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ldomic05 · 1 year

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WEEK 7: DIGITAL CITIZENSHIP & HEALTH EDUCATION

Just like there are rules and margins on people real life, these relationships exist on the internet as well. The rise of social media has gifted everybody with the power to create and distribute content, and has shifted the drivers of discourse from companies to ordinary individuals like you and me.

It should be noted however that dream of becoming an influencer sentinel is not as glamorous as advertised. Just like there are rules within ordinary industries, the careers of influencers online are also overruled by social hierarchies including “gender, sexuality, race, and class” (Duffy, B & Meisner, C 2023 pg. 289). As more and more users become content creators, a certain “govern influence” is enforced through a “instantiation of norms and platform practices” (Duguay, S et al 2020, pg. 239). Becoming a content creator is often not as lucrative as advertised from platforms such as Instagram and TikTok, within an online influencer market marred by “inequality, exploitation and a pervasive culture of overwork” (Duffy, B & Meisner, C 2023, pg.300).

While social media has in some ways liberated us, in other ways its imprisoned us with expectations of how we should look and act. Another way that the social media economy sets the rules on the viability of content creators is through the discourse of sexually implicated images on the internet. Much of this dynamic is reflected within the style of the ‘porn chic’, which channels the practices of commercial pornography (Drenten, J et al 2018, pg. 42). This style is often utilized by influencers to sell products as part of an effort to champion an “idealized body” and promote “habitual body monitoring, body shame and internalization of the thin ideal” (Drenten, J et al 2018, pg. 54). However, this trend can also be attributed to an avenue where females are able to collectively rebel against a media climate largely dominated driven by men, where the power of social media to manipulates one’s own self-image and representation has been seen as a “potential tool for women’s empowerment” (Carah, N & Dobson, A 2016, pg. 3).

Carah, N & Dobson, A 2016, ‘Algorithmic Hotness: Young Women’s ‘Promotion’ and ‘Reconnaissance’ Work via Social Media Body Images’, Social Media + Society, vol. 2, no.4

Drenten, J, Gurrieri, L & Tyler, M 2019, ‘Sexualized labour in digital culture: Instagram influencers, porn chic and the monetization of attention’, Gender, Work & Organization, vol.27 no.1

Duffy, B.E. and Meisner, C 2022, ‘Platform governance at the margins: Social media creators’ experiences with algorithmic (in)visibility’, Media, Culture & Society

Duguay, S, Burgess, J & Suzor, N 2018, ‘Queer women’s experiences of patchwork platform governance on Tinder, Instagram, and Vine’, Convergence: The International Journal of Research into New Media Technologies

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coredrill · 4 years

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Champions Founding Members in Champions (2020) #1

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sailorspazz · 3 years

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10 Dance Vol. 6 Special Edition overview

Volume 6 of the 10 Dance manga was released in Japan on March 18th, 2021. As with volumes 4 and 5, there are both regular and special editions available. In this post, I will provide an overview of the release, including observations on changes that were made to the chapters compared to how they were printed in the magazine, plus summaries and select scans of content from the special edition booklet.

It is often the case that when chapters come out in the manga magazines, they aren't always fully polished, and since I became highly familiar with this run of chapters from the summaries I made, several things immediately jumped out at me as I went through the book. First of all, though chapter 29 was split into two parts and released in subsequent months in the magazine, these two halves were combined into one chapter, with no indication they had ever been separate. I assume that they were always intended to be one chapter, but since the full chapter was not completed before the deadline (and it was a month when 10 Dance was being given the cover image, so not possible to delay its release), it was simply split over two months instead.

For visual changes, the most common alteration was scenes that originally had little or no screentone having it added in:

There were also some instances of either slight panel redraws, or complete replacements with new panels. None of these were from particularly important scenes, so it could just be Inouesatoh or someone on her team didn't like the look of the original panels and wanted to change them. The following example has a bit of both, with Suzuki in the upper left corner being replaced, and his eyes being redrawn in the lower panel:

Personally, the most amusing addition I noticed was when Max was thinking about throwing a party. Originally, we didn't see what he was envisioning, but in the volume, an addition has been made in the background: the New Year's piece Inouesatoh drew with sexy men dressed as cows, except now they're bunnies!

As for dialogue, it appeared to be almost the same in both versions throughout. Some minor exceptions include a spot I found where the dialogue was put in a different order, swapping Sugiki’s lines between this panel and his first line on the following page (in addition to another altered panel example):

As well as in this shot of Suzuki describing how they tug at the thread that connects them through their dance. Whereas before it put the word “dance” next to the part about tugging on the thread to specify what was meant by that, it was deleted in the volume. And while it was originally described as “affirming that we’re connected”, this was also tweaked a bit to be, “affirming our connection”.

There were a couple instances of character names being different from when they appeared earlier in the story. In this volume, two characters who were last mentioned back in volume 2 (Lucas Calvo, one of the champions at the table in Blackpool, and Deeks, who Ernie said hated Sugiki because he "stole" his girlfriend), either from typos or intentional changes, weren't the same as before. Lucas' last name was written with a 'g' sound (ガルボ) instead of a 'c' (カルボ), and this change carried over to the volume. On the other hand, Deeks' (ディクス) name got transposed as Disc (ディスク) in the magazine, but was fixed in the volume.

There was a typo that unfortunately made it through to the volume (but could perhaps be fixed in future printings). In chapter 34, when Norman is testing Suzuki's skills, he flashes back to Sugiki taking the national title from him several years earlier. The text in this scene, written in English, incorrectly states that Suzuki won the championship, rather than Sugiki.

The volume also includes the usual additions that are not present in the magazine, such as the under the cover flap comic, and Inouesatoh’s notes about each chapter.

The cover flap comic (which looks very much like a sketch, compared to previous ones that have had more complete art), features the Shinyas during a practice session earlier on in the series in December, where Suzuki complains that Sugiki’s Latin just isn’t sexy. Sugiki suggests that he can practice being sexy by wiggling his butt around to write a message in the air. Suzuki worries that if he starts writing out “love” or something, he’ll have to run away and escape. Sugiki gets started, and Suzuki calls out each letter that he can make out from his elegant butt bouncing. After figuring out he’s written “M-E-R-R-Y”, Suzuki guesses that he’s writing “Merry Christmas”. Sugiki gets mad that he said it aloud before he finished writing his message, and says he’s going to leave. Suzuki says, “Wait, I love you,” as narrative text says that this somehow turned into a love story in one panel.

And here are some tidbits I found interesting/amusing from the chapter notes:

She thinks readers who are fans of pecs will like Saichi.

She’s not sure if readers will love Max or hate him, but she personally likes him (sorry Sensei, I kinda hate him lol)

As of chapter 32, a portion of the art is now done digitally.

The epic “last dance” scene from 33 was something that she had planned since the beginning of the series, and it ended up being 8 times the cost for a typical chapter.

Special edition booklet:

The special edition comes with a 48 page hardcover booklet that includes a variety of different extras, divided into 8 sections called “heats”.

Heat 1 is a newly drawn, 12 page parody manga. Back in September 2020, Inouesatoh put out a request on Twitter for fans to send in their suggestions for an erotic side story. Putting the characters in a high school setting was the most requested scenario, so she chose this idea as the basis for the story. The title is “And All That Jazz” (the premise makes this somewhat confusing to summarize, so keep in mind that I’ll mostly be describing their actions based on the soul rather than the body, but will use quotation marks if it’s about other characters and who they think they’re addressing. It’ll all make sense, I promise...I think :P)

(The title page actually depicts the ending of the story, so I’ll come back to it later). It starts with Suzuki narrating his introduction, saying that he’s a transfer student to the Standard Academy. He really doesn’t get along with a guy named Sugiki, but for some reason, the two have now switched bodies with each other. Sugiki opens his shirt and inspects his new physique in front of other students, as Suzuki yells out asking what the hell he’s doing to his body. They look at themselves wearing each other’s expressions, Sugiki seeming surprised his mouth can gape open like that, and Suzuki wondering what happened to his body’s facial expression muscles. The bell rings and Sugiki heads off to class, as Suzuki is baffled that he can act so calm about this.

Sugiki perfectly reads a passage aloud in English class, something everyone (including the teacher, who looks like Norman) find unusual coming from “Suzuki”, as they wonder where his usual hearts are. Suzuki makes the decision to enjoy living as Sugiki for a bit, and is shown getting flirty with several girls. He notes that the more serious personality in his regular body is also strangely popular, though with a very different crowd.

A student named Alberko (Alberto in a girl’s uniform) shows up and says that “Sugiki” was supposed to have lunch with her(?) today. Suzuki says that he thought Alberko was going out with Dorou (a masculine alteration to Dolores’ name). Ernie and Suzuki watch as his harem falls apart with Alberko running amok. Ernie comments that both “Sugiki” and that transfer student have been acting weird all week, and he asks if something happened. Suzuki internally reflects back to one week earlier, when he was relaxing in bed in the infirmary. Sugiki comes in and accuses him of skipping class, and Suzuki tells him to mind his own business. He thought this would turn into one of their usual fights, but he can’t believe that actually happened instead...

After school, Sugiki asks Suzuki if they can go home together today. As they’re walking, Suzuki asks if Sugiki realizes what it was that made them switch places, and Sugiki says he does. Suzuki says that in that case, they know how they need to fix it, and they should go over to his house. Sugiki asks for clarification of whose house exactly he means by that.

As they start to get undressed, Suzuki says that he always thought his mom and sisters were annoying, but after a week apart he really misses them. Sugiki promises that he’ll make sure he can see them soon. Suzuki claims that he’ll be the one making Sugiki come, and Sugiki asks how he can talk like that when he was the one who looked like he was about to cry when Sugiki first touched him in the infirmary.

Sugiki peeks into Suzuki’s pants and wonders if he won’t get hard unless he touches him. Suzuki thinks it’d be weirder if he could get hard while looking at his own face, and wonders if Sugiki has AI in his crotch or something (Sugiki contends that it’s not his body). They fool around with each other until they finish, and Suzuki wonders why they didn’t change back yet. Sugiki suggests that maybe it needs to be just like the last time to count as a complete set, when they went at it until they fell off the bed, so both agree that they need to go for one more round. This then ties back to the title page, where they’ve finally managed to get back into their old bodies, but have now sprouted cat ears and tails.

Heat 2 of the booklet is 8 pages long, and contains short comics and illustrations that were not previously included in the volume releases. The comics include “How to 10 Dance”, a one-page comic with the Shinyas demonstrating the tango. Their privates end up touching, and Sugiki seems highly amused, gleefully asking Suzuki how it feels. Suzuki says that he was the one who got all bent out of shape over that back in volume 1, and tells him to lay off the sadist mode since they’re not dancing Latin right now. The second comic is “2nd Step”, and shows a glimpse of how the Shinyas were with each other after Suzuki gave the go-ahead for kissing. In fact, Sugiki ends up kissing him so much that Suzuki’s lips get sore and swollen. Sugiki then tries to kiss his neck as an alternative, but Suzuki’s not having it. The third comic depicts Suzuki’s first time in a public bath, where he realizes that Japanese people aren’t fully shaved everywhere like he is. Some of the old guys talk to him and slap their balls with their towels, and Suzuki, seeming a bit confused, gives his own balls a slap, too. After the comics are a selection of illustrations that were never used in the volumes, including this one from a Real 10 Dance event in 2018:

Heat 3 is 18 pages, and contains a variety of colored versions of both chapter covers and scenes from the manga, a couple of which I’ll share below:

Heat 4 includes 3 pages of insight from the professional dancers who consult for the manga, in which they explain the moves shown in specific panels.

Heat 5 is a single page look at Inouesatoh’s work space.

Heat 6 is 3 pages worth of advertisements that have been used to promote the series, including things like ads that were posted in subway stations:

Heat 7 is a single page look at the storyboard for chapter 1 of the manga.

Heat 8 is a single page showing the covers for foreign editions of the manga (Taiwanese, Korean, North American, and French).

Finally, there’s one last page with a thank you message from Inouesatoh, including an absolutely precious illustration of the Shinyas in happier times.

And that’s that! This really is an incredible release, and I’d definitely recommend picking up the special edition if you can. CD Japan offers direct international shipping, and I’ve also seen that Kinokuniya lists it as “available to order” currently (though they don’t appear to have stock on hand, so might take longer).

#10 dance #10dance

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zoe-dinh · 3 years

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Shameless Media: A Start-up's Guide To Digital Stakeholder Engagement

OVERVIEW

Today’s businesses exist in a world where everything is rapidly changing. How organisations communicate with stakeholders, and vice versa, have been transformed by the digital age.

Not only are stakeholders powerful and tech-savvy, thanks to digital media, they now also have direct contact with companies and organisations 24/7 (Ozer 2020).

Companies therefore are much more accountable for their conduct and value (Tench & Yeomans 2017). This can either play to their advantage, or hinder it in a critical way.

As such, businesses need to foster relationships with stakeholders by leveraging the power of digital media. The goal is to have a community of people who support the organisation, who resonates with the brand’s value and message.

An example of modern organisations championing this is Shameless Media. Utilising digital media, Shameless engages with their stakeholders through strategic branding and content marketing.

How can we capture people’s hearts and minds in an attention economy? Let’s learn from this millennial start-up.

CASE STUDY: SHAMELESS MEDIA

Profile

Shameless Media (SM) is a millennial gen Z’s destination for all things digital content. Operated in Melbourne by a team of five young women, the company was founded in 2019 by writers Zara McDonald and Michelle Andrews.

Although relatively young, the podcast venture has accumulated a consumer base of over 20 million listeners, plus a growing community of 220,000+ followers across Facebook, Instagram and LinkedIn. SM also recently created a brand-new agency for content creators and influencers, The Sana Agency.

Stakeholders

Since its inception, the podcast has not had a single episode that has not been sponsored (Forbes 2021). More notably, Shameless listenership is overwhelmingly 94.7% women in their 20s (Gillezeau 2021).

SM's key stakeholder groups thus include:

1. Consumers: audiences, readers, listeners; and

2. Sponsors: collaborators, business partners.

Current digital operations

PLATFORMS

1. Podcast

At first glance: Eye-catching cover. Good tag line (“The pop culture podcast for smart people who love dumb stuff”). Almost always seen in the Top Charts.

My thoughts: I was surprised to discover how new the podcast is. Its popularity, large growing number of listeners and content quality make Shameless seem a lot more established.

Open and honest, the hosts are not afraid to let audience knows where they stand on critical issues (feminism, politics, climate change etc.). New episodes are regularly scheduled which is good for audience retention.

As a consumer, I am drawn to the show/company for their seeming authenticity and relatability. Not to mention the well-balanced research that allows audience to form their own opinions without being spoon-fed. 10/10 recommend.

2. Website

At first glance: Layout is easy to look at. Visually appealing. All relevant info seems to be there.

My thoughts: Nice design, but not as much interactivity as I would have liked. When I tried looking for more information on the founders and organisation, something like an About Us section for example, there was none. Neither was there any resource or material on the business side of things (annual reports or data analytics or anything of the sorts).

One may excuse this considering the age of the organisation. However, I believe SM might benefit from a website update or revamp. It will certainly be helpful for those like me who are curious, who do research on the firm and would therefore like more access to information.

3. Instagram

At first glance: Quite large following. Relatively high audience engagement. Content layout not my personal taste, but appealing overall.

My thoughts: Shameless has great social media presence, especially on Instagram. The company made good efforts in interacting with followers. There are the ‘Your say Fridays’, polls and Q&A every other day on Stories. Users regularly comment on posts (memes, podcast updates & announcement), and many get replies from admin.

Overall, Shameless is doing very well with social media engagement and audience interactions.

4. Facebook

At first glance: Not much to see/do as this is a private group. Nice cover image though.

My thoughts: Large community of readers of nearly 34,000 members. The group has been active since 2019. While discussion threads cannot be publicly viewed, those interested in the content can find related episodes on the Shameless podcast.

Over on Instagram, there are links in bio to the book-selling site for each month’s pick. Makes me wonder whether or not these are affiliate links.

5. LinkedIn

At first glance: Small-to-medium sized following. Appealing visuals, though not too much information.

My thoughts: I have seen the Shameless LinkedIn profile before, but has only started following them recently. The account is not too active, the latest post was from a few months ago. Perhaps this is because the content that circulates on LinkedIn often revolves around business culture, not the usual focus by SM. Most of the posts thus far are general announcement and job openings.

In the future, SM might be benefit from a more active LinkedIn page, so as to not only attract new audience and potential talents, but also to establish their presence more firmly among competitors in the corporate world.

DIGITAL STAKEHOLDER ENGAGEMENT

The corporate brand is constantly being co-created by organisation with their stakeholders. Dialogical communication is said to enhance this along with corporate reputation (Gundolf et al. 2018; Ozer 2020; Rosenberg & Seager 2017).

In reality, what might this look like?

From tactics to dialogic communication in digital media, let’s look at how SM has been engaging with stakeholders.

Dialogical communication in digital media

Tactics

Potential areas of improvement

Lack of strategy

Upscaling the business

Other types of content, especially video

CONCLUSION

So far, leveraging social media has helped Shameless achieve their goal and stay true to their brand. “Win their niche, core audience, nurture specific community of mostly young working women” (Gillezeau 2021).

The company’s success is in no small way thanks to the relationship they have with their audience. SM has intimate understandings of what the audience wants, and are able to deliver it.

This is in large part due to the founders being in the same demographics as their audience. As McDonald put it, “[W]e wanted to tap into a younger demographic that we thought were generally being ignored by mainstream media” (Forbes 2021), which explains the company slogan.

“We make content for ourselves, our mates, and you”.

Branding and content wise, SM is doing a good job capitalising on the trends, particularly with interactive content, content marketing, and online content communities (Clark-Keane 2021; Thomson 2019).

Yet, it is also important to note the fortunate position SM finds themselves in. As a millennial start-up, they are already advantaged by having skills in digital media and technologies.

Nonetheless, through forces of strategic digital communication, Shameless Media has been successfully engaging with their stakeholders through a combination of clever branding and content marketing.

---

REFERENCES

Clark-Keane, C. 2021, ‘7 Content Marketing Trends to Watch in 2021’, Wordstream, https://www.wordstream.com/blog/ws/2020/11/23/content-marketing-trends

Forbes, T. 2021, ‘How I Do It: Shameless Media’s Zara McDonald and Michelle Andrews on building their empire’, Fashion Journal, https://fashionjournal.com.au/life/how-i-do-it-shameless-media/

Gillezeau, N. 2021, ‘Shameless Media: The podcast start-up that’s rejecting big offers’, Australian Financial Review, https://www.afr.com/companies/media-and-marketing/how-they-built-it-shameless-media-20210330-p57fbu

Gundolf, K., Jaouen, A. & Gast, J. 2018, ‘Motives for strategic alliances in cultural and creative industries’, Creative Innovation Management, vol. 27, pp. 148-160, DOI: 10.1111/caim.12255

Johnston, J. & Rowney, K. 2019, ‘Social networks’, Media Strategies: Managing Content, Platforms and Relationships, Taylor & Francis, Sydney, pp. 75-103.

Kim, K. 2021, ‘How to make sure you’re marketing to Gen Z the right way’, Sprout Social, https://sproutsocial.com/insights/marketing-to-gen-z/

Ozer, D. 2020, ‘Organisations’ use of social media from the perspective of dialogical communications and marketing-oriented public relations’, In B.O. Aydin, S. Gurbuz & O, Dugan (eds.), Public Relations in the Networked Publics, Peter Lang, Frankfurt, pp. 211-235.

Rosenberg, M. & Seager, P. H. 2017, ‘The Big Picture: Four Trend that Change Everything’, Managing Media Businesses, Retrieved from ProQuest EBook Central, DOI 10.1007/978-3-319-52021-6_1

Smart Insights 2020, ‘7 ways to reach and influence millennials using social media marketing’, https://www.smartinsights.com/social-media-marketing/social-media-strategy/7-ways-to-reach-millennials-through-social-media-marketing/

Tench, R. & Yeomans, L. 2017, ‘Exploring Public Relations’, Global Strategic Communication, Pearson Education, Harlow, Available from: ProQuest EBook Central (14 August 2021).

Thomson, C. 2019, ‘Top Marketing Trends For 2020’, Forbes, https://www.forbes.com/sites/forbesagencycouncil/2019/10/03/top-marketing-trends-for-2020/#6889ba113d5d

-END-

#shameless media #digital stakeholder #engagement #RMIT #participatory media #strategic communication

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in-a-cave-with · 4 years

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can you make a list of every mavel comic you've ever read (good and bad) i just finished iron man (1998) and i thoroughly loved it with all its best and weird bits

GOOD™

iron man stuff:

tales of suspense (1963) – a classic. 100/10. would read several times

iron man vol 1 (1968) – i’m on, like, issue 20 out of 300 something but it’s also very very good! the drama..the action……..wig

iron man vol 3 (1998) – obv i know youve read this one anon but for anyone out there starting comics this one’s SUPER good, and also Love Is Stored In The Tonyru

iron man vol 4 (2005) – listen this comic. so great, so iconic. maya hansen! epic fights! director stark! good art except for, like, the 6 issues of execute program but execute program is such a good story arc that you wont even notice!

iron man noir (2010) – INDIANA JONES AU TONY STARK, LITERALLY THE BEST CONCEPT MARVEL’S COME UP WITH. PEAK COMICS IRONFAM

iron man legacy (2010) – i enjoyed this one a lot! i’m kind of confused as to, like, what’s going on but it’s fun

iron man season one (2013) – ok so this is, like, a modern remake of tony’s origin story and it’s..kind of average imo but thats ok! bc you can just look at the very very pretty pictures

iron man fatal frontier (2013) – tony becomes governor of the moon and fights doom! also he takes down an ai with weaponized fanfiction somewhere in there. read this one with a .cbr reader

invincible iron man vol 2 (2015) – gonna maybe fuck around and rec bendis’ entire iron man run bc . the art is gorgeous and the story isn’t the strongest but tony’s characterization is v good

international iron man (2016) – ok i dont remember what happens in this one but alex maleev’s art is literally god

invincible iron man vol 3 (2016) – RIRI WILLIAMS!!!! AND ALSO AI TONY STARK (MY SON MY BOY WHOM I LOVE)!!!!

other stuff:

new avengers vol 1 (2005) – as i have said before. new avengers GOT the sauce. stevetony and caroljess on one team was too powerful so marvel had to break em up with civil war . also stop reading this comic when you get to civil war

civil war: casualties of war (2007) and civil war: the confession (2007) – these are both oneshot comics and also the Only Civil War Content You Need To Subject Yourself To

spider-man noir (2010) – a break from the avengers stuff to tell you that this comic is very brutal and also very good

secret invasion (2010) – ok avengers emh did it better™ but this is still very neat! also it’s pretty trippy so its got that going for it too

siege (2010) – i dont understand what’s going on but the art is very good. also the avengers get to beat up norman osborn’s bitch ass

avengers prime (2011) – apparently this is the “stevetony bible” and …honestly there isn’t anything i can say in objection to that

avengers vol 4 (2010) – this comic is SUPER fun. after the fear itself tie ins the art and story get pretty eugh though so be careful

fear itself (2012) – BEST BEST BEST!!! my favorite crossover event in comics, with cool art and a badass storyline

captain marvel vol 4 (2012) – can we get a yeehaw for CAROL DANVERS . hell yeah. this is her first run with the name captain marvel and it’s Very Good

avengers: the enemy within (2014) – captain marvel vol 4 ends on a cliffhanger and the storyline’s capped off here

avengers vol 5 (2013) – ok so *clown noises* i haven’t exactly finished it but…this is the One Was Life The Other Was Death comic and it’s super good from what ive read so far

hawkeye (2013) – matt fraction’s run! everyone and their dog wants you to read it and you absolutely should if you have not. not too sure abt the volume numbering but heres a link to download in TPBs, it’s volumes 1-4

captain marvel vol 5 (2014) – this is the volume featuring chewie (!!) and carol in outer space with the guardians of the galaxy (!!!). super fun in general, would read again

ms marvel (2014) – again i am VERY confused as to what the official issue/volume numbering is, but here’s a list of TPBs that collect pretty much every kamala khan comic pre 2019 (im gonna rec all of them bc kamala is a treasure)

doctor strange vol 3 (2015) – literally everything i want from a comic tbh, also chris bachalo’s art is amazing

marvel 1872 (2015) – no one actually calls this Stevetony Bible 2 but lbr it’s basically Stevetony Bible 2

all-new all-different avengers (2015) – BEST AVENGERS TEAM EVER. EVER. PLEASE BENDIS WHY DID YOU BREAK THIS TEAM UP IM SAD

the unbelievable gwenpool (2016) – oh god oh fuck it’s miss GWEN POOLE . this comic is super funny and also surprisingly heartfelt, plus the art is . mmm.

champions (2016) – the gen z superhero team, i love all of them so much. i can almost forgive marvel for ending anad avengers

hunt for wolverine: adamantium agenda (2018) – so this is, after 11 goddamn years, closure for the first civil war regarding tony and the new avengers that sided with steve. amazing.

the life of captain marvel (2018) – the carol origin retcon is…eh. but it’s still very good! think of it as carol’s international iron man

avengers: back to basics (2018) – kamala goes back in time and accidentally reveals tony’s secret identity and it’s the funniest fucking thing

captain marvel (2019) – the first issue is everyone bullying tony which sucks but DONT LET THAT GET YOU DOWN bc it’s, like, actually good and also tony appears more in later issues without getting bullied

war of realms (2019) – i guess it’s a marvel rule that all crossover comics having to do with asgard are Top Notch? anyway

loki (2019) – AMAZING loki shenanigans and also the REAL reason you needed to read war of realms tbh

ironheart (2019) – gosh i love riri williams so much she’s so GREAT and you should DEFINITELY READ THIS

QUESTIONABLE™:

invincible iron man vol 1 (2008) – matt fraction’s iron man run…it’s ..ok story wise? however the characterization is a lil off at times and the art is HORRIBLE

iron man vol 5 (2013) – ok so this comic is super weird ? because it’s nice that tony spends time out in space but also it confirms that he’s a furry apparently. pretty much the only truly average iron man comic

avengers vol 8 (2018) – okay so i really like the art and the story’s okay but there’s a bit where tony flirts w carol and it’s the most ooc thing ive ever seen and that’s enough to land it in the questionable category

tony stark: iron man (2018) – i debated over whether to put this here or in the Bad™ category BUT valerio schiti’s art is too beautiful and the rhodeytony content fuels me. also issues 12 and 13 (war of realms) written by gail simone are pretty good. unfortunately dan slott wrote the rest and it AINT IT CHIEF

gwenpool strikes back (2019) – it starts off strong in the first issue but goes downhill from there and tbh it’s not really respectful of the previous gwenpool run

magnificent ms marvel (2019) – ok listen i love kamala a lot but if theres gonna be a romance plot between her and bruno it’s the electric chair

BAD. AVOID AT ALL COSTS™

iron man vol 2 (1996) – just. don’t touch this. it’s a hot mess

civil war (2006) – i hate this. so much. it’s unreal. all you need to know is that steve was real close to killing tony in the end but surrendered when he saw that he no longer had the moral high ground. and also steve got assassinated right before he was going to be put on trial

mighty avengers (2007) – this comic had the potential to be SO good. unfortunately the artists for the actual avengers issues don’t respect women at all

superior iron man (2015) – they made tony evil and i could not be more angry with it. who even fucking wants to read this theres not even any emotional payoff for any of this

civil war ii (2016) – i would hit this stupid comic in the knees if i could. there is not a single c*vil w*r with rights. all you need to know is that carol put tony into a coma and it’s super ooc

iron man 2020 (2020) – listen i know this comic hasn’t come out yet but it has all the ingredients to be EVEN WORSE than superior iron man which is saying a lot.

this took way too much effort

#long post #tony stark #iron man #comics rec #i have read..many comics

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mitgomaness-blog · 4 years

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Sonic Dash 2: Sonic Boom hack tool 1.7.7 ver

Devices: Ipad / Audience Score: 7182 Review / Story: © SEGA. All rights reserved / In-App: Hero Bundle / Version: 1.7.9 / Bug fixes and refinements / language: Russian. Official sonic dash 2: sonic boom ball. ‎Sonic Dash 2: Sonic Boom on the App Store. * Asterisk guide. 1= No hesitation. This game is absolutely up for trade. 2= I like it, but I'm most probably done with it. Still absolutely up for trade. 3= I'm just as willing to keep it as I am willing to trade it. 4= Most likely still being played in my house or just a game that I enjoy owning. 5= Probably in my backlog and not necessarily looking to trade, but if you have something specifically on my [W] list, we can chat. If you're interested in something but we'r.

Official Sonic Dash 2: Sonic boom boom. Official Sonic Dash 2: Sonic boom.

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[USA] H] HUGE List containing Systems and Games from ALL GENERATIONS [SNES. Wii U] amp [PS1. PS3]ll [W] Limited / Collector Edition games, Offers [All. [USA] H]Animal Crossing: NL, Super Robot Taisen (3/DS) Dead Rising 2 CE, Dishonored, Divinity II: DKS (360) Purple console (GCN) Super Mario RPG, FF3, LoZ: ALttP (SNES) HUGE LIST (All. W] Skyrim Legendary, FO3: GotY, FONV:Ultimate (360) Vita Console w/ memory card (Vita) GU Vol 3, offers.

* Trying to build a PS2 RPG collection. Help a brother out! I will also be working on a DS RPG collection later so I'm interested in offers/lists* Everything on this list is potentially up for trade. If I own it, and there is absolutely no way I'm trading it, it isn't listed here. Pretty straight forward on availability. The more asterisks, the harder it is for me to let go of that game. I'm always willing to trade, so here is a guide to what the asterisks mean to me: 1= No hesitation. Official Sonic Dash 2: sonic boom. Official sonic dash 2: sonic boom games.

The dazzling sequel to SEGA's hit endless runner, SONIC DASH. Featuring the cast and world of the new TV series, SONIC BOOM. New and.

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Sonic Dash 2: Sonic Boom - Official Trailer (English.

Thursday, 28 November 2019 Q specifics that I'm looking in something but TH 2019-12-17T00:04:54 NB NWA App Store * 1/22 Monday, 30 December 2019 22:04:54 951 12/09/19 16:04:54 +03:00 41 85 NFB 236 675 260 55 44 VUHC 229 599 775 464 56 OA

It's odd, then, that SEGA is continuing the "Sonic Boom" label with its latest. Sonic Dash 2 has been in a geo-limited release for a while, but.

PS3]ll [W] Limited YSLS 238 way

* 1/22 - Big Update to NES section* I only have a few specifics that I'm looking for, so I'm really looking to check out lists. I'm constantly shifting my attention to other games (damn gamer ADD) so you never know what will really catch my eye! Everything on this list is potentially up for trade. If I own it, and there is absolutely no way I'm trading it, it isn't listed here. Pretty straight forward on availability. The more asterisks, the harder it is for me to let go of that game. I.

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M XCKP 02 Jan 2020 12:04 AM PDT 23 Dec 2019 09:04 PM PDT 26 765 39 37 21 straight forward WD J

Sonic Dash 2: Sonic Boom is an endless runner platform video game developed by Hardlight Studio. The Official Digital Toolset for Dungeons & Dragons.

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gaypersonalscouple03 · 4 years

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Kolton Ray Works On A Big Black peewee North Westchester

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mk1comics · 4 years

Photo

The Mad Month kicks off! Next comic shipment is due Thursday 5th of December . Our Cover Gallery has all the pics of the expected new arrivals https://blog.mk1.co.nz/COVERGALLERY The Mk1 website collection is home to just the latest shipment http://www.mk1.co.nz/collections/latest-comics - keep an eye on this page on Thursday - will update as we unpack.

Quick Picks

NEW YEARS EVIL #1 https://www.previewsworld.com/Catalog/OCT190481

ANNIHILATION SCOURGE NOVA #1 https://www.previewsworld.com/Catalog/OCT190869

CONAN SERPENT WAR #1 (OF 4) https://www.previewsworld.com/Catalog/OCT190892

GHOST RIDER 2099 #1 https://www.previewsworld.com/Catalog/OCT190932

STAR WARS SAGA #1 https://www.previewsworld.com/Catalog/OCT191071

THOR WORTHY #1 https://www.previewsworld.com/Catalog/OCT190955

Full New to Mk1 List

20XX #1 (MR) https://www.previewsworld.com/Catalog/OCT190019

AMAZING SPIDER-MAN #35 2099 https://www.previewsworld.com/Catalog/OCT190926

ANGELA DELLA MORTE #1 CVR A https://www.previewsworld.com/Catalog/SEP191944

ANNIHILATION SCOURGE FANTASTIC FOUR #1 https://www.previewsworld.com/Catalog/OCT190875

ANNIHILATION SCOURGE NOVA #1 https://www.previewsworld.com/Catalog/OCT190869

ARCHIE VS PREDATOR 2 #4 (OF 5) CVR A HACK https://www.previewsworld.com/Catalog/SEP191500

BATMAN #84 https://www.previewsworld.com/Catalog/OCT190501

BATMAN UNIVERSE #6 (OF 6) https://www.previewsworld.com/Catalog/OCT190611

BATWOMAN SUPERGIRL WORLDS FINEST GIANT #1 https://www.previewsworld.com/Catalog/OCT190484

BIRTHRIGHT TP VOL 08 https://www.previewsworld.com/Catalog/OCT190081

BLACK CAT #7 https://www.previewsworld.com/Catalog/OCT190998

BLACK ORCHID TP NEW EDITION (MR) https://www.previewsworld.com/Catalog/SEP190560

BUFFY THE VAMPIRE SLAYER #10 CVR A MAIN ASPINALL https://www.previewsworld.com/Catalog/OCT191403

BUTCHER OF PARIS #1 (OF 5) (MR) https://www.previewsworld.com/Catalog/OCT190298

CHAMPIONS BY JIM ZUB TP VOL 02 GIVE AND TAKE https://www.previewsworld.com/Catalog/SEP190984

COLLAPSER #6 (OF 6) (MR) https://www.previewsworld.com/Catalog/OCT190604

CONAN SERPENT WAR #1 (OF 4) https://www.previewsworld.com/Catalog/OCT190892

CRISIS ON INFINITE EARTHS #8 FACSIMILE EDITION https://www.previewsworld.com/Catalog/OCT190483

CRONE #2 (OF 5) https://www.previewsworld.com/Catalog/OCT190337

DAREDEVIL #14 https://www.previewsworld.com/Catalog/OCT191058

DAREDEVIL BY CHIP ZDARSKY TP VOL 02 NO DEVILS ONLY GOD https://www.previewsworld.com/Catalog/SEP190982

DARK JUDGES FALL OF DEADWORLD HC VOL 02 https://www.previewsworld.com/Catalog/SEP191939

DC BRAVE AND BOLD FEMALE DC SUPER HEROES TAKE ON UNIVERSE HC https://www.previewsworld.com/Catalog/SEP191685

DEAD EYES #3 CVR A MCCREA (MR) https://www.previewsworld.com/Catalog/OCT190191

DEATH OR GLORY #7 CVR A BENGAL (RES) (MR) https://www.previewsworld.com/Catalog/SEP190183

DEATHSTROKE #50 https://www.previewsworld.com/Catalog/OCT190517

DIE #10 CVR A HANS (MR) https://www.previewsworld.com/Catalog/OCT190197

DOCTOR DOOM #3 https://www.previewsworld.com/Catalog/OCT190969

DOLLAR COMICS BIRDS OF PREY #1 https://www.previewsworld.com/Catalog/OCT190615

DREAMING #16 (MR) https://www.previewsworld.com/Catalog/OCT190598

EXCALIBUR #3 DX https://www.previewsworld.com/Catalog/OCT190914

GEN LOCK #2 (OF 7) https://www.previewsworld.com/Catalog/OCT190531

GENDER QUEER MEMOIR GN https://www.previewsworld.com/Catalog/MAR191862

GHOST RIDER 2099 #1 https://www.previewsworld.com/Catalog/OCT190932

GREEN LANTERN BLACKSTARS #2 (OF 3) https://www.previewsworld.com/Catalog/OCT190533

HARLEY QUINN #68 https://www.previewsworld.com/Catalog/OCT190535

HAWKMAN TP VOL 02 DEATHBRINGER https://www.previewsworld.com/Catalog/SEP190578

HIT-GIRL SEASON TWO #10 CVR A SHALVEY (MR) https://www.previewsworld.com/Catalog/SEP190196

INFECTED DEATHBRINGER #1 https://www.previewsworld.com/Catalog/OCT190479

INFERIOR FIVE #4 (OF 12) https://www.previewsworld.com/Catalog/OCT190545

JAMES BOND #1 https://www.previewsworld.com/Catalog/OCT191221

JAMES BOND 007 HC VOL 01 https://www.previewsworld.com/Catalog/JUN191131

JIM HENSON DARK CRYSTAL AGE RESISTANCE #3 CVR A FINDEN https://www.previewsworld.com/Catalog/SEP191295

JUSTICE LEAGUE #37 https://www.previewsworld.com/Catalog/OCT190551

JUSTICE LEAGUE BY SCOTT SNYDER DLX ED HC BOOK 01 https://www.previewsworld.com/Catalog/SEP190586

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LOIS LANE #6 (OF 12) https://www.previewsworld.com/Catalog/OCT190561

MAGNIFICENT MS MARVEL #10 https://www.previewsworld.com/Catalog/OCT191035

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MARAUDERS #3 DX https://www.previewsworld.com/Catalog/OCT190918

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MMW DOCTOR STRANGE HC VOL 09 https://www.previewsworld.com/Catalog/APR190940

MY HEROES HAVE ALWAYS BEEN JUNKIES TP (MR) https://www.previewsworld.com/Catalog/AUG190092

NEW YEARS EVIL #1 https://www.previewsworld.com/Catalog/OCT190481

OLD MAN QUILL #12 (OF 12) https://www.previewsworld.com/Catalog/OCT191056

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RED SONJA #11 CVR A CONNER & MOUNTS https://www.previewsworld.com/Catalog/OCT191277

RICK & MORTY TP VOL 10 https://www.previewsworld.com/Catalog/AUG192129

RONIN ISLAND TP VOL 01 (C: 0-1-2) https://www.previewsworld.com/Catalog/AUG191395

SAVAGE AVENGERS #8 https://www.previewsworld.com/Catalog/OCT191021

SCRATCHER #2 https://www.previewsworld.com/Catalog/AUG191605

SPAWN #303 CVR A MATTINA https://www.previewsworld.com/Catalog/SEP190219

SPAWN #303 CVR B MCFARLANE https://www.previewsworld.com/Catalog/SEP190220

SPAWN #303 CVR C B&W MCFARLANE https://www.previewsworld.com/Catalog/SEP190221

SPIDER-MAN & VENOM DOUBLE TROUBLE #2 (OF 4) https://www.previewsworld.com/Catalog/OCT190991

STAR WARS #1 FACSIMILE EDITION https://www.previewsworld.com/Catalog/OCT191077

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STAR WARS SAGA #1 https://www.previewsworld.com/Catalog/OCT191071

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SUPERMAN UP IN THE SKY #6 (OF 6) https://www.previewsworld.com/Catalog/OCT190612

SWORD MASTER #6 https://www.previewsworld.com/Catalog/OCT191054

THOR WORTHY #1 https://www.previewsworld.com/Catalog/OCT190955

TRUE BELIEVERS CONAN SERPENT WAR #0 VALLEY OF WORM https://www.previewsworld.com/Catalog/OCT190902

TRUE BELIEVERS STAR WARS ACCORDING TO DROIDS #1 https://www.previewsworld.com/Catalog/OCT191080

TRUE BELIEVERS STAR WARS DEATH PROBE #1 https://www.previewsworld.com/Catalog/OCT191078

TRUE BELIEVERS STAR WARS HUNTER #1 https://www.previewsworld.com/Catalog/OCT191081

TRUE BELIEVERS STAR WARS HUTT RUN #1 https://www.previewsworld.com/Catalog/OCT191082

TRUE BELIEVERS STAR WARS VADER VS LEIA #1 https://www.previewsworld.com/Catalog/OCT191079

USAGI YOJIMBO #7 SAKAI https://www.previewsworld.com/Catalog/OCT190817

VENOM 2099 #1 https://www.previewsworld.com/Catalog/OCT190939

WEB OF BLACK WIDOW #4 (OF 5) https://www.previewsworld.com/Catalog/OCT191012

WONDER WOMAN COME BACK TO ME #6 (OF 6) https://www.previewsworld.com/Catalog/OCT190614

X-MEN #3 DX https://www.previewsworld.com/Catalog/OCT190903

YOUNG JUSTICE #11 https://www.previewsworld.com/Catalog/OCT190609

Next Week's Shipment should be here 12th December 2019

Full schedule here https://www.previewsworld.com/Article/237608-PREVIEWSworlds-New-Releases-For-12112019

Quick Picks (reminder prices are in USD$ at the below links)

RED MOTHER #1 https://www.previewsworld.com/Catalog/OCT191378

DARK KNIGHT RETURNS THE GOLDEN CHILD #1 https://www.previewsworld.com/Catalog/OCT190471

HARLEY QUINN VILLAIN OF THE YEAR #1 https://www.previewsworld.com/Catalog/OCT190466

OCEAN MASTER YEAR OF THE VILLAIN #1 https://www.previewsworld.com/Catalog/OCT190468

DYING IS EASY #1 (OF 5) https://www.previewsworld.com/Catalog/OCT190712

TMNT ONGOING #100 https://www.previewsworld.com/Catalog/SEP190620

UNDISCOVERED COUNTRY #2 https://www.previewsworld.com/Catalog/OCT190250

ANNIHILATION SCOURGE BETA RAY BILL #1 https://www.previewsworld.com/Catalog/OCT190873

ANNIHILATION SCOURGE SILVER SURFER #1 https://www.previewsworld.com/Catalog/OCT190871

DOOM 2099 #1 https://www.previewsworld.com/Catalog/OCT190935

HOUSE OF X POWERS OF X HC https://www.previewsworld.com/Catalog/SEP190963

SPIDER-MAN 2099 #1 https://www.previewsworld.com/Catalog/OCT190923

SYMBIOTE SPIDER-MAN ALIEN REALITY #1 (OF 5) https://www.previewsworld.com/Catalog/OCT190971

Preorders can be placed by contacting us https://blog.mk1.co.nz/contact or via our Preorder Forms

December 2019 https://blog.mk1.co.nz/dec2019

January 2020 https://blog.mk1.co.nz/JAN2020

#comics #this week next week

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auxbellesillustrationsfr · 4 years

Text

Annonce de colloque

Appel à communications

La théologie par ordre alphabétique

Le dispositif éditorial du dictionnaire à l’âge de l’imprimé et ses effets sur la disciplinarisation et la polémique théologiques (XVIe-XXIe siècle)

18-19 juin 2020

École nationale supérieure des sciences de l’information et des bibliothèques (Lyon)

«On a tout mis en Dictionnaire, excepté nos folies, parce qu’on sait qu’elles formeroient des in-folio, & que nous ne lisons plus que des brochures», peut-on lire dans L’Inoculation du bon sens, petite brochure satirique due à l’homme de lettres Nicolas-Joseph Sélis (1), qui souligne là deux faits conjoints: d’une part, l’importance grandissante d’un objet éditorial au XVIIIe siècle, le dictionnaire, et de l’autre, l’embarrassante question du lectorat de ces gros volumes à l’âge où triomphent les publications courtes et acérées. Les dictionnaires sont-ils faits pour être lus, ou au moins consultés, le temps d’une leçon, d’un exercice scolaire, d’un problème juridique ou d’un doute lexical? Leur grand format –tout relatif en réalité– ne masque-t-il pas la forme brève par excellence, celle de la notice parfaitement indépendante de celle qui précède et de celle qui suit? C’est à cette double question, celle des conditions économiques et matérielles de l’émergence d’un nouveau produit éditorial à partir de la «révolution de l’imprimé» (Elisabeth Eisenstein), et celle des usages nouveaux ou traditionnels que ce produit permet, que voudrait se consacrer ce colloque, en appliquant ces problématiques au champ de la théologie. En effet, l’historiographie a souligné combien cette révolution de l’imprimé avait été le moteur des réformes à partir de la fin du XVe siècle et avait favorisé l’émergence puis la stabilisation de deux Europe chrétiennes, l’une protestante et l’autre catholique. Cette donnée chronologique invite à repérer dans l’immense masse des imprimés, après les livres de piété, les vies des saints ou les ephemera (2), d’autres formes éditoriales susceptibles de soutenir l’une ou l’autre cause. Les dictionnaires et encyclopédies croisent en outre un fait social essentiel à l’époque moderne: la tension continue entre les efforts de normalisation des comportements et des croyances par les Églises , et l’émancipation des individus, y compris au sein de la plus stricte orthodoxie. Le dictionnaire est l’outil normatif par excellence –de la langue, du sens, des concepts, des usages lexicographiques–, mais il autorise aussi, par l’arbitraire de sa construction au fur et à mesure que s’impose l’ordre alphabétique, des digressions, des renvois, des rapprochements fortuits ou imposés qui ouvrent la porte à de nouvelles discussions. Enfin, le dictionnaire est le symptôme flagrant de la disciplinarisation des savoirs au fur et à mesure de leur reconnaissance dans le champ savant et social. Or, l’âge moderne voit un mouvement contradictoire de professionnalisation progressive des théologiens reconnus par les instances ecclésiastiques (3), et de déspécialisation de la discipline dans l’ensemble de la société, alors que l’émergence de la critique invite tout un chacun à s’improviser théologien. L’abandon presque systématique, à partir de la fin du XVIIe siècle, de la langue latine pour cette catégorie d’ouvrages, alimente d’autant cette approche critique de la religion dans le champ social, et favorise le glissement de la théologie dans le champ culturel, voire littéraire (4).

L’historiographie a privilégié jusqu’à présent une approche textuelle des dictionnaires de théologie, en recherchant dans leur contenu l’évolution de concepts dogmatiques ou l’appréciation par les élites ecclésiastiques de tel ou tel réalité sociale: la nature, la grâce (5), la femme (6) par exemple. Dans la même perspective, des travaux plus littéraires ont interrogé la perception de la théologie dans les dictionnaires profanes (7). L’historiographie s’est aussi penchée, avec succès, sur des périodes courtes estimées essentielles dans les mutations qui ont affecté le christianisme, telles le milieu du XIXe siècle (8) ou la première moitié du XXe (9). Sans occulter les innovations dogmatiques ou rituelles dont les dictionnaires témoignent, le présent colloque entend plutôt inscrire cet objet dans les questionnements de l’histoire du livre et de la lecture, en privilégiant trois pistes (non exclusivement): 1) Quelles sont les conditions –matérielles, intellectuelles, censoriales…– nécessaires à l’édition d’un dictionnaire entre le XVIe et le XXIe siècles? Quelle est la rentabilité d’une telle entreprise? Y a-t-il un profil type de l’auteur de dictionnaires théologiques (on songe à Houdry, Pontas, Durand de Maillane, Migne, Mangenot, Vacant…)? Comment travaillent de concert l’auteur et l’éditeur / imprimeur / libraire ? Quelle est la diffusion espérée de ces produits? Quelle place occupent-ils dans l’histoire de la contrefaçon et de l’édition clandestine? 2) Quelle est la réception critique des dictionnaires de théologie? Quels échos en rendent les journaux bibliographiques et savants? Qu’en pense l’opinion? 3) Quel est le lectorat espéré? Quels sont les usages prescrits… et les usages réels? Les communicants pourront ici interroger la pratique de la constitution de dictionnaires à usage personnel, dans la veine des «lieux communs», ou des listes de lecture organisées alphabétiquement pour rafraîchir la mémoire du lecteur.

Notes (1) Londres, [s. n.], 1761, p. 9. (2) Philippe Martin, Une Religion des livres (1640-1850), Paris, Ed. du Cerf, 2003. Éric Suire, Sainteté et Lumières: hagiographie, spiritualité et propagande religieuse dans la France du XVIIIe siècle, Paris, H. Champion, 2011. Ephemera catholiques: l’imprimé au service de la religion (XVIe-XXe siècles), dir. Philippe Martin, Paris, Beauchesne, 2012. (3) Voir par exemple Fabienne Henryot, «Portrait du récollet en écrivain au XVIIe siècle», dans Les Récollets. En quête d’une identité franciscaine, dir. C. Galland [et al.], Tours, PUFR, 2014, p. 219-233. (4) Voir, pour le XVIIe siècle, Jean-Pascal Gay, Le Dernier théologien? Théophile Raynaud (v. 1583-1663), histoire d’une obsolescence, Paris, Beauchesne, 2018; pour la période contemporaine, Stéphanie Dord-Crouslé, «Les entreprises encyclopédiques catholiques au XIXe siècle: quelques aspects liés à la construction du savoir littéraire », dans La Construction des savoirs (XVIIIe – XIXe siècles), dir. Lise Andriès, Lyon, Presses Universitaires de Lyon, 2009, p. 77-196. (5) Sylviane Albertan-Coppola, « Nature et grâce à travers les dictionnaires du 18e siècle: un débat philosophico-théologique», dans Dix-huitième siècle, 2013, n° 1, p. 61-78. (6) Marcel Bernos, «La ‘femme’ dans le Dictionnaire théologique de Bergier», dans Clio. Femmes, Genre, Histoire, 1995, n° 2 [En ligne] : https://ift.tt/3aWoeVb (7) Christiane Mervaud, «Quelques aperçus sur la théologie et les théologiens dans le Dictionnaire philosophique», dans Littératures, 1994, vol. 31, n° 1, p. 79-90 ; Sylviane Albertan-Coppola, «La spécialisation dans l’Encyclopédie méthodique. Le cas de la théologie», dans Panckoucke et l’Encyclopédie méthodique. Ordre de matières et transversalité, dir. Martine Groult, Luigi Delia, Paris, Classiques Garnier, 2019, p. 245-254. (8) L’Encyclopédie théologique de Migne (1844-1873) entre apologétique et vulgarisation, dir. Claude Langlois, François Laplanche, Paris, Éd. du Cerf, 1992. (9) Théologie et érudition de la crise moderniste à Vatican II. Autour du Dictionnaire de théologie catholique, dir. Sylvio Hermann de Franceschi, Limoges, PULIM, 2014. (10) Élisabeth Décultot, Lire, écrire copier: les bibliothèques manuscrites et leurs usages au XVIIIe siècle, Paris, CNRS ed., 2003.

Les propositions de communication, d’une demi-page environ, seront adressées à Amance Flichy ([email protected]), Marie Servillat ([email protected]) et Fabienne Henryot ([email protected]) avant le 29 février 2020. Le programme définitif sera élaboré en mars 2020.

Ce colloque est organisé par les étudiants du Master 1 & 2 «Cultures et l’écrit et de l’image» Enssib/Université Lumière Lyon 2, sous la direction scientifique de Fabienne Henryot (Enssib) et de Philippe Martin (Université Lyon 2), avec le soutien de l’Enssib, du Centre Gabriel Naudé (EA 7286) et du LabEx Comod. Communiqué par Amance Flichy

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STAR WARS ADVENTURES #31 (IDW)

Cavan Scott, Michael Moreci (A) David M Buisan (A/CA) Arianna Florean

Cavan Scott, Michael Moreci (A) Arianna Florean (A/CA) David M Buisan

Explore the galaxy in light of events depicted in The Rise of Skywalker! In this issue, the spotlight falls on Rey!

Includes a special installment of Tales from Wildspace, where the crew of the Star Herald swing into action themselves!

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Charles Soule (A) Jesus Saiz (CA) R. B. Silva

Charles Soule (A) Jesus Saiz (CA) Chris Sprouse

CATASTROPHE IN THE CLOUDS! • LUKE SKYWALKER, LANDO CALRISSIAN and LEIA ORGANA have returned to CLOUD CITY! They each left things on BESPIN they desperately need – a weapon, a friend, and crucial information. • But the city is swarming with IMPERIALS, under occupation by an EMPIRE desperate to steal its resources. • Things did not go well for the trio the last time they visited this place. This time… might be even worse. Rated T

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“No…I am your father.” In the wake of the events following The Empire Strikes Back, it is a dark time for the heroes of the Rebellion. The Rebel fleet…scattered following a disastrous defeat at the Battle of Hoth. Han Solo…lost to the bounty hunter, Boba Fett, after being frozen in carbonite. And after being lured into a trap on Cloud City and bested in a vicious lightsaber duel against the evil Darth Vader, Luke Skywalker…learned the horrible truth about his past. Vader did not kill Luke’s father Anakin–Vader is Luke’s father! Now, after narrowly escaping the dark lord’s clutches, and wounded and reeling from the revelation, Luke, Princess Leia, Lando Calrissian, the Wookiee Chewbacca and the droids C-3PO and R2-D2 must fight their way back to the Rebel Alliance-for the fate of the entire galaxy is at stake! After so many losses is victory still possible? But, what Leia, Luke and their ragtag band of freedom fighters do not realize is that they have only traded one Imperial trap for another! Enter the cunning and vengeful Imperial Commander Zahra, at the helm of the Tarkin’s Will! Writer Charles Soule (DARTH VADER) and artist Jesus Saiz (DOCTOR STRANGE) are taking us all to the galaxy far, far away next year! With covers by RB Silva (POWERS OF X)! THE GREATEST SPACE ADVENTURE OF ALL TIME BEGINS THIS JANUARY! FINAL COVER MAY VARY. ALLOCATIONS MAY OCCUR.

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Charles Soule (A) Will Sliney (CA) Clayton Crain

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Charles Soule (A/CA) Will Sliney

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STAR WARS TP VOL 13 ROGUES AND REBELS

Greg Pak, More (A) More (A/CA) Phil Noto

It’s the end of the era of hope! Rebels and rogues take center stage as this volume of Marvel’s STAR WARS comes to a close! Who exactly is Dar Champion, and how far can Leia trust him when Han’s life is on the line? What shocking lesson will Luke learn when Warba finally reveals her true self? When faced with his lost past, can C-3PO seize control of his destiny – and be the hero of his own story? And Chewbacca takes on Darth Vader in vicious hand-to-hand combat! Meanwhile, the Rebellion’s search for a new home – a base safe from the reach of the Empire – leads them to the planet Hoth! Doctor Aphra and Beilert Valance lend a hand as the Rebellion’s fate is set…and the Empire ascends! Collecting STAR WARS (2015) #73-75 and STAR WARS: EMPIRE ASCENDANT. Rated T

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STAR WARS INSIDER #196

PX ED

NEWSSTAND ED

GO BEHIND-THE SCENES OF THE LATEST STAR WARS FILM INSTALLMENT THE RISE OF SKYWALKER! Featuring: -Interviews with screenwriter Chris Terrio and producer Michelle Rejwan about crafting the movie’s story. -A rare behind the scenes look inside the Lucasfilm Archive -Discussions with makeup and creature effects legend Stuart Freeborn -Actor Andy Secombe reveals what it was like to play Toydarian trader Watto in the prequel trilogy.

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Comic Releases for March 18, 2020 STAR WARS ADVENTURES #31 (IDW) Explore the galaxy in light of events depicted in The Rise of Skywalker!

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