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#canadian music
glomofnit · 8 months
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Attention non-Canadians!
Inspired by this poll on the subject, which (if any) of these other Canadian bands/musicians have you heard of?
(if you recognize more than one, vote for the one you think is the most niche and then tell me in the tags)
I tried to get a decent genre spread, but I almost certainly missed something important. Canadian mutuals if you have any other suggestions hmu, drop your music recs in the tags!
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babydillpickle · 8 months
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Another Canadian music poll because i’m so curious (inspired by @shiverandqueeef)
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nofatclips · 1 month
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Live version of Travel by Images In Vogue from the collection album Incipience 4: Live at LuvAFair October 6th, 1982, part of the Incipience 1981-1983 box-set
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Canadian folk music icon Gordon Lightfoot, whose evocative and poetic songs are etched into the musical landscape of Canada, has died at the age of 84, according to his longtime publicist Victoria Lord.
Lord says Lightfoot died at a Toronto hospital on Monday evening. The cause of death was not immediately available
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Tagging: @politicsofcanada
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krenenbaker · 27 days
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I HAVE A QUESTION
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mouthcongress · 10 days
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If you've ever wondered what it's like to experience a Mouth Congress concert up-close-and-personal, we've got you covered thanks to our photographer for our most recent Rivoli show Morgan Murray (@ momurrayphotos on instagram).
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annadoucettemusic · 1 year
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You are my dream of music 🥰💝❤
This one is for you honey 💛 it’s called “Ideal Girl.”
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warznymph · 9 months
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My Name is Dark
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nofatclips-home · 7 months
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Limb from Limb by Encephalon from the Artoffact Records compilation Misogyny is Not a Music Genre ♀
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stickto-otherartists · 4 months
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Camille Léon and her band captured by Colin Medley in Montréal || 09.27.23
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mywifeleftme · 2 months
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298: Wolf Parade // Apologies to the Queen Mary
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Apologies to the Queen Mary Wolf Parade 2005, Sub Pop
Apologies to the Queen Mary is on the short list of ‘00s indie records that I’d consider masterpieces. The funny thing is that my list, as someone who was there (or there-adjacent), is pretty well fixed in time, whereas the consensus among Zoomer critics continues to morph in ways I’d never have figured. (Or maybe it’s not funny, really—just always how time and memory work.) In 2008, I would’ve bet my left pinkie that TV on the Radio (and especially Return to Cookie Mountain) would be the defining band of the era. Meanwhile, in 2024 the Killers are still riding the same five songs to a second greatest hits record and fifty times TVotR’s monthly residuals; the National have tween fans; and I hold a mug weird. Time clowns us all and Wolf Parade are a dad band now, owners of a few anthems from the era before genuinely weird indie bands could near the summits of the pop chart, economically compelled to continue touring small theatres together despite both Boeckner and Krug having been more invested in other, even less profitable projects for some time now.
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Wolf Parade is one of those bands with two lead singers who sound indistinguishable before you know the group well, and instantly identifiable thereafter (like John and Paul of the Beatles, or Felix and Will of Chapo Trap House). They’re both yowlers who let their voices crack pubescently as shorthand for the frayed emotional spectrum they traffic in, given to barking and hooting to help drive their bric-a-brac compositions forward. Boeckner is a lanky post-punk looking fuckboy in roughly the Richard Hell mould, given to posing sweatily in torn undershirts and starting projects with a succession of raven-haired keyboard players he’s also dating. He loves motorik dance rock and Wire, but also has a substantial helping of Bruce Springsteen in his songwriting. Krug is a stocky, normal-looking guy who doesn’t really meet your eyes and self-deprecatingly called his solo project Moonface. He writes lyrics that sound like philosophy and love letters translated from an alien language, and prefers his music to both thwack and quaver.
Their similarities give Wolf Parade coherence, but much of their dynamism comes from how the two singers pass the controls back and forth. Backed by electronics tinkerer Hadji Bakara and Arlen Thompson, a drummer (crucially) capable of serving as a rhythm section unto himself, Krug and Boeckner find the perfect balance between Krug’s experimental art collective predilections and Boeckner’s slyly sexual rock ‘n’ roll heart. Krug leads with the empty warehouse strut of “You Are a Runner and I Am My Father’s Son”; Boeckner parries with the hooky acoustic rocker “Modern World”; Krug closes with the brittle seven-minute dirge “Dinner Bells”; Boeckner responds with the pinkly-hued Suicide-Springsteen collab “This Heart’s on Fire.”
Both Boeckner and Krug have made wilder, stranger music elsewhere, and there are plenty of other brilliant Wolf Parade songs to be found across their subsequent records. But Apologies remains the greatest blend of their particular talents they ever managed, a perfect example of two guys pushing each other to do their best work. With luck, a future generation will reconsider Wolf Parade and its many, many satellites (Sunset Rubdown, Operators, Handsome Furs, Frog Eyes, Swan Lake, Divine Fits…) as one of the most interesting micro-scenes the whole post-alternative rock era produced. And if not, I’ll still be here spinning the record a few times a year, believing in it all all over.
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298/365
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nofatclips · 3 months
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Fascination by Leathers - Director: Wayne Moreheart
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makotoscoffee · 4 months
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misc. photos of kathryn<3
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goddessofsadness · 3 months
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Check out Parachute Thieves on streaming services everywhere.
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ryanshaneowen · 2 months
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'Dream' by Johnny Mercer, from my new album available on all platforms
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noahreids · 2 years
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After Schitt's Creek, Noah Reid felt the pressure. Now, he's finding creative control through his music. | The actor and musician joined Q’s Tom Power to talk about his new album and life after Schitt’s Creek.
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