Hi!! I’ve got a question, was Jason the robin that received a piece of metal with Superman’s signature? Or was it dick? I thought it was jason but I’ve seen some panels from the new nightwing #105 preview and dick has it in his shelf and now I’m confused.
Good memory it was Jason who got superman's autograph you know its Jason bc the comic was published in 1987 which would have been 1 year before Jason died which means dick straight up stole superman's signature from a dead kid
Panel for reference (also bc baby Jason's a cutie)
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the pixie chihiro (and alter ego)
chihiro's wings are warped and damaged from birth, so flying is impossible. as such, they built and enchanted a wooden puppet to carry them around, and named it alter ego
alter ego is also sentient...in a way it is an extension of chihiro that can also think for itself? the string tied around alter ego's wrist links it to chihiro
instead of computer programming, chihiro specializes in making enchanted objects, including enchanted dolls. alter ego is not their only puppet but its the one they like the most
chihiro is self-conscious about keeping up with others given their size and inability to fly, so will usually only introduce themself when piloting alter ego. because of this most others assume chihiro is a magic, sentient doll
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i don't personally agree with the perspective that "miguel NEEDS to partially correct about canon events, otherwise he's a villain" because like. setting aside the issue of possibly naturalising the irl choices writers made (e.g. fridging gwen) through the concept of 'canon events', to me defining miguel's morality comes down to two questions:
What is Miguel's intent when pursuing his goal? <- it's unambigiously heroic. he desires to save people. and -
Can I plausibly understand how he has come to the belief system (and therefore goal) he has? Yes. I can understand why, when viewing the things he did (universal patterns of suffering between spidermen & the trauma of that dimension collapse), he came to the conclusion he did.
Keep in mind the other bits of information we and the characters are working with are:
Anomalies seem to affect the world they're in (Vulture appears to affect the Guggenheim's structure w glitches)
They're also in danger of dying if they don't have a stabaliser like the watch
But say for the sake of argument Miguel is completely wrong about breaking canon and doing so would not endanger anyone and the alt dimension collapsed for reasons utterly out of Miguel's knowledge or control. That still doesn't negate the heroic intent he operated by nor his desire to save people.
What "How much or little is Miguel correct?" affects is how tragic it makes Miguel's guilt and the moral concessions he feels that guilt about. Whether you would argue for it being needlessly tragic or bleak is another conversation entirely but how correct he is about what damage canon events cause doesn't actually change the fact he operated on sincerely good and heroic intentions.. And I think atsv already sets up that last point in an understandable manner.
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oomph i know i'm definitely really early with this ask (changing time zones for vacation is weird o.O) but I was thinking about it over the past few days
for the lights, camera, sing your sins au, are the interrogations somewhat scripted where the prisoner knows what to say and Es is mostly just reactions or questions to that? I feel like we've talked about this but I have forgotten jandjnf o.O
because all i can think about is Es getting beaten up or close to tears in the first voice dramas and man if it's scripted, i feel bad for the prisoners who have to do this to es o.O
Hi Mug :D No worries, a slightly late reply because I was on vacation too haha! 🍂
And I mean it's whatever works best in people's minds, but I always pictured there being very little scripted, actually! I'd hoped that everything was as natural as possible. The prisoners just have to make the little shift to act as if they did follow through with the murder instead of talk about how close it came -- other than that, everything that happens is the characters' honest questions, answers, and reactions.
When explaining the no-violence ban to everyone, Fuuta and Kazui (and later Amane) tell Jackalope how they would think during their interrogations. Jackalope instructs them all how to act in order to stay consistent with the barriers/losing strength stuff. I think the only explicitly scripted action is Mikoto's violence, since Red admits he may resort to that if Blue felt threatened. Jackalope tells him to get to the point of violence no matter how the interrogation goes, as it's necessary (to proving Mikoto's situation, to driving home the central ideas of Mikoto's case, to reveal Milgram's process and 'limits,' etc).
And yeah, it definitely tears him apart to actually do it -- he has to verify that Es signed up for this several times (which they did), and it still takes a lot of resolve to follow through with hurting an innocent kid like that. I imagine that's one of the reasons he's not really upset that Kotoko surprised everyone by intervening: he felt so guilty about the attack and was grateful someone came in to stop it.
Although it wasn't physical pain, Mahiru is also really upset that she brought Es such emotional strain. She thinks it's cruel to fool them into feeling bad for her when she's okay, and it takes a lot of reassurance from the others to convince her it's for the sake of the experiment -- every part of the process has toyed with everyone's emotions, she's not a terrible person for doing so.
Whether in the middle of the trial or the final executions, I think any characters who die next trial will also feel awful for making Es mourn for them when they're still alive. It's not all one-sided guilt, though. It's balanced by anger/sorrow towards Es for condemning them to death in the first place because of their decisions. Any time they get too caught up in thinking "I'm so cruel for tricking them like this," they have a moment of "well, they did specifically order my death, so..."
When I'm looking for a pure fix-it, I'll let those emotions go pretty easily <3 But unfortunately my writer ass is never free from The Themes asdfsdf and sometimes I still get caught up in the project's major focus -- not only is Es facing the original Milgram dilemma of choosing whether or not to follow authority, but now the prisoners are faced with the exact same decision. Do they physically/mentally hurt this child "for the experiment?" Because someone in authority told them to? They're doing this to prove a point about justice and fairness, but where should they draw the line? At what point is it not for the greater good and they are just causing more harm?
I think I mentioned it before but in this au the prisoners are extremely motivated by the promise that this experiment will help others like them. Yuno wants to make a statement about society's views on abortion and sex work. Muu wants to make a difference for bullying victims. Kazui hopes to be a voice for all those who have had to keep theirs quiet about something. Mikoto hopes his story creates more awareness and acceptance for people who are usually terribly stereotyped and feared. Kotoko wants to bring to light the problem of corruption and what can be done about it, and so on. In the end, they can always justify causing a little emotional/physical harm because they are doing it for a good reason.
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it's so fascinating to me how little there is to work with if you want to go with the (most likely) intended reading of yashiro as a cis man. if you ignore what other characters are saying, all the instances of "bitch" being thrown at him, men comparing him to a woman as an insult, and just focus on his own feelings regarding his gender and masculinity, there's… nothing really? the few times when he explicitly says that he's not a woman go hand in hand with "therefore it's okay to hurt and abuse me, to be rough with me, to want to leave me, etc etc". the way he talks about men usually reads as "men and me" with a level of separation there. all the "what type of women do you like? is this how it is with women? are you gentle with women? women women women?" there's no attachment to being a man, not that i can see at least, so reading saezuru through the lenses of sexuality and gender rather than just sexuality is this weird experience of "i know what you want me to think, but thank you for leaving so much room for the other interpretation"
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I was deep-diving through tvtropes and-
I have no idea how accurate it is because I never played episode Ardyn. But please consider.
AU where Ifrit wakes up, sees daemonified Ardyn and goes "Wait, that was NOT the Plan". And proceeds to burn Ardyn (and most of the lab) in the Holy Fire, purifying him and accidentally-on-purpose giving him Ifrit's Blessing. (It was totally on purpose)
(Canon and the Prophecy are Yeeted out of the window)
Been sitting on this, because this? This is brilliant. Raven, you have no idea how badly I want this.
Ifrit's been dead-ish (you can kill an Astral as hard as you like, they just come back like a bad gil) for thousands of years by the time the Scourge surfaces in Somnus and Ardyn's time. Being dead or sleeping doesn't prevent an Astral from knowing things, so Ifrit is aware of House Caelum, is aware of Bahamut's plan to deal with the Starscourge.
(What does Ifrit think of the Scourge? He once loved humanity, may still love humanity despite Solheim's betrayal. Does he regret that he is not there to help? Does he weep for the children he once nurtured, taught, and cherished? Does he weep for the lives that will be lost?)
(Or does he laugh? That the only one to help humanity combat the Scourge is Bahamut, wholly unsuited to face an enemy that cannot be killed with a blade? That the ones who spurned him will now die to something he could have would have saved them from?)
But Ifrit doesn't care to watch Bahamut's flawed plan play out (doesn't care to watch the children of his Sparks waste away in the night) so he turns away from the goings on.
It's the chill (the feel of his lover's kiss) seeping into his bones that wakes him. He wakes, furious, because how dare she, how dare she after she sided with the rest of their kin, with those traitorous humans.
Only, it's not Shiva.
Through the fire and fury coursing through his soul, Ifrit doesn't recognize where he is. It's a human lab - not the same as Solheim's once were, not the same architecture, not quite as advanced.
He recognizes the son of House Caelum.
Bahamut's Chosen Sacrifice.
And here's the thing: Ifrit is the god of Knowledge. More than the other Astrals, Ifrit's power is to know. Anything and anyone, anywhere and any time.
So when Ifrit looks at Ardyn Lucis Caelum, he knows.
He knows this man's love for his people. The lengths he went to help his people. His love for his lover and his kin. His kin's betrayal. His lover's death. Bahamut's rejection. His own people abandoning him.
Two thousand years locked away in the dark with naught but memories and grief.
Ifrit knows how that old Soldier thinks. Bahamut is War. Bahamut is Duty and Sacrifice. Bahamut will sacrifice this healer alongside whoever his new Chosen one will be.
Ifrit hates humanity. They burned him and time hasn't healed that wound.
But... he loved them once. Mortals who burned as bright as they burned short, sparks of ingenuity in their eyes as they took the first staggering steps he helped them achieve and figured out how to run.
Thousands of years later, a little healer took a gift and used it to save lives in a way it was never intended.
Ifrit looks at Ardyn Lucis Caelum. He sees himself staring back.
Ifrit hates humanity.
He hates Bahamut more.
In the mere second after laying eyes on Bahamut's discarded Chosen King, Ifrit burns the lab in Holy Fire.
His new Spark burns with him.
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