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celialowenthal · 1 month
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Tests | 2023
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@celialowenthal // Carson McCullers, The Member of the Wedding
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ultrameganicolaokay · 6 months
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JIll and the Killers #1 by Olivia Cuartero-Briggs, Roberta Ingranata and Rebecca Nalty. Cover by Sanya Anwar. Variant covers by (2) Marguerite Sauvage, (3) Alison Sampson and (4) Celia Lowenthal. Out in January 2024.
"A DOUBLE-SIZED AND DANGEROUS 48-PAGE DEBUT! Rising stars Olivia Cuartero-Briggs (Mary Shelley Monster Hunter) and Roberta Ingranata (Witchblade, Doctor Who) present a new kind of game where even murder is much more than it seems... Returning to school after the unsolved disappearance of her mother, teenager Jill Estrada can't wait for things to return to normal... even as her friends become compulsively obsessed with Box Killers, a true-crime subscription game where each month's 'unsolved case' is custom-tailored to the life of its player. There's only one catch: Jill's game seems to be all too real... and when her clues begin to connect to a series of disappearances in her town, Jill and her friends must uncover the truth behind these mysterious crimes before one of their own becomes the next victim."
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graphicpolicy · 4 months
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Inside Jill and the Killers #1 – Creators Olivia Cuartero-Briggs and Roberta Ingranata Investigate a Double-Sized and Dangerous 48-Page Debut in January!
Inside Jill and the Killers #1 – Creators Olivia Cuartero-Briggs and Roberta Ingranata Investigate a Double-Sized and Dangerous 48-Page Debut in January! #comics #comicbooks
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hulkforhire · 1 year
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#HULKFORHIRE : ❝ she-hulk. green, gorgeous, gamma-powered bombshell... i know that's what you're thinking ❞            independent head-canon based portrayal of jennifer walters / she-hulk of the marvel franchise.  selective,  oc, and  crossover friendly    
carrd     |      established  2023     |     authored by birdie ( 21 ) this blog is 18+
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quindriepress · 11 months
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This week's spotlight is on Beth Fuller and her comic Witching Hour. Beth is an illustrator and concept artist from Dublin, Ireland. She’s considering putting down the stylus pen and heading off into the wilderness to live as a hermit, but likes hot showers and horror films just enough to keep her in civilisation. For now, anyway. (@bethfuller | website | instagram | twitter)
"Witching Hour is about a young girl sent on a mysterious journey by her father. Two pale trees with intertwined branches form a strange gate at the edge of 12-year-old Esio’s town, and beyond it lies an old, ruined land. Over their pints, as dusk falls, the villagers say it’s where lost things - and people - eventually end up. She’s got sandwiches, an apple, plasters, a bottle of Tipperary Kidz water and a Horrible Histories book in her rucksack and she’s heading off into the unknown, with only a talisman to guide her. There’s no telling who she might meet along the way."
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Read the spotlight below the cut!
"That’s the initial rundown, anyway. Speaking more subjectively, I wanted to create a setting where two totally different characters - as different from each other as you can get - are forced to work together and end up changing each other’s lives. I really do think you can get on and find common ground with almost anyone, in the right circumstances."
Witching Hour took several years to incubate. "I’d been working on a comic slowly and haltingly since I was 18. There are pages kept deep, deep in my computer with old, badly drawn versions of Esio in a radically different setting, but it never really made sense as a story. I don’t think I made it past page three! Still, the fantasy atmosphere and character of Esio stuck with me over the years. Plus I really like to mix the dull, routine and mundane aspects of everyday life with things that are otherworldly and strange."
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"Eventually we had a visual narrative module as part of my degree, and while recalling my old comic pages (I was mulling over it in the shower, which is where I think many of us do our most important thinking) an idea came to me that would form the basis of Witching Hour. Adding this to the embers of my previous project gave me more than enough fuel to sit down and start drawing.
"I have plenty of ideas for what I want to get up to next. I’ll work on a tarot set, keep working on freelance concept art and illustrations, design some tattoos, maybe try my hand at another comic at some stage. As always, feel free to get in touch and let me know if there’s anything you’d like to see from me!"
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Beth draws inspiration from many sources: "The landscapes of south-west Ireland. Horror films, foreign language films, fantasy films, anything animated. The writing of Michelle Paver, Neil Gaiman and Ursula LeGuin.
"For me, though, it’s primarily the work of other illustrators that has inspired me the most, and it’s often only through seeing and evaluating lots of different brilliant styles that you can start to discern your own tastes. As a child, the obligatory Ghibli film catalogue. Then the work of Chris Riddell, Max Prentis and Ian McQue were enough inspiration to foster an interest in art school. I went, studied Illustration at DJCAD, and discovered Jake Wyatt, Celia Lowenthal, Juliette Brocal, Linnea Sterte, Jack T. Cole, Evan Cagle, Alphonse Mucha and (of course) Moebius. Seeing their work is like taking the creative spark and making it into a deodorant flamethrower."
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Beth's work often centres around fantastical worlds and sweeping landscapes. "I think somehow you always come back to what you know. Sometimes you don’t even notice you have a fascination with something until you start to create and it keeps returning.
"My family and I spent a lot of time around Irish coastlines growing up, especially during the warmer months. Kerry, in the south-west, has mountains that turn brown in winter, then when summer comes are carpeted with a haze of purple heather, not unlike the hills of Scotland. There are crumbling ringforts and monastic ruins on isolated hilltops. I could be in the most beautiful place in the world but still miss the coconut scent of Kerry gorse. The fantasy aspect is fun to play with, and it adds a nice sense of mystery, but fundamentally I think the landscapes I draw are an attempt to capture, and return to, the shores I kicked about on as a kid."
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For aspiring comic creators, Beth has this advice: "This is a common one, but I think it’s still worth saying: if you have a story, get it down. You don’t need to consider yourself a comic artist to make a comic. You also don’t need to wait around for the right time, or enough expertise - nobody is going to give you a nametag with ‘comic artist’ on it. If you can draw, and you need to say something, just start drawing boxes and see where it goes. Also, ‘Necropolis’ by Jake Wyatt is really good."
You can pick up Witching Hour, alongside the other three comics in our 2023 collection, right here on Kickstarter! 
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fleouriarts · 1 month
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who are your biggest artistic influences my furry friend? we had art classes together for years but i still feel like i don’t know 😭
😭😭😭 honestly thats probably cus a lot of my artistic influences are specifically internet artists that ive been following for several years and not things i couldve brought up in art class. you know that lame ass mr smith wouldve hated me if i said 'yeah i draw like this cus of some bts fanart girlie on twitter'. thankfully i have the Archivist's Temperament and save like literally everything thats had an effect on my style... so below is a journey thru my artistic influences (and various insp folders on my computer) as far as i can remember
of course the most basal Dorian Influence is disney movies. you are my brother in arms in the lion king fandom so you know this. whenever i am feeling extremely artistically bankrupt i try to revitalize myself by rewatching the lion king, atlantis, and treasure planet. and also the prince of egypt but thats dreamworks LOL
in 2016 i found the first "online" artists i distinctly remember wanting to imitate, which were sara kipin and celia lowenthal because i was obsessed with how they used color to block out their illustrations. ive also been following dimetrodone(/dimetrodrawn/deinocheirus) on here since 2016 and love all the shapes and colors in her work
in 2017 i started doing more detailed shading because i saw bts fanart by the artist tyu_naxx on twitter and loved how they did it (below is like THE piece that made me change my whole shit up)
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around then is also when i started trending towards using limited palettes and that was mostly inspired by various national parks promo artworks that would only have like 5 colors in them. wish i remembered who made these but heres ancient scans of some postcards i got at sequoia national park that changed me
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in early 2019 i started wanting my style to be more cartoony so i would constantly peruse the backlogs of kiwi, officialspec, skunkes and mimiadraws to get whatever inspiration i could from them
in late 2019 i completely pivoted for some reason and started doing lineless rendered semirealistic stuff instead. i think that was mostly cus i hated doing lineart. one of my biggest inspirations in that era was atissi
in 2020 i remember i went crazy stupid on using glow effects and chromatic aberration on stuff and i genuinely think all of it can be traced to this ONE piece of bts fanart by lordizxy on twitter like i was fully obsessed (putting it below also in case it gets deleted somehow)
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mid 2021 was when i got tired of semirealism and thought it was too amorphous and restricting so i went back to cartoony shit. i was still looking at the artists i listed for early 2019 but i also added artists like iplidl, catmunches, and chunkysoup22 to the mix
2022 was an inspirationless nightmare i have no clue what i was doing for that entire year. the artblock was BAD. i mostly just looked at art from all the artists i mentioned before while artistically wandering in circles. a lot of this was me trying and failing to figure out whether i wanted to do more dynamic yet less rendered art or... the opposite of that
thankfully in 2023 i finally FIGURED THAT SHIT OUT. i would say the current dorian art era started with this silly drawing of graydon and riley hivemind as a dogboy and a catboy ⬇️
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you can kinda see the influences of all the cartoonists i listed above but a lot of the way i draw now is just. me trying to not make myself hate doing art. ive always hated redoing a line 30000000 times for clean lineart so now its sketchy. rendering my art was making my drawings feel super stiff so now thats all messy too. etc etc
i think Right Now the artists i go to for inspiration the most are still kiwi and skunkes, but i also found the artist robottoast recently who makes RIDICULOUSLY good furry art, its so full of life and personality and i definitely need to commission them someday. the most recent singular piece thats changed my whole shit up is this scott pilgrim fanart by benadieshekiel (also below) because i really liked how the clothes were fully rendered while the skin and hair are less detailed with clear lineart. so sometimes i do that too
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ok i think that is as full of a chronicle of Dorian Influences that i can give you rn. i was not lying when i said i wanted to yap. hope you enjoy <3
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watsondcsj · 1 year
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Today's Chores, Homework, and Fortnite comic book recommendation is Over the Garden Wall: Hallow Town by Celia Lowenthal and Jorge Monlongo
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s0ftpining · 4 months
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artist asks: 6, 9, & 21 😊
artist asks!
6. which artists inspire you right now?
leyendecker comes to mind every time i'm asked this question, but some current ones are sas miledge, celia lowenthal, @ hatepotion, @ zmeess, @ quibbs 💖
9. what are you currently trying to improve?
i feel like i'm always experimenting with and trying to improve the textures in my art! my goal is always more but i think sometimes i hold back when i'm actually working. part of that is finding the brushes that really work for me but i think most of it is just going all in with layers and embracing a little bit of mess :o) that and learning more about composition!
21. weirdest thing you've ever drawn?
oh man, i've drawn so much jokey shit for friends and family over the years uHH things to come to mind: fucked up little sonic, crocodile biting a dnd character's crotch, gandalf big naturals
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yellowraincoat · 1 year
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Having living breathing people be your favorite artists is a weird feeling. Like I used to walk around the place saying my favs were Van Gogh and Monet, and now I walk around wondering if Tillie Walden and Sas Milledge and Holly Warburton and Celia Lowenthal and Petra Erika Nordlund know what their art has done to me.
I can follow them on tumblr and Instagram and Twitter and buy prints of their art in shops run by them and wait for the new comics and graphic novels they illustrate to come out.
The reverence I feel for these people who make these beautiful things. I swear.
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geekcavepodcast · 3 years
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New “Dungeons & Dragons” Comic Book Set Before “Baldur’s Gate III”
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IDW Publishing has announced a new 5-issue comic book series set in the Forgotten Realms and taking place before the events of Baldur’s Gate III. Dungeons & Dragons: Mindbreaker hails from author Jim Zub and artist Eduardo Mello.
Krydle, Shandie, Delina, Nerys, Minsc, and Boo are finally home again in Baldur’s Gate when the adventurers discover a new threat as “something insidious has taken root in their homeland!” (IDW Publishing)
Dungeons & Dragons: Mindbreaker #1 (of 5), featuring Cover A by Max Dunbar, Cover B by Max Davenport, and a Retailer Incentive edition by Celia Lowenthal, goes on sale in October 2021.
(Image via IDW Publishing - Dunbar’s Cover of Dungeons & Dragons: Mindbreaker)
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graphicpolicy · 6 months
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Jill and the Killers #1 – Inside the Double-Sized and Deadly Debut from Olivia Cuartero-Briggs & Roberta Ingranata
Jill and the Killers #1 – Inside the Double-Sized and Deadly Debut from Olivia Cuartero-Briggs & Roberta Ingranata #comics #comicbooks
Revealed at New York Comic-Con 2023, Oni Press has revealed the first look at Jill and the Killers #1 – a razor-sharp teenage thriller where teenager Jill Estrada finds herself caught in a true-crime subscription mystery box that’s anything but a fantasy. Launching with a double-sized, 48-page first issue on January 31, 2024 from writer Olivia Cuartero-Briggs and artist Roberta Ingranata, Jill…
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buffythecomicslayer · 5 years
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Chosen Ones
Publication date: August 28, 2019
Buffy Summers is the “Chosen One” who must defend Sunnydale from vampires, demons and those regular monsters called high schoolers… but she wasn’t the first. Now, discover the first full appearances of the Slayers from past eras first seen on special variants covers to Buffy the Vampire Slayer in this landmark one-shot.
In 18th century California, a young woman discovers she’s the Chosen One and changes the course of Slayer history forever, in a new story from writer Mairghread Scott and artist Ornella Savarese, that also reveals the hidden origins of the Hellmouth; the new Slayer first seen on the cover to Buffy the Vampire Slayer #2 comes to life in 14th century Italy from writer and artist Celia Lowenthal, and more.
Script: Mairghread Scott, Celia Lowenthal, Alexa Sharpe; illustration: Ornella Savarese, Celia Lowenthal, Alexa Sharpe; covers: Evan Cagle, Helen Yoon, Alexa Sharpe; upcoming cover: Alison Sampson with Dave McCaig.
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nephilimsmoke · 4 years
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Celia Lowenthal
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theartofanimation · 6 years
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Celia Lowenthal  -   http://celialowenthal.tumblr.com  -  https://www.inprnt.com/gallery/clowenthal  -  https://www.celialowenthal.com  -  https://twitter.com/celia_lowenthal  -   https://www.instagram.com/celialowenthal
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longerbox · 5 years
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The first story is a bigger part of Buffy lore than I expected. The second one has great colors that contrast the dark plot. The third one is fun but short and weightless.
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