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#central Africa
bootyandgeekeries · 7 months
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folkfashion · 5 months
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Pende dancers, Democratic Republic of the Congo, by Carol Beckwith and Angela Fisher
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uncharismatic-fauna · 2 months
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A Shoo-in Shoebill Stork
The shoebill stork, also known as the whalebill stork or Balaeniceps rex is in fact not a stork at all, but a long-legged wading bird belonging to the family Pelecaniformes. This species can be found in the central African tropics, from southern Sudan to northern Tanzania. Within this range, they mainly inhabit freshwater swamps and dense marshes, particularly those with deep water large reed beds.
Balaeniceps rex is often referred to as a dinosaur among birds due to its fearsome appearance. The average individual stands 1.1-1.4 m (3.6-4.5 ft) tall and has a wingspan of 2.3 to 2.6 m (7.5 to 8.5 in). However, adults are quite light, weighing only 4 to 7 kg (8.8 to 15.4 lb). Males tend to be larger than females, but otherwise the two sexes look identical. Adults have dark grey plumage with a lighter belly and darker wings. Their most striking feature is their beak, which is extremely large and can be said to resemble a wooden show (hence the name).
The shoebill's beak is very useful for catching its primary prey: fish. B. rex consumes a variety of species, including lungfish, catfish, and tilapia, as well as non-fish items like water snakes, frogs, turtles, mollusks, and even young crocodiles. Shoebills typically stalk their prey, or stand perfectly still and wait for their prey to come to them, before quickly snatching it up and decapitating it with the sharp edges of their beaks. Because of their large size and strong bills, adults are seldom prey for other animals, and they defend their nests fiercely from predators like snakes and other birds.
Outside of the breeding season-- and even during it-- shoebills are extremely territorial. Not only do they chase potential predators away from their nests, both males and females will fiercely defend their territory from other shoebills.
Breeding begins in the dry season, typically in in May, and lasts until about October. Once a male and female form a pair, they remain together for the duration of the mating season. They build a nest from floating vegetation, and 1-3 eggs are cared for by both parents; in addition to being incubated for warmth, one parent may also occasionally pour a beak-full of water over the eggs to keep them cool during the hot summer day. The eggs hatch about 30 days after being laid, and young are fed continuously-- though usually only one chick survives to adulthood. At 125 days old they become fully independent and leave to establish their own territories. The average individual can live up to 35 years in the wild.
Conservation status: The IUCN lists the whalebill stork as Vulnerable. Current wild population estimates sit at about 5,000-8,000 individuals. Primary threats include poaching for the zoo trade and consumption, habitat destruction, and pollution.
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Santiago Caballero Carrera
George Amato
Mana Meadows
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sbrown82 · 2 years
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Maasai woman showing off her many brass necklaces, earrings and other ornaments which signifies her social standing in society (1930).
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kemetic-dreams · 3 months
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Bakongo spiritual protections influenced African American yard decorations. In Central Africa, Bantu-Kongo people decorated their yards and entrances to doorways with baskets and broken shiny items to protect from evil spirits and thieves.
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This practice is the origin of the bottle tree in Hoodoo. Throughout the American South in African American neighborhoods, there are some houses that have bottle trees and baskets placed at entrances to doorways for spiritual protection against conjure and evil spirits.
In addition, nkisi culture influenced jar container magic. An African American man in North Carolina buried a jar under the steps with water and string in it for protection. If someone conjured him the string would turn into a snake. The man interviewed called it inkabera
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mapsontheweb · 4 months
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Current situation in Central African Republic civil war
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sitting-on-me-bum · 7 months
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This African Plant Is the Brightest Object in the World
With shiny, iridescent berries that look like little Christmas ornaments, Pollia condensata takes home the title of the brightest living matter in the world. Also known as the marble berry, this fascinating perennial plant grows in the forests of Central Africa. Growing up to 3 feet tall, the plant sprouts clusters of up to 40 electric blue berries.
Photo: Juliano Costa, CC BY-SA 3.0, via Wikimedia Commons
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tearsofrefugees · 3 months
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People displaced from Sudan sheltering in camps in eastern Chad are living in dire conditions, desperately short of clean water and decent sanitation. Médecins Sans Frontières (MSF) teams are providing water and sanitation assistance in three camps in the border region.
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mangopodcast · 3 months
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NEW EPISODE IS FINALLY OUT
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kimludcom · 1 month
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stairnaheireann · 5 months
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#OTD in 1960 – An Irish peacekeeping force is ambushed in the Congo, causing the first overseas combat deaths of the Irish Republic.
Nine Irish peace-keeping troops die in the Niemba massacre in Congo. A total of 26 Irish troops died during the Congo deployment for which they were totally unprepared. Irish troops arrived with heavy wool uniforms and having been advised by Archbishop of Dublin Dr. McQuaid that the Congolese were “a very gentle people.” The Baluba tribesmen of the Congo quickly changed that…
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bootyandgeekeries · 7 months
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folkfashion · 3 months
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Maï-Maï warriors, Democratic Republic of the Congo, by Stephan Gladieu
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Adouma women from Latrousbille, Gabon, Central Africa
French vintage postcard
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mywifeleftme · 1 month
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314: Manu Dibango // O Boso
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O Boso Manu Dibango 1972, London Records
In 2014, a Discogs user who goes by the handle nyuorican wrote on the page for Manu Dibango's O Boso/Soul Makossa, “Such an amazing album, musically it deserves to be like a $500 album easily, we're so lucky a lot were pressed up and kept circulating.” As criticism it’s not making Craig Jenkins sweat or anything, but it’ll probably be a more decisive assessment for anyone curious about Afro-jazz/funk of whether to listen than any of my blather. Original copies of stuff this good in this genre from this region almost invariably costs the same as a dog bred like a Spanish Habsburg, but thanks to the worldwide success of its pioneering single “Soul Makossa” this shouldn’t run you much more than $20. That’s a steal for music that grooves like this does.
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Dibango wrote and arranged everything here and, as his note on the back cover makes explicit, his goal is to pay tribute to the common African roots of contemporary global Black music (jazz, soul, calypso, samba, etc.) via fusion. The Cameroonian sax giant surrounds himself with a crack band of African, Caribbean, and French jazz players, and the sheer variety of skills they bring to the table gives him great latitude to explore. The chords of “Dangwa” have the joyous lilt of African dance music but the bassline could be an R&B banger, while Dibango’s freaky sax runs are straight modal jazz. “Hibiscus” is soul jazz that would make Roy Ayers proud, Dibango’s horn blowing a lonely mating call while the casually funky electric piano, congos, and wacka-wacka guitar sketch an image of a hot city night after the clubs let out.
Of course, it’s “Soul Makossa,” an emissary of the makossa sound of Cameroon that predicts the disco wave, that towers over the rest in terms of influence, and it’s difficult to imagine how novel its minimalist percussive strut, echoing Duala-language ad libs, and deluxe horn hits must’ve sounded in the era. It’s one of those records where you can hear a bit of everything that was to come in Black music, from Chic to Kurtis Blow to Prince—partially because it’s been so frequently sampled that it literally is a bit of everything that was to come in Black music. But don’t sleep on opener “New Bell” either, a less hooky track in the same general mold, but one that rolls extremely deep.
314/365
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kemetic-dreams · 3 months
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Historians from Southern Illinois University in the Africana Studies Department documented about 20 title words from the Kikongo language are in the Gullah language. These title words indicate continued African traditions in Hoodoo and conjure. The title words are spiritual in meaning. In Central Africa, spiritual priests and spiritual healers are called Nganga. 
In the South Carolina Lowcountry among Gullah people a male conjurer is called Nganga. Some Kikongo words have a "N" or "M" in the beginning of the word. However, when Bantu-Kongo people were enslaved in South Carolina the letters N and M were dropped from some of the title names. For example, in Central Africa the word to refer to spiritual mothers is Mama Mbondo. In the South Carolina Lowcountry in African American communities the word for a spiritual mother is Mama Bondo. In addition during slavery, it was documented there was a Kikongo speaking slave community in Charleston, South Carolina
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