Chen Chen
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Chen Chen "Elegy" | k.c cramm, "tender is not a bad word"
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Chen Chen
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Chen Chen’s ig @ chenchenwrites: on “broken english” vs. the “literary”” [transcript below]:
[Text ID: “i keep thinking of my parents being punished for their so-called “broken english” (a racist term tbh) & how i’ve been rewarded for non-standard english in my poems. to me this points both to the freedom & the institutional gatekeeping around poetry as well as language in general
a related issue: how my queerness receives affirmation & support in my poems more so than in my everyday life -- & that includes when i’m navigating the very same poetry institutions that claim to support my queer art (but not my queer personhood???)
an example that’s sort of silly but also not: i’ve been told by cis het profs/mentors that it’s great i write about butts in poems but i shouldn’t talk about them as just a person or post my own butt lol. & it’s like, ok so i can be me/exciting on the page, but that’s it
these are all the ways that literary institutions claim to support freedom of expression, but it’s really just in the pages of prestigious publications--not in life. & i’m like, sorry but being “free” in poems is not enough
& what’s the point of expanding one’s linguistic/expressive/imaginative/political freedom in poetry, if not to then apply that to life? i’m not interested in a poetry & poetics that’s ultimately so limited in its scope and potential
i find it sad that poetry remains one of the few socially acceptable & prestigious (literary!) outlets for expressing vulnerability/any messy emotion ^ for susing non-standard/unconventional english. when this range of thinking/feeling should be available to & valid for anyone
when i write poetry, i am speaking as my fullest self & also as something mysterious that i feel is beyond the self. for many people, this might happen through everyday multilingual speech & code-switching
&i just think that if you look down on people like my parents for their accents/non-standard english & code-switching, then you don’t actually understand or appreciate my work as a poet. you’re only comfortable with the non-standard when it seems “literary” to you.”]
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oh
moon, hungry moon, unkissed
& silent, I would kiss you.
Chen Chen · “Race to the Tree.” When I Grow Up I Want to Be a List of Further Possibilities (2017)
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"I tried to ask my parents to leave the room, but not my life. It was very hard. Because the room was the size of my life. Because my life was small."
— Chen Chen, “Chapter VIII”
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feel free to skip if uncomfortable: may i get a request of trauma around your mom?
Susan Sontag, As Consciousness is Harnessed to Flesh
Annie Ernaux, I Remain In Darkness
Joan Tierney, How To Build A Table
Mad Men (2007–2015), 6x12: The Quality of Mercy
Chen Chen, Poplar Street
Lynne Shako, To The Daughter Who Secretly Longs For Her Mother’s Affection
Mary Jean Chan, what my mother (a poet) might say
Joan Tierney, DO NOT REPLY
Gillian Flynn, Sharp Objects
Phoebe Bridgers, Motion Sickness
Zeena Abbas, Mom, I Know We Haven’t Spoken In A While But
Kyung-Sook Shin, Please Look After Mom, trans. Chi-Young Kim
Jenny Holzer, Untitled (Food Won’t Go Down...), from Inflamatory Essays
@fuckingwhateverdude, THERAPY SESSION BETWEEN THE GRANDMOTHER, THE MOTHER AND THE DAUGHTER (PART I)
Sophocles, Elektra, trans. Anne Carson
Ocean Vuong, A Letter to My Mother That She Will Never Read
Wych Elm, Susan Smith
Junot Diaz, Wildwood
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i keep thinking of this
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Ponyo by Chen Chen
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Chen Chen, from When I Grow Up I Want to Be a List of Further Possibilities; “Elegy”
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chen chen - talking to god about heaven from the bed of a heathen
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I am making my loneliness small. So small it fits on a
postcard
a baby rabbit could eat.
The sun sets like an expensive fragrance. Like the memory
of a neck.
Chen Chen · “West of Schenectady.” When I Grow Up I Want to Be a List of Further Possibilities (2017)
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