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milliways42 · 3 months
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babybirbb · 1 year
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edgin says he wanted to bring back kira’s mother only to realize he was only trying to get his wife back. but in the end, he let go of his wife so he could bring back kira’s real mother ;-;
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sarmaleattheseaside · 4 months
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You are a monster from hell
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pinesource · 11 months
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Chris Pine as Edgin Darvis, Chloe Coleman as Kira Darvis and Michelle Rodriguez as Holga Kilgore in Dungeons & Dragons: Honor Among Thieves (2023)
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grigori77 · 1 year
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Reasons to LOVE Dungeons & Dragons: Honour Among Thieves
It's brand new in cinemas, so there are still plenty who ain't seen it, so if you're among 'em best skip this and just GO SEE IT, it's SO well worth it, genuinely it's one of the best new movies I've seen so far this year. Hope you love it as much as I did!
So, yeah, there you go - SPOILER WARNING, FOLKS!!! If you don't wanna get spoiled, RUN!!!
Still here? Okay, here we go then ...
This really is, UNAPOLOGETICALLY, a comedy. I mean yeah, this is a classic fantasy action adventure in the Willow, Krull or Ladyhawke mold, but it is also very enthusiastically POKING FUN at the classic conventions of the genre ... albeit CLEARLY done with great affection and love for the material, as only the best lampoons can be. So this is more The Princess Bride or Galaxy Quest than Your Highness or Spaceballs ...
Chris Pine is ALWAYS at his best when he's being FUNNY, so he is PERFECT here. Edgin is most definitely a bit of a douchebag, but he's the sweetest, most lovable douchebag you'll ever encounter.
Holga. Literally just EVERYTHING about Holga. She's my favourite character in this, this REALLY IS the best role that Michelle Rodriguez has EVER HAD, if you ask me. She's a total badass, a truly AMAZING FIGHTER, but I love that despite her dour demeanour she's actually quite sweet, gentle and really a great innocent in many ways. She's an absolute cinammon roll and must be protected at all costs.
OH MY GODS!!! All the easter eggs, SO MANY easter eggs ... FAR too many to count throughout, all the references and nods and winks to the game itself, all the spells and races and creatures and stuff ... but I love how the movie NEVER beats you over the head pointing any of it out, it just lets you enjoy it. So the proper fans will get a huge kick out of spotting it all, but casual viewers will just enjoy it as rich worldbuilding colour and flavour.
Seriously though, it's a D&D fan's DREAM!!! Not just the mimic, or the owlbear, or the gelatinous cube! SO MUCH to spot ...
Justice Smith's Simon gets THE CLEVEREST and best introduction in the film, I love the theatre scene, he's SO BAD at this while also simulataneously being really great. Totally sums up this gloriously clunky hot mess of a sorcerer ...
the opening is GENIUS, totally sets the movie up as it means to go on - the parole hearing is a brilliant comedic take on the scene-setting infodump which is brilliantly carried through in the way the movie delivers exposition in a fun way or just lets you absorb it through what's happening in each scene. This is the perfect, TEXTBOOK way to do it.
"That is one pudgy dragon!" LOL
Doric. Just EVERYTHING about Doric. Sophia Lillis' tiefling druid is a wonderful diminutive little action hero, so fiesty and capable. I love her. It's just a shame she's not primary coloured, I'd have loved it even more if she'd been blue, or red ...
The Wildshape Escape! XD Yeah, I love that, that's THE BEST set-piece in the whole movie, definitely, when Doric gets cught out spying and has to shapeshift on the fly to get away, and it all plays out in one immersive single shot that just leaves your heart in your mouth ...
Oh, the Speak With The Dead montage, that is comedy GOLD. Funniest scene in the whole movie. And with added payoff at the end! XD
Rege-Jean Page's Xenk Yendar. Oh boy, that paladin is something else. I love how LITERAL he is, he's like Drax in GOTG but much more intelligent. Y'know when Holga says: "You're not a lot of fun, are you?" to him? She's so wrong. I just wish there was more of him in this ...
The heist! Oh, the heist! So good ... the portal trick, it's great, love the way they did that, and then that HILARIOUS bard illusion distraction - Pine skipping the song like a broken record was just chef's kiss!
That wonderful wibbly-wobbly illusory reality thing whenever Simon tries to atune to the Helm ... wow, that is some spectacularly trippy shit. Granted, twice is fine for terms of pacing, but I could've done with a few more scenes of that, it's fascinating.
Hugh Grant really has just become a MASTER at playing smarmy, slimy duplicitous gits now, hasn't he? Forge is a reprehensible prick and I love it.
I love how they made Bradley Cooper a halfling for his cameo. They're never gonna let him live down the fact that he's now probably best known for playing a two-foot-tall talking racoon so forever after he will be a Short King.
Wow, Daisy Head's Sofina is a CRACKING villain, she's just SO CREEPY!!! I love how coolly menacing she is, a brilliant dark necromantic wizard that just makes your skin crawl. Especially at the end ... IS SHE a lich? Is that what they were doing there?
That whole big action climax, the showdown in the city centre is FIRE!!! It's so amazing, so brilliantly dynamic, with EVEN MORE great easter eggs! Simon and Sofina having an insanely awesome "arm wrestling" bout with Mage Hand versus Earthen Grasp (I think that's the spell, couldn't be sure), oh my gods! So cool ... and then the way they neutralised the threat! Brilliant.
Chloe Coleman's Kira is an absolutely adorable delight, and I think she's ENTIRELY JUSTIFIED in how pissed she is at Edgin for abandoning her. It makes the payoff when they finally make up so much better.
And that resurrection scene at the end? Yeah, sure, I saw that coming a mile off, but it was so well done, and they played it so well, that it was still SUCH a powerful scene even so. Just perfect.
Seriously, they just did this whole thing SO PERFECTLY. It's visually STUNNING, really it just looks AMAZING, and the action sequences are BRILLIANT but always feel entirely necessary for the story, which is how you want to do it. Best of all, though, is THE PACING!!! This is such a quick, breezy film, it just barrels along at a spectacular clip, so it never drags. Mark Kermode is right, even though this is two and a quarter hours long it doesn't FEEL LIKE IT, it feels like a super-trim 90-minute movie.
And it ties everything off nice and neat, too. Sure, there are definitely possibilities for the future, going forward if they make more, but if the movie DOES tank then it's fine, because this really does do a great job about feeling self-contained and telling its own complete story, so if we DON'T get more it won't be too big a disappointment ...
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Do Revenge really had the gall to combine Jawbreaker, Mean Girls, Clueless, Cruel Intentions, Heathers, Booksmart, Jennifer’s Body, AND 10 Things I Hate About You
While starting Camila Mendes (Riverdale), Maya Hawke (Stranger Things), Austin Abrams (Euphoria), and Sarah Michelle Gellar (Buffy the Vampire Slayer)
And having a soundtrack featuring Olivia Rodrigo, Billie Eilish, Chloe Moriondo, The Cranberries, and Hayley Kiyoko (and honourable mention Taylor Swift bc they quoted a song without playing it)
This movie really went “Pastel Female Rage with a side of Sapphic” and “Gen Z needs its own 90s flick” AND DELIVERED
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doyoungr · 1 year
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hot girl (bodies bodies bodies)
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filministic · 6 months
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Gunpowder Milkshake (2021) dir. Navot Papushado
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thebohology · 1 year
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2000s it girls wearing THE chloé spring 2000 collection by stella mccartney
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justlesbian · 2 years
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This movie was my lesbian awakening
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I related, and still relate, SO MUCH to Michelle Williams character, Linda. Not just in her realizing she was a butch-loving femme lesbian, but in her struggles with it. The judgment from her friends, even those who were lesbian feminists, because they could not understand the attraction she felt towards a GNC woman like Amy (Chloe Sevigny)
I hated the scene were she mistreated Amy in front of said friends so much, and it scared me, because I knew it could easily be me. As a shy, socially awkward teen, I always cared way too fucking much about what people think of me, trying so hard to be pallatable to them, and a lot of that has stayed with me to this day. One example I can think of is when my gf got a very butch hairstyle and I thought it looked hot af, but my first gut reaction was to worry about what other people would think, and how they would treat her. This is a problem.
So many people literally do not understand how lesbians like us exist. I had a guy friend who was excited that I would be able to talk about girls with him, but later became exceedingly confused by the women I actually went for, completely unlike the straight girls he liked. Another is all the times I heard "but she looks/dresses/acts like a guy!" and how it made me feel so insecure and exasperated and not understood
We have made huge strides in LGBT rights and acceptance, but we still have so much work to do in terms of acceptance of GNC women and butch lesbians. Why is it that the accepted version of lesbians in media is usually two straight looking, femenine presenting women? Why does society still consider butches and more masc presenting women to be scary and unnattractive? And why are lesbians (femme or butch) who are attracted to these types of women SO invisibilized?
We need more movies like this. Stop being scared of "perpatuating dated stereotypes" or whatever. Butch/Femme stories need to be told. Butch/Butch stories need to be told. Butch women are still very much around and always will be, and so are lesbians who love them.
And that's on periodt
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scenesandscreens · 6 months
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Dungeons & Dragons: Honor Among Thieves (2023)
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Directed by Jonathan Goldstein & John Francis Daley, Cinematography - Barry Peterson
"...how everyone thinks we can solve any problem with magic. There are limits! This isn't some bedtime story; this is the real world!"
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aus-wnt · 30 days
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werewolf-luna · 1 year
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wolf pack • 1.08 💔
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youronebraincell · 1 year
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This is the greatest scene of the entire show
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cinematicjourney · 1 year
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The Fabelmans (2022) | dir. Steven Spielberg
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