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#chinese upcoming drama
stellarflex · 1 year
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The husband and wife hanging out...
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absolutebl · 3 months
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What’s happened to Taiwanese BL lately? Apart from Kiseki which was amazing I haven’t liked any of Stay by my side, Be mine or VIP only (and the next one is about falling for a robot, wtf!) is it because these are all from the same company? Are any good Taiwanese BLs coming up that you know of? Please give me hope!
I don't know.
*whines in entitlement*
That said they have never had a very good batting average. It's what I'd call accurate... but not very precise.
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Upper left: Thai BL
Upper right: Japanese BL, Vietnamese BL
Lower left: Taiwanese BL
Lower right (these days): Korean BL
To be fair Taiwan has always been this way. Not a lot of BL, and what little there is only one or two will hit home in any given year. It's just those home runs tend to be pretty darn spectacular.
They don't announce much ahead of time, like Japan, so the only thing I have on my radar as a definitely coming in 2024 is the robot one, Anti-Reset, and I don't have much faith.
In 2022 they announced God's Military Officer, which I was excited about. But that went nowhere.
In 2023 Pray in Love was rumored, which I find very intriguing.
And I'm hoping Wishing Upon the Shooting Stars gets made because it features adult characters and an interesting domestic-centered story premise.
But my most anticipated for 2023 from Taiwan was The Only One, because, well STEPBROTHERS TROPE. I'm thinking it's a Taiwanese version of Addicted, paused because of China's remake last year. But I'd WAY rather Taiwan tackled it so... this is the one I really hope actually does happen in 2024.
But anything announced for a year and then not made in that year I try not to get my hopes up.
That's it, that's all I got.
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aeriofficial · 6 months
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Upcoming Chinese Drama "Only For Love"
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Drama: Only for Love
Country: China
Episodes: 36
Airs: Nov 3, 2023 - ?
Original Network: Hunan TV, Mango TV
Duration: 45 min.
Native Title: 以爱为营
Also Known As: Cuo Liao , 错撩 , 以愛為營 , 錯撩 , Yi Ai Wei Ying , Accidental Love
Director: Guo Hu
Screenwriter: Yang Qian Zi.
Genres: Business, Comedy, Romance.
This drama is adapted from the web novel "Accidental Love" (错撩) by Qiao Yao (翘摇). Zheng Shu Yi is a hard-working reporter for one of China’s leading financial newspapers. She’s determined to land a front-page story, so she is pulling out all the stops to land an interview with one of the most talked-about young CEOs in the land – Shi Yan. For his part, the businessman is looking to make a series of investments in promising startup firms as a way of giving back to the community. A mixup occurs between the two, and their paths cross again. But as they (inadvertently) get to know one another, they start to realize their destinies may be intertwined. Shi Yan discovers that Zheng Shu Yi’s extensive reporting career means very few people know more about local startups. He agrees to let her write a series of stories about her company, causing them to meet again and again. But could this blossoming working relationship also lead them on the path to love?
The Casts :
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Bai Lu 
Zheng Shu Yi
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Dylan Wang
Shi Yan
I can't wait for this drama, looking forward to this drama, okay?😉
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pinkpolkadotflower · 8 months
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Recent news has just cemented my opinion that I should not watch cdramas unless they are fully aired and not to be excited for a drama until it has an air date and has fully aired
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Upcoming Chinese Drama: Fox Spirit Matchmaker: Yue Hong
Gong Jun and Yang Mi
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missharu-seven · 3 days
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The love that Sang Yan had for Wen Yifan never
died, although there was time when he thought
that if Yifan didn't want him, he better granted
what she wanted. He tried. But he couldn't. Their threads of red strings kept coming in tangled.
And Wen Yifan, too. Despite her nonchalantly
self, the memories of her life with Sang Yan
always lingered. As if he was the only warmth
she could ever embrace.
For all those times, the ember of love inside them
never died. It had only ever been dimmed. It was
only waiting for one of them to ignite it once
more; afraid that if she passed it, she would regret it once more. Thus, Wen Yifan did it.
Through all the years they had been separated.
the hearts know their homes.
"After all these years, i still only like you."
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webhub69update · 1 year
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🔥'Three Body' (2023) - Upcoming Chinese Big Budget
🔥'Three Body' (2023) - Upcoming Chinese Big Budget Sci-fi Mystery Thriller Drama! 😍 📑A nanomaterials expert sees a mysterious countdown superimposed in his field of vision and finds himself under military investigation. To unravel the mystery, he enters the VR game "Three-Body" developed by a secret organization ETO and discovers the truth behind the deaths of dozens of scientists and a tragedy from the days of the Cultural Revolution. ▶️ Official Chinese Trailer: https://youtu.be/UsSEaxipyX0 👉 Season 1 (30 Eps) Coming On #VIKI & #WeTV From January 15, 2023 !! 👽The war between human beings and extraterrestrial civilizations..🤞
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Follow Us:- https://linktr.ee/webhubupdate
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yilinwriter · 2 months
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Kindred Spirits 知音: "The One Who Truly Understands Your Songs"
For #AroWeek, I want to talk about the Chinese term 知音 (pronounced zhīyīn in Mandarin), which has influenced my thinking about queerplatonic relationships. zhī 知: to know, knowing yīn 音: music, sound literally, a zhīyīn is someone who "truly understands your songs"
the term zhīyīn comes from a story about finding a kindred spirit through music.
There are many versions of the story. Here's one version:
One day, the musician Yu Boya was playing a qin (see image) in the wilderness, when he met Zhong Ziqi.
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When Boya played one song, Ziqi immediately understood it and described it as reflecting the mood of soaring mountains (高山). When Boya played another song, Ziqi also comprehended immediately and described it as creating the mood of flowing waters (流水). Ziqi could understand all of Boya's songs. When Ziqi passed away, Boya felt so distressed that he destroyed his qin and never played it again. Boya thought of Ziqi as a "zhīyīn," and that term continues to be widely used to this day.
In a modern context, the term of "zhīyīn" is often translated into English as a soulmate, a kindred spirit, or a very close friend, but at its core, it's a term that refers to a type of intensely emotional, spiritual, and platonic connection with someone.
The original songs played by Boya have been long lost to the passage of time, but musicians and composers have tried to imagine what the songs might have sounded like.
There's even a recording of "Flowing Waters" (流水) included on the Voyager Golden Record, symbolically helping humankind search for a zhīyīn as it drifts around in outer space.
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For me, as an aspec (demiromantic, biromantic, and asexual) Sino diaspora femme, the idea of zhīyīn offers me a way to think about the concept of queerplatonic relationships, given that it's very similar to the idea of a soulmate but without the necessary romantic connotations of the word in English. The concept of zhīyīn is explored again and again in various Sinophone literature and popular media, from wuxia and xianxia c-dramas to poetry that alludes explicitly or indirectly to zhīyīn.
Folks who follow my work as a translator might know that I have been translating poems by Qiu Jin (1875-1907), one of China's most renowned feminist poets. She frequently wrote about her longing for a zhīyīn. Some of my translations: https://chinachannel.lareviewofbooks.org/2021/02/12/qiu-jin/
The concept of zhiyin also features prominently in my upcoming book of poetry translations, The Lantern and the Night Moths. I originally wrote this thread for Twitter but wanted to bring it here for #AroWeek. Alloromantic folks, please take a moment to learn more about #AroWeek and support arospec creators. If you are arospec and found me via this tweet, please feel free to say hi!
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boba-beom · 4 months
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・゚゚・。 my beautiful girlfriend | WEN JUNHUI
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pairing: idol/actor!junhui x ff!reader // genre: oneshot; hurt, comfort, angst(?) // warnings: petnames; (baby and love), misunderstanding, overthinking, crying, lowkey self-depricating, proofread quickly. // wc: 1.6k
a/n: merry christmas <3 @honajoong hii lex!! I'm your secret santa :> despite starting a little late, I wanted to be involved as well and I got you!! I will admit I struggled to write for junhui since he's the first seventeen member I've written about, but hopefully I think I managed to grasp his characteristics(?) 🥹 I hope it's okay!! also 'yn yln' is 'your name' and 'your last name' :>
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Two years. Two whole years since jun asked to be your boyfriend. Two whole years since you started supporting him through his acting career. But never in your two whole years together were you jealous about his co-stars or fans. You've always been hidden away from the public, not going to any events together. Not even getting barricade tickets for his and his group's concerts for the sake of not getting caught somehow.
It's always been like that though. But that's because no one knew about your relationship, not even the rest of his group members.
Jealousy has never been an issue for you until you read an article regarding jun's new upcoming Chinese drama. See, this was new to you. Usually you'd be excited; treating him to order take out from his favourite place, or buying him small gifts to add to his collection of other things you got him within your relationship.
As you read article after article the majority published about how jun and his co-star make such a good couple. Some even published pictures of them together at the premier event they recently attended, while others are scene captures from the said drama.
There was this one picture you saw that made your heart drum disturbingly loud in your ears, not because of the photo itself but because of the comments regarding it. Your eyes dart from comment to comment, 'Wen Junhui and ____ have incredible chemistry', 'A new couple in made in the industry?', 'I hope they're dating in real life.'
Your breathing pattern becomes ragged from the thought of feeling like you're hindering Jun in his life. If you were just making things difficult for him since you were no one but a regular person who works a 9-5 job. In times like this, which was rare, you had no one but yourself to console you.
A single tear runs down your cheek which has you vigorously wiping it off your face, refusing to let yourself become so weak because of this.
You see a text appear from the top of your phone, a text from your boyfriend asking how you were and letting you know when he'll be home, but a part of you felt like you were sinking inside. All these comments getting to your head about Jun and his co-star, but you know you shouldn't think that way. Besides, you never used to think that way initially.
Thinking that it's best to sleep off the thoughts gathering in your head, you grab the folded blanket beside you on the couch, splaying it over you as you play music from the t.v, hoping that would help you get your mind off it.
Hours pass, the living room dim from the lack of light but only from the t.v itself. You pick up your phone to check the time, and while you were asleep, you received multiple texts and a missed call from Jun; all the messages asking if you've eaten, what you want to watch later in the evening, and so forth.
However, you didn't feel like messaging him back, or even calling him back either. You thought your nap would rid of the uncomfortable overthinking, but it just has you questioning, 'why is he even with me?' He could pick any other girl, but why did he choose you. He has a beautiful co-star with incredible chemistry, why doesn't he just ask her to be his girlfriend instead—
"Yn?" Jun's voice echoes in the room and cuts off your trail of thoughts.
You refuse to turn your back and greet him, instead, you pick up the remote and search through films to watch as if he wasn't calling your name again.
"Hey, did you get my texts? Have you decided what you wanna eat tonight?" Jun asks again, caressing the top of your head and missed as he tried to kiss the top of your head, but you flinched away.
"Not hungry." You reply curtly.
He could sense something was off, not wanting to think too much into it, he lets it slide as he goes into the bedroom for a quick shower and change of clothes. He hasn't seen you behave this way before, wondering what possibly could have happened recently to tick you off. His mind was thinking of every possibility but to think of articles since his shoots for the drama were quite a while ago.
As he walks back into the living room, you're still sitting in the same spot on the couch. He walks around the couch to sit beside you, lifting the side of the blanket to share, but you take it off and let him have all of it instead.
Jun turns his head to look at you, a questioning expression on his face yet you don't turn to look at him. A straight, unbothered face is what he sees as your eyes are stuck on whatever movie you put on the t.v.
"Is everything alright? I feel like I've done something wro-"
"Everything's fine." You lie, cutting him off and not wanting to think about it anymore. For the first time in a while you almost didn't want to be in his presence for the sake of keeping sane.
"Well it doesn't sound fine." He turns his body, attempting to test the waters as he places a careful hand on your lap. This time you don't flinch.
You sigh. Pausing before you answer him honestly, "Because it's not."
"Love, how am I supposed to know what's bothering you if you won't tell me straight?" Jun's hand starts caressing your thigh in attempt to comfort you and allow you to open up to him, like you usually do.
You try to gather your thoughts and stare at one spot, but nothing in particular, on the t.v as your breathing becomes uneven. It's difficult talking about a feeling you never thought you had to ever talk about, but it was bound to happen at least once in your life. And that was this current moment in time.
A stuck, choked up feeling in your throat starts to erupt as you struggle to find the words to say, leading to you struggling to stop yourself from tearing up out of frustration.
You explain about the articles you've read about him and his co-star, the ones headlining and the comments you've seen. Your breathing hitches a little while you're talking, and Jun couldn't help but scoot closer to you with his arm around you.
"I tried my best to not let it bother me, but it was a lot to take in. I'm sorry." Jun wipes away at your tears, listening intently as you continue, "I know it's your job, I understand if I'm being unacceptable and if you don't want to be with me anymore."
Tears are non-stop streaming down your face, also because you're mad at yourself for becoming so weak and letting this get to you in the first place. You feel Jun's hand resting on the middle of your back, rubbing it with comfort.
You continue letting out your hushed cries, burying your face into his chest with muffled sorries leaving you. Jun's never seen you cry so much and his heart drops at the sound of your irregular breathing pattern in attempt to stop yourself crying. How could you stop when he hugs you tight momentarily, slowly swaying you side to side as he rests his cheek by your temple.
"Hey, hey. It's okay." He cups your cheek, pulling back to hold your face close to his. "You know you're always going to be the one for me. I'm sorry that hiding our relationship has been difficult, I know. I want to let everyone know that I'm yours, but right now it's a little tricky, and I know that's no excuse but I swear I will let people know. Sooner than later, I promise."
Your sobs quieten down, a little exhausted from the thoughts occupying your mind the whole day. But you respond with a slow nod and a tight lipped smile as you both shuffle on the couch and lay your head on his chest as his hand finds its way to skim up and down your back once again.
・゚゚・。 ・゚゚・。 ・゚゚・。
It's been a few days since Jun had comforted you. Your phone pings from a notification about another article that had just released with the headline reading, 'Wen Junhui breaks rumours about dating co-star and is a relationship with Yn Yln"
You read it once more. And another time, expecting there to be hate thrown at you, but there was nothing but love and support from Jun's fans. It was entirely different to how you thought they would take it, but you're just grateful that it didn't go that way at all.
Your boyfriend's tall figure walks through the door with a bouquet of flowers, not even a couple of minutes after you had read the article, and he's making his way to you sat by the breakfast bar.
His subtle smile curves his lips as he holds the bouquet out for you. While you, on the other hand, are pouting; worried that it might ruin his career and receive potential hate, but Jun was unbothered. He was certain about it.
"You didn't have to do that, Jun." You insist, receiving the flowers from him. "I don't want this to affect your career."
He stands by your knees as you face him, towering over you ever so slightly.
"I wanted to let them know. I can't keep hiding this relationship forever," he kisses your forehead as his hands plant on your shoulders, giving them a tight squeeze. "And honesty, as much as I love to keep you to myself, they need to know that you're my beautiful girlfriend."
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© BOBA-BEOM ; do not repost, alter, translate, or claim as yours on here or any other platform.
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tags: @lovejoshua @junniieesbby @flwrseon
permanent taglist: @choiwrld @yjusei @wccycc @lizdevorak @fairybin @laylasbunbunny @acaiasahi @ttyunz @cha0thicpisces @fairybinie @ja4hyvn @yunkiwii @aprilisque
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cashmoneychiyo · 9 months
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More stills of GSNK’s upcoming Chinese drama adaptation “The Comic Bang”! (Chinese title: 开画!少女漫 Kai Hua! Shao Nu Man)! Here we have the whole gang~
After some weird???? silence, looks like the drama is finally set to come soon and is listed for a summer release I have trust issues so I will not relax until I see that goddamn Episode 1 uploaded to iQiyi. They even released the OST song up on Spotify in advance \o/ hopefully there will be no more delays!
(check out our tag for more info and photos if this is your first time hearing about the drama!!)  
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stellarflex · 1 year
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New Haoyixing leaks........
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absolutebl · 4 months
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Because your opinion means a lot: Any chance you feel like sharing 5 upcoming BLs you're most excited about and why? And maybe as a bonus, something you think many BL watchers will love but that you will hate?
Ooooo, how exciting what a fun one. You sure you want this from me? I have very odd taste.
The 5 Upcoming BLs I'm Most Excited About
(this forced me to put together the 2024 Announced BLs list which is coming soon)
1 Spare Me Your Mercy
Increased rates of deaths in terminal patients has a police captain investigating the palliative care doctor with whom he's fallen in love. Their relationship deepens but the mystery persists, driven by mistrust.
Why? It's adapted from the novel Euthanasia by Sammon (Triage, Manner of Death) but more important, it stars some old guard BL actors: Tor Thanapob from Hormones as the doctor and (fuck me YES) Jaylerr from Great Men Academy and goddamn Grean Fictions as the captain!
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2 Wandee Godday
GMMTV and AllThis Entertainment producing a very pulp offering with new pair, GreatInn doing high heat, boxer meets surgeon. It features a one night stand, fake relationship, and all the cheesiest of tropes. Also features Drake, Podd, and Thor+ pretty boy (be still my heart).
Why? This is totally my kind of BL even if it isn't GMMTV's style of BL, and it's GREAT, so I'm in.
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3 The Next Prince (ZeeNew)
Domundi brings us more ZeeNew in a fantasy/historical set in a palace where Zee plays a knight and Nu a prince - YES PLEASE.
Why? I did not expect this pair to stick so I really hope this happens. Give us the Little Pink Riding Milk BL we deserve!
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4 Lover Merman
Fantasy BL about a man who falls in love with a merman.
Why? I don't think it will be good but I LOVE merfolk.
5 Me and Who
Domundi for WeTV brings this adaptation of Wickedwish’s novel of the same name. It depicts a young man who dies and is reborn into the body of a billionaire heir. The heir happens to be engaged to a handsome man.
Why? I flipping LOVE this trope but I never expected to see it drive a BL.
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10 I am cautious of but VERY intrigued
JAPAN'S Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka
From YTV releasing 1/11 about Soga, who, after a divorce and relocation to Osaka, seeks solace in dining at 26-year-old Sakae's restaurant. Unbeknownst to Soga, Sakae sees him as more than just a regular customer.
TAIWAN's Love For Love's Sake
Based on the Manhwa Love Supremacy Zone by Hwacha, this will star actors Lee Tae Vin, Cha Jun Wan, Oh Min Su and Cha Woon Ki. The plot of the drama is based on Tae Myung Ha, a young man who is dropped into a game based off of a novel that he knows. His mission is to make another player, Cha Yeo Woon happy. Cha Yeo Woon is Myung-Has favourite character in the novel. But then the game starts going completely different from the novel.
City of Stars AKA Fueangnakorn
Star Hunter started filming this 12/23 about an actor falls in love with a programmer and the narrative intends to “explore the ramifications of being public figure in the social network era who must endure critics, bullying, and defamation.” Looks like another Lovely Writer, Call It What You Want sort of thing.
My Stand-In AKA My Stand In
Chinese IP ALERT! Adapted from the novel Professional Body Double (职业替身) by Shui Qiang Cheng (水千丞) stars Up (Lovely Writer) and Poom (Bake Me Please).
OMG Vampire AKA OMG! Vampire (LeeFrank)
Frank and Lee Long Shi are back only vampires now. So many vampires.
The Rebound (MeenPing)
VIU Basketball based romance staring Meen (a national basketball player, so yay for that).
We Are (PondPhuwin)
GMMTV's university friendship Bl featuring PondPhuwin, WinnySatang, AouBoom, MarcPawin - basically ALL in the good kind of messy friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is gay. I'm IN! Trailer here.
Love Upon a Time (NetJames)
Domundi announced for 6/7/2023 then delayed to 2024. NetJames in a historical BL! Also feat Tonnam (Dr Sing from Triage).
Jack & Joker (YinWar)
DeHup brings us be gay, do crimes. Yin, War, Mark and a few other familiar faces doing Leverage but gayer. Yes, thank you, I will have that.
My Love Mix-Up Thai Remake (GemniForth)
GMMTV. Hum, well I do love this pair and I did like the original and maybe this time these characters will actually kiss? I'm actually fine with this pick-up. I kind of enjoy seeing different countries remake the same IP. Especially if it's IP I'm mostly unfazed by.
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gunsatthaphan · 3 months
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~ Monthly BL Breakdown: January 2024 ~ 
✨ Happy February!!! 🎭
Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 
New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns
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What came out this month? (green = seen/currently watching)
🌟 BL Drama no Shuen ni Narimashita: Crank In Hen - January 2nd (Japan) 
🌟 Ossan's Love Returns - January 5th (Japan) 
🌟 Refund Love - January 7th (Thailand) 
🌟 Time The Series - January 9th (Thailand) 
🌟 Intern in My Heart (BL side couple) - January 10th (Thailand) 
🌟 Sukiyanen Kedo Do Yaro ka (Although I Love You, and You) - January 11th (Japan) 
🌟 Beside You (mini series) - January 11th (Thailand) 
🌟 I Wish You Love - January 21st (Thailand) 
🌟 Happy Ending - January 23rd (South Korea)
🌟 Love for Love's Sake - January 24th (South Korea)
Monthly likes/dislikes
👎🏻 I've been catching up on some KBLs from last year this month and sadly most of them were very disappointing. I put a few on my watchlist that generally had good reviews but yeah let's just say I'm glad I didn't miss anything in the last 2 years lol. The only one I liked was Love Mate, the rest was pretty much pointless. Hopefully the upcoming ones will be better 🤞🏻
New series & movie announcements
🎥 Beating Again (dance-themed, starring Kaownah K., Earth K. and others) - Date TBA (Thailand)
🎥 Unknown - Date TBA (Taiwan)
🎥 The Book Store - Date TBA (South Korea)
🎥 Term Begins - Date TBA (Thailand)
🎥 Mafia Prince and the Bookworm - Date TBA (Thailand)
🎥 Black Forest - Date TBA (Thailand)
🎥 Go Alone With Me - Date TBA (Thailand)
🎥 Can I Love You? - Date TBA (Thailand)
🎥 The Shining Star - Date TBA (Vietnam)
🎥 At My Fingertips (Unintentional Love Story spinoff) - Coming May 2024 (South Korea)
🎥 Connecting To You - Date TBA (Taiwan)
🎥 The Star (movie) - Coming March 2024 (Thailand)
���� What's the Nong? - Date TBA (Thailand)
Other news from the BL world
❗️ Actors Mike Chinnarat, Fluke Pusit, White Nawat, Pluem Purim and Lee Thanat have left GMMTV.
❗️ After Korean actor Choo Youngwoo won an award for "Best Rookie Actor" at the recent KBS Drama Awards, he came under fire for not mentioning his participation in the BL You Make Me Dance which launched his career and earned him the award.
❗️ Actors Jin Hoeun (All Of Us are Dead), Kwon Hyuk (The New Employee), Byun Junseo (Perfect Marriage Revenge) and Nam Yoonsu (Extracurricular) have been confirmed to star in the upcoming BL Love In The Big City, which portrays the life and love of an HIV-positive gay writer.
❗️ ZeeNunew and GeminiFourth won an award respectively for "Best Thai Artists" at this year's Seoul Music Awards.
❗️ The Chinese BL Stay with Me is getting an audiobook. The series furthermore recently confirmed its second season, further details are unknown.
❗️ Over a year after its initial premiere, the Thai BL To Sir, With Love won "Popular Foreign Drama” at this years's Vietnam Face Of The Year Awards.
❗️ The Thai BL Playboyy will no longer air on youtube after the suspension of the channel due to explicit sexual content. The show will continue to exclusively air on Gagaoolala, as well as RakutenTV.
❗️ Actors EarthMix had a cameo appearance in Ossan's Love Returns; they will star in the Thai adaption of the same name later this year. Details about the production are still unknown.
❗️ MileApo (KinnPorsche) were announced to star in the upcoming series Shine. The show is an extension/spinoff of Man Suang and focuses on Khem and Chatra's story in more detail.
Upcoming series & movies for February
👉🏻 Anti Reset - February 2nd (Taiwan)
👉🏻 Perfect Proposal - February 2nd (Japan)
👉🏻 City of Stars - February 2nd (Thailand)
👉🏻 Love Syndrome: The Beginning - February 8th (Thailand)
👉🏻 Baka Pwede pa? - February 9th (Philippines)
👉🏻 1000 Years Old - February 14th (Thailand)
👉🏻 My Strawberry Film - February 16th (Japan)
👉🏻 A Secret Love - February 17th (Thailand)
👉🏻 Unknown - February 24th (Taiwan)
👉🏻 Wedding Impossible - February 26th (South Korea)
👉🏻 Kiseki Chapter 1 & Chapter 2 - February TBA (Thailand)
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mirageofadesert · 4 months
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Looking back on my first year as a c-drama fan!
This year I fell - first down a flight of stairs - and then (because I couldn't walk properly for a few weeks) down a rabbit hole of cdramas!
In total, I have watched 28 dramas since May. I actually finished 17 of them. I re-watched 8 of them at least once. My most rewatched show is Till The End Of The Moon, followed by Love Is Sweet and The Untamed!
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Shows I loved
Till The End of The Moon: This drama triggered my hyperfixation, and I still love it so much. Tantai Jin became my new obsession.
Love is Sweet: This one surprised me because I don't usually care for romantic dramas. It made me more open to different genres.
The Untamed: I watched this for the first time in 2019, and now I can appreciate it even more.
The Sleuth of Ming Dynasties: It took me several tries to get into the drama because the political setting was too complicated. I'm glad I didn't give up. Wang Zhi became one of my favorites!
New Life Begins: I was just looking for something light in between and was quite surprised how much I liked the show.
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Things I learned as a newbie:
Cdramas are an acquired taste. Sometimes it's worth going back to a drama that you initially gave up on.
To avoid spoilers, it's best to skip the intro and especially the outro.
I love my characters unhinged.
Apparently it is okay to share leaks from filming.
Never believe anything that comes from yxh accounts.
Shippers are toxic in any fandom.
C-drama fans are a bit older than K-pop fans, but they can be just as unhinged and have trouble distinguishing between how to treat actors and the fictional characters they play.
My ADHD is better regulated when I watch shows in a foreign language while reading the subtitles. I don't get bored watching TV, which is rare!
Shows I dropped, and what I learned from it:
Hidden Love: I still don't like romances that have no significant plot beyond the relationship. Especially if I don't care about the characters at all.
Back from the Brink: Sometimes dramas that start well become an unwatchable, rage-inducing mess halfway through, and it's not worth sticking it out to the end.
Beauty of Resilience: I'm a character-driven audience. If the characters aren't compelling and the story isn't interesting, I don't care about the show.
Ashes of Love: I hate childish FL with baby voices and naive personalities. I need better written female characters. I'm on my 3rd attempt to watch this show and I only have a handful of episodes left, so I'll actually make it to the end (eventually).
I've dropped a lot more shows and actually watched some to the end that I didn't like very much in the end, but those are the ones I learned the most from.
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What will stay with me:
Tantai Jin: I'm still obsessed with this character. He is everything I need in a fictional character.
Luo Yunxi: This will come as no surprise to anyone who follows me, but my obsession with TTJ soon extended to Luo Yunxi.
Bai Lu & Sun Zhenni: While I appreciate both of them as actors, it's their fun and uninhibited personalities that made me fall in love with them!!
Costumes: I adore the detailed costumes and hanfu styles, and do prefer costume dramas to modern ones.
Food & drinks: I'm now looking into more Chinese foot now and how to cook vegetables in more interesting ways. I also bought "moon cake stamps"... so wish me luck!
New online acquaintances: I have made some new friends online who I can fangirl with to my heart's content!
What I'm looking forward to in 2024:
I'm really looking forward to Luo Yunxi's upcoming dramas, Follow You Heart, Shui Long Yin and Immortality (🤡). I'm also looking forward to Sun Zhenni's first leading role!
There are still many dramas I want to watch, but haven't found the time for. Like A Journey to Love, Goodbye, My Princess, Nirvana in Fire, Then Miles of Peach Blossoms and The Blood of Youth.
I'm not sure what else I'll post here next year. Probably more reviews and content related to my favourite actors. Let's see if something triggers my hyperfixation soon!
Happy New Year!
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waitmyturtles · 9 months
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Turtles Catches Up With Old GMMTV: I Told Sunset About You (ITSAY) Edition
[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, in a long post, I work my way through Nadao Bangkok’s cinematic motherlode: ITSAY. Thanks to everyone for your patience with this post: I did major due diligence with it, with the absolutely TREMENDOUS help of @telomeke, @lurkingshan​, @wen-kexing-apologist​, and @bengiyo​ to ensure I had facts and analysis correct. Thank you, from the bottom of my heart, to these dear friends for holding me down and offering your sharp eyes.]
To dive into a topic as complicated, as beautiful, as reflective, as impactful as a macro-analysis of I Told Sunset About You is to take on...a lot. As I’ve discussed with @lurkingshan, from a filmmaking perspective, as so many of us who have watched ITSAY know -- it occupies the top spot of Thai BLs by way of pure cinematic quality. (If you follow my late-night liveblogs, you’ll know that this was the first show -- not even Bad Buddy did this to me -- where I needed to stop multitasking, to just sit and watch the episodes. No drama has done that for me in the years since I became a multitasking mom.)
As with 2gether and Still 2gether last week, this watch of ITSAY is a definite milestone on the OGMMTVC list, and I really thank @shortpplfedup, @bengiyo, @wen-kexing-apologist, @lurkingshan, @telomeke, and others in advance for what we’ve talked about in direct conversation regarding ITSAY, its many influential tentacles, and the influences that the show itself may have come from.
I’d like to touch upon a couple of frames to structure this piece, but the caveat here is that by no way will I consider myself an ITSAY expert, because there’s a tremendous fandom that knows much more about the Nadao Bangkok studio, about PP Krit and Billkin Putthipong, about the director and screenwriter, Boss Naruebet, and much more. I will have a substantial postscript to capture loose notes and learnings that didn’t make it into the main analysis. 
Inspired in part by direct conversations with @telomeke and @lurkingshan, I’d like to dive into the following: 
1) From a question that @lurkingshan posed to me: what shows from the start of the OGMMTVC watchlist -- and, more broadly, what art out there -- do I think spoke to ITSAY and its development, 2) The important story of Chinese migration to locations like Phuket, Penang (in Malaysia), and other locations on the Malay Peninsula, and how Chinese and Thai-Malay-Chinese-Peranakan cultures flavored ITSAY’s storytelling, 3) A discussion of internal and external homophobia on Teh’s experience, and how his conversation with Hoon encapsulated our understanding of homophobia, filial piety, and socioeconomic pressures in Teh’s particular life, timeline, and culture,
and more, I’m sure. Let’s boogie.
I warned some folks prior to this review that my thoughts on what may have spoken to ITSAY may turn some people off, so I offer this as a flare to y’all in advance. Acknowledging that episodes three and four of ITSAY were as emotional as anything I had ever seen in Asian BLs, Teh was just such a PERFECTLY written character. (The ITSAY supporting documentary episodes state that the show was in part inspired by Billkin’s and PP’s personal lives, and I know there’s fanon that the show was meant to deeply depict their personal stories with each other. I don’t have primary source material to point to regarding this, so I’ll leave it alone, with the understanding that there are interpretations of the show that read between the lines to bring that lens in. I acknowledge the existence of the theories, but will not dive into that here.)
So, in regards to Teh, as I chatted with @lurkingshan as I was watching the series, I just kept thinking to myself... hello, Fuse. 
CHAOS BOYS! (Fire Boys? No, no, chaos boys, ha.) 
This is where I think my analytical read might get a little controversial with folks, because to compare Make It Right to ITSAY -- from a LOOKS perspective, CERTAINLY from a storyline and narrative structure perspective -- no, it’s not there, not by a long shot.
But when I wonder about what ENERGIES and inspirations opened the door for Boss Narubet to WRITE the way that he wrote, and to DIRECT the way that he directed, Teh’s ENTIRE EMOTIONAL PROCESS AND BREAKDOWNS, his back-and-forth, his hesitations -- I saw chaos, and when I think of chaos, I think of Fuse.
I think of Fuse, and how Fuse was held back, particularly in Make It Right 2, regarding Fuse’s CULTURAL AND SOCIAL ASSUMPTION that he couldn’t break up with his girlfriend, all while being in a nascent give-and-take, back-and-forth relationship with Tee. And how that ASSUMPTION held BACK the full expression of commitment, honesty, and trust that Fuse and Tee ended up having at the end of MIR2. Fuse was being rather unsophisticated while he was struggling with this, and he was bringing Tee along, frustratingly, for that ride.  
Something that you said to me also really resonated, @bengiyo, in conversation with @lurkingshan, about comparing TeeFuse and TehOh, in that Fuse and Teh weren’t necessarily SPARKLING or GIFTED presences. As you two both pointed out to me: Teh had to work much, much harder than Oh-aew for the talents that Teh achieved, and somehow, chaotically, he managed to lose his grip on those talents and achievements as he gave up his hard-earned opportunities for the sake of the overall-better-off Oh-aew. MESSY, BRO.
Besides MIR/MIR2, there’s somewhere else where I saw chaos. @bengiyo, you pointed out to me that you felt that you saw more of Thai queer cinema in ITSAY than in BL. I don’t think ITSAY *doesn’t* speak to BL and vice versa (I don’t think there’s anyone who thinks that, considering what Nadao Bangkok achieved with this show), but when I think of chaos -- and of the structures of storytelling that allowed us to get such an in-depth experience of Teh -- I also think of 2019′s Dew the Movie, and to a different extent, the before-its-time show in 2019′s He’s Coming To Me. 
ITSAY, Dew, and HCTM have:
a) multiple chaotic leads (including actual ghosts and dudes who see ghosts),  b) overarching cultural backgrounds rooted in extremely specific Asian cultures and/or practices and/or time periods, and c) interplays of emotional revelations vis à vis those specific cultural backgrounds.
 - Fuse introduced to us, way back in 2016 and 2017, an internal holding back of an emotional engagement with Tee that was rooted in internal homophobia by way of his negotiation with what Fuse’s girlfriend expected of him, and what HE expected of HIMSELF regarding HAVING a girlfriend, while falling in love with a young man. 
- Dew featured two young men in chaos, in 1990s rural Thailand, one of whom (Dew) who had previously lived in a different city where, likely, his sexual orientation would not have been met with such dystopic scrutiny as it did in the movie. The movie made clear that Dew wanted a solid relationship with Phop, but with both Dew’s and Phop’s families and cultural expectations holding them back, they both met untimely and unfortunate ends that hammered, in extremes, the perils, in cinema, of being gay and out in an incredibly restrictive and old-fashioned Asian society.
- HCTM featured a young man (Thun) who could see ghosts, along with the ghost that he ends up falling in love with (Med). The revelation of Thun’s being able to see Med is deeply connected to Thun’s Thai-Chinese Buddhist practices, and how his family has engaged with spirituality over the course of his life. While the structure of the show has often been described as having a happy ending, I argue the opposite -- that the ending is left open-ended, as it so often is in some of P’Aof Noppharnach’s shows, with the assumed understanding on behalf of an Asian audience that Med will one day be reborn and will leave Thun’s side (unless he’s reborn into another person that knows Thun) (hello, Until We Meet Again). 
So what do all of these shows/movies -- ITSAY, Make It Right/MIR2, Dew, and HCTM -- have in common?
ITSAY, Dew, and HCTM have the common background of an old-fashioned culture serving as a MAJOR anchor to their stories. Their stories are leveraged by the micro-level, individual-level interplay between their main characters and old-fashioned worlds, complete with old-fashioned notions, assumptions, and expectations. ITSAY, Dew, and HCTM negotiate boundaries with these cultural guardrails, and we see -- Teh at the end of episode 4, Thun on the rooftop in episode 5, Dew talking to his mother -- what those expectations and boundaries have done internally to our dear young men. 
Make It Right’s Fuse, way back in 2016, internalized this slightly differently, without us seeing as deeply the WORLD in which he grew up. The directors and screenwriters New Siwaj and Cheewin Thanamin gave us a guy in school with a girlfriend. FUSE’S world, that we see, is a school world, so apropos for that time of Thai BLs, complete with very heterosexual expectations for a young man WITH a girlfriend. And Fuse struggles with his push-and-pull throughout the two seasons.
What I love about the OGMMTVC project is that by having watched these projects before ITSAY, I can somewhat predict what the journey of chaos, by way of internal revelation, will be for these characters. 
However.
What ITSAY DESTROYED for me, as compared to these dramas and movies, was the high level of acting that Billkin leveraged to get Teh to the emotional levels that he reached. Teh, episode 4, and Thun, episode 5 = handshakes. 
This is where ITSAY’s structure just brings ITSAY to the top of the cinematic list and runs away from everything else. I posted in my liveblogging that the ending of episode 3 blew me away with a subversion of the four-act structure of screenwriting. @bengiyo corrected me to say that it was, instead, a rare example of Thai BLs achieving a successful five-act structure. 
Just -- fuck. 
You combine this UTTERLY FUCKING BRILLIANT STORYTELLING STRUCTURE, NARRATIVE STRUCTURING PAR FUCKING EXCELLENCE, ALONG WITH BILLKIN’S PORTRAYAL OF TEH IN HEAT AND CHAOS, and I’m eating, fam. Five-star Michelin tasting menu-level. 
But before I start that meal, there’s even more that ITSAY did to really hammer in what I’m referencing by way of the anchors of old-fashioned culture to this story, which, clearly, Boss and Nadao Bangkok value, in the show’s indirect commentary on Chinese culture and migration in Thailand, and what it meant for Teh and Oh-aew to grow up in Phuket and prepare to leave for Bangkok. (If you haven’t watched ITSAY, I highly recommend that you plan on watching the supplementary documentary material, because those docs give a ton of insight into the Thai-Malay-Chinese background of the show. As a SE Asian homey, those revelations gave me the wonderful warm and familiar vibes.)
Dear @telomeke (I don’t know what I’d do without you, friend!) helped me to understand, back in my HCTM days, that I inherently know more about Chinese migration, immigration, and culture into Southeast Asia than I previously gave myself credit for as a part-Malaysian, because many of the migratory patterns and cultural assimilations are similar between Thailand and Malaysia. I appreciated that confirmation, and had my inspector’s hat on during my watch and rewatch of ITSAY. 
I’ve spoken with @lurkingshan and @neuroticbookworm about the impact of migration and diasporic existence, in that, I think, oftentimes, immigrants to another country often hold a more conservative view of the cultures they bring with them -- in order to hold onto the tenets of those cultures, and to keep those tenets from getting influenced or maybe even watered down by the new environment in which immigrants are living. (My example to Shan and NBW was that I find that South Asian immigrants are often MORE conservative than my relatives in my homelands -- so as to keep a tight grip on assimilation, or, say, moral/ethical weakening by way of Western culture.)
I think the background of Phuket and EVERYTHING it lent to the show...
- Teh’s mom selling Hokkien mee at a stall storefront and the boys eating it in Teh’s old-fashioned house, - The old-fashioned o-aew dessert shop, selling a Hokkien Chinese dessert, which is often preceded by a shot of the “Phuket Old Town” sign, - Teh’s mom’s traditional Chinese-Peranakan outfits, particularly when she’s celebrating Teh and Hoon’s successes, - The tight streets and alleys,
...all of it, visually and culturally, reminded us that the boys live in a world that was DEEPLY INFLUENCED by the way back when. I posit that Teh’s mom is the encapsulation of this kind of old-fashioned culture, from the architectural style of her Hokkien mee stall, to the clothes she wears, to the heavy decorations and rugs and furniture of her old-fashioned house -- to her old-fashioned notions of filial piety that both her sons will be successful and will help to take care of her as she ages. I posit that this old-fashioned mindset also likely led Teh to believe that Teh’s mom would not accept him for liking men, which I will delve into more in a bit.
I mentioned cultural assimilation earlier: I brought up Penang, Malaysia, earlier, because I’ve spent time in Penang -- and Penang was referenced by Boss in the ITSAY documentaries as being similar to Phuket by way of cultural structure. @telomeke educated me on the tin-trade-influenced links from Phuket to the Malaysian towns of Penang and Kuala Lumpur, all towns that experienced heavy immigration from China and feature the strong presence of Chinese-Malay-Peranakan cultures in their social fabrics. The Peranakan population developed when the first Chinese immigrants to these regions began marrying the local ethnic Thai and Malay residents, creating a brand-new culture, complete with unique foods, clothing, architecture, and much more. 
Having not been to Phuket yet, I believe Boss. As well, I want to note -- very important to me as a part-Malaysian -- that Boss referenced Teh’s nickname as the Malay word for tea. @telomeke​ noted for me this distinction as one that’s notable for how ITSAY differentiates the culture within the show -- again, a culture that’s influenced by Chinese and Malay migratory history -- against the backdrop of Bangkok, where tea is not “teh,” but rather is called “cha,” the Thai word for tea. [The most famous “teh” drink of Malaysia is teh tarik, a sweet, creamy, and strong tea drink that you see everywhere in Malaysia. While o-aew is a distinctly Chinese-style dessert, teh tarik comes from Indian immigrants to Malaysia (and is usually drunk with roti canai, another Indian import to Malaysia)]. 
In other words: we are talking a TREMENDOUS, a TREMENDOUS amount of references to cultural mixing, development, and assimilation here, all INTENTIONALLY placed by Boss Narubet and his screenwriting team -- and all of this serving as a reflection against what Teh and Oh-aew will experience as being “different” in their futures in Bangkok, where this Thai-Chinese-Malay cultural differential will make them different when they get to college. (Not having seen I Promised You The Moon yet, I wonder if IPYTM sets up Teh and Oh-aew as potential country mice, à la Ji Hyun and Joon Pyo in The Eighth Sense.)
One more pertinent note of cultural intermixing by way of the historical Thai-Chinese-Malay linkages. @bengiyo was surprised that I didn’t initially exclaim at the presence of hijab- and songkok-clad Muslim women and men eating at Teh’s mom’s Hokkien mee stall; Teh and Oh-aew’s friend, Phillip, is also shown with his Muslim parents. It’s funny, @bengiyo, as I said to you: because I was watching ITSAY with such a trained eye towards spotting the Thai-Chinese-Malay cultural mixing, seeing Muslims on screen did NOT ring a bell of differentials because -- I expect to see them there, in those kinds of spaces, anyway. (In fact, seeing Muslims on Thai television is rare, which I will get into more in the postscript.)
So we have: MANY CULTURES MIXING OVER MANY GENERATIONS. Migratory patterns intertwining. Indications of physical and emotional movement. And even though, and even DESPITE, these cultures mixing, we ALSO HAVE an OVERARCHING message of old-fashioned customs and ways of living that dominate the lives of the children in the show -- ESPECIALLY Teh. Teh and Oh-aew -- literally, their NAMES reference places ELSEWHERE than Phuket and Thailand. Phuket’s old-fashioned roots. Teh’s mom SELLS a dish that comes from somewhere else (the Hokkien Chinese population mostly hails from Fujian, China, as its origin).  
What happens with migration and immigration? Cultures collide and combine -- social mores and expectations change -- one’s standards of HOW TO LIVE ONE’S LIFE changes. 
Teh and Oh-aew, during the entire series, are facing a moment in time where THEIR lives, THEIR cultures, THEIR micro-interactions WITH THEIR cultures, ARE GOING TO CHANGE, definitively, by way of their burgeoning same-sex relationship. Teh and Oh-aew are already different in Thailand by way of their cultural backgrounds, as I’ve established -- and now, with a potential public revelation of their relationship, will they be even more different. And their families -- especially Teh’s mom, but Oh-aew’s family as well -- are going to collide with the very PRESENT present vis à vis their boys and their love. 
As this happens with migration and immigration, CHANGE WILL HAPPEN vis à vis Teh and Oh-aew’s queer revelations as well. 
Boss focused on the aspects of Phuket that were anchors to the culture that Teh and Oh-aew were raised in -- an immigrant culture, a migrant culture from China, that has had a long hold over many, many towns and societies in Thailand. We didn’t see the modern 7-11s that we know are there in Phuket, serving the tourists of these towns. 
And, just like the physical dystopia of Dew, and even vis à vis the spiritual practices built into He’s Coming To Me, the slice of Old Town Phuket that we SAW as that anchor was a HEAVY PRESENCE in Teh’s life -- it was PERFECTLY matched with the old-fashioned, conservative ANGER and DISAPPOINTMENT that we saw in Teh’s mom in episode 4, when Teh shares that he dropped out of university for Oh-aew. That anchor, to me, was meant to SMASH into, FEED into Teh’s overwhelming emotionality at his queer revelation, and at the revelation that serving his mother via filial piety would be automatically made more difficult, thus maximizing the impact of his internalized homophobia and his fear of recognizing his love and attraction for Oh-aew.
COUPLE THAT with the previous hints -- and then the SMASHING WRECKING BALL -- of the visual depths of Oh-aew’s own realizations earlier in episode 4, his own internally different place, the way he reveals himself to the world vis à vis the fast Instagram post of him wearing the red bra. And how Teh reacts to it. And how it sets off such an unreal chain of emotional unraveling for Teh, the SECOND of that episode, even before he goes to Bangkok to drop out. 
WHOA.
THIS, TO ME WAS FUCKING STUNNING
and very important to me to see as a South/Southeast Asian. WHEW.
And, good lord. How Hoon comes in at the end for Teh. Hoon, the eldest son, the one who has very quietly borne the financial responsibility that his mom, Teh’s mom, too, has placed on Hoon’s shoulders, naturally, through generations of family custom. (Super duper thanks to @lurkingshan for talking me through this in detail with me.)
And Hoon gives his family, his little bro, Teh, comfort. How Hoon says, listen. Mom’s gonna be mad if and when you tell her about Oh-aew and your feelings for me. But guess what? She’s gonna come around. You’re a crybaby, Teh, but I’m here for you.
Hoon knows that Teh’s mom will come around -- because Hoon is also a part of the next generation of change, much like his Thai-Malay-Chinese-Peranakan community before him -- as he brings his Japanese girlfriend home to his mother and brother. (THANK YOU, @wen-kexing-apologist, for pointing this out!)
Teh’s mom, too, will move. She will move from her old-fashioned mindset, to migrate to a new mindset, where she will accept her son. Teh needed to hear that, to know that that movement would be possible.
Just like the movement of the many swirling cultures around Teh and Oh-aew, the hustle of Bangkok before them, nipping at their lives like the ocean to the beach. 
What ITSAY captured for me was a cinematic moment of movement on so many levels. It was a pulsating reflection of change. It was meant and designed to insidiously shock viewers out of complacency. Like a beanstalk climbing from the ground, the movement begot movement to these two young men beginning to address and empty themselves of the homophobia that kept them back, Teh especially. 
GAH, THEIR MOVING PHYSICALITY, IT NEVER STOPPED -- the end of episode 2 on the boat, the end of episode 3 in Teh’s room, GAWD -- Teh’s ABSOLUTE HORMONAL DRUNKENNESS, Oh-aew’s STARE AFTER STARE AFTER STARE, Oh-aew’s SILENT DEVASTATION AT THE END OF EPISODE 3, the way Teh would nod and FLOP his head uncontrollably in desire, the nuzzles, the sniffs, the uncontrolled reaches -- GAH. It gives me the shivers. 
It was a lot.
ITSAY was just -- y’all know it. It was fantastic. While HCTM was before its time, I feel that ITSAY was RIGHT ON TIME. It brought so many elements of this GORGEOUS, HISTORIC, culturally Southeast Asian experience into the intersection of the queer lens, as well as the *migratory* lens of the Southeast Asian region specifically. It showed us, from a micro-perspective, the very tremendous macro-level implications and pressures of filial piety, of internalized homophobia, of the huge socioeconomic expectations that families have on Asian students to succeed in education, and so much more. IT WAS *DEFINITIVELY INTERSECTIONAL*, MORE SO THAN ANY BL BEFORE ITS TIME.
Yet again, for me, just like Bad Buddy, just like Until We Meet Again, I have another show in my arsenal that makes me proud to be an Asian watching these shows -- and in ITSAY, I feel particularly proud that a slice of my own personal culture, as an Malaysian, made it in there, intentionally. I will FOREVER, and ever, be grateful to ITSAY for that.
-------
I’d like to offer this postscript as a means of making some quick points that @telomeke, @bengiyo, @lurkingshan, and @wen-kexing-apologist shared with me as I was writing this review -- and I thank them all deeply for reading drafts of this post before publication. 
1) I was previously unaware of the history and current state of Islamic culture in Thailand until ITSAY and Be My Favorite included women wearing hijabs in their shows. This is an important slice of culture for me to know about, as I’m part-Malaysian, where Islam is the dominant religion. @telomeke shared with me that the majority Muslim population in Thailand is in southern Thailand (although, of course, Muslims live across Thailand), and that there have historically been separatist efforts in those southern provinces that have often led to violence. 
There are many reasons why discrimination of Muslims exist in Thailand, as it does around the world, including references to the separatist efforts in the southern provinces. As well, ethnic Thais can trace their heritage back to various towns and communities within China, thus possibly making northern Thailand, with its proximity to China, potentially more lauded in Thai culture, and contributing even more to a perception that southern Thailand, with its Muslim population, as potentially “less desirable.” (And I want to take a second to note @telomeke​‘s excellent point to me that “Chinese” as a catch-all word is often incomplete, as Han Chinese make up a sizable portion of Thailand’s population, but as we see in ITSAY, the Hokkien Chinese population also flourishes in certain parts of the country, and there are populations of Teochew and Hakka Chinese as well, as there are in Malaysia.)
All of this combined -- the geographic proximities to China, the places where various populations have settled, from the places that various populations of Thais track their heritages, plus global and/or popular misconceptions and stereotypes of “other” communities -- can contribute to discrimination of Muslims in Thailand. Of course, that is not a universal statement, as we do see Muslims beginning to show up in Thai drama art, which is heartening. To me, it strikes me as more realistic for the region to see Muslims on screen, but I don’t know Thailand well enough to say that for sure (that’s my Malaysian-side talking). I really want to thank @telomeke for taking me on SUCH a deep dive with insight into this part of Thai culture that I think is very necessary and fascinating. (Politics in Thailand is quite complicated at the moment, but at this very second, Thailand’s current Parliament speaker, from the Move Forward party, is Thai Muslim, with a Malay Muslim name -- Wan Muhamed Noor Matha. Very cool, but this is going to change soon, as Move Forward will make way for another political party to take control of the government.)
2) If you know me well enough, I cannot leave food well enough alone in our wonderful dramas (exhibit A: Moonlight Chicken and khao man gai, exhibit B: coffee/kopi in The Promise, lol), and I want to make sure that we were all aware back in 2020, and/or make you aware now, that Hokkien mee is a VERY regional dish, with styles unique to each town in which it is famous. @telomeke, I know you feel differently, but Hokkien mee from Kuala Lumpur (KL), Malaysia is my.... it’s my heaven, my soul, my heart, HA!
Here’s some linkies to get you educated. And also! Oh-aew prefers his Hokkien mee with rice vermicelli noodles, instead of the usual, thicker egg noodles. You know what I like to do if I see that a stall has the two styles of noodles available: I like to get them mixed together. Hokkien mee, Hokkien prawn mee noodle soup, curry laksa -- I like the best of both worlds of noodles in my bowl. YUM.
Phuket Hokkien mee KL Hokkien mee Penang Hokkien mee (this one is the prawn noodle soup, not the fried noodles -- omfg so good) Singapore Hokkien mee (note the lighter color -- and the m’fing mix of thick and thin noodles, hell yeah!)
(If you made it this far in the ITSAY review, I have an easter egg for you. Guess what the Malay name is for rice vermicelli noodles? Bee hoon or mee hoon. 
Hoon and Teh, two Malay names: thin noodles and tea. What Teh’s mom serves at her stall, and what Teh and Oh-aew represent, symbolically, by names and their noodle preferences, as a pairing. AND! @telomeke​ gave me one more easter egg! Teh O is a popular way to order tea in Malaysia and Singapore. It’s black tea with sugar, no milk. Another pairing reference. ITSAY never stopped with all the layered references!)
[WHEW! What a ride. Thanks to all y’all who held me down during my losing-it liveblogging of ITSAY. More to come when I get to Last Twilight in Phuket and I Promised You The Moon.
Next week, I’ll release my review of YYY into the wild -- listen, honestly. Yes, chaos, confusion, all of it. But I am not writing this show totally off. There was definitely stuff in it to chew on. And: POPPY RATCHAPONG. And Pee Peerawich. The acting was actually stacked on this show. There’s stuff! More soon.
And I also finished Manner of Death, so that review will drop in two weeks. I LOVE MAXTUL. UNABASHEDLY. Yes, I know I’m years late, yes, I know Tul is retired, sobs. Let me live my 2021 dreams! These guys are so good together, and MoD was fuckin’ great.
I have so much good stuff on the way: I’m fully in my ATOTS rewatch, and I’ve added 55:15 Never Too Late, very specifically its BL storyline. I may not give 55:15 a full review because I’ll fast-watch the rest of it, but: Khao, come to me, boo-boo! I have an INSANE August ahead of me as I’ll be moving in a month (GAH), but hopefully this schedule won’t fall back too much.
Status of the listy! Hit me up if you have feedback!
1) Love Sick and Love Sick 2 (2014 and 2015) (review here) 2) Make It Right (2016) (review here) 3) SOTUS (2016-2017) (review here) 4) Make It Right 2 (2017) (review here) 5) Together With Me (2017) (review here) 6) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 7) Love By Chance (2018) (review here) 8) Kiss Me Again: PeteKao cuts (2018) (no review) 9) He’s Coming To Me (2019) (review here) 10) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 11) TharnType (2019-2020) (review here) 12) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 13) Theory of Love (2019) (review here) 14) 3 Will Be Free (2019) (not a BL or an official part of the OGMMTVC watchlist, but an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 15) Dew the Movie (2019) (review here) 16) Until We Meet Again (2019-2020) (review here) 17) 2gether (2020) and Still 2gether (2020) (review here) 18) I Told Sunset About You (2020)  19) YYY (2020, out of chronological order) (review coming) 20) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review coming) 21) A Tale of Thousand Stars (2021) (review here) 22) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (watching) 23) Lovely Writer (2021) 24) Last Twilight in Phuket (2021) (the mini-special before IPYTM) 25) I Promised You the Moon (2021) 26) Not Me (2021-2022) 27) Bad Buddy (2021-2022) (thesis here) 28) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) 29) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 30) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 31) KinnPorsche (2022) (tag here) 32) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For The Sake of Re-Analyzing the KP Cultural Zeitgeist 33) The Eclipse (2022) (tag here) 34) GAP (2022-2023) (Thailand’s first GL) 35) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 36) Moonlight Chicken (2023) (tag here) 37) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults)]
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MAGNETO REX, ROGUE REGINA Time has swiftly passed for Rogue and Erik, marking a year since they embraced the responsibility of leading Genosha. It proved to be a journey far more fulfilling than either of them had anticipated. Beyond mere human diplomacy, it was also to encourage, guide, and aid the citizens of Genosha in every conceivable manner.
Despite her hesitance in the beginning, Rogue seamlessly transitioned into her role, offering unwavering support and wisdom to Erik. Her resilience, insightfulness, and empathy complemented Erik's vision and also steered a path for the betterment of Human-Mutant relations.
The news of the upcoming coronation of the New King and Queen of Genosha sent shockwaves throughout the globe. Their schedules brimmed with interviews, conferences, and engagements , all advocated towards the cause of Mutant Rights.
The days slipped away in the lead-up to the coronation, the very day arriving with startling swiftness. The ceremony was reverent, and as they processed down the aisle, hushed murmurs and whispers could be heard from the attendance of the people, their eyes beheld much faith and trust. It made her acutely aware of the expectations that were resting on both of them. For a fleeting moment, doubt threatened to cloud her thoughts, but Erik's reassuring grip on her hand dispelled it.
As the sun cast its golden afternoon rays upon the palace balcony, adorned with vibrant flowers and lush greenery. The royal couple stood poised for press photos, and the planned pose had become more of an impromptu one, as Erik, a natural leader, stood proud and majestic, slipped himself behind his Queen, his hand resting on the small of her back as a sign of reassurance of comfort and she leaned gently into his embrace.
Cameras flashed with the silent approval from the photographer. Behind them, the proud insignia of Genosha served as a fitting backdrop, a symbol of unity and strength under their reign.
The citizens of Genosha gathered in anticipation and excitement below, their faces lit with reverence and hope as the royal couple stepped out onto the balcony. At the center of it all stood His and Her Majesties, King Magneto and Queen Rogue, newly crowned rulers of the island nation. More info about the art:
Having the urge to draw this because it was on my mind since forever, and I like to explore the 'What Ifs' of the X-Men's universe. So going into the 'What If' realm of if the Sentinels attack hadn't occur and Rogue accepted Erik's proposition. A Elven attire (Lord of the Rings) and for Erik’s, imbuing certain characteristics from Chinese Fantasy Drama particularly Xian Xia drama. , I sought a delicate balance between functionality and elegance in their garments. Despite my admiration for drapery, I opted for functionality and practicality without compromising on regal charm. For Erik, I envisioned him embodying the wisdom and nobility similar to the Immortals depicted in Chinese fantasy dramas. His robe, carefully tailored to reveal his hand, was draped to evoke a sage-like presence, exuding both majesty and authority. Choosing hues reminiscent of their battle attire, I softened the silhouettes, creating a more inviting and pleasant aesthetic. For Rogue, instead of her usually robust-self, I opted for a more and demure stance but standing in front of Erik, just to show that they’re on equal grounds. GENOSHA Genosha's flag was redesigned as the original one was too "barbaric' to my tastes. How I see Genosha = Earthy + Floral + Otherworldly Red signifies courage and valour. White signifies purity. The symbolism of 3 signifies harmony, wisdom and understanding.
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