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#char: denis
soft-char · 9 months
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something so precious about a sweet boy not being able to suck in their belly anymore. they’re just too stuffed after a big meal, sated and happy but a little embarrassed about how much their tummy sticks out, how heavy it rests in their lap.
and if you tease them, poking an accusatory finger into their pudgy stomach, they can try valiantly to suck it in and feign innocence, but the fat little mound of their belly barely budges, they’re just too full to hide how big their appetite is and how chubby they’re getting because of it.
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majimasleftasscheek · 7 months
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I support your million demonjima agenda do whatever you want forever king
Also I like how you draw kiryu's nips <3
Have an amazing day~~~♡♡♡!!!!!<3<3<3
why thank you (◡‿◡✿) I've just literally become that person that puts x character into everything and anything and I gotta live my truth 😤🥴
and I'm glad you enjoy the neep nops too kdljkldskl <3
also same to you!! have a very good one uwu
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skydreamplayzz · 8 months
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I wanna finish my AU - so I'm drawing the characters i atleast know how to draw a bit.
She loves fluffy stuff.. As you can See.
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uh oh they’re catching on
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dimiclaudeblaigan · 2 months
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I know you all know by default how much I love this conversation, but in RD at least, a lot of characters fall out of relevancy after a certain point (whereas in PoR you could argue that having full supports prevents this). Shinon is one of the only side characters who doesn't really do this, having three base conversations throughout part three (which is pretty fucking good considering several of the chapters aren't even with the Greil Mercenaries).
Back in PoR, Shinon asks for praise/gratitude. Expects it. By this point he doesn't want it anymore. He didn't want it when he was selling bows for emergency income (which Rolf took up as well) and he doesn't want it here either. His personality has chilled out so much from being a hothead and he's much more expressive of his actual feelings (even if you compare his standard death quotes in both games, he's much more emotionally expressive in RD).
A lot of characters - most honestly, including even the GMs (barring Boyd if he A supports Mist which gives him more content and expresses a whole lot of maturity compared to PoR Boyd) tend to drop off in development. They might stick around (ex. PoR puts all the major groups in the spotlight until the next group shows up and goes through all of them), but the development eventually stagnates outside of supports (including in base conversations, which this one is such).
Since RD doesn't get supports with full conversations, you only get snippets of development/characterization through them, while the base conversations may offer insight into the characters and show you how they've changed over the years but don't truly develop them. Shinon is a very lucky situation for his character because he keeps returning in both games, and it helps develop him across both games with a full timeline (similar to Naesala, who has a fully fleshed out story and personality development over both games and never stops dead at any point in the pair of games).
In PoR Shinon was distant and selectively a bit cold (Greil, Rolf and Gatrie excluded from that, and Mist to an extent as well). RD gives the impression that he just... doesn't care about all that anymore. He's fine where he is and has learned he can live with these people and not have to expect betrayal. He doesn't have to anticipate being on his own ever again. There's no real reason for him to keep up the walls and barriers to protect himself, and he's not living just to survive anymore.
Most times when I end up loving a character it's because of the content given to me and what have I to work with, rather than loving a character and searching for things to love. I fully expect that that's why I finally, after years of being unable to decide who my Tellius favorite was because I loved several of them too dearly to decide, found myself able to settle on Shinon.
When I got older and gave it more thought, considering all the development and traits of each of them and how responsive I was to them, one day I asked myself, well okay, what if someone asked you who your favorite was? What if you still did love the same ones as your number one, all of them, but could only give one name quick and simple? Who would you pick? The first name that instantly hit me was Shinon. That was enough for me to decide okay, there's a reason he's the first person who instantly came to me if I had to truly settle on one. I hadn't quite figured it out yet, but I knew there was a reason that if I had to pick a single standout, it would be him.
A lot of it harkens back to this conversation. It is development in and of itself, and also very expressive of who he is. The fact that he also doesn't fall off in conversations and is more recurring than not also gives me more to examine about him and more to think about. It puts him in a more likely position to think about him and who he is than I would for characters the writers didn't really bother developing (including other recurring characters like Marcia, who keep coming back in both games similar to Shinon, but see no development as a person - unfortunately in her case, in either game).
He has a very rich, detailed and unforgotten-by-the-writers character and one whose story ends on a very high note. I say "ends" in the sense of main story/base content, but it technically continues if he's taken to the Tower and gains the ability to A support various other characters who he otherwise could not support or could only reach a B support with, such as Sanaki, Tibarn, etc. This conversation is like an accumulation of his growth between both games, including the subtle things you can only pick up on through actions/other character lines.
Ike says he (everyone, which includes Shinon) chose to stay with them when he told everyone who their next employer was/what they'd be doing/etc, and Ike gave him and Soren an out if they weren't comfortable with it. They weren't all forced to go. That says by itself that Shinon made that choice on his own. He chose to stay with them when he was not yet totally comfortable with laguz and was still working on that part of himself (the fact that he uses the term "laguz" at all is already a huge step up from where he leaves off on his A support with Janaff, which did not leave off poorly at all).
Last time Shinon was uncomfortable with something in the Greil Mercenaries, he made the choice to leave. When he did come back, he was not exclusively surrounded by only the GMs and otherwise, purely laguz (which prior to meeting Janaff I would argue he was not ready for at all at the time). Here, he was, and he still made the choice to stay with them knowing exactly what his situation would look like.
Another thing worth considering is how much of a hothead Shinon was in PoR, but he still took Rolf on as a student. While I'm not sure exactly how accurate Mist's statement is about "forcing" Rhys to teach her (it's possible she was pushy about it because he didn't want to, such as because it might mean she might end up on the battlefield), we do know Rolf wanted to learn and was accepted.
We can easily infer through their conversations that Shinon would rather teach him to survive and have a safety net rather than worry about him being on a battlefield. Shinon saw that he was motivated to learn and, regardless of the fact that he was still in survival mode himself and not of the mind of "I'll be with these people forever and want to help them", taught him while apparently having told him "things like this happen" with mercenaries (i.e. different employers, separation, etc). If they ended up on opposite sides but Rolf could wield a weapon, that could endanger him, but he does it anyway. His priority is always survival, but it's also the survival of children and anyone he cares about. He also dies begrudgingly in his PoR death quote, which is completely opposite of his death quote against Rolf.
Another thing for me: he's also very confident and aware of his capabilities as a marksman. He knows what he's worth and at this point, he no longer brags about it (he used to all the time in PoR). He sees no reason to have to prop himself up. There's no insecurity in him that makes him feel the need to try to be open about being better than anyone else. He knows and accepts what he's worth without feeling the need to tell people about it.
If someone asked him what he thought of himself/his own worth, yeah, he'd admit his skill and capability without being too humble, but he also wouldn't go overboard with it or say it during instances that don't really warrant it (basically, if absolutely nobody asked, he'd say it anyway in PoR. In RD he doesn't really seem to give a shit anymore about letting the whole world know how good he is). He's lost the whole pick me, look at me sort of attitude. Imo it's also due to a higher amount of respect he has for himself now, and a much healthier one. He doesn't care about being the best anymore (he'd be perfectly happy if Rolf was instead) and is just satisfied knowing his skill on his own. He's satisfied not being alive just to survive, but to be with this mercenary group and actually able to live.
As a side note, we never actually see him having drunk or in the middle of drinking in RD, so... it's also likely he's worked on his possible PoR drinking issue too!
All in all, he's just one of the few non-main characters who came a whole long way with a full story. He feels very different in RD, but not so much that he feels like a different character entirely. For me, I can feel the growth in who he is, and that to me is an excellent handling of a character. When I can feel how different they are from beginning to end, I can feel the intent of character growth behind it. I can't tell you with certainty that the writers took a liking to him and so biasly kept sticking in dialogue for him (and singlehandedly made him one of the solidly best units in RD, for that matter...), but he's definitely repeatedly present and has hefty, story/backstory littered implications.
His dialogue feels meaningful to his own personal story in all his conversations. In other words, he doesn't have a conversation that feels devoid of meaning. It comes across more as all of his content exists for a reason/has meaning behind it. There's no wasted dialogue with him. When he's there, it means something for his character (comparatively to other side characters who may have lengthy conversations but you walk away having gotten nothing out of it, be that in PoR and/or RD).
He has fewer supports than most of the cast in PoR, but every single one had some kind of direction to it. Even if you look at his C support with Janaff and go "well that's just classic early PoR Shinon", the point of that is exactly that: that he starts out who we recognize and develops from there. That support alone goes from that to a lot of growth in three conversations, and beneficially so on both sides.
Simply put, he has more content the average Tellius character (including all of his boss quotes in chapter 18), and everything leads up to who he is by this conversation. It's a full story for a side character, later including personalized support dialogue for A supports, and he just happens to exhibit a lot of growth and traits that I already lean toward (hence why he was in my top spot all along, just tied with others. Now he's not tied with others and has the top spot to himself!).
I think it's likely it's the fact that as mentioned, none of his conversations are throwaway conversations. You never walk away from his conversations having gotten nothing (I mean, I'm sure people who refuse to see it don't notice precisely because they are willing themselves to refuse to see it to find excuses to keep hating him). Even in his first RD base conversation, the fact that he acts as you'd expect but drops a "laguz" in there is already a hint for his growth direction on top of being there at all. It's really just up from there, as is the case with all his content.
I tend to lean toward characters with a whole fountain of insightful conversations and depth, and in FE games you often don't find those characters outside of the mains. While I'd argue Tellius is a lot less tropey than modern FE (there were some tropey types like Makalov and Ilyana whose characters are basically nothing without their tropes), a lot of its side characters are still reduced to very surface level characterization with no real growth.
Shinon was very lucky to get as much as he did, and I'd say he has just as much if not more personal depth and lore than even some of the mains themselves. Imo he's a very lucky and rare find in FE games, when there are so many goddamn characters that the writers can't flesh them all out (reasonably of course, but it makes it even more special when it happens for non mains). Even with the Fodlan games and all its content, a lot if not most of its characters are full on tropes with little to nothing in the way of anything else. Engage suffers from it too, with a few diamonds in the rough and not much else.
That's not to say I hate the games or their characters, because obviously I would not still be playing new titles to the franchise if I hated it. I'm saying it makes the ones with as much depth as Shinon a gold mine to be found amidst a very large cast of characters that don't usually get that treatment.
anyway i will always talk abt shinon more when able so this is Not The End but i will end this post here lest it turns into another 20+ paragraphs.
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spotsupstuff · 9 months
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I love NAE and I know he is a bit (well, more than a bit) of an antagonistic cretin, but it feels like his anti-social personality might be a coping mechanism for personal issues and insecurities he is struggling with. I could be completely wrong and he's just simply a bad person, but I feel like it's more than that. Either way I think he needs a therapy animal.
hoyly hell you've just given him characterization shots in so many directions that i don't know where to look first GJDSKLMCL
he's not exactly antisocial or anythin! antagonistic cretin he is, but that's just how he rolls, lil bit of a douche- have you seen that one vid with a guy walking his Emu hold on here- he embodies this in most situations
youtube
on one hand NAE is a lil shithead but he's a Fun shithead. cursin' up a storm is kinda just what some people do/how they interact. heavens know that when i bring out the curse n nasty words it means i'm havin a nice chill convo with someone
after this
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he went and notified his own Admin/Mechanic about it so she could've go and help out Sparrows with things
if he was just Plain asshole stuff like this wouldn't happen
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these two hang out, Euros gets a rise outta him by bringing up something painfully stupid, NAE calls him a fucking idiot with an apocalyptically low count of neurons and then they continue their hang out
he's neither a bad person or coping with his own issues/insecurities! he's just a tiny ball of rage who's rolling through life wishing he had one more finger so he could flip people off. bastard is prolly the best off outta the dramatic tragedies that are most of the Eo iterators
guy is guying 🤷‍♀️
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n honestly he'd... probably kick an animal sooner than take one on for therapy reasons, he would Not have the patience
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labyrynth · 8 months
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hey full offense: if you go on essay length tirades about how terrible, horrible, no-good, very-bad a character is and you start talking like all those “canon jiang cheng” shitbags insisting that “i like the CANON version of this character, and all you pathetic woobifying FANON losers need to SHUT UP AND DEAL WITH IT. what I say is CANON.”
get off your fucking high horse. you’re down here playing in the dirt like the rest of us, don’t pretend otherwise. go shit on your own parade if you’re so fucking desperate to be an asshole.
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zwierzodudle · 8 months
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oh dear
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petrichorium · 8 months
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kaiser/ness being tied with gagamaru is actually so funny to me. the universe is out to get you pluvi
I mean if nobody wants him I don’t have to share right?
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clemencetaught · 7 months
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this applies to all verses, but more so to verse one specifically, but patrick is agnostic, leaning more towards atheist. originally he was brought up christian both by his birth parents and his adoptive parents and while he never was a serious practitioner, he always did vaguely question it...but it was never something he seriously thought about.
this, however, changed drastically as a result of felicity's death. his reasoning is that: "if there truly is such thing as a benevolent god, then what happened to felicity and the others would have never occurred in the first place."
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soldwrecked · 8 months
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GABRIEL “GABE” GOODMAN
i am more than memory, i am what might be, i am mystery.
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NAME: gabriel goodman. goes by gabe.
AGE: 17
D.O.B: april 15, 1992
SEX: male
ORIENTATION: bisexual
OCCUPATION: figment of his mother’s subconscious
FAMILY: born to diana and dan goodman (both alive). only sibling is a younger sister, natalie goodman (alive). partners and children are verse dependent.
PHYSICAL APPEARANCE: tall and skinny, but with some muscle defenition. brown hair and blue eyes. typically wearing jeans, a t-shirt and sneakers.
EDUCATION: none
RELIGION: agnostic
ALIGNMENT: chaotic neutral/chaotic evil
ZODIAC: aires
PERSONALITY:
cause if you won't grieve me, you won't leave me behind.
volatile. caring towards his mother. antagonistic. loyal. selfish. dedicated.
HISTORY:
Diana Goodman never expected to have children. But when she and her husband, Dan, got the news that she was pregnant, she was overjoyed. She spent the whole pregnancy eagerly waiting the arrival of her baby and when he came, she fell in love instantly. She named him Gabriel, after her father. Unfortunately, when Gabriel was one and a half, tragedy struck and he passed away.
The loss of her only son and first child took a toll on Diana and she sunk into a depression. Dan did everything he could to try and pull her out of it, but nothing worked. Their daughter, Natalie, was born six months later. Gabriel would've been two. Diana tried to be there for Natalie as she grew, but it was hard. She kept thinking of Gabriel and how she wished he was there instead.
By the time Natalie was sixteen and Gabriel eighteen, Diana's depression had become a constant. She saw a psychiatrist every week and took the medicine he prescribed to her with minimal questioning. At Gabriel’s urging, however, she stopped taking it and attempted suicide. She wound up in the hospital and underwent electroshock therapy that caused her to lose the past nineteen years of her memory, including her memories of Gabriel. She recovered these memories and decided to leave Dan so that she could heal and recover on her own time. Gabriel stayed with Dan and Diana didn’t see him very much. Eventually, she stopped seeing him at all.
tags
verses
if you try to deny me i’ll never die ; verse - canon. the events of next to normal. gabe exists as a figment of diana’s subconscious. she is the only one that is able to see him and interact with him. he interacts with others, but they are never able to see him nor hear him.
the darkest skies will somehow see the sun ; verse - post canon. diana is slowly recovering from her depression. as she recovers, so too does gabe. he becomes a figure of hope instead of pain and eventually, as diana continues to recover, will fade away entirely.
he died before i was born ; verse - ghost verse! basically the same as gabe’s canon verse, except he’s a ghost and not a figment of diana’s subconscious. he can interact with the living world to an extent and he’s able to be seen by other ghosts and supernatural creatures, as well as those who are more in tune with the supernatural world.
so my son’s a little shit ; verse - gabe lives. gabe does not die as a baby and goes on to grow up and have the life he should’ve had. he adores his mother and annoys natalie to no end. his relationship with dan is a little strained but they’re working on fixing it.
you just don’t know who i am ; verse - any and all interactions with muses that do not exist in the next to normal universe. this includes fandomless ocs. it does not include next to normal ocs.
dynamics
i’m a perfect stranger who knows you too well ; dyn: gabe/diana
superboy and the invisible girl ; dyn: gabe/natalie
why does he hate me ; dyn: gabe/dan
miscellaneous
i’ll hurt you; i’ll heal you ; aesthetic
i’ll tell you the truth if you let me try ; headcanon
he’s been dead sixteen years ; faceclaim
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azurexsnake · 10 months
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To the poster who shall remain nameless who said they hated Meryl in episode 11 for acting as Rem 2.0, no, she was not. That wasn't why her voice was able to wake Vash up, and the fact that anyone would even think to put that braindead as shit take online shows how little depth they saw in Meryl, for reasons I couldn’t fuckin tell you. Talking like her only purpose in that moment was to foil Knives’ grand plan and steal Vash away from where he should have stayed by Knives' side, and that pisses me off.
It wasn’t just Rem bringing Vash back to himself. Rem was only a part of Vash’s journey. A part of his life. She existed as someone he loved and valued in the past- someone he shared a human connection with. But he made other connections. Other people cared about him; had faith in him in the future.
If any Meryl was Rem 2.0, it was 98 where she was given a number of Rem’s traits 1:1, and I resent that iteration for doing that to her.
23 Meryl in ep 11 is her own person who cares about Vash, and knows what’s happening to him isn’t right. It’s not what he would want. It’s a violation of his autonomy and a denial of who he is. Meryl calling his name isn’t her taking over for Rem, or filling Rem’s void. It’s Meryl doing Meryl, showing a care for Vash in the future that Knives tried to hammer into Vash’s head would never exist. No one would love him. No one would try to connect with him. All he’ll ever know from humanity is fear, hatred, scorn, and disgust.
And this person called that moment ‘some shoujo anime, power of friendship type bs’ when it’s so much more than that. Meryl in that moment conveys the impact our connections carry- the meaning they hold. How we allow them to shape us as people, and Vash’s greatest want was to connect. To accept and be accepted. To understand and be understood. That’s who he is. And I swear, every person who willfully ignores this about Vash, or finds fault in him for it, annoys the fuck out of me cuz it's literally always from the same group of people that I see these takes come from that have to do so in order to make their little oomfs do what they want.
And fine, whatever, but saying the only reason Meryl was able to get through to Vash was that he saw her as another Rem is not only inaccurate, it discredits Meryl's relationship with Vash and throws her character completely out the window. Congratulations on missing a huge part of the Trigun narrative ig.
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What do you think of Edward?
i like to think i like all the classic cast equally
but the way he is my most commonly-used tag after only 'ttte' 'ttte art' and 'the railway series' continues to belie that narrative
he is literally sunshine and i am gonna circle that bottom right square despite that i am fully aware, even if no one else is, that he is a passive-aggressive lil wuss with a terrific sense of self-promotion. i don't care. edward is great and he deserves to manipulate the narrative. as a treat.
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balteus · 1 year
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the only thing sb has to do to make me insane abt a character is to make them a genuine tomboy that's all i ask why is fromsoftware the only people who consistently deliver on that front.
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livesdngrsly · 2 years
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I’m gonna watch/cap Ungentl.emanly Act so I can hc fic rp with myself Rob destroyed Bios.yn by his lonesome in book& mycombo verses bye
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like I said Dod.gson is done for
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soldwreckedmoved · 8 months
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GABRIEL “GABE” GOODMAN
i am more than memory, i am what might be, i am mystery.
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NAME: gabriel goodman. goes by gabe.
AGE: 17
D.O.B: april 15, 1992
SEX: male
ORIENTATION: unlabeled
OCCUPATION: figment of his mother’s subconscious
FAMILY: born to diana and dan goodman (both alive). only sibling is a younger sister, natalie goodman (alive). partners and children are verse dependent.
PHYSICAL APPEARANCE: tall and skinny, but with some muscle defenition. brown hair and blue eyes. typically wearing jeans, a t-shirt and sneakers.
EDUCATION: none
RELIGION: agnostic
ALIGNMENT: chaotic neutral/chaotic evil
ZODIAC: aires
PERSONALITY:
cause if you won't grieve me, you won't leave me behind.
volatile. caring towards his mother. antagonistic. loyal. selfish. dedicated.
HISTORY:
Diana Goodman never expected to have children. But when she and her husband, Dan, got the news that she was pregnant, she was overjoyed. She spent the whole pregnancy eagerly waiting the arrival of her baby and when he came, she fell in love instantly. She named him Gabriel, after her father. Unfortunately, when Gabriel was one and a half, tragedy struck and he passed away.
The loss of her only son and first child took a toll on Diana and she sunk into a depression. Dan did everything he could to try and pull her out of it, but nothing worked. Their daughter, Natalie, was born six months later. Gabriel would've been two. Diana tried to be there for Natalie as she grew, but it was hard. She kept thinking of Gabriel and how she wished he was there instead.
By the time Natalie was sixteen and Gabriel eighteen, Diana's depression had become a constant. She saw a psychiatrist every week and took the medicine he prescribed to her with minimal questioning. At Gabriel’s urging, however, she stopped taking it and attempted suicide. She wound up in the hospital and underwent electroshock therapy that caused her to lose the past nineteen years of her memory, including her memories of Gabriel. She recovered these memories and decided to leave Dan so that she could heal and recover on her own time. Gabriel stayed with Dan and Diana didn’t see him very much. Eventually, she stopped seeing him at all.
tags
verses
if you try to deny me i’ll never die//verse - canon. the events of next to normal. gabe exists as a figment of diana’s subconscious. she is the only one that is able to see him and interact with him. he interacts with others, but they are never able to see him nor hear him.
the darkest skies will somehow see the sun//verse - post canon. diana is slowly recovering from her depression. as she recovers, so too does gabe. he becomes a figure of hope instead of pain and eventually, as diana continues to recover, will fade away entirely.
he died before i was born//verse - ghost verse! basically the same as gabe’s canon verse, except he’s a ghost and not a figment of diana’s subconscious. he can interact with the living world to an extent and he’s able to be seen by other ghosts and supernatural creatures, as well as those who are more in tune with the supernatural world.
so my son’s a little shit//verse - gabe lives. gabe does not die as a baby and goes on to grow up and have the life he should’ve had. he adores his mother and annoys natalie to no end. his relationship with dan is a little strained but they’re working on fixing it.
you just don’t know who i am//verse - any and all interactions with muses that do not exist in the next to normal universe. this includes fandomless ocs. it does not include next to normal ocs.
dynamics
i’m a perfect stranger who knows you too well//dyn: gabe/diana
superboy and the invisible girl//dyn: gabe/natalie
why does he hate me//dyn: gabe/dan
miscellaneous
i’ll hurt you; i’ll heal you//aesthetic
i’ll tell you the truth if you let me try//headcanon
he’s been dead sixteen years//faceclaim
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