#ceuf
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1x04 "Œuf"
- What kind of kid does this?
- And what kind of kid follows a kid who does this?
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Hannibal 1.04 Œuf
#hannibal#will graham#hannibal lecter#hannigram#hugh dancy#mads mikkelsen#madancy#hannibaledit#hannibal gifs#will graham edit#will graham gifs#my edit#my gifs#hannibal season 1#oeuf#ceuf#murder husbands#nbc hannibal#hannibal nbc
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Hannibal S1E4 Timestamp List
And we’re back in the saddle!
0:00 opening credits
0:21 cut to black
0:22 Recap
0:52 cut to black
0:53 text on screen: Baltimore, Maryland
0:56 Exterior of H's house
0:59 W and H in H's chairs in profile H leaning forward W talking about walking at night and looking back at his house in the night
1:09 Exterior of W house lit up in the distance at night
1:16 Medcloseup on Will - I't really the only time I feel safe
1:21 H leans forward in profile - you stood in the breathing silence of GJH's home
1:27 W listening in profile - H - the very spaces he moved through
1:30 mecdloseup on H in quarter profile - tell me will did they speak to you?
1:33 silent flashback to w entering hobbs's kitchen
1:36 W very intense - with noise and clarity
1:40 H still staring intently - you could sense his madness like a bloodhound
1:44 W - I tried so hard to know GJH
1:47 flashback to GJH with knife to Abi's throat
1:50 W - to see him
1:52 flashback to W shouting - GJH, FBI!
1:54 W remembering unhappily
1:55 flashback of GJH slitting Abi's throat
1:56 flashback of GJH stumbling backwards as he's being shot
1:57 flashback of W continuing to fire at GJH
1:58 W past the signs and vials
2:03 flashback of w putting pressure on Abi's wound - beyond the lines on the police report
2:05 the pixels on those
2:07 flashback of W putting pressure on abi's wound
2:09 w - printed faces of sad dead girls
2:13 flashback of terrified w looking over to see GJH in the corner looking back
2:17 flashback of bloodspattered w looking toward GJH
2:18 w subtley shaking his head
2:21 H staring at w - how did you feel seeing melissa impaled in his antler room (is he hoping for w to admit to the same level of congruence?)
2:26 w staring at h in a daze
2:27 flashback to ms hanging from the antlers
2:29 w blinks out of the daze - (quietly) guilty
2:35 H - because you couldn't save her?
2:37 w - because I felt like I killed her
2:40 flashback to W examining marissa
2:42 closeup on w examining marissa
2:43 wideshot of w and h facing each other, w leans forward in emphasis
2:43 w - I got so close to him, sometimes it felt like we were doing the same things
2:54 h listening to w talk about feeling synced with GJH
2:56 W - showering or sleeping at the same time
2:59 H - even after he was dead?
3:00 closeup on W considering the question
3:02 flashback to GJH dead in the corner of the kitchen
3:04 W nods and confirms
3:06 H - like you were becoming him?
3:10 W remembers his nightmare of killing Abi
3:12 closeup of W killing Abi, while insisting he knows who he is
3:14 W - I'm not GJH, Dr Lecter (oh Will, you weren't empathizing with GJH, you were empathizing with Marissa's killer)
3:16 closeup on H considering W's statement
3:19 Opening Credits
3:39 Cut to black
3:40 closeup of maggots on moldy food
3:44 medcloseup of maggots on moldy food
3:46 closeup of bloodspattered family portrait
3:48 blood on individual family pictures
3:50 medshot of corpses at moldy dinner table
3:56 zoom in on closeup of W looking into camera, half light half dark on his face, shift into warm colors of pendulum time
4:05 cut to black
4:06 pendulum swinging over black background
4:08 wideshot of pendulum reversing flies on moldy food
4:11 pedulum reversing flies, then mold on Christmas Ham
4:15 zoom out from closeup on W now in pendulum time
4:19 blood on Christmas table reversing
4:23 zoom out on W continues to medwide shot
4:24 reverse bloodspatter on individual portraits
4:26 reverse bloodspatter on group family portrait
4:28 medcloseup blood fully reverses on mother, she begins to sit up
4:31 Entire family sits up from the positions where they died
4:32 closeup on Christmas ham
4:34 zoom out from closeup on W as he begins to narrarate the murder scene, finish on wide shot of entire family at table
5:02 W points to little girl and tells her to eat her "growing foods"
5:06 little girl immediately eats forkful of broccoli
5:10 zoom back in on W as he cont to narrarate with smug/stern expression
5:35 closeup on W as camera flashes
5:35 camera flash on W's face
5:36 closeup on W's eyes as camera flashes
5:36 camera flash on W's eyes
5:37 extreme closeup on W's eye with camera flash
5:40 closeup on W staring
5:42 wideshot on W and mother sitting at the table with the rest of the family slumped over dead
5:47 W turns from table to mother
5:50 mother looks sadly at W
5:53 W looks regretfully at mother, aims a gun at her
5:59 W pulls trigger
5:59 W shoots mother
5:59 mother is shot in the forehead
6:01 blood spatter from mother on group family portrait
6:02 blood spatter on individual portraits
6:03 mother falls forward onto table while W continues sorrowful thousand yard stare
6:05 Jack watches W as he mentally recreates the scene, then interrupts to ask what W sees
6:18 medcloseup on J - Who's family values?
6:23 J watches W - no answer
6:26 H's bentley driving along a country road
6:32 H drives up to W's house
6:40 H exits car, framed by W's porch
6:48 W's dogs look up toward fron of the house
6:49 H looks in through windows to see W's dogs waiting at the door
6:52 H walks up to W's door and pulls a chain of sausages out of a paper bag
7:03 H enters W's house, holds sausage out to dogs
7:14 med shot on dogs catching sausage bites
7:17 med shot on H begining to walk between the dogs
7:18 H walks across the room to W's piano and tries a note
7:34 medcloseup on H standing up from W's piano and looking down toward the dogs
7:37 medwideshot on H in front of W's fireplace and bookshelves, turning and considering the room
7:41 closeup on a boat motor on a stand
7:43 H pulls open a drawer to reveal undershirts and socks
7:47 medwideshot of H closing the drawer and continuing to look around
7:52 H approaches W's fly tying station and leans down to look through the magnifying glass
7:56 closeup of H's eye through the magnifying glass
7:58 H sits down at W's fly tying station
8:00 H moves the magnifying glass away from the fly in progress
8:03 wideshot of H in profile sitting at the fly tying station and petting one of the dogs
8:05 closeup of H considering the fly tying equipment
8:07 H pulls a feather out of a tray
8:09 closeup of H positioning the feather onto the fly in progress
8:10 H winding a thread around the addition to the fly in progress
8:12 closeup of H's hands adjusting the fly in progress
8:15 closeup of H winding the thread around the fly in progress
8:17 medshot of H continuing to wind the thread
8:18 closeup of the thread being wrapped the last time
8:20 closeup of H looking closely at the fly in progress
8:21 closeup of the fly being tied off
8:23 H sets down the tool while holding the thread on the fly in progress
8:25 closeup on the thread being snipped off the completed fly
8:28 medshot of H stroking the completed fly
8:29 closeup on H stroking the completed fly and removing it from the tying station
8:31 medshot on H removing the completed fly from the tying station
8:32 closeup on H pressing the hook of the completed fly into his thumb until it bleeds
8:38 closeup on the fly being lowered to reveal the bead of blood on H's thumb
8:40 closeup on H putting his thumb to his mouth to suck off the blood
8:47 bloodspattered group family portrait from the opposite angle as before
8:50 camera flash on the blood spattered group family portrait
8:50 medshot of W in profile listening to J describe the family while CSI takes pictures
8:53 J walks along table describing the family
8:56 medshot on W off center pointing out that one of the children is missing from the tabeau
8:58 J continues walking while looking at notes to confirm missing child
9:00 gloved hand picking up blood spattered picture of young boy
9:03 W looking down in classical painting pose looking down toward picture while cameras flash
9:05 00:09:05:11
9:05 camera flashes as W looks at child's portrait
9:05 medshot on J - possible runaway probable abduction
9:08 medshot on W - or both
9:08 camera flash on W saying Or Both
9:09 J - when misery rains, it pours
9:11 camera flash on J - when misery rains it pours
9:11 closeup of blood spattered picture of family's children including missing boy
9:13 W looking down on pictures, saying they depict layers of lies
9:16 camera flash on W looking down at children's pictures
9:18 J listening to W looking uncomfortable (I should start numbering that description
9:20 J crouches to take a picture - Norman Rockwell with a bullet
9:22 first camera flash as Jimmy says Norman Rockwell with a bullet
9:22 second camera flash as Jimmy says Norman Rockwell with a bullet
9:25 B - no broken windows or torn screens
9:27 camera flash on B - no broken windows
9:27 wideshot of J listening to B, gestures - they probably rang the front door
9:30 first camera flash on J looking toward front door
9:30 second camera flash on J looking toward front door
9:30 B looking to side - bullet holes
9:31 wideshot of whole team around the table as B points out bullet holes
9:33 camera flash on wideshot of team around the table
9:33 second flash on wideshot of team around the table
9:34 W still in rennascence martyr pose, looks back at table of portraits
9:37 closeup of bloodspattered picture of mother kissing the missing boy holding a stuffed octopus
9:40 medcloseup on W as he looks down at picture
9:43 wideshot on team standing around table as Z describes evidence
9:46 wideshot on Z describing low angle of shot as J looks closely at the table
9:48 medcloseup of W turning to side - when did jessie go missing?
9:50 J stands up - a little over a year ago
9:53 meshot of W nodding and turning back to pictures
9:55 closeup on mother kissing missing boy picture again
9:58 W back in martyr pose looking thoughtful
9:59 exterior of abi's psych facility
10:04 mirrored shot of Abi running her hand over her scar then covering it with a scarf
10:18 extreme wide shot of Abi and Alana walking through outdoor corridor
10:21 Alana walking next to Abi - sharing will help normalize
10:24 Abi looking skeptically at Alana - I'm not normal, not anymore
10:30 landscape shot of other patients at the facility with a and abi walking in background
10:37 A and Abi walking - trauma can arrest vocal development
10:44 medwideshot of A and A from front - victims can broadcast victimhood / not me / that's not necessarily true
10:52 Abi looks irritated and curious at Alana
10:53 Alana to Abi - your victimhood has a high profile
10:55 Abi - a celebrity victim, somone asked if I kept my stained clothes
11:02 Alana - how did that make you feel?
11:04 Abi - like I want to go home, but I don't have a home anymore
11:10 Alana - you will, I'll help you find it
11:14 Abi looks skeptical
11:16 Alana - give the support group another chance
11:20 Abi, angry - support groups are sucking the life out of me
11:21 Alana - isolation can suck just as much
11:25 Abi looks stubborn
11:28 Alana - you have to find someone to relate to in this experience
11:32 medwide shot across H's desk, H looks up at knock on the door
11:36 H opens office door
11:38 Alana gives H chirpy Hi
11:39 H looks stern - do you have an appointment?
11:40 Alana - do you have a beer?
11:43 H's stern expression cracks, smiles, moves aside to invite Alana in
11:44 Alana smiles and accepts invitation
11:45 Alana walks by H, H closes the door, they're comfortable with close proximity
11:49 wideshot of H bringing drinks to sit next to Alana on settee, A thinks Abi might have low-grade depression
11:56 H and A toast their drinks
12:09 H watches A drink his beer and smirks (you little shit) - she?
12:12 Alana to H - nothing wrong with a little self-medication, right doctor?
12:16 H toasts the statement and drinks as A takes in a deep breath
12:20 camera begins to circle around the settee as they discuss keeping abi in the facility
12:25 camera cont to circle as H suggests releasing Abi
12:30 camera conts to circle as they argue
12:37 camera slows as they argue
12:42 camera comes to a stop, Alana - Abi's in no condition to tackle real-world issues
12:45 H - I'm not suggesting abandonment
12:50 Alana - this is a girl who was very attached to her parents
12:53 H listens as Alana says Hannibal stepping in would be a crutch
12:56 Alana - Abi needs to figure things out in a clinical environment
13:04 H bows to Alana - I defer to the passion of my esteemed collegue
13:09 Alana looks like she thinks H is teasing
13:10 H - passion is good, it gets blood pumping
13:13 H and A toast each other again - no clink
13:16 wideshot of W looks on from foreground TSS processing bodies in the lab
13:18 medshot of J looks under a blanket at a body on a lab bench
13:22 wideshot with J looking at another body
13:24 medshot on J looking through a file folder
13:26 wideshot with TSS turning to look at W
13:29 medshot on Will starkly backlit - why do you say that?
13:31 med closeup on Z - because family friction is a catalyst for personality development
13:35 medcloseup on W starkly backlit
13:37 medcloseup on B, smiling toward W and glaring at Z
13:39 wideshot on TSS with J walking toward black blanketed body
13:43 medwideshot of W looking uncomfortably toward J
13:45 medshot of J looking under black body blanket
13:47 medcloseup on Z smirking at W and looking away
13:49 medwideshot of J and W standing on either side of body on lab bench
13:52 medwideshot of Jimmy and B listening to Z talking
13:53 medcloseup W starkly backlit
13:55 Z turning from away from camera toward camera, smile falling
13:57 med wide shot of W walking from corner of room toward lab benches
13:59 Z looking irritated and frustrated as W walks past
14:01 med wide shot of W walking by B and looking back to Z - or lousy onese
14:03 med wide shot of Z giving irritated grin and nodding at W's comment
14:05 med shot of J handing photo printout to W across body blanket
14:07 W in martyr pose facing J
14:08 closeup of mother with bullet wound lying on dinner plate
14:11 medcloseup on J discussing photo
14:14 W listening to J, turing back to photo
14:19 closeup on mother's corpse with bullet wound in forehead on lab bench
14:21 medcloseup on W looking up at J in sad realization
14:23 J nodding at W in sad realization
14:24 cut to black
14:27 closeup on H looking almost directly to camera - Tell me about your mother
14:30 closeup slight zoom out on W - some lazy psychiatry Dr Lecter, low hanging fruit
14:34 closeup on H - I suspect that fruit is on a high branch, very difficult to reach
14:39 closeup on W - so is my mother
14:43 closeup on H - an interesting place to start
14:45 medshot on W - tell me about your mother, let's start there
14:50 med shot on H with an "I see your shit" expression - both my parents died, orphan until Uncle Robertus adopted me
15:00 med shot on W - YOU have "orphan" in common with Abigail Hobbs
15:03 medshot on H - WE have a lot in common with Abi - she's already demonstrated an aptitude for the psychological
15:11 medshot on W - something so foreign about family, never connected to the concept
15:22 wideshot on both - you made your own family - I connected a family of strays, thank you for feeding them
15:32 H nods - I was refering to Abi
15:37 medshot on W, who's smile falls and he looks away
15:41 medshot on H, stares at W - tell me about the turner family, were they affluent?
15:46 medshot on W, looking annoyed - they lived like they had money, we were poor, moved from one boatyard to the next
16:01 medshot on H - always the new boy at school, always the stranger
16:03 closeup on W - always
16:05 H - what grudge was this mother's killer harbouring against her?
16:09 W, shakes head, thinking - motherhood
16:12 H - not motherhood, a perversion of it
16:17 W looks up, thinking
16:20 buiscuit with assorted veggie looking things
16:26 wideshot on J starting to eat before H has sat (bad manners, Jack) and smiling up at H's description of the food
16:28 wideshot on H - you promised to deliver your wife to my dinner table
16:31 wideshot on J - we'll have to polish up our act, what am I about to put in my mouth?
16:39 wideshot on H - rabbit
16:39 wideshot on J holding up fork and laughing - he should have hopped faster
16:41 wideshot on H grinning - yes he should have
16:43 insert of man wearing black and red plaid running through trees in a panic and tripping
16:44 closeup on large piece of meat being butchered
16:44 closeup on chunk of meat being flambe'd in a skillet
16:45 H grinning - fortunately for us, he did not
16:52 J chewing and talking with his mouth full (is he suicidal??) - our friend will seems haunted today
16:55 H - we don't know what nightmares lie coiled beneath will's pillow
16:58 medcloseup on J - children killing other children is not that unfamiliar a concept to Will
17:03 medcloseup on H - you still suspect Abigail?
17:05 J - maybe the nightmare under will's pillow is that he was wrong about her
17:11 wide on H - children transport us to our childhoods, will may feel the tug of life before the fbi and you
17:18 closeup on J
17:19 closeup on H - simple times fixing boats with dad - that time is an achor streamed behind him in heavy weather
17:27 J nods thoughtfully
17:30 night falls over building obscured by trees
17:32 wideshot on the front of W's house as he lets the pack out
17:43 dogs snuffle around the base of a tree
17:48 W watches the dogs run around, not happy but content
17:55 extreme up angle of sun obscured by the FBI building
17:59 medwideshot of Z examining mother's bullet wound
18:00 Jimmy and Bev at a lab bench describing evidence
18:02 Bev and Jimmy in foreground at bench with Z in center background at body tables
18:08 medwideshot of Z walking around body table discussing asymmetries cause by puberty
18:14 medshot on B and Jimmy in profile saying no one's seen Jessie Turner in over a year
18:17 medwideshot on Z saying he extrapolated from measurements at time of abduction to establish height/weight limits
18:20 medwide on Bev and Jimmy at bench zooming in facing camera
18:22 medshot on Z - he'd be four foot eighty pounds tops
18:25 return to over Bev and Jimmy's shoulder, Jimmy examining a game controller - god's gift to trace analysts
18:27 medshot on Jimmy at bench examing game controller, saying there's no matches
18:32 medshot on Bev going through papers at bench
18:34 Bev and Jimmy in profile medwide, ruled out family's prints
18:36 fingerprint analysis on computer screen
18:38 medcloseup on J and B J looking quarter profile to camera, B looking to bench in profile
18:40 fingerprint analysis on computer screen
18:41 medwideshot on Z looking thoughtful and sad - the Lost Boys
18:42 Jimmy stands up and walks to the computer screen - I think I found on of them
18:46 tracking shot through W's classroom as he lectures on hickeys, saying in their current case the bite marks don't have suck bruises
18:59 wideshot on Jack storms into lecture hall announcing class is dissmissed and telling everyone to get out
19:02 medwideshot W behind his desk holding papers looks up toward J
19:03 medwideshot as J approaches desk and turns around to look at students
19:04 medwideshot on J and W as J yells at students to leave
19:06 wideshot on students shuffling and packing their things
19:09 medwide on J and W, J glowering at students and W dropping papers in frustration
19:12 J crosses arms and sits on edge of desk as students file out
19:14 medwide on J and W - You're making it hard to provide an education Jack, we found a match for another missing kid
19:27 tracking wide shot on J and W at desk
19:31 W realizes how many similarities there are between the families
19:41 J stands and turns to face W - we're ready when you are and you're ready now so let's go
19:43 W looks grim - you're expecting a crime scene
19:48 Balcony and railing in nice suburban house with Christmas decorations, panning down to living room with bodies of the family
20:01 medcloseup on adult man with bullet hole in forehead lying on the ground
20:03 medwide shot on blonde woman with bullet hole in forehead slumped over on sofa surrounded by wrapped presents
20:05 shot of fireplace surrounded by detrius of Christmas morning
20:07 charred and blackened body of child curled up in the fireplace
20:09 swat team passes garlanded staircase followed by team visibly reacting to a bad smell
20:19 medcloseup on swat, J and W entering living room, still flinching from the smell
20:21 wideshot of team entering living room and seeing the dead family
20:24 medcloseup on W with Jimmy in background looking grim as he surveys the scene
20:27 cut to black
20:30 exterior of FBI
20:32 wideshot of team in the lab surrounded by new set of bodies, saying the mother was killed last again
20:38 medwideshot on J listening to W
20:41 medwideshot on W - not exactly the same, something went wrong
20:43 Bev and Z looking at mother's body - not single present under the tree for mother
20:45 J turns around to look, W in background - they took her presents they took her motherhood
20:48 up angle on Z saying she was shot multiple times
20:51 Z facing away from camera pointing out that the first bullet didn't kill the mother
20:53 W listening to description of crime absorbing the imagery
20:56 Bev pointing out that the bullet would hav caused brain damage
20:59 W - her body went into convulsions
21:00 Z - shot her again to put her out of her misery, but with a different gun
21:04 medshot on Jack and Jimmy - so someone else shot Connor's mom
21:06 W still processing
21:08 wideshot on full team, J asks who the burned child in the fireplace is
21:09 J pulls back blanket to reveal the burned body
21:11 W looking at ceiling says he thinks it's connor frist
21:13 J and J turn to look at w
21:15 W - he'd been prepped to shoot his mother, not watch her suffer
21:16 wideshot on everyone looking at the burned boy again
21:17 J talking to Jimmy - connor couldn't put his panic back in the bottle so he got shot too
21:20 W - whoever shot him, disowned him
21:26 camera looking at RV through diner window, pulls back to see a woman and three boys sitting at a table looking sad
21:37 medcloseup on teenage boy looking toward woman
21:39 medcloseup on woman and small boy - I couldn't make him understand, the family you're born into isn't really family
21:45 medcloseup on second small boy listening to woman
21:47 closeup on woman - we're making our family
21:51 second small boy - what happened to your family?
21:53 teenager - we are her family
21:55 medcloseup of teenager and second boy in profile, tense - I meant your other family
21:59 woman- the family you think is family is just a stepping stone
22:04 teenager and second boy look up at woman
22:06 woman looks at second boy with concern - you feeling okay sweetie pie?
22:10 teenager insists "he's fine" angry at second boy
22:12 woman - CJ - gentle scolding
22:14 teenage looks back at his milkshake
22:16 woman looks toward teenager with exasperation
22:18 second boy looks down at the table warily
22:19 woman smiles and takes a deep breath - are you excited to go home?
22:23 second boy keeps eyes down on table
22:25 closeup on woman - even if it is to say goodbye, because we're your family now christopher
22:28 second boy looks up toward woman
22:29 closeup on woman with gentle smile - you can only have one family
22:33 wideshot of W sitting at his desk in his empty lecture hall
22:36 wideshot with W in foreground, Bev opens lecture hall door
22:39 wideshot as W continues to stare at his computer
22:42 medwideshot on Bev walking into the lecture hall with coffee, smiling
22:46 W continues to stare at the computer
22:48 Bev smirks - ever hear of Willard Wiggin?
22:50 tracking shot of Bev walking toward W - he's an artist who does micro sculptures
22:56 W continues to stare at computer, Bev walks around the desk - he's so focused he works between his heartbeats
23:00 W stares stock still
23:03 Bev walks up to W's side and looks at his computer
23:07 missing child posters on a computer screen
23:12 medwide shot at Bev leans over to look closer
23:18 W in profile with Bev looking at him - ritalin etc can delay growth
23:22 W rubs forehead as he describes medical side effects
23:26 B stands and smiles - Willard Wiggin had a lonely childhood
23:33 W looking up at Bev sitting on the edge of the desk - who is Willard Wiggin?
23:36 Bev laughs and says Price got a match on the bullet from a murder involving a 13 year old boy
23:43 W leans back listening to Bev, catches on to the connection
23:49 Bev describing the old case
23:53 W looking apprehensive - 13 year old milk carton material?
23:58 CJ's missing poster on the computer screen
24:08 medshot on full team looking at computer screen, saying CJ was too nice a kid to become a sophisticated murderer and kidnapper
24:27 tracking shot on CJ walking through store aisles and coming around to stare at Christopher
24:41 Woman finds money in her purse and hands it over to the cashier with a smile
24:46 CJ stares menacingly toward Christopher
24:48 Christopher so frightened he wets himself
24:55 woman accepts change and turns to notice Christopher's accident
24:57 medshot on woman and cashier smiling then looking worried as they realize what happened
24:59 Christopher snaps away from CJ to look at woman
25:02 woman looks worried an checks Christopher for fever
25:08 Christopher watched woman as she stands to get napkins
25:09 woman grabs a bunch of napkins, mops up puddle, and apologizes to cashier
25:19 Christopher looking down passively as woman cleans up
25:21 Woman stands up to reassure Christopher that he shouldn't be embarrased because accidents happen, smiles sweetly
25:27 Christopher looks back at CJ
25:29 quick zoom in on CJ continuing to stare threateningly
25:35 Hannibal opens the door of his office - good evening Will
25:38 W stands up looking especially grumpy and carrying a bag
25:40 H steps aside to let W in, looking interested in the bag
25:42 wideshot of W walking into H's office with agitated body language, throws bag onto setee
25:44 closeup of bag landing on settee, a wrapped gift showing in pocket
25:45 wideshot as H closes the office door and turns to look at W
25:46 H nods and points at the bag and gift
25:47 medwideshot on W taking his jacket off and saying the gift was for abigail
25:50 H still standing by the door - was?
25:50 wideshot - I thought better of it, I was upset, maybe still am
25:57 closeup on H carefully tucking the gift into the pocket - what is it?
26:00 W in profile H in foreground stands up
26:03 H walks toward W, turns to sit in his chair - you want to teach her how to fish?
26:08 H sits, leans back, crosses legs, links hands, and looks at W questioningly - her father taught her to hunt
26:10 W figeting with the stuff on H's desk - that's why I thought better of it
26:12 H stares at W's ass - feeling paternal Will?
26:14 W turns harshly to H - aren't you?
26:16 medcloseup on H looking up toward W - yes
26:17 W nods strongly and continues to look around
26:19 H continues to eye W - Dr Bloom advised against taking too personal an interest
26:23 W turns away from H
26:24 H looking lusty at W's agitation - tell me, why are you so angry?
26:27 medwideshot of W turned away from H - I'm angry because I know I can't help those boys
26:31 medcloseup on W - I can't give them back what they just gave away
26:35 medcloseup on H looking thoughtful - family
26:36 wideshot with W in foreground trying to calm down - yeah
26:39 H looks back up and listens to W
26:41 wideshot with W in foreground walking into the shadow of a cabinet - we call them the lost boys
26:47 H still looking contemplative - it's our responsibility to help Abi find her way
26:55 exterior of Abi's psychiatric facility
26:59 Abi closes book, camera zooms out to reveal H sitting next to her - I don't think I'm allowed to leave after I climbed the fence
27:09 medshot on H explaining that he's one of Abi's guardians and he made arrangements
27:12 Abi - where are we going?
27:14 H - my home, I'll cook and bring you back before bedtime
27:23 medwideshot on Abi and H - can I spend the night? I don't like sleeping here
27:27 medcloseup on H - you have to sleep in your own bed - this isn't my bed - tell me about your bad dreams
27:36 slow zoom in on Abi looking down and describing a dream of Marissa sending her pictures of NB gutted
27:52 H - how you left him
27:54 Abi looking up at H in distress and aprehension
27:56 H looks back patiently
27:59 Abi - even though she's dead I worry she's going to tell everyone and they'll think I'm just like my dad
28:06 H continues to listen
28:08 closeup on Abi as she sits up - sorry can't talk about this in group
28:15 H - you don't have that luxury
28:17 Abi nods and steels herself - I'll just have to get used to lying
28:20 H smiles proudly
28:22 wideshot of Abi standing up and goes to her dresser as H turns to stand up
28:24 H stands - you only have to lie a about one thing, and when you're with me you don't have to lie about anything
28:32 tracking shot - Abi puts on jacket as H returns book to dresser and squares it up - in my dream I wonder how I can live with myself, when I wake up I know I can
28:51 medshot on Abi - does that make me a sociopath?
28:54 H - it makes you a survivor - opens door for Abi and closes it behind them
29:05 cut to black
29:08 exterior of H's house
29:10 extreme closeup of mushrooms at the bottom of a glass kettle as water begins to fill
29:13 mushrooms in kettle as water fills again
29:15 mushrooms floating at surface of water in kettle
29:16 closeup of glass kettle with mushroom tea turning from upside down to rightside up
29:22 closeup of mise en platz in steel ramikens
29:23 closeup on H's hands cutting into white round vegetable
29:26 Abi watches H cooking
29:28 medwide shot on H cooking and Abi standing across the counter - have you thought about applying for schools?
29:30 medshot on Abi - my dad killed girls at all the schools I applied to
29:35 H, blinking - perhaps that can wait then
29:38 medshot on Abi looking at H with determined expression - I want to work for the FBI
29:41 medcloseup on H, smiles - I would certainly feel safer if you were in the FBI protecting my interests
29:48 Abi, knowing exactly what he means - they wouldn't let me because of dad
29:54 medcloseup on H - only if they believe that's in your nature too
29:57 Abi - nature vs nurture
29:58 medshot of H looking up at Abi - you're not your father's daughter, not anymore
30:02 Abi, upset, looks down
30:04 medcloseup on H, looking compassionate and speculative - what if it weren't painful anymore to think of him?
30:12 Abi confused shaking her head - my dad?
30:15 H - yes. Have you ever tried psylocibin?
30:21 med two shot, Abi - mushrooms? that's what's in the tea?
30:26 medshot of H - yes
30:27 medwideshot of H walking around counter to pour out tea - you need to supplement your traumatic memories with positive associations
30:40 medcloseup on H leaning over the tea - no more bad dreams abigail
30:42 closeup on H's hands pouring tea from glass pot into gold rimmed cups
30:44 medcloseup on Abi in profile looking skeptical - you want me to do drugs?
30:46 medwide shot on H finishing pouring the tea - I want you to do this drug with my supervision
30:52 medcloseup of H handing Abi the teacup - do you trust me?
30:56 medcloseup of Abi in profile looking at H like are you kidding, but takes a deep breath and reaches for the teacup
31:00 closeup of Abi taking the teacup from H
31:03 medwideshot of H watching Abi accept the teacup
31:05 Abi sips the tea, looking up at H
31:09 H watches Abi drink and smiles
31:10 closeup on evidence board tracking the murders down the eastern seaboard
31:17 medwideshot on J and Bev looking at the evidence board
31:19 very wide shot of tss listening to J with W against the back wall
31:22 medwideshot of J listening to Jimmy
31:24 medwideshot of Jimmy over J's shoulder, turns to listen to Z
31:26 medshot on Z - trying to construct a geographical pattern when the murders are weeks apart
31:30 medwide on W - we have other patters, middle children from traditional affluent families
31:37 closeup on Bev looking concerned at W
31:39 very wide shot on whole team with J walking back to the evidence board
31:42 closeup on pictures of missing boys on evidence board
31:45 slow zoom in on medshot of W - what kind of kid follows a kid who does this?
31:54 J and Z looking toward W - there's no indication these kids came from abusive families
31:57 slow zoom on closeup of W - capture bonding, a passive psychological response to a new master
32:20 sausage and eggs on brioche in a skillet on H's stove
32:22 medshot on H tending to stuff on the counter and stove, looks up and smiles at Abi
32:25 Abi looks down with disoriented and queasy expression
32:27 autumn trees shaking and warping in Abi's drugged memory
32:29 Abi sighting the deer with her rifle beside GJH
32:30 closeup on Abi pulling the trigger
32:32 medcloseup on deer looking toward camera with bloody ear
32:33 crane shot of Abi firing her rifle among autumn leaves beside her dad
32:34 Abi back in H's kitchen looking down in a daze
32:36 GJH and Abi in the cabin, GJH walking Abi through butchering the deer- remember just like we talked about
32:37 closeup on Abi's hunting knife
32:38 closeup on Abi's hand stroking through the deer's fur
32:40 closeup on Abi as she begins to butcher the deer
32:41 medshot on Abi and NB as she stabbs him
32:41 medcloseup on NB as he looks down in pain at the knife
32:42 closeup on Abi's frightened and horrified face as she pulls the knife through NB's torso
32:43 medshot on Abi in H's kitchen, she lets go of the teacup, which falls
32:44 teacup falls to the floor and shatters with heavy blur and some slow motion
32:47 H looks up from the stove to look at the broken teacup as Abi looks down at her hands, distracted
32:48 Abi still watching her hands, tilts head and asks if Dr Bloom approved thisr
32:52 medwide shot of Abi walking stiffly off screen while H walks forward to assess the mess
32:56 closeup of Abi in profile as she walks through kitchen, her attention caught on something else
32:58 closeup on fruit in a wooden bowl wavering from the drugs
33:00 medshot of Abi in profile selecting an organge fruit
33:03 closeup on H kneeling and picking up the shards of the teacup - you and I will have many secrets
33:07 Abi drops into the armchair in the corner, examining her orange fruit
33:09 H turns away from looking at Abi, back to the floor where the shards are
33:11 closeup on orange fruit being fiddled with in Abi's hands, smearing slowly from the drugsr
33:14 medshot on Abi navelgazing at the orange fruit
33:17 medshot on H kneeling in profile- it can be a spiritual experience for patients
33:19 medcloseup on Abi putting her fruit down and turning to concentrate on H
33:22 medshot upangle of H walking toward Abi - psychological trauma is an affliction of the powerless, I want to give you your power back
33:26 closeup on Abi looking dazed and nauseaus - I don't feel so good
33:29 H knees in front of Abi with reasurring expression - That will pass, let it wash over you
33:33 medcloseup on Abi with an intense expression as H cradles her face
33:36 closeup on H - through you, let me be your guide
33:40 Abi looks over to the kitchen counter - you're making breakfast for dinner?
33:45 closeup on H as he grins at Abi
33:46 medwideshot on H standing up and walking back to the kitchen counter, Abi grinning happily
33:49 medshot on H walking around counter talking about the history of breakfast for dinner
33:53 medwide shot of H catching a peeled potato on the edge of his knife
33:54 medshot on H holding up the speared potato with a showy grin
33:55 medshot on Abi making an exaggerated impressed expression
33:56 medshot on H continuing to cook - taste is not only biochemical it's also psychological
33:59 medcloseup on Abi looking from the potatos to the stove
34:00 closeup on sausage and eggs in the skillet
34:02 medcloseup on Abi - sausage and eggs was the last meal I had with my parents
34:04 medshot on H with reassuring smile - it's also the first meal you're having with me
34:09 medshot on Abi smiling with wide eyes
34:11 Alana, Bev, and Will in the lab around a table covered in paper evidence
34:15 closeup on Alana holding a folder with a missing child printout on the front
34:17 medwide on W over A's shoulder, speculating on the personality of the remaining Lost Boys
34:29 medshot on Bev reading description of one potential Lost Boy
34:39 medshot on Alana - what makes these boys susecptible?
34:43 they're isolated from their brother - a brother without a brother
34:50 medshot on Alana - brothers looking for a mother
34:52 medshot on Bev listening to Alana
34:54 Alana - they're killing the mothers last
34:58 W looks up at Alana and processes the idea
35:01 pan up from desk covered in neat stacks of files to W entering
35:03 medwide shot on J looking up from the computer on his desk - yeah?
35:05 medwide on W - not just CJ, there's a woman a mother figure
35:11 medshot on W - looking to form a family
35:13 medcloseup on J thinking it through - family can have a contagion effect on some people
35:18 medshot on W, with a well yeah expression
35:20 medcloseup on J - it can influence them to adopt similar behaviors and attitudes
35:24 W walks toward J from medshot to medcloseup - this woman wants these children to burst with love for her, she has to erase their families
35:35 medshot on J - she convinces them no one can love them like she does then makes sure of it
35:38 medshot up angle on W saying a security camera caught Christopher close to his family
35:55 wideshot Christopher approaches the front door of a house, rings the bell, looks around, then goes back to the door
36:11 medcloseup on Christopher as the front door opens to him
36:12 wideshot on brunette woman recognizing and grinning at Christopher
36:15 med wide zooming to med of brunette rushing to hug Christopher while he doesn't respond
36:18 medwide on woman hugging Christopher then pulling back to kneel and smile up at him
36:21 medcloseup to closeup of Christopher unresponsive to his mother's reaction
36:28 cut to black
36:31 nice suburban home framed with autumn leaves from across the street
36:36 black SUVs with police lights speeding through the suburban street
36:38 wideshot of SUV's approaching the house
36:40 low up angle of swat teams' boots running through leaves on the lawn
36:42 very wide shot of SUVs pulling up to the house and the team exiting with weapons
36:48 medwideshot of swat approaching the front door and preparing the ram to breach
36:51 swat rams open the door from the perspective of the door
36:52 cut to black
36:53 swat team enters the house and begins to sweep
36:56 swat swarms through house with TSS coming in behind them
36:58 wideshot of swat exiting from the back door3
36:59 wideshot of TSS running through the living room, armed, toward the back door, passing through the wall and panning out to the team arrayed on the patio
37:02 medshot of Christopher standing beside CJ, still impassive
37:03 wideshot of Lost Boys facing off with Christopher's family across an idyllic backyard, CJ raises gun
37:04 wideshot of mother and father panicking and trying to sheild other children
37:06 medshot of Swat firing rifle
37:06 closeup on bullet hitting CJ's shoulder from the back
37:06 medcloseup from back of CJ falling and mother turning toward other children
37:07 wideshot of CJ falling and everyone else running toward center
37:08 wideshot of Christopher running away from the group along walkway
37:09 wideshot CJ falls from grill to ground, Swat gets other Lost Boys to kneel on the ground
37:11 very wide shot TSS and swat swarm off the patio toward family and LBs
37:15 Christopher pushes through white picket gate into pool area, followed by Will
37:21 medwideshot on Christopher turning and pulling gun on Will
37:22 medshot on Will pulling a gun in response
37:23 medwideshot of W gesturing for the Swat member to hold fire
37:24 wideshot of Christopher and Will holding each other at gunpoint, W raises gun off Christopher
37:27 medshot on W with hands in the air telling Christopher to put the gun down
37:29 medshot upangle of Wendy exiting the pool house, patting Christopher's head, then wrapping an arm holding a gun around him
37:35 medshot of W reacting to the situation getting a lot worse
37:37 medshot of Wendy looking intense and Christopher looking resigned
37:39 medshot of W kneeling down, still talking to Christopher
37:41 wideshot of Wendly holding a gun to Christopher and Christopher holding a gun on W kneeling with hands up
37:43 medcloseup of Will putting gun on the ground - please
37:45 medwideshot of Bev screened by trees, firing a gun
37:46 medcloseup of Wendy being shot in the shoulder and falling away from Christopher
37:46 medcloseup of W ducking away then looking up to see what happened
37:48 medshot of Bev running in front of autumn leaves
37:49 medwide shot of Christopher turning away to look down at Wendy
37:50 medshot of Bev continuing to run toward C and W
37:52 medshot of W walking past Swat looking grim
37:55 wideshot of Bev leading Christopher away while Will and Swat look down at Wendy
37:57 med closeup strong upangle W looks down toward Wendy
38:00 medshot slow zoom in on Wendy bleeding on concrete
38:03 medshot up angle Will looks down on Wendy, blinks, and turns away
38:04 closeup on Christopher in the back of a car, zoom out to see Jack get in the driver's seat and looking back at Christopher
38:14 closeup on Christopher - can I go home now?
38:16 medshot on Jack looking back at Christopher - you're not going home for a long time
38:19 closeup on Christopher looking down sadly - you came here to kill your family
38:22 J looking back at Christopher - that's all anybody knows
38:27 closeup on Christopher looking away - I wasn't going to do it
38:30 closeup on J looking back - you're going to have to talk to a lot of people about it
38:38 closeup on christopher - she told us we had to make our own family, asks J if he has a family
38:55 closeup on Jack - I don't have any children, no
38:58 closeup on Christopher looking down, shaking head - then you don't know what it's like
39:04 closeup on J looking up and nodding in acknowledgement
39:08 closeup on Christopher looking down - can I talk to my real mom?
39:14 closeup on Jack, nodding - in a little while, but first I need to to talk to me
39:22 closeup on Christopher looking down sadly
39:25 exterior of Hannibal's house
39:27 medwide shot on Hannibal looking down feigning apologetic expression
39:30 medcloseup on Alana dressing H down for taking Abi out of the facility without consulting her
39:33 medwide on murder puppy getting smacked with a newspaper
39:36 wideshot pan of Alana confronting H
39:40 medcloseup on H looking down apologetically and nodding
39:42 medcloseup on Alana over H's shoulder - I'm not a professional scold, don't put me in this position again
39:48 medshot of Alana walking away from H angrily, H apologizes
39:52 medwide on A over H's shoulder - RUDE! SHOCKINGLY RUDE!
39:56 medwide on H - you have every right to be upset
39:58 medwide on Alana with don't fuck with me expression - where is she?
40:02 medwideshot on H - she's in the dining room
40:04 Alana with a I'm Not Done With You face, turns toward dining room
40:07 medwide on H with abyssal eyes watches Alana walk toward dining room
40:09 wide to med wide as Alana walks around counter past H - Alana, you were right
40:16 medcloseup on Alana - often am, be more specific
40:20 medcloseup on H up angle - she wasn't ready, had anxiety, I gave her a sedative
40:27 medcloseup on Alana looking further enraged - what did you give her?
40:29 closeup upangle on H - only half a valium but she may be hazy
40:34 Abi sitting alone at H's table, looks up sluggishly and looks to side
40:36 wideshot as Alana walks in, smiles and greets Abi, notices a third place setting
40:45 Abi looks up to H
40:47 wideshot of Hannibal pulling out chair from third place setting for Alana
40:50 A sits down to table, Abi dazedly asks if she's hungry
40:59 Alana smiles stiffly - I could eat
41:03 Abi continues to stare vaguely at Alana
41:05 H pours orange juice and notices Abi's focus on Alana - what is it?
41:10 closeup on Abi's creepy dazed smile
41:12 medshot of Alana and Hannibal looking concerned into the camera, shifting out of focus and into Abi's parents and back - what do you see?
41:21 closeup on Abi's creepy smile - I see family
41:29 wideshot of all three at table, H turns to look at alana
41:31 closeup on Jack wearing pajamas and readers in bed, turning and smiling
41:35 wideshot on J sitting in bed - hello
41:37 wideshot of Bella approaching the other side of the bed, avoiding eye contact
41:42 closeup on J putting his readers back on as Bella settles into bed
41:47 medcloseup on J taking the readers back off again - you think it's too late for us to have kids?
41:54 closeup on Bella blinking and turning to Jack with a frustrated expression
41:56 medshot on Jack looking lovingly at Bella, she blinks at him, thinking
41:58 closeup on Bella withdrawing and turning away
42:01 closeup on Bella faced away - it is for me
42:09 wideshot of J looking over at Bella as she reaches up to turn off her light
42:12 closeup on J turning away from Bella and turning off his own light
42:23 exterior of Will's house with red white and blue lights flashing across it
42:26 wideshot of will's dogs arrayed on beds around a space heater in the fireplace
42:32 med to med closeup of W settling down for sleep
42:45 fade to black
42:46 end credits
43:12 DDLC logo
43:14 Living Dead Guy Logo
43:16 AXN logo
43:19 Gaumont Logo
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happy late Œuf decanniversary! (originally set to broadcast on April 25th, later made available via iTunes and Prime Video on April 29, so yesterday! even tho it aired in some countries lol) more weird abigail art for yall, this episode is insane and im def making more art based on it
[more episodes]
#hannibal 1x04#abigail hobbs#murder family#doodles#hannibal fanart#will graham#hannibal lecter#hannibal nbc#nbc hannibal#oeuf#Œuf#ceuf#10 years of hannibal
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Please reblog for a larger sample size!
I don't know if anyone has already done this, but after this poll is done, I'll do one for season 2 and then season 3, and then the winners of each poll will go up against each other in a final round.
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So is it canon then that Will's father is alive? Because I'm watching Ceuf, and when Hannibal talks about his parents dying, Will says "You have orphan in common with Abigail Hobbs." He says you, not we.
I'm sure this is old news but I never noticed that before.
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hannibal fans spelling œuf as ceuf is the funniest fucking thing to me
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it’s oeuf!!!! french for egg!!! why do so many people in the fandom spell it ceuf 😔 that’s literally not a word.
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Will Graham, from Hannibal ‘Ceuf’
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I just now remembered "ceuf" does that make me qualify for a veteran's discount
YES!!!!!!!!!!! the glory of ceuf shall never be forgotten
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1x04 "Œuf"
- And victims can sometimes broadcast victimhood involuntarily.
- Not me.
- That's not necessarily true. Your victimhood has a high profile.
#hannibal#hannibaledit#tvedit#nbc hannibal#kacey rohl#abigail hobbs#alana bloom#ceuf#hannimake#mistikfiredit
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Underrated comedic moment: in Ceuf when Will finishes recreating the murder of a family at their dinner table and calls it "family values"
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every time I try to watch hannibal I get to ceuf and it's so sad i quit the show every time but this time I'm DETERMINED
#frankie fucks about#its the one where the little boy is kidnapped snd forced to kill his family#literally season 1 epusode 4 and i cant watch it . also the episode order is fucked up on prime for somw reason#4 and 5 are switched its weird#i watched it once but it makes me rly sad i cant take it
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Izabella a fait un délicieux pain grillé aux ceufs et à l'avocat. Je suis amoureux de ce petit-déjeuner spécial comme je t'aime, ma fille. ❤️ https://www.instagram.com/p/CmzNECnOsEYoHkMjsN5gjGOqaLctGpsTMPwa7w0/?igshid=NGJjMDIxMWI=
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An Albanian family had encamped
Our carriage of the morning took us back to the Piraeus about half-past nine. The night was most lovely, and the solemn effect of the Acropolis in the clear moonlight, with Hymettus in the distance, more impressive than anything I had ever seen. Everything was still along the road, except at the halfway shed, where the same people appeared to have been lounging about since the morning. The water in the harbor was like glass, and the air so transparent, that the sharp outline of the vessels lying even at a considerable distance, was most remarkable. Amongst these was H. M. S. Sharpshooter, which will perhaps account for my hearing the air of “ Jim Crow ” played on a violin in the “ grogs- shop.” But beyond this absurdity, nothing broke the silence, and, before the quivering ripples that our boat produced had quite died away, I had gone down to my berth for the first time — the temperature being considerably lower than before; and, very tired with the day’s work, soon fell asleep.
SMYRNA
Five o’clock the next morning, the 29th, all the old noise began again — the same frightful riot, clanking of chains, bawling and stamping overhead, that appeared necessary to move the steamer—in the middle of which they shut down our hatchway, and threw a tarpaulin over it, which brought me from my berth in an instant.
I found we had taken in several deck passengers — chiefly Greeks. An Albanian family had encamped in the flat-boat upon deck. There was a young man and his wife, her brother, a very old woman, and a baby; and they had made a perfect nest of bedding, carpets, and baggage, in which they all huddled. There was a look of extreme misery and broken spirit about these poor people that was excessively painful. They did not appear to have anything more than a melon or two, and some coarse bread, for their stores; and they drank the tepid water from a tub on deck. Our little milliners took the baby under their care in the cabin, for which the mother — a mere girl herself—was most grateful. The conveyanoe was effected entirely by pantomime, for each was ignorant of the other’s language, and very prettily it was done. The family was bound to Smyrna, to pack figs—a wretched employment enough, I should imagine, but one which appeared to be worth the migration. The girl’s head was dressed in the manner I had seen most prevalent at Athens. First, she wore the common scarlet skull-cap, bound round with a yellow handker chief. Over this, again, her long black hair was wound, neatly plaited; and about it, but irregularly, were hung a few trifling coins, with holes bored in them. The effect altogether was novel and graceful.
Our course lay amongst many islands, none of them striking; and, indeed, some were bare stony hills, rising at once from the sea. We could only read to get through the day, for it was again too hot to talk, and no particularly exciting events occurred. The cabin-boy, to be sure, was found out in telling stories, and sentenced to have his hair cut close to his head, for a punishment, which was done by an amateur hand, in a fashion the most extraordinary ; and the cook, who had been six years with Cavaignae, and three with Changarnier, in Afriea, had a row with the com- missaire, or purser, because the passengers had complained of his fricassee de Poulet that morning, suggesting that it was made from the results of the preceding chief cabin dinner; and would not stand any more omelets. ’So he promised that special fowls should be reserved for the next dish, and that an artful compound of eggs and onions, which lie termed ceufs d la tripe, should supersede the omelettes; and thus harmony was restored, and the day wore lazily on rose festival tour.
Virginia and Pauline dressed and undressed the baby every half-hour, and made it a little coat, amidst a pitiless storm of badinage. The Marseilles brunette was lost in a volume of Alfred de Musset’s poetry. I did* not see what she was reading, but if congeniality had led her to reflect upon the Andalouse, her thoughts must have been more or less remarkable. Our phrenologist had fixed the American to a game of chess, played upon a little portable board, with card men that slipped into the squares, and were difficult to be distinguished; and the rest of the* folks sent the winged moments flying upon wreaths of cigar smoke, as they re-read old newspapers, or lay down in their berths. However, night came at last; and when we awoke the next morning at daybreak, we were informed that we were approaching Smyrna.
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An Albanian family had encamped
Our carriage of the morning took us back to the Piraeus about half-past nine. The night was most lovely, and the solemn effect of the Acropolis in the clear moonlight, with Hymettus in the distance, more impressive than anything I had ever seen. Everything was still along the road, except at the halfway shed, where the same people appeared to have been lounging about since the morning. The water in the harbor was like glass, and the air so transparent, that the sharp outline of the vessels lying even at a considerable distance, was most remarkable. Amongst these was H. M. S. Sharpshooter, which will perhaps account for my hearing the air of “ Jim Crow ” played on a violin in the “ grogs- shop.” But beyond this absurdity, nothing broke the silence, and, before the quivering ripples that our boat produced had quite died away, I had gone down to my berth for the first time — the temperature being considerably lower than before; and, very tired with the day’s work, soon fell asleep.
SMYRNA
Five o’clock the next morning, the 29th, all the old noise began again — the same frightful riot, clanking of chains, bawling and stamping overhead, that appeared necessary to move the steamer—in the middle of which they shut down our hatchway, and threw a tarpaulin over it, which brought me from my berth in an instant.
I found we had taken in several deck passengers — chiefly Greeks. An Albanian family had encamped in the flat-boat upon deck. There was a young man and his wife, her brother, a very old woman, and a baby; and they had made a perfect nest of bedding, carpets, and baggage, in which they all huddled. There was a look of extreme misery and broken spirit about these poor people that was excessively painful. They did not appear to have anything more than a melon or two, and some coarse bread, for their stores; and they drank the tepid water from a tub on deck. Our little milliners took the baby under their care in the cabin, for which the mother — a mere girl herself—was most grateful. The conveyanoe was effected entirely by pantomime, for each was ignorant of the other’s language, and very prettily it was done. The family was bound to Smyrna, to pack figs—a wretched employment enough, I should imagine, but one which appeared to be worth the migration. The girl’s head was dressed in the manner I had seen most prevalent at Athens. First, she wore the common scarlet skull-cap, bound round with a yellow handker chief. Over this, again, her long black hair was wound, neatly plaited; and about it, but irregularly, were hung a few trifling coins, with holes bored in them. The effect altogether was novel and graceful.
Our course lay amongst many islands, none of them striking; and, indeed, some were bare stony hills, rising at once from the sea. We could only read to get through the day, for it was again too hot to talk, and no particularly exciting events occurred. The cabin-boy, to be sure, was found out in telling stories, and sentenced to have his hair cut close to his head, for a punishment, which was done by an amateur hand, in a fashion the most extraordinary ; and the cook, who had been six years with Cavaignae, and three with Changarnier, in Afriea, had a row with the com- missaire, or purser, because the passengers had complained of his fricassee de Poulet that morning, suggesting that it was made from the results of the preceding chief cabin dinner; and would not stand any more omelets. ’So he promised that special fowls should be reserved for the next dish, and that an artful compound of eggs and onions, which lie termed ceufs d la tripe, should supersede the omelettes; and thus harmony was restored, and the day wore lazily on rose festival tour.
Virginia and Pauline dressed and undressed the baby every half-hour, and made it a little coat, amidst a pitiless storm of badinage. The Marseilles brunette was lost in a volume of Alfred de Musset’s poetry. I did* not see what she was reading, but if congeniality had led her to reflect upon the Andalouse, her thoughts must have been more or less remarkable. Our phrenologist had fixed the American to a game of chess, played upon a little portable board, with card men that slipped into the squares, and were difficult to be distinguished; and the rest of the* folks sent the winged moments flying upon wreaths of cigar smoke, as they re-read old newspapers, or lay down in their berths. However, night came at last; and when we awoke the next morning at daybreak, we were informed that we were approaching Smyrna.
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