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your-ne1ghbor · 1 day

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My problems with Magnifico and Amaya and how I would rewrite them (TKoRaT AU)

GOD DAMN IT NOW I WISH MAGNIFICO AND AMAYA IN MY VERSION WERE GOOD PEOPLE AHHHHHHHHH-

Ahem..sorry..what was I gonna say?

Oh yea! Feeling like a long rant again, so prepare your eyes!!!💀

Sooo, I kinda have been off putting stuff again since I had school work and a bunch of ideas like this one, so I decided to just share it so I don't loose the idea (ik I can write it down but idk I felt like sharing it). Plus the fact that I've been more chatty lately lol.

Idk how to transition to my problems with Amaya and Magnifico so here.

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Magnifico and Amaya's Character in Wish 2023

Magnifico

Magnifico in the film is...well is a pretty stand up guy! Sure, he is paranoid most of the time and is pretty stubborn, but he is very selfless and a really generous person!

You can say he is more in line with the kings of original films that deeply care for their children, such as King Sefan from Sleeping Beauty, or King Frederic from Tangled.

In this case, he deeply cares for the people of Rosas. I mean yeah, it is weird that you forget what your goal is in life, but if I had nowhere to go and no roof over my head, of course I would go to Rosas to live there safely. Heck, in perspective, you have a chance of your wish getting granted, and don't have to pay rent to live there. It is a pretty fair deal, especially for families who want their kids to grow up out of harms way. Sure, he can't grant all of the wishes, but his reasoning is pretty valid. The only line I could get from the film that would support this would be when he commented on Asha's Grandfather's Wish (which is to inspire the next generation):

"To create what? A rebellious mob perhaps? Inspire them to...to do what? Uh, destroy Rosas, maybe?"

And a lot of people can argue that Saba's wish is very simple or isn't dangerous, but here is the thing. Simple things can have dangerous concequences no matter how small or big they are. Sure, you can start out small, like inspiring people, but it will cause a domino effect that can lead to something greater. Either for the better or worse. And example would actually be Walt Disney himself! He started out small, but without him, animation would not have gotten to where it is today. With his love and passion to art and story telling and taking risks, we WOULD NOT have gotten Puss in Boots, SpiderVerse, OR EVEN ANYTHING ANIMATION WISE. Walt Disney really pioneered animation and without those baby steps, there would not be an Disney, Pixar, Dreamworks, ect. It would just be...well...live action I guess. Hate the Disney company or not, Walt helped get animation to where it is today, and it sucks that his company, even after death, wont try anymore to push the limits of animation except for companies that isn't Disney.

Plus, I don't even blame Magnifico for thinking this way! Although it is sort of annoying that his backstory was told instead of shown (not that there is nothing wrong with telling, but showing for me is a more effective way of story telling for me. You can take the little mermaid for example), I personally understood where he was coming from. In his backstory, his home was destroyed from thieves and barbarians, with his family and possibly everyone he knew being dead. Its honestly tragic, so him making a kingdom for people to not suffer that pain again is very selfless of him and just...feels good in a good way you know?

But as everything in this movie is, it takes the good things and beats it over with a 30 foot pole and leaves it to rot.

He is turned into the villain. And no, it isn't because of Asha not getting what she wanted, and no, it isn't because Amaya, his wife died (she never did btw)! OH NO IT IS MUCH WORSE.

He opens up a mAgIc bOoK oF dArK mAgIc and becomes the bad guy...

...What the fuck. Actually no, applauds to you Disney! This is such a effective way of telling a story. 10/10 forever and ever. Great job! :D

(I am being sarcastic, this is legit the worst way for a good guy becoming the villain, its so fucking stupid-)

He is just simply stripped of his good qualities and only lets his bad qualities shine through. It kind of feels like he was being held at gun point here.

"OH PLEASE BELIEVE THAT I AM ACTUALLY THE BAD GUY. OH PLEASE GOOD CIVILLAIN THEY ARE GOING TO PULL THE TRIGGER-"

Seriously, there was no other way of making him the bad guy? Like legit? Simply remove his backstory and make him evil at the begining. I guess it would be weird if he took the wishes without reasoning, but even then, why give him good qualities when he is supposed to be the bad guy? He became more of a tragic hero than a tragic "bad guy".

I will go more into my problems with him after I talk about Amaya for a bit since talking about her character is more shorter than Magnificos.

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Amaya

The best I can say for her character is that she is like Jimmy Cricket but fell in love with Pinnocio (I know that sounds weird pls spare me).

She is like the voice of reason for Magnifico, and it is best shown when Magnifico FIRST concidered on using the book for "his evil deeds". This scene specifically:

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Other than that, she wasn't really a character in the film AT ALL. It sort of sucks concidering what the original concept was (WE WILL GET TO THAT) and instead degraded her character to...well...nothing.

I can't really say anything about her since she just was "I am loyal to my husband" to "actually fuck you I will believe a 17 year old instead of the man I trusted for the amount of years it took to get the kingdom to it's feet." I want to, but I can't. SHE HAS NOTHING.

I wish I can say more about her character, but it would just be me ranting about how trash her is character and was handled. Speaking of that, lets get into why I dislike how they were handled.

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Why does their character bother me so much?

Well it is sort of hard to explain, but I'll do my best.

Magnifico was supposed to be the return of the classic villains. You know, on the levels of Jafar, Ursala, Evil Queen, Malificant, ECT, he just...wasn't. Although he had a bunch of Evil Queen inspirations thrown into his character, it felt like more of refrences to a better film than being apart of his character. Plus, I feel like I sympathized with him way to much. I personally felt more emotion when he was on screen instead of the main character because I understood where he was coming from. Its honestly baffaling to me, since if he didn't have his backstory told to us, I still would not rooted against him. Even without his backstory, it just sounds like he was doing this at the bottom of his heart and empathizing with people who are doing far worse than what he is going through. Its honestly heartwarming seeing a person trying to do good in the world and provide a safe place for everyone to be free from the burden of this world. And want to know something? None of the classic villains had tragic backstories. They are evil for the sake of being evil. There probably was some with sympathetic traits, but from what I recall, there is none. So going with the sympathetic rout is not on par with classic villains.

However, there is nothing wrong with giving your villains sympathetic traits. It makes them feel more rounded as a person/character, and you can get a lot of emotion from that alone. I just think that Magnifico being the villain doesn't make sense since as I said, they made him so generous and kind in the begnining and only destroyed it since "oh wait, we need a villain, so why not make the good guy the villain" and threw in the dark magic book and called it a day. Not even that, but he is not threatening in any way. What I mean by that, is that his powers don't really get an upgrade at all. His magic just sort of turns green and thats it! I even bet that he can crush wishes even without the powers of the magic book.

Going off topic, but making plushie..COUGH... star...(plusie = wish 2023 star) less "stronger" to make the female lead stronger just makes Magnifico's reason for going after plushie's powers even more useless. Even with plushie's powers, HE IS JUST THE SAME. I guess he can now create vines? BUT IT JUST DOESNT WORK. It makes more sense for Magnifico going after plushie when it is powerful because he could see that power as a THREAT to his own powers and his kingdom.

Now for Amaya, her turning against Magnifico is just stupid. Haven't you went through a lot with him? Why the hell did you give up after "oh he can't be saved"? I feel like she could have done a "true loves kiss" sennario which breaks the spell it has on him. Not only that, she barely contributes to the plot at all. The only thing she contributes to the plot is just "getting the teens into the castle so they can free the wishes" then disappears, then reappears at the finally when Magnifico got a little too silly with his drugs-I MEAN wishes haha... Then she becomes the ruler of Rosas. It feels weird and out of place, especially concidering her character MOST LIKELY went through so much with Magnifico only to turn on him when he gets a little mad. It is so stupid. Also, if you just remove her, nothing would really change except the first scene where Magnifico has the book, only this time, no one is there to stop him. And as I said, HER CHARACTER IS NOTHING. But here is the thing...

When concidering the concept version of Amaya, she would have been the villain along side Magnifico. Not as a selfish love relationship or they are together at ones expense (gaining something from one another for only themselves) no, THEY WERE MADLY IN LOVE WITH EACH OTHER. Something to note here is that there is barely ANY villain couple or ANY VILLAINS who are like this, let alone love each other for the sake of it instead of a "selfish love relationship and then one gets redeemed " situation (im looking at the mayor of paris from miraculous ladybug). So that, THAT RIGHT THERE, would have been a brilliant idea and brings something new and fresh to the table. Not only that, it is so brilliant that it would have respected all of the male/female antagonists we had for the past 100 years with the company. It is also A RISK. Walt was all about taking risks, even when his company would have floundered at the expense of making art. Snow White for example had a lot of money put into it that if it failed, well Disney would not exist in this timeline so to speak. So taking that risk is also RESPECTING Walt's legacy in a really good way.

I personally just see this as a fun way to explore their characters, especially when you can reflect their characters off of our main characters, Asha and Star (boy), if you want to of course. I can imagine Magnifico kinda be like Gaston from beauty and the beast with some Frollo flare to it (not the lust thing tho but yk what I'm getting at) and Amaya can be like Ursala or Gothal. Plus, it works as a power balance. In the original concept, Amaya was the potion maker while Magnifico does all of the magic. Its honestly a fun way to play with power set ups. Magnifico can just be for show and Amaya can just be a drug dealer (or basically Ursala).

But NOPE. WE HAD TO SHIT ON WALTS LEGACY TO GET THOSE SHINY DOLLAR SIGNS $$$$$$$$$$$$$

Here is the thing: I can get over Star Boy not being in the film, like I get it. We gotta have that girl power in Disney movies now, and they have to be emotionless people. But a Disney power couple? WHAT THE HELL??? LEGIT THE BEST IDEA YOU HAVE EVER HAD IN 100 YEARS. AND YOU GOT RID OF IT BECAUSE WE CAN'T TAKE RISKS ANYMORE??? BUT WALT WOULD HAVE TAKEN IT. YOU WANT TO RESPECT HIS LEGACY? THEN TAKE THE RISK TO DO SO YOU SELFISH, INSUFFERABLE, PIECES OF SHI-

(This section was removed because I went a little crazy there. Sorry about that. I'm not sure how I can transition into the rewrite section, again, soooooo here:)

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How I would rewrite the characters

There is no wrong or right way of rewriting a character, especially when a lot of people interpret them in different ways, and that is completely fine!

This will also fall into somewhat Asha's character and she will be mentioned to fit what I am going for with the characters. I will also leave out what they both do to the wishes since I am making a whole reimagined scene and it is going to include what they do to the wishes there. It will leave out some stuff I had with it here, but I will do my best interpritation of the characters the best I can, even when I can't really say much about it :)

Magnifico:

🌟 For starters, right off the bat, he does not have any of that sort of backstory they gave him for the original. For what I am going for, his backstory will not fit his reasonings for what I am going for, especially for his character.

🌟 He is more on par with the original personality from the original storyboard, specifically this one:

youtube

(This also goes for Amaya too personality wise)

🌟 Something that is very different from a lot of villains is that he has sympathetic traits. Although he has more negative traits than positive, he has more of a caring side. Mainly to Amaya, but Asha as well. When Amaya found Asha at their door steps (they aren't holding me hostage as I write out this specific part guys, I swear) at first he saw her as an opportunity to boost his and his wife's popularity that would have other people come more to their kingdom (its more of like they are seeing their "generosity" side and dismiss the problems the kingdom has). But as she continued to live with her adoptive parents, Magnifico became pretty close to Asha. Its mainly because of her passion to what she strives to be, to be like him. Probably feeding into his ego, but you know, nice to know he cares.

🌟 Just because he treats Amaya and Asha well, doesn't mean that the kingdom gets that same treatment. He doesn't care about the people at all. He actually has enjoyment when he hurts or breaks people's dreams. He gets all excited about it and you guys can ask him why he finds enjoyment out of it cause idk it would be more fun that way and gives you guys the chance to interact with him :D

🌟 The wishes boost his powers temporarily. It fades away after either a few days or hours. When his powers are boosted, he has more control over the people. And, to who he consumes the wishes of, can see through their perspective for a little while. It also makes civilians more compliment with him and not question his authority. This does not work with people who have not given up their wishes though. Only to people who have already given up their wishes. He can also make people forget certain memories (that might be Amaya's thing though but I'm not too sure) and can put on much more longer "light shows" (think on the level of: Playing with the Big Boys, but more flashy and crazier). He can also manipulate his surroundings with images, but not at a physical level. (Like hallucinations so to speak)

🌟 His powers without the wishes are more of what he uses to do simple things or put on small light shows. Not as flashy than ones when he has his powers boosted, but he puts on the smaller ones to "gain more people to comply when they have to give up their wishes", one might say, inspire them to do so. He also uses it to help Asha practice with magic (She can't even do magic STFU I KNOW.) It also can be used to take desires that you have deep in your heart.

🌟 If hair jell were to exist in his time period, he would eat it with no regrets (Amaya would make it so he can eat it without getting hurt)🔥

🌟 When he consumes a stars powers, he legit goes insane and can shape shift like one, but more corrupt with no consistancy to what he turns into since he legit gone insane. With a star, a star can shapeshift to whatever it wants or to express it's emotions. With him, it is all over the place. He can't control it.

🌟 Like Frollo, he tortures anyone who is against him, and will not hesitate to take it to the extreme if needed too (or that he wants to, to please himself).

🌟 What his wife says or does, he will willingly go through with it. After all, he loves her with all his heart.

🌟 He can't let Asha out of the castle often to make sure that the people will not take advantage of her generosity (thats what he thinks though, in reality everyone is just scared of the royals.. most of them at least) or learn-

Magnifico then breaks the forth dimention and destroys my house.

Ah...right...

🌟 He is such a silly goober!!1!11!1!11!1 o(*￣▽￣*)o

(He told me to write that or else he will kill my dog and cat. HELP ME PLEASE-)

Amaya

🌟 For starters, she is much more involved in the story than she is in the original. She doesn't have a backstory like what Magnifico had in the original, nor does she need too. Not sure how they would meet at the moment, but I'd like to think that they met and then were like: love at first sight and became more silly as time went on...including their insanity <3

🌟 As I said for Magnifico, she is more on par with the concept version personality wise. But she is more of an Ursala and likes to put herself as the victim to get more people to feel bad for her (MANIPULATION AT ITS FINEST 😜)

🌟 Just like Magnifico, she has sympathetic traits. And she only has it, because of our main character Asha! She just found her one day at the castle doors. She didn't understand why, but like Magnifico, only let her stay for as long as she did to post her popularity with the commoners, and grew closer to her as she became more of a mother figure to Asha. (Ruh Ro, anyone sensing Mother Gothal vibes?) Unlike Magnifico though, she uses her sympathetic traits to get people to comply with their ways better. Her main trait she is good at looking at the person's situation and understand it well, or aka being empathetic. She uses that to her advantage when manipulating them to do whatever she pleases.

🌟 She is more of a witch than anything. I imagine her somewhat like Ursala (yes a heavy load of Ursala), Evil Queen, and Yzma (Emperor's New Groove) when in terms to what they make. She does make a lot of poisons to use if anyone is getting a little too close to the close and they gotta...TAKE THEM OUT without anyone knowing. She can also use it for like a form of medicine too.

🌟 Some potions, like turning people into animals or certain poisons, requires people's desire. More so with turning people into animals as a form of punishment. She can also use her craft at potion making to have her wield magic for a certain amount of time WHEN NEEDED. (Gee I wonder what she will use that for). It can also be used like a drug, or to get someone to comply with what they want a little better than Magnifico. She can put on pretty shows too, but more smoke themed and is better at manipulating her surroundings.

🌟 Although Amaya would teach Asha how to make potions, she worries that the people of Rosas would take advantage of her kindness and use the skills that she would teach Asha to their advantage and form a revolt to take them down. (Which really, with them ruling, who can blame them?)

🌟 I would say she is more of a planner than Magnifico. She plans ahead and makes sure everything is in line with what they want and makes plan Bs or Cs even Ds in case anything would go wrong. Asha actually gained that trait from her believe it or not!

🌟 Magnifico is more reckless than his wife. Amaya is more so less confronting and tries to keep up their image. She actually have certain gestures that Magnifico would take notice too. And since he trusts her a lot, he complies and lets Amaya take lead in certain situations.

🌟 Yes...she also finds enjoyment of seeing people getting tortured. They actually made up a game on how they would torture a certain civilian 💀

🌟 When it comes to how she treats the people of Rosas, she is as I said, less confronting and puts on more of a fake smile and gaslights everyone that their kingdom is fine or whatever (It is not gaslighting when it is telling the truth. I feel so offended right know! DUDE LADY CHILL I AM CREATING YOU RN AND YOU ARE ALREADY TRYING TO GASLIGHT ME WTF😭)

🌟 When she has a star's powers, I feel like it would let her create whatever the fuck she wants at an insanity level. Wishing stars create items that would help users on their journey, so with her, she can use it to her advantage. Also she becomes just as insane as her husband. It also gives a difference in terms to what they would do when they have a star's powers. Magnifico would be able to shapeshift at a corrupt level, and Amaya can manipulate her surroundings that would become reality so to speak at an insane level. I chose this one since it fits her not being more confrontant while Magnifico is more so on that. She be lurking in the shadows like a cat :3

🌟 How she knows so much about the people, is by her cat! I think the cat would be called Custos. Idk the name yet, might go with the concept version of the name.

🌟 I learn more about my prey before I strike at their weakest point. (Nah that's very catnap of you. Unless you want to fall asleep for 100 years, I suggest you choose your words carefully. Bruh alright lady💀) And yes she wrote that in...

🌟 She is such a silly lil guy...AMAYA STOP LET ME BE SILLY U SON OF A BI-😡

Erm anyways...(she tried to eat my dog and steal my cat. GRRRR)

I feel like it would be fun if it is just expanding their empire for their main goal or taking over the world. Kind of like this song as their modivation:

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I want this to be their goal since it kind of feels like some of the old Disney Villains, for me at least :3 (And I am having WAYYYY to much fun with their characters already hehe)

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Final Thoughts

On a final note, I will mention that there is a possibility that all of this wont make it into the final version. And in all honesty, I'm actually shocked I was able to compose all of this together without mentioning what they do with the wishes, like what- 😭

I also am still debating if Amaya and Magnifico made the kingdom or it was passed down through generations. Don't know yet tbh :^

Also, Amaya was sort of difficult for me to jot down since I didn't know how to get her into the story, and I think I am slowly, but surely getting there :D

I also really tried to make it different and fresh from the other versions and I am very excited to show that "I DECIDE WHAT EVERYONE DESERVES" when it is done (it is now We decide what everyone Deserves).

You can also ask both Amaya and Magnifico questions regarding the info you know about them now and about how they feel with the other versions of them if you want to of course (and I can show off their designs HEHHEH)

And yes...I had too much fun with writing out how they would interact with the post. DW, they wont interact here in the Final Thoughts section hehe ( ͡° ͜ʖ ͡°)

I might also do a post on Asha since I have been pretty quiet on her character design/rewrite and another post about Star Boy since I wanna get more in depth with the ideas of Wishing Stars in my AU.

Speaking of Au...

what to call this AU of mine hmmmmm

I'll go with The Kingdom of Roses and Thorns, or TKoRaT. Feels fitting to me, at least for what I am going for story wise and character wise. Might change it since I can't stick with one thing, but rn it rolls off the tongue nicely.

Until then, I hope you have a great day and I hope Magnifico and Amaya don't steal your dreams 💀

@oh-shtars @annymation @chillwildwave @signed-sapphire

(They are thinking of working with your versions of Magnifico and Amaya oh boy not good 💀)

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angelscorpses · 29 days

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what a waste of a perfectly good clean wrist

#angel rambles🎀#pierce the veil #disasterology #can we create something beautiful and destroy it #(destroy it)#and nobody knowsss i dream about it

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screamofalamb · 5 months

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willingly wanting to have someone to be unhealthy obsessed with is so retarded

#can we create something beautiful and destroy it #the way boredom and lonliness manifest in bpd sufferers should be cause for euthanasia #vn

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swordheld · 5 months

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hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

#q&a.#birdsong.#wishing u gentle ease; the death of a loved one is near inexplicable to put into words and i hope you take care of yourself gently <3 #i hope this will make u laugh: when i was a tiny child in middle school there were times i would go outside in my tiny suburban cul de sac-#in the rain and sing along to my lil ipod nano and i only remember doing this to drops of jupiter. can you imagine going out to get the mai #after a long day of work and you just hear this kid singing train in the streets. in the RAIN.... it makes me laugh like i really.#i really thought i was so cool and deep and emotional ghjkd but i find it v funny that i only remember it w/ that one train track.#and saturn just. it's my fav s.a.l. song for a reason. that slow violin opening? the piano coming in gentle and easy?#it feels like light. like hope. like something new - a dawn after the long dark. that beautiful things can begin again even where #it hurts. and there is nothing more human than a sentiment like that.#how rare and beautiful it is to truly exist. what it is to be alive and get to be here and live with other people. with those we love.#i think your grandfather was so lucky to be able to know you. to have you in his life for the time you had together.#i'm no spiritual person; but i like to believe when you're thinking about him? he's thinking about you too.#the second law of thermodynamics (physics nerd mode) is that no energy has ever been created/destroyed since the beginning of the universe.#so it has to go somewhere - it's that carl sagan quote of 'we're all made of stardust'. because we are. we used to be stars; planets; etc.#i think it's why i think of these space songs - because they're a part of everything; once more; when they go. us and everything else.

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loaksbitch · 1 year

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the long awaited part two is here! — imagine neteyam is now suffering from his own actions, everything turning to a hell for him, he’s even distant to his family… and you? you’ve decide this is enough and feel like you don’t belong here so you tell neteyam you’re leaving the clan soon and neteyam feels like salt is added to his open wound when he hears about that.

warning – neteyam cries 2.0 (i’m evil, i know) angst angst angst! mention of y/n’s adoptive mom, nete kinda slips from his own body and loses control, nete stills cause oc with pet names :(, vulgar language, did i mention its angst? yeah maybe i did but again we have ANGST!! 3.1k wc.

“i can’t trust you” — neteyam sully (★,꩜)

part (one) – (three) — (four) of this series.

right after you left the love of your life, where you gave yourself to him, you couldn’t stop crying mess.

rage, confusion and pain blinding your eyes you didn’t care how the na’vi gave you glances every time you passed them without greetings given back.

you’re now in front of your mother’s shelter and swallow the lump on your throat not wanting her to see you like that. you push yourself inside and turn your face to the side so she won’t notice your puffy eyes.

“hi ma,” you greet her and her ears instantly perk up at your warm tone. “my sweet child, you cam– what’s wrong?” she knew you like no one did, you adoptive mother read you like a book.

when she finally asks what’s wrong you instantly breakdown in front of her, “mama.” you cry as the na’vi stumbles to you hurriedly, “what is it baby? what’s wrong?” she keeps wiping the tears that fall

this felt like the first time she found you lost in the woods, right after your biological mom abandoned you.

crying, scared and open.

“it hurts, make it stop ma, please make it stop.” your chest heaves up and down. your mother instantly knew something happened between you and neteyam, of course she’d know about the two of you.

“he…” you can’t even finish the sentence, “lied, he lied.” you struggled and your mother sighs

“oh my baby,” she pulls you for a hug and you hide your face into the crook of her neck crying again. no matter how she tighten her hold on your violently trembling body, she couldn’t stop the shattering feeling of your heart

you stood there hugged and vulnerable, seeking for comfort from your mother.

then there’s neteyam, who got to deal with the pain he created alone and secretly, he didn’t even get the chance to cry or comfort himself.

your words echoing in his drained mind, neteyam climbs back to his hammock. “i. hate. you.” those three words were enough to convince him you really do hate him. neteyam lied to you and you hated being lied, he knew everyone from your childhood lied to you

he knew it took you so much of sacrifice to give him a chance, he knew yet he destroyed you, he destroyed your heart. he can never forgive himself for that and he doesn’t want you to forgive him either.

neteyam chooses to suffer double than watch you break like that? he actually wishes you’d kill him right now but then again he deserves to live with this pain.

“i’m sorry.” he whispers as if you’re next to him and hearing him apologize. neteyam leans on the tree that’s helping the hammock stand in the middle of his room and slowly slides down to sit on the mat

“i’m so sorry, princess.” he knew you’ll never let him in again.

neteyam brings his legs to his chest and puts his arms on his knees before using them to lay his head. silent yet deep sobs left his lips as his chest tightened.

how was he supposed to live without you? without your skin against his? without your scent in him, without your smile to start his day… most importantly, without your love.

and now that neteyam have came to realize that, the perfect little solider has finally became defeated.

“i’m sorry.” he kept apologizing as he drifted to sleep, his beautiful face stained with tears.

and now five days passed, neteyam became distant with his family. no more breakfast eating with them, no more tuk and him moment, no more staying up all night with lo’ak and kiri to cause trouble.

no more in love with everything and colorful neteyam.

and his mother didn’t fail to notice him, notice how his behavior has changed. “something’s wrong with our son, ma jake, there’s something so wrong.” jake hums thinking neteyam is just getting more and more stronger and only practicing

“he’s just focusing on himself and training my love, you don’t have to worry.” jake says as he sharpens his weapons for the next war party

“no, you don’t understand” neytiri places her hand on jakes shoulder worriedly as their son kept himself inside his hammock, not wanting to interact with anyone of them. “he barely eats and drinks, barely plays with tuk she even started to ask for him.”

neytiri continued, “all he does is spend time on training, overworks himself and sneaks inside at midnight thinking i wouldn’t notice.”

jake frowns, this was new.

“neteyam started sneaking?” jake’s surprised tone makes netyiri sigh. he’s not taking things serious. “ma jake.” she warns when he tries to joke with a “neteyam’s finally being a spoiled brat huh?”

“okay okay, sorry but i’ll talk to him” jake cups his mates face and smiles, “maybe he’s having a hard time with being the future leader of the clan,” jake sighs “or maybe his new mate? he’s trying build some muscle, baby, don’t overthink it.”

neytiri only closes her eyes as they’re both sat in their hammock. “alright.” she voiced out.

right when jake was about to place a kiss on his wife’s lips, neteyam pulls the hanging fabric to the slide and walked straight to the front door. both his parents flinch at his sudden appearance.

“where you going, son?” both of them ask in unison making neteyam halt his steps.

“training and hunting.” he doesn’t turn to face them and neytiri insists. “you’ve been going out too much lately, nete’ don’t you think you need a break?”

“i’m fine mother.” with that being said, neteyam leaves the hammock while jake comforts his wife whose eyes tear up in worry.

neteyam didn’t fail to notice how his mother sounded worried and he hated that he caused that, but he doesn’t want them to figure out what’s wrong. he can’t risk your safety if they find out without you two communicating.

what if they hurt you? what will he do?

“look who’s finally out,” familiar voice sips to neteyam’s ears and neteyam closes his eyes, can they not just leave him alone? no, not really. lo’ak chuckles as he swings down the branch he was hanging on and jumps next to his brother

“where’re you going big bro?” lo’ak asks but gets ignored, “hey, you know i’m talking to you…”

“leave him skxawng, he’s in his emo arc.” kiri lets a sarcastic laugh out making the heartbroken man annoyed. “yeah? he’s seriously ignoring his one and only siblings” lo’ak keeps pushing his older brother

“can you guys leave? i want to be alone if you can’t see.” neteyam hisses under his breath but it falls to deaf ears. “damn bro, look at those growing muscles.” lo’ak turns to his sister and chuckles

“must be for his future mate, äyea.”

now lo’ak did a little bit of a mistake here, neteyam was now breathing through his nose, jaw clenched as he got his brother pinned to one of the trees. “i fucking told you to leave me alone, didn’t i? and don’t even dare to bring that name up here, again.”

lo’ak’s eyes are widened when his brother has him pinned to the tree, something dangerous flashes in his amber eyes and lo’ak lets a soft gasp out before being his hands up on air as a surrender.

“can you two stop? you guys are so immature.” kiri huffs out but neteyam only glares at his brother, “neteyam!” she calls out and once neteyam gains himself back, his eyes widens at the state. “shit, sorry.” his ears flatten, “i’m sorry lo’ak.”

both siblings take a glance at each other and lo’ak awkwardly chuckles. “it’s all good bro, you okay?” neteyam only nods before pushing himself out far away from everyone.

everywhere he goes, he kept hurting people and it’s destroying him.

once he was far enough from everyone he couldn’t help but allow himself to walk to the familiar place he finds comfort. the first place he saw you and got swept with love right away.

meanwhile neteyam was walking there you’ve actually managed to leave your hammock after days, well not managed but your mother was the one who threw you out to take some fresh air and communicate with eywa for a while

you couldn’t help but let you feet wander and take you to one of the places that are dear to you in pandora and your village. it was the shores that had glowing fish. the first time you met neteyam and you got your whole body woken up with butterflies.

you’re squat and twirling your hand in the edge of the ocean when you softly giggle as the glowing fish touches your hand with its soft fins. but that giggle didn’t live long when instant memories flood your mind.

“this one is honestly pretty.” you watch the glowing fish circle your feet that’s dipped in the ocean with your man next to you and you hear him hum agreeing but his eyes were only on you

“it really is.” he murmurs and when you notice it, you can’t help but realize your cheeks are heated up.

that was when you two shared your first kiss, of course it was a shy moment but on eywa you swore how good neteyam was, he was basically eating your face. “nete,” you’d sigh to his mouth when he leans and pressed his forehead against yours.

“it’s okay, it’s okay.” he would calm you by pulling you close to him as you’re both hanging your legs in the ocean. he would always place kisses on your skin every time you panic, thinking you’re doing something wrong

you missed that moment, you miss him but you can’t let those feelings win over and forget what he did.

you pull your hands out from the water, pushing those memories away and adjust your balance while you’re still squat and put your chin on your knees. “i miss him,” you speak and watch the fish wiggle around and smile, “you miss him too?” you ask it as if it would reply

you didn’t notice the subtle movement that’s made behind you in the woods as you talk to the animal you playfully adopted as your child with neteyam

neteyam in other hand freezes at his spot when he notice your familiar figure by the edge of the ocean. you’re silent before you let a soft giggle out and neteyam breathes out a laugh as he felt his eyes whelm

he really missed that sound of yours.

“i miss him,” your words catch his ears and his tail swings side to side like a dog. “you miss him too?” you ask as if you’re talking to someone and neteyam catches the fish you two jokingly adopted wiggling at your touch

his heart swells up with emotions.

you still haven’t noticed your used to be man watching you from the woods and sigh before deciding it’s time to leave, you need to distract yourself before you soon start to cry again

once you’re up on your feet, you turn around and your eyes catch the shadow of the tall figure with its tail moving. you let a loud scream out, startled and stumble on your feet only to trip and fall to the ocean.

“fuck!” neteyam curses when your eyes catch his and you’re instantly falling to the water.

“no, no, no!” neteyam was quick to run to you, you suddenly feel someone pull you and snoop you to their arms around your body before stomping out of the water to get you out of there

you’re confused and want to know who it is until a familiar scent helps you recognize who that was, you wanted to call his name out so badly but you just kept yourself silent until he got you to the sand.

once neteyam places you on your feet, you’re bombed with question about safety.

“did you get hurt? want me to carry you? baby, talk to me!” you don’t miss the pet name and don’t know know which to answer. “can you shut up?” you ask and he instantly obeys, “mhm.”

“i’m okay, thanks.” you’re curious to know what he was doing here.

“what’re you doing here?”

“what are you doing here?” he questiones back and your stomach drops. ‘because i miss you?’ you wanted to say but chose to stay silent and start to leave when neteyam suddenly grabs your hand. you’re stood there for a moment before you’re slowly turning to give him a deadly glare.

“what did i say about touching me?”

you’re so dominant it drives him insane, but neteyam heard you say you’re missing him and he has now some hope to relay that you still love him. “can we talk?” his voice is almost silent when he says that

“there’s nothing to talk about.” you dryly reply

neteyam nods and adjust the bow on him he brought for hunting, letting go of your wrist and you instantly miss the warmth but doesn’t show it. “i want to explain that–“

“you don’t need to explain yourself to me like you owe me something neteyam, it’s over for us.” you watch him battle himself from breaking down and swallows hard. you feel the atmosphere turn awkward.

“i heard you, y/n” you glance away from him feeling caught at stealing something. “you said you miss me.” his freckles are glowing and it makes you want to run your fingers on his skin where they exactly are.

“i do miss you” you’re honest and didn’t miss his little whimper when you say that. “but that doesn’t mean i’m not working on to get rid of those feelings.” your words hurt like a bullet being stuck in his chest and neteyam knew that feeling.

“you can’t say that,” he says, ears flattened and eyes hazed with hurt. “i can’t?” you sarcastically remark and scoff before trying to leave. “princes– y/n.” as much as him correctly himself from calling you his princess hurts you, again you manage to cover it up

neteyam feels his heart crack for the thousand times when you flinch away from his touch. “can you stop doing that?”you hiss and he knows you’re trying to protect yourself so bad, neteyam knows this is not you but the stupid shield you try to cover yourself with

“drop the act, y/n stop pushing me away.”

“you’ve a mate and i can’t do that to your future love so don’t touch me.” you’re using his actions against him to protect yourself. neteyam is annoyed now, he was to rip something apart or kill someone.

“look, i know i fucked up but that doesn’t mean…”

“yeah, it doesn’t mean anything, nothing matters.” you say and shut your eyes before taking a deep breath. his next words makes your brain rick in anger.

“can’t you just trust me?!” he dared to raise his voice at you. but in fact, neteyam was only raising his voice up to cover the quivering sound of his voice and stopping himself from crying in front of you

you take a step right to him and click your tongue.

“trust you?” you’re forcefully chuckling now. “i trusted you, neteyam, i trusted you so much but where did that lead me?” you’re poking his chest with your index and neteyam closes his eye before opening them and looking at you

you see something in him shift and realize he’s trying to make a progress.

“i can’t trust you…” you end up whispering the last part. “even if i want to, i just can’t.” you lean to him, dropping you forehead right to his chest and neteyam holds his breath. “i can’t, neteyam. i really can’t.”

as if he didn’t already hate himself more than this, he wishes he would just die at this point. you feel his hands grip your arms and pull you away from him a little far. one hand cups your cheek and he feels you lean to him for warmth.

there, right there was his y/n he knows.

“please,” he’s now begging. “let me make it right.”

you only lean to him to take his warmth one last time before opening your eyes and sighing. “nete’” you watch his breath hitch. “call me that again, please call me that again.”

“nete, i’m leaving.”

neteyam’s body freezes against you, “what?” is the only word he was able to let out. “what do you mean you’re leaving.” it wasn’t even a question, “me and my mom have decided and knows this place isn’t for us.”

you’ve been trying to let him know but you couldn’t until now and you take this opportunity to be close to him for the last time. “i don’t fit here, i’ve to leave.”

“what a..abo…about me?” he was now hyperventilating when he realize why you’ve accepted his touch on your body right now. “you’ve her, you’ve äyea.”

“don’t say that! please don’t say that– i’ve no one except you.” you’re trying to control the tears but neteyam was only making it hard. “neteyam.” your voice is quivering and neteyam shakes his head in denial

“no, don’t you care about me? no! NO!” he’s now holding your arms tight. “neteyam, please don’t make this hard.” you beg as tears start to roll down your pretty skin. “i have to leave!” you yell and neteyam instantly lets you go

he knew he deserved pain but not this one, neteyam didn’t want this he’ll never want this.

“when?” he’s now staring at you numbly. “huh?” you ask confused. “when’re you leaving?” you gulp and think before speaking.

“after your mating ritual, i’ll leave that night after yours and hers…” you stop when he shuts his eyes and blocks your words out. “i’ve to go, i can’t live like this! i don’t want to get hurt anymore.”

neteyam was nodding, stepping back from you. you feel guilty for just dropping it at him like that.

“so you’re saying if i haven’t caught you here i would never know and you would leave me?”

“i’m not leaving you, neteyam, you have äyea.” your words makes him snap.

“I DON’T WANT ÄYEA?!”

“don’t you dare yell at me for protecting myself.” you say and neteyam sniffs angrily. “you know what, i shouldn’t have told to you anything.” you suddenly push past him and walk fast.

neteyam clenches his jaw in anger and pain, no it won’t end like this. he won’t easily let you go like that, never.

enough is enough and nothing will easily end here.

guys it’s 3.1k and i had to stop there yeah? i feel like i might make part 3 and 4 but fr tho should i make it happy ending or sad ending? or maybe alternative ending— i love each and everyone of you sm! mwah!

taglist 𖤘 @eywas-heir @evanpetersluver @ayathehater @redbloond @brooklynscherry-z @spideyluves @littlethingsinlife @arminsgfloll @thesheelfsworld @traveleraroundsworld @giftfromthemoon @emarold @ilovehotdilfsz @kristalposts @raventommy @scryarchives @senpaitanakiuwu @willoswildworld @voniikg @unoficialy-married-to-ace-austin @dearmikewheeler @mcqsx @eitaababe @hafutoru @hestiasalvtore @trhaenyra @23victoria @littlerizzler @ripneteyam @scarletrosesposts @th3-3d3n-g4rd3n @omgily (others will be tags if i make part 3)

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and-then-there-were-n0ne · 3 months

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I read this week that Instagram is pushing “overtly sexual adult videos” to young users. For a Wall Street Journal investigation, journalists created accounts that could belong to children, following young gymnasts, cheerleaders and influencers. The test accounts were soon served sexual and disturbing content on Instagram Reels, alongside ads for dating apps, livestream platforms with “adult nudity” and AI chatbots “built for cybersex”. Some were next to ads for kids’ brands like Disney.

This is something I’ve been trying to get across to parents about social media. The problem is not just porn sites. They are of course a massive concern. Kids as young as nine are addicted. The average age to discover porn is now 13, for boys and girls. And many in my generation are now realising just how much being raised on porn affected them, believing it “destroyed their brain” and distorted their view of sex.

But the problem is bigger than that. Porn is everywhere now. TikTok is serving up sex videos to minors and promoting sites like OnlyFans. The gaming platform Twitch is exposing kids to explicit live-streams. Ads for “AI sex workers” are all over Instagram, some featuring kids’ TV characters like SpongeBob and the Cookie Monster. And there’s also this sort of “soft-porn” now that pervades everything. Pretty much every category of content that kids could stumble across, from beauty trends to TikTok dances to fitness pages, is now pornified or sexualised in some way for clicks.

I think this does a lot of damage to Gen Z. I think it desensitises us to sex. I think it can ruin relationships. But beyond that, I also believe a major problem with everything being pornified is the pressure it puts on young girls to pornify themselves. To fit the sex doll beauty standard; to seek validation through self-sexualisation, and potentially monetise all this like the influencers they’re inundated with.

Which, of course, puts girls at risk of predators. Predators who are all over TikTok, Instagram and Snapchat. Predators whose algorithms helpfully deliver them more content of minors and steer them towards kids’ profiles. Predators who are taking TikToks of underage girls and putting them on platforms like Pornhub.

And this is even more terrifying because adolescent girls are especially vulnerable today. They are vulnerable anyway at that age—but today they have far less life experience than previous generations of girls did. They are extremely insecure and anxious, and much less resilient. Combine this with the fact that they are now more easily exposed to predatory men than ever before in history, and served to strangers by algorithms. And another thing: girls are also able to look way older now. They have AI editing apps to sexualise themselves. TikTok filters to pornify their bodies. And access to every kind of make-up and hair and fashion tutorial you can think of to look sexier and more mature. I don’t think enough parents realise how dangerous this situation is.

Which is why I find it so frustrating to see some progressives downplay the dangers of all this. Those that dismiss anyone concerned about the pornification of everything as a stuffy conservative. And somehow can’t see how the continual loosening of sexual norms might actually empower predatory men, and put pressure on vulnerable girls? That seems delusional to me.

Let’s just say I have little patience for those on the left who loudly celebrate women sexualising themselves online, selling it as fun, feminist and risk-free, but are then horrified to hear about 12 year-olds doing the same thing. C’mon. No wonder they want to.

But I also find it frustrating to see some on the right approach this with what seems like a complete lack of compassion. I don’t think it helps to relentlessly ridicule and blame young women for sexualising themselves online. I don’t think it’s fair either. We can’t give girls Instagram at 12 and then be surprised when as young women they base their self-worth on the approval of strangers. We can’t inundate kids with sexual content all the time and be shocked when they don’t see sex as sacred, or think sex work is just work! We can’t give them platforms as pre-teens where they are rewarded for sexualising themselves and presenting themselves like products and then shame them for starting an OnlyFans. We can’t expose them to online worlds where everything is sexualised and then be confused why some of Gen Z see their sexuality as their entire identity.

And again, on top of these platforms, girls are growing up in a culture that celebrates all of this. They are being raised to believe that they must be liberated from every restraint around sex and relationships to be free and happy, and many have never heard any different. Celebrities encourage them to be a slut, get naked, make/watch porn and make money! Mainstream magazines teach them how to up their nude selfie game! Influencers tell millions of young followers to start an OnlyFans, and pretend it’s about empowering young girls to do whatever they want with their bodies! I can’t say this enough: their world is one where the commodification and sexualisation the self is so normalised. It’s heartbreaking. And cruel that anyone celebrates it.

So sure, young women make their own choices. But when we have children sexualising themselves online, when girls as young as 13 are using fake IDs to post explicit content on OnlyFans, when a third of those selling nudes on Twitter are under the age of 18, I think it’s safe to say we are failing them from an early age.

I guess what I’m trying to get across is this: it’s tough for girls right now. It’s tough to be twelve and anxious and feel unattractive and this is how everyone else is getting attention. It’s tough to constantly compare yourself to the hyper-sexualised influencers that the boys you’re interested in are liking and following and thinking you have to compete. It’s tough to feel like the choice is sexualise yourself or nobody will notice you. The sad reality is we live in a superficial, pornified culture that rewards this stuff, and in many ways punishes you if you’re modest and sensitive and reserved, and a lot of girls are just trying to keep up with it.

We need serious cultural change. We need to wake up to how insane this all is, how utterly mental it is that we allow young girls anywhere near social media, and how we’ve let the liberalising of sexual mores escalate to the point where pre-teens are posing like porn stars and are lied to that it’s liberation. And where we need to start is with an absolute refusal from parents to let their kids on these platforms.

So please. If the relentless social comparison and obliteration of their attention span and confusion about their identity wasn’t enough, this has to be. Don’t let your daughters on social media.

#social media #freya #freya india

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transbutchbluess · 6 months

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The Gods are not trans allies.

The Gods are not trans-friendly.

The Gods do not ‘support’ queer people.

The Gods ARE trans. The Gods ARE queer.

The Gods are transgender, They are transsexual. ‘Trans’ means ‘beyond, across’.

The Gods are beyond gender. Beyond sex. Beyond flesh. Beyond normality and norms— thus, They are queer. They are trans. They are on the other side of gender, of sex— on the side we cannot even begin to understand.

The Gods are transsexual and transgender and queer not (only) within our human understanding of transness— They are not trans in the way we humans are trans.

But They are still trans. They are the original transness. The ultimate transsexuality.

Transness as a transition from a state to another state, from a form to another form— from Their divine form to one we humans can behold without being consumed by Their inherent queerness. From Their divinity to words we humans can attempt to understand and think of without being utterly lost in the enormity and infinity of the divine.

Transness as a journey, a constant state of evolution within the world— evolution of the world itself, for the Gods are the world, are beyond time, beyond space, yet constantly changing.

The Gods do not love trans worshippers despite their transness, despite their queerness. The Gods love trans worshippers for their transness. They love us because we are trans. Because we are queer.

As we defy norms, we become closer to Them— trans people are humans, mortals, but I firmly believe that there is something inherently holy in transition. To change yourself, to think the limits of the body and to alter your own flesh is to create, is to destroy. To understand how limitless the world is— how flesh and sex and gender are human things, social things, that are made by us and can be expended and transgressed— is to take a step towards the Gods.

The Gods love you. You are made in Their image. Or maybe— you make yourself in Their image. And that is beautiful.

(reminder that this is my vision of divinity, not a definite fact, even if i think there are a lot of things (in multiple cultures/religions) that point to the divine being beyond gender)

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videogamelover99 · 11 months

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OKAY BUT LISTEN. LISTEN. I WANNA BREAK DOWN SOME OF THE PANELS FROM THIS SCENE CAUSE UH. This is like a powerpoint of the audience realizing the Sheep are not Chuuya's friends.

First off, baby? Baby. Also Chuuya's body language in the art is so, like, embarassed/self-conscious teen, except instead of the problem being hanging out with the wrong people in high school its...Mafia-level stakes. Anyway, Chuuya curling up while hiding from his "friends" immediately gives you a sense he is not the one in control.

Dazai-like expression who? Chuuya is putting on a mask so eerily similar...it gives us some great parallels.

Chuuya unnecessarily apologizing to Shirase? Yeah. Straight from the book.

Insane over Shirase's solid B+ gaslighting. I don't remember if these lines are from the book, but Shirase implying Chuuya's the one "acting like a tyrant" when he literally didn't do anything?? Except ask politely for favors? Throughout the whole conversation he's been the polar opposite. But hey, maybe Shirase's just projecting.

Haha, "somehow".

Nothing to add here except Shirase's body language in this is SO much better than the anime. In the anime he just acted mad and kinda hot-headed. Here he's smiling, acting friendly, giving off those "ofc I'm on your side Chuuya but you make it so hard for these made-up reasons" vibes. Shirase is opportunistic, manipulative, he believes he has control over Chuuya, and therefore his ability.

Of course, Dazai can tell immediately what Shirase is doing. That Shirase has more power over Chuuya than Chuuya does over any of the Sheep (which is once again reinforced by the body language. Shirase's arm over Chuuya's shoulders, swamping him. Being physically taller than Chuuya. Chuuya just kind of standing there, passively.

Also despite what Shirase seems to believe, he and the other Sheep are not one bit smarter than Chuuya. They're eagerly celebrating their victory when Chuuya can clearly tell this is some sort of plan on Dazai's part.

Dazai destroying any leverage they had over Chuuya and yet knowing there's some reason Chuuya is doing this anyway. Offering him a choice.

As I've said before (and it's more obvious than ever in the manga) Shirase's using it to gain Mafia territory by getting some of their members captured. I've stated this before, and we do get a confirmation:

The "self defense rule" is something Chuuya explicitly created. To not strike unless provoked. I have a lot of thoughts on this and why but that's not for this post.

And we have!! Dazai getting pissed off on Chuuya's behalf!! He's scary.

(Spoiler alert: they are not his friends.)

Ahhhh

Ahhhhhhhh

Guys I love this chapter. Because on one hand, Shirase, like the rest of the Sheep, have very legitimate fears. They're literally a bunch of kids that used to be preyed on by other organizations, and if Chuuya is not guaranteed to protect them, then...well...they're in horrible danger, really.

The problem is that Chuuya is ready to protect them. But they don't trust him, and it seems they never have. The whole thing is built on Shirase (and probably the others) holding some kind of emotional and social power over Chuuya, therefore guaranteeing their safety. But when that's not longer the case, well, they don't trust Chuuya to protect them. I'm curious how the manga is going to adapt Dazai's whole "meat" story later on because the issue isn't a selfish conflict of interest. The issue is trust, and the lack of it between Chuuya and the rest of the Sheep.

It's like the Sheep built their gang on high school clique rules, and didn't realize Chuuya's not just operating out of a sense of obligation and need to belong, but genuine care. Anyway, that's all I have to say. The art is beautiful.

#bsd #bungou stray dogs #nakahara chuuya #dazai osamu #soukoku #fifteen manga #fifteen light novel #shirase

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noxturnalpascal · 4 months

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Devotion 🖤 Masterlist

Series Summary: When is it enough? When is it too much? When does Devotion become Obsession?

I. Stronger Together CH 1 CH 2 CH 3

II. Predator or Prey? CH 4 CH 5 CH 6 CH 7 CH 8

III. Path to the Future CH 9 CH 10 CH 11

Series Warnings: 18+ MDNI, canon-typical violence/death, death of clickers, guns, blood/injury, references to previous SAs (not described), Reader has low self worth & trauma, this group/cult is not feminist - women aren’t treated as equals, Joel has sexual relationships with other characters (not described in detail), possessiveness, manipulation, stalking/spying on, Joel gets mean, DubCon Oral, Joel gets abusive (verbally, mentally, physically (he hits, throws, and bites), thoughts of self-harm and suicide, talk of periods & pregnancy, unprotected PiV, oral sex (m & f receiving), come eating, DIRTY TALK, brief reference to breeding kink and creampie kink (but reader does NOT get pregnant in this story).

A/N: OBVIOUSLY this is canon-divergent, but it is post-outbreak. The events of outbreak day have not changed (sorry Sarah). Reader does have a developed background that plays heavily in her character arc, so in that sense she is very much an OC. Reader has a nickname and some minor physical descriptions.

LAYOUT OF JOEL'S HOUSE

*🖤*NOTES ABOUT THE CULT & JOEL BELOW*🖤*

ABOUT THE CULT

The Cult's Core Ideology

Build up a community (and supplies) to return to a thriving society that can keep people safe & find a cure.

The Cult Operates by its 3 Tenants:

How Joel does it (what he "preaches")

I. Build Trust (We are Stronger Together)

Makes people feel beautiful, important, HEARD

Shares the wealth (food, shelter, women)

Seeks Power & Control to get others to help him

II. Us vs Them (The Predator Vs The Prey)

FEDRA is the enemy, do not trust them

Assimilate or Destroy all other people/groups

Attack them before they attack you

III. Gather & Prepare (Create a Path to the Future)

You can never have enough, always take take take take

The community you create now will determine future society (fair, honest, hardworking)

Once you are well-prepared and rebuild, you can work on finding a cure

🖤

Notes about Joel and the Cult:

He and Tess began this community together in 2010 after they met Bill and Frank and they felt that the QZ was becoming too dangerous and unstable. They settled in a small, remote town in the mountains of Vermont. Tess helps him "run" the community but she has a submissive role. (Their dynamic here is different from canon.) Tess has his respect probably more than anyone else does but she is not looked upon like an equal by anyone in the community.

Timeline/Ages:

This takes place in the fall of 2012, so It’s been 9 years since outbreak day. Joel is 45, my HC for Reader is Early 30's (Tess is 39/40). Reader's exact age isn't given, but she was in her early 20's on outbreak day and I wanted her to have experienced a fair taste of an adult life before the world ended. I didn't want to write the reader as inexperienced or with too large of an age-gap, although I think 11-14 years is still pretty significant. She has a history that plays a significant role in her personality (wary, untrusting). She has been hurt/abused by men - both those that took advantage of her when she was young, as well as by those that she trusted/loved. There are very few physical descriptions but she is very much an OC. Note that her age is not something that's explicitly mentioned because I did want to keep it inclusive. I hope everyone who wants to read this can use their imagination to fit themselves into the story in a meaningful way.🖤

#devotion series #cult leader joel miller #noxturnalpascal #ofc!reader #joel miller #joel miller x reader #joel miller smut #joel miller fanfiction #pedro pascal characters

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septembercfawkes · 9 months

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Directionality in Fiction: Why You Need it & How to Create it

Every successful story has a sense of direction. The audience wants, and even needs, an idea of where the story is going. If the audience literally has no idea what could happen next, then that often means what happens next doesn't really hold any value one way or another. It's like Willy Wonka's river ride into darkness--confusing, awkward, and a little bizarre. It's hard to trust Willy Wonka to get you anywhere. Writers should avoid being like Willy Wonka, for several reasons.

Wait! you may be thinking. Don't we want our stories to be unpredictable? Isn't not knowing where the story is going more exciting?

Many beginning writers make this mistake (including yours truly back in the day). They think having no clue where the story is going makes it more of a page-turner. They may recall audience members happily describing a story, saying, "I had no clue where it was going!" or "I had no idea what was going to happen next!"

These are just expressions of emotion. In reality, for the audience to even have those emotions, they usually must have a sense of direction first.

It's a similar concept to being vague versus being ambiguous. Vagueness happens when you don't have enough context to tell what something is, if anything. Ambiguity happens when there is enough context to interpret something in two or more ways, and you aren't sure which it is. When audiences say, "I had no clue where it was going," often what they really mean is, "I didn't know which of the critical directions it would go."

A story that has no sense of direction is almost never as effective as one that does. Without a sense of direction, the audience can't measure what is progress or what is a setback. They can't get invested, because they can't anticipate anything. They can't feel tension or suspense or even surprise, because they can't hope or fear for what could happen, and don't have expectations for what is going to happen.

Instead of Willy Wonka's tunnel of terror, imagine taking a hike toward a beautiful waterfall (it can still be made of chocolate if you want). A twisted ankle, closed trail, or nearby predator is a bigger setback than if we had nowhere we were trying to go. A shortcut is a bigger leap in progress if we are trying to reach a specific destination. And discovering we're actually on a trail that leads to an active volcano is a bigger surprise.

There are two critical plot elements that will automatically inject directionality into your story. Then, there are a lot of alternative methods you can use to reinforce it, or that you can rely on when performing a rule break (more on that in a bit). First, let's go over the two major ones:

1. Goals

A character's goal immediately gives the audience a sense of direction. This is because goals are about an outcome. They instantly convey what the character wants to happen, or doesn't want to happen. In order to be effective, though, they have to be achievable and relevant. Who cares if your character wants to do magic, if magic is literally impossible in your setting? That's not a real goal--it's a wish.

There are three basic types of goals: obtain, avoid, or maintain.

Convey a clear, relevant, and achievable goal early, and your audience will not only have a strong sense of direction, but they'll be more invested--because they'll want to see if the character gets the goal.

Then, if you add how the character plans to get the goal, you'll reinforce the goal and sense of direction even more.

2. Stakes

Many like to define stakes as what is at risk in the story. I feel like it's more effective and more accurate to define them as potential consequences. It's what could happen if a condition is met. If Voldemort gets the Sorcerer's Stone, then he can return to power. If Frodo destroys the Ring, then he saves Middle-earth. If Katniss cuts down the tracker jacker hive, then she can get away from the Careers.

As you may have noticed, stakes are often tied to goals. They are often the potential consequences of meeting or not meeting a goal.

Stakes are about conveying to the audience what could happen. This gives what does happen, meaning.

Stakes also innately convey a pathway, a direction. If X happens, we'll go down path A. If Y happens, we'll go down path B.

I've never seen a story with too many stakes. I've seen lots of stories that don't have enough stakes. Walk the stakes out to create strong directionality.

And don't assume your audience will simply imagine the stakes on their own. Almost always, they want the story to tell them (explicitly or implicitly) the stakes. Almost always, the story is better when we clearly communicate the stakes. Avoid being vague. Help the audience imagine which important pathways the story could take.

These are the two most important, and most effective, ways to create directionality--they accomplish multiple major things at once.

However, this doesn't mean they are the only ways to create directionality.

And while they are almost always critical to a solid plot, that doesn't mean you can't ever break the rules and have them be absent on occasion.

If they are absent though, that usually means something else needs to be used to create directionality in their place (unless, of course, you are working with a teaser--but even they can arguably have a sense of direction). So how do stories without legit goals or stakes still work? Well, they probably incorporate at least one of the following things--which you can also use to reinforce directionality when you already have goals and stakes in play.

3. Dramatic Irony

Dramatic irony happens when the audience knows something the character doesn't. Often this is a critical piece of information, and frequently (though not always) it is implied that the character will learn the same thing at a later point in the story. In a horror, we watch the villain enter a dark room, and later see the heroine, oblivious, go in that same room. It's likely only a matter of time before the heroine realizes the villain is in there, and the audience anticipates that encounter. This creates directionality.

Even if the character never learns the critical information (such as the fact that Juliet isn't actually dead in Romeo and Juliet), the audience still anticipates how the character will interpret or react to what they do encounter (a Juliet who seems to be dead).

4. Convergence of Plotlines

In a story that contains multiple viewpoint characters, each with plotlines, it's often implied or assumed that these plotlines and characters will converge. We may start a story with a rich man eating a feast for breakfast, then taking his recent earnings to the bank. And after, we may cut to a scene where a poor, starving woman is begging, perhaps a block away from the same bank. The audience anticipates that these two characters will cross paths.

Sometimes the two viewpoints or plotlines don't seem to have anything in common, but the audience expects they will relate to each other on some level--they are in the same book after all.

Promise your audience a collision of plotlines, and you'll promise them a sense of direction.

5. Countdowns

A countdown automatically implies direction--whether or not the audience knows the consequences tied to it. We show a clock counting down, and we wonder if a bomb will go off or if another catastrophe will hit once it reaches zero. Or, it could be a countdown to a celebration, like the New Year.

Countdowns on a timer are obvious, but there are other types of countdowns too. A simple calendar can work as a countdown. In Christmas Vacation, an advent calendar is used to count down the days until Christmas. Each Harry Potter volume fulfills one school year, each chapter brings us closer to the year's end. So even when there isn't a dire goal in play, there is always directionality.

A deadline works in similar ways.

There can be a countdown when using up resources: Fuel is running out. Oxygen is limited. There is only one loaf of bread left to eat.

Illnesses and maladies can work as countdowns. There may be a countdown to when cancer wins, or when a spell leaves its target as an unseemly beast, permanently.

Countdowns always imply direction.

Knowing the potential consequences--the stakes--creates more tension and suspense, not knowing them creates intrigue.

6. Geographical Destinations

A destination naturally implies direction. In The Emperor's New Groove, Kuzco needs to make it back to his palace. Every step closer is progress, and every obstacle that blocks or pulls him off course is a setback.

But destinations can still work even when there isn't one specific destination yet established. Whenever you open a book that starts with a map, it implies a sense of geographical direction. You may not know exactly which place is the desired destination, but the map promises that the characters will be venturing to different places.

7. Passive Mysteries

Passive mysteries work by withholding context from the audience. Stuff is happening, but the audience doesn't really know what it means (think: vagueness). Because of the lack of information, no one is really doing anything to solve the mystery--there aren't any "leads." (In contrast, in an active mystery, the character has the goal to solve the mystery and has leads to follow.)

Teasers often work as passive mysteries (which is why I said sometimes even they have a sense of direction). The audience is promised that if they stick around, they will get the context they need, to understand what is going on. The audience is promised a direction.

Passive mysteries often can't hold an audience for very long, strictly because they work off vagueness. You need other elements in play to get readers to stick around.

Nonetheless, the promise of context does give readers somesense of direction.

Active mysteries create directionality too, but in the same way that goals do. In an active mystery, the goal is to try to solve the mystery, so the audience is promised a direction with that.

Directionality is important in every story, and not only is it important in the whole narrative arc, but it is important within acts, sequences, and scenes, too. Nearly every scene should have directionality, which should be established early on.

Once the audience has directionality, you can make the story more exciting and dramatic (and even "unpredictable"). They think things are going X direction, but something comes along that threatens that direction or even throws the characters off course and onto a new pathway, a new direction. Just like our (chocolate) waterfall hike. In any case, there should almost always be a sense of direction.

#writing tips and tricks #writing tips #writing help #writeblr #writing advice #writing reference #writing tip #writer #writing #fanfic

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punkpandapatrixk · 8 months

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🥀Sad Bitch Lilith ♦︎ Timeless Pick A Card

We live in a world where being too kind, too sweet, too compassionate and forgiving could often lead to disastrous outcomes. This is after all a world where narcissists, sociopaths and psychopaths run free without much repercussion. A sweet girl can’t be pleasant all the time; a goddess needs to carry a machete from time to time.

What most people have yet to grasp, is that Venus and Lilith quite literally make each side of the Divine Femininity coin. Venus represents Light and Lilith represents Dark; even then, they could easily switch roles depending on the situation at hand. Only if you want—you are allowed to embody both Venus and Lilith in their respective glory.

Do you really want to become that kind of idiot who sends love and light to those who have done you much harm? You don’t have to force yourself to be the bigger person in a conflict that was created for the sole purpose of stripping you of power and autonomy. Enablers and gaslighters enforce that kind of idea so you make room for their terrible behaviour. WAKE. UP.

So many women in this world have at some point been a Sad Bitch Lilith at the hands of psychopaths, sociopaths and narcs in whatever role they play in their lives. Hopefully this reading serves to help you turn the narrative into SAVAGE LILITH. The Dark Moon Goddess who delights in revenge for she knows in it lies EDUCATION for the imbeciles who have foolishly disrespected her kind, sweet, friendly, feminine qualities. The Dark Feminine retorts,

‘RESPECT ME OR GET DESTROYED.’

Black Moon Lilith is a Goddess of Redemption. She takes into her own hands matters of delivering nightmare to those who have wronged her. She calculates in the dark. She doesn’t ask for permission. She's a wild woman. She punishes swiftly. She moves history.

She is Karma.

Karma paid in revenge glow up, BITCH🌹

SONG: I’ll Make You Cry by aespa

MOVIE: Gone Girl (2014)

[PAC Masterlist] [Part 1] [Part 3]

[Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – When My Tears Silently Turn to Diamonds

the way your beauty irritates people – 10 of Pentacles Rx

VIBE: I’m Unhappy by aespa

You’re somebody who’s perceived as abundant and superfluous by others. It’s super obvious from the way you look, the way you carry yourself, or even your family background. You just… exude a rich vibe—whether or not you actually come from old money. Damn, you just have it in you. It’s something you were born with. Even if you didn’t come from a rich background, or even if right now, for some reason you’re struggling with resources, no, honey, listen: it’s your fucking AURA.

People can see either you’re blessed since birth—with money, beauty, talents, whatever—or they simply can smell that you’re gonna make it big someday. Most people you’ve known in your environment, do not like this about you at all. It’s their own fault though, why in the name of fuck are they always comparing themselves to you? Did you ask for that? Never. But they’re always imagining how nice it would be in your shoes without knowing for realz your life story.

They project their insecurities at you even when you’ve never wanted to make anybody feel that way because of your presence. In many ways, I think you’ve tried so hard to make you look ordinary, or in some cases, you’ve tried to show a lot of care and generosity. You’ve tried to make everybody see that you’re just like them even if your circumstances are not exactly the same. It never worked though—maybe it’s even backfired.

Your abundance… is simply irritating to them because you’re surrounded by motherfucking losers, babe.

silencing the negative self-talk – XIX The Sun

VIBE: ASAP by NewJeans

You should be done feeling bad for being radiant. It’s not your fault other people are ugly. It’s not your responsibility that other people don’t have money. How are you at fault when a good company chooses you for the talents and skills you’ve developed which they need? Seriously, it’s none of your business if others wouldn’t work on themselves to be considered an amazing creature in society. You keep being you, honey. You and I know you’re always refining your natural talents and deepening your base knowledge. You’re truly a hustler even if others don’t see that.

When you’re not saddened or confused by others’ terrible attitude towards your blessings, your mindset is really positive like the Sun itself. Of all the Piles, I think your heart is the purest🤣You’re more generous than people give you credit for. You’re always trying to make everyone feel welcomed. If you were a party host, you’d make sure every single person has a good time in ways that suit them. You’re that attentive.

Unfortunately, your Light, indeed babe, seems to attract a lot of harmful bugs. No matter how much you give, it’ll never be enough and nothing you do will stop the gossip and badmouthing and backstabbing. Because essentially, these bottom-feeders are already bitter about their own pathetic lives. They hate you as much as they hate themselves for not having the courage to feel deserving of the abundance you’ve worked hard for.

S A V A G E – 4 of Wands

VIBE: Hurt by NewJeans

‘Leave them at the bottom of the grave they dug for you.’ – something I saw on Pinterest

Because you’re too kind, too giving, I think you’re the type of person who wouldn’t have the heart to leave people behind where they are miserable. Umm… you need to grow up a little bit more and finally see for yourself how pointless that is. You’re just one person, what makes you think you could save everybody? I hope you don’t yourself turn into a megalomania who thinks others wouldn’t survive without your charity.

Leave that toxic environment and you will regenerate yourself. As you do so, you become a vibrational match to some kind of a Soul Tribe situation where you’ll be met with people who aren’t the least bit parasitic. You’ve got to believe you’re deserving of a symbiosis mutualistic kind of relationships and friendships for them to manifest, OK?

As for the anklebiters? Hurt them with your leaving them. Hurt them with your totally ignoring and blocking them. I’m not saying you have to throw a brick at them for all the disrespect they’ve dealt on you. I’m sure your change of attitude will hurt the living shit out of them. And one day, when you’re famous and important, they’ll see you, alright. They’ll see you for all that you’ve always been capable of doing and they’ll regret they didn’t treat you better. And they’ll wallow in immense pain for not having access to you anymore. Nevermore. Leave them hurting in their shame and regrets. That’ll kill them😈

SWEET MOTHER OF REVENGE 🔻💙

VILLAIN ORIGIN STORY – Gold Physician (Herodotus)

Reclaiming Lilith – Priestess of Prosperity

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – You See This Glow-Up? NOW You Jelly

the way your beauty irritates people – Knight of Wands Rx

VIBE: 28 Reasons by Seulgi

First and foremost, you’re a damn rare beauty. I don’t care if you don’t think that highly of your physical appearance; bitch, you’re goddamn attractive. Take it or leave it. Your problem is that you act like you’re ordinary and that irritates the living shit out of your enemies because they think you’re fake. ‘How dare you act ordinary when you’re obviously that pretty. Are you mocking us??’ Yeah… Why the fuck are you surrounded by ordinary beauties? Have you got Venus squaring Pluto? Huehue~

Anyway, in any situation you’re an eye candy and everybody can see that. Maybe you’re dense enough to not see how others see you, but all these friends of yours, they’re hyper aware of how all eyes are on you the moment you slightly move. You stir the air in a way no other human does. It’s because there’s passion and authenticity in you that make you vibrate on a much higher level than most people. Really, you’re a rare gem but this could get you in danger a lot.

You’re the type of beauty that invites enemies actually because of your friendly disposition. Like, there’s this annoying gap that irritates people in ways even they don’t really understand. The gap between your intense beauty/attraction and your general politeness. You’re soft spoken, cheerful and helpful. For the most part, you’re a ball of joy and if you’re a girl, boys like you A LOT. You’re fun. You’re cool. You’re smart and creative. A lot funnier than people assume. You’re the IT GIRL. But the envious ones call you a pick-me LMAO

Envious girls put a lot of effort into brandishing you as a trashy character but by doing that, even the boys could see who’s the real G here. And well, wouldn’t that annoy their trashy asses further?🤷🏻‍♀️They’re literally ruining their own image by trying to ruin you🤡

silencing the negative self-talk – 8 of Wands Rx

VIBE: Forgive Me by BoA

Now that that’s out of the way, let’s have a heart-to-heart. Honey, you’ve got to stop pretending like you’re a sweet Venus all the time. You’re not. You and I know that. Deep down, there’s an evil bitch in you that wants to play with fire. I think you’ve tried to curb your Lilith practically your entire Life. Perhaps on a subconscious level you know this of you and you want to avert your eyes from looking at your Lilith. That’s how you seem fake sometimes.

Highly intuitive people can smell the Devil in you, but you act like you’re an angel all the time. And that’s annoying because your Lilith is literally a men-magnet and this often takes away attention from other girls but you act all innocent💩I’m not saying it’s your fault—I sense that for the most part, you don’t even consciously want this intense attention; I’m saying there’s this mechanism about how you’re perceived by your environment.

Aaand why do you think that is? Of course, because subconsciously, you want all of this attention. You always want to be wanted and liked and desired. You crave that shit so bad because when you were tinier you felt unseen. Un-understood. Unappreciated. Now, doesn’t matter who or how, you just want everybody to see you and want you, but you’re not gonna give them back any of that attention. You want to be unattainable. Actually, you are unattainable. You don’t easily let people get close to you. You don’t want people in your personal space. You just want the a t t e n t i o n.

S A V A G E – 5 of Wands Rx

VIBE: Savage by aespa

You know, this is all just a lil game to you. Deep down, you’re fighting this urge to snatch everybody’s boyfriends and husbands. Sometimes you get frightened by your evil desires because if you were unhinged, you’d want all these married people to want you more than they want their spouses. It’s not even that serious. You just want to come on top of everybody. You’re secretly envious of these little bitches who are—probably—loved by their spouses. And even when you can see there’s no Love in that connection, you’re still jealous that someone wants to commit themselves to these undeserving mediocre asses.

You feel all alone in this world. People are only nice to you because of your looks or whatever else that’s not even that important. And people are also nasty to you because of your looks and everything else that’s not even that important. It’s been one insanely difficult Life for you. You’re sad. You feel abandoned and unwanted in spite of all the shallow praises. And there’s this quiet rage inside that wants to punish everyone for not caring about the REAL you.

Bitch, grow up a little bit and you’ll see that low-quality people get married to their fellow mediocre asses. You don’t play in the same dimension as them so don’t lower your standards🤭One day you’ll see who’s gonna end up divorced and miserable because they all married the wrong people! Nah, that’s not even the important part LMAO The important part is when you’re the one marrying a Soul Mate after all of your spiritual and psychological glow-up that made you a vibrational match to so much REAL LOVE and you’re surrounded by all this money and beauty.

You never needed their kind of a glow-up; you were born perfection. You needed a different kind of confidence to SLAY and be very happy.

SWEET MOTHER OF REVENGE 🔻❤️

VILLAIN ORIGIN STORY – Red Magus (Edward Kelly)

Reclaiming Lilith – Priestess of Happiness

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – You Thought I’d Give It All to You

the way your beauty irritates people – 2 of Cups

VIBE: The Weekend by BIBI

You’re this absolutely weird mix of devil and angel in one body. You attract ALL kinds of people. Young, old. Men, women. Animals and toddlers are either terrified by you or LOVE you to oblivion. People always want something from you, right? They either simp for you or act like you owe them something—usually when their simping doesn’t pay off LMAO That’s really weird… Your entire existence is weird. I like that😉

You’re definitely giving, charitable, although in reality you’re really selective with whom you allow in your personal space. ‘Just because I’m friendly with you doesn’t mean I wanna be friends with you,’ kind of vibe. Nevertheless, people are silly, and they cultivate this weird intense desire within them. They build all these unnatural expectations around you having to give or share with them.

In their sick minds, they demand this. When you don’t humour them their sick demands, they get ULTRA bitter, probably even resentful. And then they seek to destroy you. Weird. Weird. Weird. You never even intended to lead them on. People are crazy when you’re around. The worst part is, they never even had your best interest at heart. They just wanted something from you—energy, attention, favouritism, gentle caress, who the hell cares.

How much Neptunian/Pisces/12th House energy do you have for you to be this way?😷HAHAH

silencing the negative self-talk – Page of Pentacles

VIBE: KAZINO by BIBI

Unlike the other Piles, you don’t seem to have a lot of neg self-talk. You’re sassy, bitchy, and you embrace your negative qualities because you see the value in them. Society ain’t perfect either anyway, what’s so wrong in being me the way that I am? You go, girlie~ You’re a total believer in revenge and vengeance. You ARE the definition of Lilith incarnate. Were you born with it? Did you develop yourself to be this way? Who the fuck knows—that’s your very own secret ingredient~

You’d rather let the mortals hurt and rot in their own stupidity than let yourself be the one to hurt. Unless you’re defending those you care about, you’re never sustaining hurt. You hurl lemons at all your enemies before they could get closer. Any step closer, you squirt that lemon in their eyes. Their fault. You warned them already! ‘Hey, I’m nice but I ain’t no saint,’ is your philosophy.

And when you’re really, really, really done with someone’s bullshit, you ain’t afraid to spill some blood. You’re gonna be smart about it though. You plan quietly and attack unexpectedly with a demonic angel smile on your face. ‘Send a message to your god; you’ve messed with the wrong bitch, BITCH.’

You are a menace to society👏🏻👏🏻👏🏻

S A V A G E – XII The Hanged Man Rx

VIBE: Vengeance by BIBI

See, you are one sneaky bitch. Though you are a fucking menace to society, you know how to act righteous. You also know how to act like the victim should the occasion arise—but this is rare because you like to appear on top of everyone. Still, you’re quite masterful at creating sad or horrendous backstories that would justify your wreaking havoc upon your enemies, or even just society at large. Your sense of morality is kinda shrewd LMAO And I think that’s because you’ve been at the mercy of someone else’s shrewd behaviour before, probably when you were a lot younger.

That made you realise you never wanted to be the victim anymore. If anything, you’ll terrorise everyone so you maintain your own safety. WHEW. You’ve got your trust broken in authority. Their rules didn’t protect you or even hurt you. So, you believe new rules should be made in their place. You make your own rules and you don’t care if that hurts some people. You have this dicktionary explaining what kinds of dickhead are worth sacrificing to your new-world agenda.

🤣🤣🤣You’re CRAZY!

I believe in you. I think you could change the world. But I think you’re largely only interested in your own world. The whole world? That’s too much trouble. You aren’t keen on destroying your small queendom/kingdom in exchange for world domination—you smart like that. Keep at that. WHOA.

SWEET MOTHER OF REVENGE 🔻🧡

VILLAIN ORIGIN STORY – Green Magus (John Dee)

Reclaiming Lilith – Priestess of Divination

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 3]

[Patreon] [Paid Readings]

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kaladinkholins · 4 months

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I just keep obsessing over how Mizu is so many things. She truly is water, so deep and unfathomable and complex, ever-changing, ever-adapting, fluid and mysterious, she fits into every shape you pour her into, she is gentle yet vicious, soft-hearted yet callous, stoic and quiet yet still sarcastic and playful.

She is Japanese and white and both and neither, she is woman and man and both and neither, she is human and demon, she is ronin and bride and Onryo and phoenix.

She is also a sword; Mizu and her sword are one.

"The sword is the soul of the samurai."

"I am... made of mixed metal. No amount of hammering can remove my impurity."

"What is a sword? [...] It is a line. On one side of the line is life. The other, death. The edge we forge cuts the line between life and death."

Mizu's soul is thus represented by her blade, but Mizu is also

the metal: beautiful, strong, sharp, and precise, but ultimately neutral, neither good nor evil, as metal can be used to craft both weapons of death, or knives for cooking and nourishment;

the maker: artistic and passionate, the maker creates;

and the one to wield it: deadly and swift, the swordsman destroys.

In the first episode, we don't even see her blade for much of it, only mentions of it, as she doesn't even deign to fight someone like Hachiman the Flesh-Trader in Ringo's noodle shop.

Most people don't even deserve to see her blade. And who is the first person in the show whom the sword is even shown to? Well...

Taigen: "Are you afraid to fight with steel?" Mizu: "Thank you. No one has yet deserved my blade."

And then, more crucially, who does she actually allow to wield her blade? The first person she spars with? It is none other than Mikio, her husband.

She literally passes him her sword, letting him wield it for the rest of their fight, taking his naginata in exchange. Not purely a crossing of blades, but an exchange of it. Mizu is literally baring her soul to him and putting it in his hands.

In the whole show, the only other time we actually see someone besides Mizu holding her sword is after Mizu kills the Four Fangs and passes out from her wounds. Ringo picks the unconscious Mizu up, and in the process, her sword slips from her hand.

And then, resisting his selfish quest to reclaim his honour, Taigen tells Ringo a safe place for Mizu to recover and follows them both there, but not before he takes Mizu's sword, and also Chiaki's broken blade.

It is brief, but he does hold it, and the shot focusing on his hand picking it up places further emphasis on this fact.

Now, about the broken blade, @saessenach told me something very interesting, which is that when Mizu had helped craft this sword, it was made for the man she believed Chiaki was. And who exactly is that again? Let's go over the cover story he related to Master Eiji:

"I am not a swordsman. I bind books. I was taught my trade by... my father. He was killed by a drunk ronin, who cut my father down for splashing him with his cart. This ronin is a drunk, but he is skilled as I am not. He will kill me. I know this. But with a sword from you, Master, I can take his life as he takes mine. And die avenged."

So, as @saessenach so aptly put it, the broken blade "was made for a man who wanted to regain his honour from a stronger swordsman. He doesn't expect to survive the duel, but would just like to die with honour."

And doesn't that sound familiar? Like Taigen, a man who would also like to regain his honour by duelling a swordsman stronger than himself? Taigen, who had also come from nothing, who was raised not to be a samurai, but a humble fisherman, by his father who is now dead?

So of course that's why, when Taigen wields that broken blade, despite not even knowing the story behind it, Ringo unwittingly glimpses it anyway, and says this:

"Master Eiji's broken blade is a good fit for him."

Mizu just shrugs and frowns, refusing to accept it, because the sword isn't just bearing Master Eiji's signature, but also hers. A part of her is in this sword, just as a part of her is in all the blades she makes (though none of them are her soul, which is represented only by her meteorite sword).

But then later, after fighting together and barely making it out from the chasm of arrows alive, after seeing each other's skills, only then does she admit to Taigen:

"The broken blade fits well in your hand."

Which is why she (after knocking Taigen out and leaving him lying in the snow LMAO) leaves him with the broken blade, and again comments on how it "so well fits his hand."

Also, on the topic of the broken blade, why did it break again? Well, Mizu is one of the sword's makers, signing her name on it, thus putting a little of her soul into it as I already mentioned. According to Master Eiji, this process of the soul entering the sword occurs during the yaki-ire:

"The yaki-ire is when metal is reborn, and the soul enters the sword. All must be pure for the sword to be pure. The metal, the maker, the one to wield it."

As this process unfolds, this conversation happens:

Eiji: "Mizu. Is your mind clear?" Mizu: "It is." Eiji: "Mizu. Is your soul at rest?" Mizu: "It is."

However, after Master Eiji presents Mizu with the finished sword, it breaks, much to Mizu's disheartenment.

Chiaki: [About the blade being broken] "How could this happen?" Eiji: [...] "An unexpected element entered the blade." [...] Mizu: "The fault is mine. The element is me."

Mizu is right; she is "the unexpected element" that broke the blade, but not because of her race, nor her gender, but because her mind is not clear, and her soul is not at rest.

Why? Because the yaki-ire takes place right after she binds for the first time; she is in pain both physically and mentally, ashamed of who and what she is, hiding her true self, trying to smother an inherent part of her identity.

Then, about Bloodsoaked Chiaki wielding a sword which is broken, Master Eiji says this,

"A soul like that is drowned in blood. There is no stopping them. They will always find their broken blade."

This parallels Mizu breaking her blade after her rampage through the nine levels of Shindo and Fowler's fortress, after she gets literally soaked in blood.

After storming the fortress, her blade, too, is broken, and she is unable to melt it down and repair it.

Master Eiji: "Your sword broke because the blend was wrong." Mizu: "It was perfect." Master Eiji: "It was too pure. Your metal wants to be blended with new steel."

The sword, as, Mizu's soul, houses all the rage that has festered over the years. The purity of its meteorite steel represents her single-minded, hate-driven goal for vengeance.

On that note, it's interesting to remember that the meteor fell in front of Mizu during her confrontation with Taigen and his gang of bullies. That encounter was the beginning of her rage, the moment she stopped running and hiding, and instead fought back, clawing and throwing herself at the people who mistreated her. The meteorite thus represents her anger, her fighting spirit, her resistance.

Over time, she crafts her sword--her soul--purely out of this anger, and sets off on her revenge quest.

Of course, she then meets her mother, gets married to Mikio, and after their betrayals, Mizu once again resumes her quest.

But after her journey seeking Fowler, after meeting Ringo and Taigen and Akemi, Mizu's soul no longer feels singularly bound to her hate. She's made friends, she's starting to let people in, but she still suppresses those feelings, still insisting that she is just an Onryo, that she has no room for love or friendship or weakness, despite the fact that those are things her soul craves and needs deep down. She needs gentleness and respite, she needs to allow herself to be vulnerable and allow herself to love again, because she's not a demon--or at least not completely.

"There may be a demon in you..."

When Master Eiji says this to Mizu, he's not insulting her; by demon here, what he is referencing is the part of Mizu that is capable of great wrath and violence. Just like a demon is.

"...But there is more."

Mizu is still a human being. And she should let herself be one, should allow herself to feel more than just rage, but also joy, grief, love, and even pain.

"If you do not invite the whole, the demon takes two chairs."

So that's when she finally allows herself to start "allowing the whole"; she stands in front of the fire completely naked, no longer suppressing her true self, and melts the metal of those she collected, which are, in order,

the broken blade that now represents Taigen;

Akemi's knife;

Ringo's bell;

and Master Eiji's tongs.

These are people whom she cares about, who compel her to open herself up and see beyond her hate, who make her feel like she is capable of being more than just a demon.

By blending their steel into her future sword, she is accepting them, and the lessons and values they had taught her along the way, into her soul.

But as it stands now, Mizu does not have that sword. Not yet, for it's yet to be forged, as she gives the blended metal to Master Eiji.

Mizu: "If I succeed [to kill Fowler] and am still alive, I will return. And you can determine if I am worthy of a sword of this metal, made by your hand."

Which is why, in the finale, Mizu only fights with a random assortment of weapons she picks up (a sword, a naginata, a gun--but never shoots it--and the dagger Fowler stabs her with).

And then of course, Fowler drops the big reveals about Skeffington and Routeley; about her birth mother having been killed by one of the white men; about her Mama actually being a maid who was paid to keep her hidden.

With all this, there is so much she's still yet to know about who she is, who her parents are, and her identity is left hanging. So she leaves Japan not only to kill the remaining white men, but also to discover more about herself and her heritage--her white half. And this also mirrors the way she looks at the very end:

her hair grown out, her bangs identical to how she looked as a child; no longer wearing a scarf around her neck, no longer covering a part of herself.

Thus, Mizu will eventually receive her new sword that matches the new state of her soul, made of steel that "could kill a god."

But for now, she needs to understand who she really is, to discover the full breadth and complexities of the metal that made her, and the hidden depths within herself. In doing so, she must also learn to accept her anger as a tool, but cannot let it control her lest she become a demon; thus, she must allow herself to love as much as she hates, and most of all, simply let herself be.

Only then, can she claim her sword--her soul.

#blue eye samurai #mizu blue eye samurai #blue eye samurai meta #mizu x taigen #taigen x mizu #kinda? i mean it's implied but you can also take it platonically #sorry i go crazy about taimizu im unwell <3 #taimizu #shut up haydar #meta dissertations.pdf #fandom.rtf

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weirdly-specific-but-ok · 4 months

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thoughts on fanfiction, perfectionism, and being enough

I'm pretty sure I'm ill and half-asleep and the Good Omens fandom has destroyed my last tenuous grasp on reality, but I am making a post anyway not knowing what I'm going to say. Because that's what this site is for, is it not?

*holds out hand* *waits for you to take it* Hey, you know, you're never going to be done. You're never going to look at something you made and think it's perfect. It's never going to be enough. It's okay to stop and it let it be imperfect. The earth didn't just birth life into just the right conditions, it made creatures which evolved and went extinct, ice ages which ended, volcanos that destroyed life and volcanos that preserved cities for millennia. It made jagged rocks that would be smoothened by rivers and stomachs that would hunger, rivers that would flood and rivers that would run dry.

Create imperfect things and give them to the world. Let the world create from it in turn in an endless cycle. Like Milton on the Bible, like BBC with Sherlock Holmes, like anyone writing fanfiction of their favourite show... Let your creation be imperfect, so you can see all the million ways in which people try to perfect it. All the million ways in which perfection can exist. That's the beauty of fandoms and fanworks. It keeps the creation evolving, keeps it breathing and alive. It becomes the work of a million people, and carries their stories with it in a little back pocket.

And maybe we were made to be imperfect too. Our hair tangles just to be brushed, our arm itches just to be scratches, our hand clenches just to be held and unclenched. There are odd shapes that make us up but they fit in with everyone else's, in handshakes, in bridal carries, in a parent lifting a child, a rescue worker lifting a victim, a girl kissing her wife, a child hugging his toy, a person holding their hands in prayer or in pain.

I'm trying to remind myself of that, because it's so easy to keep wanting more, to believe that there will be a point at which I will be satisfied with what I have done. Even in this fandom, I look at my ridiculous summaries I accidentally wound up making, and look at someone's beautiful meta blog and I feel like shrinking a little bit. But in real life, I'm a designer and an artist, a reader and poet and songwriter, and someone who has been a writer the past eight years, if not all my life. Have I done enough to qualify for any of these roles? Who knows? It shouldn't matter to me, and it shouldn't matter to you, whatever you love doing or are doing.

It will never be enough, you will never be enough for yourself. Can we try to make peace with that little gap in ourselves that acts like a vacuum to keep sucking in more and more effort and things? It'll never be filled. That's okay.

*squeezes your hand before letting go* Isn't it amazing how imperfect and fucked up we all are? Isn't it beautiful that we don't have to sit and stare at statues we cannot touch, but we get stone that we can keep carving all we like? That creation starts with imperfection? I don't know if I'm making sense anymore, the medications are kicking in and my eyes are closing. But I love all of you, everyone who is a maggot and everyone reading this post, too.

Take this *holds out a seashell* it's pretty and it's broken and the animal that made it his home changed it, the sea changed it, and I hope you change it, too. That's all.

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lbcreations-blog · 21 days

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Holy Mother Of Many

Summary: You are the wife of God himself. You both made many amazing angelic children such as Lucifer and Sera, one day in many of the galaxys and cosmos problems occurred, so you set out to fix the problems while intrusting your husband with your children. But what you didn't know was when leaving many bad things would happen, making hardly any good come out of it.

Female mother reader

All plotonic

proofread

Words: 1121

Masterlist

You had a relationship with the holy father God himself. You were his devine wife, the holy mother of all creations. You were together since the start of everything.

You had many devine children, one of your favorites being little Lucifer. Just seeing him when he was a baby, you knew he would have a similar personality to you. Sadly, you never got to find out due to you having to leave to do other things like glaxeys and cosmos to look after. Before you left, you instructed your husband to look after both of your creations. You then left the home you loved.

Oh, how would you regret that decision.

??? Years later

You were now working on a glaxey in your main form (which is like atleast 300ft tall) when you realized you should really take a vacay and see your husband again and all your angelic children, I mean it has been many many many many many many many years.

A few mins later, you arrived in front of heavens gates in your smol form (7 ft tall). About to walk in, you saw a blonde male at a podium. "Oh greetings, mister!" You said to the man. "Welcome to heaven ma'am! May I please get your name." The man said to you.

"Name? Why do you need my name?" You asked. "Well-" "St Peter, let me deal with this," Sera interrupted Peter and told him so while flying down from somewhere. "Yes, Sera," St Peter said, then flying away. "Wait, Sera?" You said, "Hello mother, " Sera said softly, smiling. You quickly hugged her. "Oh, Sera, my darling daughter!" You said.

You moved slightly backward so you can have eye contact with her. "Oh, sweety, you're all grown up! Im so sorry that i haven't been here!" You told Sera. "It's alright, mother," she told you. "Anyway, what's up with the whole name thing? And where's Luci? And all my other beautiful children?" You asked her.

"Let's go and talk about this somewhere else," Sera said as she telaported you both into what you assumed was her office. "Take a seat, mother," Sera told you. You listened to your daughter and sat down on the comfortable seat.

"You see Mother when you left. Father decided to sleep once i and some of the others were old enough, and he is still sleeping. When he first fell asleep, some of the oldest ones and I made a project called Earth, and we made these creatures called humans. And well... Lucifer destroyed it with childish actions. He brought evil into earth, and in turn, he created his own doman fill of that evil. He lives there, ruling the doman of evil." Sera told you.

"WHAT⁉️"

TIME SKIP

"You know what, I'm going down there to check on him," you told Sera. "But mother," Sera began "no don't even think about it, Sera," you said, getting up. "Yes, mother," Sera said, making a portal in front of the hotel for you. "I'll talk to you more once i return," you said, entering the portal. "Yes, mother," she said not trying to upset you anymore.

"I wonder why Sera telaported me in front of a hotel." You sighed. "Oh well, he's probably in there. I can sense my boy," you said, walking up to the door.

You knocked on the door, and a few minutes later, a pink and white spider looking guy opened it and looked at you in shock. "Hey uh Vaggie there is an angel at the door!" The guy said toward what you saw to be an ex angel, going by her aura, wings, and lack of halo, at least.

"Oh shoot, I'll go get Charlie you let her get comfy," Vaggie said to the pink and white spider guy. "But isn't she busy with something important with Alastor?" The guy asked. "Oh, right! I guess I'll get Lucifer and be nice to her Angel!" Vaggie said, running up the hotel stairs. You smiled at the mention of Lucifer, You were so excited to see your son.

You now sat on the couch, which the man named Angel kindly led you to sit on and wait. While waiting, who you now learned was named Angel dust tried making small talk with you. But it did not really end up well he seemed to be nervous for some reason, but you decided not to overlook it in some way.

After a few minutes of waiting, a portal finally opened. Lucifer walked into the hotel lobby and made eye contact with you. You immediately telaported to him and tightly hugged him. "Oh Luci, my son. I'm so happy to see you again!" You told him.

"Mom? What are you doing here?" Lucifer asked you. "To see you ofcourse" You told him, holding his rosy cheeks and looking down at him. "I would have came much much earlier if I knew what happened to you all those years ago, but I intrusted your now excuse of a father to you and your siblings."

"Are you alright, though? I'm aware the... Fall. Was, alot," "Of course im alright Mom, i have a daughter now. " Your smile increased at that information. "I have a granddaughter?!" You asked Lucifer, squishing his rosy cheeks even more. "Indeed you do, mom," Lucifer told you. "Oh my word, im a grandmother! That's crazy so where is she?" You asked him.

"Well... she just walked through the doors right now. " You looked behind you seeing the splitting image of your son in a female form. You smiled cheek to cheek upon seeing this just seeing her. You knew the both had at least a similar personality.

"Dad, why is there an angel here?" His daughter asked. "Charlie, this is your grandmother." "It's nice to meet you, my granddaughter." "It's nice to meet you too. My name is Charlie, but you already know that, i have one question, though: how come i did not see you in heaven?" Charlie asked.

"Well, i was busy with a lot of work at that moment," you told her. "Oh! uhm! Can I tell you about this project im working on!?" Charlie asked you. "Sure ofcourse go ahead. I'd love to hear of such" Charlie bounced up upon hearing that and started walking you through the hotel with your son that Vaggie girl and what you sensed to be a smiling fellow behind he did not speak yet though.

You needed to wake up your husband and scoled him for his passed actions and Sera as well, but for now, you would enjoy the company of the Hazbin Hotel.

Taglist: @fatherlesschild2 @whitewingsh @iheartpieck @i-yuki @ilovemyths2003

Taglist ask area

-L.B Creations

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