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manychocolatefactories · 3 years

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CatCF Dark Chocolate: Part 1, the Kids

About this version:

This retelling was mostly inspired by the original book, as well as Dahl's first drafts for it. I wanted a more old-fashioned feeling to it: in this setting television is still only present in rich and upper-class houses, the regular people using newspaper and radios to get information. Imagine a mix of 40s and 50s with some touches of 60s thrown in.

You have here 8 Golden Tickets.

First winner: Augustus Pottle

(Based on Augustus Gloop )

Augustus Pottle is an enormously fat boy, with a head like a ball of dough and a body like a blimp. He bears an uncanny ressemblance to a pig: he has a pink and greasy skin, numerous folds of flesh and chins bulging out of his neck, small greedy eyes, and an upturned and always sniffing nose looking like a snout. All the outfits he wears are always much too tight for him or about to pop (and it doesn't help that he literaly gains weight the minute he eats something). He has two outfits during the story (inspired by the two outfits Quentin Blake drew for him): during his interview he wears a green jacket, brown pants and a turquoise shirt ; and during the tour he wears beige pants, a blue jacket and a white shirt with pink spots. Of course he can never wear his jackets and his shirts are always about to rip.

Eating is not just Augustus hobby and obsession - it is also his career. Augustus is considered a "champion" because he kept winning eating contests: the biggest eater, the fastest eater, the fattest eater... It all comes down to his mother, a thick lady wearing a lot of shiny but ugly jewelery. Mrs. Gloop always tried to find fame and attention, but when her attempts to find it at radio failed, she reported all her dreams on his son: he had inherited from his tall and bearded father a large and stout body. People were amazed at how big and gluttonous the boy was, and Mrs. Gloop thought it was an excellent way to get attention and fame. So she bred him to become the fattest and most gluttonous boy alive, so that everyone would look at him (and at her). It goes so far that Augustus is used to sleep in the dining room - being so full after meals he can't even pass the door to get up to his bedroom.

The excess of greasy and sugary food made his brain fat too, clogging it with blubber, and resulting in him being quite simple-minded. He only now has two thoughts in his brain. The first is "eat, eat, eat", he is a true glutton obsessed with eating and devouring. The second is "I'm a champion, I'm the best, I need to beat everyone else", he sees others as rivals and life as a contest, and his own fatness and gluttony is for him a sign of dominance over other people.

Second winner: Elvira Salt

(Based on Veruca Salt)

I wanted here to get away from the angry, screaming, demanding Veruca Salt, so I create this character.

Just like Veruca, Elvira is a spoiled and filfthy rich girl who thinks she can get everything she wants with money or by asking. But she is not an angry, screaming, bratty child. She rather believes it is natural and normal for her to have everything, or for money to solve every problem. She seems detached from the world. She doesn't think or believe one would say "No" to her, and basically considers the entire world to be a shop with people at her service, or a field from which she can pick flowers without a care.

She looks like a glamorous movie star of old, like Marilyn Monroe, always wearing elegant silk dresses and gloves and wearing fur coats (with furs of lovely and cute animals like guinea pigs, mink, chinchilla or rabbits). In fact, Elvira enjoys only things that are cute, pleasant or elegant. For example give her the biggest pearl in the world - if said pearl is actually ugly she will throw it out without a care. She is a girl that bathes in milk and honey, that has for a snack expensive truffes, foie gras, chocolate and champaign, that doesn't walk but get carried around, and that considers it normal for a young girl to receive as gifts emeralds, rubies, diamonds and other precious jewels. To put it shortly, she lives an extravagant and excentric life. Always smiling, always happy, always content, she basically lives in a world of luxury where misery, poverty or lack of money does not exist, and as a result actually forgets that other people around hers have needs and desires too. She thinks she is the princess of some sort of fairytales, and the others are just background characters here to serve her story.

For the tour, she wears a candy-pink velvet dress and a "fur" made of clubbed baby seals. As her father... well fun fact, Elvira sepnds so much money her father actually looks like a beggar or a homeless man, because he has no money left for himself - but a beggar with plump and thick wallets in his pockets.

Third winner: Violet Beauregard

(Based on Violet Beauregarde)

The Beauregard parents (who look so similar to each other it is difficult to say who is the father and who is the mother) are competition freaks. They are obsessed with their children being the best, breaking records, being a champion, earning trophies.

However, for their misery, they got Violet. Violet isn't good at sports, neither at school. She doesn't have any talent for anything. She doesn't have any interest or dreams. She is a plain, dull girl wearing plain and dull clothes, with dim eyes and a big mop of hair of an undetermined color. The only thing that stands out is her great, thick, muscular jaw - because her parents, desperate that they were, found a way for her to be a champion. Chewing gum. She spends her time chewing gum, so that would be her talent, isn't it? Her parents worked hard to make chewing a sportive and intellectual talent, making her break unexisting records of gum-chewing, organizing uninteresting chewing contests... They now think that their little girl deserves to be with Olympic champions just for chewing-gum, forgetting how useless and stupid this is.

They also extended her "abilities" to chewing other kind of foods and candies, including chewing chocolate bars: and here she found the Golden Ticket, which was a dream come true for the Beauregard parents, a perfect mediatic exposure! Fun fact: Violet chewed a bit of her Golden Ticket.

Fourth winner(s): Wilbur Rice and Tommy Troutbeck

(Based on Wilbur Rice and Tommy Troutbeck)

I wanted to reuse the characters from the deleted "Fudge Mountain" chapter of the book. A lot of this characterization is my own invention: I based myself on the few personnality clues found in the chapter, and for their appearance I used Quentin Blake's illustrations.

Tommy and Wilbur are best friends in the world. They are neighbors, they go to school together, they always share everything (even though they may fight for it first) - this is why when they discovered the fourth Golden Ticket they shared it. However their friendship is filled with a strange sort of disdain, and they really bond over their main hobby: pranking people. They like to do pranks and jokes and to have a good laugh. Unfortunately for everyone else, they are devilish little brats and cruel children, whose definition of a good laugh involves making believe someone's house was robbed, putting someone's dress on fire or pretending their little brother is dead. The worst is hurts or distress people, the better it will be for them. Causing black outs, using dangerous chemical products, hurting their own parents, it is all just a good fun.

The Rice family are the definition of bourgeois and nouveau riche, small shop owners who became extremely wealthy thanks to their trade. As a result they are boasting their money and spending a lot of it: their small house became bloated with numerous architectural additions that don't fit with each other, and they collect cars, having so much they can't even drive them all. Mr. Rice is a tall and very thin man always dressed in expensive but ugly suits and with a thick mustache looking like a caterpillar, while Wilbur is a small dark-haired boy with a round face and a round belly, chubby and flabby. Wilbur is an arrogant, haughty, snobbish boy that is friend with Tommy only because he thinks of him as a sort of "pet" - he is so arrogant that he also disdains his own parents, but Mr. Rice merely thinks Wilbur is being a "good lad", an "energetic boy" or a "little man" and is quite proud of this unruliness.

The Troutbeck family is the opposite of the Rice. They used to be nobility, living in a great manor, but they fell on hard times. Their nobility title not worth anything, money flying by, their family fell into poverty. They still live in their manor, but it is now run-down, dirty and unkept. Mrs. Troutbeck is an obese woman always wearing faded pajamas or worn-out jumpsuits and a thick layer of makeup, and Tommy is a tall and thin boy, skinny, with an angular face covered in moles, beauty marks and freckles. He has spiky strawberry blond hair and always wears tattered ans stained clothes. The Rice parents are hoarding misers, skinflints who refuse to spend and disdain the "show-off" Rice (the same way the Rice disdain the poor and "low" Troutbeck), in fact they only had a kid so he could later work and make money for them, and they encourage him to steal rather than buy things. Tommy is also a rude, violent boy, known to punch and insult all those that displease him - something he inherited from his parents, that also raised him with insults and slaps on the head (no wonder he doesn't have any respect for them).

The two kids have another element cementing their friendship: their love for candies. Wilbur spends his time buying candies to stuff his belly, and Tommy keeps stealing candies from other children, messily devouring them. And it is during one of their sugary feasts that they found the Golden Ticket.

For the tour, Wilbur is wearing a light blue jacket with a red bow tie, and Tommy a navy-blue turtleneck.

Fifth winner:Michael Themmen-Vry

(Based on Mike Teavee)

This name was a suggestion of ArtMakerProductions, who said I could invent a name whihc would have "T-V" initials. So I created Themmen-Vry, a name based on the names of the two actors who played Mike Teavee.

The Themmen-Vry family is exceedingly rich, grossly rich. But the Themmen-Vry parents are quite pleasant people: the father friendly and affable despite looking like a pigmy hippo, and the mother being an excellent hostess despite not being very bright and quite young. However their sson... it's a different story.

Michael is the oldest of the winners, being near the end of the his teenage years and almost a man. But he stayed stuck to the mental age of a child. Michael adores television, he has several elevision sets in every room of his manor to never miss his favorite shows. And Michael always liked to play, to disguise himself as his heroes. Couple that with very wealthy and very permissive parents, and you get this brat. Michael always plays at some game when he isn't watching television. He has an impressive array of costumes and toys to play with, and when he plays, he truly plays. He forces everyone to get into his roleplay and refer to him by his fictional identities. He forces other people into playing with him - he even kidnaps children from the nearby school to play with him. And he also wants realism to go so far... well let's say he won't be afraid to use a real gun to play a hunter. His parents are so permissive, seeing this as merely "harmless childish fun", that they allowed their manor to be burned down only because Michael wanted to play a firefighter.

No need to also mention you that Michael is a self-centered and disdainful brat that is always the hero of his stories and that uses "playing" as an excuse to bully and insult other people by having them be villains, monsters or preys. Basically he is the ultimate worst RPG player you can think of.

Tall and thin, Michael has long and thick hair covering his ears and forehead like a helmet, and a face covered in acne. As for his outfits, they change all the time: one time he is dressed as a mad hunter, another time he is a monster-killing alien-king, another time he is a ninja-cowboy from the Far West, and that's when he is not a policeman-Robin Hood.

His outfit for the tour is a vividly colored cosmonaut outfit, and he is armed with a ray gun. Actually a laser gun using real, harmful lasers. He is also one of the few kids allowed to come to th tour without his parents, due to him being old enough.

Sixth winner: Marvin Prune

(Based on Marvin Prune)

In the original drafts of Roald Dahl, Marvin Prune was a conceited school-obsessed boy that embodied the "all work and no play" mentality, disdaining all childish fun and freedom and rather dedicating himself to harsh studies and strict intellect. I decided to reuse this concept for a new interpretation:

Marvin Prune and his parents (his father, a man with a face like a boiled onio, and his mother, a woman who looks a lot like a donkey) are extremely arrogant and conceited so-called intellectuals. Marvin Prune thinks of himself as superior to everyone else and more intelligent than others because he read a lot of books, learned a lot of things and is an excellent school student. As a result, he thinks that he has all the rights to disdain others, insult them, treat them as complete idiots. But the thing is that Marvin actually has a very poor knowledge of the world and his "intellect" is up to discussion. He has numerous facts wrong - for exemple he thinks sugar comes naturally as a white powder and can't exist under any other forms, or he believes all the ancient Greek artworks were entirely white and that Greeks never used colors. If he gets so many of his facts wrong, it is because he believes simply learning about something is enough to be an expert - for exemple he claims to know all about foreign countries because he read about them in books, but he actually never visited them or met people from said countries.

This arrogance and this quest for "intellectuality" leads the Prunes to worship all that is "antique" "ancient" or "proper" - which results in them only collecting ancient furnitures, putting dust and cobwebs in their house to make it look more ancient, and Marvin wearing outdated outfits, like puff ties or jabots. He also likes to wear glasses, though he doesn't need them - he just thinks wearing glasses makes him look more intelligent. With narrow shoulders and chocolate-colored curls, the most defining trait of Marvin is his nose, which is really big, really long, really pointy and sharp, compared to a shark's fin. He always uses the royal plural "we" instead of "I" because he believes himself to be the most intelligent boy of the country or perhaps the world, and this bloated ego of him actually leads to a darker side of his personnality: he disdains all that is considered childish and worthless, up to the point of destruction. For exemple, he only reads encyclopedia, scientific books and teaching manuals. As for the rest - children book, novels, comic books... he deems them irrelevant and stupid and so wishes to burn all of them. Yep, we have a little book burner here.

Marvin only searched for a Golden Ticket because he wished to learn more about the Wonka Factory and know all of its secrets, as well as to be able to "correct" Wonka - because he is that kind of kid that considers everybody else is doing things wrong, and that he knows how to fix mistakes and improve everything. And he pretends that to find his Golden Ticket he used a lot of calculations, planning and studies, comparing the weather, selling patterns, geography, trafic levels... but in truth he actually got it by pure luck.

Seventh winner: Bertie Upside

(Based on Bertie Upside)

Bertie Upside actually surprises everyone because he isn't a brat like the other kids. He is a wealthy and rich orphan, but he is kind, healthy, gentle, generous, cute, humble, decent giving money to charity and being very respectful and wise. He sees the best in people, and during the tour he prevents the other kids from breaking the rules or bullying Charlie, deeming him a true "bore". He is basically the perfect kid, that is repeatedly said to have a "heart of gold".

For his physical appearance I based him on Quentin Blake's illustration of Charlie: tall and thin, blond with blue eyes. He always has clothes that match his hair and eyes: light blue jacket and yellow tie for his interview, and golden jacket with light blue shirt for the tour.

Eighth winner: Charlie Bucket

(Based on Charlie Bucket)

This Charlie I based on the original drafts of Roald Dahl, which depicted Charlie as black.

As usual Charlie is a small malnourished boy, all skins and bones, living with his poor family in a shabby and run-down house. His father is a newspaper deliveryman, which is how the Bucket family has a newspaper every morning, and his mother works at a toothpaste factory (like in the 2005 movie). Their job doesn't bring much money, but it is enough to survive. As for the Grandparents you have Grandpa Georges (got his leg cut off after the war, and is always criticizing, insulting and being revolted by the other Golden Ticket winners), Grandma Georgina (can't walk due to the family being too poor to have her hip and knee fixed, she quells and calms her husband's wrath and fury), Grandma Josephine (has a weak heart and can't do a lot of physical activities, but has a wild an insane past, resulting in her often telling stories not suited for kids) and Grandpa Joe (bad arthritis, usually tempers or censors his wife's stories).

Charlie tries to help his family: he makes a bit of money by collecting glass bottles and metallic scraps. As for the food the Bucket family survives with, I wanted to include elements of the "soul food": as a result the daily diet of the Buckets is black-eyed peas, turnips and sweet potatoes. When they have enough money they buy a pork feet or a chicken liver to add meat to their diet, but it is quite rare. Charlie is a little angel of a kid, ever complaining, working hard at school and always sharing what he has with his family.

#charlie and the chocolate factory #catcf #retelling #dark chocolate #augustus gloop #charlie bucket #violet beauregarde #veruca salt #mike teavee #wilbur rice #tommy troutbeck #marvin prune #bertie upside

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mask131 · 4 years

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About my Charlie and the Chocolate Factory projects

So... if you don’t know about it, for several years now, just for fun, I kept coming up with re-imagining and re-interpretations of “Charlie and the Chocolate Factory”. Basing myself mostly from the book, but also taking influence from the two movies, the two musicals and the opera, I mixed everything together and even re-used elements from the original drafts of the book (deleted scenes and cut characters), and ended up with at least five different reinterpretations of CatCF, each named after a different chocolate.

At first, I started writing them as proper “fan fictions/stories”, collection of little scenes and vignettes for fun, and people followed, but of course it quickly turned out to be time-exhausting and energy-consuming to write down five different reinterpretations of the same story Xp So while I have written vignettes and snipets of these reinterpretations as “stories”, I mostly decided to follow the exemple of @danguy96 and to expose my re-interpretations and ideas as full plans. I already did so on DeviantArt (where I posted the fragments of stories) and I thought I would do it here on Tumblr.

#charlie and the chocolate factory #my retellings #catcf #my projects #my stories

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nuttycrunchsurprise · 5 years

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catcf rant ahead

i honestly don't know why it's so hard for people to understand that catcf 2005 wasn't made exclusively for people that were fans of the 1971 movie? this movie was made for people that were fans of the book, people that were ITCHING for a new retelling of the story that followed more closely in line with the book's darker tone and plot. of course it's okay to prefer one movie over the other (they both have their merits and their downfalls), but i'm just really sick of people acting as though catcf 2005 has no reason to exsist. because in all honesty, it actually does. tim burton isn't hurting anyone by making a movie based off a book that had been out a long time during the film's release and he sure isn't trying to replace the first one and trying to replicate it exactly. it's his own vision of how the story should be. if you don't like catcf 2005, then stick with the 1971 version. no one is forcing you to watch catcf 2005 videos and then to write hate comments on each video. it really is that simple.

#rant #leave catcf 2005 alone #its legitimately harmless #charlie and the chocolate factory

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danguy96 · 5 years

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Sorry I haven’t posted much about my Charlie and the Chocolate Factory retelling fic. I got caught up in a lot of stuff.

Anyway, I just wanted to show you all the other comics which were drawn by @boggleseal / @moongatti, who graciously accepted my requests for a few crossovers between my version (first drawn by @jamesandtheblog) and her version of the characters. Here are some other collabs we did, in case you’re curious.

Anyway, the first two pictures are recreations of scenes from the satirical UK puppet show, Spitting Image, with my version of Miranda once again taking the place of Margaret Thatcher, and we see the differences in personality between our versions. Specifically, her Miranda is focused too much on school and, but she’s more socially awkward and nervous, whilst my Miranda borders on being an authoritarian supervillain in a 14/15-year old girl’s body.

The third is a meeting between her version of Marvin Prune and mine, and both of them are pretty much vain child stars. In fact, they’re so narcissistic, that neither of them seem to be above the idea of falling for an alternate universe version of yourself. Also, this may be non-canon, but I did have this idea of Marvin being bi, since he also has a crush on Veruca in my version.

I hope you all like it, and I swear that more CatCF stuff is on the way in the near future.

@thevideonasty, @everythingwonka, @grimoireoffolkloreandfairytales, @mask131

#Charlie and the Chocolate Factory #Willy Wonka and the Chocolate Factory #CatCF #Miranda Mary Piker #Marvin Prune

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crypticcandyman-archive · 7 years

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Some thoughts on the Broadway Musical *Potential Spoilers*

//OOC//

So, I have to say that I welcome most of the changes from the London West End musical. I enjoy all of the new songs, I welcome all of the classic songs, and most of the retooled ones. The only thing I’m genuinely disappointed in is the fact that “Juicy!” was cut in favor for “When Willy Met Oompa,” and Violet’s demise is more of a background occurrence than the Oompa Loompas treating it as a way to teach a lesson. I feel like they could have included it in between the original musical numbers, either after “Auf Wiedersehen Augustus Gloop” or “Juicy!” Maybe that would’ve been too many musical numbers. Though, can a musical have too many songs? Although, treating it as a background occurrence is kind of in the attitude of Borle’s Wonka. So I have a bit of a love/hate relationship with this instance.

While Charlie and the Chocolate Factory is my favorite Roald Dahl book and I’ve welcomed all of the interpretations with an open mind to the creative decisions/changes, there is one change that I’m not so fond of in the Broadway version. It’s Veruca’s demise. I feel like her getting thrown down the garbage chute and the possibility of her and Mr. Salt being incinerated is more than enough, but to have the squirrels literally “shell her like a nut?” Yes, Veruca is torn apart, limb by limb in the Broadway version. I feel like one of the best parts of the story is we don’t know whether the other four children are fine. Veruca is definitely not fine in this one. While Violet does explode in this interpretation, as she did in the West End version as well, it’s treated in more of a comedic way. Not to mention, Wonka assures Mr. Beauregarde that the Oompas would get Violet back to normal, or “near enough.” Veruca being torn apart is awfully morbid, even though CATCF is a bit of a dark story. It feels less like Dahl and more like King.

I do feel like a lot of the classic songs were added to please those who are fans of the 1971 film. One of the biggest complaints I heard from people about the London production was just that. I’m paraphrasing here, but I’ve seen a few people say things like “I was disappointed that Charlie didn’t sing ‘I’ve Got a Golden Ticket.” But, people shouldn’t expect this musical to be exactly like the 1971 or 2005 films. It’s a retelling of the story, and there are still some people who are disappointed that there aren’t any geese that lay golden eggs, even though that was due to it being easier to film in the 70′s rather than having squirrels. And you can tell those people never read the book in the first place.

While it’s hard not to compare the two large production musical versions, I feel like both shows should be looked at separately and have their strong and weak points looked at. I enjoy it simply out of love for Charlie and the Chocolate Factory, and both versions do an excellent job in telling the story and being creative. While one of the biggest complaints the Broadway version gets is about the sets, the theme of the show is “It Must Be Believed to be Seen” and “Pure Imagination.” And no matter what, any stage performance requires the audience to turn their imagination on and become immersed in it. Because, I don’t know about anyone else, but I have to use my imagination whenever I watch something performed on stage, simply because if I don’t it’ll just look like a bunch of people on a stage, no matter how extravagant the sets are.

All in all, I enjoy the Broadway production (save for a few changes to the story) and everyone can feel free to critique it however they’d like. I’m not saying their critiques are wrong, I’m just expressing what I personally enjoy about it. So, those are my thoughts. If it’s a bit all over the place, I’m sorry. My mind isn’t always one track.

#ooc #catcf musical #Charlie and the Chocolate Factory Musical #Wonka #Willy Wonka #christian borle #long post

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fantasylovercat99 · 2 years

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Currently the author of The Candyman Can on Ao3 under the name Fantasy_Lover_Cat_99, which is returning with it's 40th chapter in September. If you like Catcf but want to see a creative and dangerous retelling of the sweet tale, please read it! I'd love to talk about it on this blog, but I don't know who here reads it? Make yourself known as soon as possible, please, because I have a lot of headcanons and fun facts to share, and don't know how to share them!

#catcf #catcf 2005 #catcf musical #roald dahl #archive of our own #fanfiction #be prepared for blood and tears #and maybe murder #maybe

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manychocolatefactories · 3 years

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CatCF Milk Chocolate: Part 1, the kids

About this version: Milk Chocolate was inspired originally by a mix of the book, the vibes of the 1971 movie and the Tim Burton movie aesthetic. A bit more goofier and whimsical than the other versions. In term of era, I thought of it as a mix of 1960s, 1970s and 1980s.

In this version seven Golden Tickets are spread throughout the world, and each time one is found the same female reporter (her character is a reference to the musical) goes to interview the children. Another recurring joke is that while the hunt is going on for the Tickets, there are all sorts of ridiculous debates on television such as: do the Golden Tickets really exist, or is this just a hoax ? Do the Golden Tickets give cancer? Can animals go on a tour like humans? What happens if a Golden Ticket winner dies before the tour? Are the Golden Tickets linked to the rise of youht delinquence? Are the Golden Tickets a proof of Wonka's alleagiance to the obscure sect of the Golden Bird?

First Winner: Augustus Gloop

(Based on Augustus Gloop)

This Augustus was actually based on an idea Stained-by-the-sea allowed me to "borrow" a bit. Stained noted that Augustus always made him thought of this section from the movie "North", about Buck and the Texan parents. If you don't know what I am talking about, I'll leave links down there. And this is such a perfect matc I had to dig a bit down there.

This Augustus is basically a mix of all the archetypes associated with Texas and Nevada. But more precisely, he is basically "Buck" from North - a boy whose family (and his own mindset) embody the motto "bigger is better".

The Gloop family always thought that they should be "the biggest and the bests" and that "bigger is better". Ironically, the Gloop parents themselves are regular-sized people, but they clearly enforced this mentality on their son. Augustus is a big boy. Literally. He is tall, he is thick, he is fat, he is very, very big. He is probably one of the tallest, and definitively the largest boy on the tour (in fact, he once or twice gets stuck in the doors of Wonka factory). He eats ten meals per day, and we are not talking of regular sized meals. We are talking piles of ribs, kilos of potatoes, entire chickens... His parents also prepared for him a "big" and "best" future - paying the local sportive teams to claim he is a sports champion despite Augustus never setting a foot on a sports field, arranging his marriage with the local beauty queen of the state he lives in, already preparing the three different houses he will live with his fifteen kids... As a result, Augustus isn't just big and fat physically, he also has a massive and bloated ego. He thinks that he is the best at everything, and that he should have absolutely everything he wants.

The Gloops themselves are actually the masters of the state they live in, so to speak. They are the wealthiest and most influential industrials of the area: they built highways, casinos, hotels, private villas, they are cow-farmers, owing a lot of slaughterhouses, and also dig for oil and gold. They want their business to be the "biggest there ever was" and all they do is exaggerately big: their villas are enormous, their hotels are everywhere, their farms hosts several thousands cows, their mines are among the deepest in the world...

Trouble is that, due to their expansion and consumption of everything, they are a threat to the landscape and the environment - destroying forests to build their roads and buildings, drying out the lands to feed their farms... in fact, part of the reason why their state looks like the most desertic parts of Texas and Nevada is due to their actions.

Think... Buck from North. Think Art Land from Mar Attack. Think an evil (and obese) version of Clay Bailey from "Xiaolin Showdown". In fact, if I remember well in one episode Clay turns into a sumo for one of the Showdowns... this would probably be Augustus' appearance in this version: sumo Clay Bailey. (Edit: Yes, I checked out, it is episode 23 of the series).

Second Winner: Clarence Crump

(Based on: Clarence Crump)

Clarence didn't had any kind of personnality in the original drafts outside of a desire to prove he was right. As a result, I decided to have a lot of fun and create my own character.

The idea of vanity has already been touched several times with the other brats, but I wanted to give it its own character and kid. I also wanted to create a polar opposite of Augustus, denouncing the fact that being skinny can be just as bad as being fat when in excess. As a result, Clarence Crump is here a boy obsessed about being thin, and proud of being too skinny for his own good.

Mr. Crump is a pseudo-health guru that keeps writing phony and very dangerous diet books, the kind that will advice you to stop eating altogether to lose weight. As for Mrs. Crump, she is a beauty pageant champion (local and regional, and while she acts as if she was some national beauty champion, she always failed at nationals). From their union was born a child who inherited their vanity, pride and obsession with "health"

Black haired, very pale, very thin, very slender, to the point his bones show, Clarence delights in being skinny, and works as a teenager model promoting the "thin-fashion". He is also the embodiment of fat-shaming, never missing an occasion to insult fat people (in fact he often calls Augustus a big fat cow). He uses however the excuse of health for that (a trick his parents taught him) - promoting extreme thinness by talking about health and fat-shaming people in the name of health allows one to be much more horrible than normally accepted.

A good proof of how Clarence actually is just very vain and obsessed with being thin, and not at all defending health - Clarence condemns sports for being unhealthy, because according to him "muscles are unhealthy because they don't make you look beautiful, they make you look ugly".

He always wears short and black sleeveless tank-tops, the point being that he needs to show as much as his body to the world as possible, to be a "living example". He even wears his black short and tank-top during the tour (despite it being winte - the only thing he wears on top of his clothes to not get cold is a skunk fur coat).

Third Winner: Miranda Grope

(Based on: Miranda Grope)

This character was based on Dahl's own character of "Miranda Grope" from early drafts of the story, the horrible and atrocious girl allowed to do "whatever she wants".

In my version, the Grope parents are hippie-like people, the father having a very long beard and being covered in fleas, while the mother is covered in flowers and oss (plants that grew over her), and both always wearing rose-tinted glasses. They are the kind of parents that refuse authority and orders, seeing these (and social norms as a whole) as a "dictatorship". They prefer to trust their daughter to find her own way in the world, believing that experience is the best teacher in life. The result? They lazily raised her by telling her they would never forbid her anything and that she could do anything she wanted.

Miranda is a devilish little girl who does only what she wants, and becomes extremely violent when prevented from doing something. Or when people say something she doesn't want to hear. Or just when people she dislikes are near her. She shouts, the screams, she insult, she kicks, she hit, she throw enormous and terrifying tantrums. She has a very wide range of insults, and a truly evil mind : most of the things she wants to do are borderline crimes. It seems for her only chaos and destruction is "fun", a true little punk.

Miranda has a disastrous haircut because she cuts her hair herself, and she is always wearing the same clothes that she rarely washes): a white shirt, a blue sweater with long sleeves, and a plaid tiles skirt. An outfit that looks strikingly like a school uniform - but it is pure irony, because Miranda hates more than anything in the world school. She doesn't go to school, and the only time she went near one was to try to burn it down. (Her appearance is in fact based on Lauren Child's illustrations for Miranda, if you are wondering).

Fourth Winner: Veruca Salt

(Based on: Veruca Salt)

For this Veruca, I wanted to do something slightly different... here, Veruca doesn't want everything just because she is a spoiled rich brat. She is still one, but she is also the product of post-WW2 consumerism.

This Veruca was born surrounded by advertisements, logos, slogans and product placements. On television, in the streets, in shops, in journals, at the radio... She grew up with them and was influenced, brainwashed by them. As a result, she is obsessed with obtaining everything that was advertised, and she herelf looks like a walking billboard since she is covered in big, flashy logo and keeps reciting different brands' slogans and mottos. As soon as she sees something she saw publicity of before, she needs to obtain it at once. She is a true zombie, only hearing the call of the shopping mall and of the television advertisements.

One idea I had was that the Salt parents actually worked for (or where at the head of) a wealthy advertisement company, known to produce, design and create all kinds of famous publicities and slogans - and that they used their daughter as a guinea pig for their tests, and delighted in Veruca being so addicted to consumerism. In fact, they may have named her Veruca because at the moment of her birth they were working on advertisements for an anti-wart product, so that's all they had in mind.

Fifth winner: Herpes Trout

(Based on: Mike Teavee)

I went with this version of Mikee Teavee with the focus on "violence" already present in the original work, but also heavily used in the opera (and touched a bit in the 2005 movie).

This Herpes Trout is the embodiment of the fear of kids becoming violent upon watching television and playing video games (his only two passions in life). He has a true fascination with guns and firearms - US soldiers shooting aliens, gangs shooting each other, cowboys shooting at bandits, it's all he ever plays and watches. Herpes worships violence, and is absolutely obsessed with war (here I am thinking of all the wars present from the 60s to the 80s, the Korean War, the Vietnam War, the Glasgow Ice Cream Wars...). War propaganda and the fight being glorifyed heavily influenced him - as a result his biggest dream is to go at war in some foreign country to kill everyone there and come home a hero.

Herpes comes from a family of rednecks and hillbillies from the deep country. They are not poor however, they are wealthy enough to have television and several video games, but they are uneducated people full of stereotypes, discrimination and hate. They named their son Herpes because they ignored what it meant but just thought of it as an "intelligent" name. Herpes has everal brothers and sisters, and all have a disease name.

Herpes himself is a big and strong kid, who followed body-buildings process a la Charles Atlas and military training, becoming impressively muscular. However, he retained a soft, childish and chubby "baby face", which kind of ruins the effect of this massive, muscular, almost adult body. Always dressed in a military outfit, he carries everywhere with him guns and firearms, the question being: are they real? Or are they not?

Sixth Winner: Violet Glockenberry

(Based on Violet Beauregarde)

I wanted with this version to take back the idea of a competitive and "sportive" girl obsessed with contesting and winning - introduced in the Tim Burton movie.

This Violet is a tall, muscular and strong girl. She won numerous sportive competitions, but this doesn't make her just arrogant and prideful like in the Tim Burton version. In my version she is also very aggressive and violent (a bit like in the original novel). She is a nasty and rude bully easily prone to anger (in fact, if she keeps chewing gum it is mostly to calm her down sot hat she doesn't punch everyone around). Her parents originally pushed her towards competitions to manage her anger issues, but sports only gave her more strength and destructive power. In fact, they became terrified of her, while she considers them losers here to serve her - she basically thinks of herself as self-made, literaly.

Seventh Winner: Charlie Bucket

(Based on: Charlie Bucket)

For this Charlie, I wanted to go with a Charlie similar to the original illustrations of the character: blond hair, blue eyes, a white boy...

Basically, he is the original Charlie. Very sweet, very innocent, a gentle kid, the best of the group.

However I changed slightly his background. Charlie in this version is not the grandson of four grandparents, but rather the big brother of four younger siblings - and his family here struggles with trying to feed five children (and a total of seven mouths) despite having very humble and low-paid jobs. I think Charlie has taken the role of a parentive figure for the siblings, but at the same time him spending so much time with young children helped him keep in touch with his "childish" side.

#charlie and the chocolate factory #catcf #milk chocolate #retelling #charlie bucket #violet beauregarde #mike teavee #augustus gloop #veruca salt #miranda grope #clarence crump

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manychocolatefactories · 3 years

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About my “retellings”

Those of you that followed me for a long time know about them, but I had numerous ideas about reimagining or reinterpreting the characters of Charlie and the Chocolate Factory in the past. I later decided to use those ideas to put together reimaginings of the entire story.

At first I did so through rewriting the story whole, scene by scene, but then I realized it absolutely led nowhere. After a few years, and more careful thinking, I put together those ideas rather as a guideline and general presentation rather than a true story, listing the ideas I have for each version, the characters, the main differences, etc...

Each version is named after a different type of chocolate.

#charlie and the chocolate factory #catcf #retelling

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manychocolatefactories · 3 years

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I’m back!

After a long time off I am here again to share more of my CatCF re-interpretations!

These ones have been waiting for such a long time... So I already posted about my Dark Chocolate reinterpretation, and about my Milk Chocolate reinterpretation. (Some call them “AU”... Don’t know if they are). Except more to come!

#charlie and the chocolate factory #catcf #au #retelling

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manychocolatefactories · 3 years

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CatCF: White Chocolate

And here is my White Chocolate retelling!

About this version: This version could take place in something between the 90s and the 2000s. It has been strongly inspired by both the world of cartoons in general, and "A Series of Unfortunate Events", as strange as it may seem. In this version, you have Seven Platinum Tickets.

Reinterpretation of Augustus Gloop:

Augustus Gloop, first Platinum Ticket winner. This Augustus, I imagined as a bully.

Physically, he is a very round boy. His belly is round, his torso is round, his face is round, his arms and legs are round, he basically looks like a bunch of balloons tied together, or a mass of spheres/globes. He has two great "beaver teeth". In terms of clothes, he eithers wears hoodies too small for him and of bright, vivid, flashy colors (orange, yellow, pink) or he wears striped shirts that are not slimming at all (such as the red and white stripes shirt of Augustus Gloop in the 2005 movie).

To all adults, Augustus plays the part of the cute, happy, innocent boy. But to all the other kids, he is a horrible, nasty, brutal and greedy bully. He likes to torture and dominate others - though he is not a sadist. He just seeks power and dominion, he loves to strike fear and submission in the heart of other children. A good exemple of his double-faced nature are his beaver teeth - he can actually speak perfectly fine with them, even though they gave him a slight lisp that is quite cute to adults. But with children, he worsens his lisp on purpose so that he would spit and splutter all over their faces, and when said children complain, the adults keep saying things like "He can't help it, he is just different, don't discriminate".

Augustus actually used to be a regular-sized kid (even though taller and bigger than his comrades, but not that fat). He regularly beat up, gave wedgies or other typical bully tortures on his peers to get their money or their toys. But it all changed when one day a boy had the idea to offer him his lunch instead of his money. Augustus was a big eater you see, and he seized the opportunity of having a free lunch. And since all the other kids preferred to give up their lunch rather than their money of their toys, they all started to "encourage" (as in, subtly manipulating him) so that he would racket lunch and food instead of money out of them. As a result, Augustus grew immensely fat on all the free food he got each day - and with his bigger size he could intimidate and crush other kids more easily. But at least, they didn't had to steal money from their parents anymore.

His demise will be with the Exploding Candies (remember those?). I think they would be going by a section of the Factory where some of Wonka's candies are stored, and Augustus would see another kid holding an Exploding Candy. Not knowing what it is, he would bully said kid (maybe Charlie?) into giving it to him. He would swallow it and then...

BOOM! HE EXPLODES INTO LITTLE PIECES!

No, I'm kidding Xp Actually I went with something much more cartoony (this Augustus himself being cartoony - in fact I based him in "fat Chuck with beaver teeth" from the cartoon "Chuck's Choices". It may sound weird but it makes kind of sense in the series Xp). He would suddenly be all distended and inflated like a balloon, and then deflate completely (again, like a balloon), reduced to a flat, pancake-like boy, with smoke coming out of his mouth, nose and ears.

Reinterpretation of Violet Beauregarde:

The character is named Violet Strabismus, second Platinum Ticket winner. For her, I tried to think about what kind of people/archetype/stereotypes were seen chewing gum all day long, and I ended up finding this idea upon seeing a girl on a train that corresponded exactly to that.

This Violet is the typical embodiment of the cynic, "pseudo-edgy" teenager that seeks everything that is bleak and dark. She is a mix of goth, of emo, of punk and grunge. She only wears and surround herself with things dark, creepy, sinister or sad. She romanticizes notions such as despair, death, suicides, and the like. She is the kind of teenager that claims her whole life is just a series of pains and losses, that she seeks comfort in the darkness and the morbidity, and she disdains everything joyful, innocent or happy. Her two favorite hobbies are chewing gum, and trying to destroy other people's dreams and hopes with depressing talk.

The irony in all that, however, is that despite Violet's claims that she has a miserable and sad life, she actually has a very happy one. She has loving parents that support her in everything she does, and siblings that also love her. She comes from a wealthy background, which allows her to buy all the chains and piercings and extremely complicated goth/punk clothes she wants at specialized stores. She is quite a pretty and good-looking girl, even with her creepy clothes and dark makeup. She even has a huge house, and in fact despite her claims to adore death, never went to a funeral ever in her life, and never knew anyone that died. Still, she keeps repeating that she is a "misunderstood, bullied, rejected loner". And she is not suicidal herself, mind you, nor depressed. She is perfectly fine. She just wants to look like she is, to "fit her style".

Her demise, as with all the Violet variations in my stories, relies on the Three-Course Meal gum. But here, the dish used is the ice-cream. I had the idea that the gum would actually turn Violet's flesh into ice-cream. As a result she is immediately put inside Wonka's cold storage room and freezers, so she doesn't melt. And she is condemned to live her life alone, in dark, cold, locked up places, exactly as she pretended and wished to.

Reinterpretation of Veruca Salt:

Now, I am not much satisfied with this Veruca Salt, but well, it is still worth a shot, even though the idea itself may be not so original.

Veruca Salt, third Platinum Ticket winner. For this Veruca, I envisioned actually a character based on Darla Dimple from "Cats Don't Dance". She is a small, cute and child-like girl, that looks almost like a pretty little doll, but who is able to scream with an insanely powerful voice and can act like a total brat by throwing extremely destructive tantrums and breaking everything everywhere if she doesn't have what she wants.

Her demise was actually suggested by ArtMakerProductions - the Geese Room. The Geese Room from the 70s movie would return, with a full room having geese lay chocolate eggs for Easter (I also think Wonka would be disdainful of this silly idea according to which rabbits laid the Easter eggs). And when Veruca would throw one of her usual tantrum, one of the goose would believe her to be one of her children (due to Veruca's screams sounding like a goose' screams) and just sit on her, crushing the little girl. (Not to death of course, but that's one big goose Xp).

Reinterpretation of Mike Teavee:

This one was hard to think about, but I finally found something I'm quite proud of.

Mike's character is obsessed with television, right? And he wishes to be INSIDE television, right, that's the core of his demise. Well... what about a Mike Teavee that is obsessed with television not as a watcher but as an actor?

Henry Trout, fourth Platinum Ticket winner, is a former child actor who used to be the star of numerous teenager sitcoms and other televisions shows by Disney-like productions. All this fame turned him into a spoiled, arrogant and selfish brat, and when he was kicked off the shows, for both being too old AND being just too much of a jerk, he couldn't let go of the past. He believes that everyone knows him through his work as an actor, and that everyone is a fan of him. He spends a lot of his time looking at his old television shows, and television is his only topic when speaking with other people. He still dresses and acts like a star - and never once realizes that a good lot of people don't know or even remember him. As per ArtMakerProductions, his parents are also his agents, and they desperatly try to find back their son's former glory, by "overselling" him to get a lot of media exposure, and still doing a lot of advertisement and promotion despite him not getting any real work - the finding of a Platinum Ticket was another attempt at becoming famous once more.

Take the characters of "fallen stars" such as Norma Desmond in "Sunset Boulevard" and Jane Hudson from "Whatever happened to Baby Jane?". Mix them with the former Disney or Nickelodeon child and teenage stars, especially if they had a dark turn in their life (the Spouse twins, David Henrie, Cameron Boyce, Zac Efron...). And you get Henry Trout.

His demise is still the Television Room, like all the other Mikes. However his variation is that the television Wonka used was prepared to teleport and air objects, such as Wonka bars. It is still a technology in working, and they only focused on the material and visual parts. They haven't worked on the sounds. As a result, once Henry Trout gets on TV, he is insanely happy because now everyone will see him and nobody will kick him out... but then he realizes he can't speak, because there is no sound. And when rescues from the television, he discovers he turned completely mute.

Reinterpretation of Charlie Bucket :

Charlie Bucket, the seventh and last Platinum Ticket winner.

For this one... I actually don't know. I wanted to do a Charlie based on the "brown-haired Charlie" as illustrated for exemple by 2005's Charlie. But I hesitate. On one side, I haven't used yet the idea of "the too-saint Charlie", aka a Charlie Bucket so good and so perfect he becomes a male Mary Sue, unrealistic and annoying, an exaggerated caricature of a good boy. I thought I could potentially use this with the brown-haired Charlie, especially since 2005's Charlie was criticized for being a too-perfect child.

On the other side, I also liked the idea of a crippled Charlie, in the mind of "Tiny Tim" from A Christmas Carol, and I also thought it would be fitting for him...

So I'll let it float for now.

Reinterpretation of the deleted kids :

# Terence Roper. Since this one had barely any personnality in the original drafts, I decided to include him (especially since I already reinvented the two other kids part of his trio - Clarence Crump and Bertie Upside).

I think of Terence Roper as the typical "hot bad guy" archetype. He is a criminal kid, and a little delinquant, that drives despite not having a permit, that steals, that robs, that like to spread chaos and destroy shop windows and tag walls etc... I think he is the son of two famous criminals, and thus thinks of crime as the "family business". But he is also a very good-looking, very charming, and very popular boy, which resulted in him not only being leader of gangs and the like, but also having a sort of cult or worship around him - similarly to how "bad boys" in high schools can be idolized. I think something very similar appened with his parents - I want to explore with this character how people worship criminals, with very successful bandits, mafioso or drug dealers ending up as popular and romanticized and idolized as movie stars, singers or the like.

He is the blousons noirs of the 50s and 60s, the old-fashioned troublemakers pachucos, the greaser delinquants of the movie Grease, and all other fashionable kind-of-criminal groups you could think of.

But the irony here is that Terence actually got his Platinum Ticket by legal means, by buying a chocolate bar - and in fact, for him to have found the Golden Ticket and not stole it is a great disappointment and shame.

For his demise I thought of re-using the Fizzy Lifty Drink. He would stole it in an act of bravado, and drink it without realizing what it was - which would result in him getting a perpetual case of bad gazes (frequent burps, farts, and other stomach noises). This would completely ruin his cool and good looking image, as well as any kind of grace or discretion he may have.

# Miranda Mary Piker. Sixth Platinum Ticket Winner (Terence Roper was fifth). She is based on the character as most know her : a school-obsessed, fun-killing girl. The original incarnation was a stern, no-nonsense, very strict girl that basically acted like any cruel headmistress or teacher from those horrible British boarding schools. However, given that this character was alreayd beautifully reintepreted by Danguy96, I wanted to do something slightly different. This Miranda is more like an "annoying moral guardian". She is still obsessed with school, good work and being an obedient and good child, and she still disdains silly things such as games, entertainment or fun in general, but instead of being a stern and harsh girl, she would rather be a nagging and annoying pest, that keeps giving speeches and sermons to everyone about why you should act a certain way and not another, a walking moralization that keeps trying to teach "proper manners", "maturity" and "basic knowledge" to everyone in a very condescending way. I also thought she would try to dress up as an adult, and thus with adult clothes - but since she is just a cild, said clothes are much too big for her, resulting in her looking kind of ridiculous.

Her demise would, of course, be the Spotty Powder. I can't remember if this was an idea that was suggested to me, or one used by someone else in their reinterpretation, but I like the concept that instead of falling inside the machine and being crushed to death, Miranda (and possibly her school director father) would actually fall into a big pile of the Spotty Powder, and thus develop all the symptoms of a contagious disease and be forbidden from setting a foot in school for a very long period of time.

Reinterpretation of the rival chocolatiers :

This is the big defining feature of White Chocolate. In this version, the rivals of Wonka have a big part to play.

They don't appear in themselves - but they sent emissaeries, messengers and spoekpersons to contact each of the kids that won a Platinum Ticket, in a similar way to the 70s movie, and each chocolatier tempts the kid with a different "treat".

Slugworth seems to be a chocolatier involved in the criminal underworld - his emissaries at least seem to have some criminal undertones, and act through fear and violence rather than seduction. In fact, I think his chocolate and candy business may actually be a "cover" for darker criminal activites, and "washing" of dirty money.

Augustus Gloop receives the visit of a man with "icy blue eyes and nasty purple scars on his cheeks". He passes off as a waiter in the restaurant in which Augustus is celebrating, even though it is just a disguise. He tries to convince Augustus by both subtle threats, and the promise of a free pass and unlimited offer in all the restaurants and buffets of the town.

And Terence Roper, due to his criminal connections, actually is invited to the house of a wealthy man with ties to the criminal world, a creepy man in fancy, wealthy suits, but stuck in a wheelchair and with a fake eye shining like a silver dollar.

Slugworth's purpose seems to be the destruction of Wonka. He tries to convince the children to sabotage or put maybe bombs and things like that inside the Wonka factory, or to ruin batches of candy, stuff like that.

Prodnose rather keeps sending women as emissaries. In fact even thought of making Prodnose actually a female chocolatier, but I don't know yet... I thought of Prodnose as some sort of media mogul, that tries to spread their brand to everything (there are Prodnose television shows, book series, toys, sport equipment, gardening tools, etc...) including candy-making and chocolate-making.

One "messenger" contacts Veruca Salt. She is one of the journalists interviewinv the young girl after she found her Ticket. Based on Cherry from the musical, she is a happy, charmant, pleasant woman. But her face has something... weird to it, almost unnatural, as if she had a bad surgery job done to it. And she keeps smiling all the time - her smile seems completely stuck.

Henry Trout is the other one to receive a messenger from Prodnose. As Henry goes to have a new suit tailored for him (because of course Henry only had tailored suit perfectly to his size), the tailor reveals herself as a messenger of Prodnose, who could easily bring back Henry in Prodnose-made television series and shows. The tailor herself is a tall and thin lady all dressed in black, and with long, spindly fingers with long and pointy nails - her hands in fact look like creepy spiders.

I thought of probably Prodnose trying to cause a huge scandal inside the Wonka factory, and thus asking the kids to find out Wonka's dirty secrets, and if not, to invent some that they would "reveal" upon leaving the Factory. Where Slugworth tries to ruin physically and economically Wonka, Prodnose tries to ruin his reputation and to discredit him on moral ground.

As for Fickelgrubber, he is actually envious of Wonka. I think he is a very young person hailing from a very wealthy and powerful family, and his dream was to become a candy-maker, but he was very bad at it. However he refused to give up - especially when seeing how Wonka was succesful. Fickelgrubber is an envious and jealous child-minded young person, and he refuses to admit Wonka can succeed where he fails. Fickelgrubber has tried to copy and steal Wonka's inventions for years now, but all his attempt ended up failing miserably - he copied the ice-cream that never melt of Wonka, but they had a tendency to turn into rock-hard material. He copied the gum that could create gigantic balloons of Wonka, but he mixed up the recipe, and the gum actually made kids inflate and pop like balloons. And when Fickelgrubber released glow-in-the-dark candies, it was later revealed they contained a huge dose of radioactive components.

Fickelgrubber's emisseries are creepy kids (I still don't know if they are "friends" of his or merely all sorts of cousins of his real family - as I said, Fickelgrubber is quite young, both in spirit and mind).

Violet, upon visiting her local cemetery, is contacted by a beautiful blond teenager standing on the wall of the cemetery. He acts flirtingly, seductively, playing the "good cop" (and he also actually acts like a cat, meowing, purring and sometimes even moving like a cat - I thought of him as a parody of Cat Noir from Miraculous). And when Violet is not receptive to this, the boy presents his sister, that is waiting behind Violet. A big, burly, muscular girl with a bulldog-like face.

Miranda is also contacted by Fickelgrubber emissaries - twin girls, identical, but "perfect", as in with perfectly clean and ordered clothes, identical beautiful hairstyle, and the like (I thought of them as inspired by the twins from The Shining). They are basically the kind of "perfect" and "proper" kids Miranda seeks to create in the world. And they try to convince her to join them (they even have prepared for Miranda clothes identical to their own so that they would become their new sister). I don't know however how would Miranda react to that - either she refuses, due to stealing secrets being perceived as cheating and she is against it ; either the sisters actually convince her to go along with the plan by the simple argument that Wonka is an excentric, ridiculous man that gets success without hard work, and Miranda hates both goofy/clownish and not-hard-working people.

As for Charlie Bucket, he will actually be visited in turn by one messenger from each chocolatier (in fact, he may even escape them when they start fighting each other).

Slugworth's emissary... I actually don't know. Xp I thought of maybe a kind olf man, almost grandfather like, that acts all nice and doting, but then reveals that inside his cane, there is a blade.

Prodnose's emissary is a loud-talking woman with a lot of makeup and wearing a huge coat made out of crocodile (I thought of her as a mix of Cruella and Ursula).

As for Fickelgrubber's emissaries, Charlie meets at first a beautiful Japanese teenager (male or female?) dressed in a refined suit, something between a fashion model and a succesful business owner. And when their smooth talk fails, they present their brothers - because they are triplets. And appear from the darkness two huge sumos, teenagers yes, but the size of elephants. (This was again inspired by usual sumo appearances in cartoons, from JCA to the Simpsons passing by Shuriken School).

#catcf #charlie and the chocolate factory #white chocolate #augustus gloop #mike teavee #violet beauregarde #veruca salt #terence roper #miranda mary piker #fickelgrubber #prodnose #slugworth

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