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artemis32 · 2 months
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yandere superfam drabble i
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listen, i have a ton of ideas for the batfam. really, i do. but come on. superfam.
dc masterlist
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Thinking about Clark and his family as yanderes.
Individually, they're enough of a headache, but together? Damn.
Clark Kent sees himself as your father. The problem with him as a yandere is, he's genuinely terrifying. I mean, ignoring the fact that this man is literally Superman, he's also incredibly delusional.
I think most people downplay, or forget exactly how strong this man is. He's strong, fast, and so insanely smart. All that being said, there is literally zero chance of you avoiding him, under any circumstances.
The only saving grace in this situation is the fact that he's, like I said, delusional. Not in a 'oh, I know this is kind of wrong, but I can justify it as being right' kind of way. Rather, he wholeheartedly believes he's helping you, doing the best thing for you by allowing his obsession and thoughts of you overtake your life.
You don't even have the luxury of a slow descent into the situation. His mindset regarding you shifted really quickly, and by the time you were clued in on it, you'd already been stolen away to a farm in the middle of nowhere, ripped away from your life without warning.
The only aspect of his mindset that doesn't quite fit in with the delusional yandere archetype is the fact that, if you push the right buttons, he will absolutely fly off the handle. That in itself proves that, no matter how much he insists otherwise, he knows what he's done to you is wrong.
Jon Kent is a carbon copy of his father. He firmly believes that your place in life is with them, as a part of their family. The fact that you weren't born into the family means nothing to him. If you weren't meant to be with them, the your paths would never have crossed.
The only difference between him and Clark is that Jon has no doubt in his mind that what they're doing is okay. Clark is delusional; Jon is deranged. A part of you believes you can't really blame him - he's a child, a product of his environment. If that's what he was taught his whole life, by the people he loved and trusted, then of course he didn't see a problem with it. But the larger part of you still hated him, hated the fact that he saw you as the crazy one, as if his family hadn't abducted you from your crappy Metropolis apartment in the middle of the night.
And the fact that he was a few years younger than you didn't stop him from treating you like a child. Granted, he was insanely strong and fast, but that didn't mean you had to enjoy him manhandling you as easily as his father and brother whenever he thought you were getting too fussy.
Conner Kent, a few years your senior, isn't like Clark or Jon. He's completely aware of what they're doing to you, of how invasive and creepy it is. He just doesn't care.
I'd almost argue that him being fully aware of how wrong it all was might've been creepier than the shared delusion of Clark and Jon, especially since he could stare you dead in the eye, blank faced at the sight of your tears, and tell you in the most monotonous voice you've ever heard that he didn't care about what you wanted.
Besides a few uncanny moments with him, he was mostly pretty cocky and snide, with this keen way of getting under your skin. It's almost as if he revelled in the fact that you knew he knew they were wrong, the fact that he could do something to help you get away from all this, but he just... didn't.
The worst part was, if he hadn't, you know, kidnapped you, you might've liked him. He was easy to like, if you ignored the annoying sarcasm and ever-present smirk, the type of person you might've wanted to be friends with.
Too bad he spoiled all that by being batshit crazy.
Lois Lane, to her credit, was against the idea at first. She acted as the voice of reason in the family. Or, at least, she tried to. But the men in her family were nothing if not determined.
She realised how crazy, how morally wrong it was to rip someone away from their life for what you thought might be best for them. She also realised how terrified you'd be, surrounded by people, beings who were so much stronger than you, able to subdue you with little more than the tip of a pinky finger.
But, in the end, they won her over. The idea of someone to take care of, someone normal in the family - someone like her, and a daughter to boot - the offer was too sweet to pass up on. She's an odd mix of mindsets, a point somewhere between Clark's delusion and Conner's unwavering sanity, and that makes her scarier than the rest of them, somehow.
The fact that she knows it's wrong, but is able to convince herself it's for your own good - that's terrifying.
Though, she is great in the motherly role, acting as neutral ground for whenever one of the others overwhelm you past what you can reasonably handle. She seems to have a sixth sense for your threshold too, appearing as if out of thin air whenever you're close to snapping at one of the three men who are always in your hair.
Out of all four of them, you'd admit to liking her the most, though admittedly, it's for a selfish reason. She's the easiest person to slip by - the rest of them have super sight and hearing, and even if you could slip away, they'd catch up to you in a few seconds flat. Lois, as much as you may dislike her, was only human. Yes, she had this weird sense for when you'd try to pull something, but for the most part, you had more leeway with her than anyone else.
As a result, you stuck to her like glue, which lead to Jon whining that you were playing favourites. Jon, you could understand. He was a child, one who was used to getting his way most of the time. Clark, however, also tended to develop a strangely endearing pout whenever you ignored him, one that had even Lois caving and forcing you to spend time with someone other than her.
One thing all of them had in common was the fact that they were so damn clingy. They seemed magnetically drawn to you, hanging off of you like children at all hours of the day. It was infuriating, constantly having your personal space intruded upon.
Even at night, when you tried to sleep, you'd wake to find Conner or Jon sliding in beside you, or, even worse, you'd mysteriously wake up in Clark and Lois' bed the next morning. That always made you uncomfortable - how had they managed to move you several rooms down without you once waking up?
Your only saving grace was that all four had their own lives outside of the household, often leaving for work or school, or even patrols, so you very rarely had to deal with all four at the same time. Your favourite days were the ones when it was just you and Lois. You could slip away in the morning, right after Jon caught the bus to school, and spend the entire day away from the prison-like household.
They at least trusted you enough to let you roam around the farm freely. Well, not trusted, exactly. More like, they knew you couldn't get far before one of them caught up to you.
The perks of living in the middle of buttfuck nowhere.
On the bright side, they acted as if the entire household revolved around you. You could decide what everyone ate for breakfast and dinner, you could decide the 'family activity' of the week. They tended to give in to what you wanted pretty easily, on the condition that you gave them something in return, whether it be attention, affection, or some crudely handmade gift that wasn't worth much.
Despite their joyful front though, they could all be terrifying, especially Clark. You'd learnt that the hard way when they'd first taken you. One of them snapping usually only happened if you put yourself in harm's way, but there were other circumstances where they (Clark), felt punishment was warranted.
You'd once made the mistake of making genuinely hurting Lois (or, her feelings at least), to the point of making her cry. Once, and never again.
But since then, you'd learnt how to play your cards, how to skate by in the Kent household with only a small dose of anxiety. You'd managed to avoid being metaphorically (and literally) shackled to the bed, like when you'd first arrived. Time had made things easier - time, and getting to know them.
As much as you were loathed to admit it, getting to know them had made it easier to handle them. It'd been a hard pill to swallow originally, but as the months went by, you'd had to accept the fact that you weren't going anywhere, and it was better to adapt to the situation than remain sullen and miserable for the rest of your life.
They seemed to believe you were slowly but surely coming around to the idea of being a part of their family. You definitely acted like it. But deep down, you were biding your time, waiting, planning for the perfect moment.
You'd leave, run and hide, go to furthest corner of the earth to get away from them. You always thought you would, and one day, you did.
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meraxesmoon · 5 months
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Had a thought that i wanted to share
Imagine the dragons have been gone for a few days and when they come back they have a little girl with white hair and purple eyes with them.
Later is found out that she is viserys bastard and dany just adopts her on the spot... She is what keeps her sane
(and she would ride rhaegal)
And since the daemons bastard hates him, danys baby girl loves her completly... But she is very scary towards jon bcs thats her mama and he better be carefull before catching these hands.
Dany laughts at it tho
Idk i just love her
*Gordon Ramsay voice* finally some good fookin food
No, but on a serious note, I think Dany would absolutely adore her niece! When Rhaegal and Viserion bring the small girl to her, Daenerys knows that it's meant to be. When she learns that this is Viserys' daughter, though? I feel like she'd cry a little bit once she found out. Despite how utterly horrible her older brother had become before he died, she loved him dearly. Daenerys feels as if she's regained a piece of herself that she lost.
I do think that Dany would be a little delusional with her little niece, especially since Viserys is dead. She genuinely begins to believe that (Name) is her biological daughter and would punish whoever dared to say otherwise. You can't even convince her that she isn't Dany's daughter, and the little girl is raised to believe that Daenerys birthed her and fed her at her breast.
Once Daenerys figures out that her baby and Rhaegal have bonded? She'd be so happy! I think Dany would be highly paranoid of something horrible happening to her daughter, so once (Name) has a dragon to protect her, Daenerys' worries die down a bit. Rhaegal is known to be very vicious towards others, so Dany knows her baby is being well protected when she's not around.
As for Jon, I can definitely see (Name) holding him at sword-point and threatening him to make sure he'd never betray her mama.
Rhaegal and (Name) are such an iconic duo, too 🫶🫶🫶
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i fucking love rhaegal
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Guys help!
I can't find one of the dc x dp prompts where Damian is Danny and I've been trying to find it but I don't know the title.
It's when Jon gets the weird time age gap but Damian gets kidnapped by the Fentons at the same time so the Justice League thinks both Superboy and Robin time jumped only to realize that Damian is missing when Jon comes back asking about Damian.
The accident happens I believe giving Damian amnesia on who he is so he believes he really is the Fentons' son.
They find Damian later on as Phantom making the league believe he is dead not a halfa.
I forgot the rest 🥲
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autismprotocol · 1 month
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TMAGP Theory Board (Episode 8-9)
Hi guys sorry about the missed week of theory crafting my schoolwork has been extra demanding and I haven't been able to get around to updating the board until now so here's the updated board
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Episode 8 especially was insane so I'm gonna break the episode breakdown into two sections.
What Happened in Episode 8: Running On Empty
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New Norris Statement! it's been a while since we heard from our buddy and he did not disappoint. though there's not much to say story-wise this was just a cool incident report I loved the way they described the Lonely as a constantly hungry entity. I also noticed that the pattern of Norris's statements having to do with lost love continues to be true. it's much more subtle than his previous two incidents but the statement giver does mention losing his wife because of divorce. which I believe still follows the pattern I've theorized is taking place. 
Something up with Alice. She seems more depressed and serious than she usually is in this episode. (through episode 9 I think I know why but I'll get to that later. I don't believe she is completely in the dark like some of the newer employees and after hearing about Gwen's promotion she is getting suspicious. we have yet to know if Alice knows what's happening. but her behavior in this episode might give us a hint about how naive she actually is.
Colin is Absent. After his freakout in EP 7, Colin is MIA. according to Lena, he's on a mental health break but I would not be surprised if that is a lie.
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Gerry and Gertrude are Alive!! Probably the most exciting development in this episode was meeting an alive Gerry Keay and Gertrude Robison. Sam is on the hunt for info about the Magnus Institute after the emails Jon has been sending him and he and Celia end up meeting Gerry who in this universe is considerably more happy and lives with Gertrude. I'm interested to know what role Gertrude plays in this universe is she at all connected to the Institute? I definitely think something is up with her because of the way she tries to deflect Sam's question to Gerry.
Celia Lore. after the meeting with Gerry leads to a dead end for Sam, Celia asks him to help her with her mystery. "I'm trying to look into... Weird physics stuff: time travel, other dimensions, teleportation" More proof for this Celia being from from Archives. why else would she be looking into other dimensions specifically if she wasn't trying to figure out what happened at the Panopticon. (Remember as far as we know Celia before the change in Archives was just a normal person she had no connection to the entities or the Institute.) when Sam asks, she says it's for her friend's podcast but I think she's lying. or not telling the full truth.
Georgie Barker Perhaps? speaking of the friend. our last reveal of the episode is Georgie in protocol. I don't think she is from Archives because Georgie appears after Jons's sacrifice in MAG 200. 
And thats it for episode 8 so im gonna move on to Episode 9
What happened in Episode 9: Rolling With It
Sam is back to filling out onboarding paperwork but the questions on it are strange. asking about past traumas, how many dead things you've seen recently, and the infamous question why? similar types of questions that appear in TMA job interviews.
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A Magnus Statement!?! After Celia tells Sam she can't find anything at the Magnus Institute Sam considers cutting his losses and letting it go. But then Chester without any prompting begins reading a Magnus statement incident to Sam. I still believe Chester is Jon and he acts as a mentor to Sam trying to keep him safe by providing him with bits of the answers he's looking for. (this way Sam won't be in danger of looking for answers elsewhere and maybe he won't be targeted by this unknown force that had killed RedCanary and driven Colin to extreme paranoia.) the statement reveals that the institute collected and stored artifacts much like the Institute in Archives. 
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What's the deal with the Institute? the statement Chester shares this episode is pretty standard Magnus stuff, magic fear dice is just another Thursday for TMAG enjoyers. but what I found most interesting was the pre-statement info. What does this viability survey mean? viable for what? I and my roommate have a kind of joke theory that the Institute in this universe is a hub for training and creating new avatars but now I'm starting to think this might actually be the case. I think they are looking for people who have the potential to become avatars as subjects. for the agents, they might be employing avatars to work for the institute and the catalyst has to be finding an avatar that can complete the ritual and bring the Change. The unknown statement giver in this episode can't be a subject because they are already claimed by a power from the dice (still unsure what power it is ) they have low potential to become an agent because based on the end of the statement they now want nothing to do with the dice stepping away from their identity as a fear avatar and then dying. and for some reason, the institute must see some potential that this individual can serve as a catalyst for the ritual. I'm hopeful we'll get another avatar statement and maybe we can revisit this Viability survey again 
Gwen's First assignment. Gwen gets her first Liason assignment and it has brought up a major player from the protocol ARG. Mr Bonzo is this weird mascot character that showed up multiple times in the ARG that was launched back in the fall of 2023. Gwen is tasked with delivering an envelope with a name and address to Nigel Dickerson someone who according to Gwen is known for Mr. Bonzo. Basically, I have no idea where this is going but I definitely think it must be important. 
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Poor Alice. Alice meets with Teddy to catch up. Nothing story significant happens here but we do learn that maybe Alice still harbors some romantic feelings towards Sam.
The Ruins. After her conversation with Teddy Alice is approached by Sam with a request. He wants to go to the old Magnus Institute ruins and wants Alice to come with him. This is definitely a bad idea but she agrees and that's where we leave off
and thats it for now. The story is getting so good and I'm already attached to all the characters so im terrified to see what Sam and alice dig up at the ruins (Sam clearly didn't heed the warning of the RedCanary)
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kell-be-belle · 3 months
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TMAGP Thoughts (Spoilers)
I'm an RQ Patreon so I got to hear EP 1 & 2 of Protocol today and I know it'll be a few days for general hype, I need to share my thoughts about a very specific part while it's still fresh in my mind. I'm going to try hard to be articulate about it, but I'm also having a lot of feelings. Spoilers below the cut
On the subject of the program known as Norris. Now, I know that there's no official equation between Norris and Martin Blackwood, but for argument's sake, I'm going to treat them as related. This is also all my own speculation so bear with me.
The first significant sentence we hear Norris say in their reading is "I just couldn't face the thought of the rest of my life never hearing him again." and when I say it knocked the air clean from my lungs, I cannot be exaggerating any less. I immediately burst into tears.
First off, the fact that the reading specifically states the idea of never hearing a loved one's voice again, in a series where voice holds such power, has implications that I can barely even begin to fathom at this moment. And the fact that it is Martin's voice speaking about it must have reason. From what I've gathered in Jonny's writing, there isn't much that can be chalked up to coincidence and I most certainly don't believe that could be the case in something as highly anticipated as Protocol.
Now, as far as we know from the end of Archives, Martin has successfully killed Jon. It's highly likely that Martin is also killed, however, we can still hear him breathing and crying even as the Panopticon collapses around them. It's perfectly reasonable to speculate that Martin somehow survived the aftermath. Meaning, Martin could have very possibly been left to process the insurmountable grief of losing Jon by himself (Which has other themes tying back to his connection with The Lonely that I can't even touch upon)
The reading made by Norris talks about a grieving spouse who is going to some relatively extreme lengths to be reconnected with their husband, Arthur. It appears as though the dearly departed Arthur has somehow come back to the mortal plane. There could be a couple of explanations for this, but I think it could mostly likely be one of two. Either, something is masquerading as Arthur OR Arthur has come back, but has come back wrong.
So here is where things get really sad for me because this is the scenario my mind supplied me with upon gathering all this information:
Martin survives the fall of the Panopticon. Jon is dead. Martin grieves for his lost love. The grief becomes so deep and so all-consuming that Martin becomes desperate to scrounge for any scrap of Jon that could possibly remain. It leads Martin down roads best left untraveled and perhaps, but some miracle or more appropriately a curse, Jon has somehow come back, but, like Arthur, he's come back wrong. Perhaps something with the Eye or the Web or the other fears that possibly looks like Jon, almost certainly sounds like Jon, but is not Jon. And now Martin is left with an impossible choice. To lose himself in the sound of a voice he feared he would never hear again or acknowledge that voice speaks hollow words and silence it to himself permanently.
Anyway, this feels like a bit of a ramble, but I hope it makes enough sense. While a lot of it is speculation, I don't think the fact that it was that particular reading done in that particular voice after those particular events is without some significance. Only time will tell us the truth of what happened. 
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lemonhemlock · 4 months
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strange that people had the thought that sansa was gonna stay in the vale and not go back to winterfell for so long when geographically other than bran(beyond the wall having trippy visions)/jon("dead")/rickon (cannibal island skagos) sansa is way closer to winterfell than a lot of characters and the knights of the vale is pretty much a chekhov's gun especially since like you said they havent joined the war yet and somehow sansa marching to winter fell with them was unbelievable since like 2009-2018 (her story might not follow the show especially because of the diverged storylines and she has the alternative to escape the vale but who knows)
It's no secret that Sansa was a very hated character throughout GoT's run. People ~manifesting she would stay in the Vale was a way of wishful-thinking her out of the narrative. Their dislike made them ignore reason and come up with many silly theories.
Much has been said about Sansa's pawn-to-queen narrative, but the main argument for her surviving the series is that, if GRRM wanted to kill her, he had many, many opportunities to do so in five books and didn't. Sansa is physically and socially vulnerable & her POV focuses on her rich internal world, strength and endurance, yet she remains unscathed and is instead learning court politics. Why is that? It's basic bildungsroman storytelling. Denying that is just being petty at this point.
Sansa also cannot remain in the Vale as Alayne, since that is Littlefinger's plot. Only the most delulu stans will not accept that a shady person such as Littlefinger will face authorial punishment for his sins. And, when he does die, what's stopping Sansa from claiming her identity? Especially as she finds out the feared and detested Ramsay Bolton has married "Arya Stark". She will naturally want to help her sister.
Now, I need to re-read for this, but I believe it is hinted in AFFC that Myranda Royce slyly figured out who Sansa is. If you remember the prologue of AGOT, the fancy, pretentious Night's Watch ranger from the group of three that first encounter the white walkers, is Waymar Royce. He is the third son of Bronze Yohn, head of House Royce. I did a quick search to refresh my memory:
"Bronze Yohn knows me," she reminded him. "He was a guest at Winterfell when his son rode north to take the black." She had fallen wildly in love with Ser Waymar, she remembered dimly, but that was a lifetime ago, when she was a stupid little girl. "And that was not the only time. Lord Royce saw . . . he saw Sansa Stark again at King's Landing, during the Hand's tourney." Petyr put a finger under her chin. "That Royce glimpsed this pretty face I do not doubt, but it was one face in a thousand. A man fighting in a tourney has more to concern him than some child in the crowd. And at Winterfell, Sansa was a little girl with auburn hair. My daughter is a maiden tall and fair, and her hair is chestnut. Men see what they expect to see, Alayne." He kissed her nose. "Have Maddy lay a fire in the solar. I shall receive our Lords Declarant there."
(AFFC, Alayne I)
I mean... you can't be more explicit than that. The Royces know who Sansa is, but they'll just keep quiet and play out this charade?
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wasted-women · 4 months
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ROUND 1C, MATCH 3 OUT OF 8!
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Causes of Death & Propaganda Under the Cut:
Tara Maclay
Cause of Death: Shot in crossfire
Propaganda:
Ok so idk if she actually counts but I'm submitting her and please throw her out if not. Here's why I think Tara was fridged: the sole purpose of her death was to further the plot and cause pain to other characters. Now, because it's Buffy, these other characters were women. So her death was only to cause pain to her girlfriend (ex-girlfriend? They were broken up but mending) Willow, cause her to relapse into magic, and then make her essentially the big bad of the season. All of this was then to cause Buffy, the protag, to have to fight her best friend and be told she needed to either stop her or kill her. So while Buffy and Willow are both women, Tara's death was solely to cause them pain as significant other and protagonist and to further the plot. (It's also bury your guys and Joss Whedon sooooo). Tara literally was killed sloppily for no other reason than as a plot device in a desperate "well we already killed our protag and brought her back to life, how do we raise the stakes from here" ploy necessitated by crappy writing. If she doesn't count, again please throw her out, but I feel like she counts as fridging esp when looking at how Joss Whedon rights Buffy in this season to essentially bc a self insert of man pain but as a woman.
this is the only lgbt example I can think of but it definitely counts imo. link to death scene here (scene starts a minute into the video, with obvious trigger warnings for death and blood and gunshots): https://youtu.be/01NxsKojYyM?si=dxZvcvOhp3x6S8ha
Stuffing a woman in the fridge is one thing, but stuffing a queer woman who was one half of a beloved same-sex couple on a TV show famous for its strong female characters for the sake of drama while enforcing negative LGBT+ stereotypes in the process is really something else.
Her girlfriend, Willow essentially plays the role of the man in the relationship. Tara dies to facilitate her villain arc. Xander is also sad about her death and he is a man.
Mako Mori
Cause of Death: Exploded in a helicopter
Propaganda:
The Mako Mori test has been proposed as a "better" version of the Bechdel Test (which I'm well aware of the bechdel tests point and common misuse) she has a full, rich arc that is not romance oriented in the first movie. Also she pilots a giant robot. In the second movie she's textbook definition fridged.
Daenerys Targareon
Cause of Death: Stabbed by her lover for becoming a tyrant
Propaganda:
I'm just. I can't believe she hasn't been submitted yet. Classic example of end game fridging, where she *had* to be killed by her male lover to bring him pain and Man Tears TM. Clearly it effects him (sad) more than her (dead). Now obv Dany had a whole plot prior to this, but her death itself is such a classic example of fridging that I have to submit her, it legit only happened for a stupid "plot" to bring Jon ManPain. It was a death so stupid that GOT, what once was a cultural touchstone, isn't talked about except in how bad the end was
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vivilove-jonsa · 6 months
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The Stranger's Bride
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For Day 2 of the Jonsa Halloween Event: The Stranger - Pumpkin - Full Moon
(This is just a little something because I'm tired of outlining the next book tonight and the spooky season brought this to mind❤️)
It's nearly nightfall.  Sansa wishes they hadn’t waited so late for the ceremony.  The moon hides behind the clouds like a child playing peek-a-boo, eager to spoil her surprise.  She breathes in deeply and checks her reflection one last time.  A picture-perfect bride with auburn hair and a fragile, haunted beauty stares back.  He will be eager to bed her once the feast is over and the Wolf will be eager to feast in turn.  She’s been dutiful all her life but, tonight, duty dies. 
The music swells as the massive doors of the sept open.  All guests turn to watch her coming down the aisle in her ivory and grey cloak, embroidered with the direwolf, the symbol of the Stark Family.  Every man in her family has the beast tattooed over his heart from the age of sixteen when he swears the oath.  So silly.  As if a tattoo makes a man into a fearsome beast.  What does her groom have tattooed over his heart?  A dragon?  Perhaps so though she knows he is the son of her long-dead aunt.  
Outwardly, this looks like a happy occasion but the bride knows better.  The men are all armed and ready to spill blood at a moment’s notice should something go awry.  And, the women present either look at her with pity (if they have sense) or envy (if they have none.)  One thing is agreed though - they all think she’ll be lucky to survive one year as his wife.  
Sansa ignores the stares, holding her head high as she walks with measured grace, letting her blue eyes sweep over the images of the gods above the altar.  She could relate to the Maiden’s plight or seek the Mother’s comfort or Crone’s wisdom today.  
But there stands the Stranger.  
How fitting when she is to wed a stranger today, the ruthless new underworld boss of the South, Jon Targaryen.  They say he is a cold-blooded killer. It's rumored he can't be killed. Nonsense. All men die.
When she dares look at him, his dark eyes burn with fire, reminding her that his family’s favorite method for eliminating their enemies is burning them alive.  Gruesome but effective.  The Starks prefer the old ways.    
“He will never harm you,” Father had said when he’d told her of the arrangement he had made with the now-deceased Rhaegar Targaryen.
“There is little you can do about it if he does.”  Father knows it to be true even if he prefers to pretend otherwise.  She’ll be his wife and under his power. At least, that’s what they all think.  
“A marriage between our houses will bring peace.  It’s better for business.”
Business.  That is the name of the game when you’re born into the mob.  Arranged marriages are still popular in their world, a way to broker peace.  The Northern Families had needed peace badly enough for her father to barter his oldest daughter away.  
Through stained glass, the moon winks at her from behind the clouds and that familiar, savage hunger unfurls.  Not yet, not yet.  She clutches her tummy, hoping to mask it as maidenly nerves.  
Father grips her hand a little tighter, the tiniest sign he’s not the emotionless ice man everyone believes him to be.  Is it a desire to comfort her that prompts him to do it?  A warning to her not to run?  Or fear of what may happen this night?
The endless walk to her groom is over before she knows it and her father's protection ends. It's fine. She can protect herself. 
The septon starts to speak and the rustling behind them tells her the guests are taking their seats.  What a show they may have if those clouds can’t contain the moon a little longer.   
But a cold, scarred hand slips into hers, drawing her from her murderous thoughts.  The darkness of his eyes is not as profound up close.  The grey reminds her more of her father’s with flecks of lilac visible in the candlelight.  
His lips twist into a wry but undeniably fetching grin.  She would prefer if he’d been plainer.  No other appetites would be raised if that were so. 
“Good evening, wife.”  They are the first words he has ever spoken to her. They feel like a caress meant to calm.
“Good evening,” she murmurs in reply.  She is well known for her courtesy after all.  He is handsome. Perhaps she will let him bed her before she allows the wolf to-
“You smell…”  He lets the words hang and she wonders if he means to insult her here at the altar as they are being wed.  Her eyes snap to his and those mesmerizing eyes have changed again back to something dark and unfathomable when he finally finishes the sentence.  “Delicious.”  
And, it’s then that she hears it in his voice, that rumbling growl his civil mask can’t contain as the moon emerges from the clouds.  She knows that sound like her own heartbeat. His thumb sweeps across her wrist, setting her pulse to pounding and drawing an answering growl from her own throat.  How curious.  
"You smell... dangerous," she says, testing.
He smiles, showing her his sharp teeth. Oh. Her groom is a stranger to her but they share an unexpected kinship. 
Old Nan had always said she would recognize another with the dark gift without ever uttering a sound.  She was right.  What an interesting discovery to make on one's wedding day. She can't wait for the wedding night.
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pocketramblr · 1 year
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Ask game, please! Dracula AU where Jonathan is a werewolf. It doesn’t end well (well, even sooner) for the count.
Ok love this also we're throwing werewolf lore in a blender to make this work and kinda fit the original novel. Kinda.
1- ok so Bram Stoker was Irish so our dear friend Jonathan is a descendent of Laignech Fáelad and the werewolves of Ossory, though one who's family has been in England for at least several generations now. Also, these are the "astral projection of spirit in the form of wolves" type of werewolves described in Nennius of Bangor's Historia Britonum, similar to the ones Augustine of Hippo say are possible through God to fight evil because uh whatever Christianity thing is going on in Dracula.
2- So when Jonny boy shows up to Transylvania and all the locals are freaked out about something, he looks in his Romanian to English dictionary and sees they're using a word that means either vampire or werewolf. And then he wonders if the Count is a werewolf too, and is curious about how that works here- the only other werewolves he ever knew were his mother and grandfather, but they are tragically long dead since he's an orphan who sees his boss as a parental figure. So when he hears wolves in the woods, he's not too concerned yet. When a woman presses a rosary into his hand, he awkwardly takes it and wonders if she'd be superstitious of him too, if she knew- but he really wants to meet the Count!
3- but then he meets the Count. And the Count does have the ability to somewhat control wolves... But he really also sets them off. They don't like him. And Jonathan? His inner wolf does not like this guy, it's unnatural, it's bad, he wants to bite but!! He can't do that, he's a real lawyer now and Mina would be so disappointed if he used his first customer as a chew toy. So he grins and bears it, wondering if it's just a territory thing, and wondering if the castle is so empty because the rest of the Count's family is out in wolf form. But... Where are the servants or anyone else?
4- Eerily, Jon goes to sleep, and his human body is left behind in his bed while his spirit pops out in wolf form. He can't smell anyone. Just the Count, and three faint scents, but they don't smell human. They don't even smell like real wolves. They smell like long dead corpses. Still nervous, Jon curls up in the corner and tries to get some rest as a wolf.
But then the Count comes in while he's "sleeping", getting close to the bed and frowning at the rosary. Jonathan's spirit werewolf has had enough and just jumps up, lunging on instinct to protect his human form.
A wolf battle commences, but Dracula hasn't had to put up an actual fight in so long, and Jonathan has the power of God and anime on his side so he wins- and the lady vampires drop dead from their connection to the Count. Freaking out about the murder, Jonny returns to his human body and runs.
5- when he returns to the town a day later, ragged and panicked, when the town hears about all four vampires being dead... They throw a party of a "funeral", everyone swears up and down that the Count and his family tragically died of a wolf attack the day before Jonathan got in and he found their bodies when the coach took him to the castle, and he's sent home bewildered but his boss is like "wow that really sucks, I'm sorry you had such a horribly unlucky first case, let's keep you close to home from now on. Also is your hair white now?"
No vampires travel into England, Jonathan is worried that his wolf form now being stark white is a bad omen, but Mina just pets him behind his ears and says she thinks it's cute, oh, also, Lucy wrote her about one Doctor Van Helsing that a friend of hers knows, he heard about the strange wolf attacks in Romania and blamed it on vampires, can you believe?
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daenerystargaryen06 · 5 months
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Jon Snow meeting Daenerys
Based on my rewatch of GoT with my friend, I found that I really don't like the meeting D&D created between Jon Snow and Daenerys. What could have been a monumental and great scene between two amazing characters meeting for the first time after going through all they did- it just pisses me off and feels bitter over the way D&D handled it.
My biggest gripe is the way they handled Jon going to Daenerys to ask for her help against the WW within the show. Not even ask, more like demand, without giving Daenerys anything in return.
Jon, when arriving within Dragonstone, knew that Daenerys had an ongoing war occurring against Cersei. Daenerys was declaring herself Queen of the 7k, she was vying for the throne, and was obviously going to war against Cersei for said throne. War is never easy. Dealing with Cersei (mainly within the show) wasn't going to be a cake-walk (mainly because Tyrion was written as the sympathetic man who needed to 'keep Daenerys' temper in check and give her crap for plans'). Jon knows that wars take up time, require heavy focus and planning, need men and resources, etc. yet he decides to ask Daenerys to drop her war against Cersei and help him fight against magical walking dead creatures that exist on the other side of the Wall without giving Daenerys anything in return.
This is not how any sort of politicking works. Jon can't just waltz in and expect Daenerys to drop her war against Cersei (someone Jon knows is a crazed lunatic who wants his family dead and anyone else that she considers her enemy and the North under her rule) just because he states that these magical walking dead men exist without bringing proof nor giving Daenerys something in return for what he wants.
Jon also knows that the people of Westeros aren't going to believe in the WW just because he says they exist. This was shown even in the first episode of season 1 when Ned executes a deserter from the Night's Watch who said the WW returned and nobody believed him! Tyrion and many other characters referred to the WW as nothing but 'grumpkins' and 'snarks'. Hell, even Jon himself didn't believe the WW's existence until he got attacked by one himself. This is lazy writing on D&D's part. Having a character miraculously think his word alone would convince others (especially a Queen who he needs the help of) that the WW exist without any form of proof or giving something in return for their help, and somehow 'forgetting' all the experience he went through of people discounting the WW existing from the very first season despite them having returned.
This just made Jon appear incompetent, forgetful, and demanding.
I also dislike this scene for the implication it gives- 'poor Jon Snow needs to convince the arrogant Dragon Queen that the WW exist and are a threat to humanity'. Let's be real here. Nobody else knows the WW exist, especially not Daenerys who lived a majority of her life within Essos (excluding book!Dany that is- due to her dream of riding into battle against the Others upon the Trident). Daenerys has a perfectly viable reason not to trust what Jon is saying, nor to suddenly drop her war against Cersei just because he demands her help, especially when he doesn't give anything in return for her! This man deadass looked Daenerys in the eye and basically said: "Yeah, I need you to drop your war with Cersei, come North and give all your power into helping me fight against dead men that nobody else believes in. Oh, and I don't have anything to give you in return, and I won't bend the knee because idk you. K, thanks."
This was obviously very poor negotiation which would definitely not happen within the books. D&D made Dany more hardened, and the way they framed the scene with her and Jon made it seem like they wanted to further play into the slow descent of attempting to pit the audience against her. I have seen people say that Daenerys was too 'arrogant' and 'egotistical' in this scene with Jon due to the way D&D framed the interaction and characters within this. Not to mention the fact that afterwards they had Tyrion be the one to start negotiations with Jon for his alliance AFTER his dumb plans costed Dany her allies in the first place. When we all know book!Dany to be politically savvy, intelligent, and a negotiator/compromiser. It just painted Daenerys in a bad light overall. Even for show!Dany, how do people seriously expect her to be willing to immediately agree to Jon, drop her entire campaign against Cersei, go North, and give her power for some random man that comes to her and says 'magical walking dead men exist and I need your help to fight them' without having a compromise/input from Jon for her aid? The ONLY thing Daenerys wanted from Jon was for him to bend the knee and acknowledge her as Queen, and she would have helped him.
And let's be honest here- I get that the North fought for their freedom and such but that was only due to Cersei and the Lannister's after Ned's execution. There was the quote from the show- "it was the dragons we bowed to." Now dragons are back. Jon admitted that even just after meeting Daenerys she was better than Cersei. He should have been willing to bend the knee to Daenerys, as she had agreed to fight for the North and help Jon if he did so, giving him the aid of her armies and dragons. The showrunners did this stupid parallel between Jon and Mance Rayder. Mance refused to bend the knee to Stannis even if it'd help his people, with Jon asking him- "isn't their survival more important than your pride?". They then did the same with Jon refusing to bend the knee even if it'd help his people, and Daenerys asking him the same thing. This parallel is unneeded, and only showed Jon as being incompetent, as he had that experience with Mance and should've known that pride doesn't get you anywhere when you're a ruler over others lives and need help.
Also- I doubt the North would last long being independent from the other Kingdoms. Limited resources with a coming winter on top of it all after a war against the Bolton's? No way Jon or Sansa could think that would ever work in the North's favor for it to be independent in the long run. Especially with the war against the dead that was yet to come.
I swear it was like the writers had Jon drink stupidity juice for this entire thing and thought 'wow. This is really something. Our best writing yet.' over that horrendous scene. My sanity cannot take it.
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thatpodcastkid · 1 month
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Magnus Archives Relisten 1, MAG 1
Very excited to begin this project! I will be updating Saturdays and Mondays, so feel free to listen along and let me know what you are thinking. I will be discussing each episode within the larger context of the show, so spoilers ahead!
I am starting with MAG 1, Angler Fish.
Oh, how I missed that cello intro.
Facts: Statement of Nathan Watts, April 22nd, 2012, taking place in Old Fish Market Close, Edinburgh. I want to keep track of statement times and places so that we could get some semblance of a timeline.
Character Notes: I forgot how autobiographical Jon gets in this first episode. He spends the first ten minutes just describing the archive, how he came to work there, and who he is. If he was just attempting to catalogue the stamens, this seems unnecessary. But, as we know, he wasn't exactly qualified to be an archivist.
Jon describes himself as a not believing in the supernatural and the archive as where the "dead end cases" end up. It's suspicious that Elias would hire someone who doesn't believe in the supernatural at all to look into the cases with the least evidence, which foreshadows that Jon wasn't hired because of his research or archival skills.
Another part of this episode that I really love is where Jonny puts the listeners focus in terms of character. At the beginning of the episode, Jon kind of glazes over Tim and Sasha to talk about how much he hates Martin, which in turn makes the listener ignore Tim and Sasha to think about Martin. Jonny really draws your attention to what's important there.
Additionally, at the end of the episode, Jonny brings the focus back to Sasha as he describes all the online research and computer-related work she does. So from the get-go, he was showing us how involved she was with the archive and how committed she was to work.
And of course, it wouldn't be TMA without Jon's complete tonal shift from describing to reading the statement. It's such a stark contrast.
Statement Notes: It's been said before, but the fact that the statement that draws Jon in is called "Angler Fish." Especially after hearing how immediately when he starts reading the statement, his voice changes. He is completely absorbed in it from the moment he starts reading. I know we all make fun of the way Jon acts out the statements, but he just can't stop himself. Once the statements start, he's no longer in control. We hear this in his voice from MAG 1, but don't realize how intense it is until Martin has to shake him out of statements in season 5.
It stuck out to me that Nathan was drunk when he met the thing in the alley. This serves as a reason for Jon to dismiss the statement, but I vaguely remember several statement givers being under the influence, which makes me wonder if entities specifically choose to prey on intoxicated people because they have a lower capacity to reason. Maybe because they're more likely to act based on fear than logic?
Entity Alignment: The entities overlap a lot, especially in this episode, so I'm going to share all the entity vibes I got and hear what others think.
Going on imagery alone, there's definitely something to be said about The Dark in this episode. The fact that actual angler fish live in the darkest section of the ocean and the creature refused to let itself be fully seen really bring that fear into this episode. Also, when Sasha reconstructs the photo one of the missing people took of the creature, Jon says it's on a stairwell. I remember the creature on the stairs episode being pretty Dark-aligned, though I doubt they're related.
But, the fact that Nathan and the listener are afraid of the creature because they can't see it and don't know what it is makes me think of The Stranger, too. Nathan says that, "whatever was asking, it wasn't the thing in the alley well," which really reminds me of "I don't even have a voice box." The creature isn't speaking for itself, an unknown voice is coming from an unknown place and it's asking for a cigarette. Nathan also says that when he told people about what he saw, they didn't believe him, only responding with "pity and concern." This is similar to how people would treat those who remembered the people The Stranger replaced: they were treated like they were acting weird and different, when it was the Not!Person. Also, before Watts realizes the thing in the alley isn't human, he calls it "The Stranger."
Yet, the entity I believe is really aligned with this statement, is The Web. With everything from Jon asking for a cigarette before trying to blow up the world, to his spider lighter, to this being the statement that draws him into the archive and leads to him becoming the Archivist, this episode is so reminiscent of Annabelle Cane and her plot (Can you say reminiscent before something happens? Is it just "miniscent"?). There were two things that really got me thinking this was a Spider ep though.
Number one, when the creature disappears, Nathan describes it, "as if a string had gone taut and pulled it back." This really seems like Annabelle or The Web itself had placed the creature there, let it play its part, and then yanked it off stage when it was done.
The second part being the very last line in the show. Sasha, IT god that she is, reconstructs the image of the creature, and a hand is visible in the darkness. Jon, without an ounce of professional distance or feigned objectivity, says, "I find it oddly hard to shake off the impression that it's beckoning." And just- Oh my god. Jon. It's beckoning him. It's calling to him. It's telling him to keep coming back. Telling him to change. To disappear. To become another mystery. It was all planned from day one. He never had a choice but still made all the wrong ones.
Anyway,
Will be posting about MAG 2 on Monday! Please share your thoughts on this episode, hope you enjoyed reading. Also hope that you have a great day, because you deserve it.
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honeyspawn · 4 months
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Some ideas about Paul's family:
Option 1: Jon Matteson Fmily Tree - full-transparency, the Jon Matteson family tree has never really been my personal favorite, or at the very least, the idea of Paul specifically having a big chaotic extended family has never felt very "Paul" to me. Paul has always struck me as such a solitary entity in Hatchetfield, or at least until Emma shows up. That being said, I won't deny that the idea is fun. That being said, I think if we're gonna go with the whole Paul is Richie's uncle thing, I don't think he's literally the brother of one of Richie's parents. I think "uncle" in this case is used in the general way a kid refers to an adult relative, and he's more of a distant cousin. I don't really know how to explain it, but I simply cannot picture Paul with siblings. Overall though, to me, I think I prefer the idea of Gary and Boy Jerry being Richie's uncles, and Paul is just kinda separate.
Option 2: Generic Retirees - I've mentioned this in another post, but something about Paul having no relatives in Hatchetfield even though he's lived there his whole life there feels very "Paul" to me. I suppose you could conclude from this that his parents are dead, but seeing as he's only in his early 30s and that implies his parents probably died kind of young (probably somewhere in the 50s-70s range depending on how old they were when Paul was born and when they died), I like the idea instead that the explanation is the most boring one possible; they retired in Florida. Their names are Arthur and Martha Matthews, or something similarly generic. They are the most boring 60 year old couple imaginable. Arthur likes to garden. Martha likes bird watching. They have no other hobbies. They visit Paul a couple times a year. They are constantly trying to convince Paul to move to Florida. They are the Matthews family. They are boring.
Option 3: Crack Theory Time - This is insane, and I don't really believe this theory, but the idea came to me one day and I the thought wouldn't leave my head, so I need to share it. So the idea behind this is Paul is such a singular entity that it's almost enigmatic, or at least it would be if anyone cared that much. Paul never talks about his family to anyone. He never really thinks about his family, and he feels like he's been on his own for a long time. That's not to say he doesn't remember having a family. He had a mom. She was nice. It was a shame she passed away 15 years ago. And when he starts dating Emma and she asks about his family, that's all he has to say. "I had a mom. She was nice. It was a shame she passed away 15 years ago." He remembers having a mother, but he doesn't really remember anything that specific about her. He's not sure why. He never thinks too deeply about it. He's not sure he can properly recall her face unless he's looking at an old scrapbook. It's strange, though. As soon as he puts the scrapbook back on the shelf, it's like he forgets again. All that really sticks is he had a mom. She was nice. It's a shame she passed away 15 years ago. It's not like he didn't love her, of course he did, she was his mom. And she was a good mom too, he's sure of it. One thing he does remember though, is before she died, she had a long talk with him. He can't remember about what exactly, but he knows it was important. He's pretty sure she was saying goodbye. If you've watched nightmare time, you may have guessed where I'm going with this. I don't really know where this idea of mine that Miss Holloway is Paul's mom came from, it just kind of seemed like Paul being a mysteriously solo entity in Hatchetfield makes sense, and this seemed like an interesting explanation. It also would tie into the fact that Paul might have a slight latent resistance to the LiBs. In tgwdlm, Paul has a whole musical number where he resists the Hive while being infected, while the only other times anyone gets infected on stage, it's a matter of seconds. Paul is also one of the only adult characters who sees through Tickle-Me-Wiggly; even Emma thinks Tim would want a Wiggly "more than anything." Do I think this is all some insane foreshadowing? Absolutely not. This seems extremely unlikely to me, and a product of my own over-thinking, but it sure is fun to think about anyway. (Also, I've never seen anything about this online before, but if this is an existing fan theory, please let me know. The Miss Matthews theory, if you will)
Option 4: He Doesn't Have One - Paul does not have a family. He is just Paul. It's not important for Paul to have a family because they are not relevant, and therefore, they simply do not exist. This also seems very possible to me, and tbh feels appropriate, both for Paul, and for Hatchetfield. I mean heck, according to Curt Mega his shopper character in Black Friday is literally named "Shopper No. 4". Paul just straight up not having a family because he's Just A Guy™️ feels right.
Wow, this was a lot, actually. If you read this whole thing, thanks for letting me infodump, and I'd love to hear what you think.
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lostonehero · 24 days
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Since so far it's overwhelming, yes, I hope you enjoy this idea
Tma plus mechs
So, death to the mechanisms happened, and it just sent them back to where they first died or got mechanisms
They reunite and come to terms with the fact that functionally immortal isn't exactly something they can call it anymore.
So Tim suggests following a conspiracy on his earth, well technically two, one what happened to his great great great grandfather Daniel Stoker, and why is there a single year missing that the whole world at that time forgot
Jonny smells a new story, and he's excited
Everyone else agrees because they need a distraction, and a few of them can disguise themselves as human
Jonny dawns a hunter hat to cover his ears and horns and uses his tail as a fourth belt
Tim uses black glasses to hide his eyes.
Marius uses a beanie to cover his pointed ears and uses his tail as a belt
Ivy can't go due to her skin being blue, but she does anyhow because of earth books.
Brain and the Toy Soldier don't stay on the ship it's more like Brian has become the unofficial TS handler
Ashes can pass for human if she keeps her mouth covered and her hands and feet also covered.
Raphaella goes for her experiments, but her wings are a dead giveaway along with her red tinted skin and scales.
Nastya stays on the Aurora, thankful for the peace and time with her partner she can no way pass as human and doesn't want to try.
Ok that's out of the way.
Season one Martin is on his way to the Vittery follow-up and runs into Jonny. He's polite and kind as always apologizing for running into him.
Jonny thinks he's cute, but that's it, but he followed him just because he can, and the spider thing was interesting. He didn't expect to catch this kind man to sneak into the apartment, and he just had to follow behind.
The worm lady was something else, and Jonny expected Martin to freeze like a mortal. He was cute, but that happens.
Martin pushes Jonny back. "Run, she's focused on me, not you, and well, you have a better chance than I do."
Jonny stares at this fool of a man, and he can feel a heat on his cheeks as he takes out his gun and shoots the woman a few times, enough to get her on the floor but she was getting up. He grabs Martin's hand, and they run out together. He makes up a lie about why he has a gun.
Martin is thankful and doesn't really have anything for him, so he offers to take him for a meal.
Jonny, like an idiot asks for his number, not even having an earth phone to use it. Martin gives him it.
Jonny steals a phone, and it works. They plan for a proper dinner on a later date.
Jonny is the first to realize that Martin isn't answering right, and since Martin led him to his apartment the first time, he just went there. The worm lady had his phone and was trying to get into his apartment.
Jonny kills her first good and gets Martin to open the door.
Martin is shocked. "I uh... you saved me twice." He shifts. "I don't have anything to give you..."
"Make our dinner a date." Jonny blurts out, realizing too late he has fallen for a mortal.
Time passes
Jon doesn't believe Martin's story about the worms and thinks his text was a poorly timed joke
Martin didn't get any worms to show him as proof.
Martin goes on more dates with Jonny, and Jonny falls hard and fast, and Tim catches them together
Tim laughs and thinks Jonny is pulling a bad prank... he quickly realizes that.... oh shit Jonny is actually in love. Jonny is in love, and he has been with this mortal for 3 months.
Tim softens, and it infuriates Jonny to no end. Tim spreads the news to everyone.
Jonny thankfully distracts Tim, talking about Martin's coworker, and another Tim with the same last name.
"You work with Tim Stoker?" Tim slams his hands on the table, interrupting another date Martin was on with Jonny.
"Why do you keep finding us?" Jonny huffs. "I told him that to keep him away from us."
Martin smiles softly. "I do work with him. Do you know him?"
"In a sense. We are related, he's a distant relative, and I've been interested in finding out more about my family." Tim smiles, adjusting his glasses as Jonny kicks his shin.
"Oh really? That's cool. Uh, we work together at the Magnus Institute, you can find him at normal work hours." Martin hums. "Although I don't know about his other family, he doesn't talk about them much, but families are complicated, and I would rather not pull that information from him."
"I know that." Jonny sighs, sipping his tea. "Families are bs nonsense."
"Just because you had a shifty home life doesn't mean everyone else did." Tim rolls his eyes under his glasses.
"I mean, I had a bad childhood, too, had to grow up fast taking care of my mom. My dad wasn't in the picture. Mom was always sick, and stuff had to give up school to work to care for her." Martin bites his tongue. "It's not a big deal, though you can forget I said anything."
Jonny reached out and held Martin's hand with a soft smile. "It's alright. I'm happy to learn more about you."
Tim has a look of shock on his features as he quickly runs away from the private scene. He quickly texts the group chat. "Jonny is fucked. He actually comforted Martin and cared about his hurt feelings."
The chat goes fucking nuts.
More time passes
Martin meets a few other mechanisms, and he somehow charms all of them. He beats them at cards, shows them he can sing, and the others see how head over heels Jonny is. He can also go against Tim for his drinking. He was also an amazing liar that he fooled Ashes and Brian.
Just to be certain, he won over the mechs, and Raphella and Marius actually tried to figure out a way to keep the man around with them.
Things at the archive are normal
Jon hums, looking through the reports and sighs getting up he heads out in the bullpen.
"Good Jon, wanna go for drinks tonight?" Tim hums.
"I have work to do Tim." Jon rolls his eyes.
"Oh, come on." Tim huffs. "Boss man, you have to unwind. Ain't that right, Marto?"
Martin looks up and blinks. "I uh right.... I can't actually go tonight."
Sasha raised a brow. "You never not go, Martin."
"I uh I'm meeting my boyfriend's sister tonight." Martin blushes. "She's actually coming out to meet me, and we'll I can't cancel that."
Jon raised his brow as a pang of something he would later figure out that jealousy in his chest affects him. "You have a boyfriend?"
"Jon, that's old news." Tim sighs. "You would know Martin's been seeing a Jonny for the past year if you bothered to chat with us and not hold yourself up in your office. You've been a real ass and a stick in the mud since the promotion."
"Tim's right, you don't have to be a hard ass Jon. This place won't burn down if you have fun for once." Sasha sighs. "Also, Martin, that's great. I hope you have fun and you'll make a great first impression."
"Thanks, Sasha." Martin smiles, collecting his bag and walking past a stunned Jon. "Next week Tim, I'll be free."
"Bring Jonny!" Tim chuckles as Martin shouts back a I'll try.
Martin meeting Nastya wasn't what he expected. She was taller and an odd shade blueish silver, and Jonny did warn him about the skin condition, and so he didn't mention it. She had a disapproving gaze on her face and annoyance in her eyes.
"Um, uh, I'm Martin." Martin gives a nervous smile. "I uh... Jonny didn't tell me what you liked, but I do a bit of knitting, so I made you a scarf." It's a light blue scarf with a coud pattern. it's beautiful and doesn't look handmade. "I know it's not perfect, but uh, I wanted to make a good first impression."
Nastya face softens slightly as she takes the softest scarf she has ever felt in her hands. Her species was built for the cold and didn't need something like this, but the craftsmanship and texture were something else. She puts it on immediately.
Jonny actually looked surprised.
Nastya clears her throat. "Jonny tells me you work in an archive?"
"I'm just an archival assistant, nothing special. You're a mechanic, right? That is much more interesting than dealing with horror stories and dusty old statements all day." Martin smiles and swallows. "I mean, if that's your thing, I don't blame you it can be interesting."
Nastya hums her interest was piqued, and as she discussed more with Martin, she understood everyone's infatuation with him. Not to mention the way Jonny looked at him and how nervous he was that he actually attempted to prevent her from meeting him.
......
Martin convinces Jonny to join drinks with Tim and Sasha and the other Jon.
GP Tim joins as well, finally able to meet this Tim.
"Whoa, so you're the infamous Jonny." Tim smirks. "I expected you to be taller."
GP Tim snickers.
Jonny huffs. "I am perfectly fine with my height."
Jon was staring from the booth scowling.
Sasha hums. "Who are you?"
GP Tim smiles. "Another Tim."
"Fuck yeah another Tim!" Tim gives him a Hi five.
Martin chuckles and grabs Jonny's hand. "Come on, I'll introduce you to Sasha and Jon."
Jonny nods and has a light blush from the contact.
Jonny and Jon immediately hate each other, and Jonny makes it a point to practically sit in Martin's lap the entire night.
Sasha realizes that Jon might actually have feelings for Martin and decides to be a little chaotic agent nudging both men to drink more.
Tim and GP Tim break off from the group for some darker topics
That's what I've got for now
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erikiara80 · 4 months
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Theory: the car crash in the winter of 1976 (Part II)
You can read Part I here
To sum up: my theory is that Joyce had a son with Lonnie, Jonathan, but then she left him because he's an a-hole. She always liked Hopper, so they finally got together and had two kids, Will and El. I think it's possible that the story of Agent Orange is true and maybe that's why Jopper's kids were targeted by Brenner ("Sarah" died in the lab, after all) But then, in 1976 something bad happened and Hopper and El were separated from their family (see Part I). Love this Father and daughter missing.
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Not sure if Brenner was involved, but there are hints that Lonnie was. He's heavily paralleled to Billy's father, and in Billy's memory Neil believed that his wife was cheating on him. The first thing Lonnie asks Jon is if Hopper is still chief, and the moment he thinks that Will is dead, he "comes home", calls Joyce babe and tells her that she needs him. I think he didn't just want the money, he wanted his family back. And Will wasn't part of it.
A possible hint in The First Shadow that Lonnie did something to Joyce and her family is the mention of him stealing the baby from the nativity scene. Will has always been associated with Jesus...
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It's also interesting, and could be evidence of different timelines, that Will is associated with fire but El is associated with cold water. Maybe Will died in the fire in one timeline, and in another one El drowned in a lake? Maybe they were both in danger but their parents could only save one of them. They both say many times that they can't breath, which is also a parallel with Sarah, so I think it's clear that something bad happened to both of them.
Did Will burn alive? I hope not but... In 3x08, when Joyce hugs him, he says that he can't breath, he's suffocating. In Fred's vision, he sees a coffin with the grandfather clock that has the name Williams engraved on it. And in 4x04 we see Billy/William's tombstone.
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El sees Heather being dragged underwater, after Max opens "the floodgates" (Owens mentions them when he explains the anniversary of the event) If Billy is paralleled to Will, Heather is paralleled to El, so maybe this scene shows us what happened to El in the past.
The vanishing of Will Byers and The case of the missing lifeguard are connected.
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And when she goes into Billy's memories, there's a transition from the car crash and El in the water. Car in a lake -> El separated from her family.
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Hints that Lonnie might've been involved in the car crash
In Lonnie's very first scene, there's a little bike in his house, and Jon checks his trunk. Not a good sign.
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After Joyce breaks the wall with the axe, the only thing she sees is her car. Possible hint that after the car crash one of the children was taken away from the family by powers. Time powers... Tears in the fabric of time and space...
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That night, when Lonnie arrives, the first thing we see is his car headlights.
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Then he closes "the door" that Will used to communicate with his mom, with a hammer. As he talks about the quarry and Joyce freezing to death.
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In 2x06, after they bring Will to the lab, after he screams that he feels like he's burning (Hopper is screaming too, but they're using water! Always water and fire) there's a transition to Steve's car, and the song in this scene is Hammer to Fall. In 2x09 Jon mentions Lonnie and the hammer they used to build Castle Byers.
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In S4 there's another connection between Lonnie, cars, time loops and the resentment between him and Joyce. When Jon says that the cycle never ends. We see part of the conversation through the broken window of a car.
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Other hints
Billy and Max
They both have many parallels with Will, and most of their scenes together take place in the car. Billy's car is actually the first thing we see.
They always fight in that car.
Billy tries to run over the kids. This reminds me of the night Will vanishes
And the scene of Billy's possession IS a parallel to the 1x01 scene. He and Will both run off the road
In 3x07, Billy almost burns alive in his car
In S4, Max confesses that she had wished her brother to die in a car accident
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In 2x05, Terry shows El a police car chase!
This scene is so important. I'm working on a new theory, but I'll just say that Terry (or whoever is communicating with El) isn't just randomly switching the channels. She's telling a story. Henry's story and how El got involved.
In fact, she shows El a blonde woman ("Virginia") then the Family Feud score: 91 and 64. Two tens. 10-> mirror of 01. A donut commercial with many identical donuts (ref to the lab kids), the commercial of a Computer Supercenter (the lab/Nina) and then a police chase and someone pouring coffe into a cup. I think this is a huge hint at a car crash that involved Hopper, and what happened after, the blood transfusion that made El a lab kid. I don't know why else Terry would show El a police car chase tbh. And then, in 2x07, Kali calls Hopper policeman, many times. A clear connection with the car chase, imo.
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When El looks for the source in S3, the first thing she sees in the eye of the Mind Flayer storm is Billy's damaged car. Since Billy is paralleled to Will, this could mean that the source of everything that happened to their family started with a car crash and powers?
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I'm also thinking about this shot in the Vecna game. It looks very similar to a shot in Benny's diner in S4. Jason in a white outfit, like Henry, Christmas lights, a police car, the W and E, and another car with something that looks a lot like the Mind Flayer, looming over it.
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And don't forget Joyce and Hopper escaping from Grigori and the engine of the police car literally exploding. And where do they find another car? At a Seven Eleven convenience store, where they meet clerk Rich (like Richard Brenner?) Also, Alexei is with them. A guy in a white outfit, and with a name that is the russian variant of Alex, like Alex P. Keyton, one of the characters played by Michael J. Fox, mentioned by Steve when he and Robin talk about time travels in Back to the Future.
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There are many other hints, but I think these ones are the most relevant.
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transdimensional-void · 7 months
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i can’t believe i saw a j0nyra saying that robbsa makes more sense than jonsa bc robb is more like the "charming hero knight" sansa dreams about 😭😭😭
wow is robbsa actually a thing people discuss? it sounds like the person you're referring to wasn't proposing it seriously, which means there's no need to engage with it as a serious theory...
but just for fun! let's compare some of the merits of robbsa vs. jonsa. who will win the fair sansa's hand and prove himself the true charming hero knight? :)
robb is dead. jon....might be dead, but the jury's been out for twelve years on that subject. point to jon for having a greater chance of being alive.
robb is the trueborn eldest son of a lord paramount, crowned king in the north. jon is a bastard (probably) of a defunct royal house, elected lord commander of the nights watch. point to robb for being the better catch (if he were alive).
robb is sansa's full sibling. jon is sansa's cousin. point to jon for having the legal right to marry sansa under westerosi law (especially because he isn't fully and irreversibly dead, a status which makes it very difficult to marry).
robb is married. jon is single and ready to mingle (as soon as he recovers from being assassinated and abandons his nights watch vows). point to jon for once again having the legal right to marry sansa.
robb had to have it explained to him that sansa called their father traitor because she was coerced into it by the lannisters who were holding her hostage, refused to trade jaime for her because she wasn't important enough, and wanted to disinherit her after she was forced into marriage with a lannister. wow, he is truly her knight in shining armor! jon unwittingly fulfilled the role of the hero sansa wished for when he beheaded janos slynt, and he refused to usurp her claim to winterfell. it's not much yet, but still...gotta give the point to jon for better fulfilling the role of sansa's hero.
robb is not a knight. jon is a brother of the nights watch, whom sansa recalls are called "black knights" in the songs, so i guess he's sort of kind of a knight in a symbolic sense. point to jon!
robb can be charming i guess, though we mostly see him being really stressed out by being forced into power at way too young of an age. jon is in a very similar situation, but hey he remembered to tell gilly her name was pretty just as sansa taught him! point to jon for still being alive to charm sansa in future chapters.
i don't know, anon. it's so close. i just can't tell which of them makes more sense????
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alaynasansa · 11 months
Text
Her empathy
Sansa was too well bred to smile at her sister's disgrace
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The rasping voice trailed off. He squatted silently before her, a hulking black shape shrouded in the night, hidden from her eyes. Sansa could hear his ragged breathing. She was sad for him, she realized. Somehow, the fear had gone away.
The silence went on and on, so long that she began to grow afraid once more, but she was afraid for him now, not for herself. She found his massive shoulder with her hand. “He was no true knight,” she whispered to him
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Of course, Jeyne had been in love with Lord Beric ever since she had first glimpsed him in the lists. Sansa thought she was being silly ; Jeyne was only a steward's daughter, after all, and no matter how much she mooned after him, Lord Beric would never look at someone so far beneath him, even if she hadn't been half his age.
It would have been unkind to say so, however, so Sansa took a sip of milk and changed the subject
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She had always imagined the Night's Watch to be men like Uncle Benjen. In the songs, they were called the black knights of the Wall. But this man had been crookbacked and hideous, and he looked as though he might have lice. If this was what the Night's Watch was truly like, she felt sorry for her bastard half brother, Jon
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“I'm certain your father is well,” Sansa told her when she had finally gotten the dress buttoned right. “I'll ask the queen to let you see him.” She thought that kindness might lift Jeyne's spirits
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Sansa dried her own tears as she struggled to comfort her friend. They went to sleep in the same bed, cradled in each other's arms like sisters
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They all laughed then, Joffrey on his throne, and the lords standing attendance, Janos Slynt and Queen Cersei and Sandor Clegane and even the other men of the Kingsguard, the five who had been his brothers until a moment ago. Surely that must have hurt the most, Sansa thought. Her heart went out to the gallant old man as he stood shamed and red-faced, too angry to speak
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Sansa heard herself gasp. “No, you can't.”
Joffrey turned his head. “What did you say ?”
Sansa could not believe she had spoken. Was she mad ? To tell him no in front of half the court ? She hadn't meant to say anything, only... Ser Dontos was drunk and silly and useless, but he meant no harm
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Sansa found herself possessed of a queer giddy courage. “You should go with her,” she told the king. “Your brother might be hurt.”
Joffrey shrugged. “What if he is ?”
“You should help him up and tell him how well he rode.” Sansa could not seem to stop herself.
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Prince Tommen sobbed. “You mew like a suckling babe,” his brother hissed at him. “Princes aren't supposed to cry.”
“Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon,” Sansa Stark said, “and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound”
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Halfway along the route, a wailing woman forced her way between two watchmen and ran out into the street in front of the king and his companions, holding the corpse of her dead baby above her head. It was blue and swollen, grotesque, but the real horror was the mother's eyes. Joffrey looked for a moment as if he meant to ride her down, but Sansa Stark leaned over and said something to him. The king fumbled in his purse, and flung the woman a silver stag
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“I want the man who threw that !” he shouted. “A hundred golden dragons to the man who gives him up.”
“He was up there !” someone shouted from the crowd.
The king wheeled his horse in a circle to survey the rooftops and open balconies above them. In the crowd people were pointing, shoving, cursing one another and the king.
“Please, Your Grace, let him go,” Sansa pleaded.
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“If I'm not betrayed by my own guards, I may be able to hold here for a time. Then I can go to the walls and offer to yield to Lord Stannis in person. That will spare us the worst. But if Maegor's Holdfast should fall before Stannis can come up, why then, most of my guests are in for a bit of rape, I'd say. And you should never rule out mutilation, torture and murder at times like these.”
Sansa was horrified. “These are women, unarmed, and gently born”
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“I will remember, Your Grace,” said Sansa, though she had always heard that love was a surer route to the people's loyalty than fear
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Sansa went to Ser Lancel and knelt beside him. His wound was bleeding afresh where the queen had struck him. “Madness,” he gasped. “Gods, the Imp was right, was right...”
“Help him,” Sansa commanded two of the serving men.
One just looked at her and ran, flagon and all. Other servants were leaving the hall as well, but she could not help that. Together, Sansa and the serving man got the wounded knight back on his feet. “Take him to Maester Frenken.” Lancel was one of them, yet somehow she still could not bring herself to wish him dead
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The Hound had turned craven, she heard it said ; at the height of the battle, he got so drunk the Imp had to take his men. But Sansa understood. She knew the secret of his burned face. It was only the fire he feared
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How can I let my sister marry Joffrey ? she thought, and suddenly her eyes were full of tears. “Margaery, please,” she said, “you mustn't.” It was hard to get the words out. “You mustn't marry him. He's not like he seems, he's not. He'll hurt you”
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She did not want Margaery to suffer as she had, but she dreaded the thought that the Tyrells might refuse to go ahead with the wedding. I warned her, I did, I told her the truth of him. Perhaps Margaery did not believe her. Joff always played the perfect knight with her, as once he had with Sansa. She will see his true nature soon enough. After the wedding if not before. Sansa decided that she would light a candle to the Mother Above the next time she visited the sept, and ask her to protect Margaery from Joffrey's cruelty
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When Sansa turned, the little man was gazing up at her, his mouth tight, his face as red as her cloak. Suddenly she was ashamed of her stubbornness
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He is as frightened as I am, Sansa realized. Perhaps that should have made her feel more kindly toward him, but it did not. All she felt was pity
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Sansa had been wary of Tyrion's squire at first ; he was a Payne, cousin to Ser Ilyn Payne who had taken her father's head off. However, she'd soon come to realize that Pod was as frightened of her as she was of his cousin
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He had not been dead when she left the throne room. He had been on his knees, though, clawing at his throat, tearing at his own skin as he fought to breathe. The sight of it had been too terrible to watch, and she had turned and fled, sobbing
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Robert did not need to know that, though. He was only a sick little boy who'd loved his mother
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Robert had spindly arms and legs, a soft concave chest and little belly, and eyes that were always red and runny. He cannot help the way he is. He was born small and sickly. “You look very strong this morning, my lord.” He loved to be told how strong he was
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A few moments later and the big man sprawled dazed in the dust with his helm askew. When his squire undid the fastenings to bare his head, there was blood trickling down his scalp. If the swords had not been blunted, there would be brains as well. That last head blow had been so hard Alayne had winced in sympathy when it fell
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Ser Wallace reddened. “I am no more a s-squire, my lady. My n-nephew knows full well that I was k-k-kni-k-k-kni—”
“Dubbed ?” Alayne suggested gently.
“Dubbed,” said Wallace Waynwood, gratefully
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After that Ser Roland Waynwood swept her up and made her laugh with mocking comments about half the other knights in the hall. His uncle Wallace took a turn as well and tried to do the same, but the words would not come. Alayne finally took pity on him and began to chatter happily, to spare him the embarrassment
Sansa Month 2023 : day thirty - your favorite sansa trait
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