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foursemiotics · 5 months
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"Parasite" é um filme sul-coreano dirigido por Bong Joon-ho. O elenco é constituído por: Song Kang-ho ; Sun-kyun Lee ; Cho Yeo-jeong; Woo-shik Choi; Park So-dam; Chang Hyae Jin; Jung Ji-So; Jeong-Eun Lee, entre muitos outros.  Teve a sua estreia em 2019 e recebeu ótimas críticas pelo modo como a narrativa da história foi desenvolvida. O filme terá sido não só um sucesso crítico, mas também alcançou sucesso comercial global, tornando-se assim um dos filmes sul-coreanos de maior bilheteira de todos os tempos. Ganhou diversos prémios, entre eles:  Festival de Cannes (2019) Premio- Palma de Ouro (Melhor Filme) - Bong Joon-ho; Festival de Cinema de Sydney (2019) -Prêmio de melhor filme; Academia de Artes e Ciências Cinematográficas (Oscar 2020) venceu o premio de: melhor Filme; melhor Diretor - Bong Joon-ho; melhor Roteiro Original - Bong Joon-ho e Han Jin-won; melhor Filme Internacional; Prêmios BAFTA (2020); melhor Roteiro Original - Bong Joon-ho e Han Jin-won; melhor Filme Estrangeiro. Sindicato dos Diretores da América (DGA Awards 2020): melhor Diretor - Bong Joon-ho; sindicato dos Atores (Screen Actors Guild Awards 2); melhor Elenco em um Filme; Globo de Ouro (2020): Melhor Filme em Língua Estrangeira; Critics' Choice Movie Awards (2020): melhor Filme Estrangeiro; melhor Elenco.
Trailer do filme
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brokehorrorfan · 4 years
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Mondo will release Parasite 24x36 screen prints by Rory Kurtz tomorrow, September 3, at 12pm EST. The English version is a timed edition, available through Sunday, September 6, for $65. The Korean variant is limited to 325 and will cost $100.
A statement from the artist can be read below.
There’s a lot to unpack in Bong Joon-ho's Parasite. It asks many questions and doesn’t give us comforting answers. For the poster, I wanted to capture that sense of discomfort and unease. A seemingly picture-perfect moment between the happily rich Parks completely oblivious to what’s unfolding around them, and the Kim family relegated to the shadows struggling with their own complex feelings toward such wealth and privilege. It’s a timely film, groundbreaking for a handful of reasons, and difficult to define. My hope is the poster art is just as mesmerizing and ambiguous as the film itself.
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entediadoateamorte · 4 years
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PARASITE (2019 film), directed by Bong Joon-ho.
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fourorfivemovements · 4 years
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Films Watched in 2020:
20. Parasite (2019) - Dir. Bong Joon-ho
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myhahnestopinion · 4 years
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THE AARONS 2019 - Best Supporting Film Performance
Please note that this category is for best supporting role, not most supportive. Hence why Adam Driver in Rise of Skywalker is absent despite carrying the entire movie on his back. Here is the Aaron for Best Supporting Film Performance: 
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WINNER: Willem Dafoe as Thomas Wake - The Lighthouse
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Willem da foe, or Willem da friend? The question has never been more pertinent than in Robert Egger’s paranoid parable. Dafoe brings a duteous spirit to The Lighthouse’s unmoored sense of sanity. His lighthouse keeper is frightening, funny, and flirty. This confounding complexity keeps the viewer captivated through all the film’s claustrophobic chaos. I could go on, but the performance is something that just must be experienced; I wouldn’t want to spill the beans on everything Dafoe has in store.
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HONORABLE MENTIONS:
Laura Dern as Nora Fanshaw - Marriage Story
Dern is getting rightfully highly-commended for her highly-competent divorce lawyer. Watching her work both parties is simply wonderful.
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Florence Pugh as Amy March - Little Women
Pugh’s buoyant turn as Amy throughout her years makes the actor the first to be nominated for both Aarons categories in the same year.
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Billie Lourd as Gigi - Booksmart
Lourd’s scene-stealing, endlessly energetic party girl Gigi is a chaotic good for the characters and Booksmart itself. 
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Chang Hyae-jin as Kim Chung-sook - Parasite
There’s not a weak link in the Parasite cast, but Chang gets the leg up as the member of the Kim family seemingly most astute to the demands of their survival situations.
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NEXT UP: THE 2019 AARON FOR BEST SCREENPLAY!
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thenerdsofcolor · 4 years
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Make a Plan to Get 'Parasite' on Blu-ray
Make a Plan to Get @ParasiteMovie on Blu-ray! #Parasite
Bong Joon-Ho’s latest cinema classic, Parasite, has been dominating Awards season — starting last summer when it won the Palme d’Or at the Cannes Film Festival. Now in time for its potential historic showing at the Academy Awards, Parasite is now available to own on blu-ray and DVD via Universal Pictures and NEON. And don’t forget we’re giving away copies of the blu-ray!
(more…)
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frankenpagie · 4 years
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1.1.20
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mrfahrenheit92 · 5 years
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bluecollarfilm · 5 years
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Parasite (2019)
Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street smarts but not much else. Be it chance or fate, these two houses are brought together and the Kims sense a golden opportunity. Masterminded by college-aged Ki-woo, the Kim children expediently install themselves as tutor and art therapist, to the Parks. Soon, a symbiotic relationship forms between the two families. The Kims provide "indispensable" luxury services while the Parks obliviously bankroll their entire household. When a parasitic interloper threatens the Kims' newfound comfort, a savage, underhanded battle for dominance breaks out, threatening to destroy the fragile ecosystem between the Kims and the Parks.
Directed by:   BONG Joon-Ho
Starring:   SONG Kang-Ho, LEE Sun-Kyun, CHO Yeo-Jeong, CHOI Woo-Shik, PARK So-Dam, CHANG Hyae-Jin
Release date:   October 11, 2019
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shesnake · 5 years
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—Rich people are naive. No resentments. No creases on them. —It all gets ironed out. Money is an iron. Those creases all get smoothed out.
Parasite (2019) dir. Bong Joon-ho
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The women of Parasite (2019) at Cannes film festival.
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misslacito · 5 years
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Festival de Cannes 2019 IX
Festival de Cannes 2019 IX
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Noveno día de Cannes, se nota que el Festival va terminando porque el día es flojito flojito. Los estrenos no paran, lo que quiero decir, es que la afluencia en la alfombra roja ha bajado un montón. Hoy tenemos: el photocall de Parasite, la presentación de los perfumes de Chopard, la premiere de Matthias Et Maxime, la premiere de Oh Mercy! (Roubaix, une Lumiere), la premiere de The Gangster, The…
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brokehorrorfan · 4 years
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Quiltface Studios has released a Parasite poster by Chris Garofalo for $40. Scheduled to ship on March 16, the 18x24 screen print is limited to 40 and features metallic silver ink.
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entediadoateamorte · 4 years
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about plans
PARASITE (2019 film), directed by Bong Joon-ho.  
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crowdvscritic · 3 years
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crowd vs. critic single take // PARASITE (2019)
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Photo credits: IMDb.com
Note: This is a modified version of a review originally written for ZekeFilm in December 2019.
You might have heard it’s best to know as little as possible about Parasite before seeing it. While it can’t be spoiled in the same way as something like murder mystery Knives Out, I’m glad I only knew a few details of this unusual story. If that sounds like you’re style, too, feel free to skip the next paragraph with plot details.
Parasite follows Kim Ki-Taek (Song Kang Ho), his wife Chung-sook (Chang Hyae Jin), and their children Ki-woo (Choi Woo Shik) and Ki-jung (Park So Dam). They live in a semi-basement apartment in Seoul, finding odd jobs and pooling money to get food on the table. When a friend recommends Ki-woo as an English tutor for the wealthy Park family, they find their first steady income in some time. Soon Ki-woo recommends Ki-jung as an art tutor, who recommends Ki-Taek as a chauffer, who recommends Chung-sook as a housekeeper. The only problem? They’ve faked the degrees and experience needed for these jobs. Only time will tell how long they can keep up the charade, especially as they become more involved with the Parks’ parents, two children, and housekeeper.
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CROWD // Like fellow 2019 movies Knives Out and Ready or Not, Parasite focuses on what happens when the working class enters the world of the rich and when family, money, and violence intersect. Don’t worry that you’ve seen this story already, though. Knives Out lived for its laughs, and Ready or Not based its narrative in horror, but Parasite finds its heart in character drama. While that means it’s the least “fun” of the three, it handles its story with the most finesse.
And this Best Picture winner is still plenty tense even if it’s not as blood-soaked as Ready or Not. For most of the movie it’s because we don’t know what the heck is going on; then a macabre twist jolts us out of the elegant façade of the Parks’ manicured appearance. Part of the fun of this movie is trying to identify its genre: Drama? Thriller? Horror? Social satire? Dark comedy? All I know for sure is I was intrigued from the get-go, I inched to the edge of my seat as the Kims raced against the clock, and the ending gut punched me in a way I can only compare to a few other moviegoing experiences.
POPCORN POTENTIAL: 8.5/10
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CRITIC // Because the camera is a neutral observer, Parasite feels more like literature than a film. To American audiences, it’s almost like a Southern Gothic. Like William Faulkner or Flannery O’Connor, Joon Ho sets his characters in a community dependent on socioeconomic inequality. They abide by their class roles in a historic, majestic home with a delicate, classical score to match. But if you’ve read “A Rose for Emily” or “A Good Man Is Hard to Find,” you know that’s only true until it isn’t. The wealthy’s tragic flaw comes in their pride, while the poor find theirs in their want; the inevitable conflict comes when they collide.
Bong Joon Ho’s last two films, Okja and Snowpiercer, dealt with similar themes but wore their opinions on their sleeves. (For all its merits, Okja felt preachy at times.) Parasite is not a fable or an adventure, which makes any message secondary to understanding the two families. It never asks for sympathy for the Kim family when you see their financial hardships or for the Park family when they fall into another trap. It never asks you to judge the Kims when their plot escalates beyond white lies or for the Parks when they make snide comments about the lower classes.
What we thought was an exposé on income inequality becomes an investigation into how far people will go to have just a little bit more. The score takes a modern turn, and the greenish tint coloring every frame of the film—is that the color of money? Of jealousy? Perhaps a skewed tint of the screens our characters are so dependent on?  The only thing this film requires of you is empathy. Like Faulkner’s Emily or O’Connor’s Grandmother, neither family stops being human no matter how selfish they grow or how tense the plot becomes. With the help of a strong ensemble cast, this makes Parasite Joon Ho’s greatest accomplishment yet.
ARTISTIC TASTE: 9.5/10
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lamiaprigione · 4 years
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Parasite (2019)
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