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#christiane kubrick
tygerland · 1 year
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Christiane Kubrick Stanley. 1972, oil on canvas.
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enchantedbook · 2 years
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"Remembering Stanley" ~Artwork by Christiane Kubrick
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citizenscreen · 2 years
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Stanley Kubrick and Christiane Harlan were married #OnThisDay in 1958. The marriage lasted until Kubrick's death in 1999.
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kishixkaisei · 2 months
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Stanley Kubrick and his wife Christiane Kubrick
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astanleykubrick · 1 year
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The third episode of my Cracking the Kube series has a very special treat: a NEVER BEFORE HEARD interview with Stanley Kubrick, in which he discuss some of the myths and legends that surround him. In the first part of the episode I set the context for my analysis of the mythology, which will be in the second part. Thanks for your attention.
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cinemaquiles · 6 months
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Dica de cinema: a chamada "estética ascética" na direção de arte e cenários dos filmes!
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mirobraz · 5 months
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asfaltics · 1 year
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putterings, 271-269
  darkness; emptiness no indecision a paradox, with bones   the pensive Moon-watcher moves Would she be interested?   instincts puttering instincts
puutterings     |     their index     |     these derivations     |     20230310  
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downthetubes · 10 months
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ThirdBear Press announces BOXES, a new independent comic anthology
A new indie comics anthology is in the works featuring a diverse range of talent from ThirdBear Press
British publisher ThirdBear Press are preparing to publish the first volume of BOXES, a new comic magazine that aims to showcase new short comics and articles from the most exciting and interesting creators in indie comics. BOXES will be coming to Kickstarter in early June, and anyone interested can sign up on the Kickstarter page to be notified just as soon as the project is live. Launched in…
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new-sandrafilter · 2 months
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joshbrolin - Exposures
These are ours, Greig Fraser's and mine. His photographs. My words. They were prompted by a love of people and process, and they are the direct result of Tonya LaPoint (Dune: Parts 1 & 2 Producer) one day presenting and pushing the idea that Greig and I should come together and create a book. As messy, artistic, and raw as the photos are are as messy, fun and sensorial as I hope the words that accompany them are. As I was going through Christiane Kubrick's compilation of Stanley's photos in A LIFE IN PICTURES I felt a kinship to the sensibility of what it is to not be subservient to a construct dictated by a business that is as fickle as lettuce staying fresh in the open air about what sells and what doesn't. Reveal, truth, bravery, and inclusion sells. At least that's what I buy into: those moments when you privvy to a creative expression captured that revels the human again and again and reminds us that the act is special and we are not much more than our best (or worst) animals. Here are experiences and moments of the quiet and personal and inspired and astute and communal and embarrassed and proud and free celebrated as we together navigated the sands and sets of the unprecedented world of Frank Herbert and Denis Villeneuve's DUNE. We sincerely hope that you enjoy it. Greig Fraser and Josh Brolin Thank you: Henry Hobson @meandthebootmaker @insighteditions @legendary @wbpictures
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growling · 15 days
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You know the more I learn about Warrior Cats the more confused I am that it's commonly in the elementary book section in school libraries
Same however I believe it would be cruel and ridiculous to deny these children the unparalleled experience of reading a page-long visceral description of Leafpool having trouble giving birth to her second son because his shoulders are too broad so the spirit of her dad's dead maternal figure comes down from cat christian heaven to help her get him out. I had to read that as a preteen and I turned out fine (kubrick stares into the camera)
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autisticandroids · 6 months
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very much looking forward to your "Dean and Sam as serial killers pursued by the cops" writing project. It's such a delightful perspective on them and i want 300k more fic to read it's so so good. Especially with your delightful take on salmondean!!
Unrelated but watched "Bad Day at Black Rock" yesterday and Kubrick the fanatical Christian and his RV full of guns had me going hmmm. Hendricksen voice white supremacist alert. Juicy.
so there's literally two. the one i have more work on actually heavily involves cas. because they catch dean and [human] cas. in season ten. (cas stayed human after s9 in this au. for fun). and by the time the feds show up, dean is actually in the hospital because he hasn't had a drink in over 48 hours and he's going into delirium tremens. so the feds alternate between updating their theories about the winchesters in discussions among themselves, and trying to interrogate this john doe they can't identify bc he won't give a real full name (perhaps he is a kidnapping victim?). inspirations include the "minimal loss" series by eden22, "when the road is as dark as my fears" by apokteino, and "he ain't heavy he's my brother" by castiel_for_king
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romanceyourdemons · 1 month
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one perhaps underrated element of david cronenberg’s style, as exemplified in the dead zone (1983), is his ability to stay incredibly faithful to the tone and style of his source material in adaptation. as with m. butterfly (1993), this film does not bear much of the twisting, surreal, associative qualities cronenberg’s more classic films are known for, and indeed the literary flavor of stephen king is as always strong enough to overlay most other adaptational artistic influences. compared to other king adaptations, though, this film is more concise and cohesive than any i have seen except perhaps for christine (1983), neatly avoiding the pitfalls of excessive meandering worldbuilding and poorly established stakes that dog king adaptations from salem’s lot (1975) to the shining (1980). unlike (for instance) stanley kubrick, cronenberg knows how to step back as an adaptor, and his visual style in this film is unobtrusive and understated, allowing the semi-rural american northeast aesthetic so central to king’s writing to shine through in all its beiges and browns and gazeboes and pervasive fundamentalist christianity. i certainly appreciate the respect he shows for his source in adaptation. however, an element of cronenberg’s style that i wish he had retained in this film is his brilliant skill for depicting the slow detaching of a character’s perceptions from reality—shown off to great effect in videodrome (1983) and dead ringers (1988) and central to martin scorsese’s taxi driver (1976), which shares similar plot devices with this film. calling into question the veracity of the central character’s perceptions would not only establish him as a more effective foil for the delusional politician whom he is convinced he must assassinate, but would also add more urgency to the plot, and more ambiguity to the very pat ending. regardless, the dead zone (1983) functions very well as a king adaptation and shows off cronenberg’s skill for faithful but still artistic adaptation, and is overall a very good film
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brian-in-finance · 1 month
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Remember… JW Anderson’s Women's Pre-Fall 2024 collection draws on inspiration from the rich interiors of Stanley Kubrick's film "Eyes Wide Shut". The new collection reimagines Christiane Kubrick’s captivating paintings, once in the film's background, now taking centre stage. Her art is printed on knitwear, while furnishings turn into avant-garde clothing. The Collection invites fashion enthusiasts to explore the unconventional, offering a sensory experience that defies norms and reflects a cinematic situation. — The Fashion With Style
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espanolbot2 · 1 year
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One of the things that is interesting about the Hellboy universe is that while it definitely becomes an alternate universe story firmly once the Plague of Frogs storyline begins in BPRD (the prelude to the eventual actual apocalypse several years later), is that arguably it being based in a world more rooted in the works of HP Lovecraft, MR James, Manly Wade Wilson and so on rather than real life politics kinda shields the characters from the real life history events that would surely have impacted them them at some point prior to the whole Armageddon thing.
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Like, for example, within the lore of the franchise Hellboy gained official human status by the United Nations in 1952, and such people just kinda roll with having a seven-foot tall red-skinned behorned bloke show up at their door on occasion and ask if they have any ghosts to punch. But despite the lore of the Hellboy Universe being EXTENSIVE between the numerous and multiple spin-offs, prequels and sequels (some going back tens of thousands of years, some taking place after the apocalypse in the main book), the rise of the Christian Right in the 1970s and the resulting Satanic Panic in the 1980s is never really addressed.
There are no stories of, say, Ronald Reagan threatening to cut the BPRD’s budget if they don’t investigate more of this “heavy metal” music Nancy told him about for example, probably because that wouldn’t really fit the tone of the stories they’re trying to tell in this setting.
Not that there aren’t stories of a similar vein that don’t acknowledge real world politics and history, while still maintaining a fantastic setting. Atomic Robo (in many ways the pulp scifi answer to Hellboy, and I mean that with the most glowing praise I can) while it does diverge from our history at a certain point (arguably back in the 1930s when Nikola Tesla created an AI, but more firmly when there was a Kaiju Crisis in the 2010s), Robo is more likely to actually reference historical figures from both the past and present in the stories as a way of anchoring it to our world.
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Charles Fort, Alan Turing, and Carl Sagan all have a presence in the Atomic Robo universe, for example, but they’re unlikely ever to appear directly in a Hellboy work (more likely in the form of an homage character of some kind).
While back towards the fantasy/horror side of things, the comic Department of Truth and the sadly cancelled Netflix show Inside Job both engage in a similar premise (in a world where all the non-racist conspiracy theories are potentially true, their respective protagonist are responsible for hushing them up), albeit they are going in different direction. What with DoT being an existential horror story about how the nature of reality is elastic and controlled by belief (if enough people believe something is real it become real, so within the book’s universe the Moon Landing WAS faked with Stanley Kubrick the first time, but the world’s belief that it was real altered reality into it being true) while Inside Job is a sitcom that parodies conspiracy theory culture (with the more harmless ones played for their camp factor while Modern conspiracy theorists like Alex Jones are skewered... sometimes literally).
Another broadly connected example of the “real world events effecting fantastical people“ sub-genre could potentially be the 2000AD comic Caballistics, Inc, which is about what happened to the British government’s paranormal research and defense department after New Labour sold it off to get privatised in the early 2000s. That one didn’t really connect with the real world outside of the initial premise though, if memory serves.
I don’t know, could be interesting to see a story which a fantastical being working for the US government for an extended period only for the government to then turn on them for fickle reasons when Ron and Nancy entered the White House. Or when Thatcher ended up in 10 Downing Street in the UK’s case (she wasn’t really concerned about appeasing the religious right to my knowledge, she was more about hating poor people and LGBTQ folk).
Say, for an example off the top of my head, the magical woman that Jack Parson had attempted to summon with L Rob Hubbard turned out to be real, but like Hellboy was a child still when she first incarnated in the 1940s. After she accidentally explodes Parsons with her magical powers as a toddler, the US government quickly sweeps her up, intending to use her as a weapon in the newly unfolding Cold War.
So she gets the training she needs (or at least, gains control of her powers as she grows up), but is nudged into using those abilities during the Cold War to, say, remotely trash the Soviet space programme from her home in the fake town she lives in in the middle of the Nevada desert  (with an atomic bomb under her house if she decides to escape).
Skip forwards, several decades, and a new Christian Conservative president is in the White House. He learns about her, and all the horrific stuff she’s been asked to do, with the new Pres deciding that it’s in everyone’s best interests, nay a Holy Act even, if she were to “go away“.
This leading to the Scarlet Woman deciding to road trip across the United States to Washington DC to ask what the heck, as the result of socially isolating a god-person and making them murder people with magic for decades heads out across the continental United States.
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13eyond13 · 2 months
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can i query ur ask meme for 6, 29 and 41?
You sure can!
6. Describe your dream home.
I want something cozy and quiet and warm 🌡with lots of natural light for my plants 🪴 a big bathtub to soak in 🛁 a fireplace to read in front of 📖🔥 a yard to put a hammock in 🌳 a laundry chute straight to my laundry room🧺 and not too far from civilization, but still located out in the country enough that I could have a coop to raise 6 brown egglayer chickens in 🐔🐔🐔🐔🐔🐔
29. What's the most overrated movie?
Haha, good question! I went through my Letterboxd and picked out a few:
-Room (2015)
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Not to be confused with Tommy Wiseau's masterpiece "The Room." I remember hearing so much buzz about this movie when it was new, and when I finally watched it I thought it was kind of just a weird, Oscar baity, poorly paced mess?
-The Pursuit of Happyness (2006)
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This has like a 4.0 star rating on Letterboxd or something? But I found this movie extremely stupid when I watched it again recently. Came off like a corny extended Wells Fargo commercial with a really phony message and questionable morals/Conservative propaganda behind it
-American Psycho (2000)
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Ok, parts of it ARE pretty iconic and entertaining, and Christian Bale's performance is great. But it kind of falls apart as a narrative after a bit, and overall I don't think it does a super amazing job of keeping a consistent tone / saying whatever it's trying to say. Still love me some Patrick Bateman memes!
-Eyes Wide Shut (1999)
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One of Stanley Kubrick's most pretentious, blandly nihilistic, offensively misogynistic, least enjoyable outings for me. Found it incredibly boring to watch despite how lurid the subject matter is supposed to be
-Apocalypse Now (1979)
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It DOES have some amazing visuals and vibes at times, but in my opinion it's pretty pretentious and trying too hard to seem deeper than it is. I also don't think it was incredibly necessary to include an actual onscreen slaughter of a buffalo in it, either 😪 really turned me off from wanting to finish watching the whole thing
41. How many followers do you have?
The number goes down just about as often as it goes up hahaha, but currently it is:
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[nosy asks]
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