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#can’t compare to me
vellichorsdesire · 9 days
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your f/o(s) noticing you feel / think badly about yourself, proceeding taking your hands in theirs, scooting a little closer and mumbling sweetly about all the things they so love about you.
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pinespittinink · 2 years
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my hot take is that if you want to write a book, you need to read books
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shalaaex · 3 months
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Is there a she-ra fandom on tumblr somewhere?
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cowardlykrow · 1 month
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“I let him die / Taking your advice”
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oddishblossom · 2 months
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Manga/Anime Comparison (S1 EP7 & CH 23)
CHERRY MAGIC (2024) (x)
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the-bi-space-ace · 4 months
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Remember when Echo’s overarching story said no man left behind and I’m stronger than what tried to break me and I’ll do what I believe in even if no one else will stand with me and get back up always get back up and fuck you for trying to squash people who have less power than you
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kindlythevoid · 8 months
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One of the best parts of Fellowship of the Ring is finding out about Aragorn and Bilbo’s friendship. Like I’ve seen people talk about how they collaborated on the song together, but I have yet to see people talk about this:
“[Bilbo] turned to Strider. ‘Where have you been, my friend? Why weren’t you at the feast? The Lady Arwen was there.’”
Bilbo Baggins, The Fellowship of the Ring pg. 261
Like. Bilbo was definitely one of Aragorn/Arwen’s chief shippers and no one can change my mind about that.
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Johanna is so fucking funny to me. “I moved out of tofoten because the magical creatures in there were a danger to Hilda” and then she moved to the middle of fucking NOWHERE. Girl be for real for a moment. How is this any worse than the Woodman
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Anthony, Viscount Bridgerton ♡ Kate, Viscountess Bridgerton
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elekilokal · 2 months
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if the art is being scraped for AI training either way, why does it matter that Tumblr starts taking money for it? it changes literally nothing except that the site might survive a bit longer with the additional funding to combat how much money it's still loosing.
Because it’s not a logistical question it’s an ethical one. Partnering with a generative AI company which openly steals art and uses it to put the same people it steals from out of jobs is an ethical issue. “Scraping is going to happen anyways so let tumblr make money off of it!” And tell me why I should stick around for it? Why support a website that does not fight for us, but shakes hands with those who exploit us? Does tumblr, a corporation, need this money more than my mom who hasn’t had illustration work in months? Do they need it more than all of my visdev friends struggling to find jobs? I’m amazed that you’ll shill for tumblr as a company yet come into the ask box of one of many people that actually creates things you like and tell me to roll over and get exploited for their profit. Tell me why you like tumblr. Just for staff posts? Or for the artists and writers who provide endless entertainment for you everyday? I’m sorry for having the barest amount of conviction in taking down/ not posting art here anymore, but mine and my friend’s livelihoods are more important to me than tumblr’s profit margins.
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alyona11 · 1 month
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Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.
So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.
I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.
Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.
First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.
And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.
From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).
I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.
So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?
I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.
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Steve giving in and letting Dustin talk him into playing D&D with Eddie and his friends. Dustin helps him make his character beforehand but Steve doesn’t totally understand a lot of it so when they get there and Eddie asks what his alignment is, Steve doesn’t realize he’s asking about his character or what an alignment even is and he’s like “both I think”
Eddie pinches the bridge of his nose between his thumb and index finger and takes a deep breath and resists the urge to snap out I thought you said you prepared him for this, Henderson because he doesn’t want to scare Steve off five minutes in so instead he takes a second to calm himself and his eyes are closed and he’s focusing so hard on trying to keep himself from shouting but there’s still an edge to his voice as he lets his morbid curiosity get the best of him and asks “both of what?”
And Steve’s like “What do you mean? There’s only two options, isn’t there?”
And now Steve’s confused because everyone’s looking at him weird, but he’s heard of guys being into guys and obviously he’s heard of girls being into girls considering he’s best friends with Robin and he’s told her about him liking both and she never said that wasn’t allowed or that there was some other option? How do you like more than both? (Steve lives in Hawkins in the 80s so he still hasn’t found out about gender not being a this or that deal)
And now Steve’s less sure of himself so he asks “Why are you all looking at me like that? What option would there even be outside of girls and guys?”
And Eddie catches on first while everyone looks so confused, but it takes him a moment of just staring open-mouthed at Steve and he’s not even sure if he’s more surprised that Steve isn’t exclusively into women or that when he thought that was what Eddie was asking, he just announced it in front of the whole Hellfire Club before he manages to find the words to say, “I asked your alignment, not your orientation”
And Steve furrows his brow and tilts his head a little and his “oh” sounds more confused than anything so Eddie adds “your character’s alignment, Harrington” and Steve says “I don’t know what that is” and turns to Dustin for help because he made the character so he must know but Dustin’s just gaping at him so Steve asks “dude, what is it?” But Dustin’s still stuck on the fact that in all of their conversations about Steve’s love life that Steve never once mentioned being into guys so he asks “what the hell, Steve?”
And Steve has a moment of panic while he can’t tell if he’s in trouble for not remembering his character’s alignment or because Dustin has a problem with him liking both (which Robin has warned him could be a possibility if you tell the wrong person, but this is Henderson and he really didn’t think that after the bullshit they’ve been through so far that that would blow things up and he didn’t think it was all that risky bringing it up in a group that literally formed because the people in it are different than and don’t fit in with the average high school student and when he shares way more deadly secrets with the majority of them) but he finds out pretty fast that neither of those is what Dustin’s annoyed about when he glares at Steve and complains, “Come on, man. We’re best friends. How have you never brought this up before?”
And Steve just shrugs and says “it never came up” and Dustin says “oh, sure, it’s never come up but you tell Eddie just like that?” And Steve’s confused because he said it in front of all of them so it’s not like he wasn’t just as willing to have Henderson know or like he wouldn’t have told Henderson on his own if he’d had reason to, so Steve just says “he asked”
And Eddie raises his hands up in a show of innocence as he says “I definitely did not, but that’s… good to know” and Eddie’s never just casually thrown his sexuality out there because he’s well aware he would not win in a fight and he’s terrified of getting hate crimed but his friends are giving him looks like they’re wondering about it from the way he said it and how tense he suddenly went but even if no one is harassing Steve for liking guys, he’s not about to just throw his own orientation out there five seconds after finding out Steve likes guys just to make himself look desperate and have everyone know that it must have happened when he’d inevitably (in his mind) get rejected so he focuses back on the game and snaps his fingers petulantly as he asks “Henderson, what’s his alignment?”
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nuggetsandhuggets · 6 months
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Michael Waldron and Kate Herron: take this, it is our masterpiece *hands off Loki S1*
Loki S2 creators: Cool, don’t care
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spittyfishy · 4 months
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So, I still haven’t gotten to play the Teal Mask yet, but I’ve sure been thinking about it (because Pokémon lol) and I wanted to draw what I’d want to wear to the festival! Alolan themed of course because I’m me lol, but I think Ultra Nekrozma makes for a really cool mask! (And I put the alolan starters on the outfit instead of the loyal three)
(Little bonus page of the design process plus doodles of character interactions (and masks for Hau and Lillie))
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thatlonelycactus · 4 months
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A couple of days ago I saw this salt and pepper shaker which contained both salt AND pepper. It was split in half with the salt compartment thingo on top and the pepper one on the bottom. (I tried to find a pic of one but i came back without any luck) And whilst I take no side in the ineffable top/bottom debate my rotten brain just couldn’t cope.
It’s the Good Omens brainrot. I feel like no further explanation is required.
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milogoestogreendale · 2 months
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the entire conflict between nick and judy in zootopia is just a more poorly done version of the conflict between jeff and annie in intro to political science. yeah, i said it
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