#canon 1ds mk 3
Text
How to get your nice camera set up as a high-quality webcam
Everyone needs a webcam these days, whether for business meetings or the distant socializing accomplished via video calling — but if you’re like most, you’re using the built-in camera on your laptop or some piece of junk from years ago. But if you happen to have a nice big-brand camera, it’s easy to set it up as a standalone webcam and produce imagery that will be the envy your friends and colleagues.
Our guide to setting up a professional-looking home webcam solution with lighting, audio, and all the other fixins is here, but unless you’re using a capture card (that’s a whole other how-to) getting your DSLR or mirrorless camera hooked up to your computer isn’t as simple as it ought to be.
How to create the best at-home videoconferencing setup, for every budget
Surprisingly, you can’t just take a camera released in the last couple years and plug it into your computer and expect it to work. So far only Canon, Fujifilm, and Panasonic provide free webcam functionality to at least one desktop OS. For Nikon, Sony and Olympus, you may have to pay or put up with a watermark.
Here are the easiest ways to put each brand of camera to work. (Spoiler warning: For Macs, it’s mostly Cascable. I’ll mention that a few more times because people are probably just scrolling past this to their brand.)
Canon: EOS Webcam Utility
Canon released this software just a couple weeks ago and it’s still in beta, so there may be a few hiccups — but it supports both Windows and Apple machines and a good variety of camera bodies. There’s even some extra documentation and tutorials for the app at its microsite.
Compatibility is pretty good, working with any of their camera bodies from the last 3-4 years: the Rebel T6-T7i, T100, SL2, SL3, 5D Mk IV, 5DS, 5DS R, 6D Mk II, 7D Mk II, 77D, 80D, 90D, 1D X Mark II and Mark III, M6 Mk II, M50, M200, R, RP, PowerShot G5X Mk II, G7X Mk III, and SX70 HS. Download the software here.
If you’re having trouble, check out the third party apps listed for other brands below and see if you have more luck.
Fujifilm: X Webcam
Fujifilm’s solution is easy, but a bit limited. The popular X100 series is not supported, and Macs are left out in the cold as well. But if you have one of the company’s more recent interchangeable-lens bodies and a Windows 10 machine, you’re golden. Just install and plug in your camera with a normal USB cable.
Compatibility includes the X-T2, X-T3, X-T4, X-Pro2, X-Pro3, X-H1, GFX100, GFX 50R, and GFX 50S. Get that medium format setup going right and your eyes will be in focus but not your ears. Download the software here.
This guy really did Mac users a favor.
For Macs, Cascable is a useful bit of Mac software that acts as a bridge to your camera for a variety of purposes, and the author just added webcam capability. It has wide compatibility for both wired and wireless connections, and provides broader functionality than Fuji’s own software, but it isn’t free. But the current $30 price is probably less than you’d pay if you opted for a nice webcam instead.
If you’re confident fiddling around in command lines, this tutorial tells you how to get a Fuji camera working on Macs with a bit of fiddling around and some other third party software.
Panasonic: Lumix Tether
That’s it. That’s the image they provided.
Panasonic just made the webcam-capable version of their Lumix Tether Windows app available, and you can tell from the paucity of the documentation that it’s a pretty barebones solution. The price is right, though. It works with the GH5, G9, GH5S, S1, S1R, and S1H. The company also posted a helpful start-to-finish tutorial on how to get going with streaming software like OBS here:
youtube
Cascable works well with a variety of Panasonic cameras, far more than the official app, even some superzooms that could be really fun to play with in this context.
Sony
There’s no official software to turn your Sony cameras into webcams, so we have to jump straight into third party options. Unfortunately it appears that there is no software available for Windows that lets you use your Alpha as a webcam — you’ll need a capture card to do it.
Cascable on Mac is again your best bet there, with support reaching back several generations to cameras like the NEX series and RX100 III. Ecamm Live also has limited Sony compatibility, but only supports the latest bodies. It’s $12 per month, but there’s a free trial if you want to give it a go first.
Olympus
It’s the same story for Olympus on Windows. You’re out of luck for now without a capture card.
On Mac, Cascable has wired support for many more Oly bodies, including Stylus cameras and the retro-style PEN F, which will probably resent being used for such a modern purpose. Ecamm Live has compatibility with the latest bodies — the E-M1 II, III, and X, and the E-M5 original and Mk II. No go on the PEN series, unfortunately.
Nikon
Surprisingly, while Nikon recently put up a rather helpful page on streaming using its cameras, it doesn’t produce any of the software itself, referring the reader to a variety of third-party programs.
As before, Cascable seems like the easiest way to get your Nikon working with a Mac, and SparkoCam is a frequent recommendation for Windows.
Warnings to the webcam-curious
These methods may be easy, but they’re not completely without issues.
One potential problem is heat. These cameras were designed primarily for capturing stills and short video clips. Running full time for extended periods can result in the camera getting too hot to function and shutting down. A camera shouldn’t damage itself seriously, but it’s something to be aware of. The best way to avoid this is using a dummy battery with a power adapter — these are pretty easy to find, and will mitigate overheating.
Audio also may not be as nice as the image. For people doing serious video work, an external mic is almost always used, and there’s no reason you shouldn’t do the same. Considering a solid mic can be had for under $50 and should provide a substantial upgrade to your device’s built-in one, there’s no reason not to take the plunge.
You may also want to check a few forums for the best settings to use for the camera, from making sure it doesn’t turn off after a few minutes to exposure choices. For instance, since you’re not doing stills, you don’t need to worry about sharpness, so you can shoot wide open. But then you’ll need to make sure autofocus is working quickly and accurately, or you’ll end up lost in the bokeh. Check around, try a few different setups, and go with what works best in your situation.
And when you’re ready to take the next step, consult our more thorough guide to setting the scene.
from RSSMix.com Mix ID 8176395 https://techcrunch.com/2020/06/10/how-to-get-your-nice-camera-set-up-as-a-high-quality-webcam/ via http://www.kindlecompared.com/kindle-comparison/
0 notes
Text
How to get your nice camera set up as a high-quality webcam
Everyone needs a webcam these days, whether for business meetings or the distant socializing accomplished via video calling — but if you’re like most, you’re using the built-in camera on your laptop or some piece of junk from years ago. But if you happen to have a nice big-brand camera, it’s easy to set it up as a standalone webcam and produce imagery that will be the envy your friends and colleagues.
Our guide to setting up a professional-looking home webcam solution with lighting, audio, and all the other fixins is here, but unless you’re using a capture card (that’s a whole other how-to) getting your DSLR or mirrorless camera hooked up to your computer isn’t as simple as it ought to be.
How to create the best at-home videoconferencing setup, for every budget
Surprisingly, you can’t just take a camera released in the last couple years and plug it into your computer and expect it to work. So far only Canon, Fujifilm, and Panasonic provide free webcam functionality to at least one desktop OS. For Nikon, Sony and Olympus, you may have to pay or put up with a watermark.
Here are the easiest ways to put each brand of camera to work. (Spoiler warning: For Macs, it’s mostly Cascable. I’ll mention that a few more times because people are probably just scrolling past this to their brand.)
Canon: EOS Webcam Utility
Canon released this software just a couple weeks ago and it’s still in beta, so there may be a few hiccups — but it supports both Windows and Apple machines and a good variety of camera bodies. There’s even some extra documentation and tutorials for the app at its microsite.
Compatibility is pretty good, working with any of their camera bodies from the last 3-4 years: the Rebel T6-T7i, T100, SL2, SL3, 5D Mk IV, 5DS, 5DS R, 6D Mk II, 7D Mk II, 77D, 80D, 90D, 1D X Mark II and Mark III, M6 Mk II, M50, M200, R, RP, PowerShot G5X Mk II, G7X Mk III, and SX70 HS. Download the software here.
If you’re having trouble, check out the third party apps listed for other brands below and see if you have more luck.
Fujifilm: X Webcam
Fujifilm’s solution is easy, but a bit limited. The popular X100 series is not supported, and Macs are left out in the cold as well. But if you have one of the company’s more recent interchangeable-lens bodies and a Windows 10 machine, you’re golden. Just install and plug in your camera with a normal USB cable.
Compatibility includes the X-T2, X-T3, X-T4, X-Pro2, X-Pro3, X-H1, GFX100, GFX 50R, and GFX 50S. Get that medium format setup going right and your eyes will be in focus but not your ears. Download the software here.
This guy really did Mac users a favor.
For Macs, Cascable is a useful bit of Mac software that acts as a bridge to your camera for a variety of purposes, and the author just added webcam capability. It has wide compatibility for both wired and wireless connections, and provides broader functionality than Fuji’s own software, but it isn’t free. But the current $30 price is probably less than you’d pay if you opted for a nice webcam instead.
If you’re confident fiddling around in command lines, this tutorial tells you how to get a Fuji camera working on Macs with a bit of fiddling around and some other third party software.
Panasonic: Lumix Tether
That’s it. That’s the image they provided.
Panasonic just made the webcam-capable version of their Lumix Tether Windows app available, and you can tell from the paucity of the documentation that it’s a pretty barebones solution. The price is right, though. It works with the GH5, G9, GH5S, S1, S1R, and S1H. The company also posted a helpful start-to-finish tutorial on how to get going with streaming software like OBS here:
youtube
Cascable works well with a variety of Panasonic cameras, far more than the official app, even some superzooms that could be really fun to play with in this context.
Sony
There’s no official software to turn your Sony cameras into webcams, so we have to jump straight into third party options. For Windows users, Ecamm Live is probably your best bet, but it has limited Sony compatibility, only supporting the latest bodies. It’s $12 per month, but there’s a free trial if you want to give it a go first.
Cascable on Mac is again your best bet there, with support reaching back several generations to cameras like the NEX series and RX100 III.
Olympus
It’s the same story for Olympus. On Windows, Ecamm Live has compatibility with the latest bodies — the E-M1 II, III, and X, and the E-M5 original and Mk II. No go on the PEN series, unfortunately.
On Mac, Cascable has wired support for many more Oly bodies, including Stylus cameras and the retro-style PEN F, which will probably resent being used for such a modern purpose.
Nikon
Surprisingly, while Nikon recently put up a rather helpful page on streaming using its cameras, it doesn’t produce any of the software itself, referring the reader to a variety of third-party programs.
As before, Cascable seems like the easiest way to get your Nikon working with a Mac, and Ecamm Live for Windows — though for Nikons, SparkoCam is also a frequently recommendation.
Warnings to the webcam-curious
These methods may be easy, but they’re not completely without issues.
One potential problem is heat. These cameras were designed primarily for capturing stills and short video clips. Running full time for extended periods can result in the camera getting too hot to function and shutting down. A camera shouldn’t damage itself seriously, but it’s something to be aware of. The best way to avoid this is using a dummy battery with a power adapter — these are pretty easy to find, and will mitigate overheating.
Audio also may not be as nice as the image. For people doing serious video work, an external mic is almost always used, and there’s no reason you shouldn’t do the same. Considering a solid mic can be had for under $50 and should provide a substantial upgrade to your device’s built-in one, there’s no reason not to take the plunge.
You may also want to check a few forums for the best settings to use for the camera, from making sure it doesn’t turn off after a few minutes to exposure choices. For instance, since you’re not doing stills, you don’t need to worry about sharpness, so you can shoot wide open. But then you’ll need to make sure autofocus is working quickly and accurately, or you’ll end up lost in the bokeh. Check around, try a few different setups, and go with what works best in your situation.
And when you’re ready to take the next step, consult our more thorough guide to setting the scene.
0 notes
Text
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for CANON EF Cameras w/ Tamron Tap-in Console and Essential Photo Bundle
NEW Tamron 70-200 G2 F/2.8 Lens Review
Tamron SP 70-200mm f-2.8 Di VC USD G2 Lens for NIKON F Cameras w- Tamron Tap-in Console and
Tamron 70-200mm G2 & 10-24mm VC Lens Announced – My Opinions On These New Lenses
TOP 5 Lenses for Great Wedding & Event Photography
Tamron SP 70-200mm f-2.8 Di VC USD G2 Lens for CANON EF Cameras w- Tamron Tap-in Console and
Tamron SP 70-200mm F-2.8 Di VC USD G2 Lens A025 for Canon Full-Frame AFA025C-700 with Tamron TAP-In
Tamron SP 150-600mm F-5-6.3 Di VC USD G2 Lens for NIKON DSLR Cameras w- Tamron Tap-in Console and
«
»
View on Amazon
Rating:
Amazon Price: $1,299.00 $1,299.00 (as of September 12, 2018 8:45 pm – Details). Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on the Amazon site at the time of purchase will apply to the purchase of this product.
DIGITAL GOJA IS AN AUTHORIZED TAMRON USA DEALER. 6-YEAR LIMITED WARRANTY.
Bundle includes:
– Tamron SP 70-200mm f/2.8 Di VC USD G2 lens for Canon
– Tamron TAP-in Console for Canon
– Altura Photo® 77mm 3 Piece Filter Kit (UV-CPL-ND4)
– Altura Photo® Cleaning Kit
– Premium MagicFiber® Microfiber Lens Cleaning Cloth
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for Canon
The Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens from Tamron is characterized by its bright f/2.8 constant maximum aperture, as well as sophisticated optical and physical designs. Regarding optics, an improved layout contains one XLD element and five LD elements to suppress color fringing and chromatic aberrations for notable clarity and color accuracy, and both BBAR and eBAND coatings have been applied to reduce flare and ghosting.
Features:
– Canon EF Mount Lens
– Filter Size: 77mm
-Format Compatibility: 35mm Film / Full-Frame
– Aperture: Maximum: f/2.8 Minimum: f/22
– Minimum Focus Distance: 3.12' (95 cm)
– One XLD (extra-low dispersion) element
– Five LD (low dispersion) element
– eBAND and BBAR Coatings
– VC image stabilization
– Three separate VC modes available
– Ring-type USD autofocus motor
– Sealed, dust- and moisture-resistant construction
– Removable rotating tripod collar
– Removable Arca-Type Tripod Mount
– Compatible with TAP-in Console
Compatibility:
– Compatible with all Canon full-frame and APS-C SLR/DSLR cameras including the EOS REBEL T3I, T5I, T6, T6i, T6S, 60D, 70D, 80D, 7D, 7D MKII, 6D, 5D MK III, 5D MK IV, 1DS, 1DX.
More from my site
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for NIKON F Cameras w/ Tamron Tap-in Console and Essential Photo Bundle
Tamron SP 150-600mm F/5-6.3 Di VC USD G2 Lens for NIKON DSLR Cameras w/ Tamron Tap-in Console and Essential Photo and Travel Bundle
Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro Lens for CANON DSLR Cameras w/ Advanced Photo and Travel Bundle
Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro Lens for NIKON DSLR Cameras w/ Advanced Photo and Travel Bundle
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for NIKON F Cameras w/ Advanced Photo and Travel Bundle
Tamron SP 150-600mm F/5-6.3 Di VC USD G2 Lens for CANON DSLR Cameras w/ Tamron Tap-in Console and Essential Photo and Travel Bundle
from BestLensReviewsTamron http://www.bestlensreviewstamron.com/shop/tamron-sp-70-200mm-f-2-8-di-vc-usd-g2-lens-for-canon-ef-cameras-w-tamron-tap-in-console-and-essential-photo-bundle/%20
0 notes
Text
Kamera Termahal Di Dunia, Harganya Cukup Untuk Membeli Mobil
Kamera Termahal Di Dunia, Harganya Cukup Untuk Membeli Mobil. Kamu tau apa saja merk kamera termahal di dunia itu?, ini dia infonya.
Harga kamera termahal di dunia sering kali jadi bahan pertanyaan yang menyimpan misteri namun menarik untuk diperbincangkan. Maka dari itu, saat ini IDRTimes.com mencoba untuk menerbitkan artikel unik tentang fotografi dengan tema “harga kamera termahal di dunia”. Mana tau kalau kamu ternyata juga sedang mencari referensi kamera yang bagus untuk profesi fotografer.
Bila kamu sedang mencari…
View On WordPress
#Canon EOS 1D Mark III#Canon EOS 70D#Hasselblad H4D 200MS#Kamera Termahal Di Dunia#Leica S2-P#Panoscan MK-3 Panoramic
0 notes
Text
Apache AH Mk 1 Attack Helicopter join HMS Queen Elizabeth for trials
Apache AH Mk 1 Attack Helicopter join HMS Queen Elizabeth for trials
On June 3, an Apache AH Mk 1 attack helicopter landed on the deck of the UK Royal Navy’s newest aircraft carrier, the HMS Queen Elizabeth, for the first time, to commence its preliminary ship integration testing.Having already hosted RN Merlin and Wildcats and RAF Chinooks to help write the ship’s ‘operations manual’, the team on the carrier are now working with the gunship to practise some of…
View On WordPress
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
WALKING IN THE CITY # 3
WALKING IN THE CITY # 3
The Great Lavra Bell Tower
Mariinsky Palace
Mariinsky Palace
Mariinsky Palace
ARKADA bank building
Sky Tower
RED BUS cafe
POLYTECHNIC
CAKE cafe
POLYTECHNIC
Liberman’s mansion
graffiti advertising
POLYTECHNIC
POLYTECHNIC
POLYTECHNIC
POLYTECHNIC
POLYTECHNIC
POLYTECHNIC
self portrait with wife reflection
Coca
Courier
PHOTO © OLEG KARATAEV. KIEV.2018. CANON 1DS MK II+ 28-80/2.8-4L
View On WordPress
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
Tamron SP 150-600mm F/5-6.3 Di VC USD G2 Lens for CANON DSLR Cameras w/ Tamron Tap-in Console and Essential Photo and Travel Bundle
Tamron SP 150-600mm F-5-6.3 Di VC USD G2 Lens for NIKON DSLR Cameras w- Tamron Tap-in Console and
«
»
View on Amazon
Rating:
Amazon Price: $1,299.00 $1,299.00 (as of September 10, 2018 6:20 pm – Details). Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on the Amazon site at the time of purchase will apply to the purchase of this product.
DIGITAL GOJA IS AN AUTHORIZED TAMRON USA DEALER. 6-YEAR LIMITED WARRANTY.
Bundle includes:
– Tamron 150-600mm F/5-6.3 Di VC USD G2 Zoom Lens for Canon
– Tamron TAP-in Console for Canon
– Altura Photo® Deluxe Camera Lens Case
– Altura Photo® Pro 67" DSLR Camera Monopod
– SanDisk 32GB Ultra UHS-I SDHC Memory Card (Class 10)
– 95mm 3 Piece Filter Kit (UV-CPL-FLD)
– Altura Photo® Cleaning Kit
– Premium MagicFiber® Microfiber Lens Cleaning Cloth
Tamron 150-600mm F/5-6.3 Di VC USD G2 Zoom Lens for Canon
The SP 150-600mm G2 (Generation 2) ultra-telephoto lens with upgraded optical performance enables you to capture the moment with sharpness and accuracy with remarkable definition. This new lens features better overall optical performance and faster AF speed, VC enhancements, plus Fluorine Coating, and FLEX ZOOM LOCK. Other improvements in the new lens include a redesigned ergonomic body with moisture-resistant seals, minimum focus distance has been improved to 7.2ft from 8.9ft, and the lens is now compatible with the TAP-in Console for future firmware updates and Autofocus and VC customization.
Features:
– Canon EF-Mount Lens
– Filter Size: 95mm
– Format Compatibility: 35mm Film / Full-Frame / APS-C
– Aperture: Maximum: f/5-6.3 Minimum: f/32-40
– Minimum Focus Distance: 7.2'
– Three Low Dispersion Glass Elements
– eBAND, BBAR, and Fluorine Coatings
– Vibration Compensation
– Ultrasonic Silent Drive Autofocus Motor
– FLEX ZOOM LOCK, and Zoom Lock Switch
– Full-Time Manual Focus Mechanism
– Moisture-Resistant Construction
– Removable Arca-Type Tripod Mount
– Compatible with TAP-in Console
Compatibility:
– Compatible with all Canon full-frame and APS-C SLR/DSLR cameras including the EOS REBEL T3I, T5I, T6, T6S, 60D, 70D, 80D, 7D, 7D MKII, 6D, 5D MK III, 5D MK IV, 1DS, 1DX
More from my site
Tamron SP 150-600mm F/5-6.3 Di VC USD G2 Lens for NIKON DSLR Cameras w/ Tamron Tap-in Console and Essential Photo and Travel Bundle
Deluxe Camera Lens Pouch Case by Altura Photo for Sigma 150-600mm, Tamron 150-600mm, JBL Xtreme Speakers and Other Telephoto Lenses
Tamron SP 24-70mm f/2.8 Di VC USD G2 Lens for NIKON F w/ Advanced Photo and Travel Bundle
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for NIKON F Cameras w/ Advanced Photo and Travel Bundle
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for CANON EF Cameras w/ Tamron Tap-in Console and Essential Photo Bundle
Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for NIKON F Cameras w/ Tamron Tap-in Console and Essential Photo Bundle
from BestLensReviewsTamron http://www.bestlensreviewstamron.com/shop/tamron-sp-150-600mm-f-5-6-3-di-vc-usd-g2-lens-for-canon-dslr-cameras-w-tamron-tap-in-console-and-essential-photo-and-travel-bundle/%20
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Text
Overview of the New Canon 5D Mark IV
Canon’s 5D Mark line has embedded itself deeply in the heart of photographers. Although the price generally keeps this camera in the hands of professionals, hobbyists have equally drooled over its capabilities and power. It comes as no surprise that the newest edition to the line, the Canon 5D Mark IV, sparked a lot of excitement and interest. But does this model really live up to the expectations it has set itself?
Subject: Rusty the Golden Retriever
As a Canon camera enthusiast myself, having gone through many different cameras in my career (and currently working with four), I have been pleasantly impressed by the new model. Each camera has its high points and its low points, but the Canon 5D Mark IV lends itself to being an excellent piece of machinery with more pros than cons. In comparison to its predecessor the 5D Mark III, beloved features have been better optimized and improved while adding new capabilities that were previously missing.
Physical Specs of the Canon 5D Mark IV
In terms of the camera’s physicality, the Canon 5D Mark IV weighs at 28.2 ounces, versus its predecessor which weighed 30.4 ounces. Although this doesn’t sound like a significant difference, your arms will thank you for the lighter weight of the Mark IV after several hours of shooting. Lighter equipment weight is an aspect that many photographers consistently request from their beloved camera companies, as heavy gear often leads to various body aches.
The body feels sturdy and comfortable. The fact that Canon found a way to decrease the weight of their newest 5D camera shows that the brand was certainly listening. Alongside this, the camera’s weather sealing shows quite an improvement over the previous models. I have taken the camera out to the snow, beach, heat, and rain with no trouble.
Otherwise, The 5D Mark IV feels almost indistinguishable to the 5D Mark III. They have virtually the same ergonomics, buttons, and menu layout. The camera continues to have the dual card slots, much like the Mark III; one slot for a compact flash card and one slot for an SD card. The settings allow you to write on either both simultaneously or switch over to the secondary card once the main card is full.
New feature – touch screen
Possibly the most noticeable new feature is the inclusion of a touch screen, the first of any of the 5D models. The touchscreen has been present in several of Canon’s other models, and this was highly requested as an addition to the new 5D lineup. In Live View Mode, the touchscreen allows you to tangibly tap the screen to adjust the focus or the exposure settings. This is a significant benefit to video shooters, as tapping the screen allows you to silently make your adjustments without adding noise to your rolling video.
The touchscreen is also customizable, similar to the live view features of the 1Dx Mark II. It can be programmed so that the touch of the LCD screen actually takes the picture. The rear LCD on the 5D Mark IV is an improved 1.62 million-dot 3.2-inch screen, unlike the 5D MK III’s 1.04 million-dot LCD. Although Canon did not include a swivel LCD screen as wanted by many shooters, the touchscreen is a welcome addition.
Megapixels – big increase
Although both are full-frame cameras, the Canon 5D Mark IV sports a whopping 30.4 megapixels versus the 5D Mark III’s mere 22.3 megapixels. 30.4 MP offer a solid 17% linear resolution increase. In addition, the new camera features Canon’s DIGIC 6+ image processor. Pair the processor with the increase in megapixels, and the 5D Mark IV officially has a better dynamic range (an aspect of the Mark III that often gets criticized).
ISO range – not much change
The Canon 5D Mark IV at ISO 25,600 shutter speed 1/500th.
The Canon 5D Mark III at ISO 25,600 shutter speed 1/500th.
The ISO range for the 5D Mark IV is ISO 100 – 32,000, versus the Mark III’s 100 – 25,600. However, both models offer the same expanded ISO range of 50 to 102,400. The high ISO and low light performance continue to be quite excellent, as is to be expected from a full-frame Canon DSLR. However, there is no real significant difference in higher ISO performance from the Mark III to the Mark IV.
Canon does have significantly better low light cameras in its highest end models (such as the ID X series), but the 5D holds its own very well for the price point. A big change in the ISO aspect of the camera, however, is the move to on-sensor analog-to-digital circuitry (ADC) that results in noteworthy improvement in base ISO dynamic range. Canon DSLRs prior to the 1D X Mark II and 80D were very well known for poor shadow recovery. This is not an issue in the Mark IV.
Subject: Kiss the Border Collie
Frames per second burst rate
The Canon 5D Mark IV has a 7 FPS burst rate, about one frame per second faster than the 5D Mark III. Not a huge difference in hindsight, but where the 5D Mark IV really excels is the buffer performance. Continuous JPEG shooting is essentially unlimited; the camera will shoot until the memory card is full, whereas the 5D Mark III’s buffer filled after about 63 JPEG images. Still an impressive feat, but the unlimited is certainly better.
21 RAW frames can be captured before the buffer fills and the camera comes to a halt, which is fantastic considering that each RAW frame is from a 30.4 MP sensor. Wildlife photographers will really enjoy the 7 FPS burst rate and increased buffer performance.
Subject: Valkyrium
New Dual Pixel Raw Mode
On the topic of RAW, the Canon 5D Mark IV includes a very powerful new Dual Pixel Raw mode, which advances upon the Dual Pixel CMOS AF technology. This makes use of the split-pixel design to capture two images at once. The outcome allows you to be able to make subtle adjustments and changes to focus/sharpness, bokeh, and ghosting. The downside is that the file sizes of Dual Pixel Raw images are nearly twice as large, and the burst rate and buffer capacity are reduced while in Dual Pixel Raw mode.
Canon 5D Mark IV with Canon 70-200mm F/2.8 L IS USM II
Autofocus
The autofocus in this model is downright incredible. While the 5D Mark IV offers the same 61 AF points as in the 5D Mark III, the new model uses an upgraded AF system. Now all 61 points can focus down to f/8 and they can cover much more of the frame. The 5D Mark III only offered f/8 autofocusing at the center point. These changes are very similar to features inside the EOS-1D X Mark II, Canon’s high-end model. Photographers that use super-telephoto lenses and teleconverters are sure to appreciate this improvement.
21 of these points also remain cross type for extra sensitivity. Unfortunately, there is no way to link spot metering to a chosen AF point. One of the big changes to autofocus on the 5D Mark IV is the use of the infamous Dual Pixel CMOS AF, frequently touted by Canon. Equally, the model has inherited the AI Servo AF III with EOS iTR AF from EOS 7D Mark II and EOS-1D X Mark II. This AF feature truly shines when using the camera to photograph sports or action.
The AF system’s detection range has also been broadened, from -2 EV on the EOS 5D Mark III to -3 EV, and this drops down even further to -4 EV when using Live View. As well as this, there’s also now an AF Area Selection button on the back plate.
WiFi!!
Another brand new feature to the Canon 5D line is the presence of WiFi capabilities and NFC technology. This new aspect of the model allows the camera to be controlled remotely from a smartphone or tablet and have images transferred wirelessly to a multitude of other devices. The camera utilizes the same Canon Camera Connect app as other WiFi models, which is available for both iOS and Android platforms. This feature was also widely requested from Canon users and allows photographers to bypass the need to purchase wireless triggers for their camera.
Self-portrait photographers rejoice! GPS/Geo Tagging continues to be included in this upgrade to the Mark III.
Subject: Jessica Bari
Video features – pros and cons
Arguably the most marketed aspect of the Canon 5D Mark IV is the ability to film in 4K. This model is one of the first DSLRs to allow you to shoot in 4K and showcases Canon’s interest in shifting high-quality videography to DSLRs. The benefit to shooting footage with these smaller cameras is maneuverability, portability, and other such size benefits. The videography portion of the camera does sport very accurate autofocus, the touch screen allows you to switch focus points and exposure levels silently, and it is all-around a smooth piece of filming equipment. Due to its on-sensor
Due to its on-sensor phase-detect system, Live View AF on the Mark IV is super-quick, smooth and precise. By comparison, the 5D Mark III offered only contrast-detect AF with Live View, which was slower and had a tendency to hunt, making for distracting wobbling as focus adjusted.
Much like Canon’s other 4K models, the EOS 5D Mark IV allows you to extract JPEG frames from the 4K footage. The images have a resolution of 8.8MP, as opposed to the lower 8-8.3MP resolution of images extracted from cameras recording the slightly lower resolution UHD 4K footage.
That being said, being one of the most marketed features also opens the doorway to major scrutiny. Videographers have mentioned the 4K video being limited to Motion JPEG, the 4K/30p video requiring the use of a CF card, the 1.64x crop factor in 4K video limiting FOV, the HDMI-out limited to 1080 video, and the lack of log gamma, focus peaking, or zebras for video as all major cons to this feature.
Canon 5D Mark IV with Canon 16-35mm F/2.8L USM II
Special features
As far as built-ins go, the 5D Mark IV has a movie time-lapse mode, an intervalometer, HDR and multiple exposure capabilities, mirror vibration control, and a “Fine Detail” picture style. The camera also has an anti-flicker feature that was originally introduced in the 7D Mark II and 1D X Mark II, in which the camera can be set to adjust the moment of exposure to compensate for flickering electric lighting.
Subject: Desiree Perkins
Summary
In conclusion, the Canon 5D Mark IV keeps itself familiar and sentimental, while improving upon features that attracted photographers to the 5D line in the first place. Although not every desired feature was implemented in this model, Canon certainly showed that the company listened to its customers and took their feedback into strong consideration. The product that resulted is a well-rounded, functional, and incredible piece of equipment. On the value-for-dollar front, the 5D Mark IV is absolutely worth its price tag.
The post Overview of the New Canon 5D Mark IV by Anabel DFlux appeared first on Digital Photography School.
from DIYS http://ift.tt/2rOHRbv
0 notes
Last Seen Blogs
empatman
Без названия
mellancholy-morose
Science and bustin' a nut: the two food groups
scrollsofhumanlife
scrollsofhumanlife
