#challenge social norms

[littlerosette]

save me “i know this would have happened anyway” everlark aus please save me.

#katniss and peeta falling in love outside of the games but still dealing with the challenges #of breaking social norms #racial and class divides #katniss slowly realizing she’s always loved the baker’s boy #the wonderfully sweet friendship that blooms before that #i literally don’t care if it’s the same fic from fifteen different authors i will fucking read it #the hunger games #everlark

[canichangemyblogname]

I watched all eight episodes of season 1 of Blue Eye Samurai over the weekend. I then went browsing because I wanted to read some online reviews of the show to see what people were thinking of it and also because I wanted to interact with gifs and art, as the series is visually stunning.

Yet, in my search for opinions on the show, I came across several points I'd like to address in my own words:

Mizu’s history and identity are revealed piece-by-piece and the “peaches” scene with Mizu and Ringo at the lake is intended to be a major character reveal. I think it’s weird that some viewers got angry over other viewers intentionally not gendering Mizu until that reveal, rather than immediately jumping to gender the character as the other characters in the show do. The creators intentionally left Mizu’s gender and sexuality ambiguous (and quite literally wrote in lines to lead audiences to question both) to challenge the viewer’s gut assumption that this lone wolf samurai is a man. That intentional ambiguity will lead to wide and ambiguous interpretations of where Mizu fits in, if Mizu fits in at all. But don't just take my word for this:

Re: above. I also think it’s weird that some viewers got upset over other viewers continuing to acknowledge that Mizu has a very complicated relationship with her gender, even after that reveal. Canonically, she has a very complicated relationship with her identity. The character is intended to represent liminality in identity, where she’s often between identities in a world of forced binaries that aren’t (widely) socially recognized as binaries. But, again, don’t just take my word for this:

Mizu is both white and Japanese, but she is also not white and not Japanese simultaneously (too white to be Japanese and too Japanese to be white). She’s a woman and a man. She’s a man who’s a woman. She’s also a woman who’s not a woman (yet also not quite a man). But she’s also a woman; the creators said so. Mizu was raised as a boy and grew into a man, yet she was born a girl, and boyhood was imposed upon her. She’s a woman when she’s a man, a man when she’s a man, and a woman when she’s a woman.

Additionally, Mizu straddles the line between human and demon. She’s a human in the sense she’s mortal but a demon in the sense she’s not. She's human yet otherworldly. She's fallible yet greatness. She's both the ronin and the bride, the samurai and the onryō. In short, it’s complicated, and that’s the point. Ignoring that ignores a large part of her internal character struggle and development.

Mizu is intended to represent an “other,” someone who stands outside her society in every way and goes to lengths to hide this “otherness” to get by. Gender is a mask; a tool. She either hides behind a wide-brimmed hat, glasses, and laconic anger, or she hides behind makeup, her dress, and a frown. She fits in nowhere, no matter the identity she assumes. Mizu lives in a very different time period within a very different sociocultural & political system where the concept of gender and the language surrounding it is unlike what we are familiar with in our every-day lives. But, again, don’t just take my word for this:

It’s also weird that some viewers have gotten upset over the fact women and queer people (and especially queer women) see themselves in Mizu. Given her complicated relationship with identity under the patriarchy and colonial violence, I think Mizu is a great character for cis-het women and queer folks alike to relate to. Her character is also great for how she breaks the mold on the role of a biracial character in narratives about identity (she’s not some great bridge who will unite everyone). It does not hurt anyone that gender-fluid and nonbinary people see themselves in Mizu's identity and struggle with identity. It does not hurt anyone that lesbians see themselves in the way Mizu expresses her gender. It does not hurt anyone that trans men see themselves in Mizu's relationship with manhood or that trans women can see themselves in Mizu when Mama forces her to be a boy. It's also really cool that cis-het women see themselves in Mizu's struggles to find herself. Those upset over these things are missing critical aspects of Mizu's character and are no different from the other characters in the story. The only time Mizu is herself is when she’s just Mizu (“…her gender was Mizu”), and many of the other characters are unwilling to accept "just Mizu." Accepting her means accepting the complicatedness of her gender.

Being a woman under the patriarchy is complicated and gives women a complicated relationship with their gender and identity. It is dangerous to be a woman. Women face violence for being women. Being someone who challenges sex-prescribed norms and roles under patriarchy also gives someone a complicated relationship with their identity. It is dangerous to usurp gender norms and roles (then combine that with being a woman...). People who challenge the strict boxes they're assigned face violence for existing, too. Being a racial or ethnic minority in a racially homogeneous political system additionally gives someone a complicated relationship with their identity. It is dangerous to be an ethnic minority when the political system is reproduced on your exclusion and otherness. They, too, face violence for the circumstances of their birth. All of these things are true. None of them take away from the other.

Mizu is young-- in her early 20s-- and she has been hurt in deeply affecting ways. She's angry because she's been hurt in so many different ways. She's been hurt by gender violence, like "mama's" misogyny and the situation of her birth (her mother's rape and her near murder as a child), not to mention the violent and dehumanizing treatment of the women around her. She's been hurt by racial violence, like the way she has been tormented and abused since childhood for the way she looks (with people twice trying to kill her for this before adulthood). She's been hurt by state-sanctioned violence as she faces off against the opium, flesh, and black market traders working with white men in contravention of the Shogun's very policies, yet with sanction from the Shogun. She's been hurt by colonial violence, like the circumstances of her birth and the flood of human trafficking and weapons and drug trafficking in her country. She's had men break her bones and knock her down before, but only Fowler sexually differentiated her based on bone density and fracture.

Mizu also straddles the line between victim and murderer.

It seems like Mizu finding her 'feminine' and coming to terms with her 'female side' may be a part of her future character development. Women who feel caged by modern patriarchal systems and alienated from their bodies due to the patriarchy will see themselves in Mizu. They understand a desire for freedom that the narrow archetypes of the patriarchy do not afford them as women, and they see their anger and their desire for freedom in Mizu. This, especially considering that Mizu's development was driven by one of the creators' own experiences with womanhood:

No, Mizu does not pass as a man because she "hates women" or because she hates herself as a woman or being a woman. There are actual on-screen depictions of Mizu's misogyny, like her interactions with Akemi, and dressing like a man is not an instance of this. Mizu shows no discomfort with being a woman or being seen as a woman, especially when she intends to pass herself as and present as a woman. Mizu also shows the women in the series more grace and consideration than any man in the show, in whatever capacity available to her socially and politically, without revealing herself; many of the women have remarked that she is quite unlike other men, and she's okay with that, too.

When she lives on the farm with Mama and Mikio, Mizu shows no discomfort once she acclimates to the new life. But people take this as conclusive evidence of the "only time" she was happy. She was not. This life was also a dance, a performance. The story of her being both the ronin and the onryō revealed to the audience that this lifestyle also requires her to wear a mask and dance, just as the bride does. This mask is makeup, a wedding dress, and submission, and this performance is her gender as a wife. She still understands that she cannot fully be herself and only begins to express happiness and shed her reservation when she believes she is finally safe to be herself. Only to be betrayed. Being a man is her safety, and it is familiar. Being a boy protected her from the white men as a child, and it might protect her heart now.

Mizu shows no discomfort with being known as a woman, except when it potentially threatens her goals (see Ringo and the "peaches" scene). She also shows no discomfort with being known as, seen as, or referred to as a man. As an adult, she seems okay- even familiar- with people assuming she's a man and placing her into the role of a man. Yet, being born a girl who has boyhood violently imposed upon her (she did not choose what mama did to her) is also an incredibly important part of her lived experience. Being forced into boyhood, but growing into a man anyway became part of who she is. But, being a man isn’t just a part of who she became; it’s also expedient for her goals because men and women are ontologically different in her world and the system she lives under.

She's both because she's neither, because- ontologically- she fits nowhere. When other characters point out how "unlike" a man she is, she just shrugs it off, but not in a "well, yeah, because I'm NOT a man" sort of way, but in an "I'm unlike anyone, period," sort of way. She also does not seem offended by Madam Kaji saying that Mizu’s more man than any who have walked through her door.

(Mizu doesn’t even see herself as human, let alone a woman, as so defined by her society. And knowing that creators have stated her future arc is about coming into her “feminine era” or energy, I am actually scared that this show might fall into the trope of “domesticating”/“taming” the independent woman, complete with an allegory that her anger and lack of human-ness [in Mizu’s mind] is a result of a woman having too much “masculine energy” or being masculine in contravention of womanness.)

Some also seem to forget that once Mama and Mikio are dead, no one knows who she is or where she came from. They do not have her background, and they do not know about the bounty on her (who levied the bounty and why has not yet been explained). After their deaths, she could have gone free and started anew somehow. But in that moment, she chose to go back to life as a man and chose to pursue revenge for the circumstances of her birth. Going forward, this identity is no longer imposed upon her by Mama, or a result of erroneous conclusions from local kids and Master Eiji; it was because she wanted people to see her as a man and she was familiar with navigating her world, and thus her future, as a man. And it was because she was angry, too, and only men can act on their anger.

I do think it important to note that Mizu really began to allow herself to be vulnerable and open as a woman, until she was betrayed. The question I've been rattling around is: is this because she began to feel safe for the first time in her life, or is this part of how she sees women ontologically? Because she immediately returns to being a man and emotionally hard following her betrayal. But, she does seem willing to confide in Master Eiji, seek his advice, and convey her anxieties to him.

Being a man also confines Mizu to strict social boxes, and passing herself as a man is also dangerous.

Mizu doesn't suddenly get to do everything and anything she wants because she passes as a man. She has to consider her safety and the danger of her sex being "found out." She must also consider what will draw unnecessary attention to her and distract her from her goals. Many viewers, for example, were indignant that she did not offer to chaperone the mother and daughter and, instead, left them to the cold, only to drop some money at their feet later. The indignity fails consider that while she could bribe herself inside while passing as a man, she could not bribe in two strangers. Mizu is a strange man to that woman and does not necessarily have the social position to advocate for the mother and daughter. She also must consider that causing small social stirs would distract from her goals and draw certain attention to her. Mizu is also on a dangerous and violent quest.

Edo Japan was governed by strict class, age, and gender rules. Those rules applied to men as well as women. Mizu is still expected to act within these strict rules when she's a man. Being a man might allow her to pursue revenge, but she's still expected to put herself forward as a man, and that means following all the specific rules that apply to her class as a samurai, an artisan (or artist), and a man. That wide-brimmed hat, those orange-tinted glasses, and her laconic tendencies are also part of a performance. Being a boy is the first mask she wore and dance she performed, and she was originally (and tragically) forced into it.

Challenging the normative identities of her society does not guarantee her safety. She has limitations because of her "otherness," and the transgression of sex-prescribed roles has often landed people in hot water as opposed to saving them from boiling. Mizu is passing herself off as a man every day of her life at great risk to her. If her sex is "found out" on a larger scale, society won’t resort to or just start treating her as a woman. There are far worse fates than being perceived as a woman, and hers would not simply be a tsk-tsk, slap on the wrist; now you have to wear makeup. Let's not treat being a woman-- even with all the pressures, standards, fears, and risks that come with existing as a woman-- as the worst consequence for being ‘found out’ for transgressing normative identity.

The violence Mizu would face upon being "found out" won’t only be a consequence of being a "girl." Consider not just the fact she is female and “cross-dressing” (outside of theater), but also that she is a racial minority.

I also feel like many cis-het people either ignore or just cannot see the queerness in challenging gender roles (and thus also in stories that revolve around a subversion of sex-prescribed gender). They may not know how queerness-- or "otherness"-- leads to challenging strict social stratifications and binaries nor how challenging them is seen by the larger society as queer ("strange," "suspicious," "unconventional," even "dishonorable," and "fraudulent"), even when "queerness" (as in LGBTQ+) was not yet a concept as we understand it today.

Gender and sexuality- and the language we use to communicate who we are- varies greatly across time and culture. Edo Japan was governed by strict rules on what hairstyles, clothes, and weapons could be worn by which gender, age, and social group, and this was often enshrined in law. There were specific rules about who could have sex with whom and how. These values and rules were distinctly Japanese and would not incorporate Western influences until the late 1800s. Class was one of the most consequential features to define a person's fate in feudal Japan, and gender was quite stratified. This does not mean it's inappropriate for genderqueer people to see themselves in Mizu, nor does this mean that gender-variant identities didn’t exist in Edo Japan.

People in the past did not use the same language we do today to refer to themselves. Example: Alexander The Great did not call himself a "bisexual." We all understand this. However, there is a very weird trend of people using these differences in language and cultures across time to deny aspects of a historical person's life that societies today consider taboo, whether these aspects were considered taboo during that historical time period or not. Same example: people on Twitter complaining that Netflix "made" Alexander The Great "gay," and after people push back and point out that the man did, in fact, love and fuck men, hitting back with "homosexuality wasn't even a word back then" or "modern identity didn't exist back then." Sure, that word did not exist in 300s BCE Macedonia, but that doesn't mean the man didn't love men, nor does that mean that we can't recognize that he'd be considered "queer" by today's standards and language.

Genderqueer, as a word and as the concept is understood today, did not exist in feudal Japan, but the people did and feudal Japan had its own terms and concepts that referred to gender variance. But while the show takes place in Edo Japan, it is a modern adult animation series made by a French studio and two Americans (nationality). Mizu is additionally a fictional character, not a historical figure. She was not created in a vacuum. She was created in the 21st century and co-written by a man who got his start writing for Sex in the City and hails from a country that is in the midst of a giant moral panic about genderqueer/gender-variant people and gender non-conforming people.

This series was created by two Americans (nationality) for an American company. In some parts of that country, there are laws on the book strictly defining the bounds of men and women and dictating what clothes men and women could be prosecuted for wearing. Changes in language and identity over time mean that we can recognize that if Mizu lived in modern Texas, the law would consider her a drag performer, and modern political movements in the show creators' home country would include her under the queer umbrella.

So, yeah, there will also be genderqueer people who see themselves in Mizu, and there will be genderqueer fans who are firm about Mizu being queer to them and in their “headcanons.” The scene setting being Edo Japan, does not negate the modern ideas that influence the show. "Nonbinary didn't exist in Edo Japan" completely ignores that this show was created to explore the liminality of modern racial, gender, class, and normative identities. One of the creators was literally inspired by her own relationship with her biracial identity.

Ultimately, the fact Mizu, at this point in her journey, chooses to present and pass as a man and the fact her presented gender affects relationship dynamics with other characters (see: Taigen) gives this story a queer undertone. And this may have been largely unintentional: "She’s a girl, and he’s a guy, so, of course, they get together," < ignoring how said guy thinks she’s a guy and that she intentionally passes herself as a guy. Audiences ARE going to interpret this as queer because WE don’t live in Edo-era Japan. And I feel like people forget that Mizu can be a woman and the story can still have queer undertones to it at the same time.

#Blue Eye Samurai #‘If I was transported back in time… I’d try to pass myself off as a man for greater freedom.’ #^^^ does not consider the intersection of historically queer existence across time with other identities (& the limitations those include) #nor does it consider the danger of such an action #I get it. some come to this conclusion simply because they know how dangerous it is to be a woman throughout history. #but rebuking the normative identities of that time period also puts you at great risk of violence #challenging norms and rules and social & political hierarchies does not make you safer #and it has always been those who exist in the margins of society who have challenged sociocultural systems #it has always been those at greatest risk and who've faced great violence already. like Mizu #Anyway... Mizu is just Mizu #she is gender queer (or gender-variant) #because her relationship with her gender is queer. because she is gender-variant #‘queer’ as a social/political class did not exist. but people WE understand as queer existed in different historical eras #and under different cultural systems #she’s a woman because queer did not exist & ‘woman’ was the sex caste she was born into #she’s also a woman because she conceptualizes herself as so #she is a woman AND she is gender-variant #she quite literally challenges normative identity and is a clear example of what sex non-conforming means #Before the actual. historic Tokugawa shogunate banned women from theater #there were women in the theater who cross-dressed for the theater and played male roles #so I’m also really tired of seeing takes along the lines of: ‘Edo Japan was backwards so cross dressers did’t exist then!’ #like. please. be more transparent won’t you?

[mermaidsirennikita]

oh i totally agree just pointing out this might be a trend towards people just wanting everything wrapped up in a nice little bow from the beginning. when like, and this is no shade i love romance novels but they're hardly challenging fiction as is? you're always guaranteed a happy ending.

I.... strongly disagree with that last statement lol, and I think it's pretty condescending.

Being guaranteed a happy ending is a genre codifier--it doesn't mean the genre isn't challenging. I think a mystery novel can be challenging fiction, despite the fact that this genre is also usually tied up on some level.

(Additionally, I would say that there is nothing inherently challenging about a sad or neutral ending. A sad or neutral ending can in fact be the least challenging ending possible, at certain points. I'm not against them. But quite frankly, and I speak from VERY lived experience here, it's often--usually?--much more mentally and physically challenging to keep pursuing happiness in the face of pretty major adversity than it is to accept depression and sorrow. I have accepted negative endings to certain personal relationships in my life because pursuing happiness in those relationships requires more work from me, and it is in fact much harder.)

Like... what does a happy ending mean? Because while in romance it does always mean the leads are happy together together, it doesn't mean they're happy together and without challenges, or completely happy with life. I can think of The Duke Gets Even by Joanna Shupe, in which the heroine essentially has to accept that however much she may be afraid of death and the very likely reality that her hero will die relatively young--very probably before he's 60, quite possibly well before then--and still choose to be with him. I think that's a pretty challenging concept for a lot of people today. The book also doesn't end with his condition fixed; it could be down the line, who knows? You decide. Choosing to love someone despite pretty much knowing that, unless something really advanced occurs--which it could!--they will predecease you and likely by decades, with possible children left behind, is a really tough thing.

I just read a book in which the hero and heroine are both hugely traumatized by events--which are very much based on reality--that caused not only trauma, but pretty deep survivor's guilt on both sides. He has to genuinely accept that there is absolutely nothing he can do to make up for what he did to people... and at the same time, he can and must move forward with his life. She has to live with her trauma and her PTSD, but she also has to accept that who she was and the people she loved before are not a part of her reality now. That is really challenging--and as he essentially represents everything she lost and why, choosing to move forward together is very challenging.

I just referenced Sierra Simone's Sinner--and as much as her Priest books get a lot of understandable "ooh hot priest" discussion, if you actually read them, there is a pretty massive grappling with faith and spiritual (and the entire position and validity of the Catholic Church, whether it has validity, what it means to someone raised in that culture, whether or not you can stay in a culture that is baseline toxic and live a relatively healthy life) questioning throughout those novels. In fact, Sierra followed up Priest with a novella, Midnight Mass, which pretty much states that like--yeah. Our couple is together. They are happy with each other. But they are not necessarily happy with life, and that inevitably impacts their relationship. There are external issues, like miscarriage and potential infertility (which Simone never resolves) but there's also just this acknowledgment that when you leave something that was your CALLING, even if it's for someone you love, there is a piece of you you're giving up. You can be in love and satisfied with your partner, and dissatisfied with your life. You can have your other half and still not be completely whole.

Not to mention the general struggling with futility, depression, the reality that faith can be both deep and real and a way of avoiding reality, terminal illness, the fact that we are all in fact dying touched upon in the subsequent books. I think that's really challenging, and it's especially challenging when you grow up with a baseline of any deeply-felt religious faith, especially but not limited to Catholicism.

And a book can be fun and end happily and be sexy and be challenging. I think of a book I've been reread-skimming lately--Lady Isabella's Scandalous Marriage by Jennifer Ashley. The entire first four books of this series do a great job of acknowledging that the Mackenzie slove Ian (the first hero, who is autistic and in the 1800s) but do not absolutely get him, and as a result allowed some pretty horrible things to happen to him. It's challenging--choosing to see that someone can intend well, but completely FAIL to do well, and to do well by someone they love. While at the same time having to accept this and move forward as a family, and accept forgiveness from Ian. In LISM, there's an absolute deconstruction of the idea of an impetuous rake taking away a young virginal bride in this mad passion people love in historical romances. It didn't work. They had passion, they had love, and it was not enough. When they were up against actual challenges, he left and she wanted him to. He failed her. And the only way he can possibly fix that is by a) letting her be alone for a long time and b) actually do the work. It's not easy. It's not the "put a bow on it" happy ending. I think the same can be said of Lisa Kleypas's Again the Magic, ESPECIALLY in the secondary romance, featuring an alcoholic hero whose happy ending is... not 100% solid. It ends on him returning from sobering up. Hopefully, he keeps it together. But her love did not heal him, and CANNOT heal him. She offers some additional motivation, but he has to do that for himself.

I mean--internalized biphobia, the perception that someone who was abused will abuse (and I do mean abused as a child, and I do mean in the worst possible way), infertility (with zero fix), cheating--these are all things I've seen handled in romance, and I've often seen them handled and confronted in multiple books. Not across the board perfectly, but that can be said of any genre. But to be real, if you don't think there are a lot of challenging books in the genre, I don't think you've read enough of it.

#romance novel blogging #romance novels #i can think of many other examples and i didn't intend this to be an example rattle off #but it's kind of impossible to address this without examples #and when i say it's condescending i don't mean that in a hostile way #i mean it in a literal way: that is condescending #i'm sure it was meant well but it was condescending lol #i mean i also think there are inherent social challenges to books like #say beverly jenkins's novels especially the early books #to publish a historical romance about black characters finding love in the nineteenth century and finding happiness #absolutely challenging perceived norms that exist to this day (as does her centering of a wealthy 19th century black upper middle class) #alexis hall centering a trans heroine in a traditional sweeping classic historical romance setup #while not making her transness a massive conflict #giving a trans lead the big regency fantasy that has been pretty much exclusively reserved for cis characters #feels pretty challenging today

[thechronicmasochist]

taking the opportunity in my last big final assignment to say "this core social work class is actively harmful to queer people and has disinclined me, as a queer person, to access social work services or to pursue a career in social work altogether. you should be ashamed of yourself." bc im so done and at this point she can't fail me enough to ruin my overall grade past a c and y'all I'm so over this shit oh my god

#if you need help accessing local social services youre better off going to the library than you are working with a social worker #im not even saying a library employed social worker im saying a librarian #they are trained to challenge harmful normative ideologies and to keep in close contact with community networks #in order to empower patrons and members of the community to access supports #social workers are trained to belittle and enforce existing patriarchal structures and to view anyone who does not conform #as an independent special exception to the standard

[cosmik-homo]

Way before I started considering him through a trans or femme lens I've headcanoned Alfred as having a propensity to courtesying instead of bowing when he felt he can get away with it, if only for the amount of times he bangs his head on things.

#its a silly thing i do but sometimes i look at my current in progress cosplsy and challenge myself to the style of those like. #Shake My Hand In Character but w different prompts. #just kinda try changing my posture and movement to walk around as Alfred/Threepio/Two in turn #especially establish differnces in areas where theyre similar - like they all do Angle Hands but Threepio are Straight And Front #Two is very spread to the side #and Alfred is very defensive closed up on chest or stomach. with rare crossed behind back for when he's having a Power Moment #so Threepio- rigid officiatious bow. focus on feeling Roboty hinges. #two half asses bowing cuz social norms but even clownish there's still Charm #hoid- which i rarely do but look at the prompt ocme on- is just the cuntiest swishy bow you can manage on the understated side #and alfred is World's Most Apologetic Off Balance Courtesy.

[billa-billa007]

Exploring the Impact of Gender Ideology and Gender Theory | Woke Up

The impact of gender ideology is a complex and multifaceted topic that has generated significant debate and discussion in recent years. Gender ideology refers to a set of beliefs and ideas about the roles, identities, and expectations associated with gender. It encompasses a wide range of perspectives, including traditional gender roles, gender equality, and various gender identities beyond the binary understanding of male and female.

#woke up #we woke up #the impact of gender ideology #exploring the impact of gender ideology #role of sexism #gender ideology #gender identity #depressive feelings #social expectations #top surgery #mental health #gender expression #power dynamics #social norms #personal experiences #social justice #critical gender theory #societal implications #challenging societal expectations #gender norms #social justice movement #gender ideology and gender theory #Youtube

[crowaes]

i didnt get too much into academic theory when talking about slow damage but theres a pretty large section of the sweet pool review where i go into horror as a method of revealing social anxieties and the social function of horror. particularly- how sweet pools parasites and the categories of osu and mesu both critique and take on elements of misogyny within society. its the kind of thing i regularly do for college and i think is a super obvious examination. but i feel literally insane writing for youtube because theres so much extra stuff i have to contextualize here

#caws #review posting #like we gotta talk death of the author we gotta talk about horror as allegory we gotta talk about horror as reflective of social anxieties #and horror as a way of both reinforcing and challenging hegemonic norms. except i dont use the word hegemonic #i wanna use the word hegemonic though #we gotta then use all that to talk feminist theory and allegory #it just keeps going

[applesauce42069]

IDF service is mandatory for israeli citizens. it is compulsory. you will be conscripted when you turn 18. there are exceptions and not everyone has to serve but these exceptions do not apply to the "average" person. if you are a child in israel you grow up with the expectation of serving in the IDF. this is presented as correct and necessary to you. most people do not see a problem because they are taught not to. i will also assume that most young israelis do not know what the IDF actually does until they join. not everyone who joins the IDF will have active service or be put behind a gun, but they will do some work for the IDF.

this is obviously fucked up. i think it also maintains the stasis that israeli society finds itself in. the leadership demands that the current system keep going, and if you're israeli the current system 100% has involved or still involves members of your family or perhaps even you. it creates a collective complicity. if you condemn the IDF and its actions it means you're condemning your own family. you can react to this with disgust and push away from it and therefore face social consequences or you can double down and justify and deny.

i do not take any of this lightly. the only reason why i do not have to serve in the IDF is because i was born abroad and live abroad. there is one piece of paper that stands between me having to choose between the IDF and Israeli military prison.

so no, the 18 year old teenagers who choose to go to prison rather than serving the IDF are not doing the "bare minimum." they are more personally impacted by everything going on there than most of you keyboard warriors will ever be and they are doing more and facing more consequences for it than you.

when they refuse to serve they are not only, on an individual level, refusing to take part in the IDF but they are challenging the entire system of conscription, the whole military complex of the IDF. perhaps others will see what they're doing and join them. perhaps they will demand a new norm. perhaps this will lead to changes that are helpful to everyone.

because despite the odds these teenagers are able to recognize what the IDF is doing and why it is wrong and then shoulder the very real personal consequences of LITERALLY GOING TO PRISON for refusing to take part in it.

#israel #israeli politics

[chaosnoirjpg]

Source: ig // @africabrooke

Expression. Censorship. Taking risks.

Though I don’t completely agree with the search for and implication of “meaning”. I do feel that one of the points of existing is to learn how to express yourself in an authentic way.

Your authenticness will inspire others to express themselves in their own unique way.

I felt the vision of such a world where we can all be who we are meant to be and express ourselves as we are moved to do so is a beautiful sentiment.

Have the courage to be disliked, to be criticized, to be disagreeable, to be contrary, to be bold, to be out of the box, and challenge the social thought forms we all subconsciously agreed to in our sleep.

If we cannot express ourselves then what is the point of existing.

There is more to life than existing. LIVING is the action of expression.

#expression #rant #theory #inspiration #art #artist #meaning #censorship #challenging social norms #acceptable by society #my post #my posts #Abe the artist #art of abe #chaos noir #chaos noir jpg

[saraswritingtipps]

Here are Some things that people love reading in books

People have a wide range of preferences when it comes to reading, but there are several elements that tend to be universally loved in books. These elements often make a book more engaging and enjoyable for readers.

1. Compelling Characters: Readers enjoy well-developed, relatable, and complex characters with distinct personalities and growth throughout the story.

2. Engaging Dialogue: Well-crafted and realistic dialogue that brings characters to life and advances the plot is appreciated.

3. Emotional Connection: Books that evoke strong emotions such as joy, sadness, or empathy can be deeply satisfying for readers.

4. Imaginative Worlds: Readers often love books that transport them to imaginative, immersive settings, whether it's a fantasy realm, historical period, or a vivid contemporary world.

5. Page-Turning Plot: A well-structured, suspenseful, and fast-paced plot that keeps readers eagerly turning pages is a big draw.

6. Mystery and Intrigue: Elements of mystery, suspense, or a cleverly constructed puzzle can be very appealing to readers.

7. Character Development: Watching characters evolve, learn, and overcome challenges is a satisfying and relatable experience.

8. Universal Themes: Books that explore universal themes like love, friendship, identity, and the human condition resonate with a wide audience.

9. Beautiful Prose: Readers appreciate well-crafted, evocative prose and the use of vivid, descriptive language.

10. Unique Concepts: Original and unique concepts, ideas, or themes that challenge the norm or offer fresh perspectives can be captivating.

11. Humor: Well-placed humor and wit add charm and entertainment value to books.

12. Diversity and Inclusivity: Inclusion of diverse characters and perspectives that reflect the real world can be heartening for readers.

13. Twists and Surprises: Unexpected plot twists and surprises that challenge expectations and keep readers guessing are often welcome.

14. Moral and Ethical Dilemmas: Thought-provoking moral and ethical dilemmas that encourage introspection and discussion are appreciated.

15. Relatable Relationships: Well-developed relationships, whether they're romantic, familial, or friendships, can be deeply relatable and endearing.

16. Strong Beginnings and Endings: Memorable and powerful beginnings and endings that leave a lasting impact are highly valued.

17. Resonant Themes: Books that explore relevant and timely themes or social issues can resonate deeply with readers.

18. Empowering Narratives: Narratives that empower readers, offer hope, or inspire positive change can be incredibly uplifting.

Ultimately, what readers love in books can vary widely depending on personal preferences and tastes. A well-rounded book often incorporates several of these elements to create a rich and satisfying reading experience.

#writing #writer on tumblr #writerscommunity #writing tips #character development #writer tumblr #writblr #writing advice #oc character #writing help #book lover

[spirit-of-phantom]

URANUS AND HOW YOU EVOKE CHANGE

uranus, the planet of innovation and disruption, invokes change through sudden breakthroughs, unconventional thinking, and radical shifts that challenge existing norms, inspiring progress and revolution in various spheres of life. its influence prompts unexpected awakenings, urging societies and individuals alike to embrace originality, break free from conventions, and embrace forward-thinking approaches to create groundbreaking transformations.

aries / 1H: sparks ideas of self image and identity, promotes individuality and independence in personal matters, sudden and bold changes on how one presents themselves to the world

taurus / 2H: disrupts traditional values and financial systems, innovation in material and personal resources, challenges stability and security regarding one’s own worth and values

gemini / 3H: intellectual breakthroughs and communication within immediate surroundings, need for adaptable thinking in everyday interactions, changes in local community dynamics, education, and siblings

cancer / 4H: disrupts traditional family structures and the concept of home and roots, seeks progressive approaches to domestic life and emotional security, changes in the family environment and inner emotional foundations

leo / 5H: innovations in creativity, entertainment, and self-expression on a personal level, encourages unconventional approaches to hobbies, romance, and children, challenges traditional notions of ego and individuality in personal pursuits

virgo / 6H: stimulates advancements in health, work routines, and service to others, encourages unconventional methods in daily habits and workplace dynamics, provokes changes in technology related to personal wellness and efficiency

libra / 7H: disrupts traditional relationships and partnerships in a one-on-one context, emphasizes the need for fairness and justice in personal interactions, changes in personal unions, contracts, and open enemies

scorpio / 8H: transformative changes in shared resources, intimacy, and psychological depths, innovations in joint finances, sexuality, and occult matters, challenges traditional views on the use of power in personal transformation

sagittarius / 9H: stimulates unconventional ideas in higher education, travel, and personal beliefs, emphasizes the need for freedom and exploration of personal philosophies, changes in personal journeys, spirituality, and worldviews

capricorn / 10H: disrupts traditional structures in career, public reputation, and authority figures, encourages innovations in long-term goals and aspirations, challenges traditional values regarding personal ambitions and societal roles

aquarius / 11H: reinforces its own energy as uranus rules aquarius, encourages radical social changes and humanitarian efforts within personal networks, sparks innovations in personal connections, technology, and communal involvement

pisces / 12H: stimulates imaginative and spiritual breakthroughs in personal realms, encourages unconventional ways of compassion and empathy on an individual level, changes in personal introspection, artistic expressions, and dreams

© spirit-of-phantom 2023

#astrology #houses #sidereal astrology #aquarius #aries #astro observations #astrology 101 #tropical astrology #astro notes #scorpio #uranus #uranus signs #uranus through the houses #uranus houses #natal #transit

[sensualnoiree]

Feb 13th Mars Ingress into Aquarius, joining the Sun, Mercury, and conjunct Pluto, brings a surge of energy and assertiveness to each rising sign's Aquarius house. It's a time for bold and decisive action, as individuals are encouraged to assert their independence, challenge conventional norms, and pursue their goals with passion and determination. By embracing the transformative energy of Mars and Pluto, individuals can break free from old patterns, assert their autonomy, and create positive change in their lives.

Aries Rising (Aquarius in the 11th House): With Mars entering Aquarius, Aries rising individuals will feel a surge of energy in their 11th house of friendships, communities, and aspirations. This transit encourages them to assert their individuality within group dynamics and pursue their goals with passion and determination. The conjunction of Mars with Pluto intensifies their drive for personal freedom and transformation within their social circles. They may feel compelled to take bold and unconventional actions to assert their rights and stand up for their beliefs. It's a time for Aries rising individuals to channel their energy into causes that align with their values and advocate for change within their communities.

Taurus Rising (Aquarius in the 10th House): For Taurus rising individuals, Mars entering Aquarius energizes their 10th house of career, public image, and authority. This transit prompts them to assert their independence and pursue their professional goals with vigor. The conjunction of Mars with Pluto intensifies their desire for power and control in their career endeavors. They may feel compelled to challenge traditional structures and authority figures in pursuit of their ambitions. It's a time for Taurus rising individuals to take bold and decisive action to advance their career goals and assert their autonomy in the workplace.

Gemini Rising (Aquarius in the 9th House): With Mars entering Aquarius, Gemini rising individuals will feel a surge of energy in their 9th house of higher education, philosophy, and travel. This transit encourages them to pursue their intellectual and spiritual interests with passion and determination. The conjunction of Mars with Pluto intensifies their drive for knowledge and understanding, prompting them to delve deep into philosophical and metaphysical concepts. They may feel compelled to challenge existing belief systems and explore unconventional ideas and perspectives. It's a time for Gemini rising individuals to embrace their curiosity and expand their horizons through learning and exploration.

Cancer Rising (Aquarius in the 8th House): Mars entering Aquarius energizes the 8th house of transformation, intimacy, and shared resources for Cancer rising individuals. This transit prompts them to assert their autonomy in their intimate relationships and financial matters. The conjunction of Mars with Pluto intensifies their desire for power and control in their emotional and financial dealings. They may feel compelled to confront deep-seated fears and insecurities in order to achieve personal transformation and empowerment. It's a time for Cancer rising individuals to take bold and decisive action to reclaim their power and assert their boundaries in their most intimate connections.

Leo Rising (Aquarius in the 7th House): For Leo rising individuals, Mars entering Aquarius energizes their 7th house of partnerships and relationships. This transit prompts them to assert their individuality within their closest relationships and collaborations. The conjunction of Mars with Pluto intensifies their desire for authenticity and equality in their partnerships. They may feel compelled to confront power dynamics and assert their needs and boundaries with courage and determination. It's a time for Leo rising individuals to take bold and decisive action to create balanced and mutually fulfilling relationships based on respect and reciprocity.

Virgo Rising (Aquarius in the 6th House): With Mars entering Aquarius, Virgo rising individuals will feel a surge of energy in their 6th house of health, routine, and work. This transit encourages them to assert their autonomy in their daily habits and work environment. The conjunction of Mars with Pluto intensifies their drive for efficiency and effectiveness in their tasks and responsibilities. They may feel compelled to challenge traditional approaches to work and health in pursuit of greater freedom and innovation. It's a time for Virgo rising individuals to take bold and decisive action to improve their well-being and productivity through proactive and unconventional means.

Libra Rising (Aquarius in the 5th House): Mars entering Aquarius energizes the 5th house of creativity, self-expression, and romance for Libra rising individuals. This transit prompts them to assert their individuality in their creative pursuits and romantic endeavors. The conjunction of Mars with Pluto intensifies their passion and drive for self-expression and authenticity. They may feel compelled to take bold and unconventional creative risks and pursue romantic connections that align with their true desires. It's a time for Libra rising individuals to embrace their creativity and passion with confidence and courage, unapologetically expressing themselves and pursuing their heart's desires.

Scorpio Rising (Aquarius in the 4th House): For Scorpio rising individuals, Mars entering Aquarius energizes their 4th house of home, family, and emotional foundations. This transit prompts them to assert their independence and autonomy within their domestic sphere. The conjunction of Mars with Pluto intensifies their desire for control and transformation in their home and family life. They may feel compelled to confront deep-seated emotional issues and make bold changes to create a more empowering and authentic living environment. It's a time for Scorpio rising individuals to take decisive action to reclaim their emotional security and create a home that reflects their true sense of self.

Sagittarius Rising (Aquarius in the 3rd House): With Mars entering Aquarius, Sagittarius rising individuals will feel a surge of energy in their 3rd house of communication, learning, and local community. This transit encourages them to assert their individuality in their interactions and intellectual pursuits. The conjunction of Mars with Pluto intensifies their drive for knowledge and understanding, prompting them to challenge conventional wisdom and explore new ideas and perspectives. They may feel compelled to speak out against injustice and advocate for change within their local community. It's a time for Sagittarius rising individuals to embrace their curiosity and passion for learning, engaging in meaningful conversations and taking bold action to create positive change.

Capricorn Rising (Aquarius in the 2nd House): Mars entering Aquarius energizes the 2nd house of finances, values, and self-worth for Capricorn rising individuals. This transit prompts them to assert their independence and assertiveness in matters related to money and possessions. The conjunction of Mars with Pluto intensifies their desire for financial security and empowerment, prompting them to take bold and decisive action to achieve their financial goals. They may feel compelled to challenge traditional values and beliefs about money and embrace a more innovative and progressive approach to wealth accumulation. It's a time for Capricorn rising individuals to take control of their financial destiny and assert their true worth with confidence and courage.

Aquarius Rising (Aquarius in the 1st House): With Mars entering their own sign of Aquarius, Aquarius rising individuals will feel a surge of energy in their 1st house of self-expression, identity, and appearance. This transit empowers them to assert their individuality and independence with confidence and courage. The conjunction of Mars with Pluto intensifies their drive for personal transformation and empowerment, prompting them to take bold and decisive action to redefine themselves and assert their true identity. They may feel compelled to challenge societal norms and expectations and embrace their unique quirks and eccentricities. It's a time for Aquarius rising individuals to embrace their authenticity and assert their right to be themselves without fear of judgment or criticism.

Pisces Rising (Aquarius in the 12th House): For Pisces rising individuals, Mars entering Aquarius energizes their 12th house of spirituality, subconscious, and hidden strengths. This transit prompts them to assert their inner strength and resilience as they confront deep-seated fears and insecurities. The conjunction of Mars with Pluto intensifies their desire for personal transformation and spiritual growth, prompting them to confront their shadow self and embrace their hidden potentials. They may feel compelled to delve deep into their subconscious mind through meditation, introspection, and spiritual practices. It's a time for Pisces rising individuals to tap into their inner wisdom and embrace their true power with courage and conviction.

follow for more astro insights like this and support me over on instagram @sensualnoiree or yt @sensualnoiree

#mars in aquarius #aquarius #pluto in aquarius #mercury in aquarius #mercury #sun #astrology #astro observations #astro notes #astro community #astro #astrology observations #astrology chart #rising sign #astrology signs #astro blog #astro placements #astrology readings #astro posts #astroblr #astrology fyp #astrology notes #astronotes #aries #taurus #gemini #cancer #leo #virgo #libra

[lunarlianna]

Pluto generations

Aries (1823 - 1851)

The presence of Pluto in Aries defines a generation marked by a pioneering and assertive spirit, reflecting a profound longing for independence. Those influenced by this placement often take on key roles in instigating social change and revolutionizing established systems. Historical events from 1823 to 1852, such as the Wars for Latin American Independence, the First Opium War, and the Women's Rights Convention, exemplify the transformative impact of this astrological configuration.

Taurus (1852 - 1881)

Pluto's position in Taurus defines a generation characterized by unwavering perseverance, determination, and a profound connection to the material realm. These individuals prioritize stability, security, and the sustainable use of resources, leaving a lasting imprint on economic systems and environmental consciousness. Notably, during Pluto's transit in Taurus, the Industrial Revolution surged forward, marked by the rise of corporate structures in industries like railroads and steam engines.

Gemini (1882 – 1913)

The generation under the influence of Pluto in Gemini witnessed the dawn of the Second Industrial Revolution, aptly named the Technological Revolution. These individuals, marked by intellectual curiosity and adaptability, excelled in communication and media, significantly shaping cultural and technological progress. The era marked the birth of influential figures like John Maynard Keynes and Benito Mussolini, along with German scientist Robert Koch's identification of the tuberculosis bacterium. Notably, the First World War occurred during this period, bringing significant changes in all areas of life.

Cancer (1914 -1938)

Pluto in Cancer signifies a generation characterized by deep emotional sensitivity, nurturing instincts, and strong family values. Living through World War I, the Spanish flu pandemic, and the Great Depression, they grew up in a challenging era that shaped their conservative outlook. This generation, often referred to as the "Greatest Generation," prioritized family, spirituality, and adherence to societal norms. While their emphasis on politeness and chivalry had positive aspects, it also gave rise to dark elements such as sexist gender roles, racial segregation, and cultural supremacy.

Leo (1939 – 1958)

Pluto in Leo defines a generation marked by a quest for self-expression, creativity, and a hunger for recognition. Born during historical events like the Nazi invasion of Poland and the Battle of Stalingrad, these individuals challenged authority, imprinting their influence on art, entertainment, and leadership styles. Ruled by the Sun, Pluto in Leo symbolizes a fresh start after periods of war and chaos, fostering a sense of self-value and confidence. This prideful, generous, and naturally leadership-oriented generation, however, tends to resist change and stands firm in their philosophies as a fixed sign.

Virgo (1957 – 1971)

Pluto in Virgo defines a generation marked by a robust work ethic, practicality, and an innate drive for perfection. Born during pivotal events such as the first documented AIDS cases and Martin Luther King Jr.'s iconic "I Have a Dream" speech, these individuals contribute to societal shifts in health, wellness, and environmental consciousness. Ruled by Mercury, Pluto in Virgo emphasizes efficiency and hard work, fostering reliability, trustworthiness, and empathy. This generation focuses on rebuilding and technology, epitomizing an era of research and preparation, notably during the Cold War.

Libra (1972 – 1983)

Pluto in Libra defines a generation marked by a profound yearning for harmony, justice, and equality. With Venusian qualities, these individuals are inherently social, compassionate, and value connections with others. The events during their time, such as the end of the Vietnam War, the introduction of VHS, and the rise of personal computers, align with their commitment to justice and duty for the collective. This generation, while not necessarily seeking radical societal reshaping, is more focused on preserving law and order, offering assistance to those in need, and rectifying wrongs through the pursuit of justice.

Scorpio (1984 – 1995)

Pluto in Scorpio defines a generation marked by intensity, depth, and profound transformation, playing a pivotal role in societal shifts related to power dynamics, sexuality, and psychological exploration. While the preceding Pluto in Libra generation advocated for balance, Pluto in Scorpio pushed the limits, ushering in events like the Gulf War, the end of the Cold War, and the advent of the World Wide Web. Resilient and empowered, they navigated constant transformations, developing a keen ability to adapt and thrive through each metamorphosis. This generation also contributed to a shifting cultural perspective on sexuality.

Sagittarius (1996 – 2008)

Pluto in Sagittarius shapes a generation marked by a thirst for knowledge, cultural exchange, and a global perspective, contributing significantly to societal shifts in education, philosophy, and belief systems. This generation, embodies the archer's bravery and fearlessness, fostering a spirit of rebellion and outspokenness. Sagittarius' affinity for networking and socializing with individuals from various nations aligns with the rise of the internet, a tool that facilitates global connectivity. Key events during this period include the successful cloning of Dolly the sheep, the introduction of the Euro to financial markets, and the groundbreaking launch of the iPhone in 2007.

Capricorn (2008 – 2023)

Pluto in Capricorn defines a generation marked by ambition, pragmatism, and a distinct focus on challenging traditional structures, leading to transformative changes in politics, business, and governance. Ruled by Saturn, this era, encompassing events such as the launch of Bitcoin, the Syrian civil war, Edward Snowden's revelations on mass surveillance, and the COVID-19 pandemic, unfolded amidst the Great Recession and the rise of social media. The influence of Saturn instils a commitment to rules, regulations, and social changes that align with a desire for structure and order.

Aquarius (2024 – 2044)

Pluto in Aquarius heralds a generation marked by innovation, individuality, and an impassioned pursuit of freedom and social progress. The current era unfolds amid a new global order, carrying both anticipation and uncertainty. Emerging from the constraining Capricorn era, Aquarius brings a promise of hope, healing, and a future-focused mindset.

Pisces (2044 – 2067)

Pluto in Pisces gives rise to a generation marked by empathy, spirituality, and a deepening of the collective consciousness, contributing to societal shifts in compassion, art, and transcendence. As one era concludes and another begins, this period signals the resurgence of spirituality, with people connecting profoundly to the universe through meditation and prayer. Anticipated as a peaceful time with minimal conflict, technological progress may temporarily slow after the Aquarius era's boom. This wise generation is poised to challenge traditional norms, potentially leading to the disappearance of gender roles, marking a significant chapter in human evolution.

#astro observations #astro community #astro placements #all signs #astrology #astro notes #astrologer #for you #zodiac placements #pluto #planets #predictive astrology #astrology notes

[princessbellecerise]

With A Modern!Reader

──── ✧*･ﾟ*✭˚･ﾟ✧ ────

summary | How the House of the Dragon characters would react to a reader from our world

warnings | None

this is a work of fiction. i do not own these characters

divider by @princessbellecerise

Jacaerys Velaryon

Jace is surprisingly cautious. It’s not as if he’s afraid of you, you’re just so…different that it takes a while for him to even approach you

When he does, you may think he’s being hostile but really he’s just curious

He keeps his distance at first, but out of everyone he’s the first to warm up to you

He likes hearing about your world, taking walks with you and listening intensely

He thinks it’s fascinating, but more than anything Jace would be the one not afraid to truly introduce you to his world, taking you on tours, showing you around and even letting you pet his dragon while he watches you with a smile

It’s clear that the main difference between your worlds is the magic aspect, so while he’s fascinated with all your technology, you’re fascinated by his dragons and the fact that actual witches exist

Both concepts are very hard for the other to grasp, so you and Jace spend your time discussing and having fulfilling conversations, telling the other facts and details about where you’re from and enjoying every minute of it

Daemon Targaryen

Daemon is amused

He is the first to believe you when you say you’re not from his universe because my gods, it’s obvious from your clothes to your speech you obviously weren’t raised in this world

And man, he gets a kick out of watching you struggle with the social norms, often laughing and whisking you away when your mouth gets you in trouble more than once

He scoldes you and tells you that things are different where he lives, that the social customs require you to remain proper and not curse out every Lord that has something problematic to say

He’d teach you how to ‘behave’ while simultaneously encouraging you to be yourself for his own sake, because Daemon loves watching you start arguments and debates, trying to catch his people up with the modern terms you’re used to

Of course, it never works but he looks forward to it nevertheless because it makes the otherwise insufferable events that much more bearable

Lucerys Velaryon

Luke is very cautious at first. Even more so than his brother, because while you talk like you’re from more advanced times, Luke is still convinced that you’ll view and treat him the same as everyone else in his world does

It’s only when you happen to bring up the fact that you and your siblings have different dads is he really interested in what you have to say

And when you tell him that the rumors you’ve heard about him don’t matter, that nobody really cares about blood that much where you come from, will he really start to warm up to you

You’ll see a whole other side to Lucerys that no one has really seen before; he’ll open up to you and tell you all about his worries of possibly being a bastard

Likewise, you’d tell him that you relate to feeling out of place seeing as you’re not even from the world. You’re used to people gossiping about you as well and when it all becomes too much, you and Lucerys have a way of seeking comfort in one another. This caused you both to form a strong bond over your shared feelings

Aemond Targaryen

Aemond is confused

He’s perplexed, and at first he doesn’t like you because he’s never met someone that’s challenged him so much

From your clothes to your speech to your strange gadgets, everything about you is just so…weird. He doesn’t understand where you came from and why, but out of everyone he’d be the most willing to get you home

During this time, you both would more than likely bond in a sort of frenemie way

Aemond with his constant teasing of your lack of knowledge on how things worked in his world, and you because of his so called out-dated attitude

He’d be shocked when you completely disregard his status and talk to him like he’s just a regular person. You don’t see him as Prince Aemond, just the Aemond that’s slightly stuck-up; which you also never fail to remind him.

You’re just so casual with how you interact and joke with him. And over time, Aemond finds himself more and more attached to you. Because by gods, all he’s ever wanted was for someone to appreciate him for him, and not because of his title or standings in the world

And you being you, you don’t really care about any of that and he can’t begin to explain how grateful he is that the universe decided to send you to him, even growing to be sad and a little more hesitant when it’s time to send you home

Aegon Targaryen

Aegon is fascinated

Less so by you and more so of the world that you left behind. And even more so of the trinkets that somehow came over with you

In all his life, Aegon had never met someone that had things that he didn’t. After all—he was a prince and that meant he usually had the best of the best

But you? You have things he’d never even dreamed of having. Like glasses that block out the light (perfect for his hangovers) and medicine to also help with the aftermaths of his drinking

He’s so fascinated when the guards empty your bag, never once hesitating to pick up your strange stuff and demand to know what it does

Of course, you have to tell him to chill out a little bit and that his title doesn’t really matter to you because you’re not from his world

And Aegon is perplexed, and honestly slightly jealous that he can’t control you, nor can he compete with all the technology that you have

Rhaenyra Targaryen

Out of everyone, she is the most understanding of your situation

When you first arrive, Rhaenyra takes you under her wing and never once makes you feel like an outsider. She’s a little bit hesitant, sure, but it’s really not all that hard to believe you

She’ll listen to you and when you need help, she’s always there to offer her aid

With her around, it’s super easy to understand the world that you’ve landed into. After all, Rhaenyra is happy to show you the ropes herself and fill you in on all the ways you have to act in order to survive in her world

You quickly become grateful for her presence because it helps to soothe all of the rumors and questions people may ask about you. After all, she’s no stranger to them herself

And with one look from the princess/future Queen, people are bowing their heads and running off, leaving their intrusive words abandoned

#hotd #hotd x reader #hotd headcanon #house of the dragon #jacaerys valaryon x reader #daemon targeryen x reader #lucerys velaryon x reader #aemond targaryen x reader #aegon targaryen x reader #rhaenyra targaryen x reader #jacaerys velaryon x reader

[dandelionflowerhead]

James Baldwin, the renowned writer and social critic, often emphasized that love, in its truest and most transformative form, is not a popular or easy movement. He believed that genuine love requires deep introspection, understanding, and a willingness to confront uncomfortable truths, which often challenges societal norms and expectations. And what a pity it is for society, maybe even for humanity

[sastrology]

SATURN: "WHAT DO I REACH FOR?"

SATURN IN THE NATAL CHART: HOUSES 1-5

disclaimer: what sign Saturn is in and how it is aspected will show a lot of information on how it is expressed in the natal chart, with some signs able to handle the energy of Saturn more productively. Saturn is not an inherently negative planet, as it signifies a lot of potential growth and karma for those willing to work hard for Saturn's demands.

MINI SEGMENT:

SATURN RETROGRADE: While it is not uncommon to have this planet in retrograde, it still makes an impact. It often signifies delays in the house it is in. Navigating public settings or those demanding specific etiquette may induce a sense of awkwardness for those with Saturn retrograde, revealing a complex relationship with social norms. Additionally, they may encounter more frequent karmic instances, suggesting a deeper connection to the consequences of their actions and choices.

SATURN IN THE FIRST HOUSE: To Find Myself

Saturnian energy exerts a pronounced influence in the first house, shaping the individual's appearance and demeanor. From my vantage point, the first house serves as a canvas, absorbing and reflecting the essence of any planet within it. They may appear older than they are, and carry a thin figure that harbors a serious expression. Others might describe them as having a somewhat solemn or cold demeanor, reminiscent of the impact Pluto can have in the 1st house. This effect can be likened to the aging process of a fine wine, where Saturn individuals may mature with time but grapple with underlying self-confidence issues. The late bloomer indication doesn't only apply to looks it also applies to the expression itself with most "finding themselves" later in life. In general, they will struggle with wondering if they deserve things. To top it all off, a deep yearning for the innocence of childhood may resonate within, as Saturn in the first house prompts a lifelong quest for balance between maturity and the childlike spirit buried within.

Positive aspects can help them navigate the challenges presented by the first house more adeptly. Nevertheless, a persistent struggle with feelings of deservingness may linger, casting a shadow on their sense of self-esteem.

RETROGRADE 1ST: Much like the expression of a direct Saturn the individual comes across as somber or expressionless, people with the retrograde here often heavily struggle with Saturn's demands, and the restrictions can be easily felt. The individual may struggle with extreme lethargy and motivation, and if negatively aspected they may easily break bones or experience dental issues. The demands of Saturn are especially burdensome to a rx Saturn as they can struggle with being shy or relying on other's often misconceptions of them to define them.

SATURN IN THE SECOND HOUSE: To Find My Worth

These individuals may have a deep fear of running out of things and emptiness. While the first house is all about self-expression, the second house is more about self-worth. It's no surprise that a positively aspected Saturn here could point to an individual who could be financially well-off. They may have a lot of projects to try to make money. While this position can be materialistic it is not in the way you'd expect. They're often trying to find self-worth through material items and possessions as each item has a "goal." Values for these individuals can be strict and unchangeable. They can have a strong fixation on money and will experience financial downturns very hard as this will reflect onto the self. When negatively aspected, debt could be a problem.

RETROGRADE 2ND: In the presence of a retrograde Saturn in the 2nd house, there is a heightened focus on financial matters and material possessions, with a potential inclination to prioritize them above other considerations. There could be a delay in financial stability and it may take them longer to pull themselves "up by the bootstraps" and struggle with being overly cautious when opportunities present themselves.

SATURN IN THE THIRD HOUSE: To Find My Words

Individuals with Saturn in the 3rd house often display a remarkable early aptitude for articulate and intelligent expression, or conversely, may choose a more reserved/silent approach to communication. Preferring to weigh their words carefully, they are not prone to impulsive statements, instead opting for a thoughtful and methodical approach to verbal expression. This is not a position known for public speaking, they have a quiet intelligence and excel in presentations and activities that afford them the space to think freely, unencumbered by the pressure of an audience. They are likely not known for being neighborly and may struggle with meeting strangers as they are not good at forced conversation or change. Auditory dyslexia/dyslexia is not uncommon here, either. They could also feel a strong sense of responsibility or burden regarding siblings if they have them.

RETROGRADE 3RD: Saturn being retrograde here in the third house points to an individual who struggles much more with communication than the direct Saturn. They may find themselves dealing with miscommunication on a daily basis. Likely to feel undervalued by peers, self-isolation is an indicator. The person may have to work harder than others to communicate or learn something effectively. They may struggle to relate to others especially when younger and feel self-conscious when speaking.

SATURN IN THE FOURTH HOUSE: To Find My Home

For individuals with Saturn in the 4th house, the words family and responsibility are synonymous. Being as the 4th house is a water house, Saturn's restrictions symbolize cold water. While it's not impossible to make the best of this position, It's possible the individual grew up in a frigid family, with a lot of rules and boundaries or with a parent(s) who were emotionally unavailable. Often they could have trouble being able to relax around family members/parental figures due to a pronounced level of strictness. The love received from family members may carry a sense of conditionality, where mistakes are met with little tolerance, marking an individual as a black sheep. There's a vulnerability to becoming entangled in familial responsibilities, especially if a family member falls ill, compelling the individual to assume the role of caregiver and potentially feeling trapped within the confines of the home.

RETROGRADE 4TH HOUSE: The person may find themselves at odds with the expectations imposed by the family, feeling constrained by a predetermined concept that doesn't align with their true self. This internal clash often gives rise to a natural rebellion or power struggle, as they grapple with the tension between their authentic self and societal expectations. They may have struggled to speak up or have a stable home. Reflection on the past becomes a significant aspect of their emotional landscape, influencing their present state of mind.

SATURN IN THE FIFTH HOUSE: To Find My Joy

Individuals with Saturn in the 5th house may struggle with the ability to find joy in things. More specifically, these individuals want happiness so much that the second they get it, they can give in to fear and over-analyzing. They will demand excellence in every creative endeavor they try to do, and if they fall short they could stop altogether. Within this house, Saturn's influence is particularly pronounced, shaping the individual's approach to joy, children, and love. Often they view love and children very realistically and are unlikely to suffer from rose-tinted lenses. Even if the individual has a bubbly, passionate chart, they will feel thwarted with spontaneity. Expressing themselves might pose a challenge, leading them to gravitate towards the background rather than the spotlight. During childhood, the vibrant colors of spontaneity were muted in favor of the practical tones of maturity.

Insecurity around dating and children is also common here as the individual may not find themselves very fun to be around, often trying to overcompensate for this. Due to this, they may find themselves drawn to older, mature partners. A negatively aspected Saturn here could point to issues with fertility, a worry/fear of children, or you may never have kids even if you wanted them. However, if children do come into the picture, the connection between parent and child is profound, often characterized by a sense of karmic intertwining, suggesting a deeper, soulful relationship.

RETROGRADE 5TH HOUSE: These individuals have learned to find joy they can only rely on themselves. Often introverted, cautious thinkers. Since the way these individuals experience joy appears to move backward, they may find they are the happiest when they are alone as the concept of joy is hard to grasp. While they can certainly enjoy carefree moments with others, these instances of happiness are fleeting, as living in the present proves to be a formidable task. Saturn's influence is marked by a perpetual forward gaze, always contemplating the future and analyzing potential vulnerabilities.

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