combat by Bruce Myles
The Soviet Night Witches: Brave Women Bomber Pilots of World War II by Pamela Jain Dell
A Thousand Sisters: The Heroic Airwomen of the Soviet Union in World War II by Elizabeth Wein
A Dance with Death: Soviet Airwomen in World War II by Anne Noggle
Avenging Angels: The Young Women of the Soviet Union's WWII Sniper Corps by Lyuba Vinogradova
The Women of WWII (Fiction)
Among the Red Stars by Gwen C. Katz
Night Witches by Kathryn Lasky
Night Witches by Mirren Hogan
Night Witch by S.J. McCormack
Flygirl by Sherri L. Smith
Daughters of the Night Sky by Aimie K. Runyan
The Lost Girls of Paris by Pam Jenoff
Code Name Verity series by Elizabeth Wein
Front Lines trilogy by Michael Grant
The Alice Network by Kate Quinn
All-Girl Teams (Fiction)
The Seafire trilogy by Natalie C. Parker
Elysium Girls by Kate Pentecost
The Good Luck Girls by Charlotte Nicole Davis
The Effigies trilogy by Sarah Raughley
Guardians of the Dawn series by S. Jae-Jones
Wolf-Light by Yaba Badoe
Undead Girl Gang by Lily Anderson
Burned and Buried by Nino Cipri
This Is What It Feels Like by Rebecca Barrow
The Wild Ones: A Broken Anthem for a Girl Nation by Nafiza Azad
We Rule the Night by Claire Eliza Bartlett
Tigers, Not Daughters by Samantha Mabry
The All-Girl Filling Station's Last Reunion by Fannie Flagg
Saving CeeCee Honeycutt by Beth Hoffman
Bad Girls Never Say Die by Jennifer Mathieu
The Secret Life of Prince Charming by Deb Caletti
Kamikaze Girls by Novala Takemoto, Akemi Wegmüller (Translator)
The Island of Sea Women by Lisa See
The Passion of Dolssa by Julie Berry
The Scapegracers by Hannah Abigail Clarke
Sisters in Sanity by Gayle Forman
The Scandalous Sisterhood of Prickwillow Place by Julie Berry
The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix
The Lost Girls by Sonia Hartl
Hell's Belles series by Sarah MacLean
Jackdaws by Ken Follett
The Farmerettes by Gisela Tobien Sherman
A Sisterhood of Secret Ambitions by Sheena Boekweg
Feminist Retellings
Stepsister by Jennifer Donnelly
Poisoned by Jennifer Donnelly
Girls Made of Snow and Glass by Melissa Bashardoust
The Girl Who Fell Beneath The Sea by Axie Oh
Kissing the Witch: Old Tales in New Skins by Emma Donoghue
Doomed by Laura Pohl
The Seventh Bride by T. Kingfisher
The Boneless Mercies by April Genevieve Tucholke
Seven Endless Forests by April Genevieve Tucholke
The Queens of Innis Lear by Tessa Gratton
A Thousand Nights by E.K. Johnston
Kate Crackernuts by Katharine M. Briggs
Legendborn series by Tracy Deonn
One for All by Lillie Lainoff
Feminist Dystopian and Horror Fiction
The Handmaid’s Tale by Margaret Atwood
The Grace Year by Kim Liggett
Sawkill Girls by Claire Legrand
Godshot by Chelsea Bieker
Women and Girls in Comedy 
Crying Laughing by Lance Rubin
Stand Up, Yumi Chung by Jessica Kim
This Will Be Funny Someday by Katie Henry
Unscripted by Nicole Kronzer
Pretty Funny for a Girl by Rebecca Elliot
Bossypants by Tina Fey
We Killed: The Rise of Women in American Comedy by Yael Kohen
The Girl in the Show: Three Generations of Comedy, Culture, and Feminism by Anna Fields
Trans Women
Redefining Realness: My Path to Womanhood, Identity, Love & So Much More by Janet Mock
Nemesis series by April Daniels
American Transgirl by Faith DaBrooke
Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout by Laura Jane Grace
A Safe Girl to Love by Casey Plett
Gracefully Grayson by Ami Polonsky
Fierce Femmes and Notorious Liars by Kai Cheng Thom
Becoming Nicole: The Transformation of an American Family by Amy Ellis Nutt
George by Alex Gino
The Witch Boy series by Molly Ostertag
Uncomfortable Labels: My Life as a Gay Autistic Trans Woman by Laura Kate Dale
She's Not There: A Life in Two Genders by Jennifer Finney Boylan
An Anthology of Fiction by Trans Women of Color by Ellyn Peña
Wandering Son by Takako Shimura
Stone Butch Blues by Leslie Feinberg
Feminist Poetry
Women Are Some Kind of Magic trilogy by Amanda Lovelace
Wild Embers: Poems of Rebellion, Fire and Beauty by Nikita Gill
Fierce Fairytales: Poems and Stories to Stir Your Soul by Nikita Gill
Great Goddesses: Life Lessons from Myths and Monsters by Nikita Gill
The Girl and the Goddess by Nikita Gill
A Bound Woman Is a Dangerous Thing: The Incarceration of African American Women from Harriet Tubman to Sandra Bland by DaMaris B. Hill
Feminist Philosophy and Facts
The Creation of Patriarchy by Gerda Lerner
The Creation of Feminist Consciousness: From the Middle Ages to Eighteen-Seventy by Gerda Lerner
Misogyny: The World's Oldest Prejudice by Jack Holland
White Tears/Brown Scars: How White Feminism Betrays Women of Color by Ruby Hamad
We Should All Be Feminists by Chimamanda Ngozi Adichie
Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichie
Colonize This!: Young Women of Color on Today's Feminism by Bushra Rehman
Feminism is for Everybody: Passionate Politics by bell hooks
Here We Are: Feminism for the Real World by Kelly Jensen
The Equality Illusion by Kat Banyard
White Feminism: From the Suffragettes to Influencers and Who They Leave Behind by Koa Beck
Everyday Sexism by Laura Bates
I Have the Right To by Chessy Prout & Jenn Abelson
Feminism and Nationalism in the Third World by Kumari Jayawardena
The Second Sex by Simone de Beauvoir
How to Suppress Women's Writing by Joanna Russ
Invisible No More: Police Violence Against Black Women and Women of Color by Andrea Ritchie
Ain't I a Woman: Black Women and Feminism by bell hooks
Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment by Patricia Hill Collins
But Some of Us Are Brave: All the Women Are White, All the Blacks Are Men: Black Women's Studies by Akasha Gloria Hull, Patricia Bell-Scott, Barbara Smith Women, Race, and Class by Angela Y. Davis This Bridge Called My Back: Writings by Radical Women of Color by Cherríe L. Moraga, Gloria E. Anzaldúa
Half the Sky: Turning Oppression Into Opportunity for Women Worldwide by Nicholas D. Kristof & Sheryl WuDinn
Sister Outsider: Essays and Speeches by Audre Lorde
Bad Feminist by Roxane Gay
Difficult Women by Roxane Gay
Hunger: A Memoir of (My) Body by Roxane Gay
Not That Bad: Dispatches from Rape Culture by Roxane Gay
This Bridge Called My Back: Writings by Radical Women of Color by by Cherríe Moraga & Gloria Anzaldúa
Power Shift: The Longest Revolution by Sally Armstrong
Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper
Hood Feminism: Notes from the Women That a Movement Forgot by Mikki Kendall
Had It Coming: What's Fair in the Age of #MeToo? by Robyn Doolittle
She Said: Breaking the Sexual Harassment Story that Helped Ignite a Movement by Jody Kantor & Megan Twohey
#Notyourprincess: Voices of Native American Women by Lisa Charleyboy
Girl Rising: Changing the World One Girl at a Time by Tanya Lee Stone
Dead Blondes and Bad Mothers: Monstrosity, Patriarchy, and the Fear of Female Power by Sady Doyle
Sisterhood is Powerful: An Anthology of Writings from the Women's Liberation Movement by Robin Morgan (Editor)
Girls Make Media by Mary Celeste Kearney
Rock She Wrote: Women Write about Rock, Pop, and Rap by Evelyn McDonnell (Editor)
You Play the Girl: And Other Vexing Stories That Tell Women Who They Are by Carina Chocano
Things We Didn't Talk About When I Was a Girl: A Memoir by Jeannie Vanasco
The Portable Nineteenth-Century African American Women Writers by Henry Louis Gates Jr. (Editor), Hollis Robbins (Editor)
Shrill: Notes from a Loud Woman by Lindy West
A Room of One's Own by Virginia Woolf
Believe Me: How Trusting Women Can Change the World by Jessica Valenti and Jaclyn Friedman Bread Out of Stone: Recollections, Sex, Recognitions, Race, Dreaming, Politics by Dionne Brand
Other General Girl Power/Feminist Awesomeness
The Edge of Anything by Nora Shalaway Carpenter
Kat and Meg Conquer the World by Anna Priemaza
Talk Before Sleep by Elizabeth Berg
The Female of the Species by Mandy McGinnis
Pulp by Robin Talley
Juliet Takes a Breath by Gabby Rivera
How to Save a Life by Sara Zarr
That Summer by Sarah Dessen
Someone Like You by Sarah Dessen
Honey, Baby, Sweetheart by Deb Caletti
The Girl With the Louding Voice by Abi Daré
Mrs. Everything by Jennifer Weiner
Beauty Queens by Libba Bray
Memoirs of a Geisha by Arthur Golden
American Girls by Alison Umminger
Don't Think Twice by Ruth Pennebaker
The Color Purple by Alice Walker
In Love & Trouble: Stories of Black Women by Alice Walker
You Can't Keep a Good Woman Down: Stories by Alice Walker
Wonder Woman: Warbringer by Leigh Bardugo
Sula by Toni Morrison
Rose Sees Red by Cecil Castellucci
A Deadly Education by Naomi Novik
Moxie by Jennifer Mathieu
Rules for Being a Girl by Candace Bushnell & Katie Cotugno
None of the Above by I.W. Gregorio
Little Women by Louisa May Alcott
Orlando by Virginia Woolf
Everything Must Go by Jenny Fran Davis
The House on Olive Street by Robyn Carr
Orange Is the New Black by Piper Kerman
Queens of Geek by Jen Wilde
Lady Luck's Map of Vegas by Barbara Samuel 
Fan the Fame by Anna Priemaza
Puddin' by Julie Murphy
A Heart in a Body in the World by Deb Caletti
Gravity Brings Me Down by Natale Ghent
Snow Flower and the Secret Fan by Lisa See
The Summer of Impossibilities by Rachael Allen
The Dead Girls of Hysteria Hall by Katie Alender
Don't Tell a Soul by Kirsten Miller
After the Ink Dries by Cassie Gustafson Girl, Unframed by Deb Caletti
We Are the Ashes, We Are the Fire by Joy McCullough 
Maybe He Just Likes You by Barbara Dee
Things a Bright Girl Can Do by Sally Nicholls
The Disreputable History of Frankie Landau-Banks by E. Lockhart
Uprising by Margaret Peterson Haddix
The Cure for Dreaming by Cat Winters
Dress Coded by Carrie Firestone
The Prettiest by Brigit Young
Don't Judge Me by Lisa Schroeder
The Roommate by Rosie Danan
Tomboy: A Graphic Memoir by Liz Prince
Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present by Lillian Faderman
All the Single Ladies: Unmarried Women and the Rise of an Independent Nation by Rebecca Traister
Paper Girls comic series by Brian K. Vaughan
Heavy Vinyl comic series by Carly Usdin
Please feel free to reblog with more!
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A Fab Four Christmas
by Kayte76
It's a Fab Four Holiday!
Themes: secret santa, exchanging gifts, Christmas Party Trope: Fake dating Prompts: 1. I got you for Secret Santa but you didn’t show up to the gift exchange so I guess I’m coming to your house to give you your gift. 2. be pretend date to holiday party 3. Character A overhears Character B’s Christmas wish and decides to fulfill it. 4. A decides that, as a holiday gift, they’re giving B the person B REALLY wanted to spend the time with: C
Words: 3044, Chapters: 1/1, Language: English
Fandoms: Veronica Mars (TV), Veronica Mars - All Media Types
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Categories: F/M
Characters: Veronica Mars, Logan Echolls, Lilly Kane, Duncan Kane
Additional Tags: Lovecember Holiday Edition
read it on the AO3 at https://ift.tt/2Wc8HuK
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amillioninprizes · 5 years
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An entirely too long post on how to fix Veronica Mars
So, anyone who has followed this blog for any length of time knows: 1) What a massive Veronica Mars fan I was and 2) how distraught I’ve been over the most recent season that debuted on Hulu in July. I’ve been pretty angry about it since it dropped, but the first month after I was pretty occupied with real life stuff. Now that I’m more settled, I’ve found myself getting sadder and angrier over time with just how terrible S4 was and what an obvious fuck you to longtime fans it was. It feels dumb to be so upset over a tv show, but this show got me through a lot over the past 8 years, and I feel like it’s been taken away from me.
 It’s anyone’s guess as to whether there will be a new season. Ideally it would end here with maybe an alternate ending filmed to avoid alienating fans further. On the one hand, the botched release, overwhelmingly negative response, and silence from the creators after initial interviews don’t look good for renewal chances. On the other hand, Hulu doesn’t have a lot of streaming hits, it probably did relatively decent numbers, and there are rumors floating around that its pickup chances look good. On a personal level, I hate the idea that this is where the legacy of Veronica Mars ends, while at the same time being extremely wary of what the creators have planned. I think a big part of the disappointment with S4 was that the movie and books set up what could have been some really interesting storylines and situations, all of which RT and co. squandered for cheap drama and to apparently turn the show into an entirely new vehicle; additionally I had hope that S4 would be a chance to rectify some problems the show has long had, but again, S4 exacerbated them. At this point I don’t expect anyone higher up in the creative process or at Hulu to give a fuck about the fans or making the show better as long as they hit streaming targets, but here are some suggestions:
Fire Rob Thomas
 While he created the show, it’s become clear that not only has he lost touch with the audience and the original spirit of the character, he doesn’t seem too keen on putting much effort into writing the show (as I will discuss below). Then you have his clear misogyny: his views that women in relationships can’t be interesting, that what makes Veronica interesting as a character is her trauma and how much she can endure, and the fact that basically every female character in the history of the show has a history of sexual victimization. He thought that making the Mexican cartel hitmen “philosophical” was subverting expectations (which says a lot of what his expectations of Latinx characters are). Then this is the way he essentially exploited his long term fan base to earn a new season of the show, only to turn around and tell us that we don’t matter. From a business perspective alone keeping him doesn’t make sense; selling a streaming platform on your loyal fanbase and then proceeding to purposefully piss ~80% of them off would be pretty questionable to me as someone in charge. The sheer cruelty with which he treated not only the fans who have supported him for 15 years (I fucking used to liveblog iZombie y’all. iZombie!), as well as how he callously dismissed long time cast members in favor of celebrity guest stars should not be rewarded. He’s admitted in interviews that he would be ok with younger writers doing a reboot many years in the future; why not just let him have a producer credit and then hand the show over to someone who’s invested in making it good?
Put a woman in charge and diversify the writing staff
A big problem with a) Veronica’s characterization in S4 b) RT’s ideas about what makes female characters interesting c) the show’s long history of problematic treatment of sexual assault is that it comes from a man’s conception of the female experience. The Veronica showcased in S4 and that RT wants to write in the future is very much a male fantasy: hates marriage and children, traumatized, DTF, and is too cool for other women. RT stated in interviews that he wanted to show Veronica at a “crossroads” this season in a way he claimed had been shown for men but not women; many female viewers found this depiction to ring false (few women are spending their time fretting about how committing to marriage after five years in an established relationship will bar us from strange sex going forward). In addition to having RT at the helm, most of the show’s writing staff for the majority of its run has been white dudes, which doesn’t bode well for telling the story of a female PI in a diverse community in today’s political climate. Putting a woman in charge would hopefully help rectify these issues to make the character feel more true to life and put a damper on the misogynistic storytelling. The show has a natural candidate in RT’s second-in-command Diane Ruggiero-Wright (despite her problematic history, never forget #KeisterEggGate), who has admitted to not being able to watch the last episode. Jennifer Graham, who wrote both of the books, would also be a worthy addition to the writing staff; while the books had a mixed reception, most fans agree that she got Veronica’s character right. And with the show’s problematic historical treatment of minority characters, adding more POC writers going forward is also necessary.
Bring back Logan (alive)
You don’t have to be a LoVe shipper to recognize just how integral Logan has been since the inception of the show, not just as Veronica’s partner but as a character is his own right. Logan’s journey in many ways parallels Veronica’s, and shows a contrast in how different characters respond to similar trauma. The most critical plot line in the show’s history, the mystery of who killed Lilly Kane, simply doesn’t work without Logan’s importance to Veronica. RT and his defenders like to claim that Logan was holding her back from true growth, which is frankly bizarre as he is the only character to consistently challenge her, like when he tells her that she obviously isn’t happy this season. Additionally, Logan’s scenes this season were the lone highlight of what was otherwise a painful slog of a season. Of the people who have said they would watch a potential S5, a good portion are only interested because they believe that the ambiguity of the last 10 minutes of the season means he’s not really dead (despite what RT has said in interviews). Then there’s what Logan’s death does to Veronica’s character, effectively cutting off what would have been an interesting character arc and stagnating her forever. No matter how much they try to shove Leo the pedo creep and other milquetoast RT self-insert love interests on us, no one else can possible measure up to Logan’s level in terms of being able to match Veronica as a character, intellectually or as a result of shared history.
Plus, the fact that we haven’t had a Weevil/Logan interaction since S3 is a goddamn travesty and should be rectified immediately.
Bring back Veronica
As sad as I am about Logan’s death, for me the most upsetting aspect of S4 was the assassination of Veronica’s character. For many viewers (including myself), the character we saw Kristen Bell portray in S4 wasn’t Veronica Mars but a different character with the same name. Between her abusive behavior towards Logan, her general indifference to her father’s medical condition, her dismissal of Wallace, and her racism towards Latinx characters (using a kid’s lawyer to threaten deportation: not a good look!), she was lacking the marshmallow-y center that always balanced out the pricklier aspects of her character and made her compelling. This change in characterization was especially jarring given that she was not this way when we last saw her in the books, where she mused about having children and sent her half-brother Hunter to summer camp (side note, but does he even exist anymore?). Many of us who had grown up with Veronica were hoping to see her grow with us as a character; instead we got an extreme regression lower than we’ve ever seen her. It would be one thing if they were trying to depict a PTSD storyline, which would make sense given her background, but since her change in behavior is never addressed by the narrative, it just makes her look like a cruel asshole and makes it impossible to root for her. This is exacerbated by the fact that RT has made it clear he has no interest in portraying her inner life, as shown by his wanting to avoid showing her grief over Logan’s death because it would be a real downer compared to the entertaining but ultimately hollow banter and quips he wants to focus on. Veronica this season was also just plain dumb: you mean to tell me that the girl who nearly got killed by Aaron Echolls in her back seat wouldn’t think to check her backseat every time she gets in a car?  (And let’s not even start with RT’s bizarre assertion in an interview that she apparently votes Republican). Not helping matters was Kristen Bell’s performance, which felt very flat for me this season compared to S1-3 and the movie; I don’t know if this was due to personal limitations or a reflection of the bad writing. Writers of future installments and KB herself would be wise to revisit S1, the movie, and the books to figure out what makes sense for Veronica’s character, leading me to my next point:
Get reacquainted with canon, develop a show bible, and hire a continuity director
This show has long had a problem with dropped plots, timelines, and continuity issues. Shelly Pomroy’s party has two happened either in the summer, or the fall. Then we have the movie paradox: Veronica graduated high school in 2006, which means her 10 year reunion should have taken place in 2016. The movie was released in 2014 and the books seem to keep to 2014 dates. Then S4 states that Keith’s movie accident took place in 2013, and mysteriously ages Veronica up to 35 when she should be 32 in 2019. Logan mentions an Aunt Naomi in S4--why didn’t she take care of him after Aaron was arrested (and what happened to Trina)? How the hell is Leo working as an FBI agent when he presided over the disappearance of the Lilly/Aaron tapes? Veronica is shown to be tentatively forgiving of Weevil taking the settlement from the sheriff’s department in Mr. Kiss and Tell, but is then shown to be extremely angry towards him for it in S4. This is just a small selection of the inconsistencies within the show. Plus there is the problem of repeated plot lines: Veronica rejects Leo in favor of Logan in S1, then rejects Leo in favor of Logan in Mr. Kiss and Tell, only for her to...reject Leo in favor of Logan in S4 (and RT says he wants to leave the high school plots behind). This sloppiness doesn’t bode well for a series that is supposed to be about mysteries, which require tight plotting. It would behove TPTB going forward to once and for all determine a timeline of Veronica’s life, keep a detailed record of past plot and character points, and have at least one person on staff who thinks to remember this stuff (RT notoriously has only a “solid, not spectacular” memory of the show, no matter what Kareem Abdul-Jabbar says).
Make an effort (and do your fucking research) 
Moving on from continuity issues to more general problems with the laziness of RT’s writing. He has basically admitted that he doesn’t care much about facts or characterization when writing plots--he shoehorns details to fit the plot rather than have it evolve organically from the characters and prior canon. I know that when writing it’s often impossible to make every story detail 100% accurate, but the extent of RT’s sloppiness is alarming. This excellent Reddit thread details a lot of the problems with S4 in particular, but this has been a problem since S2. Did anyone ever understand exactly why the Fitzpatricks were invested in framing Logan for Felix’s death? In the movie, it makes no sense that if Cobb and co. wanted Carrie silenced, they would add the complication of framing Logan for her murder--given her history, it would have been a lot easier just to make it look like she had accidentally overdosed. Given his previous patterns of villain writing fans were able to guess the identity of the S4 bomber based on casting alone. The mysteries in both Mr. Kiss and Tell and S4 are both ripped from the headlines, which indicates that RT wants to turn VM into the next Law and Order. Meanwhile, he complained about how hard including Logan in the story in S4 was, while Logan arguably had the best lines and most interesting scenes this season--apparently when you put an effort into things, they work out! This laziness extends past storyline issues and into factual problems that detract from the quality of the plot. Longtime fandom pals are probably tired about hearing me go on and on about how there’s no way Aaron’s lawyers could have gotten Veronica’s medical records due to HIPAA laws. Logan’s career change from naval aviator to intelligence is highly unlikely (and unnecessary, given that they changed it only to fridge him at the end of the season). Meanwhile, I know fanfic writers who have spent hours on the phone with strangers in order to research what type of firearm would cause a specific type of bullet injury. It’s very puzzling to me that RT wants to take the show in the direction of being mystery-only when apart from that one time he is piss poor at writing mysteries and puts no effort into them. I shouldn’t have to tell television writers to, you know, do their job but this is what we’ve come to in 2019.
Know your audience
A majorly annoying thing about the promo for this season is how in every single interview Rob Thomas did he was always talking about how he wanted VM to be like other shows and movies: Fargo, True Detective, Game of Thrones, Chinatown (which is apparently the only noir movie he’s ever seen). The thing is, if I wanted to watch those shows, I would; I watched Veronica Mars specifically because I enjoyed its unique qualities, and I would say most fans agree. The general perception within the fandom is that with this season Rob Thomas seems to have been aiming to dump the old, majority female, CW fanbase in order to achieve what he perceives as a cooler prestigious male fanbase; the issue is, new people aren’t going to take up a show in its fourth season if they didn’t watch or didn’t like earlier seasons. Also, trying to write a prestigious show doesn’t make your show prestigious. Considering that based on anecdotal evidence most of the people who like S4 seem to be male, he may have succeeded in the first part of his aim. However, this majority female fanbase he was so willing to cast aside are the ones who have run fansites and rewatches during fallow times (i.e. between S3 and the movie and then between the books and S4), so drumming up interest among fans (and therefore streaming views) in the future may be a challenge. Plus, women are a better advertising demographic since they are more likely to be in charge of household purchasing decisions, so maintaining us as a fanbase makes business sense as well. He may have tricked enough people into watching S4 that S5 is given a go, but I wouldn’t be surprised if streams are weak beyond that. If the show is to succeed as a commercial endeavor, better to go with appealing to a known quantity than trying to make a generic show that very few people have expressed interest in watching.
Bring back the mystery of the week
This is a more minor thing I felt was missing from S4. I think after the criticism of S3 not having a season-long arc RT overcorrected in focusing on one mystery. However, the mystery of the week had the following benefits: 1) giving chances for the characters to interact and telling us more about them 2) helping to modulate the pace of the season-long arc. With better writing a season-long standalone mystery could maybe work, but in the case of S4 specifically the mystery was kind of dull and repetitive and could have stood to include a couple of diversions in the form of a smaller case here and there.
Re-evaluate the creators’ interpretation of the word “adult”
Much of the promo and reviews for this season noted the more “adult” content to be expected this season now that Veronica’s grown. Many fans hoped that meant seeing Veronica act like, you know, an adult with adult problems rather than a teenager less mature than the actual teenager she was. Unfortunately, the show’s interpretation of the word seems to be more in keeping with a television rating sense of the word--meaning sex, drugs, and gratuitous violence (But apparently not the word “fuck.”). Look, it was expected that as the show moved to a streaming service and given the overall dramatic scope that there would be an upgrade in some of this sort of content (and I’d be a liar if I said I wasn’t looking forward to steamier LoVe moments, which were sorely overpromised), but the way it was included this season felt like RT and co. included this stuff just because they could and not to serve the storyline. For me, personally, the biggest example of this was Veronica’s drug use, which I know didn’t necessarily bother everyone. Given her history as the daughter of an alcoholic as well as someone who had been the victim of two roofie attacks, not to mention the fact that her character never seemed to be into partying, I found it very out of character (and book writer Jennifer Graham agrees). It felt like RT included this just bc they thought it would be funny to see Veronica on drugs without considering whether it made sense for her character. Also, were the beheadings strictly necessary? Plus there’s RT’s little temper tantrum over not being able to use curse words this season--they weren’t present in the original show, no one was going to miss them now, and the “cuss” thing was just annoying and reminiscent of The Good Place. 
Dealing with a parent who maybe has dementia--that’s an adult storyline. Too bad RT ended it with a dumb excuse about “mixing meds” (another factual error! Pharmacy software would have caught it!) rather than actually exploring what it would mean for Veronica to see her father in decline and take over the family business (and give Rico Colantoni the exit he appears to want). This is the kind of adult content I would hope to see in future seasons.
Adult is not a synonym for “unrelentingly bleak” either. The original show, while dark, always had an element of hope that was completely removed from S4 (no matter what KB might claim). And would it have killed the writers to show Veronica wearing disguises and going undercover like she used to? There was nothing fun about this season (and no, I don’t count the multiple partying scenes as fun, more like sad).
Kill your darlings
It’s cliche, but it’s true. Another issue the show has long had is the writers keeping around characters or inserting jokes and references for their own personal amusement rather than for the story. The most notable example of this is the continued presence of Dick, a highly problematic character considering he pushed Beaver into the room with Veronica the night of Shelly Pomroy’s party, among a whole host of other racist, sexist, and generally obnoxious actions over the years. But because Ryan Hansen is so widely beloved among the cast and crew, so he stays. Then there’s the matter of the infamous Keister egg in 3x08, which the writers and KB have all expressed love for, despite the fact that said Keister egg is an example of sexual assault--which, even if the victim is a douchey fraternity president, is never funny. 
Also the constant Big Lebowski references are tiring. Watch a new movie.
Improve Neptune’s gender ratio
Veronica Mars, despite having a female lead, has always been a male-dominated show; other than Veronica herself, the only consistent female character over the original show was Mac (and she didn’t even come back this season). This is unacceptable in 2019, for any show. The books introduced promising female characters in the form of Marcia Langdon and Petra Landros, but Marcia’s character was was watered down for S4 and Petra was nowhere to be found. Additionally, Veronica and Mac have always been written as “cool girls” who looked down on other women for their femininity, which isn’t a great message. Almost every other female character, even the innocuous Parker, is portrayed as somehow bad or incompetent. I would love nothing more than a season centered on the women of Neptune and their interactions with each other. While we’re at it, stop giving every woman on this show a background of sexual victimization.
Treat VM as an ensemble show, not a Kristen Bell vanity project 
A major complaint from Burnt Marshmallows and S4 defenders alike was how little time was given over to the original core cast this season. While Veronica may be the protagonist, a large part of how the show became so beloved was her relationships with the other characters. Yet RT has decided that going forward VM will be a KB solo project, with her traveling town to town quipping and sleeping with strangers. This seems strange, given Kristen’s recent interviews talking about how difficult it is to shoot VM and how she never wants to be first on a call sheet ever again, not to mention how she asked for less screen time all the way back in S2, which resulted in the Weevil-Logan storyline, which was way more interesting than Veronica’s storylines during the first half of that season. (The traveling detective thing also seems weird considering that KB is pretty insistent on shooting in LA to be near her family.) Additionally, if this is truly the last season of VM with all the original characters, then no one got a proper sendoff. 
I’m not sure how willing much of the cast will be to return for future iterations, given how uncomfortable many of them seemed during promo as well RT and KB’s treatment of them (insensitive at best, deliberately mean at worst) this season (shout out to Tina Majorino for recognizing what a shit show this was going to be), but bringing back all the original characters into the fold and giving them significant storylines would go a long way to mending fences with fans, improving the show from a character arc perspective, and would also give KB the break she apparently wants. 
Recourt the fanbase
What has VM always been renowned for above all else? It’s incredibly loyal fandom which not only got it renewed twice during its original run but also put up their own money to get the movie made--I know many people who donated when they really couldn’t afford to. RT basically owes the last 6 years of his career to VM fans--the success of the Kickstarter arguably got him the iZombie show running gig, and the fourth season likely wouldn’t have even happened if not for it. Thus, the blatant cruelty and disregard with which RT and KB have treated fans during the promotion of S4 has been incredibly insulting and hurtful; I still can’t fathom what in the world possessed RT to think that throwing away this 15-year relationship was a good idea. It’s not a good sign when the 2 fansites most active during the post-movie period (VMHQ and VM Confessions) cease operations in the wake of S4, and when at least 3 out of 8 board members of the oldest running fan group, Neptune Rising (who were dormant during the post-movie period but played a critical role during earlier fan campaigns and in the S4 promo) resign. A fandom this loyal that was betrayed will not stand idly by if the S5 RT wants to make goes ahead; given the number of tweets the official Hulu VM account has had to delete in the wake of S4 due to the overwhelmingly negative response as well as the controversy over editing out Logan from S4 promos, I imagine that S5 will be a PR nightmare. Even if future seasons are amazing the trust can probably never be fully repaired, but it would be helpful for RT (or fingers crossed, a new show runner) and KB (as star and EP) to go overboard in reaching out to fans and at least admitting they made a misstep with the entirety of S4. Back in the day, the old Mars Investigation fansite was invited to set to conduct interviews; maybe do that again. Also someone should get KB some sort of VM fandom-fluent media trainer because I don’t think she has conducted a single interview during her entire stint on the show that didn’t anger fans (it might help if she actually bothered to watch the show).
Map out an endgame
Look, this can’t go on forever. As long as RT keeps leaving every installment open ended with the hopes of maybe getting renewed again five years down the line, the story is going to keep running into the issues the movie and S4 faced with having to shoehorn the characters into nonsensical plot lines to reconcile those endings and deal with actor availability issues. Either plot another 2-3 seasons to wrap the show up with a satisfying conclusion, or map out a greater timeline of Veronica’s life with spots where a mini series or movie here and there could fit in.
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veronicaneptunes · 5 years
Text
You all know I’m a Logan/Veronica girl, like they are the one couple on the show for me, the otp, The Love Story™ But it always confused when people who didn’t like Logan would be like “ Oh, Veronica could be with Piz or Duncan or Leo” Because,
 A) Duncan was as big (bigger some would say, some being me) a dickhead as Logan ever was except the writing never pulled him up for it in the same way. 
B) Piz was too boring for Veronica and she didn’t treat him very well (eg:movie) 
 C) I see Max’s beautiful dimples but don’t let them fool you, Leo was a cop dating a high schooler and he stole the fucking Lilly Kane tapes, essentially destroying some of the best evidence to convict Aaron Echolls and other than losing his job for 5 minutes he experienced no true punishment for that.
And finally, D) ELI WEEVIL NAVARRO AND MEG MANNING ARE RIGHT THERE. 
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feeisamarshmallow · 4 years
Photo
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@momentofmemory tagged one of my fics in this (which made my day) and I looove reccing fics, so I figured I’d try to fill this whole card. Also, if you know any of these authors on tumblr, feel free to tag them so they know! 
A fic you love without knowing the source material
Some Are Silver by roque_classique 
Supernatural | PG | Sam Winchester & Dean Winchester 
Summary: Sam & Dean’s injuries have caught up to them, and it’s Christmas. Far more hopeful than you expect. 
Look, the potential for angst and h/c in spn fic has captured me even if I’ve only watched one season of the show. 
A fic with a premise that shouldn’t work but does 
Kittenface by cmere 
Arrested Development | T | Gob Bluth/Tony Wonder
Summary: In which Tony helps Gob adopt a kitten, and you wonder how on earth this kind of fluff can be so gloriously in character. 
I’ve recently fallen down an AD fanfiction hole. Why do I always want to take ridiculous characters seriously? Who knows?  
A fic you’ve reread several times 
Potential by psilent (heretherebefic)
Veronica Mars | Not Rated | Veronica Mars & Eli “Weevil” Navarro
Summary: Veronica and Weevil find themselves reminiscing on the anniversary of Lilly’s death and it’s everything I’ve ever wanted in a fic. 
If by several times you mean 25+ times. I still can’t believe this fic blessed me with bi Veronica and Weevil AND spot-on dialogue and characterization. 
A fic you still remember many years later 
Therapy Can Be Very Helpful by BlueSkye12
Sherlock | T | John Watson |
Summary: John Watson goes to therapy. 
I still think about this fic, even though I haven’t read Sherlock fic for like 5 years. 
A comfort fic 
The Spirit of Christmas by fiona d
Veronica Mars | K+ | Veronica Mars + ensemble
Summary: The ghosts of Christmas visit Veronica. 
Still the best “A Christmas Carol” trope I’ve read.
A cathartic fic 
Bid Farewell by @ladyroxie
Miss Fisher’s Murder Mysteries | T | Phryne Fisher/Jack Robinson
Summary: “Jack gets some bad news, and Phryne doesn't stay away.”) 
This fic is the definition of catharsis in my opinion. 
A fic you’d print and put on your bookshelf 
We are Nowhere, And It’s Now series by @petpluto 
Veronica Mars | M | Veronica Mars, Logan Echolls, Lilly Kane, Eli “Weevil” Navarro
Summary: Veronica is haunted by ghosts. 
A fic you associate with a song
all of @vernonfielding​ ‘s b99 season 7 countdown project, but I’ll give special mention to: 
She said that she wanted cuban babies by Estelle (Fielding) 
Brooklyn Nine Nine | G | Jake Peralta/Amy Santiago
Summary: “Jake comes to some conclusions after the bomb scare. Takes place during Casecation.”
This fic, and my conversations with fielding afterwards, helped me see casecation & Jake’s reaction in a whole new light. Plus I love The Lonely Island’s Bash Brothers album more than is necessary, so all the titles using lyrics from that album makes me so happy. 
A fic that inspires you
Advantage by @lodessa
Veronica Mars | T | Veronica Mars/Eli “Weevil” Navarro
Summary: “Weevil helps Veronica out with a case.”
Everything about lodessa’s characterization of Veronica and Weevil inspires me, but more so I’m inspired by her willingness to engage in the comments of her fics. It really encouraged me to be talkative in my own comment sections, which has been super fun and definitely helped me make new fandom friends. 
A fic that brought you aboard a new ship 
London Calling by Shadowcast 
Buffy the Vampire Slayer | M | Spike/Xander
Summary: “ After Buffy receives a mysterious telephone call from Spike, she sends Xander to London to find out what's going on.”
I still can’t believe that I seriously ship Spike and Xander because of this fic. I always liked them as a crackship, but this fic really sold me on them in a more serious manner. 
A fic you wish could be a movie 
Sacrificial Mages by burglebezzlement
Carry On Series | T | Simon Snow/Baz Pitch 
Summary: A mystery & a romance. Post Carry-On. 
A fic that led you to making friends with the author 
languages, mac & cheese, and love by @exploding-snapple
Brooklyn Nine Nine | G | Jake Peralta/Amy Santiago
Summary: Jake notices something about Amy and the Spanish language. 
I’m pretty sure this fic is the reason exploding-snapple & I started following each other on tumblr, and now I get her to beta-read my fic! And it’s such a good fic. 
Free Space 
End of Part One by GoldStarGrl
Arrested Development | T | Gob Bluth & Michael Bluth 
Summary: “Post-series, the Bluth Boys are having a tough time.”
Why do I have so many feelings about these truly ridiculous characters? 
A fic you’ve gushed about IRL
Lydia Chalmers’ Thesis on William the Bloody by Barb Cummings (Rahirah), Ceallaigh, cindergal, Dori, dutchbuffy, Klytaimnestra, matcha taf (macha), mintwitch, shipperx, Sylviavolk2000
Buffy the Vampire Slayer | T | Spike 
Summary: What it says on the tin. Watcher Lydia Chalmers’ thesis on William the Bloody aka Spike. 
People! Actually! Wrote! A whole! Thesis! 40k words. This is glorious and so so funny. The footnotes and citations kill me every time. 
A fic you associate with a place
the most important meal of the day by disastersauras
Brooklyn Nine Nine | T | Jake Peralta
Summary: “Jake + 10 breakfasts.”
The author says that they’ve never been to New York, but they could’ve fooled me with this wonderful sense of place. 
A fic that made you gasp out loud 
Entrenched by Scratch_Pad 
Miss Fisher’s Murder Mysteries | G | Jack Robinson
Summary: “Jack and the War, an exploration.”
The Beethoven scene broke me. I love this fic more than I can express. 
A fic you found at the right time 
Sick Leave by @winnietherpooh
Brooklyn Nine Nine | Not Rated | Jake Peralta/Amy Santiago
Summary: Jake & Amy take a vacation, post-prison. 
Harry Potter is to Jake’s process of healing as Brooklyn Nine Nine is to mine. And this fic captures it perfectly.
A fic that you would read fic of
This Colder Air by annakovsky & kyra
The Office | T | Ensemble
Summary: “This is the best apocalypse Mose has ever had.” Apocalypse AU, naturally. 
This fic is also up there on my list of very favourites. I frequently think about it and the world that the authors created. 
A fic that made you laugh
oh my love, it was a funny little thing by philthestone
Brooklyn Nine Nine | G | Jake Peralta/Amy Santiago
Summary: Jake & Amy are called in for a parent’s meeting, but it’s not for the reason anyone may think. 
This fic still makes me laugh every time I reread. 
A fic with a line (or two) that you’ve memorised by heart
Worthy by bigsciencybrain
Veronica Mars | T | Eli “Weevil” Navarro & Felix Toombs
Summary: “It’s Felix who gets Eli home.” 
One of my favourite fics ever, it’s so angsty yet Felix-the-maybe-ghost somehow never fails to make me laugh, too. I have that opening line memorized.
A fic that gave you butterflies
you made it through, you finally moved - that's good for you by swimthewholeriogrande
Brooklyn Nine Nine | Not Rated | Jake Peralta
Summary: Post-prison, something goes awry for Jake during a routine day on the job. (hurt!Jake). 
Look I’m sure they meant romantic butterflies, but I’m taking this to mean whumpy, h/c butterflies because that’s the kind of girl I am. 
A fic that embodies something you value in life
Broken Prayers and Empty Hallways by @shealynn88​
Veronica Mars | T | Veronica Mars/Eli “Weevil” Navarro
Summary: “Eli had always tried to save her from his problems. Even though she'd never asked to be saved.”
Learning to be vulnerable and supporting and caring for each other? That’s definitely something I value. Plus I just adore this fic. 
A favourite AU
The Long and Winding Road by MediumSizedEvil
Brooklyn Nine Nine | M | Jake Peralta/Amy Santiago
Summary: “After completing his military service in the IDF Jake goes on a backpacking trip to South America, where he meets an Art History student from New York.”
A fic you stayed up too late to finish reading
you can tell me when it’s over if the high was worth the pain by @elsaclack
Brooklyn Nine Nine | T | Jake Peralta/Amy Santiago
Summary: “Post s4 finale fic, in 4 movements.” Amy gets Jake out of prison. 
One of my favourite takes on the s4 finale. 35k words that I read in one go, late into the night. 
A fic that made you feel seen
No Way Out by heeroluva
Buffy the Vampire Slayer | G | Oz Osbourne 
Summary: “Oz had thought there was something wrong with him.” Asexual Oz. 
and a big kudos to anyone who made it to the end of this list :) 
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hogibebeleri · 4 years
Text
eski model listesi
bunu temizleyip yürürüz diycektim ama çok varmış o yüzden eski ünlülere isimlere bakmak için buraya bırakıyom kalsın sdfojdsoğjısıdjğods
ay daraltçam bu ne aq
- A -
Aaron Johnson - Leo Constantine
Aaron Tveit - Ezekiel Wymond
Abbey Lee Kershaw - S
Adam Brody - Cedric P. Powell
Adelaide Kane - Alana Windsor
Aidan Turner - Blaise Lynch
Alicia Vikander - Lily Marzia Lewis
Alona Tal - Claire Jenkins
Alycia Debnam Carey - Faith Franchot
Amber Heard - Edith Mori de Oliveira & Aureola Diana
Amy Poehler - Apple Corin
Ana de Armas - Riley Polanco
AnnaSophia Robb - Olivia Maeve
Andrew Garfield - Christen Austen
Andrew Lincoln - Desmond
Andy Samberg - Milo Dexter
Anna Christine Speckhart - Maria Sparrow
Anna Kendrick - June Lynwood
Ansel Elgort - Landon Scotty
Armie Hammer - Nikolai Fedosov
Ash Stymest - Wilford Grayson
Ashley Benson - Lexie Mallaith
Astrid Berges-Frisbey - Anthea Harrison
Aubrey Plaza - Zoya Everdene
- B -
Barbara Palvin - Annie Lancaster
Bella Heathcote - Fern Weinberg
Bill Skarsgård - Hermes Wolfhart
Boyd Holbrook - Hugo Montague
Bradley Cooper - Adonis Dard
Brett Dalton - Aldous Riordan
Brian J. Smith - Ä°.
Brit Marling - Euria Madlyn
- C -
Candice Accola - Evanora Eckhart
Carey Mulligan - Ophelia Delfino
Charlie Cox - Darcy Hemingway
Charlie Weber - Wardell Jon
Chloe Bennett - Miroslawa Waljewski
Chris Pine - Azure Welkin
Chris Pratt - Dux Stanton
Chris Wood - Atlas
Christian Bale - Mars Brant
Christian Cooke - Conor Lynton
Chyler Leigh - Cassandra Evans
Claire Holt - Karyna Gwen
Clark Gregg - Christopher Hart
Courtney Eaton - Night Haven
- D -
Daisy Ridley - Monica Myles
Dakota Johnson - Barbie Riley
Dan Stevens - Damien Delacroix
Daniel Radcliffe - Michael Genim
Daniel Sharman - Clementine Quinton
Danielle Campbell - Calista Apostolou
David Tennant - Hunter Chandra
Dianna Agron - Isis Chamberlain
Domhnall Gleeson - Jules E. Lincoln
Dominic Cooper - Quentin J. Lloyd
Dominic Sherwood - Dimitri Wolf
Douglas Booth - Vasco Delacour
Dylan O''brien - Nathaniel Hawkins
Dylan Sprayberry -Ove Stanford
- E -
Eddie Redmayne - S
Ebba Zingmark - Eloine Heaven
Eiza Gonzalez - Veronika Boleslava
Eleanor Tomlinson - Calleigh Gardenar
Elizabeth Debicki - Pippa Voughan
Elizabeth Henstridge - Gwendoline Cler
Elizabeth Olsen - Corinne Constantine
Eleanor Tomlinson - Calleigh Gardenar
Ella Purnell - Dolu
Elle Fanning - Rosie Van Laren
Ellen Page - Lydia Carrington
Elodie Yung - S
Emeraude Toubia - Elena Dimitriou
Emma Stone - Alexandra Zaleski
Emilia Clarke - Maya Davenport
Emilie De Ravin - Astrid Blanche
Emily Bett Rickards - Ocean Highmore
Emily Blunt - Lilla Arverne
Emily Browning - Ava Marlowe
Emily Deschanel - Hannah Montiel
Emily Didonato - Vera Isabel
Emmy Rossum - Vivian Gardner
Emily Rudd - Antje Griet
Erin Richards - Glory Constance
Eva Green - Verena Gray
Evan Peters - Viktor Chekov
Evangeline Lilly - Blue Marchand
Ewan McGregor - Acse Lemoine
Ezra Miller - Eugene Irwin
- F -
Felicity Jones - Macey Raphaelle
Felix Kjellberg - Silvestre César
Finn Jones - Buster
Freya Mavor - Olivia Fitzgerald
- G -
Gabriel Luna - José Espina
Gaia Weiss - Freya Kjellfrid
Gal Gadot - Cerys Ryan
Garrett Hedlund - Vitto Carlevaro
Gemma Arterton - Sabetha Belrossa
Georgina Haig - Calypso
Gigi Hadid - Mitchie Finnegan
Gina Rodriguez - Ida Castillo
Grace Phipps - Mia Kayleigh
Gustaf Skarsgård - Vincent Valente
- H -
Haley Bennett - Graciela de la Fuente
Hannah Simone - S
Harry Lloyd - Valentin Veaceslav
Hayden Christensen - Kristoff E. Petrov
Hayden Panettiere - Skyla Chavira
Hayley Atwell - Carmela di Chimici
Henry Cavill -Â Chester Norton
Hunter Parrish - Francis Rousseau
Hwang Jung Eum - Hana Godfrey
Ian De Caestecker - J.C. Murphy
Isabel Lucas - Helen Ambrosia
- J -
Jack O''Connell - Roy Whesker
Jai Courtney - Téo Teixeira
Jake Johson - Tony Thompson
James Franco - N/ash Carrington
James McAvoy - Sebastian Van Laren
Jamie Chung - Irene Weitz
Jane Levy -Â Elsie Rodgers
Jasmine Sanders -Â Liesje Lijsbeth
Jason Statham - Rafael Romero
Jay Baruchel - Cal J.W. Fox
Jeffrey Dean Morgan - Zed O''Callaghan
Jenna-Louise Coleman - Cecilia D. Chandler
Jennifer Morrison - Penny Black
Jensen Ackles - Florian W. Hoffman
Jeon Jeongguk - Jeon Jeongguk
Jeremy Renner - Dorian Dixon
Jesse Soffer - Grover Alen
Jessica De Gouw - Vera Guthrie
Ji Sung - Yong Jae Sun
JoAnna Garcia Swisher - Pacifica
Joe Gilgun - Desmond Gallagher
Johanna Braddy - Reva Keegan
John Krasinski - Jesse Wescott
Jon Kortajarena - Aaron Anderson
Josefine Frida Pettersen - Dolu
Jude Law - Andrei Pavlov
Julian Morris - Wesley Franklin
Julianne Hough - Madelyn Weaver
- K -
Karen Fukuhara - Yuki Nakashima
Karen Gillan - Emma Fray (<33)
Kate Mara - Tuesday Beckett
Kate Mckinnon - Myrna Morgenstern
Katherine McNamara - Norene Harland
Kaya Scodelario - Quinn Jenae
Keira Knightley - Mystral Roux
Kevin Zegers - Damon Wallner
Kit Harington - Joel Paxton
Kristen Bell - Vivien Rouge
Krysten Ritter - Iris Thorne
- L-
Lauren Cohan - Wonder B.
Leighton Meester - Anastacia Bouvier
Leonardo diCaprio - Jerry Arlexa
Lily Collins - Frankie Chandra
Lily James - Anaïs V. Grimaldi
Lindy Booth - Camilla Weitz
Lindsey Morgan - Zenobia
Lizzy Caplan - Ramona Fade
Logan Lerman -Â Harley Langley
Luana Perez - Elizabeth Burton
Lucy Hale -Â Sheri Payne
Lyndsy Fonseca - Daisy de la Vina
- M -
Mads Mikkelsen - Ä°
Maeve Dermody - Athena Zoega
Maia Mitchell -Â Lynda Stine
Margot Robbie - Josie Lesniewski
Maria Valverde - Valerija Roque
Marie Avgeropoulos - Ljubica Solvej
Marion Cotillard - Marika Lamora
Martin Wallström - Fabio Chepe
Mary Elizabeth Winstead - Amelie Steiner
Matt Hitt - Douglas Roswell
Matt McGorry - Corbin Renwick
Matthew Daddario - Diego Mendoza
Matthew Gray Gubler - Patrick Descoteaux
Max Irons - Marc Janko
Max Riemelt - Ziggy Hildebrand
Melanie Martinez - D
Melissa Benoist - Charlotte Evans
Melissa Fumero - Catherine Winters
Michael Fassbender - Franco Locatelli
Miguel Ángel Silvestre - Rico A. Moreno
Min Yoongi - Min Yoongi
Morena Baccarin - Tulip Talitha
- N -
Natalie Dormer - Gem Julep
Nick Blood - Isaac Wyatt
Nick Offerman - Alfred Castillo
Nico Mirallegro - Jack Daniels
Nikolaj Coster-Waldau - Theos Volantis
Nina Dobrev - Emmaline Winslow
Norman Reedus - Harley Harford
Noomi Rapace - Yulia Utkin
- O/Ö -
Olesya Rulin - Ceku Balım
Olga Kurylenko - Zelda Croft
Olivia Holt -Â Rylee Cantrell
Oscar Isaac - Aldo C. Ferreiro
- Q -
- P -
Paul Rudd - Marco Polo
Paula Patton - Winter Willford
Penelope Mitchell -Â Caitlyn Weatherly
- R -
Rachel McAdams - NavoÅŸ Lancaster
Rashida Jones - Jean Cardellini
Rebel Wilson -Â Lauren Dwyer
Reeve Carney - Dylan Breckendridge
Richard Madden - Tristan Windsor
Rinko Kikuchi - S
Rosario Dawson - Eve Blanchett
Rosamund Pike - Daniela Carlevaro
Rose McIver - Skyler Freestone
Rosie Huntington-Whiteley - Leona Lane
Ruth Negga - Lara Tailler
- S -
Sabrina Carpenter - Louise Linn
Sam Claflin - Mathias Clayton
Sarah Gadon - Nina Buchvarov
Sarah Hyland - Marceline Apostolou
Sebastian Stan - Maximillian di Chimici
Seychelle Gabriel - Leila Beaumont
Scarlett Johansson - Diamontina Dixon
Shailene Woodley - Joy Cappella
Shantel Vansanten - D
Shelley Hennig - Nora Simmons
Sophia Bush - D
Sophie Cookson - Rain Gisbourne
Summer Glau - Rhea Crisanta
- T -
Taron Egerton - Caleb Lysander
Tatiana Maslany - Margo Wiggins & Felicia Makovecz
Taylor Marie Hill - Milla Alexander
Taylor Swift - Melanie Phoenix
Teresa Palmer - Dora Desjardins
Theo James - Keiro Padmore
Tom Ellis - Hector A. Whittemore
Tom Felton - Alpha Rigorous
Tom Hardy - Dito Delfino
Tom Hiddleston - Newton F. Windsor
Tom Holland - Flynn Holdsworth
Tom Mison - Armitage Cromwell
Toni Garrn - Audrey Tyler
Torrey Devitto - D
Travis Fimmel - Forrest Dickson
Tuppence Middleton - Mia Santiago
- U/Ü -
- V -
Victoria Justice - Lotus van Boven & Selo
- X -
Xavier Samuel -Â August FridtjofÂ
- W -
Will Smith - Dante di Mercurio
Willa Holland - Ethea Middlesworth
- Y -
- Z -
Zendaya - Izzy McGowan
Zoe Kazan - D
Zoë Kravitz - Thalia Hardy
Zoe Saldana - Kiara Kingsley
Zooey Deschanel - Hailey Montiel
Zoey Deutch - Myra Blackbourne
4 notes · View notes
vmheadquarters · 5 years
Link
When the Veronica Mars fan-funded film was released in 2014, no one could have predicted it would help to usher in a trend of revivals and reboots and remakes that would come to dominate Hollywood. And certainly no one could have predicted the series, a neo-noir about a teenage private detective in its original form, would be returning again five years later, this time as an eight-episode limited series on Hulu.
And yet the show's refusal to accept defeat feels like a perfect encapsulation of the spirit of Veronica Mars herself. Brought to vivid life by Kristen Bell, Veronica always gets back up. She plays by her own rules, never allowing herself to be content with or conform to the status quo. She's never what you expect, and she can accomplish anything she sets her mind to. Along with her sparkling wit, these are her most admirable traits. But as with any revival, one has to wonder what the end goal ultimately is.
The feature film funded by fans through a Kickstarter allowed series creator Rob Thomas to craft an ending where there previously wasn't one. A parade of familiar faces, it was heavy on the nostalgia but light on the intricate, well-paced mysteries that originally set the show apart. This new chapter in the Veronica Mars saga doesn't serve the same purpose. It's not a trip down memory lane or an extended coda; it's an opportunity to test the waters and find out whether or not Veronica Mars still has life left in her. The world of television has changed a lot since the series first debuted on UPN, and although audiences might not have been ready for her then, they very well may be now.
Hulu is referring to these eight new episodes as Season 4 rather than simply a limited series, and while that doesn't necessarily mean anything, we can't discount the fact this is the second time the show has returned from the dead or that Bell, whose NBC series The Good Place will be ending after this upcoming season, and Thomas have both already expressed an interest in continuing Veronica's story beyond what we see here. The stakes are infinitely higher now than they were five years ago when the film hit theaters. The new season has to appeal to longtime fans as well as potential new ones. This ultimately means the overarching mystery at the heart of the season has to be strong enough to carry the weight and then some. The story has to push Veronica forward in a meaningful way. And for the most part, it succeeds.
When the show returns, Veronica is still working alongside television's No. 1 dad, Keith Mars (Enrico Colantoni), as a private eye in her hometown of Neptune, California. She and Logan (Jason Dohring), who is still in the military (and remains incredibly handsome), are still together and have adopted a dog named Pony since we saw them last. They're happy and stable, but Logan's job often takes him away suddenly for weeks or months at a time. While he's constantly moving, Veronica is more or less standing still. And she appears completely content with her life. But when a series of deadly bombings hit the town during the month-long celebration of spring break and threaten the city's tourism industry, and thus the livelihood of Neptune's quickly disappearing working class, Veronica dives headfirst into solving the case.
The class divide of Neptune, with the working class pitted against the town's rich elite, was built into the foundation of Veronica Mars, but when Veronica was in high school, it often played out through Veronica's status as an outsider. She didn't fit in with the popular crowd, known as the 09ers, because of Keith's wrongful accusation of the Kanes in the wake of Lilly's (Amanda Seyfried) murder. But she also didn't fit in with the working class because of her former association with that same rich crowd. In 2019, with Veronica now in her 30s, the class warfare manifests itself differently. Veronica and Keith are still hustling to make ends meet as private eyes — Veronica is hesitant to take any job that won't pay them well and drives up their retainer whenever she can — but a pointed C-plot also finds Keith, who is still struggling in the wake of the car accident that occurred in the film, attempting to navigate our country's broken healthcare system as a member of the have-nots. It's familiar social commentary for the series, but it's perhaps even more relevant now than it was in 2004.
So when bombs start going off, putting many of the businesses that rely on local tourism in jeopardy, like a rowdy nightclub owned by Kirby Howell-Baptiste's Nicole, Veronica naturally starts digging. Technically she and Keith have been hired by the family of a congressman whose brother was injured in one of the bombings, but Veronica is interested in the case for other reasons too, namely Matty (Izabela Vidovic), the daughter of a divorced single father who dies in the first explosion. The show takes every opportunity to remind us Matty is a lot like a young Veronica, for better or worse.
The ensuing investigation, which plays out over the entire season, puts Veronica on a collision course with Penn Epner (Patton Oswalt), a local pizza delivery guy with a true crime obsession, as well as a few familiar faces from the original series. They include Weevil (Francis Capra), who's back in his criminal element after being framed by the sheriff's department in the film and taking an out-of-court settlement in Mr. Kiss and Tell, one of two canonical books published after the film; Leo (Max Greenfield), who now works for the FBI and continues to have sparks with Veronica; Vinnie (Ken Marino), whose office is a strip club because that's the logical next step after a van; and even Liam Fitzpatrick (Rod Rowland), who's still a scumbag and may or may not be involved in planting the bombs. Eventually, the case leads Veronica to none other than Big Dick Casablancas (David Starzyk), who seems to have suffered very little from his time in prison. Now cozied up to a man he met on the inside, Clyde (the always excellent J.K. Simmons), he's attempting to transform Neptune from a wild spring break destination into an elite and idyllic seaside community only the rich can afford.
This is a Veronica Mars that is both familiar and new. As Bell and Thomas promised, the new season is a different beast from the show that initially ran for three seasons on UPN and The CW in the mid-2000s. It's been described as more adult and as "hardcore So-Cal noir," and although it's difficult to imagine a scenario for Veronica that is worse than her own rape and the murder of her best friend as a teenager, the series somehow manages to go bigger and darker and create a more dangerous atmosphere, complete with increasingly dire consequences. In the process, it also evolves into a show about Veronica's emotional stagnation.
A running thread this season finds Logan pushing Veronica to go to therapy so she can hopefully begin to cope with her trauma rather than continuing to ignore it. He credits his therapist with helping him manage his anger — Logan might have evolved and matured during his time in the military, but he's still Logan — but Veronica repeatedly refuses, insisting she's fine. Of course, anyone with a working set of eyeballs can obviously see that Veronica is not fine, that she's been hardened by everything that has happened to her over the years and still suffers from the trust issues that have plagued her since her high school days. It's not entirely clear if Veronica is even happy working as a P.I. in Neptune or if that's just what she thinks she should be doing. All the same, Logan is determined to help Veronica, and after seeing plenty of men on TV struggle in this same way, seeing Veronica face these challenges instead is a welcome role reversal that still feels completely in character. In fact, everything that occurs between Logan and Veronica throughout the season is well done, completely thought out, and true to both characters.
But for all the good, and for all the fun it is to return to Neptune and watch Veronica continue to be smarter than everyone around her, the new season isn't without its faults. A major twist near the end of the season feels like it belongs in a different series entirely, like it was added more for shock value than anything else, and I worry about its lasting implications and how it might affect the possibility of another season. If it's an attempt by Thomas and the writers to convince Hulu to grant the series more episodes to explore the aftermath, it's a big swing, and not one I am sure will pay off.
It's unfortunate that one bad decision in a sea of good ones can so easily color the rest of a finished product, but there's a very good chance that is exactly what will happen for many fans. If they can get past it, there absolutely could be life left in Veronica Mars. For most of the season, the show is a lot of fun, balancing its well-honed sense of humor — many times at the expense of fan-favorite character Dick Casablancas (Ryan Hansen) — with Keith and Veronica's powerful family dynamic and a sometimes predictable but nevertheless engaging central mystery. There were many times throughout the season I found myself wishing Kristen Bell would never stop playing Veronica, that we never stop getting to spend time with what might be one of the best and weirdest supporting casts on TV after FX's Justified (another series I would kill to revisit in the future). And to an extent, I still feel that way; Veronica is one of the most competent characters on TV. After 15 years, she's now an old friend, and I'd rather spend time with her than most anyone else. But after these eight episodes, I also won't be surprised if this is the end of her story, and if it is, it's a somewhat disappointing one.
All eight episodes of Veronica Mars debut Friday, July 26 on Hulu.
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vmficrecs · 4 years
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WEEKLY FIC ROUND UP
Fresh Egg Author: sadiekate Pairing: Logan, Wallace Rating: PG-13 Genre: Friendship Setting: Season 2 Spoilers: 2.18, “I Am God”  Chapters: 1 Word Count: 1045 Status: Complete Summary: Logan and Wallace do a physics project. Logan thinks a lot, while Wallace gives him meaningful glances.  Notes: WALLACE AND LOGAN BONDING!!! We really deserved for them to be featured more in the show and I’m always upset by it, especially since season 3 totally sets them up to become bffs and then they never have screentime alone together again. it’s fine. 
Black Lines Author: innie-darling Pairing: Logan, Veronica, Logan/Lilly Rating: PG-13 Genre: Introspection  Setting: Season 1 Spoilers: through 1.15, “Ruskie Business”  Chapters: 1 Word Count: 1323 Status: Complete Summary: What if Logan is the one locking Veronica in a cell? Remix of The Bars.  Notes: just feeling upset!!!!!!!! thanks for asking!! also, y’all, the line “He remembers being an onion in the summer camp play, the only vegetable that could make you cry,“ should not affect me in this way and yet. here we are. 
All That Glitters Author: vatrixsta Pairing: Logan/Veronica, Lilly, Wallace  Rating: M Genre: Romance, Friendship Setting: Pre-series, Future  Spoilers: n/a Chapters: 1 Word Count: 1747 Status: Complete Summary: Veronica could never imagine needing anything to remember Lilly by. Notes: Logan Echolls is a moron and it warms my heart. Veronica wondering if Logan thinks about Lilly (and thinks she looks like Lilly) during sex.....I will be showing myself out. I love Lilly Kane and Logan Echolls and Veronica Mars forever thank you. 
Before you knew you’d know me  Author: nevertothethird Pairing: Logan/Veronica, Lilly/Mac, Parker  Rating: Teen Genre: fake dating! secret romance! mutual pining! snowed in! only one bed! friends to loves! suzanne is my mortal enemy!  Setting: AU Spoilers: n/a  Chapters: 4 Word Count: 21694 Status: In Progress Summary: Logan and Veronica's relationship in five different settings: makeup artist at a friend's wedding, best-friend's girlfriend, ditched on vacation, sneaky in love sweethearts, and fake daters reunited years later. Notes: bless tropeapalooza!! suzanne wrote this delightful concoction of one-shot lv stories based off of varying tropes and every single one of them is delightful and true to character and did i mention DELIGHTFUL!! 
Tickets to the Gun Show Author: alilamba Pairing: Logan/Veronica, Ensemble  Rating: Explicit Genre: fake dating! forced to work together! veronica has a crush on logan!  Setting: AU Spoilers: n/a Chapters: 3 Word Count: 16212 Status: Complete Summary: “You’re kidding. You’re kidding. You’re the person about to give me a ticket.” It’s not the first time someone has been less than intimidated by her physical appearance, and, after two years on the force and a few months in this town, Veronica knows just how to respond. “License and registration please.” Notes: Starts off with Veronica being thoroughly unimpressed by Logan and determined to knock him down a few pegs, to her finding herself reluctantly and wholly charmed by him, and attracted to him, etc, etc. A truly fun read. 
The Lost Art of Persuasion Author: TheLastGoodGoldfish Pairing: Logan/Veronica, Keith Rating: M Genre: HIJINKS!!!, Team Detecting, I would die for Logan Echolls Setting: AU Spoilers: 1.22, “Leave it to Beaver” Chapters: 1 Word Count: 12302 Status: Complete Summary: “I don’t like that you’re enjoying this." “And there’s that spirit of generosity that I’ve come to expect from you during our short but—seemingly endless acquaintance.” Veronica Mars, Neptune's pre-eminent P.I., is accustomed to sweet-talking her way into and out of a wide range of sticky situations. Logan Echolls seems born to throw a wrench in her plans. Notes: if everybody remembers one fanfiction fact about me please let it be that i would absolutely die for thelastgoodgoldfish. i’m going to pretend she wrote this with my specific happiness in mind. everything she writes is so dang good, and this fic!!!!! it’s an engaging premise, logan and veronica are ON. FIRE. in it, and the dialogue!!! perfect lv. we owe her everything. also this is a real laugh out loud fic (i laugh out loud when i’m reading a lot because i like to be joyful but i have corroborated this with others who don’t laugh out loud when reading as much. anyway) 
how anybody survives in this life (without someone like you)  Author: gingermaggie Pairing: Logan/Veronica, Ensemble Rating: Teen Genre: Friendship, Romance, Growing Up Setting: Post Season 3 AU  Spoilers: 3.20, “The Bitch is Back”  Chapters: 1 Word Count: 7701 Status: Complete Summary: She thinks about their last breakup.  Well, not their last breakup, actually. Their last get-back-together. The best one. The one that stuck. Still sticks. Will continue to stick, dammit, so help her. She's not losing him again. AU post season 3. Things go on. Veronica and Logan go on. Notes: AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH 
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scabopolis · 3 years
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C A T S (i saw you already did a so give me another pairing or talk some more about them. u know who)
C - A ship you have never liked and probably absolutely never will. 
Oh man. There are too many to name them all (I might be slow to warm up to a ship, but once my embers of hatred are set aflame, they never go out). 
Duncan x Veronica (Veronica Mars): Setting aside the “he thought she was his sister and sexed her anyway” element, which that is a wild statement to write, he’s just such a slice of American cheese trying to convince the world he’s brie. SHUT UP, DUNCAN! YOU’RE NOT A SLICE OF BRIE! I WOULD NEVER HAVE YOU WITH HONEY AND APPLES. 
Jane x Rafael (Jane the Virgin): This one is tricky for me, man, because I have a hard time explaining why it didn’t work for me. I think I resented the way the writers setup a false equivocation between Michael and Rafe - that Michael was the fun safe one and that Rafael was the passionate edgy one. I think it did a big disservice to both Rafael and Michael. 
Chuck x Blair (Gossip Girl): Back when Gossip Girl came out, my friend was a big fan, I’d never seen it, and she had the first season on DVD. We had a girls weekend in Portland and ordered room service and watched the first several episodes of s1 and I hated Chuck on sight and kept hating him. And my friend kept telling me he got better and I kept waiting and kept hating him. So...I do not want to see his marble mouth face on my TV and I do not want to see him messing with my girl Blair who might be one of the greatest TV characters from the past 15 years. No further questions. 
Others include Katniss x Gale (The Hunger Games), Dawson x Joey (Dawson’s Creek), Ted x Robin (How I Met Your Mother), Cristina x Owen (Grey’s Anatomy), Dan x Vanessa (Gossip Girl),  Fez x Jackie (That 70s Show), Josh x Donna (The West Wing, just going to sneak this one in and hope no one notices), etc. etc. etc. 
A - Ships that you currently like a lot. (They don’t have to be OTPs because not everyone has OTPs.) Friendships, pairings, threesomes, etc. are allowed. 
Alright. I know what you want. To quote one of the Olsen twins in the cinematic masterpiece It Takes Two, “I can see right through!” 
Let’s talk Will Cooper and Angie D’Amato from the cancelled too soon show Single Parents (I have gotten 3 people hooked on this show and I will not rest until my reign of terror widens). 
There’s a blithers fic for Will x Angie (that you, @thelillykane absolutely need to read!!!) that includes an incredible description of who Will is from Angie’s POV: 
Will isn’t the type of guy she’s normally into. He isn’t some tall skinny dude with amazing hair and/or the ability to scream-sing his feelings into an unfeeling world. Will is a big old goofball of a dad, dependable and kind and sometimes manic, with undercurrents of a real weirdness that Angie gets such a kick out of every time she taps into them. Will is intense about the things he cares about, but he doesn’t write cryptic songs about his repressed man-emotions or play guitar while looking soulful about it or anything awesome like that. Will acts on his feelings. He organizes and works and makes life better for the people he cares about.
And it’s that undercurrent of weirdness that Angie sees in Will and that Will sees in Angie that unites them and that I love. Yes, Angie is predisposed to think the worst of people and Will is predisposed to see the best. But! they are both giant weirdos who absolutely are like “yes, when one has transgressed in friendship, the thing one buys to make up for it are giant turkey legs.” 
I think the series focuses more on how Will’s labradoodleness betters Angie’s life, but I also see so many ways that Angie’s skepticism of the world would be good for Will - “not everything always works out, dude, and you have to find a way to be okay when it doesn’t.” And also, like, Will gets Angie. I think from the Pilot episode, he sees that her bossiness and meanness and zero tolerance for nonsense is how she cares. Most importantly! It works for Will to have that in his life! Because otherwise he never would have stopped wearing zip-off short cargo pants. He would still be carrying that mermaid bag around. He might have convinced himself to give his marriage with Mia another shot, etc. etc. etc. 
Anyway, I probably just need to write my fic about them to get my feelings out. 
T - Do you have any hard and fast headcanons that you will die defending? 
Not really, I’m afraid. So utterly boring, I know. Idk, man, send me an example of a headcanon you’d die defending? I feel like the things I get heated about are when I feel canon is interpreted in a way I don’t agree with. 
S - Show us an example of your personal headcanon (prompts optional but encouraged)
Single Parents: You and I have talked about this, but Will does not remember what he said to Angie. There’s no possible way. And Angie absolutely rides out the summer in Barstow because there’s no way she’s confronting her complicated feelings head on. Hell no. 
Veronica Mars: This one’s for you, girl, but Lilly Kane would have been fine if she’d lived past 16-years old. I don’t think she would have been a forever giant hedonist or super destructive, because her acting out had a very clear origin. And I think her getting out of that house, getting away from her parents, getting away from Duncan, a lot of that chaos would have cleared in her mind. Yes, she might have always struggled with this feeling of inferiority, but I think she would have been okay. 
Once Upon a Time: This is a small silly thing, but I like to think that the reason Emma was never adopted or found a stable foster family was because Regina’s curse reached into the Land Without Magic. Later seasons establish (I think??? I basically haven’t watched 3 seasons of the show) that there is magic in the real world, but it’s dormant and hidden because people don’t believe. Regina’s curse took away the happy endings, and so doesn’t it make sense that it would follow Emma to ensure she also didn’t get her happy ending even separated from her family? I have a premise for a fic in my head where the family she lived with felt this need to return her to the foster care system. That there was a pressing on their chests, a squeezing of their hearts if you will, a voice in their ear whispering to send her back. Instead of listening to it, though, they fight against it. And that’s one of the first moments, right from the start, the love of these adopted parents weakening the curse. 
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peppermintstranger · 5 years
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¡Hola! Me cuestionaba si tienes algún FaceClaim que sirva como young au! a Alice Pagani y otro de old! au Young= 8-9-10-11 años. Old= 29-30-35. :)
¡Muy buenas!
Young: Summer Fontana, Alis Bragina, Lilly Kruk, Kitana Turnbull, Teagan Croft.
Old: Adelaide Kane, Jessica Lowndes, Peyton List, Jessica Stroup,Olga Kurylenko.
Espero que te sirva c: 
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norikateatro · 6 years
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Norikateatro’s Bootleg list! 💙
As of: February 16th, 2018 😄! Please message me if you want a bootleg! Do not comment *If you want to trade with me that’ll be really cool!
Miss Saigon Manila: December 24th, 2000 Full Show Cast: Lea Salonga (Kim) , Will Chase (Chris) , Leo Tavarro Valdez (Engineer), Ron K. Smith, Lisa Capps (Ellen), Robert Seña (They), Isay Alvarez (Gigi)
Miss Saigon London 5/19/14 Highlights (Tanya Manalang as Kim) Cast: Tanya Manalang, Alistair Brammer, Jon Jon Briones Highlights include: Kim's Nightmare - The Fall Of Saigon - Sun and Moon (Partial), Sun And Moon (Reprise), Movie In My Mind, The American Dream, Maybe, I Still Believe, The Last Night Of The World - Morning Of The Dragon (Partial), Why God Why. Musicalmania123's master.  
Miss Saigon 5/13/17 Lianah Sta. Ana as Kim Lianah Sta. Ana (alt. Kim), Jon Jon Briones (The Engineer), Alistair Brammer (Chris), Katie Rose Clarke (Ellen), Nicholas Christopher (John), Devin Ilaw (Thuy), Rachelle Ann Go (Gigi)
Matilda: Broadway March 6th, 2013
Cast: Oona Laurence, Bertie Carvel, Gabriel Ebert, Lesli Margherita, Lauren Ward, Karen Aldridge, Jack Broderick, Frenie Acoba ​
Aladdin (OBC) 
Anastasia: Broadway June 28, 2017
Cast: Christy Altomare, Derek Klena, John Bolton, Ramin Karimloo, Caroline O'Connor, Mary Beth Peil.
Beauty and The Beast:  Broadway- April 28th, 2002
Cast: Sarah Litzsinger as Belle, Steve Blanchard as Beast, Bryan Batt as Lumiere, and Beth Fowler as Mrs. Potts, and Nicholas Jonas as Chip
Chicago US tour: November 23th,  2005  Chicago, IL 
Cast: Paige Davis, Brenda Braxton, Tom Wopat, Carol Woods
Chicago: Broadway September 18th, 2002 Cast: Michael C Hall (Billy), Amy Spanger (Roxie), Stephanie Pope (Velma), Rob Bartlett (Amos), Roz Ryan (Mama), R Bean (Mary Sunshine). 
Cats- UK tour, Wolverhampton 30 March 2013 full show Cast: Joanna Ampil (Grizabella) Katie Warsop (Rumpleteazer) Clare Rickard (Jellylorum) Melissa James (Bombalurina) Lily Fraser (Demeter) Alice Redmond (Jennyanydots) Alicia Beck (Victoria/White Cat) Dawn Williams (Jemima) Nicholas Pound (Old Deutoronomy) Ben Palmer (Munkustrap) Oliver Savile (Rum Tum Tugger) Joseph Poulton (Quazo/Mistoffelees) Paul F Monaghan (Asparagus/Bustopher Jones/Growl Tiger:) Barnaby Thompson (Mungojerrie) Ross Finnie (Skimbleshanks) Jessica Buckby (Cassandra) Lizzi Franklin (Tantomile) Joal Morris (Carbucketty) Richard Astbury (Coricopat) Cameron Ball (Admetus/Macavity) James Darch (Alonzo) and Will Lucas (Bill Bailey).
Cats Broadway: July 2016 VOB (no small)
Cast: Leona Lewis (Grizabella), Tyler Hanes (Rum Tum Tugger), Ricky Ubeda (Mistoffelees), Quentin Earl Darrington (Old Deuteronomy), Eloise Kropp (Jennyanydots), Giuseppe Bausilio (Carbucketty), Jeremy Davis (Skimbleshanks), Kim Faure (Demeter), Sara Jean Ford (Jellylorum), Lili Froehlich (Electra), Daniel Gaymon (Macavity), Shonica Gooden (Rumpleteazer), Christopher Gurr (Gus/Bustopher Jones), Andy Huntington Jones (Munkustrap), Kolton Krouse (Tumblebrutus), Jess Le Protto (Mungojerrie), Georgina Pazcougin (Victoria), Emily Pynenburg (Cassandra), Arianna Rosario (SIllabub), Ahmad Smmons (Alonzo), Christine Cornish Smith (Bombalurina), Corey Snide (Coricopat), Emily Tate (Tantomile), Sharrod Wiliams (Pouncival)
Come Far Away (OBC)
Dear Evan Hansen (Broadway) Cast: Ben Platt, Laura Dreyfuss, Will Roland, Kristolyn Lloyd, Mike Faist, Rachel Bay Jones, Michael Park, Jennifer Laura Thompson (OBC)
Cinderella:  Broadway August 21, 2014  Cast: Paige Faure (Cinderella), Joe Caroll (Prince Topher), Victoria Clark (Crazy Marie/Fairy Godmother), Nancy Opel (Madame), Stephanie Gibson (Gabrielle), Ann Harada (Charlotte), Todd Buonopane (Jean-Michel), Branch Woodman (u/s Lord Pinkleton), Peter Bartlett (Sebastian), Andy Mills (Footman), Michael Callahan (Driver), Jill Abramovitz (Lady of Ridicule) 
Falsettos Broadway: October 28th, 2016 Cast: Christian Borle (Marvin), Andrew Rannells (Whizzer), Stephanie J. Block (Trina), Brandon Uranowitz (Mendel), Anthony Rosenthal (Jason), Tracie Thoms (Charlotte), Betsy Wolfe (Cordelia) 
Follies: Broadway  September 18, 2011
Cast: Bernadette Peters, Jan Maxwell, Danny Burstein, Rod Raines, Elaine Paige, Jayne Houdyshell, Rosalind Elias, Susan Watson, Terri White, Florence Lacey, Mary Beth Peil, Don Correia, Brian Shepard as (u/s) Young Ben, Christian Delcroix, Kirsten Scott, Lora Lee Gayer.
Finding Neverland (OBC)
Wicked Broadway:  Preview October 12th, 2003 Original Broadway Cast
Cast: Idina Menzel (Elphaba), Kristin Chenoweth (Glinda), Norbert Leo Butz (Fiyero), Carole Shelley (Madame Morrible), Joel Grey (The Wizard) Michelle Federer (Nessarose), Christopher Fitzgerald (Boq), William Youmans (Dr. Dillamond)
Wicked Chicago:  July 1, 2005- Cast: Ana Gasteyer (Elphaba), Kate Reinders (Glinda), Kristoffer Cusick (Fiyero), Gene Weygandt (The Wizard), Steven Skybell (Doctor Dillamond), Rondi Reed (Madame Morrible), Heidi Kettenring Nessarose), Telly Leung (Boq)
Wicked (Broadway): January 8, 2006
Cast: Shoshana Bean (Elphaba), Megan Hilty (Glinda), David Ayers (Fiyero), Rue McClanahan (Madame Morrible), Ben Vereen (The Wizard), Michelle Federer (Nessarose), Rob Sapp (Boq), Sean McCourt (Dr. Dillamond).
  notes: Shoshanna's, David's, Rue's and Michelle's last performances. Camera wanders at points due to the master's blind filming.
Wicked (Broadway):  May 28, 2006) (Megan’s Last)
  cast: Eden Espinosa (Elphaba), Megan Hilty (Glinda), David Garrison (The Wizard), Derrick Williams (Fiyero), Carol Kane (Madame Morrible), Jenna Leigh Green (Nessarose), Rob Sapp (Boq), David McCourt (Dr. Dillamond)
   Wicked First National Tour PROSHOT May 2006 - Victoria Matlock (s/b Elphaba), Kendra Kassebaum, Nicolas Dromard (u/s Fiyero), Jennifer Waldman (Nessarose), Alma Cuervo (Morrible), PJ Benjamin (The Wizard)
*Proshot from one camera at the back of the house. Sound is patched in from the soundboard and is incredibly clear. Some washout, but amazing to see the set and choreo like this.
Wicked Broadway: July 17th, 2008 Cast: Kerry Ellis (Elphaba), Kendra Kassebaum (Glinda), David Burnham (Fiyero), Cristy Candler (Nessarose), Ben Liebert (Boq), Lenny Wolpe (The Wizard), Jayne Houdyshell (Madame Morrible), Steven Skybell (Dr. Dillamond) Notes: Kerry’s first on Broadway
Wicked 1st National Tour: March 4, 2007    Baltimore, Maryland
Cast: Victoria Matlock (Elphaba), Christina DeCicco (Glinda), Cliffton Hall (Fiyero), Deedee Magno Hall (Nessarose), Barbara Tirrell (Morrible), P.J. Benjamin (Wizard), Josh Lamon (Boq), Tom Flynn (Dillamond),Paul Slade Smith as Witch’s Father/Frex
Lori Homles as Witch’s Mother/Melena Leslie Becker as Midwife/ Nanny
Wicked Broadway: October 9, 2007 (mp4) Stephanie J. Block (Elphaba), Annaleigh Ashford (Glinda), Sebastian Arcelus (Fiyero), Kathy Santen (Morrible), Lenny Wolpe (Wizard), Logan Lipton (Boq), Cristy Candler (Nessarose), Steven Skybell (Dillamond)
Wicked Broadway: July 17th, 2008 Cast: Kerry Ellis (Elphaba), Kendra Kassebaum (Glinda), David Burnham (Fiyero), Cristy Candler (Nessarose), Ben Liebert (Boq), Lenny Wolpe (The Wizard), Jayne Houdyshell (Madame Morrible), Steven Skybell (Dr. Dillamond) Notes: Kerry’s first on Broadway
Wicked Broadway: February 1, 2015
Cast: Lilli Cooper (s/b Elphaba), Kara Lindsay (Glinda), Jerad Bortz (u/s Fiyero), Brian Munn (u/s The Wizard), Kathy Fitzgerald (Madame Morrible), Catherine Charlebois (Nessarose), Robin De Jesus (Boq).
Wicked: Singapore April 22nd, 2012
Cast-  Zoe Jarrett (understudy Elphaba), Suzie Mathers (Glinda), David Harris (Fiyero), Anne Wood (Madame Morrible), Elisa Colla (Nessarose), James D Smith (Boq), Glen Hogstrom (u/s The Wizard)
Wicked Korea (Date: November 2013 )
Cast: Oak Joo Hyun (Elphaba), Jeong Sun Ah (Glinda), Lee Ji Hoon (Fiyero), Nam Kyoung Joo (The Wizard), Cho Jung Keun (Doctor Dillamond), Kim Young Joo (Madame Morrible), Lee Yea Eun (Nessarose), Kim Dong Hyun (Boq) 
Wicked First National Tour: February 24th, 2013
Cast: Dee Roscioli (Elphaba), Cassie Okenka (u/s Glinda), Cliffton Hall (Fiyero), Tom McGowan (The Wizard), Kim Zimmer (Madame Morrible), Demeree Hill (Nessarose), Justin Brill (Boq), Clifton Davis (Dillamond) 
Wicked  2nd National Tour (Madison, WI): May 28, 2013    Cast: Jennifer DiNoia (Elphaba), Hayley Podschun (Glinda), David Nathan Perlow (Fiyero), Walker Jones (The Wizard), Gina Ferrall (Madame Morrible), Zarah Mahler (Nessarose), Michael Wartella (Boq), Jay Russell (Doctor Dillamond).
  An absolutely beautiful HD capture with no obstructions. Jennifer is wonderful as Elphaba.
Wicked West End:  25th October 2014 Evening | Cast Change Kerry Ellis (Elphaba), Savannah Stevenson (Glinda)  *Final performance of Kerry Ellis, Sue Kelvin, Paul Clarkson and many ensemble members.
Wicked  West End: October 27th, 2014 Cast: Jennifer DiNoia (Elphaba), Savannah Stevenson (G(a)linda) Jeremy Taylor (Fiyero), Liza Sadovy (Madame Morrible), Martyn Ellis (The Wizard), Katie Rowley-Jones (Nessarose), Sam Lupton (Boq), Philip Childs (Dr. Dillamond)
Wicked Mexico: November 18th 2014
Cast: Ana Cecilia Anzaldúa, Crisanta Gómez (s/b), Jorge Lau, Anahí Allué, Paco Morales, Adam Sadwing, Beto Torres. Notes: Highlights include "No One Mourns the Wicked", "Dear Old Shiz", the Room Assignment scene from Let Her GO! to "What Is This Feeling?", "Popular", "Defying Gravity", "Thank Goodness", "No Good Deed" and "For Good". 
Wicked  2nd National Tour: 10/29/15 Cast: Mary Kate Morrissey (s/b Elphaba), Carrie St. Louis (Glinda), Jake Boyd (Fiyero), Liana Hunt (Nessarose), Wendy Worthington (Madame Morrible), Stuart Zagnit (The Wizard). Lee Slobotikin (Boq), Chad Jennings (Dr. Dillamond)
Wicked 2nd National Tour: November 6th, 2017
Cast: Jessica Vosk (Elphaba), Allison Bailey (u/s Glinda), Jeremy Woodard (Fiyero), Kristen Martin (Nessarose), Sam Sefarian (Boq), Chad Jennings (Doctor Dillamond), Stuart Zagnit (The Wizard), Wendy Worthington (Madame Morrible). 
Wicked 2nd National Tour September 24th, 2017 Cincinnati, Ohio  Jessica Vosk (Elphaba), Ginna Claire Mason (Glinda), Jon Robert Hall (Fiyero), Isabel Keating (Madame Morrible), Tom McGowan (The Wizard), Sam Seferian (Boq), Catherine Charlebois (Nessarose), Harry Bouvy (Dr. Dillamond)​ Notes: Jessica Vosk's final show.
Wicked Broadway:  June 21, 2016  
Cast: Rachel Tucker (Elphaba), Ginna Claire Mason (s/b Glinda), Jonah Platt (Fiyero), Peter Scolari (The Wizard), Judy Kaye (Madame Morrible), Dawn Cantwell (Nessarose), Zachary Noah Piser (Boq), Michael Genet (Doctor Dillamond).
Wicked San Francisco: September 5, 2010 (Last Show)
Marcie Dodd (Elphaba) Alli Mauzey (Glinda) Clifton C. Hall (Fiyero) Jody Gelb (Madame Morrible) Tom McGowan (The Wizard) DeeDee Magno Hall (Nessarose) Etai Benshlomo (Boq)
Wicked 1st National Tour: December 12, 2007; St. Louis, MO. Carmen Cusack  (Elphaba), Katie Rose Clarke (Glinda), Cliffton Hall (Fiyero), Alma Cuervo (Madame Morrible), Lee Wilkof (The Wizard), Deedee Magno Hall (Nessarose), Brad Weinstock (Boq), Tom Flynn (Dr. Dillamond)
Wicked UK/International Tour April 15th, 2017 Jodie Steele (alt. Elphaba), Carly Anderson (Glinda), Bradley Jaden (Fiyero), Kim Ismay (Mme. Morrible), Steven Pinder (Dr. Dillamond/Wizard), Emily Shaw (Nessarose), Iddon Jones (Boq) 
Wicked: Broadway August 11th, 2017
Cast: Jackie Burns (Elphaba), Amanda Jane Cooper (Glinda), Rondi Reed (Madame Morrible), PJ Benjamin (The Wizard), Ashley Parker Angel (Fiyero), Kristen Martin (Nessarose), Jye Frasca (Boq) Notes: Excellent HD capture of Jackie's return to the role, captured from the Orchestra.
Waitress (Broadway) − June 14, 2016: Jessie Mueller (Jenna), Keala Settle (Becky), Kimiko Glenn (Dawn), Drew Gehling (Dr Pomatter), Nick Cordero (Earl), Dakin Matthews (Joe), Eric Anderson (Cal), Christopher Fitzgerald (Ogie) (OBC)
Waitress ( Broadway) April, 2017 Cast: Sara Bareilles, Charity Angel Dawson, Molly Jobe as (u/s) Dawn, Chris Diamantopoulos, Will Swenson, Dakin Matthews, Eric Anderson, Christopher Fitzgerald 
El Hombre de La Mancha: Santiago, Chile Teatro Munipal:: 1974
Cast: Frankie Bravo, Jose del Campo, Omar Galarcé, Fernando Gallardo, Mary Hernandez, José Maria Langlais, Valentina Martinez, Alicia Quiroga, Carlos Trujillo
El Hombre de La Mancha: Madrid, Teatro Lope de Vega de Madrid
Cast: David V Muro (Cervantes / Quixote) The rest of the cast is unknown
Legally Blonde: Broadway (MTV Filmed) September 9th, 2007
Cast-Laura Bell Bundy, Christian Borle, Orfeh, Michael Rupert, Kate Shindle, Nikki Snelson, Richard H. Blake
Mary Poppins- US tour February 15 2013 Full Show Cast: Con O'Shea-Creal (Bert), Madeline Trumble (Mary Poppins), Madison Ann Mullahey (Jane Banks), Eli Tokash (Michael Banks), Chris K. Hoch (George Banks), Kerry Conte (Winifred Banks)
Man of La Mancha - Cast: Joan Diener as Aldonza (Dulcinea); Richard Kiley as Don Quixote (Cervantes); Dianne Barton as Antonia; Lee Bergere as Dr. Carrasco; Renato Cibelli as Captain of the Inquisition; Jack Dabdoub as The Innkeeper; Edmond Verrato as Sancho Panza (U/S); Eleanore Knapp as The Housekeeper; Robert Rounseville as The Padre; Ted Forlow as The Barber/The Horse (U/S); John Aristides as Juan; Robert Cromwell as Guard/Man of The Inquisition; Fernando Grahal as Tenorio/Dancing Horse; Laura Kenyon as Fermina; Jeff Killion as Man of The Inquisition/Guard; Hector Mercado as Dancing Horse/Jose; Rita Metzger as Maria; Shev Rodgers as The Horse/Pedro; Bill Stanton as Paco; David Wasson as Man of The Inquisition/Guard. 
Natasha, Pierre and The Great Comet of 1812 (Broadway) − October 29, 2016: Josh Groban, Denee Benton, Brittain Ashford, Nicholas Belton, Lucas Steele, Gelsey Bell, Nick Choksi, Amber Gray
Hamilton Broadway August 13th, 2016 - Javier Munoz (Alexander Hamilton), Lexi Lawson (Eliza Hamilton), Sydney James Harcourt (u/s Aaron Burr), Renee Elise Goldsberry ( Angelica Schuyler), Christopher Jackson (George Washington), Andrew Chappelle (u/s Marquis de Lafayette/Thomas Jefferson), Ephraim Sykes (u/s Hercules Mulligan/James Madison), Anthony Ramos (John Laurens/Philip Hamilton), Jasmine Cephas Jones (Peggy Schuyler/Maria Reynolds), Rory O’Malley (King George), Roddy Kennedy (u/s Philip Schuyler/James Reynolds/Doctor), Thayne Jasperson (Samuel Seabury), Neil Haskell (Charles Lee), David Guzman (u/s George Eacker), Ensemble: Carleigh Bettiol, Hope Easterbrook, Karla Puno Garcia, Gregory Haney, Sasha Hollinger, Seth Stewart, Kamille Upshaw​
Harry Potter and the Cursed Child: April 1st, 2017
Heathers- Concert reading at Joe's Pub - September 14 2010
Annaleigh Ashford (Veronica), Jeremy Jordan (Jason Dean), Jenna Leigh Green (Heather Chandler), Corri English (Heather McNamara), Christine Lakin (Heather Duke), James Snyder (Kurt), PJ Griffith (Ram), Julie Garnye (Martha)
Heather Off Broadway- Cast:  Dan Domenech as JD, Barrett Wilbert Weed as Veronica, and Charissa Hogeland as Heather Chandler
Phantom of the Opera: Broadway (June 21, 2016): James Barbour (Phantom), Ali Ewoldt (Christine), Jordan Donica (Raoul), Michele McConnell (Carlotta), Richard Poole (u/s Monsieur Andre), Craig Bennett (Monsieur Firmin), Rebecca Eichenberger (Madame Giry), Kara Klein (Meg), John Easterlin (Ubaldo Piangi) 
Spongebob the Musical: Chicago  (Try-Out)
Wants: Anything with Wicked, Cats México or Argentina, Dear Evan Hansen, Waitress, Heathers, The Wizard of Oz, and anything I don’t have!
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FINISHING LINE PRESS FEATURED AUTHOR OF THE DAY:
Angela (Angie) C. Trudell Vasquez is a poet, writer, performer, and activist. A third and second generation Mexican American from Iowa, she earned a BA from Drake University, where she was awarded a Ruth Lilly fellowship. She earned her MFA in creative writing in poetry from the Institute of American Indian Arts (IAIA), where she studied with Sherwin Bitsui, Joan Kane, and Santee Frazier. She is the author of the poetry chapbook In Light, Always Light (Finishing Line Press, forthcoming 2019). Her poems have appeared in Taos Journal of Poetry, Yellow Medicine Review, RavenChronicles, The Rumpus, Return to the Gathering Place of the Waters, and Cloudthroat.
Vasquez received a Voices Award from Planned Parenthood for poetry she performed at their 2013 Roe V. Wade celebration event in Madison, Wisconsin. In 2016 she took the youth poetry workshop she developed for the ACLU of Wisconsin to the Split This Rock festival. In 2003 she was a featured poet and performer at Bumbershoot, Seattle’s annual music and art festival. From 2009 to 2011 she was the featured poet for the Latina Monologues in Milwaukee, Wisconsin. She lives, writes and performs in Madison, Wisconsin.
ADVANCE PRAISE FOR
In Light, Always Light, NWVS #145
by Angela Trudell Vasquez
$14.99, paper
The poems of In Light, Always Light afford space for the lyric to clarify and delineate the self “… through the ravine to the seam / the V peak of the hills / where dappled light spills / between rocks and discarded beer cans.” Here Angela Vasquez presents poems that struggle to contend with family history, a history of diaspora and relation, of assertion and insistence that the reader and the poet must bring to bear the imperative of “yes, yes fight back.” The poems travel, as we do, to observe the poet in the eternal dimension where one must write, and read — “Let me sit in sadness for a spell. / I need to write this out.”
–Joan Naviyuk Kane, 2018 Guggenheim Fellow
The poems in Angie Trudell Vasquez’s In Light, Always Light honor the illuminating power of poetry, but they also speak eloquently of racial injustice and the dark “inherited grief” that is its offspring. These are poems of history, endurance, and remembrance. They vividly story the strength and survival of migrant ancestors “who built railroads / with broken backs” or shared “mole recipes on parchment.” In those relatives “passed. . .to vases of bone and ash,” Vasquez recognizes the fleeting quality of human reality. Like our forebears, we are mere “half blinks of history,” “we are magic dying.” But in this volume, Vasquez offer her ancestors colorful and enduring literary lives. “Poets,” she writes, “resist the death of a people” and “beyond death, art speaks.”
–Kimberly Blaeser, author of Apprenticed to Justice, Wisconsin Poet Laureate 2015-2016
RESERVE YOUR COPY TODAY
PREORDER SHIPS May 3, 2019
https://www.finishinglinepress.com/product/in-light-always-light-by-angela-trudell-vasquez-nwvs-145/ #poetry #chapbook
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